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        Il computista pagato di Lattantio Agucchia arithmetico, e cittadino bolognese. Per trovare in un subito il conto fatto di qualunque sorte di pagamento che si faccia, cosi à  giorni, come à  mesi, et anno

      Giacomo Mascardi, 1613. In 4to (cm 21,7), cartone recente, risguardi antichi, pp. (12), 176 con un bel frontespizio architettonico inciso in rame con in basso le armi del cardinal Giustiniani, dedicatario dell'opera. Firma di appartenenza coeva di un certo Flaminio Marcellini. Due piccoli fori nel margine inferiore bianco del titolo, causati dalla parziale asportazione di un ex - libris settecentesco, segni di tarlo nel margine interno di alcune carte lontano dal testo, nel complesso ottima copia.PRIMA EDIZIONE di questa fortunata opera che ebbe cinque ristampe nel solo Seicento e continuò ad essere stampata fino alla fine del secolo successivo. L'autore, di cui nulla si sa, all'inizio dell'opera scrive: «A molte sorti di conti, e di pagamenti può servire il presente libro, ma in particolare, servirà  utilissimamente al fare i conti de' frutti de' danari dati, o tolti a censo, a compagnia d'officio, ad alcuni cambi, et ad ogni altro modo, che si sogliono dare a frutto, e similmente per li conti de' frutti de' Monti, e delle doti, per gli affitti de' terreni, e delle case, de' capitali delle botteghe, e de' mobili, e per li stipendij, provisioni, e salarij, ò altre cose simili, delle quali si habbia da fare il conto ad anni, a mesi, et a giorni, e facilissimo è il modo di valersene, si come appresso dimostrerò». Riccardi, I, 9. ICCU, ITICCUUM1E06757. G. Massa, Trattato completo di ragioneria. Vol. XII Storia e bibliografia, Milano, 1907, pp. 219 - 220.

      [Bookseller: Libreria Govi Alberto]
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        L'agriculture et maison rustique. Reueue et augmentée de beaucoup, dont le contenu se voit en la page suyuante. Plus un bref recueil des chasses du cerf, du sanglier, du lieure, du renard, du blereau, du connil, du loup, des oiseaux, & de la fauconnerie. Item la frabrique & usage de la iauge, ou diapason. Plus a été adiouté en cette dernière édition une instruction pour scauoir en quels temps, mois, lune, & saison on doit semer et replanter, selon le pays froid & chaud, pour faire aduancer & retarder les semences & toutes sortes de graines.

      Rouen, Romain de Beauvais, 1613. In-8, plein vélin, dos lisse et muet, titre, 6 ff non chiffrés, 672 pp, 10 ff non chiffrés (table des matières), 25 ff non chiffrés (Chasse du loup et Usage de la iauge). Ouvrage illustré de nombreuses gravures in texte et orné de nombreuses lettrines. Vélin jauni, petites épidermures, quelques tâches sur les plats, cahiers déréglés, trace d'une étiquette au dos, page de titre avec manques mais sans atteinte au texte et presque détachée, 1 page détachée, pages cornées et dentelées en début et fin de volume, mouillures en début et en milieu de volume, travail de ver en fin de volume avec atteintes au texte, quelques tâches intérieures, charnières intérieures fragilisées. Ouvrage suivi de "La chasse du loup nécessaire à la maison rustique" par Jean de Clamorgan, chez David Geoffroy, 1612, illustré de nombreuses gravures in-texte. Et suivi de "De la fabrique de la iauge ou diapason" avec quelques figures in-texte.

      [Bookseller: Librairie Lang]
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        Document signé (1668)

      - RETZ Jean-François-Paul de Gondi, Cardinal de (1613-1679). Cardinal, archevêque de Paris, adversaire de Mazarin et chef de la Fronde. Écrivain et mémorialiste. Pièce signée « LFP De Gondi Cardinalis de Rets », Paris, 1er juin 1668, velin oblong in-folio ; en latin. Autorisation donnée à l’écuyer Philippe Le Febvre de faire célébrer dans sa chapelle ou oratoire du lieudit les Marets de Cergy, dépendant du monastère de Saint-Denis, des messes et des offices religieux. Chef de la Fronde, le Cardinal de Retz est néanmoins emprisonné à Vincennes puis au Château de Nantes. Après une évasion, il s’exile et voyage à travers l’Europe. En 1662, après la mort de Mazarin, il se résigne à renoncer à son siège d’archevêque et obtient de Louis XIV l’abbaye de Saint-Denis. Il est autorisé à regagner Paris en 1668.

      [Bookseller: Thomas Vincent]
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        Historia Medica Mirabili libri sex (...) notis illustrati et integro recentiorum observationum libro septimo completis, opera et studio Gregori Horsti.

      Francfort-sur-le-Main, aux frais de Johan. Iacobi Porsii, typis Erasmi Kempfferi, 1613 ; in-8 ; plein vélin ivoire rigide, dos décoré doré, pièce de titre (reliure de l'époque) ; (12) ff., 715 pp., (16) pp. d'index, (1) p. ad lectorem, (2) ff. blancs. Ex-libris gravé sur bois du Dr Paul Foucault, médecin à Poitiers et père du philosophe Michel Foucault. Très bel exemplaire, dans une reliure agréablement patinée et en excellent état.Edition la plus complète de cet ouvrage paru pour la première fois en 1586 à Mantoue (Vander Linden, p.456 ; Waller, 13134). Absent de Caillet.Médecin italien du XVIe siècle, Marcellus Donato, né à Mantoue, eut une très grande notoriété au point que Vincent, duc de Gonzague, le prit pour secrétaire intime et conseiller. Son ouvrage rapporte nombre d'observations curieuses sur des cas et des phénomènes comme les monstres, miracles, convulsions, épilepsie, double-vue, sexualité, etc. Il fut le premier à décrire le "papilomatosis laringea" sous le nom de "verrucae in gutture" ainsi que des phénomènes obstétricaux bizarres.De nombreux travaux actuels lui font encore référence.L'ouvrage de Marcellus est ici complété d'un 7e livre dû au célèbre médecin allemand Grégoire Horst, né à Torgam en 1578 et mort à Ulm en 1636. Il acquit une telle réputation par sa pratique et par ses écrits qu'on le surnomma "l'Esculape de l'Allemagne".

      [Bookseller: Librairie Ancienne Clagahé]
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        L. Annaei Senecae philosophi : et Mannaei Senecae Rhetoris quae extant Opera ; Ad veterum exemplarium fidem castigata : Graecis lacunis, quibus superiores Editiones scatebant, expletis : Ac illustrata Commentariis selectioribus & locis communibus ex utroque Senecae factis ; quorum Auctores citantur pagina sequenti. Secunda Editio, recensita & aucta Scholijs Fed. Morelli, Professoris Reg.

      Parisiis, Apud, Davidem Douceur, 1613, 2e édition estimée, avec les Commentaires de Juste Lipse, 1 volume in-folio de 225x360 mm environ, (1) f., 1 page de titre gravée par L. Gaultier, (23) ff. (préface, introduction, vita) 974 pages, (23) ff. (index, privilège), 116 pages, (6) ff. (titre, préface), 284-98 pages, (16) ff. (index), 16 pages, (1) f. (achevé d'imprimer), (1) f., pleine basane fauve, dos à 5 nerfs, médaillon doré sur les plats, avec lettrines, bandeaux et culs-de-lampe. Couverture très abimée, des rousseurs, petite mouillure claire dans la marge supérieure, notes anciennes et passages soulignés, trous de ver dans la marge interne, 2 feuillets inversés en fin de volume. Sénèque (en latin Lucius Annaeus Seneca), né dans l'actuelle Cordoue au sud de l'Espagne entre l'an 4 av. J.-C. et l'an 1 ap. J.-C., mort le 12 avril 65 ap. J.-C., est un philosophe de l'école stoïcienne, un dramaturge et un homme d'État romain du Ier siècle. Il est parfois nommé Sénèque le Philosophe, Sénèque le Tragique ou Sénèque le Jeune pour le distinguer de son père, Sénèque l'Ancien.

      [Bookseller: Librairie Diogène]
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        RECUEIL DE TROIS OUVRAGES. Grammatica Arabica, quimque libris methodice explicata a Thoma (sic) Erpenio, Arabicae, Persicae, etcaet. Linguarum Orientalium in Academia Leidensi Professore.

