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Displayed below are some selected recent viaLibri matches for books published in 1750

        NÜRNBERG. "Prospect der drey Steinernen Brücken, über die Pegniz zu Nürnberg".

      - Altkol. Kupferstich (Guckkastenblatt) von G.B. Probst, Augsburg, um 1750, 28 x 41 cm. Dekoratives Augsburger Guckkastenblatt im kräftigen Altkolorit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Plan de la banlieue ouest-parisienne

      S.n., s.l. s.d. [circa 1750], 100x68cm, une feuille repliée. S.n., s.l. s.d. [circa 1750], 100x68cm, une feuille repliée. - First edition. This large folded map shows the cities of villes de Saint-Cloud, Sèvre, Marly, Saint-Germain en Laye, Le Vézinet, Suresnes, Nanterre... Some skillful repairs to the back. - [FRENCH VERSION FOLLOWS] Edition originale. Cette grande carte dépliante présente les villes de Saint-Cloud, Sèvre, Marly, Saint-Germain en Laye, Le Vézinet, Suresnes, Nanterre... Quelques habiles restaurations au verso. une feuille

      [Bookseller: Librairie Feu Follet]
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        NASSAU, 1750 Titel: Tabula Genealogica Principum Nassovicorum lineæ Dillenburgensis et Diecensis qui Fœderati Belgii provincias . gubernarunt, a primo Reipublicæ Fundatore ad eum us qui hodie feliciter rebus præest / ad exemplar Amstelodamense æri incidit et excudit Matthaeus Seutter, S. C. Maj. Geogr.

      Matthäus Seutter ca. 1750, Augsburg - Stammbaum, mit zahlreichen Wappendarstellungen und 2 Portraits, altkolieriert, original Kupfersich 56x48 cm Sandler: , 13, 5 de 500 Grafik

      [Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints]
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        Plans und Journals von denen Belagerungen des letzteren Kriegs in Flandern, zusammen getragen von zweyen ausländischen Capitainen in französischen Diensten.

      Strassburg, Melchior Pauschinger, 1750, - in-4°, 4 Bl. + 121 S., Blätter teils mehr oder wenig gebräunt + 25 gefaltete teils kolorierte Tafeln davon 1 Karte und 24 Plänen (grösstenteils gestochen von Lattré), einige Tafeln mit falschen Falten und kleinen Randbeschädigungen oder leicht braunen Fleckchen, alte hs. Widmung ? Rosenblad .?, Halblederband auf Bünden, vergoldete Linien und Titeletikette auf dem Rücken, obere Kapitale geknickt, etwas berieben und Ecken bestossen. Erste deutsche Ausgabe. 24 Journale und Pläne. Beschreibung der Belagerung mit einem jeweils dazugehörenden erläuternden Plan. Eroberung von Städten wie Brüssel, Antwerpen, Ostende, Lille, Bergen op Zoom, Maastricht, usw., Belagerungslinien gelb koloriert. Plus eine Karte von Flandern, belagerte Städte rot koloriert. Im Vorwerk u.a. eine Tabelle von den Belagerungen. Vollständiges Exemplar mit am Ende dem manchmal fehlenden Blatt mit Seitenummer 121, ein Brief von Maurice de Saxe.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Holzmann-B., DAL III/9083 (cf. 9082 für franz. Ausg. im gleichen Verlag und Jahr, H. gibt von Illengen als erster Autor, der Widmung unseres Werkes an Adolph Friderich Kronprinz von Schweden, ist aber zuerst von Funck unterschrieben). [Attributes: First Edition; Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Kupferstich- Karte, n. J. M. Hase b. Homann Erben, "Africa Secundum legitimas Projectionis Stereographicae regulas .".

      - mit altem Flächenkolorit, um 1750, 46 x 55,5 Norwich, Maps of Africa, Nr. 83; Tooley, Maps of Africa, S. 43 u. Abb. Plate 15. - Tooley kennt von der Karte zwei Zustände: a) datiert und mit Druckprivileg b) undatiert und mit Verlagsangabe "Noribergae in Officina Homanniana". Hier vorliegend mit Verlagsangabe Homann Erben und mit gelöschter Stecheradresse. ( S. Dorn ). - Unten links die Titelkartusche.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Habit de Boucher'.

      - anonymer Kupferstich b. N. de Larmessin (?), um 1750, 26,5 x 18,5 Metzger gekleidet mit seinen Werkzeugen und Produkten. - Sehr selten!

      [Bookseller: Antiquariat Norbert Haas]
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        Magnolia

      Nuremberg; Plantae Selectae 1750 - Sheet Dimensions: 12.5 x 18.5 in. Frame Dimensions: 21 x 27 in. Hand-colored copperplate engraving. Georg Dionysius Ehert is considered the most important botanical artist of the mid-18th century. Born to poor farmers in Heidelberg in 1708, Ehert showed an early propensity for drawing, though as a young man he was employed primarily as a gardener. Having drawn the attention of noted botanical artist Johann Weinmann and noted Nuremberg physician Dr. Christoph Jakob Trew, he gained support for his work.

      [Bookseller: Arader Galleries San Francisco]
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        Les Dons de Comus, ou l'Art de la Cuisine reduit en pratique. Nouvelle édition. Revue, corrigée & augmentée par l'auteur. Tome second. (Contenant la manière d'appréter toutes sortes de viandes, tant Cochon, Sanglier, Volailles et toute sorte de Gibier etc.) & Tome troisième. (Concernant la Patisserie, etc.).

      - Paris, chez la Veuve Pissot, 1750, voll. 2 (su 3), in-12, bella leg. coeva in tutto vitello marmorizzato, dorso a 5 nervi, tassello rosso con titolo e fregi fitomorfi in oro negli scomparti, tagli rossi, nastrini segnapagine, pp. (2), 490, (2), 533, (3). Fregio ai frontespizi, testate, finali e capilettera xilografici. Asportata la carta bianca iniziale al volume II; minori tracce d'uso alle coperte, con qualche spellatura, radi forellini di tarlo. Ristampa corretta ed aumentata (E.O. 1739: in un solo volume) d'un classico della letteratura gastronomica ed uno dei più importanti ricettari del sec. XVIII. Apparso anonimo, ma attribuito a Marin, che fu cuoco personale di Charles de Rohan, principe di Soubise, amico intimo di Luigi XV, protetto di M.me de Pompadour. In questi volumi sono esposte ricette di carni, pesci, legumi, verdure, uova, torte salate e dolci, timballi. Ex libris Federighi.

