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Displayed below are some selected recent viaLibri matches for books published in 1660

        Les Ruses Innocentes, dans lesquelles se voit comment on prend les Oyseaux passagers, & les non passagers : & de plusieurs sortes de Bestes à quatre pieds. Avec les plus beaux secrets de la pesche dans les Rivieres & dans les Estangs. Et la manière de faire tous les Rets & Filets qu'on peut s'imaginer. Le tout divisé en cinq livres, avec les figures demonstratives. Ouvrage tres curieux, utile & recreatif pour toutes les personnes qui font leur sejour à la campagne.

      chez Pierre Lamy. First edition, published in initialisme and illustrated 66 wood-engraved plates (first book 7, second book: 17, third book: 16, the fourth book: 10 and last book: 16), several folding or double page. Title page in red and black. A banner of the time glued to the back of the title page.Contemporary binding in full golden calf. Back with five nerves decorated with ornate boxes, as well as a red morocco room and a small tail tag library. Double net gilded on the cuts. All red edges. Skilfully restored binding. Slightly stained title page and a pale wetting reaching the margin of three layers in low margin at the beginning of the volume. Some boards have been strengthened on the back with strips of paper, some have tiny tears without missing.For, as stated in the title, "all people who stay in the country", the book "curious and Recreation" written by a monk of the Abbey of Grandmont is somehow a perfect manual scavenger abundantly illustrated . The book is divided into five parts: the first concerns the making of nets to catch the "birds, beasts and fishes"; the second focuses on taking "no passengers birds" (partridges, pheasants, chickens, thrushes ...) the third book deals with woodcock, ducks and other "passengers birds"; the fourth deals with the capture of animals (hares, rabbits, ferrets, badgers, foxes, wolves ...) by "threads, collars, laces, traps and other machinery"; the last part of the book concerns the fisheries for fish in both lakes in rivers with nets, hooks, bait and other machines.Beautiful specimen of the rare original edition. chez Pierre Lamy Paris 1660 in-4 (15,5x25,5cm) (16) 55pp. (1f. fx tit.) (6) 57-119pp. (1 f. bl.) (8) 121-184pp. (4) 185-230pp. (8) 231-288pp. relié

      [Bookseller: Librairie Le Feu Follet]
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        "Pars australior iutiae septentrionalis in qua Dioceses Ripenses et Arhusiensis" [Jylland] [In the North Jutland and part of the Dioceses Ripensis and Arhusiensis farther south] / [Der Norden von Jütland und ein Teil der Diözesen Ripensis und Arhus weiter südlich]. / [I det nordlige Jylland og en del af stifter Ripensis og Arhusiensis længere mod syd].

      [Blaeu],, 1660. [Amsterdam], [Blaeu], c.1660. Beautifully handcoloured Original Engraving (copper engraving) with the decorative and pictoresque Cartouches. 44 cm x 58 cm. Excellent condition of this beautiful original 18th century map. Handcoloured ! Professionally cleaned, historical map, beautifully and professionally mounted/retsored on see-through, acid-free paper. Price includes worldwide free shipping. Willem Janszoon Blaeu also abbreviated to Willem Jansz. Blaeu, was a Dutch cartographer, atlas maker and publisher.nBlaeu was born at Uitgeest or Alkmaar. As the son of a well-to-do herring salesman, he was destined to succeed his father in the trade, but his interests lay more in Mathematics and Astronomy. Between 1594 and 1596 as a student of the Danish astronomer Tycho Brahe he qualified as an instrument and globe maker. In 1600 he discovered the second ever variable star now known as P Cygni.nnOnce he returned to Holland, he made country maps and world globes, and as he possessed his own printing works, he was able to regularly produce country maps in an atlas format, some of which appeared in the Atlas Novus published in 1635. In 1633 he was appointed map-maker of the East Indian Company. He was also an editor and published works of Willebrord Snell, Descartes, Adriaan Metius, Roemer Visscher, Gerhard Johann Vossius, Barlaeus, Hugo Grotius, Vondel and the historian and poet Pieter Corneliszoon Hooft. He died in Amsterdam.nnHe had two sons, Johannes and Cornelis Blaeu, who continued their father's mapmaking and publishing business after his death in 1638. Prints of the family's works are still sold today. Original maps are rare collector items.nnThe Dutch painter Johannes Vermeer of Delft (1632-1675) holds a position of great honor among map historians. Several of his paintings illustrate maps hanging on walls or globes standing on tables or cabinets. Vermeer painted these cartographical documents with such detail that it is often possible to identify the actual maps. Evidently, Vermeer was particularly attached to a Willem Blaeu - Balthasar Florisz van Berckenrode map of Holland and West Friesland, as he represented it as a wall decoration in three of his paintings... Though no longer extant, the map's existence is known from archival sources and second edition published by Willem Blaeu in 1621, titled "Nova et Accurata Totius Hollandiae Westfriesiaeq. Topographia, Descriptore Balthazaro Florentio a Berke[n]rode Batavo". Vermeer must have had a copy at his disposal (or the earlier one published by Van Berckenrode). Around 1658 he showed it as a wall decoration in his painting "Officer and Laughing Girl", which depicts a soldier in a large hat sitting with his back to viewer, talking with a smiling girl who holds a glass in her hand. Bright sunlight bathes the girl and the large map on the wall. Vermeer's gift for realism is evidenced by the fact that the wall map, mounted on linen and wooden rods, is identifiable as Blaeu's 1621 map of Holland and West Friesland. He captures all of its characteristic design, decoration, and geographic content." nHis maps formed the bulk of the Atlas Maior, that became a collector's item in Amsterdam. One of Blaeu's globes was purchased at auction by Maarten Magielse, a Dutch salesman, for the record price of 60.000 euro, about $80.000. Magielse is now renting it to the globe museum in Vienna, where it is being exhibited. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop ]
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        La vie de St. Bruno, fondateur de l'ordre des Chartreux

      Chez René Cousinet. first edition, rare, illustrated with a title frontispiece and 22 plates from the tables of Eustache Le Sueur and engraved by Francois Chauveau.Binding half shagreen iced chocolate ca 1860 with corners L. signed Fixon bottom of the last page. Back to jansenist nerves. Engraved title and the initials SD Slashed with gaps on the lower flat. Slash in a corner of the lower corner flat and dull. Some frictions. Beautiful copy, fresh. Chez René Cousinet A Paris 1660 S.d. In-folio (27,5x41cm) (4) 22pl. relié

      [Bookseller: Librairie Le Feu Follet]
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        Les récréations mathématiques avec l'examen de ses problèmes en arithmétique, géométrie, méchanique, cosmographie, optique et catoptrique. Premierement reveu par D. Henrion. Depuis par M. Mydorge. Et tout nouvellement corrigé & augmenté. Cinquiesme & dernière édition.

      Paris, Cardin Besongne, 1660. ____ Illustré par 84 bois gravures dans le texte. Il règne la plus grande confusion sur les auteurs de ce texte célèbre que l'on doit plutôt considérer comme une compilation de plusieurs auteurs. Largement inspiré de l'ouvrage de Bachet de Méziriac, cet ouvrage contient de nombreux problèmes originaux, ainsi que d'autres, extraits de Cardan. La première partie est traditionnellement attribuée à Leurechon, mais pourrait être d'Hendrik van Etten, la seconde à Denis Henrion et à Claude Mydorge. La troisième, qui traite des feux d'artifices est inspirée de Jean Appier Hanzelet. Les notes de Denis Henrion, qui dans certaines éditions, ont été rassemblées dans une quatrième partie, sont placées dans celle-ci à la suite de chaque "récréation", en caractères italiques et sont signées "D.H.P.E.M." L'exemplaire est bien complet. Déchirure au coin du feuillet Bb (page 385/386) avec perte de quelques lettres, exemplaire rogné court avec en fin d'ouvrage une atteinte à trois gravures dans le texte, mais sans manque important, il semble que ce soit juste le filet d'encadrement de la gravure qui ait disparu. Rousseurs. Coiffe rognée, première charnière fendillée. *****. In-8. Collation : (16), 416 pp. Basane brune, dos à nerfs orné, tranches marbrées. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        Moyse sauvé, Idile heroïque

      Chez Antoine de Sommaville. New edition after the original published in 1653. Copies of Sainte-Beuve, with his signature on the cover page.Bound in full sheepskin textured brown. Back with nerves decorated. As an exhibit in brown morocco. Traces of rubbing. Good copy. Chez Antoine de Sommaville à Paris 1660 In-12 (8,5x14,5cm) (48) 184pp. relié

      [Bookseller: Librairie Le Feu Follet]
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        Relation du Pays de Jansenie, ou il est traitté des singularitez qui s'y trouvent, des Coûtumes, Mœurs & Religion de ses Habitans.