      Leidae (Leyde, in officina Raphalengiana, 1613 : (8), 192, (4) pp. d'errata, la dernière blanche. RELIE ENSUITE : (Vossius) Gerardi Joannis Vossii : Oratio In obitum Classimi ac praestantissimi viri, Thomae Erpenii, Orientalum linguarum in Academia Leidensi Professoris. Habita statirum ab excequiis in auditario Theologico, XV novemb. anno 1624. Accedunt Funebria amicorum Carmina. Item Catalogus librorum Orientalium, qui vel manuscripti, vel editi, in bibliotheca Erpeniana exstant. Lugduni Batavorum, ex Officina Erpeniana, scriptibus Johannis Maire, 1625. SUIVI DE (2e partie) : Petri Scriverii : Manes Erpeniani Quibus Accedunt Epicedia Variorum. Lugduni Batavorum, Ex Typographia (heu, quondam !) erpeniana, 1625. Reliés en un volume in-4 ; plein vélin ivoire de l'époque, titre manuscrit au dos. EDITION ORIGINALE fort rare, en second tirage pour le premier ouvrage et E.O. pour les deux autres, sortie des ateliers de Plantin comme l'indique la marque d'imprimeur au Compas avec la devise "Labore et Constantia", avec les caractères typographiques mis au point par Francis Raphelang, qui permirent à Leyde d'être un célèbre centre d'impressions en arabe, dès 1595. Les caractères utilisés n'ayant pas plu à l'auteur, Thomas Van Erpe dessinera les siens propres et ouvrira un atelier typographique en 1615 et publiera les Fables de Loqmân à cette date, puis en 1617 son célèbre Coran : Historice Iosephi Patriarchae, ex Alcorano, Arabice, qui est considéré comme la première grande édition du Coran en Europe. Né à Gorkum en Hollande (1584-Leyde 1624), de bonne heure il s'intéressa aux langues orientales qu'il commença à étudier à Leyde. Venu à Paris pour se perfectionner, il se lia avec deux personnalités, l'Egyptien Abucadnus et le diplomate marocain Ahmad ibn Qasim al-Hadjari, qui le firent progresser de façon significative en arabe et reçut une initiation et une mise en garde sur les caractères typographiques utilisés alors en Europe. Pendant un séjour qu'il fit à Venise, il apprit le turc, le persan et l'éthiopien grâce à ses relations avec les hommes d'affaires juifs ou orientaux présents dans cette ville. De retour à Leyde, il fut nommé Professeur à la chaire d'Arabe créée en 1613, puis en 1619, en plus, à la chaire d'Hébreu également créée pour lui. Il est considéré comme le plus grand arabisant de son époque et comme le père de la célèbre école d'orientalistes hollandaise qui dura tout le XVIIe et une bonne partie du XVIIIe siècle.L'hommage rendu à Erpenius par ses deux amis Vossius et Scriverius est particulièrement rare, il comprend une précieuse bibliographie des livres et manuscrits de la bibliothèque du grand orientaliste.Restauration de vélin au dos et auréole au coin intérieur inférieur sur la totalité des trois ouvrages, sinon bon exemplaire de cet ensemble exceptionnel de et sur Erpenius. (Marc-Edouard Enay : "Mohammed und der Heilige Koran", 114 ; Larousse du XIXe ; diverses sources).

      [Bookseller: Librairie Ancienne Clagahé]
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        Nouveau commentaire de L. Charondas Le Caron Jurisconsulte Parisien sur la Coustume de la Ville, Prévosté & Vicomté de Paris, ou droict Civil Parisien.

      A Paris Chez P. Mettayer 1613 In-folio de (16)-243-(10) ff., vélin rigide estampé, dos à cinq nerfs orné de fleurons, sur les plats cartouches laurés et fleurons en écoinçons dans un double encadrement à froid (reliure de l'époque). Edition originale publiée l'année de la mort du jurisconsulte avec son portrait gravé en taille douce par Jaspar Isaac en regard du titre de départ. Après des études de droit, Louis Le Caron (1534-1613) exerça les fonctions de lieutenant civil et criminel au bailliage de Clermont-en-Beauvaisis ; il fut avocat au Parlement de Paris. Proche des parlementaires parisiens, il fut remarquable pour l'attention qu'il prêta au droit français dont il fut le premier auteur à faire figurer l'expression dans ses ouvrages. Il contribua ainsi à la suite de Du Moulin et de Coquille à valoriser un droit national qu'il souhaiterait voir codifié et éclairci (Dictionnaire historique des juristes français, p. 479). Titre rouge et noir orné d'une vignette à l'emblème de Paris. Trace de mouillure sur le second plat et pâle mouillure dans les marges inférieures. Bel exemplaire en vélin estampé du temps. Gouron et Terrin, 1707.

      [Bookseller: Bonnefoi Livres Anciens]
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        ACTE NOTARIE DE LA CHANCELLERIE ROYALE.

      Acte notarié de la chancellerie Royale concernant la cession pour six ans du "bail a ferme des fruictz et revenu du domaine" du Duché d'Alençon, à compter du 1er octobre 1613 au 1er octobre 1619, comportant notamment les signatures autographes de Concini (Maréchal d'Ancre) et de Marie de Médicis. Douze pages et demi sur quatre feuillets double (215 X 300) retenus ensemble par un cordon. IMPORTANT DOCUMENT NOTARIAL qui regroupe les signatures de CONCINO [Concini], Phelypeaux [Maître Jehan, sieur de Villesanain, conseiller et secrétaire du roi], J.[ehan]-J.[acques] de Mesmes [seigneur de Roissy, conseiller du roi], Arnauld [Isaac, conseiller d'état et intendant des finances], L.[ouis] Dolle [conseiller du roi], Bullion [Claude de, sieur de Bonelle, surintendant des finances sous Louis XIII], Marescot [Guillaume, conseiller du roi], Dangloix, Morlon, [Maître Alexandre] Duplex et Marie [de Médicis]. Le fait que Concini ait signé par son prénom montre la puissance dont il jouissait ainsi que son ambition royale depuis la disparition d'Henri IV (1610). Concino Concini (Florence, 1575 - Paris, 1617) était fils d'un notaire de Florence. Sa jeunesse fut déshonorée par tous les désordres ; ruiné par la débauche, il parvint à se faire recevoir comme gentilhomme dans la maison de Marie de Médicis et suivit en France cette princesse dont il épousa la femme de chambre et la favorite, Léonora Dori, dite Galigaï. La faveur dont jouissait sa femme auprès de la reine lui permit de faire une carrière rapide après la mort de Henry IV : marquis d'Ancre, maréchal de France, il exerça le pouvoir (1611) avec tyrannie et avidité. Devenu l'amant officiel de la reine, il se retrouva à la tête d'une fortune considérable : les vastes terres d'Ancre et de Lésigny, deux hôtels dans Paris, le bâton de Maréchal de France, la charge d'intendant de la maison de la reine, les gouvernements d'Amiens, Péronne, Roye, Montdidier, etc.. Cette scandaleuse et prodigieuse fortune lui valut de solides inimitiés. Il se fit détester par la noblesse et les princes par son insolence et son ambition, du peuple par ses exactions et son despotisme, du jeune roi Louis XIII enfin par tous ces motifs et en même temps par l'avilissante tutelle qu'il prétendait faire peser sur lui.Mais le 24 avril 1617 toute cette puissance s'écroula. Conseillé par de Luynes qui n'avait de cesse de lui dépeindre Concini comme usurpateur de la puissance royale, Louis XIII ordonna son arrestation avec ordre de le tuer s'il résistait. Vitry, capitaine des gardes, dressa une embuscade et fit massacrer Concini au moment où il allait entrer au Louvre. Le cadavre de l'aventurier italien fut traîné par les rues, découpé en morceaux et brûlé devant la statue d'Henri IV (on l'accusait avec plus ou moins de vraisemblance d'avoir trempé dans le meurtre de ce roi). On prétend même qu'un furieux fit rôtir son coeur sur des charbons et le mangea publiquement. Sa femme fut condamnée à mort par le parlement et décapitée en place de Grève, où les deux parties de son corps furent livrées au bûcher et les cendres jetées au vent. Louis XIII remit alors l'autorité à son favori de Luynes et éloigna sa mère, Marie de Médicis, de la cour. BEAU DOCUMENT. La signature autographe de Concini est RARISSIME ; sa réunion avec celle de Marie de Médicis lui confère un caractère EXCEPTIONNEL. FINE COPY. PICTURES AND MORE DETAILS ON REQUEST.

      [Bookseller: Librairie ancienne & Moderne Eric Castér]
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        GA aus der Vogelschau, "Eigentliche Abbildung der neuen Angefangenen Statt Mullheim mit deroselben Wall - Bollwercken, gassen vnd gebewen".

      - Kupferstich ( anonym ) n. Hogenberg(?), um 1613, 23,5 x 28 Nicht bei Hellwig (Hogenberg'sche Geschichtsblätter ), das dort verzeichnete Blatt aber sehr ähnlich. Sehr seltenes Blatt, die Legende hier innerhalb der Darstellung am oberen Rand. Mit zwei Eiseneinschlüssen in der Darstellung, am linken Rand Einriß.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Delineatio Syracusarum Antiquarum Quadriurbium. Ex mente e conjectura D. Vincentii Mirabellae et Alagonae

      1613. Grande carta murale della città, composta da nove fogli da unire, opera dell'architetto Mirabella Alagona, che la pubblica per la prima volta nel Dichiarazioni della pianta dell' antiche Siracusa. Successivamente la pianta è ristampata a Palermo, 1717, nel Delle antiche Siracuse... opera di Giacomo Bonanni. Questa fa parte della raccolta intitolata Thesaurus Antiquitatum.. edito da Petrus Vander Aa nel 1723. Magnifico esemplare dell' ultima e definitiva edizione di questa importante opera, particolarmente ben impresso, in ottimo stato di conservazione. Dimensioni 1560x1110. Great wall map of the city, printed on nine sheets to be put together, realized by Mirabella Alagona, an architect, who published it for the first time in Dichiarazioni della pianta dell' antiche Siracusa. Afterwards, this map has been re - issued in Palermo in 1717, in the Delle antiche Siracuse... of Giacomo Bonanni. The present example was part of the Thesaurus Antiquitatum.. published by Petrus Vander Aa in 1723. Marvellous example in the last and final edition of this work, well printed, in perfect condition. Dimensions 1560x1110. Napoli Naples

      [Bookseller: Libreria Antiquarius]
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        America Sive India Nova Ad Magnae Gerardi Mercatoris avi Universalis Imitationem in Compendium Redacta Per Michaelem Mercatorem duysburgensen.

