1544. Gebraucht, für den Zustand beachten Sie die Beschreibung + die Bilder!!! Frühe, zweite Karte von Skandinavien,"Gemeine Beschreibung Aller Mitnaechtigen Laender Schweden, Gothen, Nordwegien, Dennmarck &c, 1544", so Titel verso auf unserer Karte, umgeben von schöner Holzschnittbordüre. Sie Zeigt Island, Norwegen, Schweden, Finnland, Schottland, Dänemark bis zum Baltikum mit Nord- und Ostsee. Sebastian Münsters Skandinavien-Karte, basierend auf der Carta Marina von Olaus Magnus. (Carta marina. 1539 die früheste (nach heutigem Standard einigermaßen korrekte) Landkarte Nordeuropas) Aus der deutschen Ausgabe der Kosmographie des Sebastian Münster, erschienen 1544 mit dem Titel: Cosmographia: Beschreibung aller Lender durch Sebastianum Munsterum in welcher begriffen, Aller völker Herrschafften, Stetten, und namhafftiger flecken, herkommen: Sitten, .... Getruckt zu Basel: durch Henrichum Petri, anno 1544. Ein nicht restauriertes Exemplar der Holzschnittkarte in Originalzustand. Sehr selten, in fast hervorragenden Erhaltung, lediglich einige kleine Wurmlöcher und ein kleiner Ausriss an der Bugfalte oben. Verso Falzreste und verwaschener Tintenfleck (?), der aber nicht nach vorne durchschlägt. Blattgröße: 33 x 40,6 cm.

Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1544 Guevara Famous Aurelius Lettres Stoic Philosophy Meditations Venise Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. 1544 Guevara célèbre Marcus AURELIUS lettres philosophie stoïque méditations Venise « Ne déchets aucun argumenter sur ce qu'un homme de bien doit être plus de temps. Être une. » ― Marcus Aurelius Antonio de Guevara, un 15e-siècle homme de lettres, a grandi dans la Cour de Ferdinand et d'Isabelle d'Espagne. Ses œuvres majeures comme les « Lettres familières » et « The Caesars dix. » Son travail, maintenant, est considéré d'intérêt historique peu plus, mais son style de rédaction et contenu reflète les goûts de la Cour de Charles V, qui il avait écrit pour plus tard dans sa vie. Le sujet est considéré comme plutôt banal, mais il dépeint la vie espagnole pendant les 16 premièrese-siècle. Cet ouvrage s'ouvre sur une vue de l'Empereur Adriano suivie d'une longue biographie de Marcus Aurelius et comprend 115 lettres publiées d'empereur Aurelius. Nom du traducteur, Fausto da Longiano, provient de la lettre dédicatoire. D'environ 1530 à la fin du siècle une augmentation notable de l'intérêt pour Marcus Aurelius peut être vu dans l'Art occidental. Guevara a écrit ce livre dans l'espoir de capter une partie des bénéfices qui pourraient être tirés de promotion Marcus Aurelius. N … [Click Below for Full Description]

Toulouse, Ant. Vincent, Apud Ludovicum Yvernaige, Impressum per Anthonium, Gorcium, 1544. ______ Format : In-4. Collation : (4), 73, (5) ff. Reliure : Basane brune, dos à nerfs orné. (Reliure du XVIIIe.). ____ Edition la plus ancienne des coutumes de la ville de Toulouse. Seul livre imprimé par Antoine de La Gorse cité par la Biblotheca Aureliana. Belle édition imprimée en lettre ronde à deux corps de caractères. Armoiries de la ville de Toulouse gravées sur bois sur le titre. Quelques restaurations au dos de la reliure. Bon exemplaire. Brunet 391. Biblioth. aureliana, A. de La Gorce N°1. *-------*.

apud Jacobii Giuncti, Lyon (Lugduni), 1544. 8vo, 8, CCLXXXVI, 2 (index) Bound in original vellum title inked in the spine. Some foxing and yellowish as usual. rare edition of Portius, Christophorus comented by Del Maino, Giasone (1435-1519) - italian jurisconsult and Soranzo, Niccolò (1476-1546) - Italian lawyer. Early edition of the the three books of the institutions of Portius. [Attributes: First Edition; Hard Cover]

ACCOLTI Benedetto - De bello contra barbaros a christianis gesto, pro Christi sepulcro & Iudaea recuperandis, Benedicti de Acoltis aretini libri IIII ACCOLTI Benedetto De bello contra barbaros a christianis gesto, pro Christi sepulcro & Iudaea recuperandis, Benedicti de Acoltis aretini libri IIII Robertus Winter, Basilae (Bâle) 1544, petit in-8 (8x14,5cm), (128)f. (sur 136) [sig : A-Q8], relié. Seconde édition latine, l'originale est parue à Venise en 1532. Marque de l'éditeur au verso du colophon.Reliure XIXème en pleine basane brune, dos lisse orné de filets dorés et d'une pièce de titre en maroquin rouge, lieu et date d'édition dorés en queue, motifs d'encadrement estampés à froid sur les plats, tranches de tête et de queue rouges.Dos refait, quelques éraflures sur les plats, coupes frottées, gardes et contreplats postérieurs. Il manque 8 feuillets, correspondant à l'épître dédicatoire, travail de vers en marge inférieure, page de titre doublée, restauration en tête du dernier feuillet, infime mouillure en marge inférieure sur les quatre premiers feuillets, certains feuillets brunis, deux coins émoussés.L'auteur, Benedetto Accolti (1415-1464) enseigna le droit à l'université de Florence avant de remplacer Le Pogge en tant que secrétaire de la République de Venise. Progressivement, son intérêt pour l'histoire le pousse à rédiger vers 1464 avec son frère Léonard Accolti un récit de la première croisade. Avant la vision poétique de la Jérusalem délivrée de Le Tasse, écrit en 1581, Accolti propose une approche historique de la prise de la ville sainte sans pour autant délais … [Click Below for Full Description]

Lyon: Gryphius, 1544. Erasmus of Rotterdam: Apophthegmatum opus cum primis frugiferum,... e Graeco codice correctis... interpres Diogenis Laertii Published: Lyon, Gryphius, 1544 Size: 17 x 12 cm Condition: Hard cover binding. 609 pages, 19 leaves. Slight staining in places. Shipping-costs: see description Payment: Paypal or Banktransfer Combined Shipping - For combined shipping ----> Add all items to cart before purchase !!! For more maps and prints visit our site raremapexchange.

