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        THE HOLY BIBLE Containing the Old Testament and the New:

      London Henry Hills and John Field. 1660 - Octavo 7 x 4 3/4 inches. HANDSOMELY LEATHER BOUND IN FULL GOATSKIN spine in 6 compartments, lettered in one - with gilt coronet and thistle ornaments in the others. Boards with 6 gilt fillets with floral gilt ornaments at the corners and sides. Some gilt rubbed but otherwise in very good condition. Decorated title pages to the Old and New Testament, ruled in red throughout. A very pretty little Bible in good condition from the date of the restoration of Charles II. Bookplate of Richard Harrington. [Attributes: Hard Cover]

      [Bookseller: Charles Russell, ABA, ILAB, est 1978]
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        Lehr und Geistreiche zur anstellung und fortsetzung eines Gottgefälligen Geistlichen Lebens nutz- und sehr dienstliche Predigten auf alle Sonn und Freytage durch gantze Jahr/ Welche nach dem Catholischen zu Cölln am Rhein 1603. gedruckten Lateinischen Exemplar R.P. Laurentii Surii...

      Gedruckt zu Cölln: Peter Münchers für S. Paulus in der Lilien, 1660. Leatherbound. Very good. [14], 926, [50] p. 21 cm. full leather with creased spine, worn edges and corners. Label on front pastedown and ink notes on both sides of front free endpaper. Ink inscription on title page. Some dampstains up to page 50. Ink mark page 639. Occasional darkening of text. Holes top of pp. 1-3. Worm holes at page bottoms throughout most of book at inner margin, occasionally affecting text. Johannes Tauler (ca. 1300-1361) was a German mystic, preacher, and theologian. A member of the Domican order, he was considered one of the most important mystics in the Rhineland. Tauler left no formal treatises but wrote around 80 sermons which began to be collected in his own lifetime and were first printed in Leipzig in 1498. The sermons contained here were considered to be among the best in the German language, not emotional, but practical, and touching the deeper problems of moral and spiritual life. German text.

      [Bookseller: Attic Books]
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        World map - Frederick de Wit, 1660.

      ?Nova Totius Terrarum Orbis Tabula?. Copper engraving made by Frederick de Wit ?t Amsterdam in de Calverstraat inde Witte Pascaart 1660, published in De Zee-Atlas Ofte Water-Wereld of Hendrik Doncker in Amsterdam from 1660 to 1670. With original hand colouring. Size: 47 x 56 cm (plus margins).This was De Wit?s first world map. He derived it from the two hemisphere maps from Blaeu?s wall map of 1648, reducing them in scale and making some changes. (Bleau's own smaller world map with two hemispheres can be found here.) The upper corners contain northern and southern celestial maps and the lower corners show north and south polar projections. In the bottom center are astronomical diagrams -- a geocentric one on the left and a Copernican one on the right. The top center vignette shows the sun encircled by a zodiacal ring. Between the maps and diagrams are four vignettes with allegorical depictions of the Four Elements (air, fire, earth and water). The map also includes Baroque decorations of garlands of fruit and flowers.A magnificent example of the art of mapmaking, this map is one of only 19 reproduced in color in Rodney Shirley?s major scholarly work on world maps of the 15th to 17th centuries. In accompanying text, the author states that ?[e]specially when richly coloured, De Wit?s map is one of the most decorative standard-size maps of the time and it is much less commonly found than his three other atlas world maps.?Frederick de Wit (1630-1706) was founder of a prominent map publishing firm in 17th century Amsterdam, the golden age of Dutch cartography. The De Wit family both published their own atlases and supplied maps to other cartographers such as Hendrik Doncker.Reference: Rodney Shirley (1983)- ?The Mapping of the World: Early Printed World Maps 1472-1700?, p. 421, plate 311.Price: ?11.500,- (incl. frame).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        CAPRICCIOSI & PIACEUOLI RAGIONAMENTI, . IL VERITIERE E'L DIUINO, COGNOMINATO IL FLAGELLO DE' PRINCIPI . LA PUTTANA ERRANTE OVERO DIALOGO DI MADALENA E GIULIA.

      [Jean Elzevier], Stampati in Cosmopoli, [Leiden:] 1660 - THE EARLIEST SURVIVING PRINTED WORK OF PORNOGRAPHIC LITERATURE. THE NOTORIOUS PUTTANA ERRANTE. Octavo (153 × 95mm.), three parts in one, pp. 541, [3]; 54, [2]. A-2L8, Aa-Cc8, Dd4 (2L8 and Dd4 blank). Roman and italic type. Titles of first two parts, the Ragionamenti, with typographical ornaments; La Puttana Errante with half-title and title with no bibliographical information, small floriated woodcut initials, grotesque tail pieces, typographical ornaments. In fine contemporary vellum over thin paper boards, yapp edges. Very rare marginal spotting in places. Small cracks to upper joint. A fine copy, crisp and clean. FIRST EDITION, very rare and a fine copy, of the earliest surviving printed work of pornographic literature. "The first imaginative prose work that deals directly and exclusively with physical sexual satisfaction" (Foxon p. 27). THE TRUE FIRST EDITION Two separate editions of Aretino's Ragionamenti were published by the Elzevier press, both with a new text appended, the Puttana Errante. Willems convincingly argues in his lengthy descriptions of this work, that of the two separate editions, the first was printed at Leiden by Jean Elzevier, and the second was printed eight years later by Daniel Elzevier at Amsterdam. The first edition of La Puttana Errante, in 54 pages, was added at the end of some, but by no means all, copies of the first printing of the Ragionamenti. It was however clearly intended to be an integral part of the first edition as it is printed on identical paper, using the same type, with the same number of lines (31). The second edition of the Ragionamenti was set up nearly identically to the first, but the second edition of the Puttana Errante was reset in 38 pages. Willems resolved the priority between the two editions by comparing the type and ornaments, and concluded that the second edition must have been printed in 1668, as it appears in Daniel Elzevier's catalogue of 1674 with that date, which he believes was most probably the correct date of printing. The printing of the first edition is finer than the second ("La plus belle" - Willems), and is easily identified by the finer type, which uses an elongated form of the letter x. "La Puttana Errante, overo dialogo di Madalena e? Giulia claims to be by Aretino and follows the same dialogue form as the Ragionamenti in which the elder woman takes the greater share: but it is almost entirely devoted to Madalena's sexual autobiography as a thread on which to hang most of the possible positions for sexual intercourse. It is the first imaginative prose work which deals directly and exclusively with physical sexual satisfaction, though this is garnished rather sparsely with some moments of emotion and glimpses of ordinary life. It ends with a named catalogue of thirty-five postures, which explains why sets of plates became associated with it; it might originally have been written as an explanatory text to pictures, but its origins are obscure. Modern authorities all agree that it is not by Aretino, and the first edition under this title seems to be an undated Elzevir edition, printed to accompany a new edition of the Ragionamenti in 1660. The appearance in London of John Garfield's periodical The Wandering Whore at the end of 1660 tends to confirm that date, for evidence over the next hundred years shows a very brief time lag between a Continental publication and its English repercussion. Garfield's work had no connection with the text of La Puttana Errante: he was clearly cashing-in on a new and notorious title" (Foxon pp. 27-28). The influence of La Puttana Errante was enormous and the book seems to have been very widely read, including in England, although no 17th century English translation is known to have survived. "The earliest specific reference I know to a pornographic book [in England] is in Pepy's diary. On 13th January 1668 he 'stopped at . . . (FULL DESCRIPTION ON REQUEST) [Attributes: First Edition; Hard Cover]

      [Bookseller: Nicholas Marlowe Rare Books]
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        Russia antique map - Blaeu.

      Russiae, Vulgo Moscovia dictae, Pars OccidentalisMap of Russia with original hand colouring. Size 49,1 x 38,9 cm. Published by Joan Blaeu in Amsterdam around 1660, as part his world famous Atlas Maior.A finely engraved depiction of the area from Estonia to Moscow. The map is very decorative, with pictorial topography, wildlife and a scene of men hunting bears in the upper part of the map. The decorative cartouche is flanked with moose and reindeer. Also this map is based on the travel journal of Isaac Massa from 1610.Isaac Massa (1586 - 1643) was a Dutch grain trader, traveller and diplomat, the envoy to Muscovy, author of memoirs witnessing the Time of Troubles and the maps of Eastern Europe and Siberia. Massa's experience in and knowledge of Muscovy transformed him into a Dutch ?Kremlinologist??.Massa is credited with five published maps of Russia and its provinces, the last ones compiled around 1633, and two maps of Moscow city. Retrieving original muscovite maps could have been dangerous for Massa himself and fatal for his Russian sources. Massa's rendition of the Siberian coast represented an advance in geography and for decades remained the only map of this region. It was subsequently copied by Dutch publishers Gerard Mercator and Henricus Hondius, Jan Janssonius and Willem Blaeu.Blaeu's Atlas Major in its various editions was the largest atlas ever published. It was justly famed (?the greatest and finest atlas ever published?? - Koeman) for its production values, its high typographic standard, the quality of its engraving, ornamentation, binding and colouring. Blaeu?s atlas frequently served as the official gift of the Dutch Republic to princes and other authorities. It is one of the most lavish and highly prized of all seventeenth century illustrated books. The maps are embellished in the Baroque style, and many rank among the most beautiful ever made.Price (excl. VAT): ? 850,-.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Malta and Gozo map - Visscher.