      Hondius, Amsterdam 1613 - Carte originale, en couleurs, de l'Hémisphère Ouest, par Michael Mercator (1565-1614), éditée chez Jodocus Hondius, en 1613, parue dans le "Gerardi Mercatoris- Atlas sive Cosmographicae de Fabrica Mundi et Fabricati Figura". Texte en latin au dos. La carte, en couleurs, est basée sur la mappemonde de Rumold Mercator de 1587. Plusieurs théories de l'époque, y sont représentées, comme le vaste lac au Canada, les multiples iles et la possibilité d'un passage au Pôle Nord au nord du continent américain, la représentation de l'Amérique du Sud et la vaste Terre Inconnue du Pôle Sud. Nous y trouvons des annotations en référence aux voyages de Magellan et de Christophe Colomb. En cartouche, autour la carte, les iles de Cuba et la Floride, Haiti-St Domingue et Porto Rico et le golfe du Mexique. Dimensions avec les marges: 43,5 x 55 cm; sans les marges: 37 x 46,5cm (ref Koeman Vol 1). Size: In Folio

      [Bookseller: Rossignol]
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        Institutiones Iuris [Juris] Civilis, D. Iustiniani Imp...

      1613. Giunta Imprint of the Institutes with Additions by Aldobrandini and Cornello [Justinian (483-565 CE), Emperor of the East]. Aldobrandini, Sylvestro [1499-1558], Editor. Cornello, Francesco, Annotator. Caprioli, Virgilio. Ranucci, Fabio. Institutiones Iuris Civilis D. Iustiniani Imp. Cum Annotationibus Sylvestri Aldobrandini Patris Clementis VIII. Pont. Max. Francisci Cornelii Brixiani, Aliorumque Iurisconsultorum Crucis, Vel Alterisci Nota Praemonstratis, Editae. Necnon Aliis Annotationibus Eiusdem Cornelii ac Virgilii Caprioli, I.C. Histoniensis Illustratae. Nunc Vero ex Tractatu Novellarum, Et Dissolutione Antinomarum Fabrii Ranuccii, I.C. Maceraensis, Auctae. Venice: Apud Iuntas, 1613. [xl], 319, [1]; 16; 16 ff. Three parts with title pages and individual pagination, first part preceded by general title page. Main text in double columns surrounded by linear gloss in parallel columns. Octavo (7" x 4-3/4"). Contemporary vellum, early hand-lettered title to spine. Light rubbing to extremties, spine ends and corners bumped, light soiling and staining, bookplate of Guido Kisch to front pastedown, lower corner of general title page repaired. Text and general title page printed in red and black, each section of Institutes headed with woodcut vignette, woodcut decorated initials, large woodcut Giunta devices to title pages. Light toning to text, somewhat heavier in places, minor stains to a few leaves, occasional faint dampstaining, minor worming to margins with negligible damage to headlines of a few leaves. Early owner signatures and annotations to general title page, interior otherwise clean. * Later Giunta edition. Commissioned by the Emperor Justinian in 530 CE, the body of writings known collectively as the Corpus Juris Civilis preserved and restated all existing Roman law. It has four books: the Code, Novels, Institutes and Digest. Intended for students, the Institutes is a synopsis of the reformed legal system. Aldobrandini, who edited this edition and added notes and additional glosses, was a Florentine jurisconsult and the author of an important commentary on the Institutes. The contributions by Caprioli and Ranucci discuss aspects of the Institutes and Novels. First published in 1543, Aldobrandini's edition, published by Giunta, we

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Gerard Mercator & Iodocus Hondius

      1613. Meraviglioso foglio con il doppio ritratto di due dei più importanti cartografi del secolo d'oro della cartografia olandese, Gerard Mercator e il suo successore Iodocus Hondius. I due sono raffigurati seduti ad una tavolo, con due globi e gli strumenti di misura cartografici. Molto elaborata la cornice ornamentale che li racchiude, dove oltre a numerosi libri è presente una carta murale dell'Europa. La tavola è incisa da Coletta Hondius, figlia di Iodocus, in memoria del padre scomparso nel 1612. La tavola è presente negli "Atlas" di Mercator e Hondius a partire dal 1613. Edizione latina, meravigliosa coloritura coeva, leggeri restauri alla piega centrale, nel complesso in ottimo stato di conservazione. Exquisite portrait of two of the most important mapmakers during the Dutch dominance of cartography. Gerard Mercator is shown with his successor, Jodocus Hondius, seated at a table surrounded by the implements of their trade. The fine portrait is set within an elaborate strapwork framework that encompasses a map of Europe. The scene was engraved by Coletta Hondius, in tribute to her late husband, and appears in the Atlas from 1613 onwards. Very fine impression and original color. Minor professional repairs on centerfold. Amsterdam Amsterdam Van der Krogt 1, 104. 450 390

      [Bookseller: Libreria Antiquarius]
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        IL SERRAGLIO DEGLI STUPORI DEL MONDO. Diviso in Diece Appartamenti, secondo gli vari, & ammirabili Oggetti. Cioè di mostri, prodigii, prestigii, sorti, oracoli, sibille, sogni, curiosità astrologica, miracoli in genere, e maraviglie in spetie. Narrate da' più celebri scrittori, e descritte da' più famosi historici, e poeti, le quali talhora occorrono, considerandosi la loro probabilità, overo improbabilità, secondo la natura.

      Appresso Antonio, et Bartolomeo Dei, 1613. Prima edizione. " Opera non meno dotta, che curiosa, cosi per Theologi, Predicatori, Scritturisti, e Legisti: come per Filosofi, Academici, Astrologi, Historici, Poeti, & altri. Arricchita di varie annotationi dal M.R.P.D. Bartolomeo Garzoni suo fratello... Con tre copiosissime tavole". Opera dedicata al Cardinale Bonifacio Caetani. Cm.21,8x15. Pg.(60), 788. Legatura in piena pergamena rigida coeva, con piccolo restauro al capitello superiore. Al frontespizio marca tipografica con leone di San Marco issato su un globo che tiene in mano un Vangelo. Altra marca calcografica, sempre con il leone di San Marco, in ricca cornicetta decorativa al recto dell'ultima carta. Cartigli e capilettera incisi. Le prime 18 carte, contenenti il "Laconismo vitale circa l'Autore", la dedicatoria dello stampatore ai Lettori, il "Privilegio", liriche e sonetti encomiastici di Giovan Pietro Bacchetta, Bartolomeo Tortelletti, Pietro Petracci, Domenico Carrega, Pietro Capello, la Tavola de gli Autori" e la prima parte dell'"Indice della Sacra Scrittura" sono in riproduzione fotostatica su carta d'epoca. Alcune carte brunite. Edizione originale, unica stampata, di un raro testo dell'erudito Ottaviano Garzoni (Bagnacavallo, 1549 - 1589), che acquisì il nome di Tommaso all'atto di aderire alla Congregazione Lateranense. Scrittore precocissimo, studiò a Ferrara, a Siena e a Ravenna. Pur vivendo solo quarant'anni, scrisse molte opere: "Il Theatro de' vari, e diversi cervelli mondani", (Venezia, 1583), "L'Hospidale de' pazzi incurabili" (Ferrara, 1586), "La piazza universale di tutte le professioni del mondo", (Venezia, 1585), "Le vite delle donne illustri della Scrittura sacra. Con l'aggionta delle vite delle donne oscure e laide dell'uno e l'altro Testamento e un discorso in fine sopra la nobiltà delle donne" (Venezia, 1586), "La Sinagoga de gl'ignoranti" (Pavia, 1589), "Il mirabile cornucopia consolatorio" (Bologna, 1601), "L'Huomo astratto" (Venezia, 1604). Nel presente testo, pubblicato postumo per le cure del fratello Bartolomeo, anch'egli religioso e prelato a Gubbio, diviso in dieci parti, si tratta di magia, alchimia, mostri, prodigi, profezie, oracoli, sogni, astrologia, sogni, sibille, etc. > Graesse III, 32. Michel - Michel, IV, 25. Parenti, "Prime edizioni", 253. Caillet, 4352 bis. Olschki Choix 6699. Opera sconosciuta al Piantanida. Codice libreria 128710.

      [Bookseller: Studio Bibliografico Pera]
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        Tabula Russiae ex autographo, quod delineandum curavit Foedor filius Tzaris Borois desumta .... MDCXIIII

