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Displayed below are some selected recent viaLibri matches for books published in 1572

        Antiquae urbis Roma imago accuratiss: ex vetusts monumentis ....

      1572. Foglio superiore dei due che compongono la pianta planimetrica prospettiva della città di Roma. L'incisione è tratta dalla famosa opera "Civitatis Orbis Terrarum" edita a Colonia. Stampata su due fogli poi uniti è ispirata alla celebre carta del Pirro Ligorio

      [Bookseller: Libreria Trippini Sergio]
 1.   Check availability:     maremagnum.com     Link/Print  


        Historia Fori Romani restituta, illustrata, & aucta corollariis et praetermissis, quibus series affecta conficitur per Philippum Broidaeum Ariensem ... Accesserunt eiusdem Broidaei argumenta singulorum librorum, & capitum, cum indice locupletissimo

      excudebat Lodouicus de Vuinde, 1572. In-8° (170x110mm), pp. (32), 814, (50) di indici, legatura coeva p. pergamena flessibile con unghie e titolo manoscritto all'epoca al piatto. Frontespizio con titolo entro bordura figurata . Nota di possesso in data 1798 al verso del frontespizio. Firma rinascimentale al margine superiore del frontespizio. Braghette ai risguardi ricavate da manoscritto pergamenaceo latino quattrocentesco rubricato in rosso e nero. Note latine rinascimentali alle prime due cc. bianche e al verso della carta finale bianca. Bell'esemplare. Prima edizione, rara, di questa storia dell'antico diritto e delle istituzioni legali romane. Il Pollet (Douai, 1516-ivi, 1547) fu giureconsulto a Parigi e nella sua città natale; la presente è la sua opera principale, rimasta manoscritta dopo la sua morte e data in luce solo nella presente edizione di Douai. Curatore dell'edizione fu Philippe Broide, genero del Pollet ed egli stesso avvocato. Adams, P-1780. Bibliotheca Bibliographia Aureliana, Douai, pp. 21, 22, e 35. Romain / Duthilloeul, Galerie Douaisienne ou Biographie de la Ville de Douai, passim. Manca a STC French.

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Odysseia (graece). Odyssea. Eiusdem Batrachomyomachia, Hymni aliaque eius opuscula, seu catalecta. Omnia graece & latine edita quam emendatissime cum praefatione, scholiis & indice D. Giphanii.

      Strassburg, Theodosius Rihel, (1572). - circa 17 x 11,5 cm. 827 SS., 26 Bll., mit Druckermarke auf dem Titel Pergament d. Zt., vorderer Deckel mit Prägung BEM 1608 VD16 H 4697; Adams 764; Schweiger I, 157. Durchgehend griechisch-lateinischer Text, ediert von dem Juristen und Philologen Hubert van Giffen (latinisiert Obertus Giphanius; 1534-1604). Separat erschien auch die Ilias, hier die komplette Odyssee mit dem Froschmäusekrieg und den Homerischen Hymnen. - Vorsätze vorne und hinten mit alten Notizen (teils auch griechisch), papierbedingt gebräunt, teils leicht fleckig oder vereinzelt wenig wasserrandig, meist jedoch recht sauber. Einband berieben, vorderes Gelenk und oberes Kapital mit kleinen Platzspuren, aber solide.

      [Bookseller: Antiquariat Thomas Rezek]
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        Opus Merlini Cocaii Poetae Manuanti Macaronicorum.

      Venice: Apud Jacobum Simbenium, 1572.(). Small 12mo. Publisher's device on title and 26 woodcut illustrations (some repeats). Contemporary vellum. Some soiling, light browning of text. There are marginal tears, signatures and notations on the title page.

      [Bookseller: Wittenborn Art Books]
 4.   Check availability:     Bibliophile     Link/Print  


        Calatia

      Artist: Braun/Hogenberg Franz/ Georg ( - 1618) Cologne; issued in: Cologne; date: ca 1597 1572 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 36 x 50; - description: Birds eye view of Calatia; -vita of the artist: Frans Hogenberg (1535 ñ 1590) was a Flemish and German painter, engraver, and mapmaker.Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events.George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum".The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Antique Print-PASTIMES-BACCHUS-HUNT-FALCONRY-MUSIC-LOVE-Groeningen-c.1572

      - Antique print, titled: 'Musica Bacchus Amor gaudent iuvenilibus annis ' - This print shows favorite pastimes for a 20-year old: Bacchus hunting on horseback. A Roman figure with wrath holding a falcon. Men throwing balls. Music and love. The scroll like decorative border shows musical instruments, with lute, bagpipe, trombone, flute and tennis rackets. Etching and engraving on hand laid paper. Description: From a series of 10: 'Histoire d'un Homme.', depicting the ages of man from 10-100. Published by Philips Galle. Ref: Nagler, 6, p. 132; New Hollstein, v. 4, part 1 nos. 14-23 (series). Provenance: With an unknown collection mark of a stylized tree with initials BV (not in Lugt).Artists and Engravers: Made by 'G.P. van Groeningen' after own design. Gerard P. van Groeningen / Groningen / Groenning / Groningus (act. ±1560-1590) was a Flemish painter and engraver. Condition: Very good, given age. Small stamp on reverse. Margins cropped close to the image edge. Remains of attachment to carrier to the rear of the sheet. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: RC-C13-47 The overall size is ca. 9.6 x 8 inch. The image size is ca. 9.4 x 7.6 inch. The overall size is ca. 24.3 x 20.2 cm. The image size is ca. 23.9 x 19.3 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Map-DORDRECHT-NETHERLANDS-GUICCIARDINI-Hogenberg-Braun-ca. 1572

