The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1547
2017-03-23 17:33:18
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Check availability:
2017-03-18 09:56:11
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Bordone, Benedetto
Venice: Federico Toresano, 1547. [10],74 leaves. Titlepage printed in red and black, with ornamental woodcut border, woodcut initials throughout. Full-page diagram of a world map and windroses; four woodcut double-page or folding maps; four smaller double- page maps; 103 other woodcut maps and plans scattered through the text. Small folio. Contemporary limp vellum, manuscript spine title. Vellum somewhat wrinkled, with a few small tears along edges and spine. 18th century library shelf label on spine. Occasional faint foxing, small patch of dampstaining at fore-edge of rear leaves. Very good, in original condition. First Aldine edition, and third overall, of Benedetto Bordone's important geographical compendium with early New World maps, containing a second printing of the earliest description in book form of Pizarro's conquest of Peru. Benedetto Bordone was born in Padua and worked in Venice as a geographer, cartographer, illuminator, and wood-engraver. It is believed that he was the creator of the first globe printed in Italy. First published by Nicol´┐Ż d'Aristotile detto Zoppino in 1528 under the title LIBRO DI BENEDETTO BORDONE NEL QUAL SI RAGIONA DE TUTTE L'ISOLE DEL MONDO. The second edition printed in 1534, also by Zoppino, reused the same woodblocks for the maps, but appeared with a different title. This Aldine edition kept the title of the second edition but used different woodblocks for the cuts. This work offers an illustrated guide to islands and peninsulas of the western ocean and New World, the Mediterranean, the Indian Ocean, and the Far East. As a cartog … [Click Below for Full Description]
Bookseller: William Reese Company - Americana [US]
Check availability:
2017-03-18 09:56:11
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Bordone, Benedetto:
Venice: Federico Toresano, 1547. [10],74 leaves. Titlepage printed in red and black, with ornamental woodcut border, woodcut initials throughout. Full-page diagram of a world map and windroses; four woodcut double-page or folding maps; four smaller double- page maps; 103 other woodcut maps and plans scattered through the text. Small folio. Contemporary limp vellum, manuscript spine title. Vellum somewhat wrinkled, with a few small tears along edges and spine. 18th century library shelf label on spine. Occasional faint foxing, small patch of dampstaining at fore-edge of rear leaves. Very good, in original condition. First Aldine edition, and third overall, of Benedetto Bordone's important geographical compendium with early New World maps, containing a second printing of the earliest description in book form of Pizarro's conquest of Peru. Benedetto Bordone was born in Padua and worked in Venice as a geographer, cartographer, illuminator, and wood-engraver. It is believed that he was the creator of the first globe printed in Italy. First published by Nicolò d'Aristotile detto Zoppino in 1528 under the title LIBRO DI BENEDETTO BORDONE NEL QUAL SI RAGIONA DE TUTTE L'ISOLE DEL MONDO. The second edition printed in 1534, also by Zoppino, reused the same woodblocks for the maps, but appeared with a different title. This Aldine edition kept the title of the second edition but used different woodblocks for the cuts. This work offers an illustrated guide to islands and peninsulas of the western ocean and New World, the Mediterranean, the Indian Ocean, and the Far East. As a … [Click Below for Full Description]
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-18 09:56:11
Bordone, Benedetto:
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2017-03-07 22:52:44
Albizzi Antonio (1547 - 1626 ) Augsburg
Artist: Albizzi Antonio ( - 1626 ) Augsburg; issued in : Strassburg; date: 1600 1547 - - technic: Copper print; colorit: colored; size (in cm): 51 x 39 - description: Double page of the family tree of all royals of Baden. Wirtenberg, Germany. On the bottom of the tree a total view of Stuttgard the capital city of Baden Wirtemberg. - vita of the artist: The Italian jurist and genealogist Albizzi was born in Florence in 1547. Little is known of his life. In 1576 he was in the service of Cardinal-Archduke Andreas of Austria. In 1585 he converted to Lutheranism. From 1608 on he spent the rest of his life in the Protestant Imperial City of Kempten (Bavaria), where he died in 1626.
Bookseller: Antique Sommer& Sapunaru KG
Check availability:
2017-03-04 13:45:48
In aedibus Thomae Bertheleti . . . Anno MDXLVII. The seemingly unique copy of the printed subsidy act of Henry VIII's final parliament, its original not enrolled nor surviving, one which "brought in more money than any other of Henry's reign"; no copy in ESTC nor Beale, one in STC (this copy). Modern 1/4 calf over marbled boards, gilt, a bit dusty and the occasional ink stain, else well preserved with ample margins; the Taussig copy. In aedibus Thomae Bertheleti . . . Anno MDXLVII, London, 1547.
Bookseller: Meyer Boswell Books, Inc.
2017-03-03 23:36:41
Ludovico Ariosto (dit) L'ARIOSTE
appresso Gabriel Giolito de Ferrari .  (Venice), bound.A handsome illustrated edition and one of the first printed by Gabriele Giolito de Ferrari, dedicated to the Dauphin of France. It has a superb engraved title with Giolito's printer's device (a phoenix being reborn from its ashes on a globe marked with the printer's initials), 56 attractive woodcuts and numerous large ornate capitals, as well as a portrait of Ariosto after Titian in a medallion at the end of the poem, and two states of the printer's device.The end of the work is made up of a vocabulary of obscure words and an explanation of the difficult passages in the work compiled by Lodovico Dolce, with a separate title and not included in the pagination. Giolito published more than twenty books in thirteen years of printing - this is the third edition of this work, the first appearing in 1542 and the second in 1543.Printed in round Roman type, double column.Late 17th or early 18th century red morocco, spine richly gilt in six compartments, one compartment marked with "lettres rondes [round Roman type]". Covers with a frame of triple gilt fillets, gilt roulette frame to insides of covers, all edges gilt. Binding a little rubbed, faint dampstaining to end of volume.A handsome copy in a lovely red morocco binding.   appresso Gabriel Giolito de Ferrari In Vinegia (Venise) 1547 in-8 (10,5x16cm) 227 ff. (29f.) - Sig.A-Z 8 Aa-Ff8 *-***8 relié
Bookseller: Librairie Le Feu Follet
2017-03-02 08:17:44