      Paris: Thierry and Barbin, 1660. Octavo, with a fine large engraved folding bird's-eye-view map; contemporary vellum. First edition: a witty allegorical satire in the form of an imaginary voyage to a Jansenist society, by the Capuchin theologian Zacharie de Lisieux (1591 or 1596-1661).Around 1640 Jansen had controversially attempted to reassert the Augustinian doctrine of original sin and thus the necessity for grace: the Jansenist movement quickly became associated with moral rigour. It was supported by Pascal in his Lettres Provinciales, compelling Innocent X to issue the 1653 bull 'With Occasion' denouncing the movement.Published only seven years later, the Relation du Pays de Jansenie uses some very broad satire to support Pope Innocent's proclamation, denouncing the writings and influence of Jansen as synonymous with libertinage, despair and Calvinism. Thus, the people 'have very hard heads and thick skulls. Some have two hearts, a condition occasionally advanced as an explanation for their notorious insincerity' and their philosophers 'do not recognize the existence of common sense' (Manguel & Guadalupi). Detested by their neighbours, they show a predilection for secrecy, espionage, insincerity and superficiality.It is prefaced by some of the classic devices of the imaginary voyage, including a wonderfully insincere apology for the lack of detail, for which he can hardly be held responsible: he was in a great hurry and, after all, the public really only like short books. Moreover, Zacharie de Lisieux gives crucial importance to the map he reproduces which, he humbly avers, will have more impact than the Almanac, because what it lacks in detail it more than makes up for with panache. Endpapers wearing, ms title on spine.

      [Bookseller: Hordern House]
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        Abrégé sur le chapitre singulier des opérations et choses naturelles et contre-nature. Appartenant à Anthoine Paris, escolier en chirurgie, chez Monsieur Jacquot fait à Mons, en la dite maison le (?) septembre 1660.

      1660. ____ Manuel de médecine manuscrit, par demandes et par réponses, rédigé comme l'indique le titre par un apprenti chirurgien. Le texte pour l'essentiel, semble être repris de Guy de Chauliac avec peut-être des formulations et des additions prises sous la dictée de Jacquot, "maître chirurgien de la ville de Mons en Hainault". Différents traités se succèdent : - Traicté général des appoftemes [apophtegmes], traicté second. Traité général des playes. Traicté général des ulcères. Traicté des fractures en général. Traicté sixième des luxations. Abrégé sur l'ostéologie. ... D'une autre écriture du XVIIe, l'autre moitié du volume est occupée par "des divins secrets tant médicinaux que chirurgicaux", rédigé à plusieurs époques. C'est une suite classique de remèdes et de recettes pour soigner toutes les maladies. Exemplaire manipulé, manque à la coiffe. *****. In-8. Collation : (308) pp. Vélin. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        China Veteribus Sinarum Regio nunc Incolis Tame dicta.

      1660 - Frankfurt, c.1660. Coloured. 275 x 350mm. An elegant map of China derived from Blaeu, representing China bounded in the west by the Great Wall, Korea is depicted as an island. With a decorative title cartouche and shipping vessels decorating the seas.

      [Bookseller: Altea Antique Maps]
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        A subsidy granted to the King, of tonnage, & poundage, and other sums of money payable upon merchandize exported and imported.

      12mo, (2)9485-140pp, contemporary sheep gilt, slight wear else a fine copy. Provenance: contemporary signature of "Edw. Parker pretium 10d." at head of title-page.Publisher: London, printed by John Bill and Chr. Barker,Year: 1660Edition:

      [Bookseller: John Drury Rare Books]
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        Geestelijcke Bataille tegens den laetsten Vyandt den Doodt, Ofte Heylsame Onderrichtinghe om Saligh te sterven. WAARBIJ: Geestelijcke Triumphe, over den laetsten Vyandt, den Doot. Ofte Een Heylsame Onderrechtinge om ghetroost en blymoedich te sterven. Den vierden Druck.

      Amsterdam, Gerrit Willemsz. 1660/1661 - 2 werken in 1 band, (24) 216, (24) 358 p. Origineel overslaand Perkament, 12° (Plaatselijk vochtvlekken in het tweede werk.)

      [Bookseller: Antiquariaat de Roo]
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        Typus Generalis Ukrainae sive Palatinatuum Podoliae, Kioviensis et Braczlaviensis terras nova delineatione ezhibens

      1660. Bella e importante carta dell'Ucraina. Edita da Janssonius per la prima volta intorno al 1657, è una delle prime carte a stampa a presentare nel titolo il nome Ucraina, dopo il Trattato di Zboriv del 18 Agosto 1649 stipulato con i polacchi. Incisione su rame, bella coloritura coeva, in ottimo stato di conservazione. "This map of Ukraine, issued by Jan Jansson in about 1657, is one of the earliest maps to include the name Ukraine in the title of a printed map, following shortly after the Treaty of Zboriv in 1649, although derived largely from Beauplan's maps. printed map, following shortly after the Treaty of Zboriv in 1649, although derived largely from Beauplan's maps. The name Ukraine was popularized in the west by Guillaume La Vasseur de Beauplan's Description d'Ukraine, first published in Rouen in 1651 (in an edition of 100 copies) under a different title, with the named changed as above in the 1660 edition and subsequent editions published in French (1661, 1662, 1663) Latin (1662), Dutch (1664), Spanish (1665 and 1672) and English (1680). The work described Ukraine as several provinces of the Kingdom of Poland lying between the borders of Muscovy and the frontiers of Transylvania. Beauplan, a military engineer, had spent a significant period of time constructing fortresses in the region in the 1630s. In 1650, his map entitled Delineatio Specialis et Accurata Ukrainae, showed the palatinates of Kyiv, Bratslav, Podilia, Volhynia and part of Rus (Pokutia). Another of Beauplan's maps, published in 1648, entitled Delineatio Generalis Camporum Desortum vulgo Ukraina, Cum adjacentibus Provinciis, shows all of the provinces of Poland bordering on the Campus Desertorum or steppe frontier, thereby recognizing the Russian and Polish language references to Ukraine as the ""steppe frontier"" and leading to the popularization of the name in Western Europe. The region was later defined by the Zboriv Treaty of 1649, which did not include Rus or Volhnia, but did include Chernihiv. This treaty established the Cossack control of the regions and severed Poland's claims and created the region which would come to be known in the west as the Ukraine. Copperplate, fine old colors, in very good condition." Amsterdam Amsterdam Van der Krogt, P. (Atlantes) 1740:1.1. 546 430

      [Bookseller: Libreria Antiquarius]
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        Tabula II simstrae faciei Farnesianae Posticus

      Artist: Carraccius Annibal ; issued in : Rome; date: 1660 - - technic: Copper print; colorit: gouache; condition: Perfect condition; size (in cm): 62 x 40 - description: Ornamental representation of the Vatican in Rom after Petrus Aqulia

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Le sette chiese di Roma con le loro principali reliquie stationi et indul.tie