      - Antique map, titled: 'Dordrecht' - Coloured plan of Dordrecht in the province of Zuid-Holland, The Netherlands, Holland. With the coats of arms of Dordrecht and Holland. Handcoloured etching/engraving on laid (verge) paper. Description: the famous city Atlas: "Civitates Orbis Terrarum", published in 1575-1612. Artists and Engravers: Made by 'Franz Hogenberg' after 'Georg Braun'. Franz Hogenberg (1533-1588) was the son of a Munich engraver who settled in Malines. He engraved most of the plates for Ortelius' Theatrum and the majority of those in the Civitates, and may have been responsible for originating the project. Worked and died in Cologne/Germany. He was a prolific copper engraver and etching artist of maps and town views. In cooperation with Georg Braun he created the first four volumes of the Civitates Orbis Terrarum in 1572. The fifth and sixth volume was created by Simon van den Neuwel (Novellanus). This map was made by the Dutch cartographer Jan van Liefrinck, who was active in Leiden in 1567 and died there in 1599. He received payment on 22 August 1580 from the Leiden Magistracy for his map and view of the city, which was destined for Plantijn's edition of Guicciardini's Descrittione, 1581. Georg Braun (1542-1622), a German publisher and Frans Hogenberg issued the famous six volume town book "Civitates Orbis Terrarum" between 1572 and 1618. The volumes originally published in Latin, follow by German and French translations. The plates passed to Jan Janssonius who reissued the town books in 1657 while removing the costume figures on the plates. Condition: Very good, given age. Original middle fold, tear in middle fold, reinforced with acid free archival tape. Text on reverse. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LJC-B1-16 The overall size is ca. 22.2 x 16.5 inch. The image size is ca. 18.4 x 13.2 inch. The overall size is ca. 56.4 x 42 cm. The image size is ca. 46.8 x 33.5 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Plan-Map-HERTOGENBOSCH-DEN BOSCH-NETHERLANDS-Braun-Hogenberg-1572

      - Title: 'Tshertogenbosch - Buscumducis'. Attractively coloured plan of the city of 's-Hertogenbosch / Den Bosch / Bois le Duc in the Netherlands. Hand coloured copperplate etching / engraving on a verge type handlaid paper. The colouring is of recent date. Description: This original engraved plate originates from the famous six volume town book : 'Civitatis Orbis Terrarum.', published in Cologne, 1572-1617 by Georg Braun. The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg (he created the first four volumes of the Civitates Orbis Terrarum. The fifth and sixth volume was created by Simon van den Neuwel (Novellanus), eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas. The Civitates, indeed, was intended as a companion for the Theatrum,but appeared even more succesfull. Over a hundred of different artists and cartographers, the most significant of whom was Antwerp artist Georg (Joris) Hoefnagel (1542-1600), engraved the copper-plates from drawings. He not only contributed most of the original material for the Spanish and Italian towns but also reworked and modified those of other contributors. After Hoefnagel's death his son Jakob continued the work for the Civitates. A large number of Jacob van Deventer's (1505-1575), also known as Jacob Roelofszof, unpublished works, plans of towns of the Netherlands were copied, as were Stumpf's woodcuts from the Schweizer Chronik of 1548, and Munster's German views from the 1550 and 1572 editions of his Cosmographia. Another important source for maps was the Danish cartographer Heinrich van Rantzau (1526-1599), beter known under his Latin name Rantzovius, who provided maps of Northern Europe, specially of Danish cities. The Civitates provided a uniquely comprehensive view of urban life at the turn of the sixteenth century. Other sources were the maps of Sebastian Munster from around 1550 and , and of. Braun added to the maps figures in local dress. This feature was anticipated in Hans Lautensack's etched view of Nuremberg, 1552, those groups of citizens in the rural foreground add further authenticity to the highly accurate topographical details of what was effectively Germany's cultural capital at that time. Braun's motives for adding figures to the views, however, went further: as stated in his introduction to book 1, he believed, perhaps optimistically, that his plans would not in consequence be scrutinized for military secrets by the Turks, as their religion forbade them from looking on representations of the human form.Artists and Engravers: Author: Georg Braun (1542-1622), a cleric of Cologne. Engraver: Franz Hogenberg (1536-1588). This plate after Hadrianus Barlandus. Condition: Excellent given age. A few light paper spots as usual, one backed for reinforcement. Text on rear (latin). Please study scans carefully. Storage location: TPC-Expo-P4-06 The overall size is ca. 18.7 x 13.4 inch. The image size is ca. 21.1 x 15.7 inch. The overall size is ca. 47.5 x 34 cm. The image size is ca. 53.5 x 40 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-GOUDA-NETHERLANDS-PLAN-SHIP-Braun-Hogenberg-1572

      - Antique print, titled: 'Gouda.' - A bird's-eye view plan of Gouda in The Netherlands, with key to locations and coats of arms. Copperplate engraving on hand laid paper. Description: This original engraved map originates from the famous six volume town book : 'Civitatis Orbis Terrarum.', published in Cologne, 1572-1617 by Georg Braun. The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg (he created the first four volumes of the Civitates Orbis Terrarum. The fifth and sixth volume was created by Simon van den Neuwel (Novellanus), eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas. The Civitates, indeed, was intended as a companion for the Theatrum,but appeared even more succesfull. Over a hundred of different artists and cartographers, the most significant of whom was Antwerp artist Georg (Joris) Hoefnagel (1542-1600), engraved the copper-plates from drawings. He not only contributed most of the original material for the Spanish and Italian towns but also reworked and modified those of other contributors. After Hoefnagel's death his son Jakob continued the work for the Civitates. A large number of Jacob van Deventer's (1505-1575), also known as Jacob Roelofszof, unpublished works, plans of towns of the Netherlands were copied, as were Stumpf's woodcuts from the Schweizer Chronik of 1548, and Munster's German views from the 1550 and 1572 editions of his Cosmographia. Another important source for maps was the Danish cartographer Heinrich van Rantzau (1526-1599), beter known under his Latin name Rantzovius, who provided maps of Northern Europe, specially of Danish cities. The Civitates provided a uniquely comprehensive view of urban life at the turn of the sixteenth century. Other sources were the maps of Sebastian Munster from around 1550 and , and of. Braun added to the maps figures in local dress. This feature was anticipated in Hans Lautensack's etched view of Nuremberg, 1552, those groups of citizens in the rural foreground add further authenticity to the highly accurate topographical details of what was effectively Germany's cultural capital at that time. Braun's motives for adding figures to the views, however, went further: as stated in his introduction to book 1, he believed, perhaps optimistically, that his plans would not in consequence be scrutinized for military secrets by the Turks, as their religion forbade them from looking on representations of the human form.Artists and Engravers: Made by 'Franz Hogenberg' after an anonymous artist. Author: Georg Braun (1542-1622), a cleric of Cologne. Engraver: Franz Hogenberg (1536-1588). Condition: Good, given age. Several small spots in the margins. A few light printing creases. Neatly repaired tear bottom right margin just below image. Middle fold as issued. Overall good. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B5-28 The overall size is ca. 23.6 x 19.3 inch. The image size is ca. 18.9 x 12.8 inch. The overall size is ca. 60 x 49 cm. The image size is ca. 48 x 32.5 cm.

      [Bookseller: ThePrintsCollector]
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        Calvin, Johannes: Institutio Christianae religiones.

