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Displayed below are some selected recent viaLibri matches for books published in 1750

        Eigenh. Besitzeintrag mit Namenszug sowie eigenh. Marginalien und Ergänzungen auf Durchschußblättern.

      Frankfurt am Main, [ca. 1750]. - Zus. ca. 5 Seiten. In: Maittaire, Michel, Annales Typographici ab artis inventae origine ad annum MD. [Bd. I]. Den Haag, Isaac Vaillant, 1719. 4to. Mit gest. Frontispiz und gest. Titelvignette. (12), 388, 32 SS. Geglättetes Kalbsleder der Zeit mit reicher Rückenvergoldung und dreiseitigem Rotschnitt (bestoßen und fleckig sowie etw. beschabt). Erste Ausgabe dieses bedeutenden frühen Inkunabelverzeichnisses, das 5 Teilbände und 2 Supplemente umfaßt. Senckenberg hat auf 3 Durchschußblättern (nach S. 100, 318 und 328) mit zus. ca. 5 Seiten (in verschied. Oktavformaten) sowie am Rand von S. 60, 64 und 319 eigenhändig bibliographische Ergänzungen vorgenommen, die sich bei S. 318 f. ausführlich mit der Hartmann Schedelschen Chronik befassen. Auf dem Titelblatt der Besitzeintrag: "Ad Bibliothecam | J. C. Senckenberg, | Med. Dr. et Physici | Moeno-Frankof. | Ord. p". Auf dem hinteren Vorsatzblatt der Kaufeintrag "5 Tomi fl. 16 x. 51 [.]". - Spuren von entfernten Exlibris auf den Deckelinnenseiten. Stellenweise etwas gebräunt. "Der Frankfurter Arzt Johann Christian Senckenberg rief 1763 eine nach ihm benannte Stiftung ins Leben. Teil dieser Stiftung war die Senckenbergische Bibliothek [.] Senckenberg, dessen Vater Arzt und Stadtphysikus in Frankfurt war, promovierte nach einem Studium der Medizin und der Naturwissenschaften 1735 in Göttingen und ließ sich 1745 in Frankfurt nieder, wo er 1755 ebenfalls Stadtphysikus wurde. Schon früh mit den medizinischen Problemen der Vaterstadt vertraut, wurde er nun auch von Amts wegen mit den Mängeln der medizinischen Versorgung der Bevölkerung konfrontiert. Nach seiner Niederlassung betrieb er neben seiner Praxis systematisch den Aufbau einer eigenen Bücherei, in die er regelmäßig einen erheblichen Teil seiner Einnahmen steckte. Senckenberg kaufte nicht nur alle wesentlichen Neuerscheinungen seiner Zeit, sondern erwarb auch anti- quarisch in großem Umfang ältere Werke. Gegen Ende seines Lebens verfügte er über nahezu 10.000 Bde überwiegend medizinisch-naturwissenschaftlicher Literatur [.] Eintragungen von seiner Hand lassen erkennen, daß die Bestände nach sachlichen Gesichtspunkten aufgestellt waren [.] Nach Senckenbergs Tod wurde der größte Teil der nicht- medizinischen und der nichtnaturwissenschaftlichen Literatur der Bücher- sammlung (ca. 6000 Bde) verkauft und mit dem erlösten Geld der medizi- nische Bestand systematisch ausgebaut" (Handbuch der historischen Buchbestände in Deutschland, hg. von Bernhard Fabian, Hildesheim 2003). - Beiliegend in uniformer Bindung und Erhaltung: Dass. Bde. II/1 und III/1 (von 5 Teilbänden). Ebda. 1722-25. Mit Frontispiz und 2 gest. Titelvignetten. (8), VIII, IV, 395, (1) SS. (12), 412 S. - Autographen von Johann Christian Senckenberg sind sehr selten. Brunet III, 1328. Graesse IV, 347. [Attributes: First Edition]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        THE ART OF HATCHING AND BRINGING UP DOMESTICK FOWLS OF ALL KINDS,

      London: C. Davies [and others], 1750. - 8to, first english edition, engraved vignettes and 15 folding engraved plates (lacking half title, short tear to head of title, text lightly browned throughout, some light spotting to plates), contemporary calf (rubbed). [Attributes: First Edition]

      [Bookseller: Rosenbad Antique Books]
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        Die 4 Kontinente (Afrika, Amerika, Asien und Europa) in hübschen, kleinen Landkarten.