      Insularum Melitae vulgo Maltae et GozaeAttractive detailed map of Malta and Gozo with inset map of the Western Mediterranean. Sailing ships and a large title cartouche with the Coat of Arms of the Knights of St.John adorn the map.Published by Nicolaes Visscher in Amsterdam, 1660. Original hand colouring. Size: 46,9 x 56,9 cm. Price: ?1.850,- (excl. VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        NAVIGATIO SALOMONIS OPHIRITICO ILLUSTRATA.

      Witteb(ergae), Impensis Andreae Hartmanni, 1660.. FIRST EDITION 1660, Latin text, 12mo, approximately 130 x 70 mm, 5 x 2¾ inches, engraved pictorial title page, showing the Kings Solomon and Hiram and below them a scene of ships before a harbour at Chersonesus Aurea (Malacca o Malay Peninsular), pages: (96), 1-826, (2 - Epilogus), final leaf of prelims is blank, contemporary calf, rebacked to style, no lettering or label. Original covers pitted and slightly worn at corners, inner paper hinges neatly repaired, armorial book plate of the Earls of Macclesfield with motto Sapere Aude on front pastedown, small library label with 1860 printed on it on front endpaper, small blind-stamp of the arms to top of title page and following page, fore-edge margin of title page trimmed off, pages browned and foxed throughout, all easily legible, very small piece missing from 2 lower corners, no loss of print. A good tight copy. Martin Lipen (1630 - 1692) was a German teacher and bibliographer. His book which is full of biblical references is chiefly concerned with the history of navigation but he tackles many subjects including Solomon, King of Israel, the location of the mysterious Ophir (Asia, Africa, South America?), gems and precious stones, animals (elephants and ivory, monkeys, peacocks, and parrots, all apparently brought to King Solomon from Ophir). Sabin, Books relating to America, Volume I, 41390. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Territorio perugino

      1660 ca. 1660 - Carta tratta dall'atlante di Guglielmo Blaeu (circa 1660) impreziosita da vivace coloritura d'epoca, piu accentuata ai cartigli che contengono il tit. e la scala delle miglia. Ottima conservaz., fresca e nitida impressione.

      [Bookseller: TABERNA LIBRARIA - ALAI - ILAB]
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        Kupferstich - Karte, v. A. Deur b. Nic. Visscher I, "Novissima et accuratissima XVII Provinciarum Germaniae Inferior Delineatio".

      - mit altem Grenzkolorit, um 1660, 46,5 x 56,5 Koemann, Bd. III, S. 181 ( Nr. 162 ) kennt diese Karte nur in der späteren Fassung mit dem Druckprivileg. Hier vorliegend in der seltenen Fassung ohne Druckprivileg und ohne Rückseitentext. - Westorientierte Karte mit 2 großen, altkol. fig. Kartuschen, Windrose und zahlr. Segelschiffen auf der Nordsee. Bugfalte restauriert.

      [Bookseller: Antiquariat Nikolaus Struck]
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        MAGNI HIPPOCRATIS COI, Medicorum Principis, COACae PRaeNOTIONES, Graecè & Latinè. OPUS DIVUM. Cum versione D. ANUTII FOESII Mediomatricis: Ex Notis JOH. JONSTONI Med. Doct. [Druckermarke "Minerva", Rahir "M. 20". In Rot: "HIPPOCRATIS", "COCae", "OPUS DIVUM.", "D. ANUTII FOESII", "JOH. JONSTONI", "AMSTELaeDAMI," und "MDCLX."]

      Amsterdam Elzevier 1660 - 2 (weiße) Blätter, 6 Blätter, 577 Seiten, 53 Blätter, 2 (weiße) Bll. Späterer Lederband über fünf Bünden. (12,9 x 7,9 cm, bzw. 12,4 x 7 cm; Buchblock: 3,4 cm) 12°. Bérard 101 ("Cette édition d'Hippocrate est estimée et assez rare. Les Elzévirs n'ont imprimé qu'une fois cet auteur avec les notes de Jonston. Un exemplaire bien conservé vaudrait environ 20 francs."). Pieters 280 auf S. 287. Willems 1259 ("Marque: la Minerve. 6 ff. limin., y compris le titre rouge et noir. - 577 pp. - 107 pp. n. ch. d'index. Suivant le catalogue Chenu, n° 236, le volume doit contenir deux planches 'qui se réfèrent aux pages 348 et 350, et qui manquent dans presque tous les exemplaires.' Elles doivent être rares en effet, car elles ne se trouvaient pas dans ceux que nous avons collationnés."). Winterthur 546. Vergl. Brunet V, col. 1727. Rahir 1292 ("Sans les pl. signalées par Chenu, pl. qui ne se trouvaient pas dans 4 ex. en reliure ancienne que nous avons collationnés."). Berghman 575. Socoloff I A 320. Copinger 2287. Broman 377. Motteley (1824) 548. Lengfeld 372. Lengertz 362. Thulins 148, 219. Vergl. Phiebig 116 [Bestandteil eines Konvolutes]. EHC 12.1660.Hip.00 + 01. Weddigen 076. Ebert 9752 ("Einer der seltnern[sic!] Elzevirs u. in guten Exx. selten."). Schweiger I, 151 ("Selten, bes. in gut erhaltenen Ex."). Graesse III, 282. Der ehemals dekorative Lederband, wohl aus dem 18. Jahrhundert, war ehemals marmoriert und auf dem Rücken mit Goldprägung versehen, diese fast völlig verblasst, die Deckel stärker berieben und die Ecken bestoßen, die Kapitale etwas lädiert, das vordere Außengelenk angebrochen, der Block jedoch fest. Allseitig recht knapp beschnitten, jedoch innen meist sauberes Exemplar. Die Druckermarke sehr ähnlich, aber nicht völlig identisch mit der bei Rahir abgebildeten, dort diente möglicherweise ein defektes Beispiel als Vorlage. Mit wenigen Schmuckinitialen, auf Blatt 3 das fleuron Rahir 72. Die Vignette Rahir 86 auf Seite 577, als Schlußvignette diente Rahir 98 auf dem letzten Index-Blatt. Provenienz: N.N., Burghart, Weddigen Auf dem hinteren Innendeckel kopfstehend ein ebenfalls unleserlicher Eintrag. Auf dem vorderen Innendeckel, wohl berufsbedingt weitestgehend unleserlich eingeschmierter Besitzvermerk ". Godofredi Henrici Burgharti Reychenb. Sil. Med. Stud. Symb. . 1727 .". In Reichenbach/Schlesien geboren. Studierte nach einer Apothekerausbildung Medizin, war in Breslau tätig. Später Medizin-, Mathematik- und Naturkundeprofessor am Königlichen Kolleg zu Brieg (heute Brzeg). Auf dem fliegenden Vorsatz handschriftliche Ziffern. Die bibliogfraphischen Anmerkungen Weddigens auf dem vorderen Innendeckel. * Bitte fordern Sie bei Interesse unsere umfangreichen Anmerkungen an. * * Versand mit/ shipping with Deutsche Post oder/ or DHL. - Ask for more pics ! * 5001 gr.

      [Bookseller: Heinrich Heine Antiquariat oHG]
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        NAVIGATIO SALOMONIS OPHIRITICO ILLUSTRATA.

      Wittebergae Impensis Andreae Hartmanni 1660 - FIRST EDITION 1660, Latin text, 12mo, approximately 130 x 70 mm, 5 x 2¾ inches, engraved pictorial title page, showing the Kings Solomon and Hiram and below them a scene of ships before a harbour at Chersonesus Aurea (Malacca o Malay Peninsular), pages: (96), 1-826, (2 - Epilogus), final leaf of prelims is blank, contemporary calf, rebacked to style, no lettering or label. Original covers pitted and slightly worn at corners, inner paper hinges neatly repaired, armorial book plate of the Earls of Macclesfield with motto Sapere Aude on front pastedown, small library label with 1860 printed on it on front endpaper, small blind-stamp of the arms to top of title page and following page, fore-edge margin of title page trimmed off, pages browned and foxed throughout, all easily legible, very small piece missing from 2 lower corners, no loss of print. A good tight copy. Martin Lipen (1630 - 1692) was a German teacher and bibliographer. His book which is full of biblical references is chiefly concerned with the history of navigation but he tackles many subjects including Solomon, King of Israel, the location of the mysterious Ophir (Asia, Africa, South America?), gems and precious stones, animals (elephants and ivory, monkeys, peacocks, and parrots, all apparently brought to King Solomon from Ophir). Sabin, Books relating to America, Volume I, 41390. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST. [Attributes: First Edition]

      [Bookseller: Roger Middleton P.B.F.A.]
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        World map - Frederick de Wit, 1660.