      1613. Splendido esemplare, in coloritura coeva, della carta della Russia di Hessel Gerritz, con un largo cartiglio di Mosca e la pianta di Archangelsckagoroda. Esemplare nel terzo stato, pubblicato da Joannes Blaeu ad Amsterdam, intorno al 1660 circa. Questo raffinata e rara mappa è stato compilato sulla base dei manoscritti di Isaac Massa riportati dalla Russia, al quale si dice sia da attribuire che il grande inserto con Mosca. La mappa è stata pubblicata per la prima volta da Hessel Gerritsz nel 1613. Blaeu la pubblicò dopo aver acquisito la lastra dopo la morte di Gerritsz, avvenuta nel 1632. Questa edizione del Blaeu, ha il testo in lingua olandese al verso. La mappa ha molte caratteristiche interessanti e decorative, tra cui: un piano dettagliato di Mosca, con una legenda di diciassette lettere di edifici pubblici e chiese di rilievo; una rosa dei venti e un galeone nel Mar Caspio; una piccola veduta del porto settentrionale di Arcangelo; tre uomini russi in costume tipico e un bel cartiglio per titolo e dedica. La mappa è di grande importanza nella storia della Russia. Come espresso nel cartiglio, il progetto è stato ideato personalmente dallo Zar di Russia Feodor II Godunov (1589 - 1605), quando era solo adolescente. Feodor, figlio dello zar Boris Godunov, era un giovane sovrano, molto intelligente e promettente, noto per la sua raffinata educazione. Fu ucciso dai suoi oppositori nel 1605 quando aveva solo 16 anni. Tabula Russiae ex autographo, quod delineandum curavit Foedor filius Tzaris Boris desumta; et ad fluvios Dwinam, Zuchanam, aliaque loca, quatum ex tabulis et notitiis ad nos delatis fieri potunt, amplificata: ac Magno Domino, Tzari, et Magno Duci Michaeli Foedrowits omnium Rußorum, Autocratori Wolodimeriae, Moscoviae et Novogardiae, Tzari Cazaniae, Tzari Astracaniae, Tzari Siberiae, Domino Plescoviae Magno Duci Smolenscoviae, Otweriae, Iugoriae, Permiae, Wiatkiae, Bulgariae etc: Item Domino et Mogno Duci Novogardiae Inferioris etc: Domino Rgionum Iveriae Kartalinie et Groesiniae Tzari etc: dedicata ab Hesselo Gerardo M.DC.XIIII. Example of the third state, published by Joannes Blaeu, Amsterdam 1660 ca. Fine old color example of Hessel Gerritsz's map of Russia, with the large inset of Moscow and plan of Archangelsckagoroda. Blaeu's reissue of Hessel Gerritsz's rare and influential map of Russia. This fine map was compiled from manuscripts brought back from Russia, by Isaac Massa to whom the large inset plan of Moscow is said to be attributed. The map was first issued by Hessel Gerritsz in 1613. Blaeu published it after acquiring the plate after Gerritsz's death in 1632. This edition has Dutch text on the verso. This superb map has many interesting and decorative features, including; a detailed inset plan of Moscow, complete with a seventeen letter key of prominent public buildings and churches; a compass rose and a galleon in the Caspian Sea; a small inset view of the northerly port of Archangel; three Russian men in local dress and a magnificent map title and dedication. The map has a very important place in the history of Russia. As mentioned in the cartouche, the draft was made personally by the Czar of Russia Feodor II Godunov (1589 - 1605), while he was only in his mid - teens. Feodor, a son of Czar Boris Godunov, was a highly intelligent and promising young ruler of Russia, known for his fine education. He was murdered by his opponents in 1605 when he was only 16 years old. Amsterdam Amsterdam Schilder, MCN IV, S. 78f.; Bagrow/C. S. 58 u. vgl. S. 52ff.; Koeman II, 1800:2.2. 575 480

      [Bookseller: Libreria Antiquarius]
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        Dactylismus ecclesiasticus in libros IIII distributus. In quo perquam facili methodo ostenditur non solum ut quis anno qulibet prorposito sciat memeoriter, et extempore pronunciare diem paschatis, ceteraq. festa mobilia: item Aureum Numerum, Epactam, Literam Dominicalem, et Martyrologii, verum etiam quot Lunationes Annus ipse contineat, et an sit Primus, Secundus, Tertius post Bissextilem

      Bernardo Giunta, 1613. Folio, contemporary vellum over boards, manuscript title on spine (lower part of the spine repaired), (8), 371 [i.e. 375], (1) pp. with a large printer's device and 10 woodcut in the text. Some marginal annotations. A nice copy.VERY RARE FIRST AND ONLY EDITION of this very unusual and peculiar book.It deals in general with the Gregorian reform of the calendar, but some chapters in particular explain a new method to calculate in a easy way the Christian festivities and to learn them by heart with the aid of mnemonic techniques involving the use of the hands.This new method was conceived by Limpio on purpose for the Japanese converted to the Catholic faith. Christophorus Clavius strongly believed in the utility of this method and recommended it to the Pope Gregory XIII.In the dedication to Pope Paul V, Limpio states that he had started writing this work thirty - two years earlier, around 1581, in the same period in which the new calendar was introduced (at that time he was at the service of Cardinal Antonio Sauli), but the sudden death of Gregory had interrupted the work and delayed its publication: &ldquo,Ipse namquam Saulius, Cardinalis amplissimus, quem nobis Deus dedit, ut esset qui in reb. arduis pro Rep. Christiana decernendis cum suo admirabili consilio presto afforet, Gregorio XIII feliciss. record. hunc meum Dactilismum attulit, suasu ipsius Clavii ab eodem Pontefice Iapponiensibus ob faciliorem doctrinam destinatum. Sed repentinus eiusdem Pontificis interitus effect, ut Dactilismus meus ad Iapponenses non navigaverit, et apud me tot annos delitescens lucem non viderit&rdquo, (l. 2).Part of the book is written in the form of a dialogue among the author himself, the poet Vincenzo Giliani, and the famous astronomer Pietro Paolo Gallucci, who at p. 3 says that he was 85 years old and deals with the telescope.Little is known about Limpio. He was born in Bari and was among the founders of the second Accademia Veneziana.Riccardi, II/I, 49 - 50, Houzeau - Lancaster, 13842.

      [Bookseller: Libreria Govi Alberto]
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        La resurrezione di Lazzaro

      1613. Acquaforte, circa 1610/16, firmata in lastra in basso al centro. Magnifica prova, impressa su carta vergata coeva con filigrana "grappolo d'uva" (Griffiths & Hartley 11), rifilata al rame e completa della linea marginale, lievi restauri perfettamente eseguiti, nel complesso in ottimo stato di conservazione. Di Jacques de Bellange, pittore alla corte di Carlo III di Lorena dal 1602, non si è misteriosamente conservato nessun dipinto, mentre quarantotto opere a stampa della più alta qualità d'invenzione e realizzazione sono a noi note. Lo stile grafico di questo incisore è pressoché unico. Impossibile non riconoscere una sua opera e molto difficile studiarne l'evoluzione artistica poiché la tecnica ed il repertorio delle forme non cambiano mai. Oltremodo il Bellange incisore nasce relativamente tardi e i suoi lavori sono raggruppati nello spazio di pochi anni, tra il 1610 e l'anno della morte. Le sue incisioni sono caratterizzate dall'arbitrarietà degli spazi, dalla prospettiva impossibile, da errori di anatomia, dalla stravaganza delle vesti ma anche dall'esaltazione delle passioni, della religiosità e della sensualità. Il suo manierismo subisce nettamente l'influenza del Parmigianino, mentre è possibile che nel viaggio in Italia venga a contatto con Ventura Salimbeni. Lazzaro di Betania era il fratello di Marta e Maria (identificata da Giovanni con la Maddalena). Il Vangelo narra che Gesù Cristo, quattro giorni dopo la sua morte, lo resuscitò. Nell'iconografia Marta e Maria, a volte, sono entrambe raffigurate genuflesse ai piedi di Cristo, presso la tomba dalla quale sta sorgendo Lazzaro. Anticamente gli ebrei inumavano i morti in posizione eretta, e l'arte bizantina rappresenta Lazzaro in questo modo, ed esempi di simili raffigurazioni si trovano sino al Rinascimento. Dopo di allora il corpo sorge da una bara. Marta ed altri astanti sono talvolta raffigurati in atto di tapparsi il naso a causa del cattivo odore emanato dal cadavere, un particolare che aggiunge forza alla rappresentazioni del miracolo. Sin da epoca remota la resurrezione di Lazzaro venne rappresentata come una prefigurazione della Resurrezione di Cristo. Secondo Walch la composizione è ispirata dall'opera di Jan Muller. Etching, 1610/16 circa, signed on plate at lower centre. Magnificent work, printed on contemporary laid paper with "bunch of grapes" watermark (Griffiths & Hartley 11), trimmed to the platemark, signs of folds perfectly restored, in very good conditions. Not a single painting by Jacques de Bellange, Royal Painter in the court of Charles III of Lorena since 1602, has been preserved nowadays, while we have forty - eight prints of a very high quality for realization and invention. The graphic style of this engraver is absolutely unique. Impossible not to recognize a work of Bellange, while it's very difficult to study his artistic progress for his technique never changed. He works as engraver only for a few years, from 1610 until his death, starting at relatively mature age. His characteristics are: impossible prospective, anatomical errors, exaltation of passion, religion and sensuality. His mannerism has been deeply influenced by Parmigianino and by Ventura Salimbeni, whom he probably met during his trip to Italy. Lazarus of Betany was the brother of Martha and Mary (the one that John called Magdalene). The Gospel says that Jesus Christ revived Lazarus to life four days after his death. In classical iconography, Martha and Mary are both kneeling at Christ's feet, close to the tomb from which Lazarus is coming out. In old times, Jewish used to bury their dead in a standing position and from Byzantine art to the Renaissance, Lazarus is represented in this position. After that period, he comes out from a coffin. Martha and other people are sometimes represented while holding their noses, due to the bas smell of the corpse; this particular detail gives more strength to the representation of the miracle. The resurrection of Lazarus has been since long represented as a presage of Christ's resurrection. According to Walch, the composition draws inspiration from Jan Muller's work. Robert - Dusmenil 6, Walch 47. 461 311

      [Bookseller: Libreria Antiquarius]
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        DISCOURS DE L'ESTAT DE PAIX E DE GUERRE - LE PRINCE - L'ART DE LA GUERRE.

      PARIS, CLAUDE RIGAUD 1613-1614. In 8vo (cm 18x11,5). Tre rare edizioni unite in un volume. Legatura in piena pergamena coeva, tassello con titoli in oro al dorso. Frontespizio con vignetta incisa per ogni opera. Capilettera e fregi. Discours De l'estat de Paix e de Guerre carte 4 - 290 - 8. Le Prince carte 4 e da 9 a 85+3. L'Art de la Guerre carte 8 - 208 con 9 tavole ripiegate incise in rame. Qualche tarlo senza lesioni del testo, ottimo esemplare.