      . 4 altkol. Kupferstiche von T. Lobeck bei T.C. Lotter, um 1750, 9,5 x 12 cm (einzeln gerahmt)..

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Gesamtans., übern Rhein, i. Vgr. Rheininsel, Schiffe u. Fischerboote, "Vorms, Ville d' Allemagne dans le Palarinat du Rhein...".

      . altkol. Kupferstich ( Guckkasten ) b. Mondhare in Paris, um 1750, 26 x 42,5.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Institutiones Chirurgicae. In haec secunda Veneta Editione . 2 vols.

      - Venedig, apud Franciscum Pitteri, 1750, 4°, XVI, 544, 398, XLVIII pp., mit dem prächtigen Kupferstichportrait des Verfassers und 38 doppelblattgroßen, gefalteten Kupfertafeln, in 2 Pergamenteinbänden der Zeit; frisches Exemplar. Schön gedruckte Venediger Ausgabe dieses gesuchten Chirurgiewerckes in einem ungewöhnlich guten erhaltenem Exemplar. - Am Anfang des ersten Bandes befinden sich u.a. zwei wichtige Abhandlungen mut bibliographischen Angaben: "Bibliotheca Chirurgica, sive scriptoresmei chirurgici" und "Laurenti Heister designatio sriptorum haciens editiorum, .in Biblioteca Chirurgica.". Eines der interessantesten Chirurgiewerke der Barockzeit. Von besonderem medizinhistorischen Interesse sind die großformatigen, schönen Kupfertafeln die neben chirurgischen Techniken auch das ganze Armamentarium Chirurgicum in großer Ausführlichkeit abbilden.Heister's book was the standard work on surgery in the eighteenth century, becoming one of the most translated, most used, and most resprected texts ever written, still used as a standard text at Viena as lates as 1838. Heister's surgery was the first Western Surgery translated into Japanese, at the end ot the eighteenth century. A legendary Classic of modern surgery. [Attributes: Hard Cover]

      [Bookseller: Medicusbooks]
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        The Aeneid. Translated by Robert Fagles. Introduction by Bernard Knox. 1750 COPIES WERE PRINTED

      Folio Society, 2011. 8vo., First Edition thus, with frontispiece, 16 fine mounted coloured plates and endpaper maps; tan full morocco, sides elaborately blocked in gilt to a classical design by Jeff Clements, backstrip lettered in gilt and blocked in black, gilt top, silk ribbon marker, a fine copy in publisher's solander case lettered in gilt. EDITION LIMITED TO 1750 COPIES . Catalogs: folio society.

      [Bookseller: Island Books [formerly of Devon]]
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        Les Royaumes de Suede et de Norwege divises en leurs Provinces ou Gouvernements/(inset) L'Islande. (Sweden/Norway) (Iceland)

      Paris - Engraving with original line hand-color. Circa 1750. Sheet size: 19 7/8 x 26 3/4". Inventory#: p1354pmat. 0

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        ...Presenteren (uyt der hand) te verkoopen, een extraordinary welbezeylt galjoot-schip, genaamt De Maria: Is in 't jaar 1711 nieuw uytgehaalt,... en tegenwoordigh in de Nieuwe Zyds Waal, agter de Oude Stads Herbergh, is leggende. Amsterdam, Karel van Rijschooten II, [ca. 1750]. Half-sheet (ca. 32.5 x 21 cm). Tipped onto a piece of paperboard.

      A rare and possibly unique poster with a detailed inventory of equipment, advertising a sale to be held in Amsterdam (ca. 1750) of the galleon (galjoot) De Maria and equipment such as the anchors, the complete ship's gear, galley contents and sea chests.A few minor tears, good copy.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        The Complete Parish-Officer; Containing The Authority and Duty of High Constables, Petty Constables [Churchwardens, Overseers of the Poor and Surveyors], To which is added the Office of Constables, written by Sir Francis Bacon. The Twelfth Edition [etc.]