      ?Nova Totius Terrarum Orbis Tabula?. Copper engraving made by Frederick de Wit ?t Amsterdam in de Calverstraat inde Witte Pascaart 1660, published in De Zee-Atlas Ofte Water-Wereld of Hendrik Doncker in Amsterdam from 1660 to 1670. With original hand colouring. Size: 47 x 56 cm (plus margins).This was De Wit?s first world map. He derived it from the two hemisphere maps from Blaeu?s wall map of 1648, reducing them in scale and making some changes. (Bleau's own smaller world map with two hemispheres can be found here.) The upper corners contain northern and southern celestial maps and the lower corners show north and south polar projections. In the bottom center are astronomical diagrams -- a geocentric one on the left and a Copernican one on the right. The top center vignette shows the sun encircled by a zodiacal ring. Between the maps and diagrams are four vignettes with allegorical depictions of the Four Elements (air, fire, earth and water). The map also includes Baroque decorations of garlands of fruit and flowers.A magnificent example of the art of mapmaking, this map is one of only 19 reproduced in color in Rodney Shirley?s major scholarly work on world maps of the 15th to 17th centuries. In accompanying text, the author states that ?[e]specially when richly coloured, De Wit?s map is one of the most decorative standard-size maps of the time and it is much less commonly found than his three other atlas world maps.?Frederick de Wit (1630-1706) was founder of a prominent map publishing firm in 17th century Amsterdam, the golden age of Dutch cartography. The De Wit family both published their own atlases and supplied maps to other cartographers such as Hendrik Doncker.Reference: Rodney Shirley (1983)- ?The Mapping of the World: Early Printed World Maps 1472-1700?, p. 421, plate 311.Price: ?11.500,- (incl. frame).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Malta and Gozo map - Visscher.

      Insularum Melitae vulgo Maltae et GozaeAttractive detailed map of Malta and Gozo with inset map of the Western Mediterranean. Sailing ships and a large title cartouche with the Coat of Arms of the Knights of St.John adorn the map.Published by Nicolaes Visscher in Amsterdam, 1660. Original hand colouring. Size: 46,9 x 56,9 cm. Price: ?1.850,- (excl. VAT/BTW).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Order by the House of Lords, signed by John BROWNE (circa 1608-1691, Clerk of the Parliaments) (Francis Browne, 1610-1682, from 1629 3rd Viscount)]

      1660 - with transcription, suspending all sequestration of Montagu's estates (which included Cowdray Park and Battle Abbey), following his petition "shewing, that hee hath for severall yeares last past (upon pretence of his being a Popish Recusant) groaned under the heavy pressure of a sequestration of more than two third parts of his Estate . although he was never convicted of recusancy", until "the meritts of his cause bee fully heard, and determined by due course of law", all those involved "to yeald their Obedience hereunto as they will answere the contrary to this House", 1 side folio and conjugate leaf with short title, House of Lords, 13th June Written within a few weeks of Charles II's Restoration. The petitioner's great-grandparents, the 1st Viscount and his wife, were staunch Roman Catholics and close to Queen Mary. Guy Fawkes served for a while in the 1st Viscount's household, and the petitioner's father, the 2nd Viscount, was in the Tower for over a year for alleged complicity in the Plot. John Browne, first appointed in 1638, was in fact a strong Parliamentarian, and served as clerk in the Lords until the house's abolition in March 1649. He was, nevertheless, re-instated at the Restoration and remained in this important post until his death.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        St. Aposteln " Abbildung der alten Wunderbaren und doch warhafften Geschicht, So sich vor Dreijhundert Jahren in Collen am Newmarckt uff dem Kirchhoff zu Sanct Apostolen zugetragen durch Fraw Richmuth.".

      - Kupferstich v. A. Aubry n. Johann Toussyn b. Gerhardt Altzenbach, K

      [Bookseller: Kunsthandlung Goyert]
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        Tabula Historica et Geographica, ad breve Compendium Addiscendum Regionum et Statuum in Europa.

      Artist: Schenk Peter ( - 1718 ) Amsterdam; issued in : Amsterdam; date: 1705 1660 - - technic: Copper print; colorit: colored; condition: Left lower corner and wormhole replaced; size (in cm): 49 x 59 - description: Decorativ map of the countries in Europe with its coat of arms: Magna Britannia, Regnum Hispania, Regnum Portugaliae, Regnum Galliae, Italiae,Regnum Siciliae, Careafereae Heraeditates, Germaniae, Helvetiae, Foederatae, Regnum Daniae, Succia, Imperium Russae, Regum Poloniae, Regnum Borussiae, Regnum Turcicum. - vita of the artist: Petrus Schenck, (1660 ? 1711) was a German engraver and cartographer active in Amsterdam and Leipzig.Valck was married to Maria Bloteling, the sister of the Amsterdam engraver Abraham Bloteling. In 1687 Schenk married Gerard's sister Agatha Valck. In 1694, together with Valck, he bought some of the copperplates of the artdealer and cartographer Johannes Janssonius. Along with Valck and Bloteling, he produced prints for the London market, though it is not known if he ever went there with them.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        A Subsidy Granted to the King of Tonnage and Poundage [with] An Act For continuing the Excise 1660 [with] An Act For the present Nonimnating of Commissioners of Sewers [with] The Rates of Merchandise . . . Subsidy of Tonnage, Subsidy of Poundage [etc.]

      Printed by John Bill and Christopher Barker [imprints vary], London 1660 - Contemporary mottled panelled calf, gilt, rebacked, bearing the Royal arms and manuscript paper label ("Inner 02-13"); the Taussig copy Three acts and a related work principally bearing upon a major constitutional debate of the seventeenth century, as Parliament granted Charles II two important subsidies for his life, two of the three acts located in one copy only in ESTC [Attributes: Hard Cover]

      [Bookseller: Meyer Boswell Books, Inc., member ABAA]
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        Aller des Heiligen Römischen Reichs gehaltener Reichsztaeg, Ordnungen und Abschiedt

      New edition, continued until 1654. Title page in red and black. Illustrated with a frontispiece with the imperial arms and many ornaments, headbands, cul-de-lamp, drop caps. Each party has its title page with a large thumbnail of arms of the Empire. Round gothic printing.Bound in full leather embossed ivory of time sow cold over wooden boards (perfect binding). Back Jansenist nerves with respect to the black pen. Dishes struck a series of floral frames, with a central jewel. Fasteners brass present with tongues, but without connecting all the strips. Bottom right corner of the missing frontispiece, with a hole of a centimeter. Many browned leaves.Holy Roman German Empire Chronicle 1356 to 1654. The book went through several editions in the eighteenth century, whenever reworked and expanded. The first part is from the year 1356 until 1641. The second year 1654. Melchior Goldast von Haiminsfeld was a Swiss writer and historian of German medieval history and constitution of the Holy Roman Empire. The extension of chronic seems to be the work of Kaspar Behem. Johannes Godefridi S.n. 1660 in-folio (20,5x35,5cm) (20) 1030p. (2) 102p. 44p. 3 parties reliées en 1 volume

      [Bookseller: Librairie Le Feu Follet]
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        Bericht vom Bergwerck, wie man dieselben bawen und in guten wolstande bringen sol, sampt allen dazu gehörigen arbeiten, ordnung und Rechtlichen processen beschrieben durch G. E. Löhneyss.

      [no printer]: [No place], 1660. 3rd Edition. Hardcover. Folio - over 12 - 15" tall. Folio (318 x 195 mm). [22], 343 (i.e. 363) [1] pp. Several mispaginations. Engraved title-page and 16 folding engraved plates bound at end. 18th-century half vellum over marbled boards (paper over boards heavily chipped at outer edges, extremities rubbed, corners scuffed). Text somewhat browned throughout, a few faint dampstains and occasional spotting. The engraved plates only little browned or spotted. The oversized letterpress tables on leaves pp3v to pp5r cropped at bottom affecting one line. Still a very good copy in an untouched binding. ----Koch 62; Darmstaedter, Probirbüchlein, 99; Libri rari 174; Ferchl 320; Lipperheide Pd 5; Partington II, 107. SECOND EDITION. Löhneyss gives the first description of the extraction of zinc at Rammelsberg" (Partington II, 108). Most copies of the first edition (1617) were lost when the printer's shop was destroyed during the Thirty Years War. The most notable sections of this work, which in its technical parts was on the whole a shameless plagiarism from Agricola and Ercker, are the contributions on economic aspects of mining. The work was originally illustrated with woodcuts by Moses Thym which were for this edition re-engraved in copper by J. Wichmann who executed them mirror inverted from the originals. Zweite Ausgabe des prächtig ausgestatteten Werkes, erstmals 1617 in Löhneysen's Privatdruckerei in Remlingen und Zellerfeld gedruckt (die meisten Exemplare wurden mit der Druckerei im Dreissigährigen Krieg zerstört). Der besondere Wert des "Berichts", dessen technische Ausführungen meist schamlos aus Agricola und Ercker abgeschrieben sind, liegt in den wirtschaftlichen Abschnitten: "Merkantilistischkameralistische Gedanken halten hier ihren Einzug in das bergtechnische Schrifttum" (Koch). Die Erstausgabe war mit Holzschnitten von Moses Thym illustriert. Diese wurden fur die vorliegende Ausgabe von J. Wichman seitenverkehrt kopiert und in Kupfer gestochen. [1660]. Very Good.