      [Bookseller: Libreria Oreste Gozzini snc]
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        Illustrated manuscript scroll "Haseo Soshi Emaki" [trans.: "Narrative Picture Scroll of Haseo Soshi"], complete, emakimono, manuscript on paper, five paintings in color, five manuscript texts, top & bottom edges of scroll in gold, 38 x 1127 cm., brocade endpapers, in a fitted wooden box

      No colophon: n.d. [ca. 1750]. An illustrated scroll of great quality of the famous story about Ki no Haseo (845-912), a courtier in the Early Heian Period. Written ca. 13th century, the oldest surviving scroll of this story - ca. 14th century, the Kamakura era - was preserved by the Hosokawa Family, formerly the ruler of the Kumamoto Fiefdom (today the Kumamoto Prefecture). The scroll rests now as an "Important Cultural Property" at the Eisei Bunko Museum in Tokyo. There are other scrolls of this celebrated story, some of which are incomplete or condensed versions, including those at the National Institute of Japanese Literature (Tokyo), the National Diet Library, Kyoto University, the Imperial Household Agency Library, Tokyo National Museum, and the Kyoto Prefectural Library. Our scroll illustrates the five scenes of this story:"1. One evening when Haseo was about to go to the Imperial Palace, he was visited by a stranger with shrewd eyes, who challenged him with a sugoroku (backgammon) game, saying that there was no other who could rival him in the game. Suspicious but tempted by curiosity, Haseo went out with the stranger, who took him to the Imperial gatehouse, Suzaku-mon. 2. The stranger helped Haseo up to the upper story of the gatehouse. Before beginning the game, he offered a 'girl of unearthly beauty' on bet, whereupon Haseo offered his entire property. As the game turned hopeless for the stranger, he betrayed himself as an awesome goblin, but Haseo at last won the game.3. Deep in the night of the promised day, the man brought to Haseo a beautiful young lady, telling him never to touch her within one hundred days. 4. Eighty days passed. Unable to resist the ever increasing charm of the girl, Haseo embraced her, whereupon she became water and flowed away. He repented, only in vain.5. About three months later, Haseo was going home in the night from the Imperial Palace, when the stranger came to his vehicle and blamed him for breaking the promise. Haseo barely escaped danger by his prayers to the god of Kitano Tenjin. The stranger was a goblin inhabiting the Suzaku Gate, who had created the girl by assembling beautiful parts of dead women. If she had been left untouched for one hundred days, she would have become a real human being."-Tanaka, Ichimatsu, Nihon emakimono zenshu. Japanese Scroll Paintings, Vol. 18, p. 3. "Pictorial representation of literary materials is one of the most important aspects of Japanese art, for in Japan, pictorial images have always been viewed as an indispensable means of communication. Emaki, the art of narrative painting in handscrolls, reached its peak from the twelfth to the fourteenth century, yet the large number of exciting and beautiful examples from later periods are ample testimony that this art never lost its creative energy, or patronage."-Murase, Miyeko, from the "Introduction" of Tales of Japan. Scrolls and Prints from The New York Public Library (1986). The production of luxury scrolls such as ours employed the finest illustrators and artists of the period. Provenance: stamp of the "Kuyo Bunko" library of the Waseda University scholar Koichi Nakano, a specialist in early Japanese literature. In fine condition. There are several small defects. The first text has two carefully repaired holes, slightly touching three characters. The first painting has two small holes carefully repaired. Hase's sword in the first painting has oxidized. The second text has a little dampstaining and defect touching one character. The fourth painting has a small defect well repaired. The example at the National Institute of Japanese Literature is closely related to our scroll. ❧ Komatsu, Shigemi, Nihon emaki taisei (1977), Vol. 11, pp. 74-89. Komatsu, Shigemi, Nihon no emaki (1994)-a facsimile of the earliest scroll of this story.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc. ]
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        KOSMETIK. - Kinder., "Das Muztischgen". In einem Ankleidezimmer steht eine Mutter mit ihrem Töchterchen, das aufmerksam in den Spiegel des Toilettentischchens schaut, auf dem die Puderdosen und Schmincksachen stehen, unten Verse in Deutsch und Französisch.

      Schabkunstblatt von J.J. Haid, Augsburg, um 1750, 38 x 32 cm. Die französischen Verse sprechen davon, daweiblich Wesen niemals Kinder sind, wenn es um die Schönheit geht sie haben immer den Wunsch zu gefallen. Die deutsche Version spricht von "Hoffarth". - Prächtiges Schabkunstblatt mit breitem Rand.

      [Bookseller: Franziska Bierl Antiquariat]
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        Charitonis Aphrodisiensis DE CHAEREA & CALLIRRHOE AMATORIARUM NARRATIONUM LIBRI VIII - IDEM VERTIT JOANNES JACOBUS REISKIUS - una cum JACOBI PHILIPPI D'ORVILLE ANIMADVERSIONES in Charitonis Aphrodisiensis de Chaerea & Callirrhoe narrationum .

      Pietro Mortier, Amsterdam 1750 - Volume in 4° grande legato in pergamena, piatti impressi a secco con rosone centrale, titolo al tassello al dorso a 6 nervi, pergamena tagliata alla cerniera anteriore e con piccole mancanze al piede del dorso e su una nervatura, sguardie con ben tre exlibris diversi incollati, scritta a pennino, frontespizioin greco con bella marca tipografica, XX, 144 pp. del testo greco; frontespizio latino, 4 carte, 168 pp del testo greco; occhiello e frontespizio delle Animadversiones, 788 pp., 29 carte d'indici. Editio Princeps di questa curiosa e rara opera letteraria, sopravissuta al tempo grazie ad un singolo manoscritto conservato alla Laurenziana scoperto nel XVIII secolo e portato alle stampe dal D'Orville in questa magnifica impressione. Il racconto delle avventura di due amanti, entrambi fatti schiavi e divisi che alla fine torneranno a ritrovarsi. Un classico alla stregua dell'opera d'Apuleio o di Petronio. In ottimo stato fatti salvi i difetti alla legatura, raro.