BALE: Reliure solide renforcée aux nerfs droits, corps de texte impeccable, petit manque de papier en p. de titre cf. photos représentatives de l'état.- 1544, BASILAE, FROBEN. - OUVRAGE INTEGRALEMENT EN GREC. Seconde édition ou troisième selon.- 1 f. avec ex-libris manuscrit ancien 17e, et cachet de René de Louvroy contemporain, p. de titre à l'Enseigne de Johann FROBEN (ami d'Erasme) gravée sur bois, petit manque de papier. Collation complète (az, AZ, aa, uu6) 396 f., texte sur deux colonnes, marques d'imprimerie et page de Colophon de FROBEN en fin d'ouvrage. - In-folio 33 cm, reliure Renaissance sur ais de bois recouverts au dos de Titre aux fers rouges SUID.S EDITIO FROBENI 1544 avec restes de cuir et fleurons. - Plats plein veau d'époque ornés d'une plaque représentant un médaillon , à la Bannière de la devise de Charles QUINT (Régnant de 1516 à 1556) : "CAROLUS V . ROMA . IMP. SEMPER. AUGUST. ETAT. SUI XLII", "un grand écusson contenant un aigle à deux têtes au-dessus du médaill. Pour tous renseignements, vous pouvez me joindre aux références sous l'Annonce.... 3758.09.18 SUIDAS - SOUIDAS - SUIDA - SOUIDA SUIDA TO MEN PARON BIBLION, SOUIDA - 1544, BASILAE, FROBEN. - OUVRAGE INTEGRALEMENT EN GREC. Seconde édition ou troisième selon. - 1 f. avec ex-libris manuscrit ancien 17e, et cachet de René de Louvroy contemporain, p. de titre à l'Enseigne de Johann FROBEN (ami d'Erasme) gravée sur bois, petit manque de papier. Collation complète (az, AZ, aa, uu6) 396 f., texte sur deux colonnes, marques d'imprimerie et page de Colophon de FROBEN en fin d'ouvrage. - In-folio 33 cm, … [Click Below for Full Description]

BALE: Reliure solide renforcée aux nerfs droits, corps de texte impeccable, petit manque de papier en p. de titre cf. photos représentatives de l'état.- 1544, BASILAE, FROBEN. - OUVRAGE INTEGRALEMENT EN GREC. Seconde édition ou troisième selon.- 1 f. avec ex-libris manuscrit ancien 17e, et cachet de René de Louvroy contemporain, p. de titre à l'Enseigne de Johann FROBEN (ami d'Erasme) gravée sur bois, petit manque de papier. Collation complète (az, AZ, aa, uu6) 396 f., texte sur deux colonnes, marques d'imprimerie et page de Colophon de FROBEN en fin d'ouvrage. - In-folio 33 cm, reliure Renaissance sur ais de bois recouverts au dos de Titre aux fers rouges SUID.S EDITIO FROBENI 1544 avec restes de cuir et fleurons. - Plats plein veau d'époque ornés d'une plaque représentant un médaillon , à la Bannière de la devise de Charles QUINT (Régnant de 1516 à 1556) : "CAROLUS V . ROMA . IMP. SEMPER. AUGUST. ETAT. SUI XLII", "un grand écusson contenant un aigle à deux têtes au-dessus du médaill. Pour tous renseignements, vous pouvez me joindre aux références sous l'Annonce.... 3758.09.18 SUIDAS - SOUIDAS - SUIDA - SOUIDA SUIDA TO MEN PARON BIBLION, SOUIDA - 1544, BASILAE, FROBEN. - OUVRAGE INTEGRALEMENT EN GREC. Seconde édition ou troisième selon. - 1 f. avec ex-libris manuscrit ancien 17e, et cachet de René de Louvroy contemporain, p. de titre à l'Enseigne de Johann FROBEN (ami d'Erasme) gravée sur bois, petit manque de papier. Collation complète (az, AZ, aa, uu6) 396 f., texte sur deux colonnes, marques d'imprimerie et page de Colophon de FROBEN en fin d'ouvrage. - In-folio 33 cm, … [Click Below for Full Description]

Paris: Ex officina Roberti Stephani, typographi Regij, 1544. First Estienne edition. Small 8vo. (6 7/8"). 208p (xxxi, index). a1-p8. Title page with the Estienne device. Bound in contemporary mottled calf and sympathetically rebacked with spine in six panels with black titles label gilt and with double gilt rules in the panels. Endpaper edges browned from the binding, some underlining in brown ink, some age toning, covers with old wear and restored corners, bookplate. Complete and sound. Item #21462 Renouard p. 60, no. 44; Adams S155.

Venice: Baldassar di Costantini; [Comin de Tridino de Monferrato], 1544; 1540. First Italian edition of Alciati; later (?7th) Italian edition of Puteo. 101, [7] ff; 176 ff. 12mo. Two Important Sixteenth-Century Works on Duelling. Two early works on duelling bound together. The Alciati was first published in Latin as De Singulari Certamine (1543) and appears here in its first Italian edition. The Puteo was first published in Latin in 1518, translated into Italian in 1521, and published in many editions thereafter. Alciati (1492-1550) was a Milanese lawyer and popular author of emblem books and works on courtly behavior. Puteo's Duello was one of the most important and popular works of chivalry, duelling, and military law in the 16th century. Alciati: Gelli, p. 105; Adams A600; Thimm 5 (1545 ed.). Puteo: Gelli, pp. 164-5; Adams P2299 (for 1544 ed.); Thimm 233. Bound together in 17th century calf, spine ends chipped and repaired, outer blank corner of first title repaired, some old text soiling and discoloration.