      [Bookseller: Milestones of Science Books]
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        A Subsidy Granted to the King of Tonnage and Poundage [with] An Act For continuing the Excise 1660 [with] An Act For the present Nonimnating of Commissioners of Sewers [with] The Rates of Merchandise . . . Subsidy of Tonnage, Subsidy of Poundage [etc.]

      Three acts and a related work principally bearing upon a major constitutional debate of the seventeenth century, as Parliament granted Charles II two important subsidies for his life, two of the three acts located in one copy only in ESTC. Contemporary mottled panelled calf, gilt, rebacked, bearing the Royal arms and manuscript paper label ("Inner 02-13"); the Taussig copy. Printed by John Bill and Christopher Barker [imprints vary], London, 1660.

      [Bookseller: Meyer Boswell Books, Inc.]
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        Circulus Pisanus Claudii Berigardi Molinensis olim in Pisano, jam in Lyceo Patavino philosophi prim. De veteri et peripatetica philosophia in Aristotelis libros octo Physicorum. Quatuor de c

      Paolo Frambotto, 1660. Sei parti in un volume in 4to (220x160 mm), mezza pelle dell'Ottocento, dorso riccamente ornato in oro con tassello e titolo in oro, pp. (20), 64, (2 bianche), (6), 65-203, (3 bianche), (6), 205-353, (3 bianche), (6), 357-538, (2 bianche), (4), 541-583, (1 bianche), (6), 585-729, (25). Mancano due carte bianche prima delle pp. 357 e 585. All'inizio del volume sono rilegate (12) carte di indice che non pertengono all'edizione. Ogni sezione si apre con frontespizio proprio recante la marca tipografica. Le sezioni 2, 3 e 4 sono datate1660, mentre le parti 1, 5 e 6 recano la data 1661. Iniziali, testatine e finalini decorati. Con inoltre il ritratto dell'autore inciso da Giovanni Giorgi a c. ++4v e numerosi diagrammi xilografici nel testo. Firma di possesso di mano coeva sul secondo risguardo libero, che recita: &ldquo,Hic liber est Ippoliti de [non leggibile]&rdquo,. Alcuni fascicoli leggermente bruniti, qualche arrossatura marginale, ma ottima copia fresca e genuina.SECONDA EDIZIONE NOTEVOLMENTE AUMENTATA di qest'opera che si basa sulle lezioni tenute dal Bérigard presso lo Studio pisano. Rispetto alla prima edizione stampata a Udine nel 1642-43, questa nuova edizione fu interamente rivista e sostanzialemente aumentata.Il Circulus pisanus si presenta in forma di dialogo tra Charilaus, un seguace di Aristotele, e Aristaeus, che apoggia invece la filosofia pre-socratica e, in particolare, l'atomismo di filosofi come Anassimandro, Empedocle ed Anassagora. L'opera celebra sin dal titolo le &ldquo,disputationes circulares&rdquo,, ossia le dispute accademiche che ebbero un ruolo molto importante nell'insegnamento dell'autore a Pisa. Benché Bérigard sia molto prudente nell'esporre le teorie atomistiche condannate dalla Chiesa e le idee della nuova filosofia di Cartesio e Galileo e ufficialmente rimanga nei limiti della dottrina cattolica, appare evidente la sua sua simpatia per il nuovo metodo sperimentale applicato allo studio della natura e il libro descrive approfonditamente gli esperimenti sul vuoto e sulla caduta dei gravi condotti da Galileo.Claude Guillermet Bérigard (o Beauregard o, italianizzato, Berigardo) nacque a Moulins intorno al 1590, benché altre fonti (Nicéron) ne pongano la nascita al 1578. Studiò medicina e filosofia e ottenne una laurea in &ldquo,artibus&rdquo, presso l'Università di Aix-en-Provence. Visse per un periodo a Lione e Parigi, prima di trasferirsi in Toscana nel 1625, probabilmente su invito di Christine de Lorraine. Dal 1627 al 1638 insegnò a Pisa, quindi dal 1639 fino alla fine dei suoi giorni a Padova. Nel 1632 pubblicò le Dubitationes in Dialogum Galilaei Galilaei, il primo attacco a stampa contro il Dialogo sopra i due massimi sistemi del mondo. Ciononostante Bérigard, che ebbe modo di conoscere Galileo di persona, fu sempre molto elogiativo nei confronti del grande scienziato pisano, come testimonia anche il Galilaei encomium che si trova a p. 563 del Circulus Pisanus.Oltre a Galileo, sono molti gli scienziati del tempo ad essere citati nell'opera. Tra questi ricordiamo: Torricelli, Viviani, Cabeo, Bourdin, Boulliau, Mersenne, Cartesio, Digby, Kircher, Thomas Bartholin, Borelli, Copernico, Harvey e Hobbes. Anche Gassendi viene ampiamente citato per il suo atomismo, di matrice tuttavia molto diversa da quello del Bérigard.Benché Bérigard paia recalcitrante ad oltreppasare i confine della scienza tradizionale, il Circulus Pisanus si presenta indiscutibilmente come un tributo alla nuova scienza sperimentale: oltre al sopra menzionato elogio di Galileo, l'autore espone con competenza la teoria copernicana e la accetta nella misura in cui non può essere confutata sperimentalmente ma solo per l'autorità della Bibbia, ugulamente gli esperimenti di Torricelli sul vacuum sono negati solo sulla base del principio che Dio è ovunque e non può dunque esistere il vuoto. Il telescopio viene celebrato come strumento scientifico e nel commento al De Luna vengono esposte le teorie e le scoperte astronomiche di Copernico e Galileo.Cfr. P. Ragnisco, Da Giacomo Zabarella a Claudio Berigardo, ossia prima e dopo Galileo nell'Università di Padova, in: &ldquo,Atti Ist. Veneto Scienze, Lettere e Arti&rdquo,, ser VII, V, 1893-94, I, pp. 477-518, A. Favaro, Oppositori di Galileo, IV: Claudio Berigardo, in: &ldquo,Atti Ist. Veneto Scienze, Lettere e Arti&rdquo,, LXXIX, 1919-20, II, pp. 39-92, A. Cecchini Degan, Nuovi studi su Claudio Berigardo, Padua, 1971, G. Stabile, Claude Bérigard (1592-1663). Contributo alla storia dell'atomismo seicentesco, Rome, 1975, G. Santinello, et al., Models of the History of Philosophy. I: From its Origins in the Renaissance to the &ldquo,Historia Philosophica&rdquo,, Dordrecht, Boston London, 1993, p. 147 e sgg., R. French, William Harvey's Natural Philosophy, Cambridge, 2006, p. 246 e sgg.Carli Favaro, 277, D.B.I., VII, pp. 388-89, Hirsch, I, p. 348, D.S.B., II, pp. 12-14.

      [Bookseller: Libreria Govi Alberto]
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        Les récréations mathématiques avec l'examen de ses problèmes en arithmétique, géométrie, méchanique, cosmographie, optique et catoptrique. Premierement reveu par D. Henrion. Depuis par M. Mydorge. Et tout nouvellement corrigé & augmenté. Cinquiesme & dernière édition.

      Paris, Cardin Besongne, 1660. ____ Illustré par 84 bois gravures dans le texte. Il règne la plus grande confusion sur les auteurs de ce texte célèbre que l'on doit plutôt considérer comme une compilation de plusieurs auteurs. Largement inspiré de l'ouvrage de Bachet de Méziriac, cet ouvrage contient de nombreux problèmes originaux, ainsi que d'autres, extraits de Cardan. La première partie est traditionnellement attribuée à Leurechon, mais pourrait être d'Hendrik van Etten, la seconde à Denis Henrion et à Claude Mydorge. La troisième, qui traite des feux d'artifices est inspirée de Jean Appier Hanzelet. Les notes de Denis Henrion, qui dans certaines éditions, ont été rassemblées dans une quatrième partie, sont placées dans celle-ci à la suite de chaque "récréation", en caractères italiques et sont signées "D.H.P.E.M." L'exemplaire est bien complet. Déchirure au coin du feuillet Bb (page 385/386) avec perte de quelques lettres, exemplaire rogné court avec en fin d'ouvrage une atteinte à trois gravures dans le texte, mais sans manque important, il semble que ce soit juste le filet d'encadrement de la gravure qui ait disparu. Rousseurs. Coiffe rognée, première charnière fendillée. *****. In-8. Collation : (16), 416 pp. Basane brune, dos à nerfs orné, tranches marbrées. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        LES OEUVRES DE M.ANTOINE DESPEISSES ADVOCAT ET JURISCONSULTE DE MONTPELLIER OU TOUTES LES PLUS IMPORTANTES MATIERES DU DROIT ROMAIN SONT METHODIQUEMENT EXPLIQUEES & ACCOMMODEES AU DROIT FRANCAIS - EN 3 TOMES - TOMES 1 + 2 + 3.

