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Displayed below are some selected recent viaLibri matches for books published in 1660

        Variae multiformes florum species appressae ad vivium et aeneis tabulis incisae. Diverses fleurs dessinees et gravees d'apres le naturel,.

      Paris, F. Poilly excudit, rüe St. Jacques alimage St. Benoist, (1660?). Small folio (325 x 240mm). Engraved title and 30 engraved plates of plants. 19th century boards, some slight paper discoloration, small ink spot on one plate. First edition, most probably a later and better impression, of the same plates, printed on heavier paper. Hunt mentions such an issue without giving a date. //Nicolas Robert (1614-1685) was one of the outstanding flower painters of the 17th century. "In comparison to Fiori diversi, produced by the same artist twenty years earlier in Rome, 'Variae ac multiformes florum species', or 'Diverses fleurs', clearly shows Robert's mastery of the problems of technique and composition. The earlier plates are characterized by a certain harshness of line, the flowers standing out starkly against the page. In this later work Robert made much more creative use of the various elements at his disposal, incorporating the stem and leaves of the plants in sophisticated compositions that anticipate the quintessentially Baroque motif of the formal flower bouquet. Butterflies and other insects are also much more numerous than in the artist's previous work" (An Oak Spring Flora, 42). //"Maria Sibylla Merian copied a number of different motifs from Robert's work in the first part of her 'Blumenbuch'" (Maria Sibylla Merian 1647-1717, Artist and naturalist, ed. by K. Wettengl cat. no. 31). //An Oak Spring Flora 42; Hunt 282; Nissen BBI, 1645.

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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        Riga

      Germany 1660 - A charming 17th century plan of the city after Blaeu., Size : 215x255 (mm), 8.5x10 (Inches), Hand Colored

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        PHILIPPI LANSBERGII COMMENTATIONES IN MOTUM TERRAE Diurnum, & Annuum; et in verum adspectabilis coeli typum. In quibus epistemonicos ostenditur, Diurnum, Annuumque Motum, qui apparet in Sole, & Coelo,

      Middelburgi, Apud Zacharium Romanum, Bibliopolam, 1660.. non deberi Soli, aut Coelo, sed soli Terrae: simulque Adspectabilis Primi Coeli Typus, ad vivum exprimitur. Early edition 1660, issued with another work by Lansbergen: TABULAE MOTUUM COELESTIUM PERPETUAE; TABULAE MOTUUM COELESTIUM PERPETUAE... THEORICAE MOTUUM, ASTRONOMICARUM OBSERVATIONUM THESAURUS; Tabulae in 3 parts each with separate register and pagination, Tabulae has 3 different title pages dated 1662, 1653, and 1663, a general title page which is repeated before the second part and a separate title page for the second part. Latin text, folio, approximately 285 x 180 mm, 11¼ x 7¼ inches, astronomical vignette on title pages, 1 folding astronomical plate in the Commentationes, many diagrams, pictorial tailpieces, historiated initials, pages: (8), 34, (2 - blank); (10), 37 of 41, (1 - blank); (2 - title page), (2 - title page), 3-180, 1-181, (3) - index, LACKING PAGES 9-12 (Aa5 and 6) IN THE SECOND PART OF THE SECOND WORK, NOW SUPPLIED IN EARLY MANUSCRIPT FACSIMILE, ALSO LACKING PAGES 157-160 (Oo1 and 2) in the same part, text in part II of the Tabulae begins on page 3, nothing is missing, pagination in part III restarts for the Theoricae, collation: A-D4, E6; A6, B-E4, F6; Aa-Nn6 (-Aa5 & 6), Oo2 (-Oo1 & 2), Pp6, Qq4; Aaa-Zzz4, F6 is the repeated general title page to the second work, bound in modern faux vellum with hand written title to spine. 9 leaves lightly age-browned, index pages lightly browned in top margin, otherwise a very good clean bright copy. A copy has been located with 6 folding plates in the second part of the second work, most copies have none. A copy containing the same works as ours and the same title pages and collation is held by Ghent University Library. The Macclesfield copy of the Tabula in Opera Omnia lacked the same 2 leaves as our copy (A5 and 6), also supplied in early manuscript facsimile. "Philip van Lansberge studied mathematics and theology in England and became a Protestant minister in the Netherlands". Sotheby's Catalogue of the Macclesfield Library, Part 5, 1202. :

      [Bookseller: Roger Middleton]
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        De Eijlanden Tenerifa Palma Gomera en Ferro.

      - (Amsterdam, hacia 1660), mapa de 27 x 36 cm., que comprende las islas de Tenerife, Gomera, La Palma e Isla del Hierro, grabado en madera con los contornos coloreados. CANARIAS

      [Bookseller: Librería Anticuaria Antonio Mateos]
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        Kst.- Karte, v. Lalleman n. Sanson b. Mariette, "Ubii vbi antea Sunici. - Partie du Dioevese, et Archevche de Cologne. Basse Partie de l'Estat, ..".

      . altkol., dat. 1660, 43,5 x 51,5. Pastereau, Sanson VI, 103. - 1. Ausgabe. Mittig am rechten Rand die Titelkartusche. Zeigt den nördl. Teil des Bistums Köln. Gebiet: Wesel, Dortmund, Köln, Erkelenz, Wachtendonk. Mittig die Umgebung Ratingen - Neuss. - Mit hinterlegten Koloritbrüchen.