In 12mo, pergamena rigida di poco posteriore, dorso a quattro nervi con titolo manoscritto, cc. 65, (7, di cui le ultime 2 bianche). Marca tipografica sul titolo ed in fine. Titolo un po' sporco, minime fioriture, ma ottima copia genuina.EDIZIONE IN PARTE ORIGINALE. ll Nel 1546 aveva il Parabosco pubblicata la Prima parte delle rime in Venezia, presso Tommaso Botietta in 8vo, dirigendola ad Eleonora de' Medici duchessa di Firenze. In questa nuova pubblicazione del 1547 l'autore riprodusse una parte delle medesime composizioni, insieme con altre inedite e, considerandola come libro nuovo, la dedicò ad Anna da Este principessa di Ferrara, in lode della quale sono i primi sonetti che vi si leggono. Ma il Parabosco, come altri contemporanei, fu solito valersi delle cose proprie in più modi, e farne cucina con più salse. Le ottave in lode di Venezia, che sono stampate in questo libretto (p. 19), furono da lui ristampate l'anno 1548 nel Tempio della Fama, e così ne trasse trentadue ballate o madrigali (salvo errore nel contarli), per aggiungerli con altri nel Primo libro de' madrigali stampato nel 1551, e forse si trovano nei suoi rarissimi e quasi ignoti libri di Madrigali colla musica. La Seconda parte delle rime, dove stanno otto capitoli burleschi, uscì poi in luce nel 1555 a Venezia, presso Francesco e Pietro Rocca fratelli, ed in questa sono ripetuti tre sonetti della edizione giolitina'gg (S. Bongi, Annali di Gabriel Giolito de' Ferrari, Roma, 1890, I, p. 147).Le Rime del Parabosco raccolgono per lo più sonetti e canzoni, con qualche sestina ed ottava, di tema amoroso (la … [Click Below for Full Description]
Bookseller: Libreria Govi Alberto
2017-02-28 11:40:24
Leon Battista Alberti trad Ludovico Domenichi
Giolito, 1547. In-8°; cc. 44, all'ultima pagina e al frontespizio martca tipografica incisa su legno, capilettera xilografici figurati; al frontespizio noa di possesso manoscrita datata 1568, e altre iscrizioni, molte note manoscritte e sottolineature dell'epoca nel testo, che fanno di questo un esemplare appartenuto a uno studioso o a un artista. Legatura in cartonato colorato. Alcune carte marginalmente restaurate. Dedica a Francesco salviati. Prima edizione in italiano di quello che può essere considerato il trattato fondamentale per la prospettiva rinascimentale. Alberti tratta qui della conoscenza per i pittori della "superficie e del taglio", ossia della teoria della piramide visiva; dei colori, della storia della pittura, delle tre cose che "fanno perfetta la pittura, circonscrittione, compositione e ricevere i lumi". arte art pittura painting fonti storia dell'arte alberti prospettiva perspective rinascimento
Bookseller: Libreria Antonio Pettini [IT]
2017-02-24 20:23:24
Nicolas BEATRIZET detto "Il Beatricetto" Thionville 1515 circa - Roma 1565
1547. Bulino, 1547, firmato in basso sulla destra "NB. LOTARINGUS .F.", inscritto sul piedistallo HIEREMIAS MICH.ANG. PINXIT IN VATICANO.Secondo stato finale, con l'excudit di Lafreri in basso a destra: ANT. LAFRERI/ SEQUANUS. EXCUD. ROMAE/ 1547. Da un soggetto di Michelangelo. La figura riproduce fedelmente, e nello stesso verso, il celebre affresco di Michelangelo nella volta della Cappella Sistina in Vaticano. Bella prova, impressa su carta vergata coeva con filigrana non identificabile, rifilata alla linea marginale, in ottimo stato di conservazione. Ex collezione Luciana Simonetti (Lugt 3616) e A.C. de Poggi (Lugt 617). Engraving, 1547, signed lower right: 'NB LOTARINGVS F', inscribed with publisher's address and dated below: 'ANT LAFRERI/SEQVANVS EXCVD ROMAE/1547' and lettered under the figure on a a tablet: 'HIEREMIAS/MICH ANG PINXIT IN VATICANO'. After Michelangelo. The engraving reproduces the prophet Jeremiah, after Michelangelo's fresco on the Sisitine ceiling A very good impression, printed on contemporary laid paper, trimmed close to platemark, unidentified watermark, generally in very good condition. Ex collection Luciana Simonetti (Lugt 3616) e A.C. de Poggi (Lugt 617). Bartsch XV.244.10; TIB,10, 24 p.252; S. Bianchi in Grafica d'Arte, XIV,54 , p. 4 n. 3. 293 423
Bookseller: Libreria Antiquarius
2017-02-22 12:36:48
In 4to (cm 21,1), legatura del XVIII secolo in piena pelle, duplice filettatura in oro ai piatti, dorso con fregi e titolo in oro, tagli rossi (cuffie abilmente restaurate), cc. 234, (recte 232), (6). Marca tipografica al titolo e in fine. Piccola figura in legno raffigurante una mappa. Leggero alone nel margine bianco delle carte preliminari, ma ottima copia.PRIMA EDIZIONE. Il testo dell'opera è stampato nel carattere italico conforme alle teorie fonetico-ortografiche del Tolomei, che fu poi abbandonato nelle ristampe successive. Molte delle lettere incluse in questa raccolta sono indirizzate a celebri umanisti del tempo, tra cui ricordiamo Annibal Caro, Bernardino Ochino, Luigi Alamanni, Paolo Manuzio, Pietro Aretino, Vannuccio Biringuccio, Angelo Firenzuola, Francesco Guicciardini e Lodovico Domenichi. In un'interessante lettera al conte Agostino de' Landi, datata 14 novembre 1542, Tolomei descrive l'attività e gli scopi di ricerca della romana Accademia della Virtù (cfr. M. Maylender, Storia delle accademie d'Italia, Bologna, 1926-'30, V, pp. 478-480 e J. Schlosser Magnino, La letteratura artistica, Firenze, 1967, pp. 254-255), fondata originariamente per favorire la traduzione in volgare italiano delle forme letterarie, della grammatica e del lessico del latino classico. Dopo il '39 l'Accademia, composta per lo più da grammatici, filologi, antiquari ed archeologi, si volse allo studio del trattato di architettura di Vitruvio. Tolomei riferisce che l'Accademia formulò un programma di studi diviso in otto punti principali: 1) un commento in latino dei passi più controver … [Click Below for Full Description]
Bookseller: Libreria Govi Alberto
2017-02-03 09:53:37
Dryander (Eichmann), Johann - Arztbuch mit zahlreichen Holzschnitten
Artzenei Spiegel : gemeyner Innhalt derselbigen, wes beide, einem Leib und Wundartzet, in der Theoric, Practic, unnd Chirurgei zusteht mit Anzeyge bewerter Artzneien, zu allen leiblichen Gebrechen, durch natürliche Mittel hiebei beneben des Menschen Cörpers Anatomei, unnd chirurgischen Instrumenten, warhafft Contrafeyt, und beschriben Hievor durch Ioan. Dryandrum, jetzt widerumb, mit Besserung, inn Truck verordnet Franckfort am Meyn : bei Christian Egenolffs Erben Seltene zweite deutsche Ausgabe des erstmals 1547 erschienenen Werks. Dryanders bekanntestes, reich ilustriertes Arzneiwerk. Mit zahlreichen (ca. 380) Darstellungen zur Anatomie, zum theoret. u. prakt. Teil des Arzneispiegels (darunter hübsche Monatsdarst.), am Schluß zur Chirurgie mit Instrumenten. Etwas späterer geprägter Ledereinband über Holzdeckel, Schließen im Lauf der zeit verloren. Vorsätze mit Original Papier erneuert. Stärker gebräunt, stock-, finger- u. wasserfl. Randeinrisse teils hinterlegt bzw. verstärkt oder angerändert. Titelholzschnitte an koloriert, wenige Bleistiftkritzeleien. Kleinere Randdefekte u. Ecken hinterlegt, teils mit geringen Text oder Bildverlust, ein Blatt mit größeren Ausriss. Ein Blatt wurden auf Originalpapier vom Vorsatz ergänzt - Werk ist so komplett. Hier eine Digitale Ansicht des Werkes http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb10989714_00001.html?numScans=250&zoom=0.05 Deutschland kostenloser Versand DHL
Bookseller: HGomoll
2017-01-21 21:08:14
MANUTIUS, Paulus
Venice: Sons of Aldus Manutius. Good. 1547. First, thus. Hard Cover. 8vo. 8vo (161 x 100mm). i - vi; 1 - 470 pp + Anchor leaf. Some light staining. Nineteenth century continental half mottled sheep, marbled boards, slight cracking to front hinge. Italic letter, anchor device on title and verso of the final leaf. FIRST ALDINE PRINTING. A Renaissance commentary on an important classical text. Paulus Manutius (1512-1574) was a Latin scholar, with a particular interest in the works of Cicero. When he took over the press from his father Aldus in 1533, he published a number of works of Cicero, many enhanced by his own learned commentaries. In this present work, the FIRST ALDINE EDITION, Manutius' masterly interpretation caused this to be seen as the definitive work. With the bookplates of Stelio Valentini, and P. Carlo Cassigoli. Goldsmid, 458. Adams, 335 .