      CHEZ JEAN ANTOINE HUGUETAN & MARC ANTOINE RAVAUD 1660 - R300114500: 771 pages + 710 pages + 476 pages + environ 200-250 pages "table generale de toutes les matieres & decisions notables contenues ez trois tomes de cet ouvrage" - dos à 6 nerfs - titre doré sur pièce de titre - textes sur deux colonnes - manque de cuir sur les plats du tome 2 - ouvrages d'environ 36 x 23 cm - une gravure en noir et blanc en frontispice dans le tome 1 - quelques bandeaux, lettrines et cul de lampe en noir et blanc - tome 2 au mauvais état fortes mouillures et moisissures sans réelle conséquence sur la lecture - mouillures à l'intérieur des tomes 1 et 3 sans réelle conséquence sur la lecture - dos abîmé sur le tome 2 - coins frottés - coiffe en tête abîmée sur le tome 3 - pièce de titre absente sur le tome second - 6 photos disponibles. Confirmées par les arrests des cours souveraines & enrichies des plus utiles doctrines des autheurs anciens & modernes - Mises au jour pour la premiere fois excepté le traicté des successions & celuy des tailles augmentez de moyité - Le premier des contracts propres & impropres & impropres leurs accessoires execution & dissolution - Le second des successions testamentaires & abintestat practique civile practique criminelle - Le troisieme des droicts seigneuriaux des tailles & autres impositions des benefices ecclesiastiques - NOTA : Antoine d'Espeisses (1594-1658), avocat et jurisconsulte de Montpellier. In-Folio Relié plein cuir. Etat d'usage. Plats abîmés. Dos à nerfs. Mouillures Classification Dewey : 840.04-XVII ème siècle [Attributes: Hard Cover]

      [Bookseller: Le-Livre]
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        Kupferstich - Karte, b. N. Visscher, "Ducatus Bremae et Ferdae, Maximaeque partis . Novissima Descriptio".

      - mit altem Grenzkolorit, um 1660, 46 x 55,5 Koemann III, S. 180 ( Nr. 120 ). - Die Karte noch ohne Druckprivileg und ohne Rückseitentext. Zeigt die Herzogtümer Bremen und Verden.Unten rechts die altkol. Titelkartusche, links altkol. Meilenanzeiger.

      [Bookseller: Antiquariat Nikolaus Struck]
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        CARTE GENERALLE DE LOMBARDIE. PAR DU VAL GEOGRAPHE

      1660. Carta dell'Italia settentrionale che ripropone il modello del Sanson, anche se rispetto a questa è ridotta nelle dimensioni e semplificata nei particolari.Bibliografia: Colombo-Rondanini-GRSD, p. 40; Tooley 1979, p. 184; Davoli, Sanfelici, Zanasi, p. 62, n. 19.

      [Bookseller: Libreria Trippini Sergio]
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        Discours fait en une célèbre assemblée touchant la guérison des playes par la poudre de sympathie, où sa composition est enseignée, & plusieurs autres merveilles de la Nature sont développées ...

      imprimé à Rouen, & se vend à Paris, chez A. Courbé, 1660, in 12, de 195pp. 1f., pl. vélin époque, qq. taches sinon bon exemplaire. Seconde édition française de ce traité de la poudre de sympathie, la première datant de 1658. Rappelons que la préparation à base de vitriol, dont le chevalier Digby acheta le secret à un moine italien, fit fureur à la cour de Jacques Ier et en France sous le nom de "poudre de sympathie". Dans ses principes de guérison, Digby semble avoir prévu le magnétisme 100 ans avant Mesmer. En effet, ne déclare-t-il pas que "tout corps envoye une continuelle émanation d'atomes hors de soy" et que "l'imagination forte d'une personne agit merveilleusement sur celle d'une autre qui l'a plus faible et passive". ¶ Rare Caillet n°3124 ne cite pas cette édition - idem pour Dorbon - Ferguson I.213 "Digby was a member of the nucleus of experimental philosophers who afterwards founded the Royal Society" - Krivatsy n°3242.

      [Bookseller: L'intersigne Livres anciens]
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        Bericht vom Bergwerck, wie man dieselben bawen und in guten wolstande bringen sol, sampt allen dazu gehörigen arbeiten, ordnung und Rechtlichen processen beschrieben durch G. E. Löhneyss.

      [no printer]: [No place], 1660. 3rd Edition. Hardcover. Folio - over 12 - 15" tall. Folio (318 x 195 mm). [22], 343 (i.e. 363) [1] pp. Several mispaginations. Engraved title-page and 16 folding engraved plates bound at end. 18th-century half vellum over marbled boards (paper over boards heavily chipped at outer edges, extremities rubbed, corners scuffed). Text somewhat browned throughout, a few faint dampstains and occasional spotting. The engraved plates only little browned or spotted. The oversized letterpress tables on leaves pp3v to pp5r cropped at bottom affecting one line. Still a very good copy in an untouched binding. ----Koch 62; Darmstaedter, Probirbüchlein, 99; Libri rari 174; Ferchl 320; Lipperheide Pd 5; Partington II, 107. SECOND EDITION. Löhneyss gives the first description of the extraction of zinc at Rammelsberg" (Partington II, 108). Most copies of the first edition (1617) were lost when the printer's shop was destroyed during the Thirty Years War. The most notable sections of this work, which in its technical parts was on the whole a shameless plagiarism from Agricola and Ercker, are the contributions on economic aspects of mining. The work was originally illustrated with woodcuts by Moses Thym which were for this edition re-engraved in copper by J. Wichmann who executed them mirror inverted from the originals. Zweite Ausgabe des prächtig ausgestatteten Werkes, erstmals 1617 in Löhneysen's Privatdruckerei in Remlingen und Zellerfeld gedruckt (die meisten Exemplare wurden mit der Druckerei im Dreissigährigen Krieg zerstört). Der besondere Wert des "Berichts", dessen technische Ausführungen meist schamlos aus Agricola und Ercker abgeschrieben sind, liegt in den wirtschaftlichen Abschnitten: "Merkantilistischkameralistische Gedanken halten hier ihren Einzug in das bergtechnische Schrifttum" (Koch). Die Erstausgabe war mit Holzschnitten von Moses Thym illustriert. Diese wurden fur die vorliegende Ausgabe von J. Wichman seitenverkehrt kopiert und in Kupfer gestochen. [1660]. Very Good.

      [Bookseller: Milestones of Science Books]
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        Les Ruses Innocentes, dans lesquelles se voit comment on prend les Oyseaux passagers, & les non passagers : & de plusieurs sortes de Bestes à quatre pieds. Avec les plus beaux secrets de la pesche dans les Rivieres & dans les Estangs. Et la manière de faire tous les Rets & Filets qu'on peut s'imaginer. Le tout divisé en cinq livres, avec les figures demonstratives. Ouvrage tres curieux, utile & recreatif pour toutes les personnes qui font leur sejour à la campagne.

      chez Pierre Lamy. First edition, published in initialisme and illustrated 66 wood-engraved plates (first book 7, second book: 17, third book: 16, the fourth book: 10 and last book: 16), several folding or double page. Title page in red and black. A banner of the time glued to the back of the title page.Contemporary binding in full golden calf. Back with five nerves decorated with ornate boxes, as well as a red morocco room and a small tail tag library. Double net gilded on the cuts. All red edges. Skilfully restored binding. Slightly stained title page and a pale wetting reaching the margin of three layers in low margin at the beginning of the volume. Some boards have been strengthened on the back with strips of paper, some have tiny tears without missing.For, as stated in the title, "all people who stay in the country", the book "curious and Recreation" written by a monk of the Abbey of Grandmont is somehow a perfect manual scavenger abundantly illustrated . The book is divided into five parts: the first concerns the making of nets to catch the "birds, beasts and fishes"; the second focuses on taking "no passengers birds" (partridges, pheasants, chickens, thrushes ...) the third book deals with woodcock, ducks and other "passengers birds"; the fourth deals with the capture of animals (hares, rabbits, ferrets, badgers, foxes, wolves ...) by "threads, collars, laces, traps and other machinery"; the last part of the book concerns the fisheries for fish in both lakes in rivers with nets, hooks, bait and other machines.Beautiful specimen of the rare original edition. chez Pierre Lamy Paris 1660 in-4 (15,5x25,5cm) (16) 55pp. (1f. fx tit.) (6) 57-119pp. (1 f. bl.) (8) 121-184pp. (4) 185-230pp. (8) 231-288pp. relié

      [Bookseller: Librairie Le Feu Follet]
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        "Pars australior iutiae septentrionalis in qua Dioceses Ripenses et Arhusiensis" [Jylland] [In the North Jutland and part of the Dioceses Ripensis and Arhusiensis farther south] / [Der Norden von Jütland und ein Teil der Diözesen Ripensis und Arhus weiter südlich]. / [I det nordlige Jylland og en del af stifter Ripensis og Arhusiensis længere mod syd].