      [Bookseller: Accademia degli Erranti]
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        Les jugements des horoscopes ou figures célèstes

      1750 - Pleine basane jaspée de l'époque. Un volume in-12 (156x103 mm), (215)-(11 bl.) pages et sept tableaux dont un dépliant Reliure légèrement frottée. . Manuscrit d'astrologie anonyme du dix-huitième siècle, à notre connaissance jamais publié. Après une partie introductive dans laquelle l'auteur présente les principes de l'astrologie (planètes, maisons, signes du zodiaque, .), le reste du manuscit est entièrement consacré au thème d'une femme que l'auteur affirme ne jamais avoir rencontré. Le thème est divisé en trois parties. La première donne la table des étoiles au jour de la naissance (en 1688) du sujet. La seconde, que l'auteur appelle "La racine" consiste à décrire les grandes influences entourant la vie de cette femme (espérance de vie, tempérament, esprit, moeurs, famille, mariage, richesses, bonheur, honneur, voyages, amis, ennemis, maladies, mort). Enfin, la dernière partie donne des prédictions années après années - débutant aux 8 ans de la fille et se terminant à la date prédite de son décès, à 79 ans, le 22 anvier 1767, avec les faits qui devraient arriver tout au long de sa vie. Il est difficile à la lecture de ce manuscrit, de savoir s'il s'agit d'un cas d'école ou du thème d'une personne ayant rééllement existé, mais au vu des précautions que prend l'auteur pour expliquer que certes les étoiles ont une influence, mais que cette femme garde son destin en main, le détail et la précision des prédictions qui s'étend sur 200 pages, nous pensons qu'il s'agit du thème commandé pour une femme que nous n'avons pas réussi à identifier. De plus, in fine l'auteur écrit "J'ai jugé cette figure céleste avec plaisir, sans avoir le biens d'avoir jamais vu la dame n'y savoir ces affaires, cependant je me suis senty une disposition à travailler pour elle". Il est rare de rencontrer de tels manuscrit, véritable témoignage de l'astrologie telle qu'elle pouvait se pratiquer au dix-huitième siècle. ___________________________________________________________________________________ ______________________________ENGLISH_DESCRIPTION______________________________ ___________________________________________________________________________________ Contemporary full speckled sheep. 12mo (156x103 mm), (215)-(11 bl.) pages an 7 tables Binding slightly rubbed. . Anonymous astrological manuscript of the eighteenth century, never published. After an introduction in which the author presents the principles of Astrology (planets, houses, zodiacal signs, .), the manuscit is tevoted to the theme of a woman whom the author claims never to have meet. The theme is divided into three parts. The first gives the stars the day of birth (in 1688) of the subject. The second, which the author calls "the root", describes the major influences surrounding this woman's life (life expectancy, temperament, spirit, morals, family, marriage, wealth, happiness, honor, travel, friends, enemies , illness, death). The last part gives predictions years after years - beginning to 8 year-old and ending at the predicted time of his death, at age 79 the 22th of January 1767, with the facts that should happen throughout his life. It's hard to know if this manuscript, is a case study or theme of a real person. It is rare to find such manuscript, a true testimony of astrology as it could be practiced in the eighteenth century. In 12 / 12mo 223g. [Attributes: First Edition; Hard Cover]

      [Bookseller: Eric Zink Livres anciens]
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        Histoire du prince Soly, surnommé Prenany, et de la princesse Feslée

      original, unusual Edition. Binding full glazed calf and marbled time. Back smooth decorated. as Exhibit in Havana morocco. 2 corners bumped, including a trimmed. Friction, particularly at borders. Aux dépens de La Compagnie à Amsterdam 1750 In-12 (9x15,5cm) (2) x (3) 138pp. ; (2) 129pp. (3) 2 parties en un volume relié

      [Bookseller: Librairie Le Feu Follet]
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        ISTRUZIONE per li Fabricatori, ed Aggiustatori delle Bilance, Stadere e Misure.

      Stamperia Reale,, Torino, 1750 - in-4 (mm. 280x200), pp. 40, (4), leg. carta colorata coeva con elegante finta etichetta disegnata al piatto ant., d. rinforzato da carta dec. Con 4 gr. tavv. ripp. al fine inc. da G. Stagnon di Torino raff. bilance, stadere di varie foggie, con i richiami numerati per il testo. L’ultima tavola raff. una macchina per la misura del volume dei vari prodotti. L’opera si compone di 3 sezioni: la bilancia, la stadera e l’ultima che riguarda le misure. Prima e unica edizione di questo raro trattato. Manca a Nuc. Riccardi II (VII), 50: "Interessante per la storia della metrologia.". Ottimo stato di conservazione. Raro.

      [Bookseller: SCRIPTORIUM Studio Bibliografico]
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        Neu-vermehrt und vollständiges Gesang-Buch, worinnen sowohl die Psalmen Davids, nach D. Ambrosii Lobwassers Ubersetzung hin und wieder verbessert, als auch 700 ... auch mit dem heydelbergischen Catechismo und erbaulichen Gebätern versehen, etc.

      Marburg: Zu finden bey Joh. Henrich Stocks ältesten Tochter, 1750. 12mo (15.5 cm; 6"). Frontis., [2], 214, [2], 424, [8], 20 pp. An eye-catching and physically pleasing copy of the 1750 printing of the Marburger Gesang-buch with the final section being a printing the text of the Heidelberg catechism, printed in Fraktur (i.e, black letter) as is the rest of the volume. The melodies are sporadically indicated in diamond-shaped notation. => Overall, this is an important text in the liturgies of the Calvinistic and Zwinglian Churches.    Binding: Vellum over light wood boards with bevelled edges; round hollow-back spine with false bands created by tooling in black; endpapers of a stencilled gilt leaf -design on orange "wallpaper;" all edges gilt and gauffered. Covers => elaborately tooled all over in black (not embossed with a plaque as was another style of this type of painted vellum binding), and then => painted in red and black.    Such bindings as this are known in Germany as "Bauern Einbände," or "Peasant Bindings" — but, though betraying a strong influence of folk art, they were certainly not for peasants! The style almost certainly developed in Hungary with early examples first appearing in southern Germany, and it was to gain greatest favor in northern Germany and Holland during the 18th century.    Provenance: Kovel family to at least 1779; front and rear blank pages filled with family birth and death information in German and English for the Kovel and related families, 1729–79. In the 20th century in the collection of Estelle Doheny with her red morocco bookplate. Binding as above; either lacking free endpapers or they are present as plain paper not matching the pastedowns. => Very good, very engaging.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Mémoires et lettres - Lettre de M. le marquis d'Argens avec la réponse de M. Dep** & Dona Urraca, reine de Castille et de Léon

