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Displayed below are some selected recent viaLibri matches for books published in 1661

        Histoire du roi Charles VII.

      De l'imprimerie royale (Sébastien Cramoisy) 1661 - - De l'imprimerie royale (Sébastien Cramoisy), A Paris 1661, In Folio (24x38cm), (28) 907pp. (10), relié. - Edition réalisée par Denys Godefroy réunissant pour la première fois les textes sur Charles VII de Jean Chartier, de Mathieu de Coucy et de Jacques le Bouvier. Les trois histoires sont enrichies de pièces historiques et divers mémoires réunis par Denys Godefroy, lequel a rassemblé l'ensemble des écrits connus sur Charles VII. Un portrait au frontispice et 4 portraits de Jean d'Orléans, Etienne Chevalier Jacques Coeur et Jean Bureau, le tout gravé par Grignon, une grande vignette de titre aux armes de France, plusieurs bandeaux de titre et lettrines historiés très bien imprimés. Belle édition in folio. Plein Veau d'époque granité. Dos à nerf richement orné. Pièce de titre en maroquin rouge. Très bel exemplaire. Habile et invisible restauration aux mors en tête et queue, et en coiffes. Très riche ensemble historique de la période allant de 1422 jusqu'en 1461, outre les textes des trois historiens susnommés et des chroniques anonymes, l'ouvrage contient de très nombreuses pièces, lettres, édits illustrant cette période. Excellente édition, rigoureusement construite, qui commence par un éloge de Charles VII tiré d'un manuscrit anonyme, et se termine sur des portraits et pièces de tous les personnages importants de cette période, notamment Jeanne d'Arc. Ex-libris gravé aux armes du XVIIIe : cabinet des livres de Ponchartrain. Célèbre bibliophile, Jérôme Phélypeaux, comte de Pontchartrain, fut secrétaire d'État de la Marine de 1699 à 1715. Il est demeuré célèbre pour sa gestion des colonies française en Amérique, Louisiane et Canada. (28) 907pp. (10) [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Prosp. Du Palais de Duc d’Orleans. Wiesolchez auff der Seitten im Garten anzufeben (Gardens at the Palace of the Duke d’ Orleans, Saint-Cloud)

      Frankfurt 1661 - Mathias Merian the Elder (1593-1650) was one of the most prominent members of the leading print publishing family of 17th-century Germany, known throughout Europe for his engravings of cityscapes and landscapes, his scientific books, and his editions of the noted series of travel books, the “Great Voyages”. Born and trained in Basel, Switzerland in the early 1600’s he began studying drawing, engraving and etching in Zurich with engraver Friedrich Meyer. Merian joined the Frankfurt publishing house of Johann Theodor de Bry in 1616 and, the following year, he married de Bry’s daughter Maria Magdalena. Merian gained his greatest acclaim as head of the family publishing house following the death of his father-in-law in 1623. He rapidly and almost single-handedly built up the house to become one of the most important in Europe, etching most of the plates himself until about 1645, when he increasingly relied upon the help of a growing staff of assistants and pupils, among them Wenceslaus Hollar, Rudolf and Conrad Meyer of Zurich, and his sons Matthaus and Casper. “Topographia Galliae” was published from 1655 to 1661 in partnership with Martin Zeiller who wrote the text. “Topographia Galliae” was one of the largest and most comprehensive publishing’s of the Gaul region of its time with engravings of major European cities and historically important locations, each expertly engraved by Merian and his sons. In total, “Topographia Galliae” is comprised of 13 parts in four volumes, with nine engraved additional titles and 321 individually detailed engravings with maps and views of cities, towns, castles, fortresses and monasteries. This single page engraving from “Topographia Galliae” titled “Prosp. Du Palais de Duc d’Orleans. Wiesolchez auff der Seitten im Garten anzufeben” measures 11.75" x 11.75" and is in good condition with evidence of previous repair to the central crease and light wrinkling along the central crease. This engraving is finely detailed and shows a view of the gardens at the Palace of the Duke d'Orleans, Saint Cloud. The Duke of Orleans, Phillip I, was the younger brother to King Louis XIV. The famous cascade in the garden was designed by Antoine Le Pautre and constructed between 1664 and 1665. This engraving shows a wide-angle view of the chateau and the gardens being enjoyed by visitors. The landscape is seen to extend far beyond the trees adding to the expansive chateau.

      [Bookseller: Arader Galleries San Francisco]
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        DESCRIPCION, ORIGEN, Y DESCENDENCIA de la muy noble, y antigua Casa de CALDERON DE LA BARCA, continuadas sus sucesiones hasta Don Fernando Calderon de la Barca.

      J. Fdez. de Buendia, Madrid 1661 - 4º, 3h (incl. portada con escudo grab), 1b, 87 fols (el 32 con remarginado, no afecta, el 87 algo det. y remarginado, no afecta texto, alguna mancha de óx.), 1 escudo grab. en texto, florones y capitulares. Pergamino. - Palau nº 97460. 1661

      [Bookseller: Escalinata, librería]
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        Diffiniciones de la Orden y Cavalleria de Calatrava Conforme al Capitulo General Celebrado en Madrid Año de M.DC.LII.

      Diego Diaz de la Carrera; Impresor del Reyno 1661 - (OE11) - Matriti - La Orden de Calatrava fue una orden militar y religiosa, fundada en el Reino de Castilla en el siglo XII por el abad Raimundo de Fitero, con el objetivo inicial de proteger la villa de Calatrava, ubicada cerca de la actual Ciudad Real. Pertenece al grupo de las órdenes cistercienses. - Posee dos espectaculares grabados de PEDRO VILLAFRANCA MALAGON. Port. grabada de A los lados del tít., Raimundo, fundador de la orden y Sancho III; en la parte superior, santos Benito y Bernardo. En el zócalo, el papa Alejandro III, entre Fernando el Católico y Carlos I. - En el segundo grabado aparece Felipe IV - Contiene 11[h] + 675[p] - Encuadernado en pergamino de época, sin embargo se encuentra suelto del cuerpo del libro y el lomo presenta pérdida en más de la mitad de su sector; Buen estado, salvo por el detalle de la encuadernación y el lomo.

      [Bookseller: LIBROSELCIDCAMPEADOR]
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        M. TULII CICERONIS Opera omnia cum Gruteri et Seletis variorum notis & indicbus locupletissimis, Accurante C.Schrevelio.

      Louis Et Daniel Elzévier 1661 - Très fort in-4 ( 245 X 180 mm ) plein velin ivoire, dos à nerfs, plats ornés de motis centraux à froid . Mors supérieur faible . Très beau titre gravé pour cette excellente et rare impression des Elzeviers. antiquité Litterature

      [Bookseller: Tiré à Part]
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        De Centro Gravitatis Solidorum Libri Tres...in hac nostra editione, servata ad unguem Auctoris mente, multò correctiores

      Woodcut printer's device on title & numerous woodcut diagrams in the text. 4 p.l., 260 pp. 4to, cont. limp boards (a little soiled, unimportant marginal dampstaining). Bologna: Heirs of Ducci, 1661. Second edition, combining the De Centro Gravitatis Solidorum and the Quadratura parabola; this edition contains important authorial additions and corrections. These two texts had a considerable influence on Galileo and his studies on motion. Valerio (1552-1618), who had studied under Clavius, met Galileo in Pisa in 1590 and influenced him to renew his studies on the centers of gravity. In 1609 they began an extensive correspondence on problems of motion and mathematics. It was during this time that Galileo was preparing his treatise on motion and mechanics which later became the Discorsi of 1638. "In December 1612, having completed his Sunspot Letters, Galileo considered having the Linceans print his work on centers of gravity of paraboloids, probably in the form of a letter to Luca Valerio. Ensuing correspondence shows that he sent this to Cesi, who in discussing the matter with Valerio found that he was then revising his own book on a similar subject, published in 1603-4. Galileo accordingly gracefully withdrew his work from publication at this time, for which Valerio expressed his gratitude. In fact Valerio did not reprint his book, and Galileo eventually placed his investigations of centers of gravity in an appendix to his own last book in 1638."­Drake, Galileo at Work, p. 202. Valerio's influence on Galileo, through his correspondence and these two books, was enormous, and he was singled out for praise in the Discorsi; where he is described as "our greatest geometer, the New Archimedes of our age." This was high praise indeed, for Valerio was critical of Galileo's Copernicanism and had been expelled from the Accademia dei Lincei in 1616 for his views. "Valerio's De centro gravitatis consists of the application of Archimedean methods to the determination of the volumes and centers of gravity of the various solids of rotation and their segments...Among the mathematicians who studied him and spoke highly of him were Cavalieri, Torricelli, and J. C. de la Faille. He also had a direct influence on Guldin, Gregorius Saint Vincent, and Tacquet."­D.S.B., XIII, pp. 560-61. Fine copy, preserved in a calf-backed box. Ex Bibliotheca Mechanica. M.E. Baron, The Origins of the Infinitesimal Calculus, pp. 101-03. Riccardi, II, 570­"Raro e pregiato." Roberts & Trent, Bibliotheca Mechanica, pp. 332-33. .