      [Bookseller: studio bibliografico Travel Around]
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        La Visione. Poema di Dante Alighieri diviso in Inferno, Purgatorio, Paradiso. Di nuovo con ogni diligenza ristampato. Vicenza, ad istanza di Francesco Leni libraro in Padova, 1613

      Leni F, 1613. in - 16 (mm. 100 x 72), pp. 608, ff.(16) in fine, contenenti una tavola dei Capitoli e una tavola degli Argomenti. Carattere corsivo. Titolo entro bordura silografica ornata. Legatura coeva in pergamena rigida, titolo ms. al dorso. Dedicato dallo stampatore "al molt' illustre et Eccellentiss. sig. mio osservandissimo sign. Gio. Batt. Minardi". Rarissima edizione, assai ricercata, essendo la prima delle sole tre edizioni della Commedia pubblicate nel Seicento (le altre uscirono a Venezia ed a Padova nel 1629). Questo incredibile oblio del sommo poeta è chiaro testimone del decadimento culturale dell'Italia secentesca. In questa edizione compare per la prima volta il titolo di ''Visione'' in luogo di ''Divina Commedia'', che vuole significare ''il complesso delle cose da lui vedute nel mistico suo viaggio'' (Scartazini, Enciclopedia Dantesca, II, 2154). Esempl. con gli usuali margini ridotti in testa e restauro all'angolo sup.est. del titolo, che tocca la bordura; antica nota di possesso al verso dell'ultimo foglio.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Siue De Imitatione B. Mariæ Virginis Liber, & Sacrum eiusdem Rosarivm. (+ SECOND TITLE): Tractatvs De Rosario B. Virginis Mariae, Qvo Eivsdem Rosarii Legendi recta methodus traditur, atque eximiae illius vtilitates percensentur.

      1613 - (ARIAS Francisco) D. Virgo imitanda. R. P. Francisci Arias [.], Siue De Imitatione B. Mariæ Virginis Liber, & Sacrum eiusdem Rosarivm [.]. Editio noua, ex Hispanico passim restituta & aucta. Coloniae Agrippinae 1613. Apud Ioannem Kinckium [.]. 12°, [10] k., 425 s. : inicj., marginalia, sygnet druk. WspóÅ‚opr.: ARIAS Francisco - R. P. Francisci Ariae [.], Tractatvs De Rosario B. Virginis Mariae, Qvo Eivsdem Rosarii Legendi recta methodus traditur, atque eximić illius vtilitates percensentur. Coloniae Agrippinae 1613. Apud Ioannem Kinckium [.]. 12°, 234 s. : inicj., marginalia, sygnet druk. ObciÄ™cia barwione. Opr. sk. z epoki. OkÅ‚adki tÅ‚ocz. Grzbiet ze zwiÄ™zami. Dwie klamerki. Åšlady niew. zawilg. Åšlady kornika. Na okÅ‚ wytÅ‚oczona data 1622 i symbol: IHS. Na grzbiecie tyt. piórkiem. Na k. tyt. odrÄ™czny podpis. Arias Francisco (1533-1605) - jezuita, hiszpaÅ„ski teolog i pisarz ascetyczny. Klocek zawiera dwa dzieÅ‚a teologiczne: O naÅ›ladowaniu 10 cnót NajÅ›wiÄ™tszej Maryi Panny oraz Nauka o Różanym Wianku NajÅ›wiÄ™tszej Maryi Panny. 2 WORKS OF ARIAS BOUND TOGETHER. [Attributes: Hard Cover]

      [Bookseller: Antykwariat Wójtowicz]
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        Aphorismes civill and Militarie: Aplified with with Authorities, and Exemplified with Historie, out of the first Quaterne of Fr. Guicciardine

      London: Imprinted [by R. Field] for Edward Blount, 1613. First edition. Woodcut printer's device on title, engraved portrait of the dedicatee Prince Charles on title verso, woodcut headpieces and decorative initials. Folio. Nineteenth-century olive morocco, gilt-ruled border and gilt-stamped laurel wreath on both covers, ties missing, some slight marginal soiling on a few leaves. First edition. Woodcut printer's device on title, engraved portrait of the dedicatee Prince Charles on title verso, woodcut headpieces and decorative initials. Folio. The author, who translated part of The Hypnerotomachia Poliphili, became Master of the Charterhouse. The work is dedicated to the young Prince Charles (later King Charles I) whose youthful portrait adorns the title verso. A fine, crisp copy. STC 6197; ESTC S109203. Provenance: Earl of Winchelsea (signature on dedication page) - E.S. & H. Lloyd (engraved armorial bookplate). From the library of Robert S. Pirie with his bookplate

      [Bookseller: James Cummins Bookseller]
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        Nomotexnia; Cestacavoir, un description del common leys dangleterre solonque les rules del art

      London : printed [by Adam Islip] for the Societie of Stationers (Society) 1613 - Early English common law. [6], 22, [9], 23-149, [1] leaves. Bound in early 20th century cloth. Engraved title. Old dampstaining. Bar Association of New York stamp on title. Printed in Anglo-French (law French). Nomotexnia "consists of four books. The first" is devoted to "jurisprudence, and is mainly devoted to expounding the distinction between natural and 'positive' law. It is learnedly written, Plato and Cicero being frequently cited. The second book deals with the common law, customs, prerogative, and statute law; the third with procedure, and the fourth with special jurisdictions, e.g. those of the admiral and the bishop? As an exposition of the common law, Finch's Law, as it was called, was only superseded by Blackstone's 'Commentaries,' so far as it dealt with jurisprudence only by the great work of Austin. " Dictionary of National Biography, Vol. 19, Finch, Henry (d.1625), pp. 12-13. Refs: STC 10870; ESTC S121340. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sequitur Books]
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        Chamaeiris, appartenete all'opera Hortus Eystettensis

      1613, I edizione 1613 - Grande e bellissima tavola incisa su rame e colorata, raffigurante 4 specie di Iris, appartenente alla grandiosa opera commissionata dal Vescovo di Eichstadt, Principe Von Gemmingen, a Basilius Besler per illustrare il suo lussuoso giardino. Stampa originale. Riferimenti bibliografici: Nissen 158; Blunt 95-97

      [Bookseller: Valeria Bella Stampe Srl]
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        Stramonia / Botris Draconti & maior / Halimus.

      Nürnberg, Besler 1613. handkolorierter original Kupferstich aus dem berühmten Hortus Eystettensis von Basilius Besler aus dem Jahre 1613. -- mit leichtem Abklatsch, leicht gebräunt - gut erhalten. -- Bild-Masse ca. 50 cm x 41 cm -- dekorativ hinter Glas und im Passepartout gerahmt -- Aussenmasse Rahmen ca. 70 cm x 57 cm. - Nicht ausgerahmt. -- Auf Wunsch kann im Raum München ausgeliefert werden. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Völkel]
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        The Essaies of Sr Francis Bacon Knight, the Kings Aturney Generall. His Religious Meditations. Places of Perswasion and Disswasion. Seene and Allowed. London: Printed for John Jaggard, Dwelling at the Hand and Starre Betweene the Two Temple Gates, 1613 [Bound with:] Sir Francis Bacon His Apologie, in Certaine Imputations Concerning the late Earle of Esses. Written to the Right Honorable his very good Lord, the Earl of Devonshire, Lord Lieutenant of Ireland

      London: [John Beale] for John Jaggard, 1613. Beale piracy, with "Aturney" on title-page. Title within border of printer's ornaments, head- and tailpieces, woodcut initials, "Of the Colours" section title. [232] pp. Collation: A-O^8 P^4 (lacking blank A1, P4 blank present). Small 8vo. Contemporary stiff vellum, manuscript title on spine. A few leaves at the beginning shaved close to the running-head. Beale piracy, with "Aturney" on title-page. Title within border of printer's ornaments, head- and tailpieces, woodcut initials, "Of the Colours" section title. [232] pp. Collation: A-O^8 P^4 (lacking blank A1, P4 blank present). Small 8vo. Beale Pirated Edition of Bacon's Essayes. [Bound with:] Sir Francis Bacon His Apologie, in Certaine Imputations Concerning the Late Earle of Esses. Written to the Right Honorable His Very Good Lord, the Earl of Devonshire, Lord Lieutenant of Ireland. London: Mathew Lowns, 1605. Third edition, second state of title-page with "Apo-/ logie". 72 pp. Collation: A-D^8, E^4. ESTC S1398; Gibson 70. There were three editions of Bacon's Essayes dated 1613 with a Jaggard imprint. The first, printed by Jaggard after the 1612 Beale edition of the Essayes, has the spelling "Atturny" for "Attorney" on the title-page. The other two printings, which spell "Attorney" as "Aturney" (as here) and "Atturney" are in fact counterfeit editions, printed by the same John Beale whose 1612 edition stood as the model for Jaggard's 1613 edition. There is some debate about Jaggard's right to print the Essayes, as he never registered the work with the Stationers' Company (see Pforzheimer 29 for the arguments). The Essayes of statesman and philosopher Francis Bacon (1561-1626) treat moral and political topics in "a terse, aphoristic style … which Bacon conceived as a genre setting down discrete observations on life, and aspiring to some kind of objective validity" (ODNB). "In an age of complicated and superficial verbiage, [Bacon] turns the licence of imaginative and allusive expression into an instrument of accurate and chastened thought" (Cambridge History of English and American Literature). The Essayes were originally circulated in manuscript among Bacon's friends - the threat of a pirated edition by Richard Seeger lead to Bacon entrusting the work to Humfrey Hooper for publication in 1597. ESTC S100361; Gibson 9; Pforzheimer 29. Provenance: The Jeffrey Young Collection (Sotheby's, 14 December 1992, lot 11); Robert S Pirie (his bookplate)