      Par la société 1750 - 2 tomes reliés en un volume in-8 (17cm x 10cm) de 312-48 & 161pp. Plein veau, dos à la grotesque; pièce de titre en maroquin rouge, titre frappé or, coiffes et coupes filetés; tranches rouges. (Reliure d'époque) Bel exemplaire, coins et coiffes frottés avec de légères épidermures, discret trou à un mors; intérieur dans l'ensemble frais malgré des rousseurs à quelques feuillets. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE EPPE FRÈRES]
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        HERSBRUCK. - Karte. "Bezirck der Nürnbergischen Pfleg Aemter Herrspruck, Reicheneck, Engelthal und Hohenstein im Alten Nordgau gelegen".

      - Altkol. Kupferstich von T.C. Lotter nach Paul Pfinzing, um 1750, 59 x 53 cm. Cartographia Bavariae, K 2, 19. - Schöne Karte mit Hersbruck im Zentrum, nach der berühmten Karte von Paul Pfinzing entstanden. Ohne Stecher und Verlagsangaben. - Der schmale Rand gering ausgefranst, sonst wohl erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Kupferstich- Karte, b. T. C. Lotter n. Paul Pfinzing, "Bezirck Der Nürnbergischen Pfleg Aemter Herrsbruck, Reicheneck, Engelthal und Hohenstein im alten Nordgau gelegen".

      - mit altem Flächenkolorit, um 1750, 59 x 53 (H) Vergl. Cartographia Bavariae, K 2,19. - Karte ohne Stecher und Verlagsangaben, oben links die Titelkartusche mit den Wappen der Pflegeämter, unten links Erklärungen. . Zeigt die Pflegeämter Hersbruck, Reicheneck, Engeltal und Hohenstein. Hersbruck im Mittelpunkt der Karte. Als Vorlage für diese Karte diente die Karte von Paul Pfinzing, die dann später auch bei Lotter in Augsburg erschien.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Attaque et Logement du Chemin Couvert

      Augsburg 1750 - Rara incisione che raffigura l'attacco di Barcellona del 1714, nell'ambito della Guerra di Successione Spagnola (1701 - 1714). L'incisione appartiene a una suite dedicate all'avvenimento, tutte incise da Martin Engelbrecht da disegni di Jacques Rigaud ( 1681?-1754 ) Didascalia storica bilingue, francese/tedesco. Acquaforte e bulino, in ottimo stato di conservazione. One of the engravings by Martin Englebrecht after Rigaud; views of besieging troops outside walled city. Title and text printed below in French and German. Etching and engraving, in very good condition. Dimensioni 430 265mm

      [Bookseller: Libreria Antiquarius]
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        Neu-vermehrt und vollständiges Gesang-Buch, worinnen sowohl die Psalmen Davids, nach D. Ambrosii Lobwassers Ubersetzung hin und wieder verbessert, als auch 700 ... auch mit dem heydelbergischen Catechismo und erbaulichen Gebätern versehen, etc.

      Zu finden bey Joh. Henrich Stocks ältesten Tochter, 1750. An eye-catching and physically pleasing copy of the 1750 printing of the Marburger Gesang-buch with the final section being a printing the text of the Heidelberg catechism, printed in Fraktur (i.e, black letter) as is the rest of the volume. The melodies are sporadically indicated in diamond-shaped notation. => Overall, this is an important text in the liturgies of the Calvinistic and Zwinglian Churches. Binding: Vellum over light wood boards with bevelled edges; round hollow-back spine with false bands created by tooling in black; endpapers of a stencilled gilt leaf -design on orange "wallpaper;" all edges gilt and gauffered. Covers => elaborately tooled all over in black (not embossed with a plaque as was another style of this type of painted vellum binding), and then => painted in red and black. Such bindings as this are known in Germany as "Bauern Einbände," or "Peasant Bindings" -- but, though betraying a strong influence of folk art, they were certainly not for peasants! The style almost certainly developed in Hungary with early examples first appearing in southern Germany, and it was to gain greatest favor in northern Germany and Holland during the 18th century. Provenance: Kovel family to at least 1779; front and rear blank pages filled with family birth and death information in German and English for the Kovel and related families, 1729-79. In the 20th century in the collection of Estelle Doheny with her red morocco bookplate.

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]
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        Roman Cabalistique (le).