      1660. "Questa pianta delle sette chiese è una ristampa aggiornata della pianta del Lauro/Tempesta del 1599 che Lauro pubblicò per la prima volta per l'anno giubilare del 1600. Seguirono le ristampe o re-incisioni del 1609 (?), 1621, 1630 e 1636. La presente edizione, che reca l'imprint di Giovanni Giacomo de Rossi, è databile al 1658 - 1666 circa, sulla base della dedica a Mons. Giovanni Lucido Palombara, vescovo di Pesaro dal 1658 al 1666 - e del medaglione con il ritratto e lo stemma del Pontefice Alessandro VII (1655-1667), al secolo Fabio Chigi. La peculiarità di questa versione edita dal De Rossi è, però, la rappresentazione della Basilica di S. Pietro: questa è la prima versione della lastra a mostrare il colonnato della piazza, progettato dal Bernini nel 1656-1657, ma non completato fino al 1669; e, cosa più interessante, il colonnato comprende una terza parte, più corta, il famoso ""terzo braccio"", che non fu mai costruito. Inoltre, questa edizione de Rossi contiene, come nuovo dettaglio, l'elenco numerato in basso a destra, che mostra l'ordine del percorso. Più che una pianta o una veduta, questa incisione è una rappresentazione astratta del pellegrinaggio delle Sette Chiese, codificato per la prima volta da S. Filippo Neri nel 1552-1553. Le chiese sono mostrate isolatamente, con pochi riferimenti al contesto urbano in cui sono inserite - il Tevere, le mura romane, un antico rudere, colline e alberi . Nelle didascalie descrittive sono elencate le principali reliquie di ogni chiesa. Le chiese incluse nel pellegrinaggio erano le quattro Basiliche Maggiori: San Pietro, San Giovanni in Laterano, San Paolo fuori le mura e Santa Maria Maggiore, e altre tre chiese che contengono reliquie importanti: Santa Croce in Gerusalemme, San Sebastiano fuori le mura, e San Lorenzo fuori le mura. A volte al percorso si aggiungevano due chiese più piccole, incluse in questa incisione in alto a destra, S. Vincenzo e Anastasio alle Tre Fontane, e Santa Maria dell'Annunziatella. Il pellegrinaggio a questi siti, piuttosto lontani tra loro, di solito richiedeva due giorni. Se il tour delle chiese non era obbligatorio, è stato incoraggiato, e particolarmente praticato dai Papi. Durante l'anno giubilare del 1600, l'anno in cui questa incisione fu pubblicata per la prima volta, Papa Clemente VIII percorse il circuito più volte, incoraggiando così i fedeli. Ottimo esemplare, ricco di toni e ben contrastato, impresso su carta vergata coeva, con filigrana ""cerchio con giglio sormontato da corona"", tracce delle pieghe originarie, per il resto in perfetto stato di conservazione. RARA." "Large etched and engraved view-plan of the seven main pilgrimage churches of Rome (plus two), by Giacomo Lauro, showing Saint Peter's in the foreground, and the Tiber arching behind it, the other churches on the opposite side of the Tiber, each with a descriptive caption etched within a banner; showing the Roman wall with its labeled gates, inset roundels of saints, at top center an oval medallion portrait of Pope Alexander VII, at lower left the dedication to Giovanni Lucido Palombara, Bishop of Pesaro, with his arms, and at lower right a small schematic map of the pilgrimage circuit. Imprint at lower center right "Si Stampano in Roma da Gio. Iacomo de Rossi alla pace." Rather than a plan or a view, this engraving is an abstract depiction of the pilgrimage, showing the churches in isolation, with only passing visual allusions - the Tiber, the Roman wall, one ancient ruin, a few hills and trees - to the surrounding city. Descriptive lists of the principal relics of each church are provided in the captions. The earliest version of the broadside (with Latin title Septem urbis ecclesiae ...) was engraved in 1599 by Giacomo Lauro after Antonio Tempesta for the Jubilee year of 1600. Reprints or re-engravings followed, in 1609(?), 1621, 1630 and 1636. The present edition, published by de Rossi, is datable by the dedication to Giovanni Lucido Palombara, Bishop of Pesaro from 1658 to 1666, and by the medallion portrait of Pope Alexander VII (1655-1667). It contains new details such as the small numbered guide-map at lower right, showing the order of the itinerary, but its most significant modification is to the appearance of St. Peter's: this is the first version to show the colonnade of the Piazza, designed by Bernini in 1656-1657 but not completed until 1669; and most interestingly it includes a third, shorter part of the colonnade, the famous "terzo braccio," which was never built. Saint Filippo Neri was the first to codify, in 1552 or 1553, the pilgrimage circuit of seven Roman churches for the Jubilee years, although the practice had existed for several centuries. The churches included the four major basilicas: St. Peter's, St. Giovanni Laterano, San Paolo fuori le mura, and Santa Maria Maggiore, as well as three churches containing important relics: Santa Croce in Gerusalemme, San Sebastiano fuori le mura, and San Lorenzo fuori le mura. Two smaller churches, included in this broadside at upper right, were sometimes added to the itinerary, Santi Vincenzo e Anastasie alle Tre Fontane, and Santa Maria dell'Annunziatella. The pilgrimage to these rather far-flung sites usually required two days. While the tour of the churches was not obligatory, it was encouraged, and was particularly practiced by Popes. In the Jubilee year of 1600, the year this bird's-eye view plan first appeared, Pope Clement VIII made the circuit several times, thus encouraging followers. Very good impression, printed on contemporary laid paper, with watermark ""crowned circle with fleur de lys"", original foldings, in perfect condition." Roma Rome Marigliani, 2007, n. 574 480 370

      [Bookseller: Libreria Antiquarius]
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        Florentia Pulcherrima Etruriae Civitas

      1660. Splendida pianta prospettica della città di Firenze, con il fiume Arno che scorre dal basso a sinistra, fino in alto a destra, dove due cherubini sorreggono lo stemma della città. In alto a sinistra una legenda con 17 voci riguardante la Fortezza da Basso; in basso la legenda principale con 228 voci in tre Lungo i due margini laterali sono distribuite 10 vignette che raffigurano, da destra a sinistra: Ai lati dell'immagine ci sono 10 piccole vedute, raffiguranti una il monumento di Cosimo I a cavallo, una il Duomo col campanile, una delle strade di accesso laterale a piazza dell'Annunziata con la stessa sullo sfondo, e le altre sette giochi fiorentini svolgentisi in varie zone della città. Basata sul modello di Stefano Bonsignori del 1584, la pianta è incisa da Wenzel Hollar, pittore e incisore di Praga, intorno al 1660. La veduta dell'Hollar viene riedita ad Amsterdam nel 1700 da Frederick de Wit; la medesima immagine si trova anche nell'Historia fiorentina di Giovanni Michele Bruto e nel Thesaurus antiquitatum et historiarum Italiae di Giovanni Giorgio Grevio, Leida 1723. Incisione su rame, impressa su due fogli uniti al centro, piccoli fori di tarlo restaurati nel margine bianco superiore, nel complesso in ottimo stato di conservazione. Perspective map of Florence, with the river Arno running lower left. to upper right., where two cherubs hold the city arms; with ten small views on either side of Florentine scenes, a key numbered 1-228 in the lower right. corner and a small key of the citadel in the upper left corner; after Stefano Bonsignori (1584) Views at left and right margins: Statua Cosmi I -- Pugna Gladiatorum -- Circus -- Tauromachia -- Adscensus ad Malum -- Ecclesia Cathedralis, vulgo S. Marie delli Fiori -- Palatium Pitti -- Hippodromia -- Spectaculum Anseris Dilacerandi -- Pugna su Ponte S. Trinitatis. The map was engraved around 1660 by Wenzel Hollar. The map was re-issued by F. de Wit in Amsterdam in 1700. Copper engraving, printed on two sheets joined, in very good condition. Venezia Venice Boffito, Mori, 1973, p.75. 730 450

      [Bookseller: Libreria Antiquarius]
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        The History of the Sacred and Royall Majesty of Christina Alessandra, Queen of Swedland, with the reasons of her late Resignation of that Crown, and the manner thereof. As also the motives of her conversion to the Romane Catholique Religion. Together with a Relation of the Severall Entertainments given by her divers Princes in her Journey to Rome and her magnificent reception into that City.

      Printed for A. W., London 1660 - , [30], 478 pages, [2]. Dedicated to The Duchess of Richmond and Lenox by Iohn Burbery. Second edition , professionally rebacked and refurbished, slight scuffing to edges of boards, browning to edges of pages, owner label to reverse of title page, nice restoration in very good condition, , full calf, gilt bands to spine and red title label with gilt titles, blindstamped decoration and borders to front and rear boards, , small octavo, 14.5 cm x 9.5 cm Hardback ISBN: [Attributes: Hard Cover]

      [Bookseller: Keoghs Books]
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        Tabula Mexicae et Floridae"

      Artist: Schenk Peter ( - 1718 ) Amsterdam; issued in: Amsterdam; date: 1700 1660 - - technic: Copper print; colorit: original colored; condition: Left margin replaced; size in cm : 50 x 61 - Vita of the artist: "Petrus Schenck, (1660 ? 1711) was a German engraver and cartographer active in Amsterdam and Leipzig.Valck was married to Maria Bloteling, the sister of the Amsterdam engraver Abraham Bloteling. In 1687 Schenk married Gerard's sister Agatha Valck. In 1694, together with Valck, he bought some of the copperplates of the artdealer and cartographer Johannes Janssonius. Along with Valck and Bloteling, he produced prints for the London market, though it is not known if he ever went there with them."