Bookseller: Roger Collicott Books
Check availability:
2016-12-17 16:47:20
2 vols. gr.-4. (27 x 38cm). 6 Bll., XL S., 52 Taf. u. 47 Texttbll. 1 Bl. 45 Taf. u. 56 Textbll. Mit gest. Frontisp. HLdr. d. Zt. Mit goldgeprägt. Rückentit. Tlw. stockfleckig Brunet I, 1547 - Seltene Großquart-Ausgabe. - Frontisp. in Stahlstich von William Henry Worthington nach Francois-Xavier Fabre, Die Tafeln in Umrißradierungen von H. Moses nach Zeichnungen Canoivas darunter eine Taf. nach der unmittelbar nach dem Tod Antonio Canovas von Liuigi Azimonte angefertigten Zeichnung. Ein dritter Supplementbd. erschien 1828.
Bookseller: Antiquariat Burgverlag
2016-12-17 16:47:20
Roemer, Visscher
Mit gest. Titel mit Vignette, gest. Emblem verso A5 und 193 blattgr. Emblem-Kupfer. 9 Bll., 196 doppelt gezählte SS., 4 Bll. Hübscher Lederband d. Zt. mit Rückenverg. und goldgepr. Decken. 13 x 8 cm. Landwehr 875 Praz 530. - Vierte Auflage des schönen Emblembuchs von Roemer Visscher (1547-1620). Das Werk wurde ursprünglich in 3 Serie zu je 60 Abbildungen mit jeweils einem latein. und holländ. Motto herausgegeben in der hier vorliegenden späten Ausgabe mit den Erweiterungen durch die Tochter Anna Roemer Visscher (1583-1651), u. a. um den Anhang "Minne-Poppen". Die hübschen Abbildungen zeigen alltägliche Gegenstände und Tiere in einer natürlichen Umgebung, die gegenüberliegende Seite jeweils mit der Erklärung. - Ecken bestoßen, vorderes Gelenk etwas angebrochem.
Bookseller: Antiquariat Turszynski
2016-12-16 16:40:02
Margarethe v. Navarra (Marguerite d'Angouleme, reine de Navarre).
. Margarethe v. Navarra (Marguerite d'Angouleme, reine de Navarre). Les marguerites de la Marguerite des princesses. Texte de l'edition de 1547. Publi avec Introduction, Notes et Glossaire par Félix Frank. Et accompagné de la reprodultion des gravures sur bois de l original et dun portrait de Marguerite de Navarre. 4 Bde. Paris, Libraire des Bibliophiles, 1873. 17,1 x 11,5. * Mit gestoch. Portr. * VIII, XCIX, 160 S., 2 Bl., 1 w. Bl. 1 w. Bl., 2 Bl., 257 S., 1 Bl., 1 w. Bl. 1 w. Bl., 2 Bl., 250 S., 3 Bl., 1 w. Bl. 1 w. Bl., 2 Bl., 313 S., 1 Bl., 1 w. Bl. Marmor. Hldr. d. Zt. auf 5 Bünden, mit 2 farb. goldgepr. RSch., marmor. Vorsätze u. Kopfgoldschnitt. - Portr. gest. v. Ch. et A. Chardon. - Jedes Band am Innendeckel mit dekorativem Exlibris gestochen von Jauner (Wappen mit Krone vom Kranz umgeben) beschriftet "EX LIBRIS DVCIS DE BEAVFORT". - Nr. 292 (handschriftlich). - ( = Cabinet du bibliophile, No. XVI). .
Bookseller: aaa1
2016-12-16 04:54:57
Aristophanes (Autor) und Nicodemus Frischlin (Hg., Übersetzer)
...Latinismus Graecismo respondeat. Opus Divo Rudolpho Caesari Sacrum. Die Komödientexte in griechisch-lateinischem Paralleltext, Dedikation, Epigramme, Einleitung, Vita etc. in Latein. - Mit großer Holzschnittdruckermarke auf dem Titel, Holzschnittvignette auf der letzten Seite (Kolophon) und einigen Holzschnittinitialen. Einband etwas berieben, angestaubt, stockfleckig und gebräunt Reste von 2 Stoffschließen Pergament am Fuß wellig und im Bereich des unteren Kapitals dadurch etwas geschrumpft, so daß der Buchblock hier ca. 1 bis 7 mm freisteht Innendeckelbezüge (Spiegel) etwas geknittert und mit kleinen Randfehlstellen vorderer Spiegel am Fuß etwas fleckig Vordervorsatz mit hinterlegtem Einriss am Fuß und hier etwas fleckig gering stockfleckig und vereinzelt gering fingerfleckig einige Bll. mit breiterem, schwachen Wasserrand im Fußsteg manchmal kleine Knickspuren in den Ecken einige Tintenunterstreichungen und Tintenmarginalien von alter Hand alter Besitzvermerk auf dem Titel. Vor allem durch die lateinischen Übersetzungen der Komödien durch Nicodemus Frischlin bedeutende Aristophanes-Edition. Nicodemus Frischlin (1547-1590) bedeutender dt. Philologe, neulateinischer und deutschsprachiger Dichter. Graesse I, 206/ VD16 A 3270/ Adams A 1719.