      Chez Joli, Amsterdam 1750 - In-12 de 70 pp. Reliés à la suite : DIDEROT (Denis). Lettre de M. Diderot au R. P. Berthier, Jésuite. Sans lieu, 1751. In-12 de 56 pp. VOLTAIRE. Remercîment sincère à un homme charitable. A Amsterdam, chez Le Vray (Paris, Michel Lambert), 1750. In-12 de15 pp. Les trois pièces reliées en 1 vol. in-12 basane marbrée, dos orné à nerfs, pièce de titre en maroquin rouge, tranches jaspées (reliure de l'époque). Reliure en partie épidermée mais bon exemplaire. 1. Edition originale rare et anonyme. Guaïta : « Ce Roman Cabalistique n'est pas commun. Soit hasard, soit que l'auteur fut initié, il a dépeint très nettement, sous l'appellation des animaux invisibles, les êtres inconscients, semi-conscients, ou simplement instinctifs, que les occultistes nomment élémentaux, larves, fantômes astraux? » Guaïta, Bibliothèque occulte, n°2063 ; Caillet n°9571 « Rare, curieux opuscules qui mériterait d'être réimprimé ». Exemplaire sans le feuillet blanc placé à la fin. 2. Edition originale rare. Première des deux lettres que Diderot publia en 1751 pour répondre aux attaques du Père Berthier publiées dans le Journal de Trévoux sur le prospectus de l'Encyclopédie. Tchemerzine-Scheller II, p. 930 ; Adams, II, LE1 ; Wilson, p. 107 : « les tirs échangés eurent au moins l'avantage d'éveiller l'intérêt du public ; témoin le nombre de pamphlets qui parurent sur cette querelle, très rares aujourd'hui ». 3. Edition in-12 publiée l'année de l'originale in-8. Daté Marseille, le 10 may 1750. Écrit en réponse à divers articles des Nouvelles ecclésiastiques dirigés contre la Défense de l'Esprit des lois par Montesquieu ; sans doute publié à Paris, chez Lambert, il a paru aussi dans L'Abeille du Parnasse du 12 septembre 1750. Bengesco, n° 1607 ; Oeuvre imprimé de Voltaire à la B.N. 3811. Reliés avec : MOISSY (Alexandre-Guillaume de). La Nouvelle école des femmes, comédie en 3 actes et en prose, par M. de Moissy, représentée pour la première fois par les Comédiens italiens ordinaires du Roi, le 6 avril 1758. Paris, Duchesne, 1765. In-12 de IV-81-(1) pp.13 pp., de musique gravée. Edition originale ? [LA PLACE (P.-A. de)]. Venise sauvée, tragédie imitée de l'anglois d'Otway, représentée par les Comédiens-françois, le 5 décembre 1746. Paris, J. Clousier, 1747. In-12 de VI-(2)-84-(2) pp. Deuxième édition ? Lettre à M***, de la Société royale de Londres. S.l.n.d. In-12 de 4 pp. Edition originale anonyme sur le différend entre Diderot et le Père Berthier jésuite, à propos du prospectus de l'Encyclopédie ? BAILLET DE SAINT-JULIEN (Guillaume) Lettres sur la peinture à un amateur. A Genève, 1750. In-12 de 15 pp. Edition originale ? LA FONT DE SAINT-YENNE (Etienne). Lettre sur la pièce de Cénie écrite à Mme de Gr** (Grafigny). Sans lieu, 1750. In-12 de 19 pp. Edition originale ? Lettre à M. de V*** (Voltaire) sur la tragédie d'Oreste. S.l.n.d. In-12 de 16 pp. ? [GAZON-DOURXIGNÉ]. Lettre sur la Sémiramis de M. de Voltaire représentée pour la première fois sur le théâtre françois le 29 août 1748. A Paris, Chez J. Clousier, 1748. In-12 de 15 pp. Edition originale ? [XIMÉNEZ (Augustin-Louis de)]. Électre vengée, ou Lettre sur les tragédies d'Oreste et d'Électre, par M. le M. de C. Sans lieu, 1750. In-12 de 23 pp. Edition originale ? [BOUGEANT (Guillaume-Hyacinthe)]. Lettre du Père*** à Monseigeur l'évêque de Marseille, sur la mort du Père Porée, de la Compagnie de Jesus. S.l.n.d. (Paris, 1741). In-12 de (2)-31 pp. Edition originale ? Dialogue entre la poésie et la fortune par Monsieur *** Paris, Merigot, 1739. In-12 de 8 pp. Edition originale ? [GUÉRET (Louis-Gabriel)]. Avis d'un docteur de Sorbonne, au sujet de la declaration du Roy, du 17 août 1750. Et de la reponse du clergé de France. A Berlin, aux dépens de la Compagnie, 1751. In-12 de 43 pp. ? Lettre d'un François écrite de La Haye à un de ses amis à Paris, sur la tragédie de Coligni. S.l.n.d. In-12 de 29 pp. Edition originale. Exemplaire rogné court en marge avec perte de quelques lettres ? Les très-humbles Remontrances [Attributes: First Edition; Soft Cover]

      [Bookseller: Bonnefoi Livres Anciens]
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        Profil de la Ville de Rome

      Parigi 1750 - Panorama di Roma preso dal Gianicolo, firmata "Aveline fecit et excudit", edita a Parigi presso Charpentier. La bella veduta ebbe diverse edizioni ed editori. Quella del Charpentier sembrerebbe essere la prima. Particolare curioso, la veduta non include il Colosseo. Nel margine inferiore, legenda di 47 numeri. Acquaforte, con ampli margini, consueta piega centrale, sporadiche e piccole ossidazioni nei margini bianchi nel complesso in ottimo stato di conservazione. Non censita dai principali repertori. Marigiliani, p. 262, n. 175. Dimensioni 525 347mm

      [Bookseller: Libreria Antiquarius]
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        AUGSBURG. - Waisenhaus. "Das Evangelische Waisenhauß in Augspurg von Abend her anzuschauen samt dessen Prospect". Blick von der Franziskanerkirche über die Dächer der Stadt bis zur Ulrichskirche. Im Himmel Spruchband, gehalten von zwei Putten.

      - Kupferstich von Matthäus Sigmund Sallomusmüller, um 1750, 37,5 x 42 cm. Schefold 41531. - Seltenes Ereignisblatt mit drei Kartuschen im unteren Rand. - Insgesamt angegraut, leicht fleckig, unten etwas knapprandig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        AUGSBURG. - Waisenhaus. "Das Evangelische Waysenhauß in Augspurg von Abend her anzuschauen samt dessen Prospect". Blick von der Franziskanerkirche über die Dächer der Stadt bis zur Ulrichskirche. Im Himmel Spruchband, gehalten von zwei Putten.

      - Kupferstich von Matthäus Sigmund Sallomusmüller, um 1750, 37,5 x 42 cm. Schefold 41531. - Seltenes Ereignisblatt mit drei Kartuschen im unteren Rand. - Alt auf Karton aufgezogen, die Ränder etwas berieben. Gerahmt. [Attributes: Soft Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Gesamtansicht, darunter Erklärungen v. 1 - 36, "Königsberg".

      - kol. Kupferstich n. F.B. Werner b. Probst in Augsburg, nach 1750, 30 x 99 Marsch, F.B. Werner, S. 141 Königsberg 1b. Gesuchte, übergroße, von 2 Platten gedruckte Ansicht, nach einer 1727 erstellten Vorlage von F.B. Werner. - Das schöne Kolorit wohl nicht zeitgemäß, am rechten Rand zwei kleine Einrisse am Plattenrand hinterlegt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Gesamtansicht, "Dresden".