      [Bookseller: Antique Sommer& Sapunaru KG]
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        CATALONIA

      1660 - Materia: Mapa antiguo del siglo XVII. Mapas de España. Cataluña. Publicación: Amsterdam, Atlas Maior, [c. 1660] Descripción: Mapa decorado con rosas de los vientos y galeones. Incluye dos cartelas ricamente ornamentadas: una con el escudo de armas de Barcelona y el título del mapa y la otra con la escala gráfica en millas españolas Medidas: 1 mapa : grab. ; 38 x 48,5 cm. en h. de 48 x 55 cm. Tecnica: Grabado calcografico iluminado a mano con acuarela. Reverso: Texto en latín. Conservación: Buen estado. EES1

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
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        \"Die Weiber-Treu Der Frauen zu Weinsberg.\" Blick von außen auf die Stadtmauer von Weinsberg, vorne die Weinsberger Frauen, beladen mit ihren Männern, beim Auszug aus dem Stadttor, rechts Kaiser Konrad mit Gefolge. Darunter ein zwölfstrophiger Liedtext zu je acht Zeilen.

       Kupferstich von P. Troschel, bei P. Fürst, Nürnberg, um 1660, 15 x 26 cm (Darstellung) bzw. 37 x 26 cm (mit Text und Holzschnittbordüre). Einblattdruck. - \"Zu singen nach der Weiße: Amarintha, die ich hasse, etc.\" Das Lied, nach W. Harms verfaßt von Sigmund von Birken (1626-1681), preist die Weibertreu in barock-überschwenglichen Tönen: \"Schweiget nun, ihr Weiber-Feinde/ lobt, was ihr zuvor geschmäht./ Frauen sind die treusten Freunde/ ihre Lieb vor alles geht\" usw. - Unten in der Plattenkante ein hinterlegtes Löchlein, seitliche Bordüre beschnitten, geglättete Längs- und Querfalte. Versand D: 6,00 EUR Flug- & Ereignisblätter, Aquarelle & Zeichnungen; Baden-Württemberg; Welfen

      [Bookseller: Franziska Bierl Antiquariat]
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        Lettera autografo di Orazio Rucellai. Celebre letterato e scienziato. Marzo 1660

      1660. Lettera autografo di Orazio Rucellai. Celebre letterato e scienziato. Roma, Marzo 1660. In-8° grande, 4 pp., 18 righe con data e firma. Al verso indirizzo a cui è spedita. E' presente un forellino che non lede alcuna lettera. Orazio Ricasoli Rucellai (Firenze, 23 aprile 1604 - Firenze, 6 febbraio 1673) è stato un letterato, filosofo e scienziato italiano. Fu il Rucellai discepolo di Galileo e in certa guisa il depositario e spositore delle opinioni metafìsiche professate dal suo maestro.[1] Di più: Quell' Orazio Ricasoli Rucellai in cui la scuola di Galileo ebbe uno dei maggiori lumi.[2] Rucellai affermava di essere amico e confidente di Galileo Galilei ma ciò non corrisponde al vero. In verità si erano incontrati solo una volta quando era stato suo ospite, con altri, nella villa di Arcetri[3]. Men che meno era stato suo studente. Quanto poi alla metafisica di Galileo, i Dialoghi Filosofici parlano da soli. Quando cominciò a comporre i Dialoghi a Firenze presero persino a chiamarlo "il nostro sapientissimo Socrate". Ma anche questa era una bufala. Il fatto è che Rucellai, ogni volta che componeva un dialogo, amava recitarlo a casa sua davanti a un pubblico scelto di personaggi del bel mondo fiorentino. Che a casa Ricasoli-Rucellai, una delle più ricche di Firenze, mangiavano e bevevano gratis[4]. Quindi più dialoghi recitava, più si gozzovigliava: per questo lo incitavano a continuare. Pacco 3

      [Bookseller: Brighenti libri esauriti e rari]
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        Gesamtansicht, "Cölln".

      - Kupferstich ( m. Barockbordüre ) n. P. Schut b. N. Visscher, um 1660, 21 x 27,2 Sehr seltene Ansicht von Köln. - Fauser 6698 ( kennt nur der 3. Zustand mit der Paginierung 17). - Ausführlich zu Herkunft, Entstehung und Datierung äußert sich Josef H. Biller in der Zeitschrift "Speculum Orbis", 4. Jahrgang, 1993. Laut Biller gibt es von diesem Blatt 3 Zustände. Hier liegt das Blatt im 1. Zustand vor, das heißt vor aller Paginierung.

      [Bookseller: Antiquariat Nikolaus Struck]
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        EIKON BASILIKE. [Greek transliterated]. Or, the true Pourtraiture of his Sacred Majestie Charles the II. In Three Books.Beginning from his Birth 1630, unto this present year, 1660.

      London, Printed for H.Brome and H.Marsh, at the Gun in Ivy-Lane and the Princes Arms in chancery-lane near Fleetstreet,1660.. Wherein is interwoven a Compleat History of the High-born Dukes of York and Glocester. By R.F.Esq; an Eye-witness. FIRST EDITION, in three parts each with its own title page. Small 8vo, approximately 160 x 100 mm, 6 x 4 inches, running title to top margins is "The true Pourtraiture of his Sacred Majestie Charles the II". LACKS ENGRAVED FRONTISPIECE, facsimile mounted on first free endpaper,  pages: [8], 1-79; [2], 3-93; blank leaf, [1], 1-46, 33-56, collation the same as Madan, rebound at sometime in full leather, gilt lettered label on spine damaged with large portion missing, blind decoration to spine and covers, new endpapers. Binding rubbed and scuffed, a few scratches to covers, upper hinge tender with small crack to head and tail, slightly trimmed copy, occasionally just touching running title, inner paper hinges cracked, bookplate to first pastedown and following free endpaper, pale browning to margins, occasional small spot, endpapers and pastedowns have narrow strip of browning, 3 leaves have small hole to blank outer margins, a few pages slightly dusty, otherwise a good copy. See: A New Bibliography of the Eikon Basilike by Francis F. Madan, page 112, No 133. 2 editions were printed in the same year, the second issue with new title-page giving the author's name as David Lloyd, Madan 134. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Latina grammatica. Ex decreto Illustr. D.D. Hollandiae Westfrisiae Ordinum in usum scholarum adornata. Multis quidem in locis Lud. Lithocomi verbis, quibus Scholae adsueverant, reservatis; sed erroribus, quibus scatebat, emendatis; inuitilibus refectis; pluribus, quae defierent, suppletis, & omnibus meliori ordine dispositis. Studio, atque opera Gerardi Joannis Vossii. Editio novissima, plurimis in locis castigatior prioribus, notis vero longe auctior. (Bound with:) Latina syntaxis, in usum scholarum Hollandiae & West-Frisiae, superiorum auctoritate, adornata. Passim quidem reservatis fere praeceptis & exemplis, Ludolffi Lithocomi; Sed plurimis repurgata ab erroribus, etiam superfluis omissis, additis necessariis, atque omnibus meliore ordine digestis. Opera Gerardo Jo. Vossii. (&:) Latina prosodia et artis metricae elementa, in usum scholarum Hollandiae, ac West-Frisae conscripta a Gerardo Jo. Vossio.