      [Bookseller: Antiquariat Nikolaus Struck]
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        PHILIPPI LANSBERGII COMMENTATIONES IN MOTUM TERRAE Diurnum, & Annuum; et in verum adspectabilis coeli typum. In quibus epistemonicos ostenditur, Diurnum, Annuumque Motum, qui apparet in Sole, & Coelo

      Middelburgi, Apud Zacharium Romanum, Bibliopolam, 1660.non deberi Soli, aut Coelo, sed soli Terrae: simulque Adspectabilis Primi Coeli Typus, ad vivum exprimitur. Early edition 1660, issued with another work by Lansbergen: TABULAE MOTUUM COELESTIUM PERPETUAE; TABULAE MOTUUM COELESTIUM PERPETUAE... THEORICAE MOTUUM, ASTRONOMICARUM OBSERVATIONUM THESAURUS; Tabulae in 3 parts each with separate register and pagination, Tabulae has 3 different title pages dated 1662, 1653, and 1663, a general title page which is repeated before the second part and a separate title page for the second part. Latin text, folio, approximately 285 x 180 mm, 11¼ x 7¼ inches, astronomical vignette on title pages, 1 folding astronomical plate in the Commentationes, many diagrams, pictorial tailpieces, historiated initials, pages: (8), 34, (2 - blank); (10), 37 of 41, (1 - blank); (2 - title page), (2 - title page), 3 - 180, 1 - 181, (3) - index, LACKING PAGES 9 - 12 (Aa5 and 6) IN THE SECOND PART OF THE SECOND WORK, NOW SUPPLIED IN EARLY MANUSCRIPT FACSIMILE, ALSO LACKING PAGES 157 - 160 (Oo1 and 2) in the same part, text in part II of the Tabulae begins on page 3, nothing is missing, pagination in part III restarts for the Theoricae, collation: A - D4, E6; A6, B - E4, F6; Aa - Nn6 ( - Aa5 & 6), Oo2 ( - Oo1 & 2), Pp6, Qq4; Aaa - Zzz4, F6 is the repeated general title page to the second work, bound in modern faux vellum with hand written title to spine. 9 leaves lightly age - browned, index pages lightly browned in top margin, otherwise a very good clean bright copy. A copy has been located with 6 folding plates in the second part of the second work, most copies have none. A copy containing the same works as ours and the same title pages and collation is held by Ghent University Library. The Macclesfield copy of the Tabula in Opera Omnia lacked the same 2 leaves as our copy (A5 and 6), also supplied in early manuscript facsimile. "Philip van Lansberge studied mathematics and theology in England and became a Protestant minister in the Netherlands". Sotheby's Catalogue of the Macclesfield Library, Part 5, 1202. :

      [Bookseller: Roger Middleton P.B.F.A.]
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        Animalia ad vivum dilineata, et aqua forti aeri impressa. Studio et Arte.

      - A suite of 6 charming engravings (120 x 145mm). The first engraving shows a shepherd with a dog, the others show goats, mostly 2 to a plate. [no date circa 1660]. Nicolaes Pieterz. Berchem (1620-1683) was a highly esteemed Dutch painter and engraver of pastoral landscapes. Between circa 1640 and 1683 he produced a number of suites concerning animals. The present one concerns goats. Berchem was born in Haarlem and received instruction from his father Pieter Claesz. A fine preserved suite with strong impressions.Winter, Beredeneerde Cat. van alle prenten van N. Berchem no. 35-40.

      [Bookseller: Antiquariaat Junk]
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        Prosp. ver Statt Parys wie folche an ietzo an sufehen (France/Paris)

      Amsterdam 1660 - Engraving from Topographia Galliae. Sheet size: 32 1/2 x 12 1/4". Inventory#: p1658pmat.

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        Portrait, Brustbild im Oval mit Pelzbarett über Samtkappe. Um die Schultern Band mit Gnadenpfenning (Bildniss Kaiser Maximillians). Nach P.P. Rubens, Kupferstich 155 x 114 mm.

      - O.O., (ca. 1660), 26,2 x 17,8 cm. Seltenes und frühes Blatt.

      [Bookseller: Medicusbooks]
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        La Vie De St. Bruno: Fondateur De L'Ordre Des Chartreux Peinte Au Cloistre De La Chartreuse De Paris

      Chez Le Veuve De F. Chereau, Paris 1660 - Book. Elephant Folio - over 15. Elephantine Folio, 18 x 12.5", 2ff, 22 engraved plates with letterpress, including engraved title and dedication. Early 19th century half calf with marbled paper over boards, minimal wear, spine tooled in gilt; soiling on title page, tiny tears to two edges of title, final plate lightly foxed in margins and light mark on engraving. Generally plates very clean. Very impressive plates telling story of St. Bruno. Engravings of paintings commissioned by King. St. Bruno was patron saint and founder of the Carthusians, an order of monks established in 1084, near Grenoble. Le Sueur (1616-1655) painted these large panels for the religious order, and they are the artist's most important work. Paintings afterward sold to Louis XVI and are now in the Louvre. THese Chauveau (1613-1676) engravings were much sought after by collectors. [Attributes: Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Ambrones in Helvetiis. Basse partie du Pays d'Argow en Suisse. Parts de l' Eveché de Constance. Partie Septentrion 1e du Canton de Berne.

      chez P. Mariette, A Paris 1660 - A Paris chez P. Mariette 1660. Blattgrösse: 44x58 cm. Grenzkolorierte Karte (36,7x55 cm) von Nicolas Sanson, gestochen von Somer. Blumer 119 b. - Haller 1,42. - Nicht bei Ryhiner. - Kartusche unten rechts. - Auf neue Leinwand aufgezogen. Linker Rand ausserhalb der Platte und untere rechte Ecke fachgerecht restauriert. Sprache: N [Attributes: Hard Cover]