      - Kupferstich ( v. 2 Platten ) b. Johann Friedrich Probst in Augsburg, um 1750, 30,5 x 99,5 Nicht bei Fauser; Marsch, Friedr. Bernh. Werner, S. 138/139 ( 2. Zustand ). - Im Himmel Schriftband mit Titel und ein großes Wappen. Unter der Ansicht Erklärungen von 1 - 16. Rechts unten Nr. 47. - Angelika Marsch konnte von diesem 2. Zustand kein Exemplar nachweisen. Restaurierte Einrisse im Rand außerhalb der Abbildung.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Allgemeine Historie der Reisen zu Wasser und Lande; oder Sammlung aller Reisebeschreibungen, welche bis itzo in verschiedenen Sprachen von allen Völkern herausgegeben worden, und einen vollständigen Begriff von der neuern Erdbeschreibung und Geschichte machen; Worinnen der wirkliche Zustand aller Nationen vorgestellet, und das Merkwürdigste, Nützlichste und Wahrhaftigste in Europa, Asia, Africa und America, in Ansehung ihrer verschiedenen Reiche und Länder; deren Lage, Größe, Grenzen, Eintheilungen, Himmelsgegenden, Erdreichs, Früchte, Thiere, Flüsse, Seen, Gebirge, großen und kleinen Städte, Häfen, Gebäude, u.s.w. wie auch der Sitten und Gebräuche, der Einwohner, ihrer Religion, Regierungsart, Künste und Wissenschaften, Handlung und Manufacturen, enthalten ist; Mit nöthigen Landkarten nach den neuesten und richtigsten astronomischen Wahrnehmungen ... Durch eine Gesellschaft gelehrter Männer im Englischen zusammen getragen. Sechster Band.

      Leipzig, Arkstee & Merkus, 1750. Gr.-8°. Titel + 3 n.n. Bll. + 608 S. + 16 n.n. Bll. OLd. der Zeit, auf fünf Bünden. Mit allen 44 Beilagen (Karten bzw. Tafeln), ohne die angegebenen drei Karten für den 5. Band. Einer von 21 Bänden. Apart. - Ebd. berieben, stockfleckig bzw. fleckig, Gbrsp., Gelenke etw. gelockert, Besitzeinträge a. fl. V., eine Tafel tlw. koloriert. - Behandelt die \"Beschreibung von China\" sowie \"Beschreibung von Korea, der westlichen Tartarey und Tibet\" u. a. - Schwabe, (1714 - 1784), war nach dem Studium der Theologie in Leipzig zunächst Privatlehrer und Hofmeister, seit 1750 Kustos der Universitätsbibliothek. 1765 wurde er a.o.Prof. der Philosophie an der Univ. Leipzig. Der überzeugte Anhänger von Gottscheds poetischen Lehren war einer der vielseitigsten Übersetzer, Herausgeber und Publizisten der deutschen Aufklärung. Er übersetzte Werke von Voltaire und Swift, ferner pädagogische, geographische und naturwissenschaftliche Schriften und publizierte 1747 eine Neuausgabe von Daniel Georg Morhofs Polyhistor. Für Gottscheds unvollendete Literaturgeschichte bearbeitete er das Kapitel über den Roman. Als Herausgeber der \"Belustigungen des Verstandes und des Witzes\" bot er ein Forum für kritische Beiträge von Karl Christian Gärtner, Johann Adolf und Johann Elias Schlegel, Christian Fürchtegott Gellert und Friedrich Wilhelm Zachariae. (DBE) Versand D: 7,00 EUR Reise

      [Bookseller: Antiquariat Weinek]
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        Il carro di Pulcinella o Pulcinella felice

      1750 - Acquaforte, 1750 circa, firmata in basso a destra ‘Joan. Aug. Ratti Pictor Sanueasis inv. et fec.’ Bellissima prova, impressa su carta vergata coeva, una piccola macchia nel bordo bianco inferiore, qualche piega di carta, nel complesso in ottimo stato di conservazione. Questa rara incisione del celebre pittore ligure Giovanni Augusto Ratti fa da pendant con un altro foglio che rappresenta Pulcinella infelice che abbandona la casa con la propria famiglia. Il tema di Pulcinella era stato rappresentato da Ratti non solo in queste due incisioni ma anche, in qualità di pittore ceramista, su maiolica. Il savonese Giovanni Agostino Ratti (Savona, 1699 - Genova, 1775) nella sua carriera di pittore ha prodotto numerosi quadri di soggetto sacro e profano che ornano chiese, oratori e palazzi di tutta la Liguria, dove principalmente operò nella sua vita. Fu padre e maestro di Carlo Giuseppe Ratti e frequentò a Roma la scuola di Benedetto Luti. Protagonista della pittura a Savona nel Settecento, il Ratti a metà del secolo rappresenta anche nel più vasto panorama culturale ligure un riferimento di spicco, soprattutto per l'impegno nella costituzione e nell'incremento - anche attraverso gli influssi sul figlio Carlo Giuseppe - dell'Accademia Ligustica di Belle Arti. Sono note 22 incisioni, quasi tutte realizzate durante il suo soggiorno romano. Le due incisioni di Pulcinella, però, furono realizzate una volta rientrato in Liguria, dove continuò a lavorare tra Savona e Genova, fino alla sua morte. Etching, 1750 circa, signed on platea t lower right ‘Joan. Aug. Ratti Pictor Sanueasis inv. et fec.’ Good example, printed on contemporary laid paper, below small spot in the white border, otherwise in good condition. A very rare etching by the famous Italian painter Giovanni Augusto Ratti is a pair with another sheet showing Pulcinella, sad, who leaves the house with his family. The theme of Pulcinella was represented by Ratti not only in these two recordings but also, as a ceramist, on majolica. Giovanni Agostino Ratti, from Savona, came early to Rome, where he studied for several years in the studio of Benedetto Luti. Most of his 22 well-known etchings originated mainly in Rome, but the motifs of the Pulcinella did not arise until after his return to the homeland, where he pursued various orders between Savona and Genoa until his death. De Vesme 20 Dimensioni 292 230mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Veduta della Piazza della Rotonda

      Roma 1750 - Bella veduta tratta dall'opera "Les Plus Beaux Edifices De Rome Moderne, Ou Recueil Des Plus Belles Vues Des Principales Eglises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinees Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravees en XLIV. Grandes Planches et Plusieurs Vignettes; Par D'Habiles Maitres. Avec La Description Historique De Chaque Edifice", le cui illustrazioni furono incise per la massima parte da Dominique Montagu su disegni di Jean Barbault. La raccolta fu pubblicata per la prima volta da Bouchard et Gravier Libraires nel 1763. Incisione su rame all'acquaforte, in ottime condzioni. Beautiful view taken from "Les Plus Beaux Edifices De Rome Moderne, Ou Recueil Des Plus Belles Vues Des Principales Eglises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinees Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravees en XLIV. Grandes Planches et Plusieurs Vignettes; Par D'Habiles Maitres. Avec La Description Historique De Chaque Edifice", with plates and signed by Jean Barbault as draftsman, and most of of these engraved by D. Montagu. Ething in good condition. Dimensioni 540 395mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        CHESS MADE EASY: or, The Games of Gioachino Greco, the Calabrian; with additional games and openings, illustrated with remarks and general rules. The whole so contrived, that any person may learn to play in a few days, without any farther assistance.