      Amsterdam (Amstelodami), Apud Joannem Janssonium, 1660. 3 volumes in 1. (VIII),175,(1 blank);176 p. Eighteenth century boards. 16 cm (Details: First title printed in red & black. Woodcut printer's mark on all 3 titles, depicting a farmer and a man with a Jacob's staff before his eye, between them a celestial sphere, above them Fama blowing 2 trumpets, motto: 'Vivitur ingenio', short for 'Vivitur ingenio, caetera mortis erunt', 'one lives on by the spirit, the rest shall belong to death') (Condition: Cover scuffed and worn at the extremities. First title dustsoiled, with an ownership entry on the blank upper margin; a very small spot (0.5x1 cm) on the title superficially worn away. 2 small biographic clippings neatly tipped in on the front pastedown. A few old ink underlinings. 1 marginal well succeeded paper repair. Library stamp on verso of title) (Note: This Latin grammar was commissioned in 1625 by the Provincal Governments of Holland and West-Frisia (Staten van Holland) for the use in local Latin schools in the Western part of the Dutch Republic. It was produced by the Dutch classical scholar Gerardus Johannes Vossius, 1577-1649, according to Sandys the greatest polyhistor of his age. In 1622 he was appointed professor of Eloquence at Leyden, and in 1631 he accepted the professorship of History at Amsterdam. His Latin grammar remained the standard grammar on Dutch schools untill the middle of the 19th century. In 1625 the 'Staten van Holland' decreed, that the same set of rules should apply to all public schools in their provinces. The schools should have the same order of classes and lessons, the same schedule, authors and exercises. It was decided that uniform schoolbooks, grammars and sound texts were needed. (E.J. Kuiper, 'De Hollandse 'Schoolordre' van 1625', Groningen, 1958, p. 80) The 'Staten of Holland' wanted to improve education at the Latin-schools, which prepared for the University, for the standard of education and discipline had got worse because of the Eighty Years' War. The grammar was first published in 1626, and found the next 2 centuries numerous new and revised editions. The first volume contains the latina etymologia, the second the latina syntaxis, the third the latina prosodia) (Provenance: Library stamp on verso of title: 'Grosherzogliche Bibliothek Neustrelitz'. 'Die 1796 gegründete Herzogliche, später Grosshezogliche Bibliothek Neustrelitz umfasste zunächt die private herzogliche Büchersammlung und enthielt 1829 etwa 50.000 Bände. Dieser Bestand wurde in den nächsten 50 Jahren kaum vergrössert. (...) Für 1875 werden sehr unsicheren Schätzungen - die Bibliothek war unterbesetzt - 60.000 bis 70.000 Bände angegeben, erst ab 1894 erhöht sich diese Zahl auf 100.000. Obwhol der Philologe Friedrich Latendorf (1831-1898) den Wert der Bibliothek für das geistige Leben des Landes immer wieder betonte (...) musste er feststellen, dass wichtige Werke fehlten, Disziplinen wie Medizin und Juristerei fast völlig vernachlässigt waren und der Bibliothek seit ihrer Gründung der Charakter des Zufälligen anhaftete' The schoolboy Heinrich Schliemann saw in the underpaid librarian Carl Andress, 'der offenbar kein abgeschlossenes Studium (Literatur, alte und neue Sprachen) besass', 'einer der gelehrtesten Männer Deutschlands'. (U. Hass-Zumkehr, 'Daniel Sanders: Aufgeklärte Germanistik im 19. Jahrhundert', Berlin/New York 1995, p. 307/08) The library had in 1920 132.000 volumes. In 1950 the library was 'aufgelöst und ihre Bestände auf acht Bibliotheken und Museen in Schwerin, Greifswald, Rostock und Berlin aufgeteilt worden. Mit dieser Aktion ging der betroffenen Region eine unersetzbare Quelle der kultur- und regionalgeschichtlichen Forschung verloren'. http://www.vifabbi.de/fabian?Regionalbibliothek_%28Neubrandenburg%29) (Collation: *8, A-L8 (leaf L8 verso blank); a-l8) (Photographs on request)

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        Der Könige in Franckreich Leben, Regierung und Absterben: Aus bewehrten französischen Geschicht-Schreibern übersetzet, und sambt ihren Bildnüssen nach Boissevins Conterfäten.

      Mit illustriertem Kupfertitel und 66 Kupferstichporträts. 17 Bll., 372 S. Prgt. d. Zt. 13,5 x 7,5 cm. Lipperheide Fa 9 Brunet II, 928. - Übersetzt von J. Chr. Beer. - Die Porträts von L. Boissevin erschienen bereits 1660 in Paris und sind erst ab Francois I. authentisch. - Kupfertitel etwas fleckig, wenige kleine Randreparaturen, nur teilweise leicht gebräunt.

      [Bookseller: Antiquariat Turszynski]
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        Tabula Terrae Promissionis ab Auctore Commentarii et Dissertationum delineata, et a Liebaux Geographo primum incisa.

      Artist: Anonymus; issued in: ca 1660 - - technic: Copper print ; colorit: original colored ; condition: Very good ; size in cm : 46 x 22,5 - description: Map depicts the Hollyland, with title cartouche and windrose.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Dio Padre

      1660. Acquaforte, circa 1660, priva della firma. Da un soggetto di Lodovico Carracci. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, rifilata al rame o con sottili margini, in eccellente stato di conservazione. Ottimo esemplare di questa rarissima opera. Etching, 1660 circa, without signature. Afret a subject by Lodovico Carracci. Magnificent wiork, rich in shades, printed on contemporary laid paper without watermark, trimmed to platemark or with small margins, in excellent condition. Gorgeous example of a rare work. Bartsch 1, Le Blanc 1. 253 100

      [Bookseller: Libreria Antiquarius]
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        Stormaria Ducatus - Stormarn von Blaeu nach Mejer- Originale Landkarte von 1662 Große prachtvoll kolorierte Kupferstich-Karte.

      ohne Verlagsangabe, um 1660. - 1 Blatt Kupferstich altkoloriert, guter Zustand, siehe Foto.Lieferung erfolgt in Kartenrolle. Kartenständer Sprache: Deutsch Gewicht in Gramm: 1100

      [Bookseller: Thomas Schäfer]
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        Praefectura Flensburgensis absque Nordgoeßherde. Altkolorierte Kupferstichkarte von J. Mejer bei Blaeu. Amsterdam, um 1660. 42,5 x 56 cm.

      1660 - Dekorative Karte vom Amt Flensburg mit drei ornamentalen bzw. figürlichen Kartuschen sowie einem Grundriß der Stadt Flensburg. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Kupferstich - Karte, n. O.J. Gotho aus Atlas Major b. Joannes Blaeu, "Marchiomatus Brandenburgici. Partes duae, Ruppin Comitatus & Prignits Regiuncula ".

      - mit Flächenkolorit, um 1660, 38,5 x 52 Die Titelkartusche ( mit kol. fig. Staffage ) unten links, am oberen Rand 2 nicht ausgefüllte Wappenfelder ( in den Ecken ) und mittig eine weitere Kartusche mit Meilenanzeiger. Zeigt die Prignitz mit der Grafschaft Ruppin. - Tadellos erhalten.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Lucerna Helvetiorum Vulgo Lucernn. - Luzern aus der Vogelperspektive.

      Amsterdam, Um 1660. Gouachierter Kupferstich. Mit ausführlicher Legende (96 Angaben), Wappenkartusche und Detailansichten der Stadtheiligen. - Parthey, Nr. 861. Darstellung 31,3 x 48 cm, Blattgrösse 44,5 x 58 cm, gerahmt Ansicht von Süden.

      [Bookseller: Antiquariat Galerie Joy]
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        AUGSBURG., "Augvsta Vindelicorum vulgo Augspurg dicta". Gesamtansicht aus der Vogelschau, links Erklärungen 1 - 71, A - Z und a - y, oben links und rechts Reichs- bzw. Stadtwappen.

      Kupferstich von Frederic de Wit nach Wenzel Hollar, um 1660, 40 x 50 cm. Schefold 40162. - Sehr schöner Abzug in tadelloser Erhaltung. BAYERN, Schwaben

      [Bookseller: Buch- und Kunstantiquariat]
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        The Justice of the Peace, His Clerks Cabinet: Or, A Book of...