Bookseller: Aix Libris
2016-12-14 08:13:08
Hospinianus, Rodolphus (Wirth, Rudolph)
Folio. Erster Titel mit Titelvignette, zweiter Titel mit Druckerm. 26 Bl., 603 S. 5 nn., 173 (falsch 183) num., 5 nn. Bl. Holzdeckel m. Schweinsldr. d. Zt. auf 5 Bünden mit prächtiger figürlicher Prägeill. (u.a. Karl V. u. Johann Friedrich I., vgl. EBDB p000966 u. 67) und fragmentarischen Pgt.-Schließbändern. I: Erste Ausgabe. - Hospinianus (1547-1626), bedeutender schweiz. Religions- u. Kirchenhistoriker, war zuletzt Pfarrer am Frauenmünster in Zürich u. Lehrer an der Lateinschule ebendort. Zu dem vorliegenden Titel erschien 1600 noch ein zweiter Teil. - Sehr selten (nur einmal im Jb. d. APr. 1950ff). - II: Adams B-3202. - Erste Ausgabe in Folio. - ADB 3, 513-14. - Bullinger (1504-1575), ein Schüler Zwinglis, formuliert hier seinen Standpunkt in der Frage des Kultus, der Form des Abendmahls und der Zelebrierung des Gottesdienstes. - Bestoßen u. berieben, Deckel leicht wurmstichig, durchgehend leicht gebräunt, insgesamt ein sehr schönes Exemplar.
Bookseller: Antiquariat Düwal Berlin
2016-12-13 23:50:48
Hieronymus Ziegler, Sixt Birck, Cornelius Crocus & Jacobus Zovitius
Basel: Ex officina Joannis Oporini, 1547. Small 8vo (16,3 x 9,8 cm). (16), 561 (= 541), (3) pp. Contemporary richly blind-tooled calf over wooden boards with remnants of clasps. With 14 decorated woodcut initials. Illustrated with 11 historiated 5-line woodcut initials, in the style of Holbein, of which 1 rather large (square 2,8 cm) and 3 smaller 3-line decorated woodcut initials. Fine typesetting in italic humanistic style, with Roman type for headwork. Fine copy. Sacred Plays from the Old Testament in a splendid contemporary binding, worthy of the nice humanistic typography. For a full description and more images please visit www.zaalbooks.nl .
Bookseller: Zaal Books [Netherlands]
Check availability:
2016-12-13 18:52:09
Dante Alighieri
1547. Vorlageform des Erscheinungsvermerks: In Lione, Per Giovan Di Tovrnes. M. D. XXXXVII. - Entzückender privater Lederband des 18. Jahrhunderts mit Innenkantenvergoldung und buntem, goldbedrucktem Vorsatzpapier (Augsburger Brokatpapier mit geprägtem Goldgrund). Dreiseitiger Goldschnitt. Titelblatt ohne das vermutlich von alter Hand säuberlich herausgeschnittene Holzschnitt-Porträt Dantes. An dessen Stelle ist ein figürliches Kupfer montiert. Diese Manipulation am Titelblatt ist durchaus zeittypisch und schadet dem Reiz des ganzen Bändchens nicht. Seiten stark beschnitten. Auf ganz wenigen Seiten Anmerkungen u. Anstreichungen von alter Hand. --- Graesse II, 329. Brunet II, 503: Jolie édition. Ebert 441, 5706. Adams D 96. Ph. Bertheau in: Dantes Göttliche Komödie. Ausstellungskatalog Berlin, 2000: Der Dante de Tournes bestätigt den Ruf, den sich Lyon in der Mitte des 16. Jahrhunderts erwirbt. Auf dem kleinen Format wird eine Vielfalt typographischer Elemente im Zusammenwirken des genialen Druckers und seines bedeutenden Holzschneiders B. Salomon zu einer anmutigen Buchgestalt vereint. Die zierliche Kursiv noch im italienischen Stil zeigt einen regelmäßigen Schnitt und einige Eigenheiten: (offene g-Schlaufe, gebogener h-Abstrich, ss-Ligatur). Die kleinen, schmalen Antiqua-Versalien heben sich in der Strichstärke nicht zu sehr von den kursiven Gemeinen ab. Die Typographie des Jean de Tournes setzt neue Maßstäbe. --- Aus: Tournaesiana. Sonderkatalog zur 305. Auktion bei Ketterer 2006: Jean de Tournes war eine der großen Verlegergestalten des 16. Jahrhunderts. Er hatte s … [Click Below for Full Description]
Bookseller: antiquariat birk [Germany]
2016-12-11 17:52:05
Marot, Clement:
Paris, Charles l'Anglié, 1547. 372 fol., 12 Bl., 16, 88 fol.. 16°. Späterer dunkelroter Maroquinband auf 4 Bünden, mit dreifachen goldgeprägten Fileten auf beiden Deckeln und reicher Rückenvergoldung, Steh- und Innenkantenvergoldung; dreiseitigem Goldschnitt. Gering berieben bzw. bestoßen; Goldschnitt oxydiert; knapp beschnitten (gegen Ende teils Buchstabenverlust am Kopf); Papier gebräunt; letzte 30 Bl. an oberer Ecke mit Wasserrand. Trotz der Mängel ein wohlerhaltenes, hübsches und dekoratives Exemplar der Werkausgabe des Hugenotten C. Marot (Cahors 1496 oder 1497 - Turin 1544), gedruckt in einer Kursive. Marots Überwindung der mittelalterlichen Literaturformen gelang ihm schon 1518 mit einer Ballade für Margarete von Navarra, die ihn daraufhin als Kammerdiener nahm und ihm die Ideen der Reformation nahe brachte; kolportiert wird, dass sie ein vertrautes Verhältnis hatten; als er 1526 in der Fastenzeit Speck aß, wurde er arrestiert und erst 1526 durch Franz I. begnadigt, der ihn auch zum königlichen Kammerdiener bestellte. Wegen zunehmender und andauernder Repression aufgrund seiner reformatorischen Anschauungen (Calvin verfaßte ein Vorwort zu seinen Psalmen-Übertragungen, die von der Sorbonne als ketzerisch erklärt wurden) ging Marot nach Béarn zu Margarete über Genf und schließlich nach Turin. Neben seiner Villon-Ausgabe sind vor allem von die Übertragungen von 50 Psalmen (49 gingen in die calvinistischem Gesangbücher ein und bilden mit 101 weiteren von Th. Beza den Hugenottenpsalter), die Satire "L'Enfer" sowie seine Chansons, Balladen, Epigramme etc. als stilbilden … [Click Below for Full Description]
Bookseller: Antiquariat am Moritzberg [Hildesheim, NDS, Germany]
2016-12-10 11:59:40
INGRASSIA, Giovanni Filippo
- Woodcut printer's device on title. 12 p.l. (final leaf a blank), 431, [15] pp. 8vo, cont. limp vellum, remains of ties. Venice: G. Griffo, [1547?]. First edition of Ingrassia's second book, preceded only by the Praegrandis vtilisque Medicorum omnium decisio (Palermo: 1545). The 1544 edition of the Iatrapologia is a ghost (see the digital reproduction of the BSB copy of the so-called 1544 edition; it is identical with our edition). Ingrassia (ca. 1510-80), after studying medicine at Palermo and Padua, became professor of anatomy and medicine at the University of Naples in 1544. He was called to Palermo in 1556 by the Spanish viceroy of Sicily as protomedicus. In this position, Ingrassia "was concerned for the most part with problems of hygiene, epidemiology, and the general administration of Sicilian medicine. His activities included efforts to suppress quackery, to control the pharmaceutical trade, and to improve the conditions in hospitals?Ingrassia was responsible for the establishment of one of the first sanitary codes and a council of public health. He was also a founder of the study of legal medicine?Ingrassia is best known for his anatomical studies, admittedly based upon the methods and procedures of Vesalius, for whom he expressed the greatest admiration."-D.S.B., VII, pp. 16-17. A pioneer in the study of forensic medicine, hygiene, surgical pathology, and teratology, Ingrassia also discovered the "stapes" and denied the existence of the inframaxillary bone. He was also the first to describe scarlatina and was probably the first to recognize chicken-pox as a separ … [Click Below for Full Description]
Bookseller: Jonathan A. Hill, Bookseller Inc.