       Calvin, Johannes. Institutio Christianae religiones, das ist, Underweisung inn Christlicher Religion, inn Vier Bücher verfasset. Aus Latienischer und Frantzösischer sprach trewlich verteutscht. Sampt der Universitet Heydelberg Theologen und Kirchendiener Vorred. Titel in Schwarz und Rot. 14 Bl., 636, 348 S., 6 Bl. Mit 2 (wiederholten) Holzschnitt-Druckermarken. 35 x 20 cm. Heidelberg, Johann Meyer, 1572. Professionell u. wunderschön restaurierter Einband mit Blindprägung von Bayntun-Riviere. VD16 C 292. – Erste deutsche Ausgabe des bedeutenden reformerischen Lehrwerks über den christlichen Glauben. Calvins Hauptwerk, an dem er über viele Jahre arbeitete und das er bis 1559 fortlaufend ergänzte, erschien zuerst 1536 in Basel bei Thomas Platter und Balthasar Lasius auf Latein, bevor es ins Französische und anschließend in alle wichtigen europäischen Sprachen übertragen wurde. – Titel komplett hinterlegt, fingerfleckig, mit Randläsuren sowie Knicken und zwei alten Besitzeinträgen. Einige Lagen am Anfang mit Wasserfleck. Letzte Seite mit Spuren v. rotem Bunterstift. Versand D: 5,00 EUR Religion

      [Bookseller: Antiquariat an der Uni München]
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        OMHPOY ILIAS, e Mallon ... - Homeri Ilias, sev potivs omnia eius quae extant opera. Studio & cura OB. Giphanii I. C. quàm emendatissimè edita, cum eiusdem Scholijs & Indicibus mouis.

      Argentorati (Straßburg), Theodosius Rihelius, [1572]. 893 + 1 S. + 36 n.n. Bll. Blindgeprägter Ld. der Zeit, mit zwei Orig.Schließen. In griech. und latein. Sprache. VD16 ZV 26627. - Ebd. berieben, stockfleckig, Besitzsign. a. V., rückw. Deckel m. kl. Fehlstelle (bis in den Holzdeckel), Gbrsp. Versand D: 7,00 EUR Altphilologie; Literaturgeschichte

      [Bookseller: Antiquariat Weinek]
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        OMHPOY ILIAS, e Mallon . - Homeri Ilias, sev potivs omnia eius quae extant opera. Studio & cura OB. Giphanii I. C. quàm emendatissimè edita, cum eiusdem Scholijs & Indicibus mouis.

      Argentorati (Straßburg), Theodosius Rihelius, [1572]. - 893 + 1 S. + 36 n.n. Bll. Blindgeprägter Ld. der Zeit, mit zwei Orig.Schließen. In griech. und latein. Sprache. VD16 ZV 26627. - Ebd. berieben, stockfleckig, Besitzsign. a. V., rückw. Deckel m. kl. Fehlstelle (bis in den Holzdeckel), Gbrsp.

      [Bookseller: Antiquariat Weinek]
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        Oenipons, sive Enipontius vulgo Inßpruck, Tirolensis conitatus urbs amplissima". Altkolorierter Kupferstich. Aus: Georg Braun und Franz Hogenberg, Civitates Orbis Terrarum.

      Köln, Selbstverlag, 1572 - 1617. - Nebehay-W. 108, 42. - Schöne mit 1575 datierte Ansicht der Stadt Innsbruck mit dem Blick ins obere Inntal aus dem bedeutendsten vor dem Dreissigjährigem Krieg erschienenen Städteatlas. - Leicht gebräunt. *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0

      [Bookseller: Matthaeus Truppe Antiquariat]
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        S. Polid vulgo Sanpölten. Inferioris Austriae Civitas". Kupferstich nach Jakob Hoefnagel. Aus: Georg Braun und Franz Hogenberg, Civitates Orbis Terrarum.

      Köln, Selbstverlag, 1572 - 1617. - Nebehay-W. 108, 24. - Schöne mit 1617 datierte Ansicht der Stadt St. Pölten aus dem bedeutendsten vor dem Dreissigjährigem Krieg erschienenen Städteatlas. Interessant ist auch die Hinrichtungsszene im rechten Vordergrund. - Gebräunt. *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0

      [Bookseller: Matthaeus Truppe Antiquariat]
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        Eisenstadium vulgo Eisnstat, in ultimis finibus Austriae Inferioris civitatis". Kupferstich nach Georg Hoefnagel. Aus: Georg Braun und Franz Hogenberg, Civitates Orbis Terrarum.

      Köln, Selbstverlag, 1572 - 1617. - Nebehay-W. 108, 22. - Schöne Ansicht von Eisenstadt aus dem bedeutendsten vor dem Dreissigjährigem Krieg erschienenen Städteatlas mit figürlicher Staffage im Vordergrund und dem Schloss Esterhazy im rechten Zentrum. - Gebräunt. *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0

      [Bookseller: Matthaeus Truppe Antiquariat]
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        Gmunden". Kupferstich nach Georg Hoefnagel. Aus: Georg Braun und Franz Hogenberg, Civitates Orbis Terrarum.

      Köln, Selbstverlag, 1572 - 1617. - Nebehay-W. 108, 53. - Schöne mit 1595 datierte Ansicht der Stadt Gmunden mit dem Schloss Orth im Vordergrund aus dem bedeutendsten vor dem Dreissigjährigem Krieg erschienenen Städteatlas. - Etw. gebräunt. *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0

      [Bookseller: Matthaeus Truppe Antiquariat]
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        Brixia Tyrolis/ Laubinga Sveviae

      Artist: Braun/Hogenberg Franz/ Georg ( - 1618) Cologne; issued in: Cologne; date: ca 1570 1572 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 33 x 49; - description: Map shows Brixen in South Tirol Italy and Lauingen in Germany Swabia; -vita of the artist: Frans Hogenberg (1535 ñ 1590) was a Flemish and German painter, engraver, and mapmaker.Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events.George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum".The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        In quatuor libros Institutionum eruditissima commentaria.Venetiis, apud Altobellum Salicatum , 1572.