En çamora: [s.n.], Año MDxliiii [1544] [Colofón: en la antiquissima çiudad de Zamora por el honrado varon Juan Picardo impressor de libros. A costa y espensas del virtuoso varon Juan Pedro Mussetti mercader de libros . A costa y espensas del virtuoso varon Juan Pedro Mussetti mercader de libros ., a quinze dias del mes de Deziembre. Año de.mill y quinientos y quarenta y tres años. [i.e 1544 (1543)].- // [Para pedidos desde fuera de España, por favor, consulte las condiciones de venta y envío, tipo B. / For orders to be delivered outside Spain, please, let you see our sale and shipping terms, type B. / Pour les commandes à livrer hors d'Espagne, s'il vous plait, voyez les conditions de vente et de livraison, type B.].- // Primera edición.- Folio, (páginas 302x210 mm.).- CCXXXV, [10] h.; sign.: a-z8, [et "r"]8, Aa-Ff8, Gg5; portada (mal) facsimilada solo por el recto con escudo xilográfico imperial; comienzo del prólogo y de cada uno de los cuatro libros, a dos tintas; letra gótica; iniciales grabadas; apostillas marginales.- // Encuadernación en pergamino antiguo dispuesta a mediados del s. XX; lomo liso con tejuelo rotulado en vertical. Portada (a dos tintas en el original) mal facsimilada en negro, solo por el recto; margen lateral de primera hoja cortado casi entero; cerco antiguo de humedad en margen inferior en toda el ejemplar; trabajo de xilófagos en pie del margen interior entre los folios 202-213; ocasionales dibujos y anotaciones manuscritas en tinta en los márgenes; margen derecho de los folios de tabla y correcciones, oscurecido por humedad antigua; última hoja a … [Click Below for Full Description]

Mapa antiguo de España. Autor: Sebastian Münster Alemania, 1544. Mapa impreso xilográficamente, pertenece a la obra más famosa del autor, "Cosmographia", publicada en Basilea en 1544. Títulos en gótico, topografía en latín y castellano. Iluminación a mano de época. Size: 38 x 34 cm. Enmarcado 67,5 x 73 cm. [Attributes: First Edition]

al segno dil Pozzo [per Bartolomeo detto l'Imperador et Francesco suo genero], 1544. In-8° (cm. 15), legatura in cartonato alla rustica rimontato con titolo ms. su etichetta al dorso; cc. [24] 403 [1] in buono stato, con capilettera figurate e marca al frontespizio; sporadicissime fioriture e una piccola integrazione marginale alla sola carta di registro in fine. Volgarizzamento del Landino della celebre opera Rerum gestarum Francisci Sfortiae Mediolanensium ducis Commentarii, testo commissionato appositamente dagli Sforza al loro segretario ducale Giovanni Simonetta con lo scopo di elogiare la figura del duca Francesco. Cfr. Adams S-1187; Predari 188; Hoepli Milano 416. Buon esemplare.

Bâle, Froben, 1534, 1544. In-folio, reliure de l'époque en veau brun restaurée, pièce de titre et gardes renouvelées, dos à nerfs orné d'un filet à froid, caissons à double encadrement à froid, petit fer doré à "l'oiseau" au centre, plats à triple compartiments, losange au centre de plats avec un rectangle doré à quatre compartiments, chaque compartiment est orné aux angles d'un écoinçon, fer à "l'oiseau doré", titre avec le grand fleuron de éditeur gravé sur bois, illustré de grandes lettrines historiées en tête de chaque chapitre, 10 ff. n.ch., pp839. alpha-y6a-z, A-X6, la dernière page n.ch. reprend la marque de Froben. Le dernier f. comporte la mention de l'éditeur: "Basilae in officine Frobenianan per Hieronymus Frebenium et Nicolaum episcopium M.D.XXXIIII. Correction fautive sur la date du titre (1534) au lieu de 1544, petit travail de vers sur les 40 derniers ff. avec pertes de seulement qqs. caractéres en tête des pp 835, 838 et 839. L'intérieur ne possède pas de rousseurs. Provenance: Bibliothèque de BARANTE, avec son ex-liris armorié. Réf. bibliographiques : Adams: 360. [Attributes: Hard Cover]

Au Mont S. Michel (Caen). (colophon: impressum est Parisiis, 1544 [romane]. In-12 (133x88 mm.), cc nn. 80. Segnatura A-I 8. Carattere gotico di diverse dimensioni. Capilettera xilografici a fondo nero. Con 8 xilografie a piena pagina con mani computanti, altre astronomiche nel testo. Legatura in piena pelle marezzata, dorso a nervi con scomparti dorati (sbiaditi). Edizione molto rara di quest'opera della massima importanza per la storia della matematica, della cronologia e delle tecniche di misurazione del tempo in genere. L'autore, il maestro Anianus, era probabilmente un monaco benedettino fiorente in Francia nella seconda metà del XIII secolo. Bibliografia: Pettegree, French Books, 53366. [Attributes: Hard Cover]

Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1544 Aresta Amorum Martial D'Auvergne Latin Romantique Amour Poésie Arrets D' Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. 1544 Aresta Amorum Martial d'Auvergne Latin romantique amour poésie Arrets d'Amour Rarissime / maquette @ $ 1 300 pour l'édition de 1566 Martial Auvergne (1420-1508) est un poète Français. Originaire d'Auvergne, il sert comme notaire au Châtelet et plus tard comme attorney (procureur) pour le parlement de Paris. Presque toutes les œuvres de Martial d'Auvergne sont clairement datées et on sait à leur sujet. Cependant, les origines de ce travail sont incertaines et on connaît mal quand il a été écrit. Il se concentre principalement sur la prose satirique représentant les débuts et fins d'amour romantique. Nous ne trouvons pas de n'importe quel autres 1544 impressions de ce même travail à vendre ailleurs ; Cependant, nous constatons un 1566 à vendre pour plus de $ 1 300 ! Auteur principal: Auvergne martial, Benoît de Cour titre: Aresta amorum. Cum erudita Curtii Symphoriani Benedicti explanatione. Accessit huic editioni locupletissimus rerum ac vocabulorum index. publié: Parisiis, Carolum Langelier, 1544. Langue: Latin Notes & contenu: · Sans doute à l'origine écrit vers 1490 LIVRAISON GRATUITE DANS LE MONDE ENTIER porter: porter comme on le voit sur les photos Reli … [Click Below for Full Description]