2016-12-10 08:33:05
PLINIUS MINOR
1547. Basel (Basileae), no publisher, n.d. (Colophon on the last page: 'Basileae, Ex officina Ioannis Oporini, Anno salutis humanae 1547, mense Septembri) 8vo. (XXXII),595,(75 index),(2 blank) p. 19th century half vellum 17 cm (Ref: VD16 P 3521; Schweiger, 2,1139 (under Sextus Aurelius Victor); Graesse 5,350) (Details: Back ruled gilt, and with a green morocco shield. 2 woodcut initials) (Condition: On the title page the words 'per Conradum Lycosthenem' are carefully erased. This erasing has been repeated on the verso of the title, where in the heading of the short biography of Pliny Minor the words 'a Conrado Lycosthene' have been erased. This erasure signals the attempt to eradicate the memory of the editor of this title, the Alsatian protestant humanist and encyclopedist Konrad Wolffhart, latinized as Conradus Lycosthenes, 1518-1561. In 1557 he published at Basel a work, 'Prodigiorum ac ostentorum chronicon', or ' Chronicle of omens and portents', with woodcuts of freaks, human monsters of all types, curious animals, comets, earthquakes etc. Two years later this title, and at the same time the entire oeuvre of Lycosthenes, was placed on the first catholic 'Index librorum prohibitorum' by Pope Paul IV. The 'Index' of forbidden books contained publications that were banned by the Catholic Church, because they were deemed heretical, anti-clerical or immoral. Often these books were censored or even destroyed. The censoring sometimes came down to the erasing or cutting out of names, or passages, or the removal of leaves, even complete chapters by catholic librarians. This … [Click Below for Full Description]
Bookseller: Antiquariaat Fragmenta Selecta [Netherlands]
2016-11-24 19:39:02
INGRASSIA, Giovanni Filippo
Woodcut printer's device on title. 12 p.l. (final leaf a blank), 431, [15] pp. 8vo, cont. limp vellum, remains of ties. Venice: G. Griffo, [1547?]. First edition of Ingrassia's second book, preceded only by the Praegrandis vtilisque Medicorum omnium decisio (Palermo: 1545). The 1544 edition of the Iatrapologia is a ghost (see the digital reproduction of the BSB copy of the so-called 1544 edition; it is identical with our edition). Ingrassia (ca. 1510-80), after studying medicine at Palermo and Padua, became professor of anatomy and medicine at the University of Naples in 1544. He was called to Palermo in 1556 by the Spanish viceroy of Sicily as protomedicus. In this position, Ingrassia "was concerned for the most part with problems of hygiene, epidemiology, and the general administration of Sicilian medicine. His activities included efforts to suppress quackery, to control the pharmaceutical trade, and to improve the conditions in hospitals…Ingrassia was responsible for the establishment of one of the first sanitary codes and a council of public health. He was also a founder of the study of legal medicine…Ingrassia is best known for his anatomical studies, admittedly based upon the methods and procedures of Vesalius, for whom he expressed the greatest admiration."-D.S.B., VII, pp. 16-17. A pioneer in the study of forensic medicine, hygiene, surgical pathology, and teratology, Ingrassia also discovered the "stapes" and denied the existence of the inframaxillary bone. He was also the first to describe scarlatina and was probably the first to recognize chicken-pox as a sep … [Click Below for Full Description]
Bookseller: Jonathan A. Hill, Bookseller, Inc.
Check availability:
2016-11-01 15:49:27
Ferri, Alfonso (u. Giralomo Fracastoro).
Lyon, Jean Frellon, 1547. 16°. Mit Holzschn.-Titelvignette u. einigen Holzschn.-Initialen. 168 S., 28 Bll., Mod. HPgmt. Durchg. etw. gebräunt bzw. fleckig. Vereinzelt min. wasserrandig bzw. wenige alte Anstreichungen, Anmerkungen u. Kritzeleien in Tinte. - Wellcome I, 2244; Waller 3008; Durling 1510; Baumgartner, Fracastoro, 9; Baudrier V, 208. Versand D: 9,80 EUR Ferri, Fracastoro, De ligni sancti multiplici medicina & vini exhibitione libri quatuor. Hieronymi Fracastorii Syphilis, sive morbus gallicus
Bookseller: Antiquariat Wolfgang Friebes [Austria]
2016-10-29 14:56:03
[Delfini, Cesare].