      Venetiis, apud Altobellum Salicatum 1572 - Cm. 30, cc. 187 (5). Bel marchio tip. al frontespizio ed alcuni capilettera xilografici. Affascinante legatura coeva in piena perg. molle con titoli ms. al dorso ed ai tagli. Antica firma di possesso. Traccia di tarlo limitata ad una ventina di cc. con lesione di alcune parole, strappetto all'angolo alto di c. 121 (senza interessamento di testo), alcune macchiette sparse, sporadici e marginali aloni, peraltro esemplare nel complesso genuino e ben conservato. Jean Faber (12?-1340), detto Joannes Roncinus, fu giureconsulto francese di considerevole fama ed autorità. Dedicatosi ben presto all'opera d'attualizzazione del diritto romano, produsse questo celebre commentario alle Istituzioni giustinianee oltre ad un Breviarium del Codex tralatiziamente attribuitogli. Tiraqueau, du Moulin e Boerius lo definirono rispettivamente "vir apud nos maxime autoritatis", "subtilissimus et consumatissimus juris doctor" e "summum Franciae Consuetudinarium" (cfr. Taisand, Les vies des plus celebres jurisconsultes, ed. 1737, pp. 181-82). In definitiva Faber va inserito a pieno titolo fra gli eredi della grande tradizione degli Ultramontani. Oltre che creatore di dottrina fu, così riportano le antiche biografie, impegnato come giudice e, notizia su cui peraltro sussistono dubbi, come cancelliere di Francia. L'opera appare fondata sulle dottrine di Azzone, Dino del Mugello, Guido da Baisio, Innocenzo IV, Enrico da Susa (ed ovviamente Jacobus de Ravanis) e va cronologicamente inserita nel contesto storico-dottrinale immediatamente pre-bartoliano. Cfr. Iccu. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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        Tingis / Septa / Tzaffin

      Artist: Braun/Hogenberg Franz/ Georg ( - 1618) Cologne; issued in: Cologne; date: ca 1574 1572 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 33 x 47; - description: Vew of Tanger and others, 3 views at one sheet; -vita of the artist: Frans Hogenberg (1535 ñ 1590) was a Flemish and German painter, engraver, and mapmaker.Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events.George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum".The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        1572 Greek ed PLUTARCH Parallel Lives Alexander the Great Cicero Henri Estienne

      [Paris : Henrici Stephani, 1572.] - 1572 Greek ed PLUTARCH Parallel Lives Alexander the Great Cicero Henri Estienne “The mind is not a vessel to be filled, but a fire to be kindled.” Plutarch ‘Plutarch’s Lives’ or ‘Parallel Lives’ is one of the most important and comprehensive collection of biographies of famous Greek and Roman figures. Plutarch was not so much focused on providing a historical account of these famous individuals as much as he was seeking to write of the type of person they were and the life in which they lived. He focuses on Alexander the Great, Romulus and Remus, Demosthenes, Cicero, Brutus, Julius Caesar, and many other important figures. Published complete in Greek, this 3-volume example contains the complete ‘Parallel Lives’ in Greek with continuous pagination. Interestingly, Estienne’s pagination for ‘Parallel Lives’ became the standard pagination for Plutarch editions during his day. This edition of ‘Parallel Lives’ is from the first complete printed edition of Plutarch. Brunet claims this edition to have “beautiful execution and accuracy”. Item number: #1570 Price: $1250 PLUTARCH Plutarchi Chaeronensis, Parallela, seu vitae parallelae, id est, Vitae illustrium virorum, quos binos quasi paria composuit [Paris : Henrici Stephani, 1572.] Details: • Collation complete with all pages: 3 volumes: o Continuously paginated: 1,923p • References: Barbier 9820; Brunet IV, 733 o Dating and publisher from Barbier and BnF Catalogue • Binding: Leather; tight & secure • Language: Greek • Size: ~7in X 4in (18cm x 10cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1570 Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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        Civiattes orbis Terrarum

      Artist: Braun/Hogenberg Franz/ Georg ( - 1618) Cologne; issued in: Cologne; date: ca 1590 1572 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 37 x 22; - description: Title page from Civitattes orbis Terrarum; -vita of the artist: Frans Hogenberg (1535 ñ 1590) was a Flemish and German painter, engraver, and mapmaker.Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events.George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum".The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Hic est sanctorale secundum consuetudine ordinis Fra. Franciscus. In festo s(an)cti Andre(ae) ad usae. [English translation from Latin: ?This is a Proper of Saints according to custom of the order of Friar Francis. Made for the feast of Saint Andrew].

      Espagne, Seville: [Spain: presumably Sevilla]. 1572, - 47.5x31 cm (feuilles), 163 leaves (de 164) ( = 326 pages). On verso of the first fly-leaf, a sheet of paper is pasted-in with a handwritten index of the contents, manuscrit sur titre: Este libro escrivio Alo(n)so Ruiz siendo abadesa la ilustrisim(a) señora Doña Catalina de Ribera Año de MD lxxvij. [English translation from Spanish: ?This book was written by Alonso de Ruiz when the most illustrious lady Catalina de Ribera was abbess?]. full calf binding on wooden boards (53x36 cm), metalwork plaques decorating the covers in form of corner and side-bosses, little flowers and a central brass plaquette to each board REPRESENTING THE COAT OF ARM OF THE FRANCISCAN ORDER, six raised bands spine with a parchment insert at the foot of the spine, remains of calf and metal claps, a fine metal clip with three bookmarks in coloured silk, Top of spine with old repair. 1572 Giant dated Spanish «SANCTORALE» («Proper of Saints»). Illuminated manuscript on vellum. In its fascinating original binding with the arms of the Franciscan Order.Seven large illuminated initials by at least three different hands, many rubricated initials with a delicate penwork in red and blue. From f. 155 on, the leaves are not coherent with the previous style of writing and decoration: therefore, it is obvious to suppose that the following chants were bound with the others but came from different volumes. This could easily have happened in occasion of the rebinding occurred in 1798.CONDITION: The volume lacks f. 56. Antique vellum repair at spine, covering a partial loss, some old restauration to the leaves (specially some corners) and some intervention to correct the text by a later hand. Overall, a very fine manuscript, in its precious Franciscan binding.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Stultifera navis mortalium in qua fatui affectus, mores, conatus atque studia, quibus vita haec nostra, in omni hominum genere, scatet, cunctis sapientiae cultoribus depinguntur, & velut in speculo ob oculos ponuntur : liber salutaribus doctrinis & admonitionibus plenus olim a clariss. viro d. Sebastiano Brant iurisconsulto, Germanicis rhythmis conscriptus ; & per Iacobum Locher Suevum Latinitati donatus ; nunc vero revisus, & elegantissimis figuris recens illustratus.