      [Bookseller: Daniel Thierstein]
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        Aditus novus ad occultas sympathiae et antipathiae causas inveniendas: per principia philosophiae naturalis, ex fermentorum artificiosa anatomia hausta [.].,

      Tübingen, Johann Heinrich Reis, 1660. - Zweite Ausgabe, die erste erschien 1658 in Glasgow. - Sylvester Rattray „stud. 1689 in Leiden. Arzt in Glasgow ab 1657, schr. über sympáthet. und antipathet. Geheimnisse" (Ferchl). - „Rattray was a native of Angus and practised at Glasgow. He graduated M. A. at St. Andrews in 1644, but it is not known where he took his medical degree. His „Aditus novus", reprinted here [in: „Theatrum sympatheticum auctum", Nürnberg 1662; lt. Osler „an excellent collection of the writings on the powder of sympathy and the weapon salve"], appeared in 1658, the first medical book printed in Glasgow" (Osler). - Rücken tlw. etw. brüchig u. mit kl. Absplitterungen. Schließbänder fehlen. Etw. gebräunt. - Sehr selten. - VD17, 39:131615A; Ferguson 244.; Ferchl 432; Krivatsy 9395; Waller 7754; Zeis, Die Literatur und Geschichte der plastischen Chirurgie 153; vgl. Osler 4092ff.; nicht bei Dorbon-Ainé, Gräße u. Rosenthal, Bibl. Magica et Pneumatica. Sprache: ge Gewicht in Gramm: 350 12°. 216 S., Pgmt. d. Zt. m. handschriftl. Rückentitel u. dreiseitigem Blauschnitt. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        An exact and most impartial accompt of the indictment, arraignment, trial, and judgment (according to law) of nine and twenty regicides : the murtherers of His late sacred Majesty . began at Hicks-Hall on Tuesday, the 9th. of October, 1660 .

      London : printed for Andrew Crook, and Edward Powel 1660 - Physical description: 283p. 19cm. Subjects: Regicides - Early works to 1800. Great Britain - History - Civil War, 1642-1649 - Early works to 1800. Anonymous - attributed to Heneage Finch, Earl of Nottingham. Referenced by: ESTC, R202957. Referenced by: Wing, (2nd ed. ) N1403. Finely bound in modern aniline calf over marble boards. Gilt title to spine. Title page is mounted on a blank leaf of the orginal text block. Remains particularly well-preserved overall; tight, bright, clean and strong. 1 Kg. 283 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd]
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        Carta particolare dell mare de Lindre con la parte Tramontana de I'Isola S. Lorenzo

      Venice., c.1660. Map of the Indian ocean with part of the coast of Madagascar. Copper engraving. Uncoloured. In fine condition, a clear, crisp impression Size: 39 x 48 cm. (15½ x 19 inches) A beautiful sea chart of part of the Indian Ocean, north-west coast of Madagascar, and islands to the east including Mauritius. Robert Dudley's principal work was the Dell Arcano del Mare which was first published in Florence in 1646; the second edition was in 1661. It was the first sea atlas in which every chart was based on Mercator's projection, the first to show prevailing winds and currents in the main harbours and anchorages, and the first to give magnetic declination. It is also the first sea atlas by an Englishman and is extremely rare. Dell Arcano del Mare.

      [Bookseller: Peter Harrington]
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        Verhael van de reys ende 't vertoeven van den seer doorluchtige ende machtige prins Carel de II, Koning van Groot Britannien

      Adriaen Pietersz van de Venne 1660 - This is one engraving from a larger work. Adriaen Pietersz van de Venne (1589-1662) (after); Pierre Philippe (d. 1664) (engraver); [Charles II Setting Sail from Scheveningen] from Verhael.van de reys ende 't vertoeven van den seer doorluchtige ende machtige prins Carel de II, Koning van Groot Britannien. [A Journal of the Voyage of King Charles II of Great Britain]. Engraving, uncolored; 12 x 15 inches, plate mark. Lively engraving depicting the triumphal departure of Charles II of Scotland from the Netherlands on his way back to England to reclaim the British throne after 11 years in exile abroad. A crowd has gathered at the harbor of Scheveningen to see him off. In the sky are winged gods and putti holding crowns and the seal of Great Britain, beneath a ribbon bearing the Latin motto, "Quo fas et fata nos vocant" ("where duty and the fates call"). The engraving is one of six originally published in an account of Charles's journey from Breda to Scheveningen from May 25 to June 2, 1660, with stops along the way to meet with the Dutch monarch and address the Parliament. King Charles I's (1600-1649) mismanagement of religious and economic affairs in England and Scotland forced a showdown with the English Parliament, which culminated in civil war and the king's execution on January 30, 1649. His son, Charles II of Scotland, tried to reclaim the throne in 1651. When his forces were defeated by the English army, he escaped to exile in France, and after an 11-year period in which no monarch ruled England, he was asked by Parliament to return. In 1660 he became king. Adriaen van de Venne was a Dutch painter, draftsman and poet. Largely self-taught, his early influences were the Flemish artists Jan Brueghel the Elder and Pieter Brueghel the Elder. He developed a distinctive style based on Dutch idioms, and was a sought-after book illustrator by Holland's leading writers, helping to popularize the "emblem book" in which pictures illustrated sayings to present moral lessons. He also was known for his prints and grisaille paintings. After moving to The Hague in 1625, he was probably employed at court, and became dean of the Guild of Saint Luke in 1640. Pierre Philippe was a Dutch engraver who lived in The Hague. He is best known for his illustrations for a two-volume edition of the works of Ovid, published in Leiden in 1662, and for Guarini's Pastor Fido in 1663. Full title of original work for which this engraving was made: Verhael in forme van Journael, van de reys ende 't vertoeven van den seer doorluchtige ende machtige prins Carel de II, Koning van Groot Britannien. Condition: Recently professionally cleaned, deacidified, and flattened, with only minor remaining toning, soft creases, and signs of wear. Some printers creases, as issued.