1547. (32) SS. Mit 2 verschiedenen großen Holzschnittdruckermarken am Titel und am letzten Bl. recto. Mehrere figurale Holzschnittinitialen. (Beigebunden) II: Ders. De proportione papae ad concilium, et de utroque eiusdem principatu, ad sanctiss. D. N. Iulium III Pon. Max. [Parma, Seth Viotti, nicht vor 1550]. (84) SS. Mit großer Holzschnittdruckermarke am Titel. (Beigebunden) III: Muzio, Girolamo. De Romana ecclesia tractatus. Pesaro, [Erben nach Bartolomeo Cesano], 1563. (30) SS., l. w. Bl. Mit großer Holzschnittdruckermarke am Titel. Flexibler Pergamentband der Zeit. 4to. Jeweils erste Ausgabe dieser kirchenrechtlichen Traktate. Der aus Parma gebürtige italienische Philosoph, Mediziner und Theologe Cesare Delfini (gest. 1566 in Rom) betätigte sich auch als Astronom (vgl. Hoefer XIII, 462); der italienische Humanist und Polemiker Girolamo Muzio (1496-1576) "widmete sich seit 1551 ganz dem Studium der religiösen Fragen" (LThK). - Die Vorsätze etwas stärker gebräunt; am Titel zeitgenöss. hs. Besitzvermerk der Wiener Jesuiten; am vorderen Innendeckel späterer hs. Signaturvermerk der Wiener Unbeschuhten Augustiner (18. Jh.). I: BM-STC Italian 212. IA 151.044. Bongi I, 200. Edit 16, CNCE 16420. - II: IA 151.046. Edit 16, CNCE 16421. - III: BM-STC Italian 458. Adams M 2078. Edit 16, CNCE 47054. Vgl. LThK VII, 400.
Bookseller: Antiquariat Inlibris
2016-10-29 03:51:35
ARTEMIDORO DALDIANO.
appresso Gabriel Giolito de' Ferrari, 1547 (ma Venezia, XVIII secolo).. Cm. 15, pp. (16) 293 (1) + 1 cn. Marchio tipografico giolitino al frontespizio, capolettere e testate in xilografia. Legatura ottocentesca in mezza pelle verde con titoli e filetti in oro al dorso. Un'antica firma depennata alla base del frontespizio, esemplare in ottimo stato di conservazione. Rara contraffazione giolitina impressa probabilmente dal libraio Panvino in Venezia verso la metà del '700 che si distingue dall'originale per la diversa numerazione delle pagine. Le edizioni cinquecentesche di quest'opera divennero subito molto rare e già nel XVIII secolo introvabili, si pensò così di ristampare la presente contraffazione. Cfr. Bongi I, 145.
Bookseller: Studio Bibliografico Benacense
2016-10-24 01:04:21
Ferri, Alfonso (u. Giralomo Fracastoro).
Lyon, Jean Frellon, 1547. 16°. Mit Holzschn.-Titelvignette u. einigen Holzschn.-Initialen. 168 S., 28 Bll., Mod. HPgmt. Durchg. etw. gebräunt bzw. fleckig. Vereinzelt min. wasserrandig bzw. wenige alte Anstreichungen, Anmerkungen u. Kritzeleien in Tinte. - Wellcome I, 2244; Waller 3008; Durling 1510; Baumgartner, Fracastoro, 9; Baudrier V, 208. Versand D: 12,00 EUR Ferri, Fracastoro, De ligni sancti multiplici medicina & vini exhibitione libri quatuor. Hieronymi Fracastorii Syphilis, sive morbus gallicus
Bookseller: Antiquariat Wolfgang Friebes
2016-10-07 11:17:39
PÉREZ MARTÍN, Antonio (Editor).
1547. Vaduz, Topos Verlag, 1979. Folio; VII-100 pp. para la Introducción y 930 pp. para la reproducción del facsímil. Encuadernación original en tela.
Bookseller: Hesperia Libros
2016-10-04 21:32:26
GUGLIELMO DA PASTRENGO
Venezia. Nicolò Bascarino. 1547. Cm. 15; Carte 131, (1). Bella legatura fine seicento in piena pelle maculata, dorso a 5 nervetti, tassello con ricchi fregi in oro ai cinque scoparti, piatti inquadrati entro cornicetta impressa a secco e deori floreali ottenuti con contrasto del colore della pelle, risguardi in carta decorata, tagli decorati. Margine superiore corto, in alcune carte intacca il numero della pagina, per il reso ottimo esemplare, genuino. 597 / P
Bookseller: Galleria La Stampa Antica
2016-10-03 21:26:43
ANON.
Small 8vo, A-Z8, AA-RR8, [8], 320 leaves, italic letter, small historiated metal-cut initials, slight browning to title-page and first gathering, clean tear to G2 without loss, old vellum, sound. Engraved armorial book-plate "Bibliotheque du Chateau de Tanqueux" on front pastedown, inscription "1742 di Giaco Soranzo"(probably a descendant of Jacopo Soranzo, the 16c. Venetian procurator painted by Tintoretto) on front fly, signature of "Herbert M Evans" on front fly, "D'arblay" on front fly verso. This is the second edition of a very rare book, first published in 1544. COPAC locates only the BL copy in the UK; the World Catalogue adds two copies in France, Bibliotheque Mazarine and Bibliotheque Sainte-Genevieve, and only one copy of the 1544 edition (BL), the earliest in Italy is a 1558 edition at Bologna and in the USA a 1552 edition at the Huntington Library. The original Spanish text was first published in Salamanca in 1511 and is sometimes attributed to Francisco Vazquez; this translation into Italian is attributed to Mambrino Roseo.
Bookseller: H M Fletcher
Check availability:
2016-10-01 09:02:55
LIPSE (Juste)
In-4, plein maroquin, dos à nerfs orné de caissons à froid, tr. dorées, filet doré sur les coupes, roulette dorées intérieure (Reliure du XIXe) Texte réglé. Etiquette bleue de libraire « Librairie Félix Seguin à Montpellier ».Bel exemplaire. Ces trois recueils, sur les Jeux du cirque, gladiateurs et arènes, qui sont ici réunis sont tous très rares.Le premier qui concerne essentiellement les jeux du cirque et les gladiateurs est la première édition illustrée (12 dessins à pleine page, attribués à Pierre van der Borcht, représentant des combats de gladiateurs et de 4 planches hors texte). Il manque les 4 HTLes deux autres, à pagination continue, concernent les arènes, le premier le Colisée et le second les arènes en dehors de Rome. Ils sont tous deux illustrés de 1 gravure à demi-page p 45 et 2 gravures pleine page p 96 et p 105Juste Lipse (1547-1606), philologue, historien, érudit à la prodigieuse mémoire, qui voyagea beaucoup à travers l'Europe : visita Rome (où il rencontra Antoine Muret), Dôle, Vienne, Iéna (où il fut professeur d'Histoire), Cologne, Leyde,... tout en publiant des oeuvres qui furent très vite traduites en plusieurs langues. La plupart de ces traités sont des modèles de profondeur et d'érudition (F.-H. Kruger).