      1660. "For the Ease of the Justice of Peace, And More Speedy Dispatch of Justice" Sheppard, William [d.1657?]. The Justice of the Peace, His Clerks Cabinet: Or, A Book of Presidents, Or Warrants, Fitted and Made Ready to His Hand for Every Case that May Happen Within the Compass of His Masters Office. For the Ease of the Justice of Peace, And More Speedy Dispatch of Justice. London: Printed by D. Maxwell, For William Lee, Daniel Pakeman, And Gabriel Bedell, 1660. [xvi], 127, [1] pp. Octavo (5-1/2" x 3-1/2"). Recent period-style calf, blind rules to boards, blind fillets to spine, endpapers renewed. Title printed within typographical border, typographical head-pieces, woodcut decorated initials. Moderate toning to text, occasional light soiling, chips and edgewear to title page and several leaves, a few with recent repairs, lower section lacking from rear endleaf. Early annotations to rear endleaf, interior otherwise clean. A nice copy in an attractive binding. * First edition, one of two issues from 1660. Active in the Protectorate, where he was Cromwell's legal advisor, Sheppard aimed to reform the common law. Ahead of his time in many ways, some of his proposals anticipate changes that were adopted in the nineteenth century. His work was well-received and deeply influential. Some of his books, most notably The Touchstone of Common Assurances (1648), were standard authorities into the nineteenth century. A second edition of his JP manual was published in 1672. This is a very scarce work. Counting both imprints, OCLC locates 9 copies of the first edition, 7 in North America, 4 in law libraries (Northwestern, Southern Methodist University, University of Pennsylvania, Yale). English Short-Title Catalogue R31195.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Bericht vom Bergwerck, wie man dieselben bawen und in guten wolstande bringen sol, sampt allen dazu gehörigen arbeiten, ordnung und Rechtlichen processen beschrieben durch G. E. Löhneyss.

      [No place], [no printer] 1660 - Folio (318 x 195 mm). [22], 343 (i.e. 363) [1] pp. Several mispaginations. Engraved title-page and 16 folding engraved plates bound at end. 18th-century half vellum over marbled boards (paper over boards heavily chipped at outer edges, extremities rubbed, corners scuffed). Text somewhat browned throughout, a few faint dampstains and occasional spotting. The engraved plates only little browned or spotted. The oversized letterpress tables on leaves pp3v to pp5r cropped at bottom affecting one line. Still a very good copy in an untouched binding. ---- Koch 62; Darmstaedter, Probirbüchlein, 99; Libri rari 174; Ferchl 320; Lipperheide Pd 5; Partington II, 107. SECOND EDITION. Löhneyss gives the first description of the extraction of zinc at Rammelsberg" (Partington II, 108). Most copies of the first edition (1617) were lost when the printer's shop was destroyed during the Thirty Years War. The most notable sections of this work, which in its technical parts was on the whole a shameless plagiarism from Agricola and Ercker, are the contributions on economic aspects of mining. The work was originally illustrated with woodcuts by Moses Thym which were for this edition re-engraved in copper by J. Wichmann who executed them mirror inverted from the originals. Zweite Ausgabe des prächtig ausgestatteten Werkes, erstmals 1617 in Löhneysen's Privatdruckerei in Remlingen und Zellerfeld gedruckt (die meisten Exemplare wurden mit der Druckerei im Dreissigährigen Krieg zerstört). Der besondere Wert des "Berichts", dessen technische Ausführungen meist schamlos aus Agricola und Ercker abgeschrieben sind, liegt in den wirtschaftlichen Abschnitten: "Merkantilistischkameralistische Gedanken halten hier ihren Einzug in das bergtechnische Schrifttum" (Koch). Die Erstausgabe war mit Holzschnitten von Moses Thym illustriert. Diese wurden fur die vorliegende Ausgabe von J. Wichman seitenverkehrt kopiert und in Kupfer gestochen. [1660] [Attributes: Hard Cover]

      [Bookseller: Milestones of Science Books]
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        The Justice of the Peace, His Clerks Cabinet: Or, A Book of...

      1660. "For the Ease of the Justice of Peace, And More Speedy Dispatch of Justice" Sheppard, William [d.1657?]. The Justice of the Peace, His Clerks Cabinet: Or, A Book of Presidents, Or Warrants, Fitted and Made Ready to His Hand for Every Case that May Happen Within the Compass of His Masters Office. For the Ease of the Justice of Peace, And More Speedy Dispatch of Justice. London: Printed by D. Maxwell, For William Lee, Daniel Pakeman, And Gabriel Bedell, 1660. [xvi], 127, [1] pp. Octavo (5-1/2" x 3-1/2"). Recent period-style calf, blind rules to boards, blind fillets to spine, endpapers renewed. Title printed within typographical border, typographical head-pieces, woodcut decorated initials. Moderate toning to text, occasional light soiling, chips and edgewear to title page and several leaves, a few with recent repairs, lower section lacking from rear endleaf. Early annotations to rear endleaf, interior otherwise clean. A nice copy in an attractive binding. $950. * First edition, one of two issues from 1660. Active in the Protectorate, where he was Cromwell's legal advisor, Sheppard aimed to reform the common law. Ahead of his time in many ways, some of his proposals anticipate changes that were adopted in the nineteenth century. His work was well-received and deeply influential. Some of his books, most notably The Touchstone of Common Assurances (1648), were standard authorities into the nineteenth century. A second edition of his JP manual was published in 1672. This is a very scarce work. Counting both imprints, OCLC locates 9 copies of the first edition, 7 in North America, 4 in law libraries (Northwestern, Southern Methodist University, University of Pennsylvania, Yale). English Short-Title Catalogue R31195.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Atlas der gerichtlichen Medizin [Gebundene Ausgabe] von Otto Prokop (Autor), Georg Radam (Autor), Waldemar Weimann (Autor) Rechtsmedizin Forensik Gerichtsmediziner forensische Medizin

      VEB Verlag Volk und Gesundheit Berlin, 1660. Die gerichtliche Medizin hat ihr Gesicht wesentlich gewandelt. Die deskriptive ?ra, welche im Sektionssaal Material sammelte und sich an ,, Sonderf?llen" erfreute, geh?rt der Vergangenheit an. Heute stehen dem Gerichtsmediziner vertiefte naturwissenschaftliche Kenntnisse, zahlreiche technische Apparate und hochspezialisierte Kollegen als Fachleute zur Verf?gung Medizinaldirektor Dr. med.Waldemar Weimann Prof.Dr. sc. med.Dr. h. c. Dr.h.c. Otto Prokop Direktor des Instituts f?r Gerichtliche Medizin der Humbold-Universit?t zu Berlin Prof.Dr.sc.med.Georg Radam Instituts f?r Gerichtliche Medizin der Humbold- Universit?t zu Berlin mit 1660 Einzeldarstellungen und zahlreichen tabellarischen ?bersichten Ausz?ge aus dem Inhaltsverzeichnis -Lustmorde -Vergiftungen -Selbstbesch?digung -Identifikation -Verbrennungs-und Elektrotod

      [Bookseller: LLU-Bookservice]
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        An Exact and Most Impartial Accompt of the Indictment, Arraignment, Trial and Judgment (According to Law) of Twenty Nine Regicides, the Murtherers of his Late Sacred Majesty of Most Glorious Memory

      Halbleder/ Hartkarton Sehr gut Noch Titel (title continued): " begun at Hicks-Hall on Tuesday the 9th of October 1660, and continued (at the Sessions-House in the Old-Bayley) until Friday, the nineteenth of the same moneth : together with a summary of the dark and horrid decrees of the caballists, preperatory to that hellish fact exposed to view for the reader's satisfaction, and information of posterity." In Englisch. ERSTAUSGABE, ORIGINALAUSGABE. Von unserer Buchbinderin fachmännisch und liebevoll gebunden. Farbig gepunkteter /pappbezogener Einband, abgerundete Lederecken, Lederrücken, montiertes goldgeprägtes Titelschildchen, 5 Bünde, tadellos. 283 Seiten, Lesebändchen, Endvignette, gute Typographie, insgesamt sehr gut erhalten. +++ In english. FIRST AND ORIGINAL EDITION. Lovingly bound by our bookbinder, leather spine with gilded title, 280 pages, ribbon-marker, clean, well printed, altogether very good condition. +++ 14,5 x 18,8 cm, 0,4 kg. +++ Stichwörter/ keywords: Englische Geschichte Jura Regicide Rarität Rara Prozesse British History Trials Königsmord

      [Bookseller: Antiquariat Clement]
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        Paesaggio con ruderi

      1660. Acquaforte, fermata in lastra in basso a sinistra. Magnifica prova, impressa su sottile carta vergata coeva, rifilata al rame, piccolo strappo di carta all'angolo inferiore sinistro, per il resto in ottimo stato di conservazione. Rara. Dimensioni 238x148. Etching, signed on lower left plate. Magnificent work printed on thin laid paper trimmer to platemark, light paper tear on lower left corner, otherwise in excellent condition. Rare. 238 148

      [Bookseller: Libreria Antiquarius]
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        A Subsidy Granted to the King of Tonnage and Poundage [with] An Act For continuing the Excise 1660 [with] An Act For the present Nonimnating of Commissioners of Sewers [with] The Rates of Merchandise . . . Subsidy of Tonnage, Subsidy of Poundage [etc.]