Rome & Basel: Valerio and Luigi Dorico / Michael Isingrin, 1544 & 1543. Rome & Basel: Valerio and Luigi Dorico / Michael Isingrin,, 1544 & 1543. 2 works in one volume, small folio (298 x 196 mm). Contemporary vellum, manuscript title in ink to spine, four raised bands, blue edges. Collation: Marliani: A6A-B4C-L6; 5 full-page illustrations (partly folding) including the double-page Palatino map of Rome, 18 other woodcuts in text; woodcut printer's device on titles and colophon leaf. Solinus: a6ß4a-d4e4+2f-r4s4+2t-z, Aa-Ff4 ; 2 folding maps, 2 full-page maps, 16 maps in text. Housed in a brown cloth flat-back box by the Chelsea Bindery. Binding lightly rubbed and marked, boards sprung, scattered foxing; the Marliani complete with the colophon leaf carrying the Doricos' impressive woodcut device of Pegasus. A superior copy First illustrated edition, second issue (with woodcut device on title page) of Marliani's Urbis Romae topographia, one of the most celebrated early guides to Rome, illustrated with superb engravings of the city's most important sites. The important folding map cut by the calligrapher and wood engraver Giovanni Battista Palatino, probably designed by Marliani himself, appears here for the first time, and "set the stage for many separately published maps of the ancient city which came soon after" (Jessica Maier, Rome Measured and Imagined: Early Modern Maps of the Eternal City, 2015, p. 120). This is bound after the second edition of Caius Julius Solinus's Polyhistor, published with the three books of Pomponius Mela's De situ orbis, the "only ancient treat … [Click Below for Full Description]

Benoit Bonyn, Lyon, 1544. [24], ccviii leaves. Title printed in red and black. The final leaf of the prelims is blank which matches a digitised version of the 1542 edition available online. Damp staining and browning throughout. Leaves towards the rear are slightly softer towards the centre of the outer edge, having been affected by damp at some point in the past. Final leaf more heavily affected. Tissue repairs to tears to the final leaf. Dated 1542 to the colophon. Rebound in modern full leather by Temple Bindery - light creasing to the lettering label. A couple of worm holes to the title page. Some other occasional worming to the margins. Ink owner's name to the foot of the title page. Titled Balbus in old ink to the lower edge of the text block. Deals with property laws. Text in Latin throughout. [Attributes: Hard Cover]

S.l., n.d. (Bâle, J. Oporinus, 1544. In-folio de (4) ff., 447 pp. (mal chif. 427). Complet. Vélin rigide moderne, dos lisse. 297 X 194 mm. PREMIERE EDITION COLLECTIVE EN PARTIE ORIGINALE DE « l’ouvrage le plus estimé de Postel » (Nicéron) SUR LA RECONCILIATION DES GRANDES RELIGIONS. Le livre I seul avait été publié l’année précédente à Paris par Pierre Gromors, aux frais de l’auteur. Brunet, IV, 840; BM STC, German Books, S. 714; Adams, P 2020; Sabin, 64524; Alden, 544/17 ; Caillet, 8903 ; Thorndike, VI, 454 ; Graesse, V, 423; Niceron, Mémoires, VIII, p.324 n°10. DANS CET IMPORTANT OUVRAGE DE L’HUMANISTE FIGURE UN PASSAGE CONCERNANT L'AMERIQUE ET LA NECESSITE D'EVANGELISER LES INDIENS DU NOUVEAU MONDE. « A passage relating to America begins on p. 350 » (Sabin). « On p. 350-353 are refs to need to christianize American natives » (Alden-L.). « A l’époque où Postel écrivit ce Traité, il incitait François Ier à se réformer pour mériter d’être le prince chrétien universel qui règnerait à Jérusalem : le De Orbis est en quelque sorte le manifeste de ce programme utopique » (P. Mesnard, L’Essor de la philosophie politique au XVIe siècle, pp.431-445). « Sponde fait grand cas de ce Livre, qu’il dit être très propre à confondre les Hérétiques, les Gentils & les Mahometans, et ajoute que Vivès en a pris ce qu’il y a de meilleur dans son Traité de la Religion Chrétienne. C’est en effet l’ouvrage le plus estimé de Postel. La fin qu’il s’y est proposé a été de ramener à la Religion Chrétienne tous les peuples de l’Univers, & il dit sur ce sujet des choses fort bonnes et fort sensées. Il y … [Click Below for Full Description]

(Paris, Robert Estienne, 1544).. Two volumes, i.e. 2 parts only of 17: Part 5 and Part 17, 1544-1546. 16mo in eights, approximately 110 x 70 mm, 4¼ x 3 inches, Estienne's olive tree device on title pages, decorative border to title of first page of text in Volume 1 and to each book in Volume 2, Hebrew text throughout apart from title pages where the Latin names of the books of the Bible are printed in roman type and in Volume 2 the names of books are in roman type in lower margins, collation: P-Z8, AA-DD8, EE4 (EE4 blank),108 leaves; A-M8, O8, N-P8 (P6-8 are blanks, signature O bound out of order), 120 leaves, bound in early vellum, Latin titles printed at some time on spines, handwritten on upper covers. Title partly faded on spine of Volume 1, title on upper cover of Volume 2 very faint, tiny chip to tail of spine and to lower edges of covers next to spine on Volume I, Volume 2 darkened on spine and vellum dusty looking, some upper corners lightly browned in Volume 1, first few pages of Volume 2 slightly dusty and small closed tear to lower margin of Aiii, contents of both otherwise clean. Very good copies, beautifully printed by Estienne who had been appointed the King's printer in Hebrew in 1539. Between 1539 and 1544 he published the whole Hebrew O.T. in separate parts in 4to. Harvard, Mortimer, French Sixteenth Century Books, Volume I, page 99, No. 73; Darlow and Moule, Polyglots II,2, page 706; Adams, Books Printed on the Continent of Europe 1501-1600, page 136, No.1224; Brunet I, 856 (our Volume 2 listed by him as Part 12 not Part 17 as in Mortimer). MORE IMAG … [Click Below for Full Description]