      [Bookseller: James Cummins Bookseller]
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        A Booke of Proclamations, published since the beginning of his Maiesties most happy Reigne ouer England [with] two manuscript tables of the proclamations of Elizabeth and a third extending the printed table from years 8 to the end of James. S.T.C. 7760

      London: Imprinted . . . by Robert Barker [etc.], 1613. Contemporary calf, rubbed, front board loose, else especially clean and fresh, the Taussig copy; uncommon, three copies in ESTC in North America Expanded edition of a controversial work, viewed by the House of Commons as demonstrating James's attempt to effect unilaterally by proclamation acts requiring Parliamentary consent, leading to the voiding of those contended to be especially grevious

      [Bookseller: Meyer Boswell Books, Inc.]
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        BILANCIO DE POTENTATI d'Europa. s.l.n.d. RELIE AVEC (à la suite): 2). BOCCALINI (Traiano) (?). La Monarchia di Spagna. s.l.n.d. 3). [ du même (?) ]. Seconda Centuria della Monarchia di Spagna. s.l.n.d. 4). PII PRETESTI della Monarchia Spagnuola come scoverti da Politici Francesi. s.l.n.d. 5). BOCCALINI (Trajano) (?). Decizione di Precedenza tra Roma, e Napoli. s.l.n.d. 6). BOCCALINI (Traiano) (?). Cavallo Napolitano domato da Spagnoli. s.l.n.d. 7). RAGINAMENTO LAGRIMEVOLE del Rè de'Mori col Regno di Napoli. s.l.n.d. 8). RAGIONI del Serenissimo di Mantova in risposta al Sereniss. di Savoia. s.l.n.d. 9). MANIFESTO della pretensione che tiene la Corona di Spagna sopra l'Asteggiana di Piemonte. s.l.n.d. (1614). 10). RELATIONE d'una scrittura ri

      - Ensemble 18 opuscules in-8. 1). 10ff. 2). 7ff. (1f.blanc). 3). 5ff. (1f.blanc). 4). 4ff. 5). 3ff. (1f.blanc). 6). 4ff. 7). 7ff. (1f.blanc). 8). 7ff. (1f.blanc). 9). 2ff. 10). 2ff. 11). 2ff. 12). 3ff. (1f.blanc). 13). 6ff. 14). 3ff. (1f.blanc). 15). 4ff. 16). 4ff. 17). 5ff. (1f.blanc). 18). 4ff. (1f.blanc). Cartonnage de l'époque, coutures au dos avec la mention manuscrite "Bilancio Potentati". Précieux recueil de 18 rarissimes libelles politiques parus en Italie dans les années 1613-1615 et qui semblent, à seulement trois exceptions près, manquer à toutes les collections consultées. Quatre d'entre eux sont attribués au célèbre écrivain satirique Trajano Boccalini (1556-1613), attribution qui n'est apparemment reprise par aucune bibliographie. Ces publications éphémères au ton goguenard, dans lesquelles l'Espagne est souvent mise en accusation mais qui concernent aussi la Savoie, ont été rassemblées à l'époque, apparemment dans l'ordre chronologique. Quelques taches, mouillures angulaires claires et traces de plis antérieures à la reliure témoignent de la trajectoire séparée de chaque pièce avant d'être réunies. Bel exemplaire dans un charmant cartonnage du temps. [Attributes: Hard Cover]

      [Bookseller: Librería Comellas]
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        Epistolae Selectae & in libros tres distributae opera Doct. Petri Canisij Theologi. Ad exemplar Mariani Victorii Reatini, Episcopi Amerini, emendatae, argumentisque illustratae. Editio nova, emendata, et recognita.

      Paris, Nivellius für Cramoisy, 1613. - circa 12,6 x 9,5 cm. 20 (1 w.) Bll., 417 SS., 49 Bll., mit 1 Kupferstich Blindgeprägtes Schweinsleder d. Zt. auf Holzdeckeln mit Schließen Hübsche Taschenausgabe der Briefe des heiligen Hieronymus in der Edition von Petrus Canisius (1521-1597). Der Kupferstich zeigt den Kirchenvater als Eremiten in einer Grotte mit Buch und Totenkopf. - Schöner blindgeprägter Schweinslederband mit kleinen Me - Wenig gebräunt, Titel mit kleinem, gelöschtem Stempel, sonst meist sauber, etwas berieben. Dekorativ und mit intakten Schliessen. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        Sultan Zambach Martagon Constantinopolitanum Flore Albo.

      Sultan Zambach Martagon Constantinopolitanum Flore Albo. 1st edition, plate:89. 475 x 395 mm. £4500

      [Bookseller: Henry Southern Ltd.]
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        EXAMEN THEOLOGIAE MORALIS.

      - In quatuor diuisum partes. Elenchus operis verso solio inuenietur. Auctore Licenciato Antonio Fernandez de Moure, presbytero Theologo, Lusitano Bracharesi, Indiaru quõdã, nunc Hispaniarum Primatis D. D. F. Alexij de Meneses Capellano, totiuq; Dioecesis Predicatore. Dominationi Domini sui dicatum opus. [Vinheta com brazão do Arcebispo D. Aleixo de Meneses]. Superioru permissu, & priuilegio Regie Maiestatis, per Iberiam, & Portucalia Regna. Per decenium. Bracarae Augustae. [Braga] Typis, & expensis Fructuosi Lauretij de Basto. Anno Domini. M.DC.XIII. [1613] In 8º (de 19x14 cm) com [9] 501 [7] fólios. Encadernação da época inteira de pergaminho com título escrito manuscrito na lombada. Exemplar com título de posse manuscrito na folha de rosto [do Loreto? de Coimbra]; leves manchas e picos de traça marginais. Apresenta um título de posse escrito a tinta azul na folha de guarda anterior que se propagou levemente para os fólios impressos. Impressão bracarense a duas colunas, ornada com o brasão de D. Aleixo de Meneses na folha de rosto e com iniciais ornamentadas e vinhetas xilográficas. As folhas preliminares incluem: índice, suma dos privilégios, censura de Fr. António Freire, licenças, dedicatória do autor a D. Frei Aleixo de Meneses, autor aos leitores, carta do tipógrafo a D. Frei Aleixo de Meneses e poesias latinas em louvor do autor da autoria de Francisco Saraiva Abade de São Bartolomeu de Tadim. As folhas inumeradas finais contêm um índice de matérias, uma equivalência entre os títulos das Ordenações e uma extensa errata. Obra de teologia moral, que teve grande êxito entre os eclesiásticos de todo o mundo sendo muitas vezes reimpressa no estrangeiro. Na primeira parte trata do amor a Deus e ao próximo e dos Dez Mandamentos; a segunda dos cinco mandamentos da Igreja e das censuras e penas eclesiásticas; a terceira é sobre os Sete Sacramentos e a quarta parte trata das questões dos pecadores de vários estratos sociais organizadas por ordem alfabética, e por último das obras de Misericórdia. Raríssima primeira edição. Inocêncio não refere e não consta dos mais célebres leilões de livros do séc. XX. Barbosa Machado I, 271-272 António Fernandes de Moura natural de Braga não fomente Douto na Sagrada Teologia, a cuja faculdade indefessamente se aplicou, e em a noticia de hum, e outro Direito, mas no ministério do Púlpito, que com grande aplaudo exercitou nas Dioceses de Braga, e Lamego, em cujo Bispado foi Examinador Sinodal, e muito aceito ao Prelado desta Igreja o Ilustríssimo D. João de Lancastre. Não mereceu menor estimação no conceito do Ilustríssimo Arcebispo Primaz D. Fr. Aleixo de Menezes que sumamente o venerava mais pela inocência dos costumes, que pela profundidade das letras. Para instruir aos Confessores com hum fácil método na administração do Sacramento da Penitencia aplicou todo o desvelo compondo a obra seguinte, que repetidas vezes foi impressa. Examen Theologia Moralis in quo medulla univerfarum quaestionum ad cafus conscientia pertinentium ex Sacra Theologia, & utroque jure, nec non ex graviffimis, & abfolutissimis tam hujus, quam fuperioris avi scriptoribus, et fummistis deprompta teflimoniis, & exemplis confirmata continentur in quattuor partes divisum; primam agentem de Praceptis Decalogi; fecundam de Prceceptis 'Exclefiae tertiam de Sacramentis quartam de peccatis, addito ad calcem brevi Traãatu de Operibus Mifericordia. Bracharae Augustae apud Fructosum do Basto 1613. 4. Coloniae Agripinae apud Petrum Henigium 1616. 8. 1618. 1626. 1628. 1641. 1645. 4. et Smptibus Heningij 1653. Lugdimi apud Claudium Larjot 1627. 8. Duaci apud Gerardum Patte 1620. 8. Brixise apud Bartholomíeum Fontana. 1622. 4. Rhotomagi apud Romanum Malherbe. 1639. Tradusido em Francez. Pariz 1627. 4. Compôs mais Compendio moral, e Resoluçoens de Cafos de Conciencia. Porto por Joaõ Rodriguez. 1625. 8. e Lisboa. 1629. 8. Celebraõ o feu nome Nicol. Anton. In Bib. Hifp. Tom. I. pág. 92. Joan. Soar. De Bríto in Theat. hufit. Utter. lit. A. n.