Bookseller: Librairie Bal
2016-10-01 06:50:42
Albizzi, Antonio (1547-1626) Strassburg
Artist: Albizzi Antonio (-1626) Strassburg; Issued in: Strassburg; date: c 1600 1547 - Artist: Albizzi, Antonio (1547-1626) Strassburg; Issued in: Strassburg; date: c. 1600; - Condition: Upper margin perfectly replaced; Decorative family tree showing Bohemian Royal geneology, with the City of Prague in the background.Embellished with numerous portraits and coats of arms.
Bookseller: Antique Sommer KG
Check availability:
2016-09-29 17:21:40
Stace [Publius Papinius Statius]
1547. Notre blog : https://librairie-trois-plumes.blogspot.fr/ Notre mail : benoit@troisplumes.fr Stace [Publius Papinius Statius], Statii Papinii Neapolitani - Sylvarum libri V - Thebaidos lib. XII - Achilleidos lib. II. Lyon, Sébastien Gryphe [Gryphium], 1547. In-16, 524p. Belle édition lyonnaise des oeuvres complètes de cet écrivain latin du 1er siècle, napolitain de naissance. On ne connait de Stace que ces oeuvres : les Silves, 32 poèmes regroupés en 5 livres, la Thébaïde, épopée en 12 chants et l'Achilléide, poème inachevé. On sait peu de chose de ce poète en dehors de ce qu'il dit de lui dans ses Silves. Sébastien Gryphe, libraire lyonnais, s'était spécialisé dans les classiques grecs et latins. Cet ouvrage, qui est la première édition lyonnaise de Stace, en est le parfait exemple. Seuls 3 exemplaires localisés par Baudrier (British Librairy, Lyon et Troyes). La BnF ne semble pas avoir d'exemplaire (uniquement une version numérique). Reliure plein veau d'époque, reliure lyonnaise typique, dos à nerfs, travail à froid sauf pour les petits fleurons sur le dos et les fleurons au centre et aux coins des plats, tranches dorées, papier bien conservé, léger jaunissement général. Fines restaurations. Très bel exemple de reliure lyonnaise.
Bookseller: Librairie Trois Plumes [Angers, France]
2016-09-24 14:40:14
MARGUERITE D'ANGOULÊME (1452-1549) :
2 tomes reliés en un volume in-16, maroquin bleu foncé, dos à nerfs très décoré et doré, de fleurs de lys et palmettes, titre, lieu, éditeur et date dorés, grande composition centrale "Renaissance", aux petits fers dont celui "à la rose", avec un médaillon ovale au centre, fleurons de coins, triple filet d'encadrement, double filet sur les coupes, large dentelle d'intérieur, tranches dorées (Dunezat) ; titre particulier au volume II : Suite des // Margue-// rites de la //..., fleuron, un f. 249. 395 ff. (i.e. 394, le feuillet entre 393 et 394 n'est pas chiffré), (5) ff. non chiffré (a-z ; & ; A-Z ; AA-CC 8). Caractères italiques, exemplaire entièrement réglé. "Très rare, elle reproduit l'édition de 1547". "L'édition de 1549 contiendrait deux pièces préliminaires de moins que celle de 1547 ; il y manque aussi le sonnet de la fin de la première partie, le sonnet en tête des Nymphes de Diane et enfin les deux énigmes de la fin de la seconde partie" (Tchemerzine-Scheler IV-366 et s.). Ni Tchemerzine, ni le C.C.F. (Catalogue Collectif de France) ni les bibliographies ou catalogues consultés ne nous ont permis de trouver un exemplaire au nom d'Estienne Groulleau, toutes les références donnent cette édition par Jehan Ruelle. Le fleuron ovale du titre est différent de celui de Ruelle, reproduit par Tchemerzine-Scheler, il représente un pied de chardons avec la devise "Nul ne si frote patere aut abstine (souffre ou abstiens-toi)" ; le fleuron de la deuxième partie est identique à celui de Ruelle. Libraire-imprimeur à Paris, Estienne Groulleau (15..-1563), sera actif de 1545 à 1563 … [Click Below for Full Description]
Bookseller: Librairie Ancienne Clagahé [France, Lyon]
2016-09-24 11:34:26
Paradin (Guillaume) :
Reliés en un volume in-folio (347mm), maroquin fauve, dos à nerfs dorés soulignés à froid et deux palettes à froid, titre doré, roulette à froid entre deux filets dorés, d'encadrement des plats et fleuron d'angles, fleuron doré central (reliure moderne) ; [8] ff. liminaires, titre compris, 183 pp., [1] p. bl. ; [4], III ff. L'Histoire de notre temps a le titre entouré de l'encadrement du "Midas", au verso duquel se trouve le Privilège du Roy donné à Fontainebleau le 28 mars 1547.Cette édition est la première de la traduction française donnée par l'auteur, de son ouvrage latin "Memoriae nostrae libri quatuor", paru en 1548 déjà chez Jean de Tournes et avec le même encadrement au titre. On sait que cet ouvrage contient les principaux événements survenus en Europe depuis l'accession de François Ier au trône jusqu'à l'entrée de Charles Quint à Augsbourg en 1547. (Cartier-176 ; Cioranescu-17013). Le privilège du second ouvrage a été accordé à Galiot du Pré et Michel Vascosan, à Fontainebleau le 31 décembre 1547 (Cioranescu 8252 et 10238 et Brunet III-445 qui exprime ses doutes sur la participation de Fourquevaux à cet ouvrage.) Edition imprimée en beaux caractères romains. Auréoles au coin supérieur des 30 premiers feuillets et plus petite en pied ; nombreuses notes manuscrites marginales très anciennes. Bel ensemble.
Bookseller: Librairie Ancienne Clagahé
2016-09-24 08:04:39
CARBONELL, Pere Miquel.
- Carles Amorós. Barcelona, 1547. Foli. Portada a dues tintes, orlada (facsimilada) 3 f., CCLVII f., 1 f. de colofó (facsimilat). Tipus gòtics, text a dues columnes emmarcades, caplletres i 8 gravats en el text. Enq. en pell moderna amb nervis i filets daurats a plans i contracantos. Presentat en petaca de pell. Portada i colofó reproduïts sobre paper similar, algunes restauracions de poca entitat.
Bookseller: Olim Liber
2016-09-23 11:47:13
CAVALLIERI (Jean-Baptiste).
In-8, veau brun du temps, dos à nerfs, orné, double filet doré et médaillon doré sur les plats. 157 delicately engraved portraits of Roman Emperors, from Julius Caesar to Rudolf II [3 missing]. Giovanni Battista Cavallieri was a very laborious engraver, popular among his contemporaries for his illustrations after Raphael, Michelangelo and other masters, as well as for his counter-reformation illustrations of Catholic martyrs. A short biography by the Polish erudite Tomasz Treter (1547-1610) is given with each portrait.