      London: Printed by Henry Lintot . . . for S. Birt [and two others] [etc.], 1750. Modern 3/4 calf over marbled boards, a good clean copy A rare edition of one of Jacob's earliest works and conceivably his most popular, reaching a 16th edition by 1772, with Bacon's tract on constables appended, this the only work other than Bacon's own to contain it; one copy in ESTC, none in COPAC

      [Bookseller: Meyer Boswell Books, Inc.]
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        YOUNG CLERKS ASSISTANT OR PENMANSHIP. plus A NEW DRAWING BOOK OF MODES.plus A DISCOURSE ON USE OF THE PEN

      Richard Ware, London - Three Titles bound in One (ca 1750 ) Volume I:Penmanship (i), 61: Page 1 - an engraving by Bickman as is page 37; page 38 Title Page: The Virgin Muse ; Pages 39-61 are Poems.Volume 2 the Drawing Book: 13 pages showing hair styles, costumes, stances and the like.; Printed for Richard Ware at the Bible and Sun Ludgate Hill. First 2 items on Recto only Volume 3:.Discourse on Use of Pen 32 pages. Page 9 Title page: "A Specimen of the various characters now principally us'd in Printing & Writing MDCCXXXIII.". Volume 3 verso Page 1 an ad for these 3 books: "Just published, the young Clerks Assistant.To which is added a new Drawing Book with a Discourse on the Use of thePen annex'd" Full brown calf, raised bands, no titling. Leather at front cover and spine separated.4 small holes in leather. Pages very well used, soiled & worn. Half of Leaf 3 in Drawing book missing, otherwise all books are complete. These 3 books are all extremely scarce. Size: 8vo - over 7¾" - 9¾" tall [Attributes: Hard Cover]

      [Bookseller: The Book Store at Depot Square]
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        Amérique Septentrionale, dressée, sur les Relations les plus modernes des Voyageurs et Navigateurs, et divisée suivant les differentes possessions des Européens

      Vaugondy, Paris 1750 - Copper-engraved map, with period hand colouring in outline. A fine eighteenth-century map depicting all of North America, by one of France's greatest cartographers: Vaugondy's first large-scale map of North America. This highly attractive map depicts North America during an especially fascinating time in its history, the period immediately before the French and Indian War. The British Thirteen Colonies hug the Atlantic seaboard, while the immense Gallic empire, embracing both New France (Canada) and Louisiana (the Mississippi Basin) occupy the majority of the interior of the continent. This highly detailed map labels numerous native villages and European forts in the interior of the continent. Spanish Mexico reaches all the way north to modern-day Colorado, and Baja California is shown accurately to be a peninsula, and not an island as previously thought. The Pacific Northwest remains entirely enigmatic, labelled as the "Terres Inconnues." The map also depicts the islands of the Caribbean, which are shown to be in the possession of the various European powers. Vaugondy consulted several sources in devising his map including Bellin's excellent rendering of the Great Lakes, and Guillame De L'Isle's and Jean-Baptiste D'Anville's maps of the Mississippi Basin. The composition is graced by an elegant title cartouche featuring a waterfall inhabited by a cayman, and framed by coulisses of palm trees accompanied by native Americans. This map was included as one of the most important maps in Vaugondy's celebrated Atlas Universel. This copy a rare issue, notable for the addition of a named Georgia to the map, with the hachured Florida boundary line amended. Lowery Collection , 399; Pedley, Bel et Utile , 448; Sellers & Van Ee, Maps and Charts of North America and the West Indies 8; Wheat, Mapping the Transmississippi West I, 129.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Memoires de Monsieur l'abbé de Montgon, publiées par lui-même.