      [Bookseller: George Glazer Gallery]
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        Anno Regni Caroli II. Duodecimo. At the Parliament begun at Westminster the Five and twentieth day of April, An. Dom. 1660. [drop-head title:] An Act for Prohibiting the Planting, Setting, or Sowing of Tobacco in England and Ireland.

      Printed by John Bill 1660 - lightly browned, a small splotch of worming to lower blank corner, pp. [iii], 126-128, sm. folio, disbound James I, Charles I, and the interregnum Parliament had all tried to tax locally grown tobacco heavily enough to discourage its production; an act of 1652 finally banned the crop, since the taxes had merely encouraged evasion. To ensure the protection revenues coming from taxation of Virginian imports after the Restoration, this act renewed the earlier ban, apart from small quantities in medical gardens. (Demand had also increased, since Charles II brought over the French court’s habit of taking snuff.) A proclamation of the ban was issued the following year.As with all such parliamentary records this was issued both on its own (hence the title-page) and as part of a collection of acts (hence the pagination - ESTC R233776). The act is particularly scarce on its own, being recorded in ESTC in two separate states in a total of three locations (BL, Folger, and St John’s, Oxford), while the full collection is not common, with seven UK locations (not including the BL or Bodleian) and three in the USA. Other institutions hold parts or made-up sets, including the NYPL and the BL. (ESTC R475122)

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        Rhombus Laeuis La Barbue [Etching by Albert Flamen]

      Paris [presumably] 1660 - First edition (c1660); platemark: 4 3/16" x 7", sheet: approx. 4 1/2" x 7 1/2". Etched signature in lower left corner of plate: AB. Flamen. fe., lower right corner of plate: Cum privil. Regis XII. Minor foxing to lower margin; small light spot to lower right corner of sheet; very good or better. Albert Flamen was a Flemish etcher, engraver, and painter - active in France in the mid-1600s. Most of his works consisted of series of fish, including the current "Brill" one, birds, and mammals. He also created a set of moralizing emblems (1672) - one of his very few dated works. One copy of the etching located at the Museum of Fine Arts in Boston. [Attributes: Soft Cover]

      [Bookseller: ZH BOOKS, IOBA]
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        Historia et concordia evangelica (.). (EXEMPLAIRE AUX ARMES)

      - Parisiis, apud Carolum Savreux [Paris, Charles Savreux], 1660. In-12, plein veau brun de l'époque, dos à 5 nerfs orné de caissons dorés aux petits fers, roulette sur les coupes, armes dorées au centre des plats (coif. inf. usée, qqs pet. accrocs), (10), 48 p., 204 f., (127) p. d'index, titre frontispice gravé, marque "à la Foi" au titre et en colophon. Deuxième édition augmentée de cette 'Histoire et Concorde des quatre Evangiles', la première du genre, composée par Antoine Arnauld. Beau titre frontispice d'Eustache Le Sueur gravé par Karl Audran (daté de 1660), marque "à la Foi" au titre et à pleine page au colophon. L'index géographique de Nicolas Sanson est pourvu d'une page de titre particulière à la date de 1659. Sur l'importance de cet ouvrage qui s'inscrit dans les premiers travaux latins de Port-Royal, "dont le rôle ultérieur sera immense" et qui "donnera sa structure aux grands commentaires publiés plus tard, 'selon la Concorde' des Evangiles", cf. J.-R. Armogathe, 'Le Grand siècle et la Bible', p. 347 sq. (Barenne, 'Bibliothèque de Port-Royal', p.182). Provenance: Jean-Pierre-Marie de Ruolz, seigneur des Trois-Fourneaux, fils du bailli du Vivarais, établi à Lyon, devenu avocat au Parlement et conseiller au Présidial de cette ville avec ses armes dorées sur les plats. (O.H.R., pl. 1985). Bel exemplaire, bien relié à l’époque. [Attributes: Hard Cover]

      [Bookseller: Librairie HATCHUEL]
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        Graf-schrift voor wijlen den Ed: Groot-Achtbaren Heer, Heer Jacob Cats, in sijn leven ridder, af-gesant, raed-pensionaris, stadhouder van de leenen en bewaerder van het groot zegel van Hollandt en West-Vrieslandt, etc., overleden op Sorgh-vliet den 12. September 1660, in het 83 jaar sijns ouderdoms. 's Gravenhage, Anthony Tongerloo, 1660. Plano, 1 p.

      "1660, 12 september Gedicht ondertekend: C. Boey Niet bij Bouman; niet bij Nieuweboer; niet in Knuttel; niet bij De Jonge van Ellemeet".

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        BY THE KING. A PROCLAMATION DECLARING THE CESSATION OF HOSTILITY, AND PRESERVING AN ENTIRE AMITY BETWEEN HIS MAJESTY, AND THE KING OF SPAIN

      London: Printed by John Bill and Christopher Barker, 1660.. Broadside, 13 1/2 x 10 3/4 inches. Affixed at corners to a slightly larger sheet. Near fine. Archivally matted, protected with mylar sheet. An early diplomatic proclamation by the recently restored British monarch, King Charles II, and part of his efforts to encourage British colonial and commercial expansion. Though not formally at war, hostilities existed between Britain and Spain, especially concerning the harassment of commerce at sea and colonies in the Caribbean. Five years earlier, the English under Cromwell had seized Jamaica from Spain, and in 1656, Spain lent their support to Charles II's restoration to the throne. In this document Charles II proclaims that "all prisoners, ships, goods, merchandize [sic], or whatsoever else taken upon one another, either by any of our subjects, or the subjects of our said dear brother, since said time of our arrival in England, be, and shall be, upon due proof thereof, redelivered and restored." At the same time, Charles II was negotiating with the Portuguese against Spanish interests in the New World, especially with regard to Jamaica, which the British ultimately retained. WING C3287.