      [Blaeu],, 1660. [Amsterdam], [Blaeu], c.1660. Beautifully handcoloured Original Engraving (copper engraving) with the decorative and pictoresque Cartouches. 44 cm x 58 cm. Excellent condition of this beautiful original 18th century map. Handcoloured ! Professionally cleaned, historical map, beautifully and professionally mounted/retsored on see-through, acid-free paper. Price includes worldwide free shipping. Willem Janszoon Blaeu also abbreviated to Willem Jansz. Blaeu, was a Dutch cartographer, atlas maker and publisher.nBlaeu was born at Uitgeest or Alkmaar. As the son of a well-to-do herring salesman, he was destined to succeed his father in the trade, but his interests lay more in Mathematics and Astronomy. Between 1594 and 1596 as a student of the Danish astronomer Tycho Brahe he qualified as an instrument and globe maker. In 1600 he discovered the second ever variable star now known as P Cygni.nnOnce he returned to Holland, he made country maps and world globes, and as he possessed his own printing works, he was able to regularly produce country maps in an atlas format, some of which appeared in the Atlas Novus published in 1635. In 1633 he was appointed map-maker of the East Indian Company. He was also an editor and published works of Willebrord Snell, Descartes, Adriaan Metius, Roemer Visscher, Gerhard Johann Vossius, Barlaeus, Hugo Grotius, Vondel and the historian and poet Pieter Corneliszoon Hooft. He died in Amsterdam.nnHe had two sons, Johannes and Cornelis Blaeu, who continued their father's mapmaking and publishing business after his death in 1638. Prints of the family's works are still sold today. Original maps are rare collector items.nnThe Dutch painter Johannes Vermeer of Delft (1632-1675) holds a position of great honor among map historians. Several of his paintings illustrate maps hanging on walls or globes standing on tables or cabinets. Vermeer painted these cartographical documents with such detail that it is often possible to identify the actual maps. Evidently, Vermeer was particularly attached to a Willem Blaeu - Balthasar Florisz van Berckenrode map of Holland and West Friesland, as he represented it as a wall decoration in three of his paintings... Though no longer extant, the map's existence is known from archival sources and second edition published by Willem Blaeu in 1621, titled "Nova et Accurata Totius Hollandiae Westfriesiaeq. Topographia, Descriptore Balthazaro Florentio a Berke[n]rode Batavo". Vermeer must have had a copy at his disposal (or the earlier one published by Van Berckenrode). Around 1658 he showed it as a wall decoration in his painting "Officer and Laughing Girl", which depicts a soldier in a large hat sitting with his back to viewer, talking with a smiling girl who holds a glass in her hand. Bright sunlight bathes the girl and the large map on the wall. Vermeer's gift for realism is evidenced by the fact that the wall map, mounted on linen and wooden rods, is identifiable as Blaeu's 1621 map of Holland and West Friesland. He captures all of its characteristic design, decoration, and geographic content." nHis maps formed the bulk of the Atlas Maior, that became a collector's item in Amsterdam. One of Blaeu's globes was purchased at auction by Maarten Magielse, a Dutch salesman, for the record price of 60.000 euro, about $80.000. Magielse is now renting it to the globe museum in Vienna, where it is being exhibited. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop ]
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        La vie de St. Bruno, fondateur de l'ordre des Chartreux

      Chez René Cousinet. first edition, rare, illustrated with a title frontispiece and 22 plates from the tables of Eustache Le Sueur and engraved by Francois Chauveau.Binding half shagreen iced chocolate ca 1860 with corners L. signed Fixon bottom of the last page. Back to jansenist nerves. Engraved title and the initials SD Slashed with gaps on the lower flat. Slash in a corner of the lower corner flat and dull. Some frictions. Beautiful copy, fresh. Chez René Cousinet A Paris 1660 S.d. In-folio (27,5x41cm) (4) 22pl. relié

      [Bookseller: Librairie Le Feu Follet]
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        Les récréations mathématiques avec l'examen de ses problèmes en arithmétique, géométrie, méchanique, cosmographie, optique et catoptrique. Premierement reveu par D. Henrion. Depuis par M. Mydorge. Et tout nouvellement corrigé & augmenté. Cinquiesme & dernière édition.

      Paris, Cardin Besongne, 1660. ____ Illustré par 84 bois gravures dans le texte. Il règne la plus grande confusion sur les auteurs de ce texte célèbre que l'on doit plutôt considérer comme une compilation de plusieurs auteurs. Largement inspiré de l'ouvrage de Bachet de Méziriac, cet ouvrage contient de nombreux problèmes originaux, ainsi que d'autres, extraits de Cardan. La première partie est traditionnellement attribuée à Leurechon, mais pourrait être d'Hendrik van Etten, la seconde à Denis Henrion et à Claude Mydorge. La troisième, qui traite des feux d'artifices est inspirée de Jean Appier Hanzelet. Les notes de Denis Henrion, qui dans certaines éditions, ont été rassemblées dans une quatrième partie, sont placées dans celle-ci à la suite de chaque "récréation", en caractères italiques et sont signées "D.H.P.E.M." L'exemplaire est bien complet. Déchirure au coin du feuillet Bb (page 385/386) avec perte de quelques lettres, exemplaire rogné court avec en fin d'ouvrage une atteinte à trois gravures dans le texte, mais sans manque important, il semble que ce soit juste le filet d'encadrement de la gravure qui ait disparu. Rousseurs. Coiffe rognée, première charnière fendillée. *****. In-8. Collation : (16), 416 pp. Basane brune, dos à nerfs orné, tranches marbrées. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        Moyse sauvé, Idile heroïque

      Chez Antoine de Sommaville. New edition after the original published in 1653. Copies of Sainte-Beuve, with his signature on the cover page.Bound in full sheepskin textured brown. Back with nerves decorated. As an exhibit in brown morocco. Traces of rubbing. Good copy. Chez Antoine de Sommaville à Paris 1660 In-12 (8,5x14,5cm) (48) 184pp. relié

      [Bookseller: Librairie Le Feu Follet]
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        Relation du Pays de Jansenie, ou il est traitté des singularitez qui s'y trouvent, des Coûtumes, Mœurs & Religion de ses Habitans.

      Paris: Thierry and Barbin, 1660. Octavo, with a fine large engraved folding bird's-eye-view map; contemporary vellum. First edition: a witty allegorical satire in the form of an imaginary voyage to a Jansenist society, by the Capuchin theologian Zacharie de Lisieux (1591 or 1596-1661).Around 1640 Jansen had controversially attempted to reassert the Augustinian doctrine of original sin and thus the necessity for grace: the Jansenist movement quickly became associated with moral rigour. It was supported by Pascal in his Lettres Provinciales, compelling Innocent X to issue the 1653 bull 'With Occasion' denouncing the movement.Published only seven years later, the Relation du Pays de Jansenie uses some very broad satire to support Pope Innocent's proclamation, denouncing the writings and influence of Jansen as synonymous with libertinage, despair and Calvinism. Thus, the people 'have very hard heads and thick skulls. Some have two hearts, a condition occasionally advanced as an explanation for their notorious insincerity' and their philosophers 'do not recognize the existence of common sense' (Manguel & Guadalupi). Detested by their neighbours, they show a predilection for secrecy, espionage, insincerity and superficiality.It is prefaced by some of the classic devices of the imaginary voyage, including a wonderfully insincere apology for the lack of detail, for which he can hardly be held responsible: he was in a great hurry and, after all, the public really only like short books. Moreover, Zacharie de Lisieux gives crucial importance to the map he reproduces which, he humbly avers, will have more impact than the Almanac, because what it lacks in detail it more than makes up for with panache. Endpapers wearing, ms title on spine.

      [Bookseller: Hordern House]
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        Abrégé sur le chapitre singulier des opérations et choses naturelles et contre-nature. Appartenant à Anthoine Paris, escolier en chirurgie, chez Monsieur Jacquot fait à Mons, en la dite maison le (?) septembre 1660.

      1660. ____ Manuel de médecine manuscrit, par demandes et par réponses, rédigé comme l'indique le titre par un apprenti chirurgien. Le texte pour l'essentiel, semble être repris de Guy de Chauliac avec peut-être des formulations et des additions prises sous la dictée de Jacquot, "maître chirurgien de la ville de Mons en Hainault". Différents traités se succèdent : - Traicté général des appoftemes [apophtegmes], traicté second. Traité général des playes. Traicté général des ulcères. Traicté des fractures en général. Traicté sixième des luxations. Abrégé sur l'ostéologie. ... D'une autre écriture du XVIIe, l'autre moitié du volume est occupée par "des divins secrets tant médicinaux que chirurgicaux", rédigé à plusieurs époques. C'est une suite classique de remèdes et de recettes pour soigner toutes les maladies. Exemplaire manipulé, manque à la coiffe. *****. In-8. Collation : (308) pp. Vélin. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        China Veteribus Sinarum Regio nunc Incolis Tame dicta.