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        The South front of Kensington Palace, as seen from the Verges of the great Walk / Façade Méridionale du Palais de Kensington, vue la grande allée

      Robert Sayer and John Bowles & Son [no date], London - A very fine image of Kensington Palace and its expansive grounds. Erected in 1661 for the Earl of Nottingham, Kensington Palace became the royal residence of William III in 1689. Over the years, it underwent various renovations by architects such as Nicholas Hawksmoor and Sir Christopher Wren. The palace was surrounded by an extensive park, the vast grounds of which are pictured here, that was expanded and laid out by the celebrated garden designers Henry Wise and Charles Bridgeman. Visible on the far right side of this beautiful print is one of the chief formal tree-lined avenues that were characteristic of the park. John Tinney was both an engraver and "a print seller, and carried on business at the Golden Lion in Fleet Street, London, where all his own works were published. His mezzotint plates include portraits of Lavinia Fenton, after John Ellys; George III, after Joseph Highmore; Chief Baron Parker; and John Wesley; also some fancy subjects after Boucher, Lancret, Rosalba, Correggio, and others. He engraved in line a set of ten views of Hampton Court and Kensington Palace, after Anthony Highmore, and some of Fontainebleau and Versailles, after Jean Rigaud. Some of the plates in Ball's Antiquities of Constantinople , 1729, are also by him. Tinney is now remembered as the master of the distinguished engravers William Woollett, Anthony Walker, and John Browne." ( DNB ) Cf. Dictionary of National Biography. Hand-coloured engraving, printed on laid paper backed with a 20th-century archival sheet. Very good condition apart from some light soiling, a 1/2" tear in the bottom margin, a small loss in the lower right-hand corner, and a few minor water stains in the right margin, one of which is just within the right platemark.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        D'VN NUOUO STRUMENTO ANGOLARE : SI DA IL MODO. [Lbc]

      Stampa Archiepiscopale, Milano 1661 - Architecture; Geometry; woodcuts, Engravings; Folio 13" - 23" tal; (xii) 406 (vi) pages; {Architettura Civile Demostrativemente Proportionata et Accresciuta di Nuove Regole. } Plain vellum, probably original, backed with plain paper, later hand-lettered spine title. This book has been restored and conserved by David Donahue of Philadelphia. This consisted primarily of rebacking. A detailed Treatment Report from him is included. Custom made titled clamshell case [Fine]. Pages, complete with elaborate engraved extra allegorical title but lacking frontis engraved portrait, losses to front free blank leaf, text with several hundred geometricals worked into the text plus scattered engraved decorations and some textural plates. Text quite solid and clean, brief aging, several leaves folded at fore-edge margin to incorporate engraved designs which extend into margins. Berlin Katalog 589. Riccardi II, 222. Graesse V, 58. Not in Fowler and many other standard references. Quite scarce contemporary publication of Osio's simplified method for the construction of the orders of architecture through angles alone, without arithmetic divisions and without modules. Initially published in Milan in 1641 (of the greatest scarcity). In fact, any early editions are excessively difficult to encounter, for Osio represents a Neanderthal line of architectural reasoning. He was a principal source for the writings of Guarini, but his approach ultimately proved to be unproductive as architecture developed according to strict measured drawings based upon mathematics and other sciences. Imagine the Hoover Dam built in the method of the pyramids, with someone standing on an adjacent hill and giving instructions based on what he saw instead of relying on the physics of poured concrete, knowledge of the pressure of water, and an understanding of the geological features. WorldCat locates but 6 copies. AE locates none at auction. Architecture -- Architectural drawing. Architecture -- Domestic. Drawing -- TechniqueArchitectural orders. Geometry and geometrical drawing. Drawing -- Technique -- Materials. Proportion. Treatises , watermark (anchor? ) ; printed marginalia ; ill. Engravings and woodcuts ; woodcut decorated initials and ornaments ; engraved frontispiece with title. ; 0 [Attributes: Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Sexti Julii Frontini, Viri Consularis, Quae Exstant

      Joannis á Waesberge, Amsterdam 1661 - Edited by Robert Keuchenius; printed by Pauli van den Houte in Harderwijk (Netherlands). [30], 416, [16] p.; 19 cm. Signatures: *-**8 A-DD8 (8vo). Contemporary full vellum with six gilt-ruled spine compartments. Gilt-tooled morocco spine label reading "Julius Frontinus" in the second compartment; "Amst. 1661" in ink in fifth compartment. Added engraved title page. Woodcut title vignette, decorated initials, and head and tail pieces. Armorial bookplate on front fixed endpaper of Gaddesden Library, Gaddesden Place in Hertfordshire, Eng., of the Halsey family. Sextus Julius Frontinus was the Roman military governor in Britain and in 95 AD was appointed superintendent of the aqueducts (curator aquarum) at Rome. Contents: Strategemata; Aquæductibus Urbis Romæ; De Re Agraria; Aggeni Urbici Commentarius; De Limitibus, a Petro Scriverio; De Coloniis Italiæ; Opera & Fragmenta Frontiniana. In Near Fine Condition: spine label rubbed and upper right-corner lacking; light wear, otherwise clean and bright.

      [Bookseller: Classic Books and Ephemera, IOBA]
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        Parys wie folche 1620 anzufehen gewefsen (Paris, France)

      Mathias Merian, Amsterdam 1661 - “Parys. 1620” Mathias Merian From Topographia Galliae Amsterdam: 1661 Copperplate engraving 16 3/4” x 35” Mathias Merian was one of the most prominent members of the leading print publishing family of 17th-century Germany, known throughout Europe for his engravings of cityscapes and landscapes, his scientific books, and his editions of the noted series of travel books, the “Great Voyages.” Born and trained in Basel, Switzerland, Merian joined the Frankfurt publishing house of Johann Theodor de Bry in 1616 and, the following year, he married de Bry’s daughter Maria Magdalena. Merian gained his greatest acclaim as head of the family publishing house following the death of his father-in-law in 1623. He rapidly and almost single-handedly built up the house to become one of the most important in Europe, etching most of the plates himself until about 1645, when he increasingly relied upon the help of a growing staff of assistants and pupils -- among them Wenceslaus Hollar, Rudolf and Conrad Meyer of Zurich, and his sons-in-law Christoph Le Blon and Melchior Kusel. His most famous pupil, however, would prove to be his daughter, Maria Sybillia Merian, a truly exceptional botanical artist of the early 18th century.

      [Bookseller: Arader Galleries San Francisco]
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        La vie de François, Seigneur de La Noue, dit Bras-de-Fer. Ou sont contenues quantité de choses mémorables, qui servent à l'éclaircissement de celles qui se sont passées en France & au Pays-Bas, depuis le commencement des troubles survenus pour la religion, jusques à l'an 1591

      Jean Elzevier, Leyde 1661 - In-4. [193 x 145 mm] Collation : (8), 368, (2) pp., 2 tableaux dépliants h.-t. Maroquin bleu, dos à nerfs ornés, encadrements dorés sur les plats avec armes dorées au centre, tranches dorées. (Reliure du XIXe, Chatelin.). First edition of the life of François de La Noue, called Bras-de-Fer, a famous Huguenot captain (1531-1591), who in 1569 in a battle near La Rochelle had lost his arm, latter replaced by an arm of iron. Fine copy with the arms of Robert d'Orléans, Duke of Chartres, who fought for the Union in the American Civil War, as aide-de-camp of General George B. McClellan, and then for France in the 1870 Franco-Prussian War. Première édition. Des faits et gestes du célèbre capitaine durant les guerres de religion. Le "Bayard protestant" avait perdu un bras au siège de La Rochelle. Une prothèse en fer lui permettait de tenir les rênes de son cheval. En apprenant la mort François de La Noue (1531-1591), Henri IV s'écria : "Nous perdons un grand homme de guerre et encore plus un grand homme de bien." Bel exemplaire, relié par Antoine Chatelin, aux armes du DUC DE CHARTRES. Intéressante provenance "guerrière". Robert d'Orléans (1840-1910), duc de Chartres, petit-fils de Louis-Philippe a eut une longue carrière militaire. Il a participé dans l'armée piémontaise aux guerres d'unification italiennes, puis aux États-Unis, à la guerre de Sécession, comme aide de camp du général George B. McClellan. Engagé volontaire, sous le pseudonyme de Robert Le Fort, pendant la guerre de 1870, il est devenu chef d'escadron dans l'armée de la Loire. Très bel exemplaire. Willems, 871. Brunet I, 250. [Attributes: First Edition; Hard Cover]

      [Bookseller: Hugues de Latude]
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        Carnestolendas De Zaragoza, En Sus Tres Días.