      [Bookseller: Livraria Castro e Silva]
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        BIBLIA HEBRAICA, cum Interlineari Interpretatione Latina, Xantis Pagnini... Interpretatio... Ben. Ariae Montani... Collato Studio e Verbo Reddita...

      Antwerp: Ex Officina Plantiniana Raphelengii. 1613. n. Full calf. Very good. 8vo. 2 volumes. (60),659,(1)pp. [Volume I: The Hebrew Bible, or Pentateuch]. Interlinear Translation, Hebrew and Latin. WITH: [Volume II] (BIBLE. PROPHETS. HEBREW AND LATIN) LIBRI JEHOSUAH, JUDICUM, SAMUELIS, ET REGUM Hebraice: cum Interlineari Versione Xantis Pagnini; Ben. Ariae Montani, & Aliorum Collato... (Antwerp): Ex Officiana Plantiniana Raphelengii. 1611. 583,(1)pp. BOUND WITH: LIBRI DUO PARALIPOMENON HEBRAICE... Xantis Pagnini... Ben. Ariae Montani. (Antwerp): Ex Officina Plantiniana Raphelengii. 1611. (549)-763pp. BOUND WITH: (BIBLE. O.T. PSALMS. HEBREW AND LATIN) PSALMI DAVIDIS HEBRAICI... Xantis Pagnini, Ben. Ariae Montani... (Antwerp): Ex Officina Plantiniana Raphelengii. 1615. 183,(1)pp. Both volumes bound in early calf, rebacked, with old red morocco spine labels laid down. Each volume with the ink inscription by Jacob H. Schiff stating that the set was purchased in March of 1887 in St. Augustine, Florida. Also, each volume signed on the titles, "E Libri Ricardi Fry" circa 1700?

      [Bookseller: Kenneth Karmiole, Bookseller, Inc.]
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        Besler, Basilius. - "Gartenpflanzen Fol. 5".

      Eichstätt und Nürnberg - 1750 1613 - Historische Grafik. Kupferstich, koloriert, um 1700. Von Basilius Besler. 45,0 x 38,0 cm (Darstellung ) / 53,0 x 43,3 cm (Blatt). Aus: Basilius Besler, Hortus Eystettensis (Eichstätt und Nürnberg 1613 - 1750). - Verso mit dem gestochenen Text. Alle Pflanzen unterhalb betitelt. - Die Arbeit zeigt fünf Pflanzen aus dem Garten in Eichstätt, welcher 1597 im Auftrag vom Bischof von Eichstätt, Johann Konrad von Gemmingen auf dem Gelände der Willibaldsburg in acht Terrassen errichtet wurde. Der Garten wurde über die Landesgrenzen hinaus berühmt und Besler bekam den Auftrag der Veröffentlichung seiner Pflanzenwelt, die fortan zu den Kostbarkeiten der Barocken Botanika gehörten. Guter kräftiger Druck auf Bütten des 18. Jhd. versehen mit einem sehr ansprechendem Kolorit. - Eine horizontale Druckfalte. Gut erhaltenes Exemplar mit Rand. Basilius Besler (1561 Nürnberg - 1629 ebd.). Deutscher Apotheker, Botaniker und Verleger. Er führte seine eigene Apotheke ?Zum Marienbild? in Nürnberg und einen botanischen Garten nebst Naturalienkabinett. Wurde berühmt für seine Veröffentlichnung der Pflanzen im Garten von Eichtsätt.

      [Bookseller: Graphikantiquariat Koenitz]
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        Medullae Theologiae Patrum Pars Prima in qua theologia clarissimorum veteris ecclesiae doctorum, qui ante nicaenum concilium floruerunt, methodo analytica& sythetica expressa, & à Roberti Bellarmini corruptelis vindicata est;

      Vetter Abraham, Amberg 1613 - Vierte erweiterte Ausgabe; Leder der Zeit, mit Bündeln und Titel, fest, an Kanten berieben, Abnutzung an Kapital; alte Schrift auf Vorsatz und Titelseite, Teile I und II zusammengebunden (von vier?); in I viele gebräunte Seiten, weniger in II; Zustand gut, aber in I gibt es viele kleine weisse Stellen durch überklebtes Papier (Restaurierung möglich); XXIV, 478, Index (15), X, 371, Index (17); im ganzen gutes Ex. [Attributes: Hard Cover]

      [Bookseller: Magnus]
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        Missale Romanum (ex Decreto Sacrosancti Concilii Tridentini Restitutum, PII. V. Pont. Max. IUSSU Editum, et Clementis VIII Auctoritate Recognitum)

      Published by Officina Plantiniana (Viduam & Filios Ioannis Moreti), Antwerp 1613 - , 64 pages preliminaries, including calendar of religious festivals 'Proprium Missarum de Tempore' 542 pages, followed by 'Commune Sanctorum',ciiij pages, and 6 unnumbered pages of index and colophon. Bound with 'Missae Propriae Sanctorum' (Venice 1677, printed by Joseph Prosdocimi) , 32 pages 'Missae Recitandae',11 pages , 'Missae Propriae Sanctorum', ( Venice 1763, Pezzana ) 36 pages, 'Missa in Festo', 8 pages 'Aliae Missae Novissimiae', 2 pages, 'Missae Propriae Sanctorum' 16 pages, and 3 handwritten pages in Latin at the rear. Red and black script to engraved title pages, decorated initials, woodcut tailpieces and several pages of musical notation, 6 full page engravings with facing page containing text in engraved border. Detailed annotations to calendar and lower blanks. , original boards with some dents and wear, occassional wormhole, indication that clasp has been removed, split to joint and repair to hinge, marking to free endpapers, repairs to some pages (21, 275, 327) and a leaf replaced (page 41) the plate on the verso of this leaf appears to be by a different illustrator, so may not be the correct one, good condition , early binding with gilt and blindstamped decoration, gilt rules and decorated compartments to spine with raised bands, gilt gauffered edges with 2 vellum? page tabs, highly decorated hand coloured contemporary? woodblock pastedowns, , in sixes, 33.5 x 22.5 cms Hardback ISBN: [Attributes: Hard Cover]

      [Bookseller: Keoghs Books]
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        Istoria e dimostrazioni intorno alle macchie solari e loro accidenti

      

      [Bookseller: Peter Harrington]
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        Irissen - Hortus Eystettensis.

      Kopergravure uit de magistrale Hortus Eystettensis van de hand van Basilius Besler uitgegeven in 1613. Later met de hand gekleurd. Afm. (druk) 48 x 38,5 cm.Besler (1561 '" 1629) was een gerespecteerd apotheker en botanicus uit het Beierse Neurenberg. Hij was curator van de tuin van Johann Konrad von Gemmingen, prins bisschop van Eichstätt. De bisschop had de enige belangrijke Europese botanische tuin buiten Italië.Besler had 16 jaar nodig om de tuin in Eichstätt in kaart te brengen. Zijn zgn. Hortus Eystettensis legde voor het eerst nadruk op de esthetische weergave van de planten, dit in tegenstelling tot planten- en kruidenboeken in de eeuwen ervoor, waarbij het gebruikelijk was schetsmatige afbeeldingen op te nemen.De Hortus Eystettensis veranderde daarmee de botanische kunst radicaal.De tuinbloemen, kruiden, fruit en exotische planten werden op ware grootte vol details afgebeeld. Het werk werd voor het eerst uitgegeven in 1613 en bestond uit 367 kopergravures, met in totaal 1.084 soorten.Het boek kwam op de markt in twee versies: als zwart-wit naslagwerk en een luxe uitgave zonder tekst. De de luxe versie werd verkocht voor het exorbitante bedrag van 500 florijnen.De Hortus volgt de vier seizoenen, waarin eerst de bloei en daarna de vruchtvormingsfasen worden afbeeld.Prijs: € 2.150,-.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, jure, praestantia & operationibus, continens. Band 4 (von 5).

      Strassburg Zetzner 1613 - (17 x 10,5 cm). (8) 1146 (33) S. Mit einigen Textholzschnitten, 3 gefalteten Holzschnitt-Tafeln und 1 gefalteten Tabelle. Halbpergamentband der Zeit. Zweite Ausgabe dieser umfassenden Sammlung alchemistischer Texte. - Etwas gebräunt bzw. fleckig. Vereinzelt mit Bleistiftanstreichungen. Oberer Rand etwas knapp beschnitten. Im ersten Viertel einige feine ausgebesserte Wurmstiche. Einband etwas bestoßen. Insgesamt gut erhalten. - Ferguson II, 436 (Anm.); Duveen 574; Caillet 10598; Bolton 1050 (mit ausführlicher Inhaltsangabe); Brüning 1073; VD17 39:120891A

      [Bookseller: Antiquariat Gerhard Gruber]
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        Sultan Zambach Martagon Constantinopolitanum flore albo I. Madonna lily; White lily with bulb II. Speedwell; Bird's eye III. Madonna lily; White lily with bulb

      Eichstätt & Nürnberg 1613 - Original copper engraving in fine hand coloring. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
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        [Stem on the Indian Fig] Folium Opuntiae cum flore & fructu; [Fruit of the Indian Fig] Fructus Opuntiae; [Fruit of the Indian Fig] Fructus Opuntiae dimidiodissectus

      Eichstatt, 1613. Engraving. Very good condition apart from some slight offsetting, mild creasing, and a few skillfully repaired tears and small losses in the bottom margin. Basil Besler published "Hortus Eystettensis", the earliest large folio botanical, at Eichstatt near Nuremburg, in 1613. He worked on the drawings for the 374 copper engravings over a period of sixteen years using the plants in the garden of Bishop Johann Conrad von Gemmingen, his patron. Depicted in this florilegium were flowers, herbs, vegetables and newly discovered plants such as tobacco and peppers. Besler was, in modern terms, a botanist and horticulturalist, and he was familiar with real and alleged medicinal properties of various plants. Besler had the good fortune to live at a time when exotic plants were being shipped to Europe from all over the world. The garden that he organized and illustrated for his patron was both ornamental and experimental, and the large book he had engraved after his drawings was unique. The prints, made by a team of master engravers, are strong and exquisitely done.