      Three acts and a related work principally bearing upon a major constitutional debate of the seventeenth century, as Parliament granted Charles II two important subsidies for his life, two of the three acts located in one copy only in ESTC. Contemporary mottled panelled calf, gilt, rebacked, bearing the Royal arms and manuscript paper label ("Inner 02-13"); the Taussig copy. Printed by John Bill and Christopher Barker [imprints vary], London, 1660.

      [Bookseller: Meyer Boswell Books, Inc.]
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        SYLT. - Karte., "Das Ambt Tondern ohne Lundtofft Herde, Anno 1648".

      Altkol. Kupferstich von Christian Rothgiesser bei J. Mejer, um 1660, 44 x 58,5 cm. Zeigt die Inseln Sylt, Föhr, Amrum mit der Küste von Dänemark bis Brestedt. Unten rechts altkolorierte Kartusche mit Dedikation von J. Mejer an Wolf Blohm. - Sehr dekorative Karte in feinem Altkolorit. Schleswig-Holstein, Landkarten

      [Bookseller: Buch- und Kunstantiquariat]
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        San Gerolamo

      1660. Acquaforte, monogrammata in lastra in basso a destra. Da un disegno di Giovanni Andrea Sirani. Magnifica prova impressa su carta vergata coeva con filigrana della "brocca", rifilata al rame, leggere tracce di colla al verso degli angoli, per il resto in ottimo stato di conservazione. Una delle migliori incisioni del Loli. Ex collezione E. Devaulx (Lugt 670). Etching, monogrammed on plate at the bottom right. From a drawing by Giovanni Andrea Sirani. Magnificent proof printed on contemporary laid paper with watermark "jug", trimmed to the copperplate, traces of glue to the corners, otherwise in excellent condition. One of the best works of Loli. Ex collection E. Devaulx (Lugt 670). Bartsch 14; Bertelà, Incisori Bolognesi ed Emiliani del'600, 754. Dimensioni 173x233.

      [Bookseller: Libreria Antiquarius]
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        Icones Principum Virorum Doctorum, Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis numero centum

      Antwerp: Gillis Hendricx, 1660. Folio (379 x 281 mm; 143 4 x 11 1 4 inches). Engraved title incorporating an etched self-portrait and 109 etched or engraved plates, including 11 etched by Van Dyck himself (nos. 98-108); the remaining etched or engraved by Jacob Neefs (3), Lucas Vorsterman (26), Paulus Pontius (30), Pieter de Jode (14), Schelte Adams Bolswert (11), Adriaen Lommelin (2), Nicolaes Lauwers (1), Robert Van Voerst (7), Cornelius Galle (1), Andreas Stock (1), Willem Hondius (2), Willem Jaconszoon Del (1), and Pieter Clouwet (1). The majority with foolscap watermark; countermark "AH". Interleaved with wove paper throughout. (Some occasional pale spotting, pl. 44 with 1-in. repaired marginal tear, overall generally clean and fresh.) 19th-century red morocco, gilt-lettered on spine, edges gilt, by Chambolle-Duru (joints rubbed, with top of front joint partly split, board edges somewhat toned, a few scuffs and scratches). Provenance: Pierre Mariette (1634-1716), from the Parisian family of engravers, booksellers, and print sellers (signature on verso of 103 of the plates, each dated between 1660 and 1693; two-pages notes on one leaf at front, summarizing the life and work of Van Dyck; manuscript index of subjects and plate numbers [inserted in manuscript on each plate, upper right] inlaid in larger sheet after the leaf of notes); with Morgand (stock number on front free endpaper); Robert Schumann; with Bernard Quaritch; John Galvin (initialed gift inscription, 1982); the present owner. A fine, tall copy of this important work in the history of portraiture with a superb provenance. Final states of the plates, after the addition of the title-page in 1645 by Hendricx, and after the erasure of the address of Marinus van den Enden, and the erasure of the initials of the publisher ("G.H."). Of the fteen plates now ascribed to Van Dyck himself, eleven are present in this copy, with the other four having been re-engraved, as is the case with the Hendricx issue. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p.v165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as nished. All interest is focussed on the wonderful hand. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132. With an important provenance, collected by Pierre Mariette, second- generation in the family rm of one of the leading engravers, book publishers, and print sellers in 17th-Century Paris. When he bought the business from his father in 1657, it was valued at an astonishing 30,000 livres. His own prodigious stock and collection would pass through the hands of his son Jean, and grandson Jean-Pierre (who catalogued the Crozat collection, considered the rst modern descriptive catalogue). This lineage of experts had access to, and obtained, the nest Old Master prints and drawings in Europe, and their dispersal after Jean-Pierre 's death included the "Spencer Albums" of prints. They are to this day one of the most important acquisitions made by Harvard University. It is unknown when the present suite of Van Dyck's important portrait series left the Mariette family, and it is possible that it remained unbound into the Nineteenth Century, and that this is therefore its fi rst binding. Joseph Maberly described "Pierre Mariette... [as] an eminent collector and dealer about the middle of the seventeenth century. He was accustomed, whenever he happened to become possessed of an impression of more than ordinary beauty, to write his name in full, and a date, on the face of the print [as well as on the back], and although this is certainly a dis gurement, yet such is Pierre Mariette 's reputation for judgment, that to be thus dis gured, is no disparagement to a print, but the contrary" (Maberly, The Print Collector, An Introduction to the Knowledge Necessary for Forming a Collection of Ancient Prints, Edited by Robert Hoe, New York, 1880, p.81).

      [Bookseller: Riverrun Books & Manuscripts]
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        Amoris Divini Emblemata, Studio Et Aere Othonis Vaeni Concinnata.

      Ex Officina Plantiniana , Balthasaris Moreti, Antuerpiae 1660 - 127pp. a grandes márgenes, viñeta en la portada y 60 bellísimos grabados calcográficos. Texto en latín, castellano, francés y holandés. Segunda edición, la primera de 1615. La obra está dedicada a la Infanta española Isabel, Archiduquesa de Austria, Duquesa de Brabante. Acompaña a los grabados locuciones latinas del Santo Padre, epigramas en español de Alonso de Ledesma; versos en francés de Carolus Hattronius y en holandés por Van Veen. Completo y correcto ejemplar, con alguna mácula dispersa, encuadernado de época a plena piel. Lomera con nervios y florones (ambos vértices de la lomera muy bien restaurados). Cortes jaspeados. =Otto van Veen, también conocido como Otto Venius o Octavius Vaenis (Leiden, c. 1556 - Bruselas, 1629) fue un pintor, dibujante y humanista activo en Amberes y Bruselas a fines del siglo XVI y comienzos del siglo XVII. Es conocido por dirigir un importante taller en Amberes del que salieron varios conocidos libros de emblemas, y por ser, desde 1594 o 1595 hasta 1598, el maestro de Peter Paul Rubens. Su papel como artista humanista y culto al modo clásico (un pictor doctus) influyó en el joven Rubens, que se serviría de este ejemplo. =Brunet V 1025. Graesse VII 234. Landwehr, Dutch Emblem Books, 245b. Landwehr, Emblem Books in the Low Countries, 702. Praz 526. Size: 23 x 18,5 Cm. [Attributes: Hard Cover]

      [Bookseller: BALAGUÉ LLIBRERÍA ANTIQUÀRIA]
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        Reisen und wunderbare Schicksale zweyer in die Algierische Leibeigenschaft gerathenen Brüder Andreas Matthäus und Johann Georg Wolffgang Kupferstecher in Augsburg, ihrer Seltenheit wegen dem Drucke überlassen, von dem Sohne eines derselben.