Paris Robert Estienne. Two volumes, i.e. 2 parts only of 17: Part 5 and Part 17, 1544-1546. 16mo in eights, approximately 110 x 70 mm, 4¼ x 3 inches, Estienne's olive tree device on title pages, decorative border to title of first page of text in Volume 1 and to each book in Volume 2, Hebrew text throughout apart from title pages where the Latin names of the books of the Bible are printed in roman type and in Volume 2 the names of books are in roman type in lower margins, collation: P-Z8, AA-DD8, EE4 (EE4 blank),108 leaves; A-M8, O8, N-P8 (P6-8 are blanks, signature O bound out of order), 120 leaves, bound in early vellum, Latin titles printed at some time on spines, handwritten on upper covers. Title partly faded on spine of Volume 1, title on upper cover of Volume 2 very faint, tiny chip to tail of spine and to lower edges of covers next to spine on Volume I, Volume 2 darkened on spine and vellum dusty looking, some upper corners lightly browned in Volume 1, first few pages of Volume 2 slightly dusty and small closed tear to lower margin of Aiii, contents of both otherwise clean. Very good copies, beautifully printed by Estienne who had been appointed the King's printer in Hebrew in 1539. Between 1539 and 1544 he published the whole Hebrew O.T. in separate parts in 4to. Harvard, Mortimer, French Sixteenth Century Books, Volume I, page 99, No. 73; Darlow and Moule, Polyglots II,2, page 706; Adams, Books Printed on the Continent of Europe 1501-1600, page 136, No.1224; Brunet I, 856 (our Volume 2 listed by him as Part 12 not Part 17 as in Mortimer). MORE IMAGES ATTACHED TO T … [Click Below for Full Description]

Paris Robert Estienne. Two volumes, i.e. 2 parts only of 17: Part 5 and Part 17, 1544-1546. 16mo in eights, approximately 110 x 70 mm, 4¼ x 3 inches, Estienne's olive tree device on title pages, decorative border to title of first page of text in Volume 1 and to each book in Volume 2, Hebrew text throughout apart from title pages where the Latin names of the books of the Bible are printed in roman type and in Volume 2 the names of books are in roman type in lower margins, collation: P-Z8, AA-DD8, EE4 (EE4 blank),108 leaves; A-M8, O8, N-P8 (P6-8 are blanks, signature O bound out of order), 120 leaves, bound in early vellum, Latin titles printed at some time on spines, handwritten on upper covers. Title partly faded on spine of Volume 1, title on upper cover of Volume 2 very faint, tiny chip to tail of spine and to lower edges of covers next to spine on Volume I, Volume 2 darkened on spine and vellum dusty looking, some upper corners lightly browned in Volume 1, first few pages of Volume 2 slightly dusty and small closed tear to lower margin of Aiii, contents of both otherwise clean. Very good copies, beautifully printed by Estienne who had been appointed the King's printer in Hebrew in 1539. Between 1539 and 1544 he published the whole Hebrew O.T. in separate parts in 4to. Harvard, Mortimer, French Sixteenth Century Books, Volume I, page 99, No. 73; Darlow and Moule, Polyglots II,2, page 706; Adams, Books Printed on the Continent of Europe 1501-1600, page 136, No.1224; Brunet I, 856 (our Volume 2 listed by him as Part 12 not Part 17 as in Mortimer). MORE IMAGES ATTACHED TO T … [Click Below for Full Description]

Condition: Very Good. Original Contemporary Hand Coloured Braun & Hogenberg Map of Amsterdam ________________________________ A very attractive and contemporary hand coloured first state map of the first view of Amsterdam still bright and rich in colour, from Braun & Hogenberg as part of their atlas of city views called 'Civitates Orbis Terrarum'. Braun & Hogenberg's view is based upon a plan of Amsterdam by Cornelis Antoniszoon (1544), showing Amsterdam with its medieval walls and formal defensive systems. The view illustrates the unique Dutch form of urban plan with the Amstel River dammed near its mouth and its flow controlled by channels to the sea with an outer harbor created from the downstream portion, and an inner harbor from the upstream portion. The dam, located at the center, also provided the central plaza for public buildings. Numerous ships and fishing boats fill the harbors, attesting to the increased trade and commerce that Amsterdam was beginning to experience when this plan was published. COMMENTARY BY BRAUN (on verso): "Holland is the most fertile part of the Netherlands. It is crossed by many waterways full of fish, which ensure that in the whole world there is no other landscape in which so many cities lie within such a confined area ... Amongst these, Amsterdam is the noblest ... It lies on the River Amstel, from which many canals lead into the city. About twice a year many ships arrive here from all over Europe, some 200 or 300 from the Netherlands, France, England, Spain, Portugal, Germany, Poland, Lithuania, Norway, Sweden and the other countries of … [Click Below for Full Description]

Venice Francesco Marcolini June 1544. 4° (236x153 mm). Collation: AA-BB8, CC10, A-Z8, AB-AZ8, BC-BI8. [442] leaves. Italic and roman type. Three full-page woodcuts at the beginning of each cantica; eighty-four woodcut vignettes in the text. An extra leaf, not present in the volume when it was originally issued, is bound here before the title-page; it bears the woodcut portrait of Dante from the Elogia virorum literis illustrium by Paolo Giovio (Basel 1577), issued here with some variants as a single sheet. Contemporary French calf, covers within gilt fillets, decorated with elaborate strapwork and floral tools on pointillé ground; title lettered at the centre of the upper cover, author's name at the centre of the lower cover. Later smooth spine gilt-tooled with a diaper pattern. Edges gilt and gauffered with a floral design. Covers restored and inlaid. On the verso of the front flyleaf, an early hand – likely that of Fugger himself – has copied the words of Dante's epitaph in Ravenna, restored by Bernardo Bembo in 1483. A very good copy, occasionally browned and stained.Provenance: Marcus Fugger (1529-1597; his autograph signature on the front pastedown); Paul Harth (twentieth century; ex-libris on the front pastedown). The first Commedia to contain the new and important commentary by the Lucchese Alessandro Vellutello (b. 1473), in a copy finely bound for the great bibliophile and member of the celebrated Augsburg banking dynasty, Marcus Fugger, who in 1560 succeeded his father Anton as head of the family firm. This copy is in the first state of the Marcolini e … [Click Below for Full Description]