      Basileae : [Sebastian Henricpetri], (Basel Heinrich Petri), 1572 [Mense Martio (Kollophon)]. [14 Bl., 2 weisse Blätter] 274 S. [1 Bl.] Mit einer Textholzschnittvignette und 114 Textholzschnitten (ein Holzschnitt ankoloriert) 8° Ganzpergament des 19 Jahrhunderts mit goldgeprägtem Lederrückenschild VD 16, B 7081; Admas B 2673; Brunet I, 1205; IA 123.749; Wilhelmi 248; Kat. Stimmer, Basel 1984, 54a; Erste Oktav-Ausgabe der lateinischen Narrenschiffbearbeitung und erste Ausgabe mit den hier vorliegenden Illustraionenen. Die Holzschnitte wurden u.a. von Nagler (Vgl. XIX, 469) Tobias Stimmer zugeschrieben und sind keine blossen Wiederholungen der Dürerillustrationen für die EA von 1494, sondern zeigen eine durchaus eigene Auffasung. Andresen (Vgl. III, 210) schlägt die Schule von H. R. Manuel Deutsch vorschlägt. Etwas gebräunt und im oberen Viertel durchgehend etwas wasserrandig. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Michael Solder]
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        Ratisbona

      Artist: Braun/Hogenberg Franz/ Georg ( - 1618) Cologne; issued in: Cologne; date: ca 1594 1572 - - technic: Copper print; - colorit: colored; - condition: Tear in the centerfold perfectly restored; - size (in cm): 34 x 48; - description: Total view of Regensburg; -vita of the artist: Frans Hogenberg (1535 ñ 1590) was a Flemish and German painter, engraver, and mapmaker.Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events.George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum".The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Elementorum libri XV una cum scholiis antiquiis. A Federico Commandino Urbinate nuper in latinum conversi, commentariisque quibusdam illustrati.

      [Colophon:] Pesaro: Camillo Franceschini, 1572. First edition of "the most important Latin translation [of Euclid] ... it was the foundation of most translations which followed it up to the time of Peyrard [1814]" (Heath, The Thirteen Books of Euclid's Elements, Vol. 1, p. 104). Euclid's Elements is the "oldest mathematical textbook still in common use today" (PMM). The Elements "exercised an influence upon the human mind greater than that of any other work except the Bible" (DSB). Federico Commandino was the most prolific Renaissance translator of Greek mathematical works, as well as the most mathematically competent. His translation was the first to be based upon a tolerably critical Greek original. Although thus far only the chief book-producing centers like Venice had been involved in printing Euclid, this new translation into Latin of the fifteen books of the Elements was produced in Pesaro, a provincial seaport on the Adriatic near Urbino. The first printed Latin translations of Euclid were the medieval translation from the Arabic by Campanus of Novara (Venice, 1482), followed by a Latin translation from the Greek by Bartolomeo Zamberti (Venice, 1505). These two translations, together with the editio princeps of the Greek (Basel, 1533), were the basis for all subsequent Latin editions for more than half a century, and for many translations after that. "However, the better part of this influence was interrupted suddenly and decisively by the fourth major version: the publication at Pesaro in 1572 of the Latin translation by Federico Commandino of Urbino. Commandino--who, in addition to the place he holds in the history of physics deriving from his Liber de centro gravitatis (Bologna, 1565), prepared exacting Latin versions of many other Greek mathematical works--was clearly the most competent mathematician of all Renaissance editors of Euclid. He was also most astute in his scholarship, for we know that in addition to the 1533 editio princeps, he employed at least one other Greek manuscript in establishing the text for his translation. For the first time, save for the anonymous translation in the twelfth century, we now have a version (no matter what language) of the Elements that is solidly based on a tolerably critical Greek original. It even includes, also for the first time, a rendering of numerous Greek scholia. Aware, but critical, of the efforts of his predecessors, Commandino leaves no doubt of the advantage of staying closer to the Greek sources so many of them had minimized, if not ignored. The result of his labors may prove to be of less fascination than other versions, since it so closely follows the Greek we already know, but the importance it held for the subsequent modern history of the Elements is immeasurable. It came to serve, in sum, as the base of almost all other proper translations before Peyrard's discovery of the "pristine" Euclid in the early nineteenth century. Thus, to cite only the most notable cases in point, Greek texts of the Elements with accompanying Latin translation frequently based the latter on Commandino: for example, Henry Briggs's Elementorum Euclidis libri VI priores (London, 1620) and even David Gregory's 1703 Oxford edition of Euclid's Opera omnia (which was the standard, pre-nineteenth-century source for the Greek text). Commandino was also followed in later strictly Latin versions: that of Robert Simson, simultaneously issued in English at Glasgow in 1756; and even that of Samuel Horsley, appearing at London in 1802. Vernacular translations often followed a similar course, beginning with the Italian translation, revised by Commandino himself, appearing at Urbino in 1575 and extending to and beyond the English version by John Keill, Savilian professor of astronomy at Oxford, in 1708" (DSB, under Euclid). "Born ca. 300 BC in Alexandria, Egypt, "Euclid compiled his Elements from a number of works of earlier men. Among these are Hippocrates of Chios (flourished c. 440 BC), not to be confused with the physician Hippocrates of Cos (c. 460-375 BC). The latest compiler before Euclid was Theudius, whose textbook was used in the Academy and was probably the one used by Aristotle (384-322 BC). The older elements were at once superseded by Euclid's and then forgotten. For his subject matter Euclid doubtless drew upon all his predecessors, but it is clear that the whole design of his work was his own ... "Euclid understood that building a logical and rigorous geometry depends on the foundation--a foundation that Euclid began in Book I with 23 definitions (such as "a point is that which has no part" and "a line is a length without breadth"), five unproved assumptions that Euclid called postulates (now known as axioms), and five further unproved assumptions that he called common notions. Book I then proves elementary theorems about triangles and parallelograms and ends with the Pythagorean theorem ... "The subject of Book II has been called geometric algebra because it states algebraic identities as theorems about equivalent geometric figures. Book II contains a construction of "the section," the division of a line into two parts such that the ratio of the larger to the smaller segment is equal to the ratio of the original line to the larger segment. (This division was renamed the golden section in the Renaissance after artists and architects rediscovered its pleasing proportions.) Book II also generalizes the Pythagorean theorem to arbitrary triangles, a result that is equivalent to the law of cosines. Book III deals with properties of circles and Book IV with the construction of regular polygons, in particular the pentagon. "Book V shifts from plane geometry to expound a general theory of ratios and proportions that is attributed by Proclus (along with Book XII) to Eudoxus of Cnidus (c. 395/390-342/337 BC). While Book V can be read independently of the rest of the Elements, its solution to the problem of incommensurables (irrational numbers) is essential to later books. In addition, it formed the foundation for a geometric theory of numbers until an analytic theory developed in the late 19th century. Book VI applies this theory of ratios to plane geometry, mainly triangles and parallelograms, culminating in the "application of areas," a procedure for solving quadratic problems by geometric means. "Books VII-IX contain elements of number theory, where number (arithmos) means positive integers greater than 1. Beginning with 22 new definitions--such as unity, even, odd, and prime--these books develop various properties of the positive integers. For instance, Book VII describes a method, antanaresis (now known as the Euclidean algorithm), for finding the greatest common divisor of two or more numbers; Book VIII examines numbers in continued proportions, now known as geometric sequences (such as ax, ax2, ax3, ax4, ...); and Book IX proves that there are an infinite number of primes. "According to Proclus, Books X and XIII incorporate the work of the Pythagorean Thaetetus (c. 417-369 BC). Book X, which comprises roughly one-fourth of the Elements, seems disproportionate to the importance of its classification of incommensurable lines and areas (although study of this book would inspire Johannes Kepler [1571-1630] in his search for a cosmological model). "Books XI-XIII examine three-dimensional figures, in Greek stereometria. Book XI concerns the intersections of planes, lines, and parallelepipeds (solids with parallel parallelograms as opposite faces). Book XII applies Eudoxus's method of exhaustion to prove that the areas of circles are to one another as the squares of their diameters and that the volumes of spheres are to one another as the cubes of their diameters. Book XIII culminates with the construction of the five regular Platonic solids (pyramid, cube, octahedron, dodecahedron, icosahedron) in a given sphere" (Britannica). Rose (p. 185) emphasizes the importance of Commandino to the mathematical renaissance of the sixteenth century: "Perhaps the clearest perception of the mathematical renaissance is to be found in the writings of the Urbino school. Not only did Commandino, Guidobaldo dal Monte and Bernardino Baldi (1533-1617) pursue the revival of Greek mathematics and the restoration of mathematical certainty, but in their thought there also emerged a strong sense of the historical development of mathematics. The idea of a mathematical renaissance is especially evident in the tributes paid to the founder of the Urbino school by his two important pupils. Guidobaldo writes in 1577: 'Yet in the midst of that darkness (though there were also some other famous names) Federico Commandino shone like the sun. He by his many learned studies not only restored the lost heritage of mathematics, but actually increased and enhanced it. For that great man was so well endowed with mathematical talent that in him there seem to have lived again Archytas, Eudoxus, Hero, Euclid, Theon, Aristarchus, Diophantus, Theodosius, Ptolemy, Apollonius, Serenus, Pappus and even Archimedes himself, for his commentaries on Archimedes smell of the mathematician's own lamp. And lo! just as he had been suddenly thrust from the darkness and prison of the body (as we believe) into the light and liberty of mathematics, so at the most opportune time he left mathematics bereft of its fine and noble father and left us so prostrate that we scarcely seem able even by a long discourse to console ourselves for his loss.' And Baldi: 'Commandino with the greatest diligence and insight restored to light, to dignity and to splendour the works of nearly all the principal writers of the age in which mathematics had flourished.'" Adams E 984; Censimento 16 CNCE 18358; Honeyman Coll. 985; Riccardi I, 362; Steck III.83; Thomas-Stanford 18. Rose, The Italian Renaissance of Mathematics: Studies on Humanists and Mathematicians from Petrarch to Galileo, 1975. Folio (318 x 218 mm), ff. [xii], 255, [1], with hundreds of woodcut geometrical diagrams in text, historiated initials and printed marginal notes, text in roman and italic type. Title-page with woodcut architectural border signed Iacobus Chriegher German[us]. Contemporary limp vellum, remains of ties, old paper repairs to inner hinges, otherwise fine and unrestored. A very large a clean copy.