      [Bookseller: William Reese Company - Americana]
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        Homeri Gnomologia ( )

      Johannes Field, Cantabrigiae ( Cambridge ) 1660 - pp. 20 p.l., 291 [1] blank, [100] indices & appendix. Text in 2 colums: Greek & Latin. Nice bookplate with coat of arms of Thomas Isted of the Middle Temple Esquire. 1 vol volumes. Later and restaured full leather binding, with guilt ornated spine. [Attributes: Hard Cover]

      [Bookseller: de KunstBurg]
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        Rerum memorabilium sive deperditarum. Pars prior [et posterior] / commentariis illustrata, et locis prope innumeris postremum aucta, ab Henrico Salmuth. 2 Tle. in 1 Bd.

      Frankfurt, Schönwetter Erben 1660.. 4°. Gest. Titel mit breiter figürl. Bordüre (Fürck Sebastian fec.), 3 Bll. (Titelei), 349(1) S., 11 Bll. (Register), 313(1) S (Liber secundus), 8 Bll. (Reg.). Pergamentband der Zeit mit durch den Falz gezogenen Pergamentriemchen, schrägen Deckelkanten, Rückenbeschriftung v. alter Hand und umseit. zweifarb. Sprengschnitt. Einbd. etw. berieben, angeschmutzt u. stellenw. fleckig, vord. Vorsatz m. mehreren, z.Tl. überklebten Sign. v. alter Hd.; ersten Ss. etw. abgegriffen, im Text tlw. gebräunt, aber insgesamt sauber und gut.. Graesse V, 117; VD17 14:630860N; Sabin 58411 (zur Ausg. 1629). Seinerzeit beliebtes Kompendium über Erfindungen, Entdeckungen und andere bemerkenswerte Dinge in der Antike und in der Neuzeit. Beschrieben werden Edelsteine, Alchemie, Destillierkunst, Uhren (darunter Sonnen- und Wasseruhren), Theater, Turniere, Bibliotheken, Musik, Pferde u. a. Im zweiten Teil ein langes Einleitungskapitel über Amerika, wichtig wegen der Bemerkungen über die Verwendung der Bezeichnung Novus orbis - Neue Welt. Verfasst von Guido Panciroli (1523-99), der Professor der Rechtswissenschaft in Turin und Padua als auch fruchtbarer Schriftsteller war. "...um einer Aufforderung des Herzogs Karl Emmanuel zu genügen, und zwar zwischen 1580 und 1582, verfasste P. zwei Bücher rerum memorabilium, in deren erstem er von den den Alten bekannten, aber untergegangen Kunstfertigkeiten, im zweiten aber von den Entdeckungen handelte, welche wir ausschließlich der neueren Zeit verdanken. Abschriften dieses italienisch geschriebenen Buches verbreiteten sich mehrfach; eine derselben kam 1596 durch Camerarius an Salmuth, welcher es, in das Lateinische übersetzt und mit Anmerkungen begleitet, zu Amberg in der Oberpfalz 1599 in Octav herausgegeben. Später oft wieder abgedruckt...hat dies Büchlein auch spätern Curiositätensammlungen ähnlicher Art zur Grundlage dienen müssen." (vgl. dazu: Ersch, Allgemeine Encyclopädie der Wissenschaften und Künste. S. 311). - Die vorliegende Ausgabe ist zugleich ein interessantes Dokument für die Geschichte des Buchdrucks, da die Figurenbordüre des Titels im unteren Bereich eine Druckerei-Szene mit einem so genannten Anagnostes (Vorleser) zeigt und als Beweis für dessen wirkliche Existenz angeführt wird. "This new evidence consisted in a plate found in one of the editions of Panciroli's work mentioned above, representing the interior of a Frankfort printing-office in the year 1660, as indicated by the Roman numerals at the head. M. Madden points out, that in the background are two compositors at work without copy or copyholder (visorium), and explains this by the presence in the right hand top corner of a figure holding a manuscript, which, M. Madden assumes, he is reading aloud to the compositors ..." (Bigmore/Wyman II, 112 ausführl.).

      [Bookseller: Antiquariat Löcker]
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        Les Estats de l'Empire des Turqs en Asie

      Mariette, Pierre, Paris 1660 - Size : 407x517 (mm), 16x20.375 (Inches), Hand Colored Very Good; some browning on the lower margin (near the fold)

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Il Costantino tragedia, con la difesa della medesima.

      e Giovanni Andreoli 1660 - - e Giovanni Andreoli, In Roma. Apresse di Gregorio 1660, petit in 12 (14x7,5cm), (32) 189pp. (1bc), 192pp. -33., 2 parties en un Vol. relié. - Seconde édition. La première semble être parue également à Rome en 1653, mais sans la seconde partie annoncée (en édition originale) qui porte sa propre page de titre, La difesa, par Ippolito Shiribandelo. Absent aux catalogues français, présent à la British library et à Oxford. Plein Velin d'époque. Dos lisse avec titre à la plume noire. Nombreux trous de vers sur le dos. La partie supérieure du livre a perdu une couture (sur les 3 présentes) et se trouve désolidarisée de la reliure. Manque une page de garde et de faux titre à la première partie ainsi que le premier feuillet des didascalies de l'auteur sur sa pièce, qui suit la présentation des personnages de la tragédie. Guirardelli (1623-1653) écrivit cette tragédie en 5 actes en prose. Celle-ci est suivie d'une défense composée d'un dialogue entre l'accusateur et l'auteur et donne de précieux renseignements sur le théâtre et ses règles en Italie au XVIIe siècle. (32) 189pp. (1bc), 192pp. -33. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Lucerna Helvetiorum Vulgo Lucernn. - Luzern aus der Vogelperspektive.,