      1660 - Frankfurt, c.1660. Coloured. 275 x 350mm. An elegant map of China derived from Blaeu, representing China bounded in the west by the Great Wall, Korea is depicted as an island. With a decorative title cartouche and shipping vessels decorating the seas.

      [Bookseller: Altea Antique Maps]
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        A subsidy granted to the King, of tonnage, & poundage, and other sums of money payable upon merchandize exported and imported.

      12mo, (2)9485-140pp, contemporary sheep gilt, slight wear else a fine copy. Provenance: contemporary signature of "Edw. Parker pretium 10d." at head of title-page.Publisher: London, printed by John Bill and Chr. Barker,Year: 1660Edition:

      [Bookseller: John Drury Rare Books]
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        Geestelijcke Bataille tegens den laetsten Vyandt den Doodt, Ofte Heylsame Onderrichtinghe om Saligh te sterven. WAARBIJ: Geestelijcke Triumphe, over den laetsten Vyandt, den Doot. Ofte Een Heylsame Onderrechtinge om ghetroost en blymoedich te sterven. Den vierden Druck.

      Amsterdam, Gerrit Willemsz. 1660/1661 - 2 werken in 1 band, (24) 216, (24) 358 p. Origineel overslaand Perkament, 12° (Plaatselijk vochtvlekken in het tweede werk.)

      [Bookseller: Antiquariaat de Roo]
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        Typus Generalis Ukrainae sive Palatinatuum Podoliae, Kioviensis et Braczlaviensis terras nova delineatione ezhibens

      1660. Bella e importante carta dell'Ucraina. Edita da Janssonius per la prima volta intorno al 1657, è una delle prime carte a stampa a presentare nel titolo il nome Ucraina, dopo il Trattato di Zboriv del 18 Agosto 1649 stipulato con i polacchi. Incisione su rame, bella coloritura coeva, in ottimo stato di conservazione. "This map of Ukraine, issued by Jan Jansson in about 1657, is one of the earliest maps to include the name Ukraine in the title of a printed map, following shortly after the Treaty of Zboriv in 1649, although derived largely from Beauplan's maps. printed map, following shortly after the Treaty of Zboriv in 1649, although derived largely from Beauplan's maps. The name Ukraine was popularized in the west by Guillaume La Vasseur de Beauplan's Description d'Ukraine, first published in Rouen in 1651 (in an edition of 100 copies) under a different title, with the named changed as above in the 1660 edition and subsequent editions published in French (1661, 1662, 1663) Latin (1662), Dutch (1664), Spanish (1665 and 1672) and English (1680). The work described Ukraine as several provinces of the Kingdom of Poland lying between the borders of Muscovy and the frontiers of Transylvania. Beauplan, a military engineer, had spent a significant period of time constructing fortresses in the region in the 1630s. In 1650, his map entitled Delineatio Specialis et Accurata Ukrainae, showed the palatinates of Kyiv, Bratslav, Podilia, Volhynia and part of Rus (Pokutia). Another of Beauplan's maps, published in 1648, entitled Delineatio Generalis Camporum Desortum vulgo Ukraina, Cum adjacentibus Provinciis, shows all of the provinces of Poland bordering on the Campus Desertorum or steppe frontier, thereby recognizing the Russian and Polish language references to Ukraine as the ""steppe frontier"" and leading to the popularization of the name in Western Europe. The region was later defined by the Zboriv Treaty of 1649, which did not include Rus or Volhnia, but did include Chernihiv. This treaty established the Cossack control of the regions and severed Poland's claims and created the region which would come to be known in the west as the Ukraine. Copperplate, fine old colors, in very good condition." Amsterdam Amsterdam Van der Krogt, P. (Atlantes) 1740:1.1. 546 430

      [Bookseller: Libreria Antiquarius]
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        Tabula II simstrae faciei Farnesianae Posticus

      Artist: Carraccius Annibal ; issued in : Rome; date: 1660 - - technic: Copper print; colorit: gouache; condition: Perfect condition; size (in cm): 62 x 40 - description: Ornamental representation of the Vatican in Rom after Petrus Aqulia

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Le sette chiese di Roma con le loro principali reliquie stationi et indul.tie

      1660. "Questa pianta delle sette chiese è una ristampa aggiornata della pianta del Lauro/Tempesta del 1599 che Lauro pubblicò per la prima volta per l'anno giubilare del 1600. Seguirono le ristampe o re-incisioni del 1609 (?), 1621, 1630 e 1636. La presente edizione, che reca l'imprint di Giovanni Giacomo de Rossi, è databile al 1658 - 1666 circa, sulla base della dedica a Mons. Giovanni Lucido Palombara, vescovo di Pesaro dal 1658 al 1666 - e del medaglione con il ritratto e lo stemma del Pontefice Alessandro VII (1655-1667), al secolo Fabio Chigi. La peculiarità di questa versione edita dal De Rossi è, però, la rappresentazione della Basilica di S. Pietro: questa è la prima versione della lastra a mostrare il colonnato della piazza, progettato dal Bernini nel 1656-1657, ma non completato fino al 1669; e, cosa più interessante, il colonnato comprende una terza parte, più corta, il famoso ""terzo braccio"", che non fu mai costruito. Inoltre, questa edizione de Rossi contiene, come nuovo dettaglio, l'elenco numerato in basso a destra, che mostra l'ordine del percorso. Più che una pianta o una veduta, questa incisione è una rappresentazione astratta del pellegrinaggio delle Sette Chiese, codificato per la prima volta da S. Filippo Neri nel 1552-1553. Le chiese sono mostrate isolatamente, con pochi riferimenti al contesto urbano in cui sono inserite - il Tevere, le mura romane, un antico rudere, colline e alberi . Nelle didascalie descrittive sono elencate le principali reliquie di ogni chiesa. Le chiese incluse nel pellegrinaggio erano le quattro Basiliche Maggiori: San Pietro, San Giovanni in Laterano, San Paolo fuori le mura e Santa Maria Maggiore, e altre tre chiese che contengono reliquie importanti: Santa Croce in Gerusalemme, San Sebastiano fuori le mura, e San Lorenzo fuori le mura. A volte al percorso si aggiungevano due chiese più piccole, incluse in questa incisione in alto a destra, S. Vincenzo e Anastasio alle Tre Fontane, e Santa Maria dell'Annunziatella. Il pellegrinaggio a questi siti, piuttosto lontani tra loro, di solito richiedeva due giorni. Se il tour delle chiese non era obbligatorio, è stato incoraggiato, e particolarmente praticato dai Papi. Durante l'anno giubilare del 1600, l'anno in cui questa incisione fu pubblicata per la prima volta, Papa Clemente VIII percorse il circuito più volte, incoraggiando così i fedeli. Ottimo esemplare, ricco di toni e ben contrastato, impresso su carta vergata coeva, con filigrana ""cerchio con giglio sormontato da corona"", tracce delle pieghe originarie, per il resto in perfetto stato di conservazione. RARA." "Large etched and engraved view-plan of the seven main pilgrimage churches of Rome (plus two), by Giacomo Lauro, showing Saint Peter's in the foreground, and the Tiber arching behind it, the other churches on the opposite side of the Tiber, each with a descriptive caption etched within a banner; showing the Roman wall with its labeled gates, inset roundels of saints, at top center an oval medallion portrait of Pope Alexander VII, at lower left the dedication to Giovanni Lucido Palombara, Bishop of Pesaro, with his arms, and at lower right a small schematic map of the pilgrimage circuit. Imprint at lower center right "Si Stampano in Roma da Gio. Iacomo de Rossi alla pace." Rather than a plan or a view, this engraving is an abstract depiction of the pilgrimage, showing the churches in isolation, with only passing visual allusions - the Tiber, the Roman wall, one ancient ruin, a few hills and trees - to the surrounding city. Descriptive lists of the principal relics of each church are provided in the captions. The earliest version of the broadside (with Latin title Septem urbis ecclesiae ...) was engraved in 1599 by Giacomo Lauro after Antonio Tempesta for the Jubilee year of 1600. Reprints or re-engravings followed, in 1609(?), 1621, 1630 and 1636. The present edition, published by de Rossi, is datable by the dedication to Giovanni Lucido Palombara, Bishop of Pesaro from 1658 to 1666, and by the medallion portrait of Pope Alexander VII (1655-1667). It contains new details such as the small numbered guide-map at lower right, showing the order of the itinerary, but its most significant modification is to the appearance of St. Peter's: this is the first version to show the colonnade of the Piazza, designed by Bernini in 1656-1657 but not completed until 1669; and most interestingly it includes a third, shorter part of the colonnade, the famous "terzo braccio," which was never built. Saint Filippo Neri was the first to codify, in 1552 or 1553, the pilgrimage circuit of seven Roman churches for the Jubilee years, although the practice had existed for several centuries. The churches included the four major basilicas: St. Peter's, St. Giovanni Laterano, San Paolo fuori le mura, and Santa Maria Maggiore, as well as three churches containing important relics: Santa Croce in Gerusalemme, San Sebastiano fuori le mura, and San Lorenzo fuori le mura. Two smaller churches, included in this broadside at upper right, were sometimes added to the itinerary, Santi Vincenzo e Anastasie alle Tre Fontane, and Santa Maria dell'Annunziatella. The pilgrimage to these rather far-flung sites usually required two days. While the tour of the churches was not obligatory, it was encouraged, and was particularly practiced by Popes. In the Jubilee year of 1600, the year this bird's-eye view plan first appeared, Pope Clement VIII made the circuit several times, thus encouraging followers. Very good impression, printed on contemporary laid paper, with watermark ""crowned circle with fleur de lys"", original foldings, in perfect condition." Roma Rome Marigliani, 2007, n. 574 480 370