      Agustín Verges, Zaragoza 1661 - Portada con escudo heráldico en el reverso - 1 h. y 132pp. Muy correcto ejemplar con alguna pequeña restauración casi invisible. Las páginas 6 y 7 han perdido algo de tintaje. Corto de margen superior pero siempre respetando la caja tipográfica. Buena encuadernación del siglo XX en fina piel verde jaspeada. Lomera con nervios, un tejuelo, y florones al oro. =Fray Benito Ruiz, más conocido por su seudónimo maestro Antolínez de Piedrabuena escritor dominico español del Siglo de Oro perteneciente al conceptismo. Por las obras que se conservan con su seudónimo, debió de haber vivido en Zaragoza. Escribió una novela alegórica en forma de sueño que alcanzó bastante éxito, "Universidad de Amor y Escuelas del interés. Verdades Soñadas o Sueño Verdadero". "Carnestolendas." es una novelita costumbrista que se caracteriza por sus rasgos satíricos y picarescos. En ella se describe la celebración, en las calles de Zaragoza, de las fiestas de los tres días de Carnaval que dieron comienzo el domingo veinte de marzo de 1660. El autor retrata la fiesta tradicional con todo su color local, narrando los actos que contiene el marco carnavalesco de Zaragoza a mediados del siglo XVII: ruidos, máscaras, risas, requiebros, disfraces, gritos, golpes, mojigangas, cantos, bailes, coros, canciones danzadas, batallas cómicas, torneos, carrozas engalanadas, coches con caballos enjaezados, galeras abrigadas con reposteros, carros triunfantes, etcñetera, incluido el sexo. Size: 8ºmenor [Attributes: First Edition; Hard Cover]

      [Bookseller: BALAGUÉ LLIBRERÍA ANTIQUARIA]
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        Histoire du Mareschal de Matignon, Govverneur et Lieutenant General pour le Roy en Guyenne. Avec tout ce qui s?est passé de plus memorable depuis la mort du Roy François I iusqu?à la fin des Guerres Civiles.

      - Paris, Augustin Courbé, 1661, 37 x 24 cm., p.e., retrato grabado en cobre ? 7 h. incluso portada a dos tintas ? 463 págs. incluso lámina grabada de la tumba de este Mariscal - árbol genealógico plegado ? 16 h. (En la pág. 379, nueva portada: Reflexions militaires, politiques, et morales, sur la vie et sur la mort du Mareschal de Matignon. Par M. de Cailliere. Buen ejemplar, con grandes márgenes). FRANCIA

      [Bookseller: Librería Anticuaria Antonio Mateos]
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        The Most Accurate History of the ancient city, and famous cathedral of Canterbury. Being an Exact Description of all the rarities in that City, Suburbs, and Cathedral: together, with the Lives of all the Arch-Bishops of that See; illustrated with divers Maps andFfigures. Published by Will. Somner

      printed by VVilliam Godbid for Richard Thrale, London 1661 - [18], 516, [12] p., [2] folded plates, and a folding map of Canterbury, With an additional title page; The antiquities of Canterbury, dated 1640: First Edition , lacks rear board, may lack one plate, one of the plates, called a map representing the high altar at St Austins with the Chapells about it, is torn, both title pages and front free endpaper are loose, a little foxed, generally very clean , calf with raised bands , small quarto, page height 22 cm Hardback ISBN: [Attributes: First Edition; Hard Cover]

      [Bookseller: Keoghs Books]
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        Sylva terminorum seu temporum iudicialium practicabilium ac usu frequentiorum auctore Carolo Caruso . Cum duplici indice locupletissimo

      apud Dominicum de Anselmo, Panormi ( Palermo ) 1661 - in 4° - pp.12nn + 488 + 64nn - Mezza pergamena - Frontespizio inciso - Testo in latino su due colonne in ottimo stato di coservazione - Tracce di restauro e segni a penna dell'epoca al frontespizio. Lievi segni dell'epoca alle pagine - Libro usato [Attributes: Hard Cover]

      [Bookseller: Antica Libreria Srl]
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        BIBEL, DAS IST DIE HEILIGE SCHRIFT ALTEN UND NEUEN TESTAMENTS, NACH DER UHRALTEN, GEMEINEN LATEINISCHEN, VON DER CATHOLISCHEN KIRCHEN BEWAHRTEN UND IN DERSELBIGEN BISSHERO ALLZEIT GEBRAUCHTEN VERSION, ODER UBERSETZUNG, AUF GNADIGSTEM BEFELCH UND Befurderung Des Hochwurdigsten in Gott Fursten Und Herrn / Herrn Johan Philipsen Des H. Stuls Zu Meintz Ertz-Bischoffs Dess H. Romischen Reichs Durch Germanien Etz-Cantzlers Und Churfurstens Bischoffs Zu Wurtzburgs Und Herzogs in Francken. Unsers Gnadiste

      Nuremberg: Wie Auch Bey Balthasar Christoph Wusten in Franckfurt. Fair. 1661-1662. Hardcover. 9" x 11.5" x 4.75". Bibel, das ist die Heilige Schrift Alten und Neuen Testaments, nach der uhralten, gemeinen Lateinischen, von der Catholischen Kirchen bewahrten und in derselbigen bisshero allzeit gebrauchten Version, oder Ubersetzung, auf Gnadigstem Befelch und Befurderung des Hochwurdigsten in Gott Fursten und Herrn / Herrn Johan Philipsen des H. Stuls zu Meintz Ertz-Bischoffs dess H. Romischen Reichs durch Germanien Etz-Cantzlers und Churfurstens Bischoffs zu Wurtzburgs und Herzogs in Francken. Unsers Gnadistens Herrns von etlichen der heiligen Schoofft gelehrten und Teutscher Sprach erfahrnen darzu verordneten Personen treulich verteutscht. 1725 pages as follows: Old Testament, 963 pps, 1662; The Prophet, 398 pps. 1661; New Testament, 364 pps, 1661. Blind-stamped full leather over wood boards with raised bands. Front board is detached. Upper portion of spine also detaching. Loss of material can be seen at foot of spine and along bottom edge of rear cover. Rear cover displays mild rippling with several small holes. Boards and spine are straight. Preliminary pages before index, including frontispiece and title page, are detached and laid-in. Binding is otherwise tight. Pages exhibit foxing throughout. Text is in double columns. Illustrated with a full page woodcut frontispiece for every chapter; 10+ full page woodcut plates of prophets and other figures, 3 full page hand-colored portraits, a double-page plate, headpieces and tailpieces, and hundreds of 2.5" x 3.5" vignettes. Engravings are by German Baroque painter Joachim von Sandrart (1606-1688) and I. F. Fleischberger based on works by G. Strauch. ; 1725 pages .

      [Bookseller: New Boston Fine and Rare Books]
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        Practicarum conclusionum Iuris, in omni foro frequentiorum (9 Tomes - Complet) In quibus Praeter Spirituales, Ecclesiasticas, Legales, Iudiciarias caeterásque materias Canonicas, Prophanas, Civiles, Criminales & mixtas in vtroque foro magis frequentes, miro ordine digestas receptásque opiniones vbique Asterisco * notatis aliqua multarum insignium ecclesiarum, ordinum regularium militiarum regnorum prouinciarum ciuitatum & aliorum locorum statua mores consuetudines, indulta & priuilegia vt obiter a doctoribus citatis sunt relata ordine alphabetico contineuntur ac declarantur. Opus omnibus iudicibus ciuilibus et criminalibus tam ecclesiasticuis quam secularibus ac praecipue palatis aduocatis causorum patronis & vtriusque iuris peritis necessa

      Phil. Borde, Laur. Arnaud & Claud. Rigaud 1661 - 9 vol. in-folio reliure de l'époque pleine basane marron, dos à 6 nerfs ornés (fleurons), Sumptib. Phil. Borde, Laur. Arnaud & Claud. Rigaud, Lugduni [ Lyon ], 1661-70, Tome I : 10 ff. (dont faux-titre avec frontispice au verso, gravé par Auroux), 577 pp. et 1 f. blanc ; Tome II : 8 ff., 614 pp. ; Tome III : 6 ff., 578 pp. ; Tome 4 : 6 ff., 530 pp. ; Tome 5 : 7 ff., 650 pp. ; Tome 6 : 7 ff., 574 pp. ; Tome 7 : 6 ff., 602 pp. ;Tome 8 : 6 ff., 434 pp. et 1 f. blanc ; Tome 9 : 6 ff. (dont faux-titre avec frontispice au verso, gravé par Auroux), 759 pp. - Titre complet : Eminentissimi Dominici Tuschi, Regiensis episcop. Tiburtini, Presbiteri Cardinalis, Practicarum conclusionum Iuris, in omni foro frequentiorum (9 Tomes - Complet) In quibus Praeter Spirituales, Ecclesiasticas, Legales, Iudiciarias caeterásque materias Canonicas, Prophanas, Civiles, Criminales & mixtas in vtroque foro magis frequentes, miro ordine digestas receptásque opiniones vbique Asterisco * notatis aliqua multarum insignium Ecclesiarum, Ordinum Regularium, Militiarum, Regnorum, Provinciarum, Civitatum & aliorum locorum statua mores consuetudines, indulta & privilegia ut obiter a Doctoribus citatis sunt relata ordine alphabetico contineuntur ac declarantur. Rare exemplaire parfaitement complet des 9 Tomes. Le tome 9, publié par Carlo Toschi, et ici présent pour la première fois, bénéficie d'une page de titre propre. Etat satisfaisant (rel. frottées avec qq. accrocs et mq. en coiffes, des mouillures, fortes dans le tome 3, qq. travaux de vers affectant rarement le texte sur plus de qq. lettres) pour cet exemplaire de l'édition la plus complète. Langue: Latin [Attributes: Hard Cover]