      Mit gest. Frontispiz von E(manuel) Eichel (d. J.). 46 S. Neuer Pappband. Nicht bei Kainbacher. - Andreas Matthäus Wolfgang, "Kupferstecher aus Chemnitz, 1660-1736... weitergebildet in England mit seinem Bruder [Johann Georg, 1662-1774]. Auf der Rückreise 1684 von algerischen Seeräubern gefangen genommen und in die Sklaverei verkauft. Nach Erstattung eines Lösegeldes Freilassung (1691?) und Heimkehr nach Augsburg" (Thieme/Becker XXXVI, 221f), wo er 1736 starb. - Als mutmaßliche Verfasser wird auch Conrad Heinrich Stage genannt. - Minimal fleckig.

      [Bookseller: Antiquariat Turszynski]
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        Altes und Neues Rügen

      Ernst Heinrich Wackenroder (1660-1734) war von 1689-1716 Pastor in Trent auf Rügen, später Pastor und Präpositus in Loitz. Er verfasste die hier vorliegende älteste Chronik der Insel Rügen, die 1730 in einer unautorisierten (Erst-)Auflage erschien. Im Vorwort heißt es dazu: "Aus was für einer Feder selbige geflossen, kan ich nicht sagen..." Nach diesbezüglichen Vorwürfen Wackenroders sah sich der Verleger genötigt, eine zweite Auflage 1732 herauszugeben, die um ein Kapitel "Von dem Pastorat Trent" erweitert wurde und in der auch Wackenroder als Autor genannt wurde. 1737 folgte mit "Nöthige Erläuterung des Alten und Neuen Rügens" von Fabarius eine Ausweitung die Präpositur Bergen betreffend. Späterer, sehr dekorativer Halblederband mit zwei Rückenschildchen und reicher Goldprägung. Wenig berieben. Breitrandiges und fleckenfreies Exemplar mit Randbemerkungen von alter Hand. Schönes Exemplar. Bitte beachten Sie meine weiteren Angebote zu den Inseln Rügen und Hiddensee. Weitere Bilder oder Besichtigung vor Ort gern auf Nachfrage. Ich bemühe mich, die angebotenen Titel nach bestem Wissen und Gewissen zu beschreiben. Bei groben Fehlern wird die Rücknahme garantiert. Vorkasse erbeten.

      [Bookseller: Alfons.G.]
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        Vero e Real Disegno Della Inclita Cita di Venetia.

      Giovanni Merlo,, Venice, 1660 - The Marriage of the Sea Engraved plan on six sheets joined, right margin reinforced on verso, a few short tears, repaired on verso. A large and impressive plan of Venice.This plan of Venice on six sheets renders the city and the surrounding islands in great detail. In its size and grandeur it is reminiscent of Jacopo de Barbari?Äôs great plan of 1500. All major public buildings and churches are named. Gondolas can be seen on the Grand Canal, with a great flotilla of boats to the south. At the flotilla?Äôs centre is the ?ÄúBucintoro?Äù (Bucentaur), the Doge?Äôs grand barge. The boats signify Venice?Äôs most important festival: the ?ÄúSposalizio del Mare?Äù (Marriage of the Sea), which took place every year on Ascension Day. After a procession of boats sailed out from San Marco into the lagoon, led by the Bucentaur, the Doge would drop a consecrated ring into the water, a ceremony that symbolically wedded Venice to the sea for the coming year. The ceremony still takes place, although it is now conducted by the mayor of the city. The lion of St Mark stands above the plan, the symbol of the Venetian republic. To the upper left is an extensive dedication within a decorative drape, surrounded by cherubs. It bears the Correr coat-of-arms, a distinguished family of Venetian nobility. Angelo Correr (1326-1417) was Pope Gregory XII, and later, the great collector Teodoro Correr (1750-1830) would donate his collection to the city, with the works forming the core of the now famous Correr Museum. To the upper right is an epigram by Joanne Merula.Stefano Scolari (fl.1643-1695) was an engraver and publisher working in Venice during the second half of the sixteenth century. 770 by 1585mm. (30.25 by 62.5 inches). Moretti, 82 state 1.

      [Bookseller: Daniel Crouch Rare Books LLP]
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        Allerneueste Anweisung zum Kochen, wie man Nach der jetzigen Frantzösischen Manier Alle Arten von Essen, so wohl auf Königlicher und anderer Hoher Personen als auch auf bürgerlichen Tafeln, auf das kräftigste und schmackhafteste so wohl an Fleisch- als Fast-Tagen zubereiten kann. Aus dem Frantzösischen übersetzt.

      8. Gestochenes Frontispiz, 7 Blätter, 880 (recte 848) Pergamentband der Zeit mit Rotschnitt. ERSTAUSGABE: Horn/A. 168 Weiss 2473, Anm. vgl. Bitting 314f., Drexel 132, Georg 292, Schraemli 34, Simon 1018f., Vicaire 573ff. u. Walterspiel 337ff. MASSIALOT, François 1660-1733: Koch, Autor und Officier de bouche" nannte sein Erstwerk Cuisinier Royal et Bourgeois" 1691. Wohl nicht ohne Grund, stand er doch als Störkoch und Küchenchef wichtigen Banketts vor. So legte die Menufolge des oben genanten Buches Zeugnis ab über die Personen die er bekochte. Hier eine kurze Liste der vornehmen Herren: Philippe I. (Bruder von Ludwig XIV.) die Herzoge von Chatres, Orléans und Aumont als auch dem Kardinal von Estrées sowie dem Ersten Hausmeister des Königs. Sein Buch Der Königliche und Bürgerliche Koch" war ein Novum in der französischen Kochbuchliteratur, da es einen lexikalischen Aufbau und ein detalliertes Register im Anhang hatte. So hinterliess er uns bekannte Rezepte wie die Creme brûlée und die Meringue. Eine Neuerung war auch das Abbinden mit Ei anstatt mit Mide pain (geriebenes Brot). Das genannte Werk war das Erste französische Kochbuch welches in deutscher Sprache übersetzt wurde. Paginierfehler: Sprung in der Zählung von S. 95 auf S. 98 und von S. 706 auf S. 737 (komplett). Einband leicht fleckig, durchgehend leicht gebräunt, erste und letzte Seiten stockfleckig. Schönes Ex.

      [Bookseller: Antiquariat Kochkunst Bibliothek]
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        De Bestieringe der Gedachten. Vervat in drie Deelen. Waer van Het Eerste Handelt vande Regeringe der Gedaghten in 't gemeen, Ende vande Ebstiering der goede in 't bysonder. Het Tweede Handelt van de quade Gedaghten, in 't gemeen, Ende in 't bysonder Van Gedaghten, spruytende uyt onse natuyrlicke verdorventheyt, Van ydele Gedaghten, Van dwaelende Gedaghten, in 't gehoor van Godts Woort, gebeden, en andere Geestelicke oeffeningen, Ende in 't breede Van Godtslasterlicke Gedaghten, of inwerpingen der Gods-lasteringe. Het Derde Handelt van de Bestieringe der middelmatige Gedaghten. In dit Geschrift is ingevoegt een Tractaetken vande Geestelicke Verlatingen, So uyt de Schriften van andere Engelsche Practisijns, als insonderheyt uyt die van R. Bol

      Amsterdam, Baltus en Joannes de Wild' 1660 - (32) 635 (17) p. Origineel Perkament, 8° (Pagina 37/38 en 407/508 zijn nogmaals in het register bijgebonden, de band is wat verweerd.)

      [Bookseller: Antiquariaat de Roo]
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        LHistoire du Cardinal-Duc de Richelieu. - Memoires pour lHistoire du Cardinal Duc de Richelieu. Tome Deuxieme.

      22 nn. p., 644 S., 45 nn. p. (Register), 1 Kupferstichporträt / 3 Bll., 528 p. 12, Pergament der Zeit, Rücken mit handschriftl. Titel. Zweite Ausgabe nach der Pariser Erstausgabe von 1660. - Einheitlich gebunden. Guter Zustand

      [Bookseller: Antiquariat Galerie Joy]
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