      [Bookseller: SOPHIA RARE BOOKS]
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        Candia la cita de Corphu

      Artist: Braun/Hogenberg Franz/ Georg ( - 1618) Cologne; issued in: Cologne; date: ca 1595 1572 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 37 x 49; - description: Map shows the cities Creta and Corfu as bird s eye view; -vita of the artist: Frans Hogenberg (1535 ? 1590) was a Flemish and German painter, engraver, and mapmaker.Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events.George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum".The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Brixia Tirolis

      Incisione in rame, 197x495. Pianta prospettica della città tratta da "Civitates Orbis Terrarum", pietra miliare del vedutismo, stampata dal 1572 al 1615 ca. in 6 volumi pubblicati in anni differenti. Ottime condizioni, margine inf. breve come consuetudine.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Stultifera navis mortalium in qua fatui affectus, mores, conatus atque studia, quibus vita haec nostra, in omni hominum genere, scatet, cunctis sapientiae cultoribus depinguntur, & velut in speculo ob oculos ponuntur : liber salutaribus doctrinis & admonitionibus plenus olim a clariss. viro d. Sebastiano Brant iurisconsulto, Germanicis rhythmis conscriptus ; & per Iacobum Locher Suevum Latinitati donatus ; nunc vero revisus, & elegantissimis figuris recens illustratus.

      Basileae : [Sebastian Henricpetri], (Basel Heinrich Petri), 1572 [Mense Martio (Kollophon)]. - [14 Bl., 2 weisse Blätter] 274 S. [1 Bl.] Mit einer Textholzschnittvignette und 114 Textholzschnitten (ein Holzschnitt ankoloriert) VD 16, B 7081; Admas B 2673; Brunet I, 1205; IA 123.749; Wilhelmi 248; Kat. Stimmer, Basel 1984, 54a; Erste Oktav-Ausgabe der lateinischen Narrenschiffbearbeitung und erste Ausgabe mit den hier vorliegenden Illustraionenen. Die Holzschnitte wurden u.a. von Nagler (Vgl. XIX, 469) Tobias Stimmer zugeschrieben und sind keine blossen Wiederholungen der Dürerillustrationen für die EA von 1494, sondern zeigen eine durchaus eigene Auffasung. Andresen (Vgl. III, 210) schlägt die Schule von H. R. Manuel Deutsch vorschlägt. Etwas gebräunt und im oberen Viertel durchgehend etwas wasserrandig. la Gewicht in Gramm: 1800 8° Ganzpergament des 19 Jahrhunderts mit goldgeprägtem Lederrückenschild [Attributes: First Edition]

      [Bookseller: Antiquariat Michael Solder]
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        Kreuterbuch. Darin underscheidt, Namen unnd Würckung der Kreutter, Stauden, Hecken und Beümen, sampt iren Früchten, so inn Teütschen Landen wachsen auch derselbigen eigentlicher und wolgegründter Gebrauch inn der Artzney, fleissig dargeben, Leibs gesundheyt zu fürdern und zu behalten sehr nutzlich und tröstlich, vorab dem gemeynen einfaltigen Mann .