      S.n. 1750 - - S.n., S.l. 1750, 5 tomes en 6 Vol. in 12 (9,5x16,5cm), relié. - Nouvelle édition. La première édition en 1731, ne proposait qu'un seul volume, 3 volumes paraîtront en 1756 sur des années ultérieures, puisque les 5 tomes de l'édition de 1750 concernent les années 1725 et 1726. Un portrait au frontispice. Les pièces justificatives qui suivent chaque tome ont été reliées dans un sixième tome. Plein veau brun d'époque marbré. Dos à nerfs orné. Pièce de titre et de tomaison en maroquin rouge. Coiffes de tête élimées. Coiffes de queue des tomes I, II, III et V également élimées. Quelques mors fendus en tête et queue. La plupart des coins émoussés. Pièce de tomaison du tome VI absente. Etat moyen dans l'ensemble. Diplomate français au service du roi Philippe V d'Espagne, mais également agent secret chargé de missions, comme celle de rameuter en France les partisans des Bourbons d'Espagne à la succession de Louis XV (Philippe V était en effet le petit-fils de Louis XIV), l'abbé de Montgon rédige avec une grande clarté les intrigues de cour et la difficulté de sa position dans un monde européen. Il rend pleinement les difficultés diplomatiques d'un monde fait d'alliances et de trahisons obscures (l'exemple du désir de l'Espagne d'attaquer l'Angleterre). Montgon rédigea ces mémoires lors de son exil, il s'était en effet confié au cardinal Fleury qui l'avait dénoncé à la cour de France. [Attributes: Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        PLANTAE SELECTAE

      Augsburg, 1750-1773. 10 parts, bound as one. FIRST EDITION, one of the greatest eighteenth-century botanical works. Ten engraved titles, heightened in red and gold, 81 (of 100) magnificent hand-colored engraved plates by Johann Jacob Haid and Johann Elias Haid after drawings by Georg Dionysius Ehret, each with the first word of the caption heightened in gold Large folio, (appr 52 by 35 cm), in contemporary boards backed in vellum and with vellum corner-pieces, the spine with brown and green morocco labels lettered in gilt. 81 plates and ten engraved titles. A very bright and finely coloured copy, beautifully preserved, the titles and colouring all richly rendered, the binding well preserved. One of the greatest eighteenth-century botanical works. Christoph Trew, a physician and amateur botanist, had for a number of years been an admirer of Ehret's work. Ehret, a brilliant botanical artist, was born in Heidelberg in 1710 and originally worked as a gardener, practicing drawing in his spare time. His artistic abilities led him to the service of a Regensburg banker named Leskenkohl who had commissioned him to copy plates in van Rheede tot Draakestein, Hortus indicus malabaricus. It was during this period that Trew met Ehret. Ehret, through works such as the PLATAE SELECTAE would become one of the most influential European botanical artists of all time.

      [Bookseller: Buddenbrooks, Inc.]
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        Hortus Nitidissimis omnem per annum superbiens floribus Balsamina I- Plate 80

      Nuremberg:: Trew, Christoph Jakob and Wirsing, A.L.,, 1750-86.. first. Fine with original hand-coloring. A Fine original hand-colored copperplate engraving. Folio (12.5/8 x 19.25 inches, 32.05 x 48.89 cm). Presented matted in an Ivory rag mat with gilt line decoration. Sized to 18.5 x 24.5 inches, 46.99 x 62.23 cm). One of the rarest, and most elusive, of all botanical works. As stated in Gordon Dunthorne's Flower and Fruit Prints of the Eighteenth and early Nineteenth Centuries, London. 1938: Hortus Nitidissimis is one of the finest records of the cultivated flowers of the period, containing full-sized coloured of the figures. This is the showiest of the Florilegia; garden and florist's flowers painted for their beauty opposed to their scientific appeal. Many of the botanicals were rendered and appropriately credited to Georg Dionysius Ehret (1708-70). Ehret's contribution to the art of botanical illustration is so instrumental, that in his well-referenced and essential tome of the same name, Wilfred Blunt credits Ehret for an entire period of botanical illustration: The Age of Ehret. In Hortus Nitidissimis, Ehret's contributions were honored, unlike the fate that befell him from his involvement with Weinmann's Phytanthoza Iconographia (1737-45). The author of Hortus Nitidissimis was Ehret's friend and colleague Dr. Christoph Jakob Trew (1695-1769), a celebrated Nuremberg doctor, who also rewrote and reissued the botanical work of Elizabeth Blackwell's A Curious Herbal in 1747-1773, illustrated with plates engraved by N. F. Eisenberger. 