Bookseller: OSLO RARE BOOKS [Norway, Flekkefjord]
2016-09-21 05:10:27
Alessandria - CODEX STATUTORUM
Moscheni Francesco, 1547. in - folio (mm 293x200), pp. (4), CCCCXV, (1), ff.8 nn. di ''Rubricae Statutorum''; seguono 11 pp. di ''Consuetudinis Comunis Civitatis Alexan. MCLXXIX''. Legatura coeva in pergamena floscia con capitelli passanti e legacci, titolo e nome del podestà curatore calligrafati al dorso. Titolo entro larga bordura floreale su fondo nero con due ritratti in medaglioni di vescovo, con iniziali SV (San Valerio) ei SB (San Baudolino); in alto scudo crociato, armi della città stampato in rosso, in basso impresa tipografica delle tre mosche, sorretta da un putto e un satiro. Al centro magnifica veduta in silografia (mm 85x125) della città di Alessandria con il ponte sul fiume Tanaro. L'ultimo f. prima dell'indice comprende al recto il colophon con altro stemma della città in rosso e al verso altra impresa dei Moscheni, su fondo bianco. Precede il testo la dedica del podestà di Alessandria Hieronymo Corte (o Curzio), curatore dell'edizione, a Giacomo Filippo Sacchi, alessandrino, presidente del Senato Milanese. PRIMO LIBRO IMPRESSO IN ALESSANDRIA E PRIMA EDIZIONE DEGLI STATUTI DELLA CITTA' comprendente il testo approvato nel 1297 e le aggiunte fino al 1547, comprendente i ''Capitoli delle Fere de la città de Alexandria, 1525'' e le disposizioni relative alla remissione delle tasse sui cavalli, che il consiglio della città nella adunanza del 10 gennaio 1548 determinò dovessero unirsi al volume degli Statuti. Seguendo il Catalogo degli Statuti del Senato sembra che tali fogli venissero stampati dallo stesso Moscheni dopo il 1548, per assoluta somiglianza dei cara … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco
2016-09-19 18:34:35
PALATINO Giovanni Battista (1515-1575)
PREMIERE EDITION. 1547, In Roma Per Antonio BLADO ASOLANO il mese di Genaro. Dérelié. Page de titre avec le Portrait de l'Auteur PALATINO et Dernier feuillet avec le Colophon de l'Imprimeur. Sans reliure. COLLATION : A1 à A8 ; B1 à B8 ; C1 à C8 ; D1, D2, D?, D? (4 feuillets D absents) ; feuillets E ABSENTS, F1 à F8 ; G1 à G8 ; H1 à H7 . soit 51 feuillets. Manque 12 feuillets. Restauration feuillet A5. SOIT 51 FEUILLETS SUR LES 63 que compte l'ouvrage complet. Ouvrage de très grande rareté. Dans l'état avec ses manques. - Giovanni Battista Palatino (Rossano, 1515 - Naples, 1575) Ecrivain, Calligraphe et scribe italien.
Bookseller: Rolin Librairie Ancienne BERNARD MARIE R
2016-09-16 10:57:11
MANUTIUS (Paulus)
Aldi Filii, 1547. Petit in-8 (102 x 168 mm), veau marron, dos à nerfs orné, dentelle autour des plats, motif à froid au centre, roulette sur les coupes et intérieure, tranches dorées (reliure signée Thouvenin, charnières restaurées). Première édition aldine, imprimée par le plus jeune des fils Alde. // Small 8o (102 x 168 mm), brown calf, spine tooled in gilt with raised bands, dentelle border on covers, central pattern tooled in blind, gilt roll on turns-in and inside, gitl edges (binding signed Thouvenin, hinges restored). First aldin edition, printed by the youngest of Alde brothers.
Bookseller: Librairie Henri Picard & Fils [FR]
2016-09-11 12:00:46
Gabriel Giolito de' Ferrari, 1547. In 12mo, pergamena rigida di poco posteriore, dorso a quattro nervi con titolo manoscritto, cc. 65, (7, di cui le ultime 2 bianche). Marca tipografica sul titolo ed in fine. Titolo un po' sporco, minime fioriture, ma ottima copia genuina.EDIZIONE IN PARTE ORIGINALE. «Nel 1546 aveva il Parabosco pubblicata la Prima parte delle rime in Venezia, presso Tommaso Botietta in 8vo, dirigendola ad Eleonora de' Medici duchessa di Firenze. In questa nuova pubblicazione del 1547 l'autore riprodusse una parte delle medesime composizioni, insieme con altre inedite e, considerandola come libro nuovo, la dedicò ad Anna da Este principessa di Ferrara, in lode della quale sono i primi sonetti che vi si leggono. Ma il Parabosco, come altri contemporanei, fu solito valersi delle cose proprie in più modi, e farne cucina con più salse. Le ottave in lode di Venezia, che sono stampate in questo libretto (p. 19), furono da lui ristampate l'anno 1548 nel Tempio della Fama, e così ne trasse trentadue ballate o madrigali (salvo errore nel contarli), per aggiungerli con altri nel Primo libro de' madrigali stampato nel 1551, e forse si trovano nei suoi rarissimi e quasi ignoti libri di Madrigali colla musica. La Seconda parte delle rime, dove stanno otto capitoli burleschi, uscì poi in luce nel 1555 a Venezia, presso Francesco e Pietro Rocca fratelli, ed in questa sono ripetuti tre sonetti della edizione giolitina» (S. Bongi, Annali di Gabriel Giolito de' Ferrari, Roma, 1890, I, p. 147).Le Rime del Parabosco raccolgono per lo più sonetti e canzoni, con qualche sestina … [Click Below for Full Description]
Bookseller: Libreria Govi Alberto
2016-09-04 13:06:12
MASSORILLO Lorenzo
Cantagalli, 1547. in - 4, ff. (2), 228, (1 bianco), bella legatura recente a imitazione dell'epoca in cuoio con ricchi fregi in oro ai piatti ed a secco al dorso. Impresso con estrema eleganza con lo splendido corsivo cancelleresco di Ludovico degli Arrighi, ed illustrato a piena pag. da una stupenda silografia raffig. la Crocifissione; numerosi napilettera su fondo nero, in fine grande impresa figurata degli stampatori (Ascarelli 70). Prima ed unica edizione; é il primo libro impresso a Foligno nel Cinquecento, dopo un'interruzione di 75 anni dal terzo libro ivi stampato che fu la straordinaria editio princeps della Commedia dantesca. I fratelli Cantagalli ottennero un privilegio dal Consiglio municipale sin dal 1542, ma un paio di presunte edizioni statutarie non sono state finora reperite complete; studi recenti, come quelli di Balsamo ed Ascarelli, identificano il Massorillo come l'unica edizione pervenutaci di questa tipografia. Rarissimo, ottimo esemplare.
Bookseller: Libreria Antiquaria Pregliasco
______________________________________________________________________________


      Home     Wants Manager     Library Search     563 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2019 viaLibri™ Limited. All rights reserved.