      [Bookseller: Donald Heald Rare Books]
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        Kst.- Karte, n. Mercator b. Hondius, "Emden & Oldenborch Comit.".

      - mit altem Grenzkolorit, 1613, 34 x 42,5 Koeman Me 23 A. - Zeigt Ostfriesland und Oldenburg.

      [Bookseller: Antiquariat Nikolaus Struck]
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        [COMPLETE BOOKS OF THE APOCRYPHA]. [The Holy Bible: conteyning the Old Testament, and the New. Newly Translated out of the Originall Tongues: and with the former Translations diligently compared and revised, by his Maiesties speciall Commandement. Appointed to be read in Churches]

      

      [Bookseller: Michael Laird Rare Books LLC]
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        [COMPLETE FOUR GOSPELS]. [The Holy Bible: conteyning the Old Testament, and the New. Newly Translated out of the Originall Tongues: and with the former Translations diligently compared and revised, by his Maiesties speciall Commandement. Appointed to be read in Churches]

      London: Robert Barker, 1613-1611. Second folio edition or "She" Bible. Very good antiquarian condition. Folio. 66 consecutive leaves, collates A-L6, COMPLETE THUS. In a spectacular "Coptic" binding by Joseph Adams of Eidolon House: heavy wooden boards, upper cover adorned with elaborate chased metal circular ornament in the early Coptic style, the 11 gatherings of text and two gatherings of endleaves sewn on heavy linen thread in Coptic manner; title soiled and a little frayed along edges; E3 significantly soiled, E4 inner margins extended with some loss, several leaves repaired; D2-D6 headlines cropped. With the celebrated title-page to the New Testament engraved in wood by the Swiss artist Christopher Switzer, possibly after a design by Rowland Lockey (monograms appear in the niches on either side of the image of the sacrificed lamb on the altar). THE FOUR GOSPELS FROM THE GREAT "SHE" BIBLE OF THE KING JAMES BIBLE, "First Edition, Second Issue" (according to Fry), or "Second Edition" (Herbert). This translation of the Bible is widely considered a towering achievement in English literature, as both beautiful and scholarly. The King James, or "Authorized" Version of the Bible has been called "the most influential version of the most influential book in the world, in what is now its most influential language," "the most important book in English religion and culture", and "the most celebrated book in the English-speaking world." Our copy of the King James Bible is known as the "Great She" Bible, designated as Fry's "first edition, second issue, without reprints." Herbert contradicts this with the statement: "Others more correctly style it the 'second folio edition, 1613, 1611,' inasmuch as it deserves to be reckoned a distinct edition." The bibliographic complexities between the two are legion and legendary. "A number of typographical errors appeared in the 1611 printing of the King James Bible. One of the best known is in Ruth 3:15, which reads "he went" where the context calls for "she went." This error was corrected in the 1613 reissue of the Bible. The two printings are referred to as the "He Bible" and the "She Bible." In 1613 the type was completely reset and the text was reprinted, but the title pages from the 1611 printing were added to the sheets, which is why bibliographers refer to the "She Bible" as a first edition, second issue." (SOURCE: Brigham Young University, The Life and Legacy of the King James Bible, Celebrating 400 Years, exhibition online accessed 1/14/16). David Norton rejects the "first edition, second issue" designation, arguing instead for two separate "editions," but not without considerable qualification. Norton suggests that the "He" Bible sold out quickly, and that Robert Barker began printing sheets of the "She" Bible in order to supply further demand. "Copies were made up intermittently as purchase orders came in. The muddle in Barker's printing house was that, once varying sheets were available, no two copies were made up of the identical sets of sheets. Moreover, sheets continued to be available when the later large folios were made, so some copies of them have sheets from different editions, including sheets from the second edition" (SOURCE: David Norton, A Textual History of the King James Bible, p. 66). In our copy, Matthew 26:36, "Judas" has been corrected to "Jesus" in contemporary manuscript (at Robert Barker's shop?) as commonly. BINDING: An imposing and perfectly sympathetic binding of the Four Gospels, constructed by Joseph Adams of Eidolon House using Coptic sewing techniques that were employed by early Christians in Egypt, and used as early as the 2nd century AD. Coptic bindings, the first true codices, are characterized by one or more sections of paper or parchment sewn through their folds, and attached to each other with chain stitch linkings across the spine, rather than to the thongs or cords running across the spine that characterize European bindings from the 8th century onwards. As typical of Coptic bookbinding structures, no adhesives were used in the construction of the present example, which not only protects but truly enhances the Four Gospels preserved herein. PRINTER: "Robert Barker received no payment for printing the King James Bible from the King, Parliament, or the Church of England; instead, Barker took on a number of financial partners to assume the cost of producing the Bible. The expenses he incurred included the casting of new types, paper and ink, and most costly of all, labor. Each copy of the Bible used 366 sheets of paper, folded so as to produce four printed pages. The pages were gathered into 123 signatures of six leaves each, which were then then arranged and sewn together" (BYU exhibition, supra). CONTENTS: The Gospel According to S. Matthew The Gospel According to S. Mark The Gospel According to S. Luke The Gospel According to S. John REFERENCES: A.S. Herbert, Historical Catalogue of Printed Editions of the English Bible, 1525-1961 (1968) number 319. Darlow-Moule 246. STC 2224.

      [Bookseller: Michael Laird Rare Books LLC]
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        Rosa lutea flore simplici I. Austrian yellow rose; Austrian briar II. Whitsuntide rose; May rose III. Red Alpine rose IV. Burnet rose; Scotch rose

      Eichstätt & Nürnberg 1613 - Original copper engraving in fine hand coloring. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
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        I. Quinquefolium palustre. II. Quinquefolium maius. III. Tormentilla. [Gerahmter Original-Kupferstich / framed original colored copper engraving].

      Eichstätt, 1613 - Eichstätt, 1613. Basilius Besler, geboren am 13. Februar 1561 in Nürnberg, gestorben 13. März 1629 ebenda, deutscher Apotheker, Botaniker und Verleger. Altkolorierter Original-Kupferstich von Basilius Besler aus dem Hortus Eystettensis von 1613. Rückseitiger Text in Latein. Abgebildet sind der "Blutauge bzw. Sumpf-Teufelsauge, aufrechtes Fingerkraut und Blutwurz bzw. Tormentill.". Kupferstich gerahmt im Holzrahmen. Maße Platte: 48,5 x 39,5 cm. Blattgröße: ca. 54 x 43 cm. Rahmen: 75,0 x 63,5 cm. Sehr gutes, farbenprächtiges Exemplar. Colored original-copper engraving by Basilius Besler from about 1613. Backside latin text. Copper engraving framed in wooden frame. Measure plate: 48,5 x 39,5 cm. Measure sheet: ca. 54 x 43 cm. Measure frame: 75,0 x 63,5 cm. Fine condition. [Attributes: First Edition]

      [Bookseller: Antiquariat Lenzen GbR]
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        [Double-flowered wood anemone] Ranunculus nemorosus flore pleno; [Yellow wood anemone] Ranunculus flore luteo; [Double-flowered bitter cress] Nasturium aquaticum flore pleno; [Bitter cress] Nasturtium aquaticum simplici flore

      Eichstatt, 1613. Hand-coloured engraving. Basil Besler published "Hortus Eystettensis", the earliest large folio botanical, at Eichstatt near Nuremburg, in 1613. He worked on the drawings for the 374 copper engravings over a period of sixteen years using the plants in the garden of Bishop Johann Conrad von Gemmingen, his patron. Depicted in this florilegium were flowers, herbs, vegetables and newly discovered plants such as tobacco and peppers. Besler was, in modern terms, a botanist and horticulturalist, and he was familiar with real and alleged medicinal properties of various plants. Besler had the good fortune to live at a time when exotic plants were being shipped to Europe from all over the world. The garden that he organized and illustrated for his patron was both ornamental and experimental, and the large book he had engraved after his drawings was unique. The prints, made by a team of master engravers, are strong and exquisitely done.

      [Bookseller: Donald Heald Rare Books]
 45.   Check availability:     IOBABooks     Link/Print  


        Papaver multiplex albumoris rubicundis - Papaver flore miniato plens - Papaver flore plens argentei coloris. (Gefüllter Mohn). Kolorierter Orig. Kupferstich von Wolfgang Kilian aus der Prachtausgabe des Hortus Eystettensis. Nürnberg 1613.

       Blatt 56 x 44 cm, Platte 48 x 39 cm. Eines der schönsten Blätter aus dem ältesten in Imperial-Folio erschienenen Pflanzen-Prachtwerk mit dem wissenschaftlichen Text auf der Rückseite. Nissen 158. Versand D: 9,00 EUR Mohn Papaver Besler Hortus Eystettensis Kilian

      [Bookseller: Versandantiquariat Matern]
 46.   Check availability:     buchfreund.de     Link/Print  

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