When ordering from the US, parcels may be subject to import tax and duty charges, which the buyer is responsible to pay. 1544 Aresta Amorum Martial d'Auvergne Latin Romantic Love Poetry Arrets d'Amour Extremely Rare / comp@$1,300 for 1566 edition Martial d'Auvergne (1420-1508) was a French poet. Originally from Auvergne, he served as notary at Châtelet, and later as attorney (procureur) for the Paris parlement. Nearly all of Martial d'Auvergne's works are clearly dated and much is known about them. However, the origins of this work are uncertain and little is known about when it was written. It mainly focuses on satirical prose depicting beginnings and endings of romantic love. We do not find any other 1544 printings of this same work for sale elsewhere; however, we do find a 1566 for sale for over $1,300! Main author: Martial, d'Auvergne; Benoît de Court Title: Aresta amorum. Cum erudita Benedicti Curtii Symphoriani explanatione. Accessit huic editioni locupletissimus rerum ac vocabulorum index. Published: Parisiis, Carolum Langelier, 1544. Language: Latin Notes & contents: · Presumably originally written ca. 1490 FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure leather binding Pages: complete with all 211 pages; plus indexes, prefaces, and such Publisher: Parisiis, Carolum Langelier, 1544. Size: ~6.5in X 4in (16.5cm x 10cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our first priority. Notify us within 7 days of receiving your item and we will offer a full … [Click Below for Full Description]

1544. I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. "The more corrupt the state, the more numerous the laws." ― Tacitus, The Annals Cornelius Tacitus was a 1st-century Roman historian who is now remembered for his two major works - 'Annals' and 'Histories' - in which he examines the lives and political careers of important Roman emperors such as Tiberius, Nero, and Claudius. By many accounts, Tacitus is considered the greatest Roman historian, not only by the accuracy of his content, but through demonstrating the psychological nature of ancient Roman politics. 'Histories' is one of the first written accounts to discuss the Great Jewish Revolt, an account that openly records combative attitudes between Jews and other cultures. 'Annals' was Tacitus's final work and covers the era following the death of Caesar Augustus, including the reigns of Claudius, Caligula, and Nero. It is also the earliest known secular history to mention Jesus Christ in which Tacitus connects Nero to the persecution of early Christians. The first and only edition of this early Italian translation of Tacitus's most famous works. [Attributes: First Edition]

1544. "The more corrupt the state, the more numerous the laws." ― Tacitus, The Annals Cornelius Tacitus was a 1st-century Roman historian who is now remembered for his two major works - 'Annals' and 'Histories' - in which he examines the lives and political careers of important Roman emperors such as Tiberius, Nero, and Claudius. By many accounts, Tacitus is considered the greatest Roman historian, not only by the accuracy of his content, but through demonstrating the psychological nature of ancient Roman politics. 'Histories' is one of the first written accounts to discuss the Great Jewish Revolt, an account that openly records combative attitudes between Jews and other cultures. 'Annals' was Tacitus's final work and covers the era following the death of Caesar Augustus, including the reigns of Claudius, Caligula, and Nero. It is also the earliest known secular history to mention Jesus Christ in which Tacitus connects Nero to the persecution of early Christians. The first and only edition of this early Italian translation of Tacitus's most famous works. [Attributes: First Edition]

Fue Impreso Por Rutgero Rescio, Lovayna Lovaina, 1544. (*), o Menippo el Bolador. Más un Dialogo del Viejo, y del Mancebo, que Disputan del Amor. Y un Colloquio de la Moxca, y de la Hormiga. 191 hojas. Completísimo y muy conservado ejemplar, encuadernado por Menard a plena piel muy decorada al oro. Lomera con nervios, cantos puntillados y cortes dorados. =Juan de Jarava, divulgador científico, naturalista y botánico, fue un médico español de mediados del siglo XVI. Es conocido entre los botánicos por la obra que compuso con el título: Historia de las Yerbas y Plantas, Antuerpia, 1557. La primera obra en la que figura su nombre, Problemas, o Preguntas Problemáticas [.] (Lovaina, 1544), es una compilación de autores clásicos, libremente versionados, como señala el propio traductor en el prefacio destinado al lector. Siguiendo en la misma obra con la traducción del Icaromenipo de Luciano de Samosata y dos pequeños tratados propios, de carácter didáctico y moralizante, construidos al modo medieval: "Dialogo del Viejo, y del Mancebo, que Disputan del Amor. Y un Coloquio de la Moxca y de la Hormiga". Sus "Demandas acerca del Vino" abarca 14 folios, en ellos da respuestas a aquellas preguntas sobre la naturaleza del vino y su relación con la salud, sobre su pureza y los inconvenientes de ser aguado. Size: 12,5 x 9,5 Cm. [Attributes: First Edition; Hard Cover]

Title within woodcut border on A1, repeated on C2. Roman and blackletter type, with some Greek. 8vo (110 x 160mm). 311, [1]ff. Contemporary pigskin binding, blind-stamped outer border with figures in pairs (EBDB r002829 from Bavarian workshop w004151), central panel with floral, arabesque ornament (binding scuffed and discoloured, lacking clasps).

Cologne: Quentel, 1544. Cyprian: Universa, quae quidem extare sciuntur, opera: iam novissime ex castigatione Des. Erasmi Roterod. diligentius... Cum accessione libelli Cypriano inscripti, eruditi admodum ac pij, De Martyrio Duplici ad Fortunatum. Accesserunt & annotationes Erasmi Published: Cologne, Quentel, 1544 Size: Folio 32.5 x 20.5 cm Condition:Vellum Binding over wooden boards. 18 ll. (Index), 451 pages. Binding with wear (compare photos 1-3). Slight browning and staining. Altogether clean. Few wormholes. Stamp to title. Shipping-costs: see description Payment: Paypal or Banktransfer Combined Shipping - For combined shipping ----> Add all items to cart before purchase !!!