      London, J. & P. Knapton; and W. Sandby, 1750.. SECOND EDITION 1750. 12mo, approximately 122 x 75 mm, 4¾ x 3 inches, engraved frontispiece by I. S. Miller after C. D. Moor showing an interior with a chess game in progress, plus a defective folding plate of a chess board ( the outer half missing), pages: xxiii, [3], 212, errata start on page xxiii and finish on page (2), bound in modern full mottled calf, panelled with lighter leather, gilt raised bands, gilt rules and richly gilt in compartments, gilt lettered red morocco label, new endpapers. Small pale stain to lower margin of prelims, minute tip missing from upper corner of prelim leaves, small light stain to margin of last 2 leaves in the volume, otherwise contents clean. Binding tight and firm. A very good copy of a scarce chess book (chessboard plate defective as noted). First published in English in 1656 as The Royall Game of Chesse-play, translated from Trattato del nobilissimo giuoco degli scacchi (c. 1625) by the celebrated Italian chess player Gioachino Greco (c. 1600 – c. 1634), also known as Il Calabrese. Greco is credited with developing some gambits and published this collection of short games to illustrate his theories. ESTC T128171. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Africae Pars Meridionalis cum Promontorio Bonae Spei,

      Augsburg 1750 - Carta geografica dell'Africa Meridionale con i particolari di Cape of Good Hope, inserite nei cartigli in basso. Incisione in rame, coloritura coeva, in ottime condizioni. A map of Southern Africa by T.Lotter [1717-1777]. The coastline still provides inaccurate information, while Hottentot tribes are illustrated throughout the mainland. There are three detailed insets of the Cape Fort (castle), Saldanha Bay and the Cape of Good Hope, all with a legend. There is a cartouche dedication to Domino Wilhelmo. O. I. Norwich, "Norwich's Maps of Africa", map 177 Dimensioni 590 500mm

      [Bookseller: Libreria Antiquarius]
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        Europa delineata iuxta observationes.

      Augsburg, 1750 - Incisione in rame, coloritura originale d'epoca, mm. 485x575. Seutter, dopo un apprendistato presso Homann a Norimberga, trasferitosi ad Augsburg verso il 1720, aprì la propria attività superando esteticamente il maestro: le sue carte hanno sempre colori brillanti e cartigli elaborati. La sua attività fu rilevata da Lotter. Buon esemplare con buoni margini che presenta qualche traccia di piega. cartografia.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Tabula Synoptica Totius Fluminis Danubii.

      Ausburg 1750 - Grande carta geografica in tre fogli, anticamente uniti, raffigurante tutto il corso del Danubio ed il Mar Nero. Il Lotter, incisore ed editore tedesco, sposò la figlia del cartografo Matthaus Seutter, del quale era collaboratore e a cui successe nell’attività editoriale. Incisione in rame, bella coloritura coeva, difetti minori, nel complesso in ottimo stato di conservazione. Molto decorativa. Great geographic map in three sheets, joined together in the past, depicting the course of the Danube and the Black Sea. Lotter, German engraver and publisher, married the daughter of Matthaus Seutter, a cartographer with whom he had worked and from whom he inherited the publishing business. Copperplate engraving, fine contemporary colour, minor defects, otherwise in good condition. Very decorative. Dimensioni 1720 500mm

      [Bookseller: Libreria Antiquarius]
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        Illustrated manuscript scroll "Haseo Soshi Emaki" [trans.: "Narrative Picture Scroll of Haseo Soshi"], complete, emakimono, manuscript on paper, five paintings in color, five manuscript texts, top & bottom edges of scroll in gold, 38 x 1127 cm., brocade endpapers, in a fitted wooden box

      - No colophon: n.d. [ca. 1750]. An illustrated scroll of great quality of the famous story about Ki no Haseo (845-912), a courtier in the Early Heian Period. Written ca. 13th century, the oldest surviving scroll of this story - ca. 14th century, the Kamakura era - was preserved by the Hosokawa Family, formerly the ruler of the Kumamoto Fiefdom (today the Kumamoto Prefecture). The scroll rests now as an "Important Cultural Property" at the Eisei Bunko Museum in Tokyo. There are other scrolls of this celebrated story, some of which are incomplete or condensed versions, including those at the National Institute of Japanese Literature (Tokyo), the National Diet Library, Kyoto University, the Imperial Household Agency Library, Tokyo National Museum, and the Kyoto Prefectural Library. Our scroll illustrates the five scenes of this story: "1. One evening when Haseo was about to go to the Imperial Palace, he was visited by a stranger with shrewd eyes, who challenged him with a sugoroku (backgammon) game, saying that there was no other who could rival him in the game. Suspicious but tempted by curiosity, Haseo went out with the stranger, who took him to the Imperial gatehouse, Suzaku-mon. 2. The stranger helped Haseo up to the upper story of the gatehouse. Before beginning the game, he offered a 'girl of unearthly beauty' on bet, whereupon Haseo offered his entire property. As the game turned hopeless for the stranger, he betrayed himself as an awesome goblin, but Haseo at last won the game. 3. Deep in the night of the promised day, the man brought to Haseo a beautiful young lady, telling him never to touch her within one hundred days. 4. Eighty days passed. Unable to resist the ever increasing charm of the girl, Haseo embraced her, whereupon she became water and flowed away. He repented, only in vain. 5. About three months later, Haseo was going home in the night from the Imperial Palace, when the stranger came to his vehicle and blamed him for breaking the promise. Haseo barely escaped danger by his prayers to the god of Kitano Tenjin. The stranger was a goblin inhabiting the Suzaku Gate, who had created the girl by assembling beautiful parts of dead women. If she had been left untouched for one hundred days, she would have become a real human being."-Tanaka, Ichimatsu, Nihon emakimono zenshu. Japanese Scroll Paintings, Vol. 18, p. 3. "Pictorial representation of literary materials is one of the most important aspects of Japanese art, for in Japan, pictorial images have always been viewed as an indispensable means of communication. Emaki, the art of narrative painting in handscrolls, reached its peak from the twelfth to the fourteenth century, yet the large number of exciting and beautiful examples from later periods are ample testimony that this art never lost its creative energy, or patronage."-Murase, Miyeko, from the "Introduction" of Tales of Japan. Scrolls and Prints from The New York Public Library (1986). The production of luxury scrolls such as ours employed the finest illustrators and artists of the period. Provenance: stamp of the "Kuyo Bunko" library of the Waseda University scholar Koichi Nakano, a specialist in early Japanese literature. In fine condition. There are several small defects. The first text has two carefully repaired holes, slightly touching three characters. The first painting has two small holes carefully repaired. Hase's sword in the first painting has oxidized. The second text has a little dampstaining and defect touching one character. The fourth painting has a small defect well repaired. The example at the National Institute of Japanese Literature is closely related to our scroll. ? Komatsu, Shigemi, Nihon emaki taisei (1977), Vol. 11, pp. 74-89. Komatsu, Shigemi, Nihon no emaki (1994)-a facsimile of the earliest scroll of this story.