      [Bookseller: Lowry-James Rare Prints & Books, ABAA]
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        Klavierschule, oder Anweisung zum Klavierspielen für Lehrer und Lernende, mit kritischen Anmerkungen. Leipzig u. Halle, Selbstvlg. d. Verfassers 1789. 8°. 4 Bll., 408 S., 6 Bll., 15 S. (Notenanhang ?Zwölf Handstücke zum Gebrauche beym Unterrichten?) sowie zahlr. Notenbeispielen im Text, mod. Pbd. mit Rsch.

      - Gregory-B. 275 - Eitner IX, 470 - Honegger-M. VIII, 198 - MGG XIII, 952 - Hirsch I, 585 (ohne Notenanhang).- Seltene erste Ausgabe der wichtigsten theoretischen Schrift D. G. Türks (1750-1813).- ?Sein Hauptwerk, verbindet eine allgemeine (.) mit der Behandlung technischer Fragen des Klavier-Spiels. Türk faßt in ihm Erfahrungen C. Ph. E. Bachs und F. W. Marpurgs zusammen, systematisiert sie jedoch stärker und bereichert sie mit eigenen Erkenntnissen. U. a. bemüht er sich um eine Verbesserung der Notierungsweise und um eine Differenzierung der musikalischen Interpunktion und Phrasierung. Alle äußere Technik ist ihm nur Mittel zum Zweck; sie dient der Erlangung eines seelenvollen Vortrags, dessen Hauptziel letztlich der Ausdruck des in der jeweiligen Komposition herrschenden Charakters ist." (MGG).- Titel mit kl. Monogramm-Stempel, etw. gebräunt u. tls. wasserrandig, zu Beginn kl. Läsur im oberen Bug. [Attributes: First Edition]

      [Bookseller: Antiquariat Müller]
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        Jacobi Vanierii E Societate Jesu Sacerdotis, Praedium Rusticum. Editio Novissima, Aucta et Emendata cum Figuris Aeneis; and: Opuscula,

      Joh. Rud. Thurneisen; Petrum Simon 1750; 1730, Basle; Paris - Two works bound in one. 12mo. (5),ix,320,(6);236,(4)pp. The first work illustrated with full page engravings. Contemporary full vellum; manuscript spine title. Boards yawning else a very good copy. [Attributes: Hard Cover]

      [Bookseller: Thorn Books, ABAA]
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        Mémoire concernant l'utilité des états provinciaux, relativement à l'autorité royale, aux finances, au bonheur & à l'avantage des peuples.

      Rome 1750 - A Rome, apud Laurentem Carabiono, 1750. small 12mo; pp. (2), 44; modern marbled boards, spine with title in gilt, inside clean and crisp, a good copy. This is the rare first edition of Mirabeau's first publication. It was published again in 1755 under the title "Mémoire sur les états provinciaux" and in 1758 in an enlarged version in 4to and 12mo, and it was introduced into "L'ami des hommes" as "Précis de l'organisation, ou mémoire sur les états provinciaux". INED 3203, Humpert 13025, Cioranescu 45623 [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Dieter Stecher]
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        Carte Reduite de l'Isle de Saint Domingue et de ses Debouquements Pour Servir aux Vaisseaux du Roy.

      Paris 1750 - Size : 568x906 (mm), 22.375x35.625 (Inches), Hand Colored

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Penitence de la Duchesse de la Vallière [spine title].