      [Bookseller: Libreria Antiquarius]
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        Florentia Pulcherrima Etruriae Civitas

      1660. Splendida pianta prospettica della città di Firenze, con il fiume Arno che scorre dal basso a sinistra, fino in alto a destra, dove due cherubini sorreggono lo stemma della città. In alto a sinistra una legenda con 17 voci riguardante la Fortezza da Basso; in basso la legenda principale con 228 voci in tre Lungo i due margini laterali sono distribuite 10 vignette che raffigurano, da destra a sinistra: Ai lati dell'immagine ci sono 10 piccole vedute, raffiguranti una il monumento di Cosimo I a cavallo, una il Duomo col campanile, una delle strade di accesso laterale a piazza dell'Annunziata con la stessa sullo sfondo, e le altre sette giochi fiorentini svolgentisi in varie zone della città. Basata sul modello di Stefano Bonsignori del 1584, la pianta è incisa da Wenzel Hollar, pittore e incisore di Praga, intorno al 1660. La veduta dell'Hollar viene riedita ad Amsterdam nel 1700 da Frederick de Wit; la medesima immagine si trova anche nell'Historia fiorentina di Giovanni Michele Bruto e nel Thesaurus antiquitatum et historiarum Italiae di Giovanni Giorgio Grevio, Leida 1723. Incisione su rame, impressa su due fogli uniti al centro, piccoli fori di tarlo restaurati nel margine bianco superiore, nel complesso in ottimo stato di conservazione. Perspective map of Florence, with the river Arno running lower left. to upper right., where two cherubs hold the city arms; with ten small views on either side of Florentine scenes, a key numbered 1-228 in the lower right. corner and a small key of the citadel in the upper left corner; after Stefano Bonsignori (1584) Views at left and right margins: Statua Cosmi I -- Pugna Gladiatorum -- Circus -- Tauromachia -- Adscensus ad Malum -- Ecclesia Cathedralis, vulgo S. Marie delli Fiori -- Palatium Pitti -- Hippodromia -- Spectaculum Anseris Dilacerandi -- Pugna su Ponte S. Trinitatis. The map was engraved around 1660 by Wenzel Hollar. The map was re-issued by F. de Wit in Amsterdam in 1700. Copper engraving, printed on two sheets joined, in very good condition. Venezia Venice Boffito, Mori, 1973, p.75. 730 450

      [Bookseller: Libreria Antiquarius]
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        The History of the Sacred and Royall Majesty of Christina Alessandra, Queen of Swedland, with the reasons of her late Resignation of that Crown, and the manner thereof. As also the motives of her conversion to the Romane Catholique Religion. Together with a Relation of the Severall Entertainments given by her divers Princes in her Journey to Rome and her magnificent reception into that City.

      Printed for A. W., London 1660 - , [30], 478 pages, [2]. Dedicated to The Duchess of Richmond and Lenox by Iohn Burbery. Second edition , professionally rebacked and refurbished, slight scuffing to edges of boards, browning to edges of pages, owner label to reverse of title page, nice restoration in very good condition, , full calf, gilt bands to spine and red title label with gilt titles, blindstamped decoration and borders to front and rear boards, , small octavo, 14.5 cm x 9.5 cm Hardback ISBN: [Attributes: Hard Cover]

      [Bookseller: Keoghs Books]
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        Tabula Mexicae et Floridae"

      Artist: Schenk Peter ( - 1718 ) Amsterdam; issued in: Amsterdam; date: 1700 1660 - - technic: Copper print; colorit: original colored; condition: Left margin replaced; size in cm : 50 x 61 - Vita of the artist: "Petrus Schenck, (1660 ? 1711) was a German engraver and cartographer active in Amsterdam and Leipzig.Valck was married to Maria Bloteling, the sister of the Amsterdam engraver Abraham Bloteling. In 1687 Schenk married Gerard's sister Agatha Valck. In 1694, together with Valck, he bought some of the copperplates of the artdealer and cartographer Johannes Janssonius. Along with Valck and Bloteling, he produced prints for the London market, though it is not known if he ever went there with them."

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Zee-Kaarte van de Golf van Venetien.

      Amsterdam, 1660 - Carta nautica dell'Adriatico tratta da "Zee-Spiegel".Incisione in rame, colorata a tutto campo, 404x523.Presenta due rose dei venti e un cartiglio decorato. Esemplare ben conservato in vivace coloritura moderna.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        CATALONIA

      1660 - Materia: Mapa antiguo del siglo XVII. Mapas de España. Cataluña. Publicación: Amsterdam, Atlas Maior, [c. 1660] Descripción: Mapa decorado con rosas de los vientos y galeones. Incluye dos cartelas ricamente ornamentadas: una con el escudo de armas de Barcelona y el título del mapa y la otra con la escala gráfica en millas españolas Medidas: 1 mapa : grab. ; 38 x 48,5 cm. en h. de 48 x 55 cm. Tecnica: Grabado calcografico iluminado a mano con acuarela. Reverso: Texto en latín. Conservación: Buen estado. EES1

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
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        \"Die Weiber-Treu Der Frauen zu Weinsberg.\" Blick von außen auf die Stadtmauer von Weinsberg, vorne die Weinsberger Frauen, beladen mit ihren Männern, beim Auszug aus dem Stadttor, rechts Kaiser Konrad mit Gefolge. Darunter ein zwölfstrophiger Liedtext zu je acht Zeilen.

       Kupferstich von P. Troschel, bei P. Fürst, Nürnberg, um 1660, 15 x 26 cm (Darstellung) bzw. 37 x 26 cm (mit Text und Holzschnittbordüre). Einblattdruck. - \"Zu singen nach der Weiße: Amarintha, die ich hasse, etc.\" Das Lied, nach W. Harms verfaßt von Sigmund von Birken (1626-1681), preist die Weibertreu in barock-überschwenglichen Tönen: \"Schweiget nun, ihr Weiber-Feinde/ lobt, was ihr zuvor geschmäht./ Frauen sind die treusten Freunde/ ihre Lieb vor alles geht\" usw. - Unten in der Plattenkante ein hinterlegtes Löchlein, seitliche Bordüre beschnitten, geglättete Längs- und Querfalte. Versand D: 6,00 EUR Flug- & Ereignisblätter, Aquarelle & Zeichnungen; Baden-Württemberg; Welfen

      [Bookseller: Franziska Bierl Antiquariat]
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        Lettera autografo di Orazio Rucellai. Celebre letterato e scienziato. Marzo 1660

      1660. Lettera autografo di Orazio Rucellai. Celebre letterato e scienziato. Roma, Marzo 1660. In-8° grande, 4 pp., 18 righe con data e firma. Al verso indirizzo a cui è spedita. E' presente un forellino che non lede alcuna lettera. Orazio Ricasoli Rucellai (Firenze, 23 aprile 1604 - Firenze, 6 febbraio 1673) è stato un letterato, filosofo e scienziato italiano. Fu il Rucellai discepolo di Galileo e in certa guisa il depositario e spositore delle opinioni metafìsiche professate dal suo maestro.[1] Di più: Quell' Orazio Ricasoli Rucellai in cui la scuola di Galileo ebbe uno dei maggiori lumi.[2] Rucellai affermava di essere amico e confidente di Galileo Galilei ma ciò non corrisponde al vero. In verità si erano incontrati solo una volta quando era stato suo ospite, con altri, nella villa di Arcetri[3]. Men che meno era stato suo studente. Quanto poi alla metafisica di Galileo, i Dialoghi Filosofici parlano da soli. Quando cominciò a comporre i Dialoghi a Firenze presero persino a chiamarlo "il nostro sapientissimo Socrate". Ma anche questa era una bufala. Il fatto è che Rucellai, ogni volta che componeva un dialogo, amava recitarlo a casa sua davanti a un pubblico scelto di personaggi del bel mondo fiorentino. Che a casa Ricasoli-Rucellai, una delle più ricche di Firenze, mangiavano e bevevano gratis[4]. Quindi più dialoghi recitava, più si gozzovigliava: per questo lo incitavano a continuare. Pacco 3

      [Bookseller: Brighenti libri esauriti e rari]
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