      Strassburg, Josias Rihel. 1572 - Kl.-Folio. (20), 369, (16) Bl. Lederband mit blindgeprägten Rollstempel- und Plattenverzierungen und 2 Schliessen. VD16 B 6021. - Nissen 182. - Pritzel 866. - Spätere illustrierte Ausgabe. - Im Gegensatz zum humanistisch geprägten Brunfels und eher in der volkstümlichen Tradition des "Gart der Gesundheit" stellte der Hornbacher Pfarrer Bosch sein Werk zusammen, "indem er sich ganz den heimatlichen Pflanzen widmet. Nicht nur erwanderte er sich deren Kenntnis in der freien Natur; zeitweise scheint er auch , als Leiter eines Botanischen Gartens in Zweibrücken, Gelegenheit zu eigenen Kulturversuchen genommen zu haben. Dementsprechend finden wir bei ihm reichhaltige Fundangaben und treffsichere phänologische Bemerkungen. Auch die ungemein anschauliche, humorgewürzte Beschreibung der Pflanzen zeugt von seinem nahen Verhältnis zur Natur". (Nissen S. 51). - Die Darstellungen, die an Weiditz und Fuchs erinnern, sind direkt nach Vorlagen aus der Natur geschnitten worden. - Bocks Kräuterbuch wurde bis ins 17. Jahrhundert mehrfach aufgelegt. – Titelblatt mit Gebrauchsspuren, leimschattig, verso mit alten handschr. Besitzereinträgen und montiertem Papierausschnitt mit alter Handschrift. Papier nur vereinzelt fleckig und wasserrandig. Beide fliegenden Vorsätze fehlen. [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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        [15] Henri met de Bles (Pictorum aliquot celebrium, præcipué Germaniæ Inferioris, effigies; series title)

      Portrait of Henri met de Bles. In the background to the left an owl in a niche and on the right a landscape. 15th plate of the series; I part. Monogrammed on the left: 'Hh ex.' Inscription on the bottom: 'HENRICO BLESIO, BOVINATI, PICTORI./ Pictorem urbs dederat Dionatum Eburonia, Pictor / Quem proximis dixit poeta versibus / Illum adeo artificem patriae situs ipse, magistro / Aptissimus, vix edocente fecerat. / Hanc laudem invidit vicinae exile Bovinum, / Et rura doctum pingere Henricum dedit / Sed quantum cedit Dionato exile Bovinum / Ioachime, tantum cedit Henricus tibi.' Copy in reverse to Cock's 1572. Engraving with margins; plate mark: 208 x 123, total: 230 x 146; some dirt and foxing in the region of the text; Hollstein 137; New Hollstein (Hondius) 96

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        Harlemias sive enarratio obsidionis urbis Harlemi quae accidit anno 1572. Leiden, Paets, 1605.

      4°, gebonden in geheel leren band uit de tijd, (106) pag. Grieks gedicht met Latijnse vertaling betreffende het Haarlemse beleg. Opdracht aan stadsbestuurders van Haarlem. Drempelverzen van D. Heinsius, P. Scriverius, M. Fabricius e.a. B1798.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 31.   Check availability:     NVvA     Link/Print  


        Divi Gregorii Papae, hvivs nominis primi, cognomento Magni, Omnia, qvae extant, opera...; & Tomus Secundus Operum D. Gregorii Pape, Huius Nominis Primi...

      Antverpiae: Apud hæredes Arnoldi Birckmanni, 1572. Both volumes: White, decoratively-stamped vellum/boards. 8 raised bands on spine. Metal bracket closures (2) at fore edge side. No illus. but for decorative title pages. First "volume": 232 LEAVES; second "volume": 392 LEAVES + [109] pp. index. Heavy at 18 pounds and will require extra postage. In Latin. Presumably the works of Pope Gregory. The first volume seems to contain expository writings on moral living, based upon the scriptures. The second volume includes homilies (sermons), more writings, antiphons, hymns, and two indices (one being the scriptures explained in brief. Both volumes: binding solid but covers darkened and with faint library markings. Ex-libris Rev. Johannes Shanahan (most likely Bishop John Shanahan of the Harrisburg, PA Catholic Diocese, 1899-1916) on fep; old, unreadable ink inscription on ffep.; 1779 ownership notation on verso of ffep. various odd notations on end papers, title page.Vol. I: Irregular blackening to page tops/parts of edges (presumably for worm damage?, unless burnt in a fire); blackened areas very brittle, and pp. 152-155 have some areas of text covered by the black; old splatter stain on back cover (red wine?). Metal closures broken. Vol. II: Metal closures not broken, but book has expanded, so they don't close. Text still clean and pages mostly bright; binding solid.

      [Bookseller: Mullen Books, Inc.]
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        Imperatorum ac Caesarum Romanorum, a C. Iulio Caesare, usque ad Maximilianum II. Austriacum, breves, & illustres descriptiones.

      Leipzig, Ernst Vögelin für Andreas Schneider aus Ortrant, 1572. 8°. Mit Holzschn.-Titelvignette. 1 Bl., 221 S. - Vorgeb. - Chateillon, Sébastien (Bearb.). Sibyllina oracula de graeco in latinum conversa, et in eadem annotationes. Sebastiano Castalione interprete. Basel, Johann Oporinus, 1546. Mit einigen figürl. Holzschn.-Initialen. 12 Bll. (das letzte weiß), 135 S., Etw. späterer Pgmt.-Bd. m. handschriftl. Rückentitel u. dreiseitigem Farbschnitt. Ad 1) Chronologische Auflistung der römischen Kaiser von Julius Cäsar bis Maximilian II., tlw. mit kurzen biographischen Angaben und am Ende mit einer tabellarischen Übersicht. - Ad 2) Erste lat. Ausgabe der Übersetzung von Chateillon (1515-1563), der seit 1544 in Basel lebte und dort 1553 die Professur für griechische Sprache erhielt. Berühmte Sammlung vermeintlich prophetischer Schriften aus jüdischen, christlichen und anderen Quellen. - Einband leicht berieben u. etw. fleckig. Vorderes Vorsatzbl. m. alt gestrichem Besitzvermerk. Eine Titelzeile von 1) mit einigen alt in Tinte nachgezogenen Buchstaben. Etw. gebräunt bzw. fleckig. - Ad 1) VD16, S 88; Adams R 418; BM STC, German Books 734. - Ad 2) VD16, S 6280; Adams S 1060; Hieronymus, Griech. Geist 461; Schweiger I, 288. Versand D: 12,00 EUR Reusner, Sabinus, Imperatorum ac Caesarum Romanorum, a C. Iulio Caesare, usque ad Maximilianum II. Austriacum, Chateillon, Sibyllina oracula de graeco in latinum conversa, Sammelband