      [Bookseller: Librairie du Cardinal]
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        LE NOUVEAU TESTAMENT DE NOSTRE SEIGNEUR JESUS-CHRIST. De la traduction des Docteurs de Louvain. [bound with] LES EPISTRES DE S. PAUL, de la traduction des Docteurs de Louvain:. 2 volumes in 1,

      Paris: 1 chez George Josse. 2 de l'imprimerie d'Est Maucroy 1661 - 8vo, (120x64mm), [4],403; 315p. title-page of the first named title in red and black with engraved vignette, a small hole (without textual loss) in the final leaf of the second named title. Modern morocco, rather crudely executed. Please note that the advised postage is based on an average book, if necessary the postage will be reduced to the correct amount and you will be notified by email.

      [Bookseller: Barry McKay Rare Books]
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        L'OFFICE De La SEMAINE SAINCTE CorrigŽ de nouueau par le commandem du Roy conformement au breviaire et missel de nostre S. P. le Pape Vrbain VIII

      Paris:: Chez Anthoine Ruette,. 1661.. 8vo. 7-3/8" x 4-3/4". 1st edition thus. [2], 468 pp. Text printed in red & black.. Full deep maroon morocco binding, attributed to Antoine Ruette, decorated with gilt stamped fleurs-des-lis & Crowned "L"s. AEG. Marbled paper paste-downs.. Modest binding wear, with front joint starting at top 1.5".. Bookplate of Lucius Wilmergding. No free eps. Title leaf beginning. to detach. Catalogue description [Wilmerding Sale, 1951] affixed to. rear paste-down, wherein this book is described. Withal, a VG copy.. Engraved title leaf. 3 copperplates (included in pagination). Tailpieces.

      [Bookseller: Tavistock Books, ABAA]
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        Processionarium Sacri Ordinus Praedicatorum Auctoritate Apostolica Approbarum Reverendissimi P F Io. B. De Marinis.

      Nic Angelum Tinassiu, Romae 1661 - One inch at base of spine just in from the rear hinge worm; Small 8vo; Contemporary smooth brown leather, 5 raised bands, edges of boards and spine panels outlined with three blind rules, two brass tipped leather straps, all edges red, all leaves present including blanks, engraved title page, [6], 424, [4], 291, [5]p., music, indices, printed in red and black. **"Summa Privilegii Regis Christianissimi. Ludovicus XIV. Dei gratia Galliarum & Nauarrae Rex Christianissimus.," Paris 28. April 1653. **SECOND TITLE: Clavis Cantus Ecclesiastici seu Modus Intonandi, et Cantandi Inuitatoria, Psalmos, Antiphonas, Responsoria, Versiculos, Lectiones, Epistolas, Evangelia, Passionem, Lamentationes, & alia precipua, quae passim occurrunt in Officio Diuino cantanda. Fr. Io. Basptista de Marinis. Romae, Typis Nicolai Angeli Tinassi. 1661. Good+ damaged, both ends of spine have shallow cracks, boards show slightly at fore-corners, one strap lacks a half inch of top-grain, minor stains at end-papers, else tight clean and attractive. [Attributes: First Edition; Hard Cover]

      [Bookseller: Hurley Books Inc.]
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        Discoveries of the Day Dawning to the Jewes. Whereby they may know in what state they shall inherit the riches and glory of Promise.

      printed for Thomas Simmons, at the sign of the Bull and Mouth near Aldersgate, London 1661 - 14 pages (page 2 is blank verso of title page; page 14 is blank verso of last leaf). Signed: Johan, in Hebrew characters. 4°. 15, [1] p.; 19 cm. References: Wing (2nd ed.); P1615 Scans available upon request. Jews Conversion to Christianity Society of Friends. Signatures: A-B4. PERROT, JOHN (d. 1671?), Quaker sectary, born in Ireland, was possibly descended, though not legitimately, from Sir John Perrot [q. v.], lord-deputy "of Ireland. It is hardly likely that he was the John Perrot fined 2,000/. in the Star-chamber on 27 Jan. 1637, and arraigned before the court of high commission on 14 and 21 Nov. 1639 (Cal. State Papers, Dom. 1636-7 p. 398, 1639-40 pp. 271, 277). Before 1656 Perrot joined the Quakers, and was preaching in Limerick. The next year he started, with the full authority of the Quaker body and at its expense, with one John Love, also an Irishman, on a mission to Italy, avowedly to convert the pope. Perrot passed through Lyons, and on 12 Aug. 1657 he was at Leghorn. There he wrote a treatise concerning the Jews, and both travellers were examined by the inquisition and dismissed. In September, diverging from their original route, they reached Athens, whence Perrot wrote an' Address to the People called Baptists in Ireland.' A manuscript copy is in the library of Devonshire House. He also wrote an epistle to the Greeks from ' Egripos,' that is the island of Negroponte (now called Eubcea). Returning to Venice, he interviewed the doge in his palace, and presented him with books and an address, afterwards printed. A work dated from the Lazaretto in Venice indicates either that he had fallen ill or was in prison. On arriving in Rome, probably in 1658, Perrot and Love commenced preaching against the Romish church, and were arrested. Love suffered the tortures of the inquisition and died under them. Perrot, whose zeal knew no bounds, was more appropriately sent to a madhouse, where he was allowed some liberty and wrote numerous books, addresses, and epistles. These he was suffered to send to England to be printed, and many of them appeared before his release; His detention excited much sympathy in England. Samuel Fisher (1605-1655) [q.v.], John Stubbs, and other Friends went to Rome in 1660 to procure his freedom. Two other Friends, Charles Bayley and Jane Stokes, also unsuccessfully attempted it, Bayley being imprisoned at Bordeaux on the way out. Some account of his experiences he contributed to Perrot's 'Narrative,' 1661. In May 1661 Perrot was released; but on his return to London he was received with some coldness. He was accused of extravagant behaviour while abroad. Fox and others condemned the papers issued by him from Rome, one of which propounded that the removal of the hat during prayer in public was a formal superstition, incompatible with the spiritual religion professed by Quakers. This notion gained ground rapidly, and was adopted for a time by Thomas Ell wood [q.v.] and Benjamin Furly [q. v.] ; but Fox at once attacked 'it in a tract issued in 1661 (Journal, ed. 1765, p. 332). Perrot was unconvinced, although many of his friends soon forsook him. He was indefatigable in preaching his opinions in various parts of England or Ireland, and attracted large audiences. He was arrested, with Luke Howard (1621-1699) [q. v.], at a meeting at Canterbury on 28 Aug. 1661, and again at the Bull and Mouth, Aldersgate Street, on a Sunday in June 1662, when he was brought before Sir Richard Browne (d. 1669) [Attributes: First Edition; Soft Cover]

      [Bookseller: Meir Turner]
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        Les memoires de Messire Philippe de Commines, Sieur d'Argenton

      A Paris : Chez Iean Dhourry 1661 - Dernier edition. Physical description [24],765,[19]p. ; 16cm (12mo). Notes; Added engraved title page. Title page ornament; initials; head-pieces. Subject; Louis XI, King of France, 1423-1483 - Early works to 1800. Charles VIII, King of France, 470-1498 - Early works to 1800. France - History - House of Valois, 1328-1589 - Early works to 1800. Medicine. Other names Houry, Jean d'. Language; French. Associate reference; Brunet ii, 191. 0 Kg. 765 pp.