      Amsterdam, Um 1660. - Gouachierter Kupferstich. Mit ausführlicher Legende (96 Angaben), Wappenkartusche und Detailansichten der Stadtheiligen. - Parthey, Nr. 861. Ansicht von Süden. Sprache: de Gewicht in Gramm: 550 Darstellung 31,3 x 48 cm, Blattgrösse 44,5 x 58 cm, gerahmt

      [Bookseller: Antiquariat Galerie Joy]
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        "Hall in Sachsen". Gesamtansicht von Westen und Grundriß der Stadt

      Kupferstich v. Johann Wisthofer n. Friedrich Daniel Bretschneider, Um 1660.. 38 x 39. Linker weißer Rd. etwas angerändert.. Seltene Ansicht von Halle. Links oben Wappen, rechts oben Siegel der Stadt. Mit umfangreicher Legende 1 - 84.

      [Bookseller: Magdeburger Antiquariat]
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        History of English Drama, 1660-1900 7 Volume Paperback Set

      Cambridge University Press. New. Contents: v1 Restoration drama, 1660-1700, 4th ed; v2 Early eighteenth century drama, 3d ed; v3 Late eighteenth century drama, 1750-1800, 2d ed; v4 Early nineteenth century drama, 1800-1840, 2d ed; v5 Late nineteenth century drama, 1850-1900, 2d ed; v6 A short-title alphabetical catalogue of plays produced or printed in England from 1660 to 1900SKU: MM-60137214; EAN: 9780521125482

      [Bookseller: Media Mall]
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        La Vie De St. Bruno: Fondateur De L'Ordre Des Chartreux Peinte Au Cloistre De La Chartreuse De Paris

      Paris: Chez Le Veuve De F. Chereau, 1660. Hardcover. Very Good. Le Sueur; Engraved By Francois Chavueau. Book. Elephant Folio - over 15. Elephantine Folio, 18 x 12.5", 2ff, 22 engraved plates with letterpress, including engraved title and dedication. Early 19th century half calf with marbled paper over boards, minimal wear, spine tooled in gilt; soiling on title page, tiny tears to two edges of title, final plate lightly foxed in margins and light mark on engraving. Generally plates very clean. Very impressive plates telling story of St. Bruno. Engravings of paintings commissioned by King. St. Bruno was patron saint and founder of the Carthusians, an order of monks established in 1084, near Grenoble. Le Sueur (1616-1655) painted these large panels for the religious order, and they are the artist's most important work. Paintings afterward sold to Louis XVI and are now in the Louvre. THese Chauveau (1613-1676) engravings were much sought after by collectors.

      [Bookseller: White Fox Rare Books and Antiques]
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        De Quatuor Artibus Popularibus, de Philologia, et Scientiis Mathematicis cui Operi subjungitur, Chronologia Mathematicorum, Libri Tres. (3 Parts in One)

      Amstelaedami: Ex typographeio Ioannis Blaeu. 1660. Three parts in one volume. Text in Latin. Quarto. Each part is paginated separately, with a divisional title page and index: [16], 94, [12]; [8], 83, [11]; [16], 467, [37]pp. Illustrated with woodcut title vignettes, initials, and tail-pieces. Ex-library copy in dark blue buckram, bookplate on the front pastedown, shelf label on the rear free endpaper, else about very good. A bibliographical note in English (dated 1842 and 1843), is inscribed in ink on the front fly leaf verso. An important early history of mathematics and related liberal arts by the great Dutch humanist Gerardus Vossius (Gerrit Janszoon Vos). .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        DELL’ARCHITETTURA. Nouamente ristampata. & accresciuta della pratica del fabricar gl’Orologi Solari, LIBRI DIECI, Dedicata All’Altezz Sereniss. Di Sofia Duchessa di Brasuic, e Luneburgh. Con centosessana, epiù figure dal Modesimo, secondo i Precetti di Vitruuio dissegnate, Nelle quali con deligente art ificio si scorgono rappresentati Edificii, Fabriche Rozze, Ciuili, e Magnifiche, Tempii, Fortificationi, Mura, Machine, Istromenti Alberi, Piante, & altre cose toccate da Vitruuio ne’suoi Libri, Con le dichiarotioni di esse vhiare, breui, e necessare per colore, i quali d’Architettura s’intendono,e ne prendono guste, e diletto. Con Due Indici Copiosissimi, Vino delle cose notabili, & l’altro delle Figure

      Venice: Appresso il Nicolini, 1660. The first seventeenth century edition and only the second issue of Rusconi’s great work on architecture. Illustrated throughout with very fine architerctural engravings, very finely engraved head and tail pieces and fine elaborately decorated capital letters. Folio, very finely bound in an Italian binding of the period of half morocco and paper over boards. Spine decorated with gilt tools and two dark green morocco lettering labels gilt. [i-xii], 1-148 including woodcut illustrations. A very fine, crisp and extremely handsome copy. RARE. Rusconi’s superb work on the classical elements of architecture is one of the finest examples of the great Italian works on architecture. The illustrations follow those of the earlier issue, though pages 144-147 contain an article, with woodcut illusrations, on sundials which is not found in the first edition. The woodcut ornamental border of the title page is the same as that in Vitruvius, Venice, 1584 and Alberti, Venice, 1568.