      [Bookseller: Jonathan A. Hill, Bookseller Inc.]
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        Vollständiges Bücher-Lexicon enthaltend alle von 1750 bis 1910 in Deutschland und in den angrenzenden Ländern gedruckten Bücher. 36 Bände (gebunden in 27) sowie 4 (der 6) Registerbände.

      Lexikonformat. Orig.-Halblederbände. *Originalausgabe von Kayers Bücherlexikon. Erfasst wurden alle deutschsprachigen Verlagspublikationen der Jahre 1750 bis 1910. Die ersten 6 Bände umfassen den Zeitraum 1750 bis 1832 alphabetisch, danach in 5-Jahreszeiträumen. - Hervorragendes Quellenwerk, das auch dann noch wichtige Informationen liefert, wenn alle anderen Bibliographien versagen. Nur das GV ist vollständiger. - Vollständig in der Hauptreihe (und inklusive 4 der Registerbände, die für den Gebrauch eigentlich nicht benötigt werden). - Alter Stempel auf den Titelblättern, Rücken teils etwas berieben und Kapitale bei einigen Bänden bestoßen (4 Bände mit kleineren Fehlstellen an den Kapitalen). Teils leichte Gebrauchsspuren, insgesamt ordentliches und innen sauberes Exemplar.

      [Bookseller: Antiquariat Bernd Braun]
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        Besondere Post und Reise Carte der Wege durch Teutschland':.

      - Kupferstich v. Gottfried Jacob Haupt in Augsburg, um 1750, 31,5 x 39,5 Gier-Janota, Augsburger Buchdruck und Verlagswesen, S. 1278 (G. J. Haupt); Tooley's Dic. of Mapm. Rev. Ed. E - J., S. 289 (Gottfried Jacob Haupt, engraver and publisher in Augsburg). - Seltene Post- u. Reisekarte (Straßenkarte) Deutschlands. - Die Karte mit Titelkopfleiste. - Oben links Kartusche mit Putte u. Erklärungen. - Unten links Kartusche mit Merkur u. Gesamtansicht von Hamburg. - In der Karte zahlreiche Gebietswappen.

      [Bookseller: Antiquariat Norbert Haas]
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        The Trial of Capt. Edward Clark, Commander of His Majesty's Ship.

      1750 - London, 1750. Only edition. Sentenced to Death for Dueling, But Pardoned Soon Afterwards [Trial]. Clark, William [d.1779], Defendant. The Trial of Capt. Edward Clark, Commander of His Majesty's Ship the Canterbury, For the Murder of Capt. Tho. Innes, Commander of His Majesty's Ship the Warwick; In a Duel in Hyde-Park, March 12. 1749. At Justice-Hall in the Old Bailey; On Thursday the 26th of April 1750. Being the Fourth Sessions in the Mayoralty of the Rt. Hon. Sir Samuel Pennant, Knt. Lord-Mayor of London. London: Printed, And Sold by M. Cooper, 1750. 18, [2] pp. Text in parallel columns. Second leaf, a publisher advertisement, misbound at rear of text. Quarto (8-1/2" x 6-3/4"). Disbound stab-stitched pamphlet. Light soiling to title page, small chip to its bottom edge, moderate toning, edgewear and minor stains to a few leaves, two clean tears to leaf C4 (pp. 13-14) with no loss to text, internally clean. $650. * Only edition. Captain Clark was convicted of murder and sentenced to death after he fatally shot Captain Innes in a duel. He received a royal pardon almost immediately afterwards. The trial, reported in detail and apparently verbatim, is remarkable for the number of distinguished character witnesses produced for the defence. These include Lord Southwell, Admiral Martin, Admiral Bing, Admiral Fox, Lord Montague Bertie, Sir John Cross and several naval captains. This account was reprinted in Dublin in 1750. Both are scarce. Concerning the London edition, OCLC locates 11 copies, 3 copies in North America, 1 in a law library (University of Minnesota). English Short-Title Catalogue T25541.

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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        Liste de Messieurs les Conseillers d'Estate ordinaires pour les Conseils du Roy

      N. P., 1750. Within ornamental border. 1 vols. ca 9 x 14 inches. Broadside. Folded, some light discoloration and soiling, penned emendments, else very good. Within ornamental border. 1 vols. ca 9 x 14 inches. Listing members of the Consellors of State including Messieurs Daligre, De Morangis, De Lezeau, D'Estempes, Des Hameaux, De Marilac, Poncet, Bouvherat, De Seve, La Fosse, Voisin, Pussort, and several others including the Bishop of Chartres, and of Sées.

      [Bookseller: James Cummins Bookseller]
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