Bulino, 1544, monogrammato in lastra. Poco prima del 1520, alcuni giovani artisti della cerchia di Albercht Dürer presero a realizzare incisioni molto piccole che hanno sfidato lo spettatore con un mondo in miniatura, un mondo di nuovo soggetto laico e di interpretazioni non convenzionali di temi tradizionali. A causa delle ridotte dimensioni delle loro incisioni, questi artisti sono stati appellati a lungo, con il nome collettivo, e poco lusinghiero, di Piccoli Maestri di Norimberga. Il nucleo del gruppo consiste in tre artisti di Norimberga, Hans Sebald & Bartel Beham e Georg Pencz, e inoltre Jacob Bink da Colonia e Heinrich Aldegrever da Soest. La presente incisione proviene da una vecchia collezione in cui le opere erano conservate, come spesso accadeva, applicate in un album databile al XVIII secolo. Buona prova, impressa su carta vergata coeva, rifilate al rame, in buono stato di conservazione. Engraving, 1544, signed on plate. A good impression, printed on contemporary paper, trimmed to the platemar, in good conditions. Shortly before 1520, several young artists in the immediate circle of Albercht Dürer began making remarkably small engravings that challenged the viewer with a world in miniature; a world of new secular subject and of unconventional interpretations of traditional themes. Because of the scale of their engravings these artists have long been saddled with the unflattering collective name the Little Masters. The core of the group consist in three Nuremberg artists, Hans Sebald & Bartel Beham and Georg Pencz, Jacob Bink form Cologne and Heinrich Aldegrever … [Click Below for Full Description]

Bulino, 1544, monogrammato in lastra. Poco prima del 1520, alcuni giovani artisti della cerchia di Albercht Dürer presero a realizzare incisioni molto piccole che hanno sfidato lo spettatore con un mondo in miniatura, un mondo di nuovo soggetto laico e di interpretazioni non convenzionali di temi tradizionali. A causa delle ridotte dimensioni delle loro incisioni, questi artisti sono stati appellati a lungo, con il nome collettivo, e poco lusinghiero, di Piccoli Maestri di Norimberga. Il nucleo del gruppo consiste in tre artisti di Norimberga, Hans Sebald & Bartel Beham e Georg Pencz, e inoltre Jacob Bink da Colonia e Heinrich Aldegrever da Soest. La presente incisione proviene da una vecchia collezione in cui le opere erano conservate, come spesso accadeva, applicate in un album databile al XVIII secolo. Buona prova, impressa su carta vergata coeva, rifilate al rame, in buono stato di conservazione. Engraving, 1544, signed on plate. A good impression, printed on contemporary paper, trimmed to the platemar, in good conditions. Shortly before 1520, several young artists in the immediate circle of Albercht Dürer began making remarkably small engravings that challenged the viewer with a world in miniature; a world of new secular subject and of unconventional interpretations of traditional themes. Because of the scale of their engravings these artists have long been saddled with the unflattering collective name the Little Masters. The core of the group consist in three Nuremberg artists, Hans Sebald & Bartel Beham and Georg Pencz, Jacob Bink form Cologne and Heinrich Aldegrever … [Click Below for Full Description]

Bulino, 1544, monogrammato in lastra. Poco prima del 1520, alcuni giovani artisti della cerchia di Albercht Dürer presero a realizzare incisioni molto piccole che hanno sfidato lo spettatore con un mondo in miniatura, un mondo di nuovo soggetto laico e di interpretazioni non convenzionali di temi tradizionali. A causa delle ridotte dimensioni delle loro incisioni, questi artisti sono stati appellati a lungo, con il nome collettivo, e poco lusinghiero, di Piccoli Maestri di Norimberga. Il nucleo del gruppo consiste in tre artisti di Norimberga, Hans Sebald & Bartel Beham e Georg Pencz, e inoltre Jacob Bink da Colonia e Heinrich Aldegrever da Soest. La presente incisione proviene da una vecchia collezione in cui le opere erano conservate, come spesso accadeva, applicate in un album databile al XVIII secolo. Buona prova, impressa su carta vergata coeva, rifilate al rame, in buono stato di conservazione. Engraving, 1544, signed on plate. A good impression, printed on contemporary paper, trimmed to the platemar, in good conditions. Shortly before 1520, several young artists in the immediate circle of Albercht Dürer began making remarkably small engravings that challenged the viewer with a world in miniature; a world of new secular subject and of unconventional interpretations of traditional themes. Because of the scale of their engravings these artists have long been saddled with the unflattering collective name the Little Masters. The core of the group consist in three Nuremberg artists, Hans Sebald & Bartel Beham and Georg Pencz, Jacob Bink form Cologne and Heinrich Aldegrever … [Click Below for Full Description]

1544. In 8, [mm. 142 x 101], cc. (8) - 400. In pergamena rigida con titolo ormai sbiadito al dorso liscio che presenta qualche piccolo foro. Al verso dell'ultima carta, marca tipografica con figura alata con veste svolazzante che regge nelle mani una squadra e un morso (?), in piedi su un basamento in prospettiva dove sono le iniziali del tipografo. Tagli marmorizzati. Capilettera delle due opere decorate. Alla carta 1 nota di possesso: Joannis .... Annotazioni in grafia antica e sottolineature nel testo a riprova delle letture che l'antico possessore ne fece. Da carta 385v. inizia l'opera di Antonio Mancinello Un foro di chiodo(?) attraversa il margine delle prime carte. La c. 42 ha è stata restaurata in antico dopo uno strappo che ha allentato la cucitura, per il rseto buon esemplare a margini larghi con qualche piccola macchia. Errori di numerazione alle carte c. 255, 260, 276, 296, 303, 331, 389. Ottaviano Mirandola (Octavianus De Floravantus Mirandulanus) deve probabilmene il nome alla sua città di origine, mentre quello della famiglia era Fioravanti. Visse fra il sec. XV ed il XVI e divenne arcivescovo di Milano; nella lettera di dedica si indica come Canonico regolare lateranense. L'opera, dopo la lettera di Filippo Beroaldi al lettore, e la dedica del Mirandola al Protonotario Apostolico Ottaviano Arcimboldo ha, in questa edizione di Strasburgo, l'elenco dei poeti e l'indice delle materie cui si riferiscono le citazioni di motti e sentenze. Un esemplare con la stessa collazione è conservato nel fondo antico della Biblioteca Alfredo de Marsico di Castecapuano. Adams, … [Click Below for Full Description]