      [Bookseller: MW Books Ltd]
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        Les Memoires de Messire Philippe de Commines, Sieur D'Argenton, Derniere Edition

      Antoine de Sommaville; L'Imprime Aleide, Paris 1661 - 24mo. Leather Hardcover, 1661. Derniere Edition. xx + 765pp + (16). With Text is in French. Bound in brown leather; heavily worn with peeling edges. Top layer of backstrip removed. Joints and hinges are badly cracked, though the textblock is sturdy. Speckling/soiling along all edges. Pages are toned and mildly foxed. Closed tear on p.83. Front endpapers have previous owner notation; ffep loose. Considered an important historical resource, the writings and memoirs of Philippe de Commines provides great insight into the workings of the 15th century French royalty, most notably the reign of Louis XI, to whom he was an advisor. [Attributes: Hard Cover]

      [Bookseller: BWB Antiquarian, Rare, and Collectable]
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        La Terra de Hochelaga Nella Nova Francia

      Venice 1661 - Giovanni Battista Ramusio La Terra de Hochelaga Nella Nova Francia 12 1/2" x 15 1/4" Woodblock Engraving Venice, 1661 $6,500

      [Bookseller: Arader Galleries - Houston]
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        C. Cornelii Taciti [Opera] quae extant. Marcus Zueris Boxhornius Ecensuit & animadversionobus nonullis illustravit. Accedunnt ejusdem Epistolae duae, quibus & quaudam TACITI expilcantur.,

      Amstelodami, Johannes Janssonium, 1661 - gest. Frontispiz, Titleblatt mit gestochener Vignette, [4 Bll.], 615 S. 68 S. Schweiger II, 1002,- (Zur EA 1650). Sehr wohlerhaltene Tacitus Ausgabe in der gesuchten Boxhorn-Edition in hübschen Buchpreiseinband. Der Anhang mit den Anmerkungen von Boxhorn mit dem seperaten Titel. Sprache: de Gewicht in Gramm: 750 12° Ganzpergamenteinband der Zeit mit golgeprägtem Wappensupralibros auf beiden Deckeln und handschriftlichem Rückentitel ( niederländischer Buchpreiseinband Middelburg)

      [Bookseller: Antiquariat Michael Solder]
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        Valencia. San Agustín y Santo Tomás] El Maestro y el Dicipulo (sic), San Agustín, y Santo Tomás, dotores de la iglesia. Aclamados en dos sermones. [.] Añadese un sermon extemporaneo de rogativas, predicado por el mismo Autor. [en la página 35:] Sermón deprecatorio por la salud del Príncipe Don Felipe Próspero de Austria, en las rogativas hechas en la Metrópoli de Valencia, patente el Santissimo Sacramento, la Virgen de los Desampaardos, las Reliquias y cuerpos de S. Vicente Ferrer, S. Luis Obispo, y Santo Tomás de Villanueva 1661.

      por Bernardo Nogués,, Valencia, 1661 - Edición original rara. El impresor valenciano Bernardo Nogués añade al dorso de la portada una nota con el título de: "quien imprime", explicando la devoción que siente por el autor de los sermones, y comenta que estando ya en prensa el opúsculo le añadió el último sermón de rogativas. El autor, Josep Sanchis era el provincial de los mercedarios y calificador del Santo Oficio de la Inquisición. 1 hoja (portada), 50 páginas. Muy buen ejemplar. Una viñeta xilográfica de fin de capitulo en la página 33. 19x14,5 cm. Palau 286588. No da paginación. Herrero Salgado 493. No en la B.N.

      [Bookseller: Llibreria Antiquària Delstres]
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        Silesiae ducatus Accurata et vera deliniatio....

      Amsterdam ca. 1661. Karte zeigt gesamt Schlesien, Karte aus dem 'Atlas Contractus', altkoloriert, Kupferstich, 38 x 49. Zustand: Perfekt, dem Alter entsprechend

      [Bookseller: Antique Sommer & Sapunaru KG]
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        Le Fontane di Roma nelle Piazze, e luoghi publici della Citta', con li loro prospetti, come sono al presente.

      Pace con Priu del S. Pont. - Pace all' Insegna di Parigi 1661 Le Fontane di Roma nelle Piazze, e luoghi publici della Citta', con li loro prospetti, come sono al presente. Disegnate ed intagliate da G. B. Falda. Libro primo. - Le Fontane delle Ville di Frascati nel Tuscolano, con li loro prospetti, disegnate ed intagliate da G.B. Falda. Parte seconda. - Le Fontane ne' palazzi e ne' giardini di Roma con li loro prospetti et ornamenti. Disegnate ed intagliate da Gio. Francesco Venturini. Parte terza. - Le Fontane del Giardino Estense in Tivoli con li loro prospetti, e vedute della cascata del fiume Aniene. Disegnate ed intagliate da G.F. Venturini. Parte quarta. Roma, Giacomo de Rossi alla Pace, all' insegna di Parigi, S.d. (c. 1661 - 1675). In - folio oblungo, piena pelle coeva dorso a 5 nervi decorato in oro, 4 parti legate assieme. Titoli e tavole interamente incise in rame (2 più volte ripiegate). Bellissimo esemplare della rara edizione originale. Sans doute les plus belle pubblications sur les fontaines de Rome et environs qui ait jamais paru... (Olschki, Choix, XI, 16899). Bartsch, XXI, 239. Katalog der Kunstbibliothek Berlin, 3603. Brunet, II, 1172.

      [Bookseller: Brighenti libri esauriti e rari]
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        Christophori Forstneri. In tres postremos libros Annalium C. Cornelii Taciti Notae Politicae.

      Frankfurt, Beyer 1661 [eig. 1662].. 2 Tle. in 1 Bd. 12°. 4 Bll., 389 S. Mit gest. Titel u. Titelvign. Pgmt. d. Zt.. VD17 3:308547E; ADB VII, 192 - Beigeb.: Ders. Christophori Forstneri Austrii, Ad Libros Annalium XI. XII. XIII. C. Cornelii Taciti, Notae Politicae. Quae sunt Continuatio Notarum Politicarum Eiusdem Authoris, Ad sex Libros priores. Ebda. 1662. 451 S., 13 Bll. (Index). Mit Titelvign. (VD17 39:132974C). - Christoph Forstner (1598 auf Schloß Birckenstein in Oberösterreich - 1667 Mömpelgard), Politiker, Schriftsteller, württembergischer Kanzler.

      [Bookseller: Burgverlag Buchhandelsges.mb.H.]
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        C. Cornelii Taciti Quae Exstant. Marcus Zuerius Boxhornius Recensuit & animadversionibus non-nullis illustravit. Accedunt ejusdem Epistolae duae, quibus & quaedam Taciti explicantur

      Joannem Janssonium. Hardcover. A pocket-sized volume, fully leather bound. The edges all around are heavily worn, corners have bumped with the card exposed from wear. The spine is dehydrated and has surface cracking with loss to the heads and an absent title inlay. The hinges are in very good condition with only small splits at the extremities of the front hinge. Inside, there is an owner's plate on the pastedown and a short note on a fly-leaf. The rear endpaper has been trimmed and there are small pencil notations. The pages are surprisingly clean with slight yellowing and a heavy outer edge-tone. . Good. 1661.

      [Bookseller: Infinitebooks]
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        The Faith, Doctrine, and Religion, Professed, and Protected in the Realm of England, and Dominions of the Same; Expressed in Thirty Nine Articles, Concordably Agreed upon By the Reverend Bishops, and Clergy of This Kingdom, at two Several Meetings.

      Printed By John Field, London 1661 - [36], 56, 53-204, 195-222pp. Contemporary unlettered calf, triple ruled to edges of boards. Two leaves of binders waste from an early sixteenth-century edition (Venice or Rome, circa 1515-20) of Sacro Bosco's Sphaera, in folio, used as endpapers. A fine, crisp and unpressed copy. Light wear and two minute wormholes to joints. Thomas Rogers (c1553-1616), Anglican clergyman and anti-sabbatarian religious controversialist. Undoubtedly his enduring work, The Faith is an exposition and history of the thirty-nine articles of the Anglican creed first published 1607. Based, but with heavily revised opinions towards those Elizabethan non-conformists originally treated with some sympathy in the same author's The English Creede (London, 1585), it crowned a lengthy career in theological translation and controversialism. Wing R1833. Size: Quarto

      [Bookseller: Antiquates Ltd]
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        Abrege de l'histoire de ce siecle de fer, contenant les miseres & calamites des derniers temps, avec leurs causes & pretextes, & ce qui-estarrive de memorable depuis le couronnement du Roy des Romains FERDINAND IV. ius-quesa la Conclusion de la paix entre les Roys d' Espagbe & de France (IN FRANZÖSISCHER SPRACHE),

      Bruxelles : F. Vivien, 1661.. Troisiesme Partie, Oevvre Novveav, 494 Seiten, 9 Bl., 12°, braunes OHldr auf 4 Bünden. Gutes festes Exemplar

      [Bookseller: Antiquariat Im Baldreit]
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        Discurso politico que o Conde de Soure, Embaxador extraordinario de Sua Magestade a elRey Christianissimo, deu ao Cardeal Mazarine em S. João da Luz, nas vistas que teve com Dom Luis de Haro, primeiro Ministro de Castella, quando começou a tratar a paz. Mostrase por 27 razoens forçosissimas, como França por justiça, & por conveniencia não devia fazer a paz sem inclusão de Portugal. Foi impresso em Pariz na lingoa Franceza no anno de 1659.