      [Bookseller: Buddenbrooks, Inc.]
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        Relation en forme de journal du voyage et séjour que le sérénissime et très-puissant prince Charles II, roy de la Grand-Bretagne, &c. a fait en Hollande, depuis le 25 may jusques au 2 juin 1660. Frontispice [depliant, portrait de Charles II) et 3 (de 6) planches sur double page.

      Adrian Vlacq, A La Haye [The Hague] 1660 - [2] f. (blanc); [2] f. (page de titre; l'Imprimeur au Lecteur), [1] f. (frontispice), 108 p., [6] f. (planches) , [2] f. (blanc). Ganzpergament mit handschriftlichem Rücktentitel, Gr.-4° [40 x 25 cm]. Einband gering angestaubt, partiell nachgedunkelt und angeschmutzt. Innendeckel mit ex-libris. Papier nur ganz minimal gebräunt, annähernd fleckenfrei, wenige Anstreichungen der Zeit, recht breitrandig, sehr schönes Exemplar.Mit 3 [von 6] doppelblattgrossen Kupfern sowie einem gefaltetem Frontispiz. With 3 [of 6] double page engraved plates and a folded frontispice. Preserved in full vellum (some dusting & staining). - Some very mild browning in places, a few contemporary remarks otherwise a fine, rather widemargined copy. 3 Planches sur double page: l'arrivée de Charles à Delft et Vyverberg, départ Scheveningen. [Manque: 2 interpellations au parlement, banquet au Mauritshuis]. Siehe: Landwehr, Splendid Ceremonies, 126 [Attributes: Soft Cover]

      [Bookseller: Antiquariat Pennartz]
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        EIKON BASILIKE. [Greek transliterated]. Or, the true Pourtraiture of his Sacred Majestie Charls the II. In Three Books. Beginning from his Birth 1630, unto this present year, 1660.Wherein is interwoven a Compleat History of the High-born Dukes of York and Glocester. By R. F. Esq; an Eye-witness

      Printed for H. Brome and H. Marsh. London. 1660. FIRST EDITION. Small 8vo.(158 × 104 mm), in 3 parts. Finely bound at the end of the eighteenth century in straight-grained red morocco by Kalthoeber (with his blue label on the endleaf), spine lettered in two panels and with a gilt circle in other other panels, compartments further decorated in blind, gilt rules either side of raised bands, place and date in gilt at foot; covers with outer border in blind scrollwork with gilt rules either side, floral tools and dots gilt at the corners, goatskin inner joints and turn-ins with double gilt rules all round, plain blue endpapers, gilt edges. Engraved frontispiece incorporating four portraits, neatly restored at inner margin. Each part has separate title page: pt.2 printed by John Brudenell, for Henry Brome and Henry Marsh, 1660; pt.3, The restauration of his sacred Majesty Charles the II ... Printed by Peter Lillicrap, for Henry Broom, and Henry Marsh, 1660. A little rubbed, occasional light waterstaining at head, but overall an excellent copy.------First Edition, rare, published in the year of the Restoration, by the fervent Royalist and biographer David Lloyd (1635–1692), its title echoing that of the more famous book attributed to Charles I. The binder of this copy, Christian Kalthoeber,was perhaps the finest craftsman of the late eighteenth century. One of the vast influx of German binders to London, he worked first for Baumgarten, and in 1782 succeeded him. He was considered during his day to be the finest binder in the world. Madan, New Bibl. of the Eikon basilike, 134; Thomason, E.1922[2]; Wing L2640 (locating LT, O; CH, MH).

      [Bookseller: Paul Foster Books]
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        Trutz Nachtigal. 7 Bl., 317 S., 1 Bl. Mit Kupfertitel und 24 gestoch. Notentafeln. Pergamentbd d. Z. (etwas gedunkelt) mit handschriftl. Rückentitel und zwei intakten Messingschließen.

      Köln, Wilhelm Friessem, 1660.. . Dritte Ausgabe des Gedichtzyklus' Spees, zuerst 1649 erschienen, die letzte mit dem Kupfertitel. Die Sammlung gehört zu dem Besten, was je die geistliche lyrische Poesie hervorgebracht hat. Für die starke Nachwirkung und Verbreitung sprechen zwei Übersetzungen und zahlreiche Auflagen der 'Trutz-Nachtigal' bis zum Beginn des 18. Jahrhunderts sowie die Neuausgabe durch Clemens Brentano im Jahr 1817. Ferner gingen 5 Lieder in 'Des Knaben Wunderhorn' ein. Nicht ohne Selbstbewusstsein sagt der Dichter in der Vorrede, dass das Büchlein "trutz allen Nachtigalen süß, und lieblich singe, und zwar auffrichtig Poetisch: also daß es sich auch wohl bey sehr guten lateinischen und anderen Poeten dörfft hören lassen." Die Unabhängigkeit von Opitz ist bemerkenswert. Dazu bemerkt Lipphardt: "Indem Spee 'einer lieblichen Teutschen Poetica' als erster 'die Bahn zeigte', wurde er der Begründer einer neuen Form des deutschen Kirchenliedes und in seiner 'Trutz-Nachtigal' des deutschen geistlichen Sololiedes." Alle 24 Lieder für Singstimme mit beziffertem Bass sind beigegeben. Als Komponist wird Jacob Gippenbusch vermutet. - Durchgehend leicht gebräunt. Der Kupfertitel im Außenrand leicht fransig, eine Fehlstelle im weißen Rand alt hinterlegt (Darstellung nicht berührt). Gutes Exemplar. - Dünnhaupt 3.3. Eitner IX 220. Sommervogel VII 1428. Vgl. Goed. III 194 1 ff., Faber du Faur 975 und 976, Jantz 2362, Manheimer 395 und Wolffheim 2438.