      [Bookseller: Antiquariat Wolfgang Friebes]
 33.   Check availability:     buchfreund.de     Link/Print  


        Corpus Doctrinae Christianae Quae est summa orthodoxi et catholici dogmatis complectens

      Leipzig: Sax, 1572. Early Edition. Hardcover (Full Leather). Very Good Condition. Contemporary full rolled pigskin, remains of clasps, much darkened, but still sound and attractive. Old and copious notes on endpapers and title, a few notes in preface, botton of front endpaper excised, modest general browning and scattered foxing, old ink burn through first few pages touching some letters but no affecting sense. (22), 888pp. A nice copy in an original binding. First published in 1560, Melanchthon's Corpus was a posthumous collection of his works that was used as a sort of Lutheran Catechism and as such, was one of the guiding documents of early Lutheranism. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Religion & Theology; Philosophy. Inventory No: 046455.

      [Bookseller: Pazzo Books]
 34.   Check availability:     Biblio     Link/Print  


        Autricum, Prolemeo in Gallia Lugdunensis Urbs; vulgo, cum Villa nouano, Chartres / Chasteaudunum, Comitatus vulgo Dunoys in Gallia Oppidum primorium

      Braun & Hogenberg, Cologne - Two bird's-eye plans on one sheet. Copper engraving with original hand coloring. Image measures 13" x 18.75" These two bird's-eye plans on one sheet depict the French cities of Chartres and Châteaudun. Chartres is shown from the southeast, with its famous cathedral at the center of the frame towering over the comparatively diminutive city around it. This prized church became the model for many other Gothic churches and is nearly synonymous with the city in which it is located. A number of lesser churches are also shown in detail, as are houses, fields, and gardens. Similarly detailed is the map of Châteaudun, shown from the east as to clearly illustrate how the city leans up against the ridge of the hill to its right. This city's prominent buildings are the 12th-century chateau at the top right and the church of La Madeleine at the upper left. Its seal and coat of arms are also rendered. he print is from Braun's city atlas "Civitates Orbis Terrarum", a collection of city views and plans created as a companion to Ortelius' "Theatrum Orbis Terrarum" and published between 1572 and 1617. Latin text on verso. The plans are in very good condition with some overall toning and wear to the title of the Chartres view. Chips in the margins not affecting the image. Some mat burn and margin folds from being previously framed. Georg Braun (1541-1622) was a Catholic cleric who edited the "Civitates orbis terrarum," a collection of 546 prospects, bird's-eye views and maps of international cities. Hogenberg created the tables for the first 4 volumes. Together, these two geographers created a work that set new standard for cartography for the next century. These views demonstrate the high quality of their work.

      [Bookseller: Argosy Book Store, ABAA, ILAB]
 35.   Check availability:     AbeBooks     Link/Print  


        Gesamtansicht aus der halben Vogelschau ('Aich.- Aquisgranum .').

      - altkolorierter Kupferstich v. Braun & Hogenberg, 1572, 30 x 36,5 Nicht bei Koeman u. Bachmann. Fauser 01. - Seltener erster Plattenzustand der Braun & Hogenberg-Ausgabe.

      [Bookseller: Antiquariat Norbert Haas]
 36.   Check availability:     ZVAB     Link/Print  


        Gesamtansicht aus der Vogelschau, mit zwei Wappen u. Textkartuschen, "Colonia Agrippina.".

      - Kupferstich aus Braun - Hogenberg, 1572, 33 x 47,5

      [Bookseller: Antiquariat Nikolaus Struck]
 37.   Check availability:     ZVAB     Link/Print  


        \"Decem et Tria Loca Confoederatorum Helvetiae\". Sammelblatt mit 13 Gesamtansichten Schweizer Städte.

       Altkol. Kupferstich aus Braun-Hogenberg, 1572, 37 x 47 cm. Die Gesamtansichten zeigen: Schwyz, Unterwalden, Zug, Glarus, Basel, Zürich, Bern, Luzern, Uri, Freiburg, Solothurn, Schaffhausen und Appenzell. In kräftigem, sehr dekorativem Kolorit. Versand D: 6,00 EUR Europa, Schweiz

      [Bookseller: Antiquariat Bierl]
 38.   Check availability:     buchfreund.de     Link/Print  


        [Quae extant opera] Plutarchi Chaeronensis quae extant opera, cum Latina interpretatione. Ex vetustis codicibus plurima nunc primum emendata sunt, ut ex Henr. Stephani annotationibus intellliges: quibus & suam quorundam libellorum interpretationem adiunxit. Aemylii Probi De Vita excellentium imperatorum liber. [Together with: [Quae extant opera] Variorum Plutarchi Scriptorum Tomus Secundus.] / [Together with: [Opuscula Varia: Quae Magna Ex Parte sunt Philosophia: Vulgo autem Moralia Opuscula Nimis Angusta Appelatione Vocantur]

      [Geneve]: Henr(icus) Stephanus. Editio princeps.. Contemporary name in ink to titlepage: Thomas Hortonus] Binding firm and only slightly rubbed. Gilt lettering and ornamenting on spine slightly faded. Faded dampstain throughout.. Editio princeps. [Geneve], Henr(icus) Stephanus, 1572. 8°. 2 volumes with continuous pagination Volume I: 1 - 778 pages / Volume II: (779)-1381 pages. / Volume III: 683 pages / Volume IV: 731 pages. Hardcover / Original 18th century full calf. Contemporary name in ink to titlepage: Thomas Hortonus] Binding firm and only slightly rubbed. Gilt lettering and ornamenting on spine slightly faded. Faded dampstain throughout. Henri Estienne, also known as Henricus Stephanus, was a 16th-century Parisian printer and classical scholar. The eldest son of the great Robert Estienne (1503–59), he was born in Paris in 1528 (some sources say 1531), and died at Lyon in 1598.

      [Bookseller: The Time Traveller's Bookshop]
 39.   Check availability:     IOBABooks     Link/Print  

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