      Lisbon, Na Officina de Henrique Valente de Oliveira, Impressor delRey N.S., 1661. - Woodcut initials on second preliminary leaf recto and p. 1. Typographical headpiece on p. 1. (4 ll.), 72 pp. 8°, twentieth-century sheep (third quarter?), flat spine with fillets in blind and crimson morocco lettering piece, gilt short author, title, place and date, covers with borders ruled in blind, blind tooling at corners. Repair, about 6 x 2.3 cm., reinforcing title page at lower outer corner. Much smaller repair to lower outer corner of following leaf. No loss of text. Overall in good condition. Bookplate of J.[osé] Pinto Ferreira. ---- First Edition in the original Portuguese, rare. A translation into French had been printed in Paris in 1659. Apparently it is @Raisons fort puissantes pour faire voir l'obligation qu'a la France d'appuyer l'intérêt de Portugal dans le traité de la paix, Paris, 1659, of which only one copy seems to exist, at the Bibliothèque nationale de France. D. João da Costa, first Conde de Soure, Ambassador of Portugal to France, had his secretary, Duarte Ribeiro de Macedo, draw up these strenuous objections to France negotiating a separate peace with Spain, shortly prior to the conclusion of the Treaty of the Pyrenees. Cardinal Mazarin was greatly annoyed. In fact the printing of this manifesto in French translation in Paris in 1659 caused such consternation that the Cardinal ordered the imprisonment of the printer and translator; the translator sought asylum in the home of the Portuguese Ambassador.The Treaty of the Pyrenees resulted in withdrawal of France's support for Portuguese independence at a crucial juncture, allowing Spain to advance against Portugal with renewed vigor. Nevertheless Portugal was able to resist, and Spain recognized Portuguese independence in the Treaty of Lisbon, 1668.In the preliminary leaves are included an introduction by Duarte Ribeiro de Macedo addressed to the Portuguese king, stating that the publication at this time of the @Discurso in the original Portuguese was to counter the protests against it by Mazarin (second preliminary leaf recto-third preliminary leaf recto). João de Royas e Azevedo presents similar arguments (bottom of third preliminary leaf recto-fourth preliminary leaf verso).Duarte Ribeiro de Macedo (Lisbon 1618?-Alicante 1680) is known for his efforts to end the economic crisis in Portugal during the second half of the seventeenth century. Influenced by Colbert, he was responsible for outlining a plan for industrial growth, and favored the development of national crafts for export as a way of obtaining gold and balancing external trade. Ribeiro de Macedo realized that the loss of much of India inevitably meant a drastic change in Portugal's commerce and finance. It is ironic that his excellent plans for industrialization were discarded because another colony provided a temporary solace for Portugal's economic ills: gold was discovered in Minas Geraes in 1692. Macedo received his degree in law from Coimbra University. He eventually became an advisor to D. Pedro II, and Ambassador to France and Spain. He is also considered one of the classic Portuguese writers, in fact one of the greatest prose writers in the history of the language. Barbosa Machado writes that he had "hum estilo claro, e discreto." Innocêncio notes, "Occupa um logar mui pouco; mas o que d'elle temos foi o que bastou para os criticos lhe daram logar entre os classicos de primeira nota." @Provenance: J.[osé] Pinto Ferreira, Portuguese army officer, was a distinguished book collector who had significant Camoneana and much on the Restauração, as well as a trove of other books on Portuguese military history. ---- Arouca M26. Barbosa Machado, II, 640-1. Innocêncio III, 354. Biblioteca Nacional de Portugal, @Exposição Bibliográfica da Restaouração 1294 (mutilated copy, lacking the title page). Martinho da Fonseca, @Restauração 446. Not in @Catalogue of the Oliveira Lima Library. Not in @Greenlee Catalogue or Welsh. Not in Palha. Not in Visconde de Trindade, @Restauração. Porbase locates a sin [Attributes: First Edition; Hard Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        Kort begryp der zangkunst door Renatus Descartus. In de Latijnsche taal beschreven, en van J.J. Glazemaker vertaalt

      . Amsterdam : Tymon Houthaak voor Jan Rieuwertsz., 1661. - 46 S. 8vo.. Sehr selten. RISM BVI, I, S. 262. Attraktiver blindgepr. Lederband (Buchbinder Bayntun).

      [Bookseller: Musikantiquariat Paul van Kuik]
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        A TREATISE OF THE SIBYLS

      London, printed by T(homas) R(oycroft) for the author, 1661.so highly celebrated, as well by the antient heathens, as the holy fathers of the church; giving an accompt of the names, and number of the Sibyls, of their qualities, the form and matter of their verses; as also of the books now extant under their names, and the errours crept into Christian religion, from the impostures contained therein, particularly, concerning the state of the just, and unjust after death. ... Englished by J. Davies. FIRST ENGLISH EDITION, 1661. Folio, 285 x 185 mm, 11¼ x 7¼ inches, pages: (4), 293, (7), head - pieces and decorated initials to chapter headings, bound in full contemporary calf, blind - tooled border to covers, rebacked in lighter leather, gilt rules and original gilt lettered label to spine, new endpapers. Covers slightly marked, small scrape to leather on lower cover, engraved armorial bookplate preserved on front pastedown (Thomas Fuller M.D. (1634 - 1734) physician and preacher who published a compilation of proverbs entitled Gnomologia), 1 page has small pale ink stain, just affecting 1 word, 1 small corner tip torn off, otherwise text clean and binding tight and firm. A very good copy. DAVID BLONDEL (1591 - 1655), was a French Protestant clergyman, historian and classical scholar. In 1650 he succeeded G. J. Vossius in the professorship of history at Amsterdam. His works were very numerous; in some of them he showed a remarkable critical faculty, as in his dissertation on Pope Joan (1647, 1657), in which he came to the conclusion, now universally accepted, that the whole story is a mere myth. Considerable Protestant indignation was excited against him on account of this book. His work on the Sibyls of classical times was first published in French in 1649. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        HISTORIAE AUGUSTAE SCRIPTORES VI. AELIUS SPARTIANUS. VULC. GALLICANUS. JULIUS CAPITOLINUS. TREBELL. POLLIO. AELIUS LAMPRIDIUS. FLAVIUS VOPISCUS,

      Lugduni Batavorum, Francisci Hackii, 1661**. Relié, percaline d'époque, titre marqué sur le dos, gravure de titre, 120 x 200mm., (VI)997pp. + index rerum ac verborum.Cum indice Locupletissimo rerum ac Verborum Accurante Cornelio Schrevelio. Bon état.

      [Bookseller: Erik Tonen Books]
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        Libro llamado Castillo interior, o Las moradas. Escrito por la Santa Madre Teresa de Jesus, Fundadora de las Descalzas Carmelitas, para ellas

      ¿José Fernández Buendia?, Madrid? 1661 - Pergamino época con rotura en bisagra del lomo 436 pags. + 64 hojas Frontis grabado. Primera y última hoja rozadas

      [Bookseller: LIBRERÍA GULLIVER]
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        Das ist, Die Heilige Schrifft, Alten und Neuen Testaments. Auß Gnädigstem Befelch Herrn Johan Philipsen, deß H. Stuhls zu Meintz Erz-Bischoffs, Ertz-Cantzlers und Churfürstens verteutscht. 3 Teile in 1 Band.

      Mainz u. Nürnberg, Endter sowie Wust in Frankfurt, 1661-, 1662.. circa 29 x 24,5 cm. Gestochener Titel, 21 Bll., 963, 398, 364 SS., mit 1 gest. Portrait und 27 Kupfertafeln nach J. Sandrart, C. Vischer etc. sowie vielen Textholzschnitten Blindgeprägtes Schweinsleder d. Zt. auf Holzdeckeln mit Schließen. BSWL E 819 (verzeichnet nur 18 Tafeln); nicht bei Darlow-Moule. Reich illustrierte deutsche Bibel, die Kupfer und Holzschnitte "tragen, wenn auch unauffällig und unaufdringlich, den abstrakten Geist der Aufklärung in sich. Gott durfte nicht mehr dargestellt werden. Überhaupt ging in dieser späten Holzschnittbibel die letzte Naivität verloren. Trotz dieser schönen Bilder Johann Jakob Sandrarts ging nun die Zeit der Holzschnittbibeln unwiederbringlich zu Ende" (Schmidt 382). In diesem Exemplar sind mehr Kupfer und über die im Katalog der BSWL verzeichneten Kupfer insgesamt 9 Zwischentitel zu den Büchern des Alten Testaments enthalten. Es fehlt Bl. d4 (nach dem Kustos zu schließen wohl ein Zwischentitel). - Vorsatz mit Besitzeintrag von alter Hand, einzelne Blätter mit kleinem Randausriß, etwas fleckig und gebräunt, Einband etwas beschabt oder bestossen, aber sehr dekorativ und mit intalten Schliessen.

      [Bookseller: Antiquariat Thomas Rezek]
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        Historia de corpore S. Amandi huius nominis primi, in ordine vero secundi episcopi Wormatiensis, a S. Ruperto Wormatia Salisburgum translato, et hoc currente anno in ecclesia S. Petri Salisburgi invento, ac noviter translato die 26. Octobris, ex antiquis monimentis monasterii S. Petri collecta [...].