      [Bookseller: Antiquariat Wolfgang Braecklein]
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        Valetudinarium, seu observationum, curationum, & consiliorum medicinalium.

      Johan Elzevier,, Leiden, 1660 - Leiden, Johan Elzevier, 1660. 12°. 8 n.n. Bl., 402 S., 1 n.n. Bl. Pergamentband der Zeit mit handschriftlichem Rückentitel. Waller 114. - Wellcome II, 450. - Willems 861. - Deodati (1598-1676), aus einer protestantischen Familie aus Lucca stammend, arbeitete zur gleichen Zeit wie Theophile Bonet an der "Chambre de la Santé" in Genf. - Einzige Ausgabe dieser allgemeinen Gesundheitslehre. - Ohne den fliegenden Vorsatz. Papier leicht gebräunt. Schliessbänder ausgerissen. Sprache: N Pergamentband der Zeit mit handschriftlichem Rückentitel.

      [Bookseller: Daniel Thierstein]
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        The Book of Common Prayer [London, 1662] [with:] The New Testament, London 1660 [with] The Whole Book of Psalms, London 1661. Bound together in a contemporary "sombre" binding

      London: Henry Hills and John Field, 1660 (NT); [London: Bill & Barker, 1662] (BCP); 1661 (Psalms). (BINDING) 8vo. Woodcut of the Royal Arms of Charles II on verso of final leaf of the Common Prayer. Contemporary black morocco "sombre" binding, elaborately tooled in blind on upper and lower covers with a central lozenge cartouche made from double impressions of two separate tools, the same tools being used to decorate the four corners, the design surrounded by floral sprays, spine of six raised banks with floral tooling in each of the seven compartments, inner gilt dentelles, marbled endpapers, a.e.g. Front joint repaired, skillful minor restoration to the corners by Sotheran, overall a very attractive binding. Lacks first three leaves of Book of Common Prayer. Herbert 669 or 670 (with OT); Griffiths 1662-1663.3 . A handsome volume, made even more interesting by the contemporary ownership inscription "Elizabeth Maynard 1663" on the verso of the New Testament title page, and, in her handwriting on the blank recto of the Psalms, "What Children I have christened [there follows a list of nine names] Innocents day 1665" plus additional notations of subsequent christenings in 1665 and 1667. As the "Children" included a Mrs Cooper, it may be that the word is used in an ecclesiastical sense; and it is interesting to conjecture what role Elizabeth Maynard played in the ceremony in these years following the Restoration of 1660

      [Bookseller: James Cummins Bookseller]
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        QUEVEDO. OBRAS. PRIMERA PARTE. 1660

      Brusselas 1660 - 4º. Frontis., título., 3 h, 692, [3] p. ; Encuadernación plena piel nueva, con nervios y tejuelo en el lomo. Regular estado, manchas de humedad y puntos de polilla en márgenes. [Attributes: Hard Cover]

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
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        Det svage Menniskens Liff behøffver En Myrrhebusk. Det seis i Forklaringer offver Esaiæ ... Arent von der Kula, ...

      Kiøbenhaffn, Christen Jensøn 1660. Liten 4to. 160 s. Kobberst. foldepl. Røskenramme på alle sider. Samt. slitt skinnbd. m. blindpreg. Tbl. litt smusset, foldepl. m. pl., ellers ren og pen materie

      [Bookseller: Norlis Antikvariat]
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        Aug. Gislenii Busbequii quæ extant omnia; quibus accessit epitome de moribus Turcarum, cum indice auctiore

      Londini : Ex officina R. Danielis 1660 - Physical description: [8], 386, [14]p ; 14cm (12mo). Subjects: Turkey - Foreign relations - Holy Roman Empire - Early works to 1800. Holy Roman Empire - Foreign relations - Turkey - Early works to 1800. Turkey - History - 1453-1683. Notes: Edited by Louis Carrion, whose name appears on *2r. (From ESTC). Includes index. "De Turcarum moribus epitome", a reprint of the work by Bartolomej Georrgijevic , has separate dated title page; pagination and register are continuous. Includes "Augerii Geslenii Busbequii . Epistolæ ad Rudolphum II. Imperatorem" (divisional title), p[316]-386. Referenced by: ESTC, R20670. Language: Latin. Finely bound in the original full aniline calf. Professionally and period-sympathetically rebacked with a matching gilt-blocked spine, with simulated raised bands, and blind-tooled compartments. Very impressively finished. General edge wear with surface marks to panels. Previous owner's inscriptions to front endpapers and rear pastedown. Corners sharp with an overall tight, bright and clean impression. 1 Kg. 386 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd.]
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        A Vade Mecum, or, Table, Containing the Substance of such Statutes; Wherein Any one, or more Justices of the Peace are inabled to Act . . . Together With an Epitome of Mr. Stamford's Pleas of the Crown. The Sixth Edition. Wing Y95 [under "Young"]

      London: Printed for Rich. Best, and are to be sold by H. Twyford [etc.], 1660. Contemporary sheep, rubbed, the bottom of the spine chipped, clasps lacking, yet a good fresh copy, with both the first and last blanks Penultimate edition of, so far as I can determine, the first and only early abridgment of an English criminal law treatise, its first part detailing in double columns offences and penalties, with provision for manuscript additions

      [Bookseller: Meyer Boswell Books, Inc.]
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