      [France, c. 1750]. - A collection of devotional texts by or about the first official mistress of Louis XIV, who, after her fall from favour, retired to a Carmelite convent in 1674 and took the veil. Her penitence, lasting until her death in 1710 was widely discussed and generated many accounts as well as her own Réflexions sur la Miséricorde de Dieu, first published in 1680, frequently reprinted and forming the last part of our manuscript collection. The texts here all seem to have been collected from these printed sources. Contents: -L'Abrégé de la vie de la pénitence de Madame la duchesse de La Vallière. pp. 1-22 -Lettres de la soeur de la Vallière à Monsieur le maréchal de Bellefond soit avant soit depuis son entrée aux Carmélites. pp. 22-107 -Elévations de coeur à nôtre Seigneur Jesus-christ par rapport à la sainte Communion composées par la soeur Louise de la Miséricorde et tirées mot à mot de l'extrait écrit de sa main. pp. 107-118 -Lettre circulaire des Carmélites. pp. 118-141 -Sermon de messire Jean-Louis de Fromentières (.) pour la vêture de Madame de La Vallière. pp. 142-207 -Sermon pour la profession de Madame Françoise de la Baume Le Blanc de la Vallière duchesse de Vaujour prononcé en présence de la Reine le 4 juin 1675 dans l'Eglise des carmélites du fauxbourg saint Jacques. pp. 207-271 -Réflexions sur la Miséricorde de Dieu en forme de prières. pp. 271-350. Manuscript, 12mo (164 × 100 mm), pp. 350, plus several blanks at rear. Written in a single neat and legible hand, c. 18-20 lines per page, occasional deletions. Contemporary mottled calf, spine gilt in compartments with floral tools, red morocco label. Rubbed. [Attributes: Hard Cover]

      [Bookseller: Justin Croft Antiquarian Books Ltd ABA]
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        A. Die Vestung Kehl ..." Befestigungsgrundriss mit dem Rhein

      Aquarellierte Federzeichnung um 1750. 37.2x23.8 cm. Hochformat. - Darstellung in schwarzer Tuschumrandung, unten mit Legende A - G und einer Nummerierung "Nro 23.".

      [Bookseller: Wenner Antiquariat]
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        L'Asie Dressée Sur les nouveaux Memoires Assujetis aux observations Astronomiq [.] Mise aujour par le Sr. G. Danet.

      1750 - Kupferstich-Karte von G. Danet, datiert Paris 1750, altkoloriert. Ca. 49 x 71 cm In den Rändern fleckig. Großformatige Asien-Karte, von einer Bordüre aus Muscheln und Wappen eingerahmt. Rechts oben Titelkartusche. Gradnetz. Gegenüber der Erstdruck von 1732 in der Kartusche verändert. Die Zeile vor "Mise aujour" komplett getilgt. Der gelöschte Text [Par J. Luillier] ist jedoch noch schwach lesbar. Auch die Verlagsangabe wurde geändert, alt "A PARIS // Sur le Pont Notre Dame", jetzt "AParis Chez Débois // rue S. Jacques", unverändert weiter "a la Sphere Royale". Das Druckprivileg ist unverändert, die Jahreszahl allerdings aktualisiert in 1750. Guillaume Danet, Schwiegersohn N. de Fers, gab einige Karten desselben neu heraus. Hier jedoch eine eigenständige Arbeit aus einem von Welt- und Erdteilkarten. Selten. Nicht bei Pastoureau, die entsprechende Afrika-Karte nicht bei Norwich. A large and rare map of Asia. Guillaume Danet was the son-in-law and successor of De Fer and republished many of his maps, but this item is apparently a new work, one of series of World and Continents first published 1729-32. Here in its second state with new adress and year. The engraved border is filled with coats of arms interspersed with shells.

      [Bookseller: Antiquariat Peter Fritzen]
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        HORTUS NITIDISSIMIS . : Tulip IV; La Nouvelle (print)

      - Original hand-coloured engraving drawn by "S" and executed by J. M. Seligmann. Leaf measures 19.9 x 14.2 inches (50.5 x 36 cm). Fine condition. Some cosmetic retouching in gouache. Matted and ready for framing. From Christoph Trew's magnificent HORTUS NITIDISSIMIS OMNEM PER ANNUM SUPERBIENS FLORIBUS published in three volumes over a 36 year period from 1750-1786. Painted in a more opaque gouache to resemble a painting rather than the traditional use of water-colours that allowed more of the engraving to show through. Each piece is meant to capture the flower at the peak of it's beauty instead of focusing solely on scientific detail. Several artists from different European nations were involved in this project giving a multi-ethnic flavour to the complete work. HORTUS NITIDISSIMIS is considered to be one of the most sumptuous of the florilegia. Being one of the most elusive of the great flower books, the opportunity to own one of these leaves is reserved for only the most discriminating collectors.