      Salzburg, Johann Baptist Mayr, 1661.. (6), 46 SS. (Beigebunden): [Keuslin], Albert, OSB. Catalogus. Cum historiae compendio abbatum monasterii S. Petri Salisburgi. Ex antiquis chronicis, litteris, & monimentis authenticis [...]. Salzburg, Christoph Katzenberger, 1646. (2), 78, (6) SS. Pergamentband der Zeit. 4to.. Jeweils einzige Ausgabe. - Über die Gebeine des Hl. Amandus von Worms, welche in Salzburg aufbewahrt werden. Herausgegeben vom Abt des Stifts St. Peter, Amandus (Hieronymus) Pächler (auch: Pachler; 1624-73). Beigegeben ist die Geschichte des Stifts St. Peter und seiner Äbte, verfaßt vom Stiftsabt Albert Keuslin (1591-1657). - Aus der Stiftsbibliothek Kremsmünster mit entspr. hs. Signaturvermerken am vorderen Innendeckel. - I: VD 17, 12:113459Y. Jöcher/Adelung V, 1375, 9. - II: VD 17, 12:113448K.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        The Compleat Gentleman

      Richard Thrale, 1661. Richard Thrale. Hardcover. The leather and boards of this volume are excessively worn and the spine has been relaid keeping the original boards. The boards are exposed and worn away around the corners and edges and the leather is tired and flaking in areas. During the repair, the pastedown and endpapers have not been replaced but the hinges are strong and solid. The content is heavily foxed and edgeworn to the initial pages. The main content is a little aged and foxed with some tone in the margins, considerable tone to the outer edges. Solidly bound. . Good. 1661.

      [Bookseller: Infinitebooks]
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        LAW, or a Discourse thereof, in four books. Written in French by Sir Hen. Finch Knight, His Majesties Serjeant at Law. And done into English by the same Author

      London, printed (by permission of the Company of Stationers) for C. Adams, J. Starkey, & T. Basset, and are to bee sold at t. London, printed (by permission of the Company of Stationers) for C. Adams, J. Starkey, & T. Basset, and are to bee sold at their shops, 1661.. Reprint 1671 (first published in 1627), small 8vo, approximately 145 x 90 mm, 5¾ x 4½ inches, 4 decorated initials, pages: [6], 506, [16] - index and 3 leaves of adverts, lacking initial blank leaf, numbers 497-498 not used, nothing missing, text and register continuous, collation: A4 (-A1), B-2K8, 2L4, bound in old sheep, rebacked with original gilt decorated backstrip laid on, label missing. Backstrip rather worn, new leather showing on hinges, covers unevenly darkened, new free endpapers, binder's report pasted on front endpaper, neat faint name in top margin of title page, title page slightly darkened in the margins, very slightly soft and slightly worn at fore-edge, small piece missing from corner of 2 pages, 1 small ink correction, some pages lightly browned, some browned in margins only, occasional dark spots, no loss of legibility, small area of worming to lower inner corner from S2-Bb7 varying in size, nowhere near the text, continuing as a single hole to final leaf. A good tight copy. " Finch's Law, till the publication of Blackstone's Commentaries, was regarded as the best elementary book to be placed in the hands of the law students. It is one of the few attempts that have been made to reduce the Common Law into system; and the author prided himself very much upon having accomplished so difficult a task, as appears from the dedication to King James. His definitions were exact, his style concise and nervous, and his illustrations clear and authentic. Most of the valuable parts of Finch are incorporated in Blackstone's Commentaries.' Sweet & Maxwell, Volume I, page 167. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Natur-Kündung der Metallen. Frankfurt, Hermsdorf 1705. 8°. 7 Bll., 347 S., 18 Bll., mit gest. Titel, Ldr. d. Zt.

      - Ferguson I, 86 - Wellcome II, 125 - Waller 11062 - Dünnhaupt 7.3.- Dritte und letzte Ausgabe der erstmals 1661 erschienenen "Metallurgia? (Kupfertitel).- Becher (1635-1682) war einer der einflussreichsten Chemiker seiner Zeiz. "Als Leibarzt des Mainzer Kurfürsten entwickelte Becher mit diesem Werk erstmals die Grundlagen für seine Naturlehren. Das nach dem Kupfertitel auch als 'Metallurgia? bekannte Buch gilt als eines seiner wichtigsten Werke.? (Dünnhaupt).- Titel mit hs. Besitzvermerk u. Wurmgang. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Müller]
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        'Les Suisses, les Allies des Suißes et leurs Sujets; qui peuvent paßer sous le nom des Suisses, Partie de Souabe, &c. Par N. Sanson d'Abbeville Geogr. du Roy Aveq Privilege pour 20 Ans 1661 - R. Cordier Abbauil Sculp':.

      . Altkolorierter Kupferstich v. R. Cordier b. Nicolas Sanson d' Abbeville in Paris, dat. 1661, 37 x 55 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request). Tooley's Dic. of Mapm. Rev. Ed. Q - Z, S. 102f. - Zeigt die Schweiz mit Vorarlberg und den anliegenden Ländern. - Unten rechts Titelkartusche. - Am rechten Rand Meilenzeiger.

      [Bookseller: Antiquariat Norbert Haas]
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        Entree du Prince di Toscane, Representant Hercul]. Etching, 1661

      Della Bella, Stefano. [Entree du Prince di Toscane, Representant Hercul]. Etching, 1661. The first of three etchings from the festival book Il mondo festeggiante: balletto a cavallo, fatto nel teatro congiunto al palazzo del sereniss. gran duca, per le reali nozze de' serenissimi principi Cosimo Terzo di Toscana, e Margherita Luisa d'Orleans. In Firenze: Nella Stamperia di S.A.S., 1661. (Etching on paper 17 1/8 x 9 1/16", with margins. Mounted on laid paper. An excellent impression, in very good and clean condition, with slight chipping and some minor repairs). By Stefano della Bella after G.A. Moniglia. The most arresting of the three Della Bella etchings taken from the festival book Il mondo festiggiante (1661), which describes the marriage festival, entries and equestrian ballets composed in honor of the marriage of Cosimo II Grand Duke of Tuscany to Margherita Luisa d'Orleans, June 1661. This plate pictures a backdrop constructed for the huge half-oval behind the Pitti Palace. A circle of obelisks is placed at the center. Groups of decorated coaches are surrounded by foot soldiers and a circle of riders. Atlas with the heavens on his shoulders is most visible in the center of the etchings, having come to tell those on earth that Hercules, along with the sun god Apollo and the goddess of the moon Diana, has descended from heaven to attend these nuptials. Reference: de Vesme Della Bella 7-72; Sonneck pp. 446-7; Sartori, C. Libretti italiani 15890; Berlin Ornamentstichsammlung 3049; Strong, Roy. Art & Power; DeVseme/Marrar 71; Blum 92a.

      [Bookseller: Golden Legend, Inc.]
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        Il mondo festeggiante: balletto a cavallo, fatto nel teatro congiunto al palazzo del sereniss. gran duca, per le reali nozze de' serenissimi principi Cosimo Terzo di Toscana, e Margherita Luisa d'Orleans

      Firenze: Nella Stamperia di S.A.S., 1661. Firenze: Nella Stamperia di S.A.S., 1661. (Carducci, Allessandro). Il mondo festeggiante: balletto a cavallo, fatto nel teatro congiunto al palazzo del sereniss. gran duca, per le reali nozze de' serenissimi principi Cosimo Terzo di Toscana, e Margherita Luisa d'Orleans. Firenze: Nella Stamperia di S.A.S., 1661. Quarto. Contemporary Italian vellum, gilt (identical with other copies). 66pp., [3] folded leaves of plates. Text beginning on p. 7 as usual. One corner of binding chipped, some old tape reinforcement along fold of one plate. Marchetti 84; Moremi I 217; Ruggiere 503. A fine copy. Il mondo festeggiante (The Rejoicing World) describes the greatest of all Medici marriage festival entries and equestrian ballets, which was composed and performed in honor of the marriage of Cosimo III, Grand Duke of Tuscany, with Margherita Luisa d'Orleans. The elaborate, all-day performance took place in the amphitheater of the Boboli Gardens on July 1, 1661. Alessandro Carducci, the court choreographer, is credited with having conceived this event, which was directed by Alessandro Visconti. Ferdinando Tacca designed the scenography and Domenico Anglesi composed the music. The festival book Il mondo festeggiante was printed before the event in a fine deluxe edition for an elite audience of peers. The book contains a prose description of the equestrian ballet interspersed with Giovanni Andrea Moniglia's verses for the songs. The narration is illustrated with three folded etchings by Stefano Della Bella (1610-1642), the court artist. While the immediate function of this publication was to act as a guide to the action, the ultimate purpose for this and other festival publications of the courts of Europe was to broadcast and perpetuate for all times the festivities that celebrated important political affairs such as coronations, marriages, births, official entries and state visits, and other occasions of state. The three splendid Della Bella etchings are some of the most arresting of all festival imagery. The first pictures a backdrop constructed for the huge half-oval behind the palace with a circle of obelisks placed at the center. Groups of decorated coaches are surrounded by foot soldiers and a circle of riders. Atlas with the heavens on his shoulders is most visible in the center of the etchings, having come to tell those on earth that Hercules, along with the sun god Apollo and the goddess of the moon Diana, have descended from heaven to attend these nuptials. The second etching pictures Atlas and his globe (now split apart) transformed into Mount Atlas after he has announced his reason for coming to Florence. The final etching shows the positions and notations of choreography for the twelve figures of the elaborate equestrian ballet, which concluded the evening. The baroque festival entry followed by an elaborate horse ballet was an outgrowth of the medieval tournament and the even older "semi-choreographic form known to the Greek and Romans" (Reade). As Strong writes, "with the advent of the Medici as dukes, the tournament became a norm of festival art, and an ideal vehicle whereby to express the new order of things." Whereas the medieval tournament was essentially a training exercise, much like the modern military full-dress parade, the baroque triumphal procession and equestrian ballet became an allegorical and symbolic attempt to create a link between the rulers of state and the ancient gods, one in which princes, dukes, and monarchs were invited to ride on horseback or in ornate carriages, and in which themes were created of the intervention of Greek gods in order to create a cosmic harmony on earth. There seems to be a strong connection between the form of the early ballet du cour and the 17th century equestrian ballet. It is worth noting that they were both staged for the same essential purpose: to demonstrate State power and prestige. Both ballet and equestrian ballet, moreover, were arranged and decorated with the same allegorical concepts in mind: the arrival of ancient gods descending to earth in order to create a celestial harmony by crowning the heads of the temporal world. Carducci was referred to as "the inventor of the ballet and the battle" (Clarke and Crisp). He was undoubtedly the master of this form in the 17th century and used the model of Il Mondo Festeggiante for the even more elaborate Viennese horse ballets, particularly the famous La Contesa dell'Aria e dell'Acque (1667). References: Clarke and Crisp, Design for Ballet; De Vesme, Della Bella, 70-72; Fabbri, et. al., Il luogo teatrale a Firenze (1975) 11.10 11.18; Reade, Ballet Design; Sartori, Libretti Italiani, 15890; Sonneck, O.G.T. Librettos, 446 447; Staatliche Museen zu Berlin, Katalog der Ornamentstichsammlung, 3049; Strong, Art and Power. Provenance: E.P. Goldschmidt; Arthur & Charlotte Vershbow.

      [Bookseller: Golden Legend, Inc.]
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        Natur-Kündung der Metallen. Frankfurt, Hermsdorf 1705. 8°. 7 Bll., 347 S., 18 Bll., mit gest. Titel, Ldr. d. Zt.

      . . Ferguson I, 86 - Wellcome II, 125 - Waller 11062 - Dünnhaupt 7.3.- Dritte und letzte Ausgabe der erstmals 1661 erschienenen "Metallurgia" (Kupfertitel).- Becher (1635-1682) war einer der einflussreichsten Chemiker seiner Zeiz. "Als Leibarzt des Mainzer Kurfürsten entwickelte Becher mit diesem Werk erstmals die Grundlagen für seine Naturlehren. Das nach dem Kupfertitel auch als 'Metallurgia' bekannte Buch gilt als eines seiner wichtigsten Werke." (Dünnhaupt).- Titel mit hs. Besitzvermerk u. Wurmgang.

      [Bookseller: Antiquariat Johannes Müller]
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        Recueil d'aucuns notables arrests, donnez en la cour de Parlement de Paris, Pris des Memoires de feu Monsieur Maistre Georges Louet, Conseiller du Roy en icelle. Nouvelle et dernière édition revue, corrigée de quantité de fautes notables qui s'étaient glissées dans les premières Editions, & augmentée de plusieurs Arrests intervenus depuis les Impressions précédentes, & d'autres notables Decisions, Par feu Me Julien Brodeau, advocat en Parlement. Enrichie d'Annotations ajoutées en marge, pour le soulagement & la commodité du Lecteur: Avec deux Tables; l'une des Titres ou Chapitres, l'autre des Matières plus remarquables; Celle-cy est plus ample de beaucoup que celle des précédentes Impressions.

      Paris: P. Rocolet, et Jean Guignard le père, 1661 - 2 tomes en 1 volume in-folio; T.I: xvi: Le Libraire au Lecteur, page de titre ornée de la grande marque de l'imprimeur Pierre Rocolet "aux Armes du Roy, & de la Ville", dédicace à Antoine Seguier, table.], 550p., [76p.: table, privilège]; T.II:[vi: titre, table], 480p., [50p. table, privilège]. Reliure d'époque en veau moucheté, dos à six nerfs entièrement orné de petits fers "à la grotesque". Mors supérieur fendu, manque en pied du dos, autrement bon exemplaire. Chanoine de Saint Maurice d'Angers, doyen de Saint Jean-Baptiste et archidiacre d'Outre-Maine, Georges Louet (Angers 1546 - La Rochelle 1608) fut nommé abbé de Toussaint en 1598. Ce recueil, publié pour la première fois en 1602, fut réimprimé plusieurs fois puis augmenté par Brodeau à partir de 1633. Pierre Rocolet fut nommé imprimeur ordinaire du Roi en 1640, et de la Ville en 1645.

      [Bookseller: LIBRAIRIE DES CARRÉS]
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        Sexti Julii Frontini, quae extant, Robertus Keuchenius S.F. Jctus. Post Modium, Stewechium, Scriverium, Notis et Emendationibus illustravit. -

      Amsterdam: Waesberge 1661,. 8 foliierte Bll. (mit gestochenem Titel und gedrucktem Titel); 8 Bll., 416 Seiten, 6 Bll., Pgtbd. der Zeit mit auf den Deckelfalz gezogenen Pergamentriemchen, sauberer handgeschriebener Rückentitel, Kl.-8to. (18 cm). Vollständig (im Gegensatz zu den Exemplaren der Universitätsbibliotheken Augsburg und München, Staatsbibliothek Bamberg, etc.). Der opulente, gestochene Titel zeigt allegorische Szenen aus der römischen Geschichte. Der gedruckte Titel enthält eine große Vignette (Achilles? tötet einen Drachen) mit dem Motto "Merces Virtutis Gloria". - Der Band stammt aus der Bibliothek Hammer (Stockholm) und trägt Hammers prunkvolles Holzstich-Exlibris (Prunkkutsche mit dem Motto "toujours en avant!") und kleine handschriftliche Signaturen auf dem vorderen Spiegel. - Einband mit pergamenttypischer leichter Patinierung, vorderes Vorsatzblatt mit Riss im Gelenk, innen zum Teil minimal fleckig, sonst und insgesamt sehr wohlerhaltenes, attraktives Exemplar..

      [Bookseller: Antiquariat Tautenhahn]
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        ATLAS HARMONIA MACROCOSMICA OF A. CELLARIUS * Limited Facsimile Edition * Manuscript Sign. gr. Fol. 3/497a University Library (Darmstadt, Germany) * Facsimile Edition: 1 volume * Commentary: 1 volume * Mint copy

      Coron Verlag bei Kindler, Berlin. ATLAS HARMONIA MACROCOSMICA OF A. CELLARIUS * * * The Atlas Harmonia Macrocosmica seu atlas universalis et novus of Andreas Cellarius from 1661 belongs to the most beautiful stellar atlases in general. Today its first edition is kept as Sign. gr. Fol. 3/497a in the Universitäts- und Landesbibliothek in Darmstadt. * * * Title: Atlas Harmonia Macrocosmica of A. Cellarius * Owner / Shelf mark: Sign. gr. Fol. 3/497a University Library (Darmstadt, Germany) * Alternative Titles: Cellarius Himmelsatlas * Theme: Astronomy / Astrology * Date: 1661 * Origin: Germany * Format: 52 × 33 cm * Extent: 134 pages * Language: Latin * Content: The Harmonia Macrocosmica is a star atlas written by Andreas Cellarius and published in 1660 by Johannes Janssonius. The first part of the atlas contains copper plate prints depicting the world systems of Claudius Ptolemy, Nicolaus Copernicus and Tycho Brahe. At the end are star maps of the classical and Christian constellations * Artists / Schools: Andreas Cellarius (1503-1562) * Illustrations: 29 double-page colourized copperplate maps * * * Facsimile Edition * Publisher / Year: Coron Verlag bei Kindler, Berlin - 2006 * Volumes: Facsimile Edition: 1 volume * Binding: Genuine leather binding with rich gilt embossing, chiselled gilt-edging on three sides and book spine with nine raised bands * Condition: Mint copy.

      [Bookseller: Antiquariat Gebrüder Ziereis]
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