      [Bookseller: James & Mary Laurie, Booksellers A.B.A.A]
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        Elements of Natural Philosophy. By John Locke, Esquire. To which are added Some Thoughts Concerning Reading and Study For a Gentleman. By the Same Author. [With prefatory remarks by P. Des Maizeaux.].

      London: Sold by J. Thomson, S. Dampier, and R. Bland. Nd., ca. 1750. - Size of binding: 4 1/4 x 7", frontispiece is an engraved portrait of John Locke, after the Kneller painting; engraved inscription reads: G. Kneller pin: T Phinn Sculp Johannes Locke; this frontispiece has slightly "transfered" to titlepage; vii., 64pp., pp. [49-50] is a separate half titlepage for the second work (Thoughts Concerning Reading .). Binding is in plain, brown, sprinkled 18th century calf with 5 small, raised bands on spine each with a double lined border in (faded) gilt above & below each band. Spine ends show leather dried & chipped away, with 1/4" section of leather surface chipped away at lower spine end, outer hinges show cracking, with some loosening to front hinge; cover corners are worn, with loss of leather to lower cover corners. Stain to lower margin of titlepage; book fore-edge shows browning, some age-related browning from binding leather to paste-downs, flyleaves; text is generally clean. P. iii. shows this ink inscription at top: Ex Libris Vaughan May.-- 1777. With small, printed book label on front paste-down, reading: A. Beard, 65, Navy Row, Morice Town, Devonport. A rare John Locke item; British Public Library online catalogue lists it as number 1 in the series of separate editions of this title, which had been published as part of a collection of works earlier in the 18th century. Des Maizeaux preface is on pp. iii-vii. [Attributes: Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        A View in Crumford near Matlock Bath in Derbyshire

      Published by John Boydell at the Globe near Durham Yard in the Strand, London 1750 - A striking view from Boydell's series of plates "Collection of One Hundred Views in England and Wales." Towards the middle of the eighteenth century, a trend developed among English artists and printmakers who sought to record visually the natural beauty of England and Wales. Sparked by a sense of national confidence and patriotism, English printmakers began to publish topographical prints of the important sights in the British Isles. In addition to being a visual record of the countryside, they were meant to encourage public recognition of the beauty and history of England. They were aimed at English and foreign tourists who desired a memento of their travels, or at those armchair travellers who collected topographical prints instead of traveling. John Boydell made a name for himself by joining this nationalistic trend and publishing a long series of topographical engravings. These fine engravings are some of the earliest examples of Boydell's work when he was known more as an engraver than a publisher and print seller. John Boydell is one of the most influential figures in the history of English printmaking. He was not only an accomplished engraver and an industrious publisher, but also a talented print seller who came to dominate the English print trade. He is best known as the originator of the Shakespeare Gallery, which made him one of the most successful print sellers of his time. Le Blanc, Manuel de L'Amateur D'Estampes, p. 504, no 86; Clayton, The English Print 1688-1802, pp. 115-116 & 155. Engraving with hand-colour. In very good condition.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Meriana

      Nuremberg 1750 - George Dionysius Ehret (1708-1770) is considered the most important and influential botanical artist of the mid-18th century. Born to farmers in Heidelberg, Germany in 1708, Ehret showed an early propensity for drawing, though as a young man he was employed primarily as a gardener. He used his time spent gardening to examine and practice drawing botanicals and the natural world around him. Having attracted the attention of noted botanical artist Johann Weinmann and noted Nuremberg physician Dr. Christoph Jakob Trew, he gained encouragement and financial support for his works. In 1736, Ehret met eminent botanist Carl Linnaeus, who created the first classification system of plants, and moved to England where he remained for the duration of his life. As a result of the arrival of new plant species to England and around Europe, Ehret was in position to draw and document them, further developing his skills. As instructor to the highest of English nobility, he engaged in his publication of Plantae Selectae with financial patronage and text from Dr. Trew. Plantae Selectae was published in Nuremberg in 1750-1773. Various scholars of the time praised the folio highly, singling out the excellent quality of Ehret’s botanical studies. These highly detailed engravings are brilliantly hand colored and still retain their vibrancy. This engraving, 20” x 14” is in very good condition with only little foxing and staining throughout. Meriana, more commonly called Wild bugle Lily, as a perennial herb. This engraving shows in comprehensive detail the leaves, stems flower bulb and stamen.

      [Bookseller: Arader Galleries San Francisco]
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        HORTUS NITIDISSIMIS . : Rosa II; The Moss Provence Rose (print)

      - Original hand-coloured engraving drawn by Georg Ehret and executed by J. M. Seligmann. Leaf measures 19.9 x 14.2 inches (50.5 x 36 cm). Fine condition. Matted and ready for framing. From Christoph Trew's magnificent HORTUS NITIDISSIMIS OMNEM PER ANNUM SUPERBIENS FLORIBUS published in three volumes over a 36 year period from 1750-1786. Painted in a more opaque gouache to resemble a painting rather than the traditional practice of using translucent water-colours that allowed more of the engraving to show through. Each piece was meant to capture the flower at the peak of it's beauty instead of focusing solely on scientific detail. Ehret contributed 44 of the 180 illustrations in the entire work and is the single most important botanical artist of the era. HORTUS NITIDISSIMIS is considered to be one of the most sumptuous of the florilegia. Being one of the most elusive of the great flower books, the opportunity to own one of these leaves is reserved for only the most discriminating collectors.

      [Bookseller: James & Mary Laurie, Booksellers A.B.A.A]
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        Sammlung von 53 Blatt Nachstichen und einem gestochenem Widmungsblatt von Iacomo Antonio S. Agostin.

      (Roma), 1750 - (Roma), (ca. 1750). 22,8x14,5 (Plattengrösse ca. 10,2x15 cm). 54 n.n. Bl., Kupferstiche. In schlichtem Pappband der Zeit. Nicht bei Wallace. - Eine von mehreren Nachstichsammlungen, meist mit Blättern aus den 'Figurine' mit Darstellungen von Kriegern und Personengruppen, seitenverkehrt. Das gestochene Widmungsblatt und das erste Blatt mit alt hinterlegtem Durchriss. 12 Blatt meist im Rand stark fleckig. Sonst sauber, breitrandig und in sehr frischen Abzügen. - Der Stecher nicht in Thieme Becker u.a. erwähnt. Sprache: N In schlichtem Pappband der Zeit. [Attributes: Hard Cover]

      [Bookseller: Daniel Thierstein]
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        HORTUS NITIDISSIMIS . : Rosa IV; The Single Eglatine Or Sweet Briarbush (print)

      - Original hand-coloured engraving executed by J. M. Seligmann. Leaf measures 19.9 x 14.2 inches (50.5 x 36 cm). Fine condition. Matted and ready for framing. From Christoph Trew's magnificent HORTUS NITIDISSIMIS OMNEM PER ANNUM SUPERBIENS FLORIBUS published in three volumes over a 36 year period from 1750-1786. Painted in a more opaque gouche to resemble a painting rather than the traditional use of water-colours that allowed more of the engraving to show through. Each piece is meant to capture the flower at the peak of it's beauty instead of focusing solely on scientific detail. Several artists from different European nations were involved in this project giving a multi-ethnic flavour to the complete work. HORTUS NITIDISSIMIS is considered to be one of the most sumptuous of the florigelia. Being one of the most elusive of the great flower books, the opportunity to own one of these leaves is reserved for only the most discriminating collectors.

      [Bookseller: James & Mary Laurie, Booksellers A.B.A.A]
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