Antwerp, 1544. Woodcut, mm 190x274 (map) on a sheet 220x308One of the earliest obtainable world maps not based upon the works of Ptolemy and to show the outline for the entire New World, a scarce and interesting map on a truncated cordiform (heart-shaped) projection with explanatory text on wind heads in Latin and Dutch around. Based on a lost model by Gemma Frisius and published in Peter Apian's "Cosmographia .". Second version out of three very similar, being the first published in 1544; this second can easily be identified by the addition of names: The word Europa is now placed horizontally and the titles Angl and Scot appear against the island of Britain. South America is clearly recognisable but the northern part is shown as a narrow strip of land extending north-eastwards from Mexico and labelled "Baccalearum"- a reference to the important cod-fishing industry of the north-east coast that drew so many Europeans initially to the continent. The map is surrounded by a vividly engraved border of mythical figures, clouds and windheads, including three cadaverous wind heads representing the traditional plague-carrying winds of the south. There are a number of small drawings of animals and ships, and even a mermaid. The heart-shaped border of the map contains signs of the zodiac. Very good condition with original vertical folds, as issued Nr.cat: Cod 9818

Condition: Very Good. Original Contemporary Hand Coloured Braun & Hogenberg Map of Amsterdam ________________________________ A very attractive and contemporary hand coloured map of the first view of Amsterdam still bright and rich in colour, from Braun & Hogenberg as part of their atlas of city views called 'Civitates Orbis Terrarum'. Braun & Hogenberg's view is based upon a plan of Amsterdam by Cornelis Antoniszoon (1544), showing Amsterdam with its medieval walls and formal defensive systems. The view illustrates the unique Dutch form of urban plan with the Amstel River dammed near its mouth and its flow controlled by channels to the sea with an outer harbor created from the downstream portion, and an inner harbor from the upstream portion. The dam, located at the center, also provided the central plaza for public buildings. Numerous ships and fishing boats fill the harbors, attesting to the increased trade and commerce that Amsterdam was beginning to experience when this plan was published. COMMENTARY BY BRAUN (on verso): "Holland is the most fertile part of the Netherlands. It is crossed by many waterways full of fish, which ensure that in the whole world there is no other landscape in which so many cities lie within such a confined area ... Amongst these, Amsterdam is the noblest ... It lies on the River Amstel, from which many canals lead into the city. About twice a year many ships arrive here from all over Europe, some 200 or 300 from the Netherlands, France, England, Spain, Portugal, Germany, Poland, Lithuania, Norway, Sweden and the other countries of the North. … [Click Below for Full Description]

Basilae (Bâle): Colophon: Basileae per Hieronymvm Frobenivm and Nic. Episcopvm mense Septembri, MDXLVI. First edition. Adorned with many historiated initials. Brand of printer on the title page and the back of the last page. Absent the French catalogs, but this in English catalogs, 2 copies in Germany GBV (union catalogs of northern Germany) and at the University of Munich. The 1544 edition published in Paris does not include notes of Erasmus and all authors gathered in this edition, the Paris edition will be reissued in 1551 in Lyon in Gryphium, but not that of Froben, it reproduces the editing Egnazio only. The first edition of Suetonius date of 1479. Sheepskin Full seventeenth century, back tooled raised (part of title in red morocco). Together and rubbed on skin boards (many slashes), top cap missing two upper corners broken and missing. Beautiful interior condition, with a pale wetting current to twenty pages in the top middle (p. 29-45 ...). Several pagination errors, repeated the same number, without skipping a sheet missing ... The obvious advantage of this edition was to bring together writers of antiquity who have written on the Roman empire, not only Suetonius, but also rarer writers such as Dion Cassius (translated by Merula) Herodianus (translated by Angelo Poliziano Ambrogini) Spartianus or Lampidius, Velleius Paterculus, Vulcatius Gallicanus, Amianus Marcellinus ... Two commentators Erasmus (d. 1536) Egnazio and Giovanni Battista (1478-1553). Froben (1501-1563) is one of the leading publishers of rebirth and a worthy successor to Johann Froben, the first of t … [Click Below for Full Description]

In Vinegia : appresso Vincenzo Vaugris al segno d'Erasmo, 1544. First Italian edition. 1544 1st ed Tacitus Annals & Histories Roman Empire Nero Caligula ROME Italian “The more corrupt the state, the more numerous the laws.” Tacitus, The Annals Cornelius Tacitus was a 1st-century Roman historian who is now remembered for his two major works – ‘Annals’ and ‘Histories’ – in which he examines the lives and political careers of important Roman emperors such as Tiberius, Nero, and Claudius. By many accounts, Tacitus is considered the greatest Roman historian, not only by the accuracy of his content, but through demonstrating the psychological nature of ancient Roman politics. ‘Histories’ is one of the first written accounts to discuss the Great Jewish Revolt, an account that openly records combative attitudes between Jews and other cultures. ‘Annals’ was Tacitus’s final work and covers the era following the death of Caesar Augustus, including the reigns of Claudius, Caligula, and Nero. It is also the earliest known secular history to mention Jesus Christ in which Tacitus connects Nero to the persecution of early Christians. The first and only edition of this early Italian translation of Tacitus’s most famous works. Item number: #3898 Price: $950 TACITUS, Cornelius Le Historie Auguste [Annals and Histories] di Cornelio Tacito. Nouellamente fatte Italiane. In Vinegia : appresso Vincenzo Vaugris a'l segno d'Erasmo, 1544. First Italian edition. Details: • Foliation: Complete with all 424 leaves • References: Adams T 45; Moss II 660; USTC 857891; Edit16 36095 • Language: Italian • Bin … [Click Below for Full Description]

1544. I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. [Attributes: First Edition]

1544. [Attributes: First Edition]

[24], ccviii leaves. Title printed in red and black. The final leaf of the prelims is blank which matches a digitised version of the 1542 edition available online. Damp staining and browning throughout. Leaves towards the rear are slightly softer towards the centre of the outer edge, having been affected by damp at some point in the past. Final leaf more heavily affected. Tissue repairs to tears to the final leaf. Dated 1542 to the colophon. Rebound in modern full leather by Temple Bindery - light creasing to the lettering label. A couple of worm holes to the title page. Some other occasional worming to the margins. Ink owner's name to the foot of the title page. Titled Balbus in old ink to the lower edge of the text block. Deals with property laws. Text in Latin throughout.

- 1544, BASILAE, FROBEN. - OUVRAGE INTEGRALEMENT EN GREC. - 1 f. avec ex-libris manuscrit ancien, et cachet de René de Louvroy, p. de titre à l'Enseigne de Johann FROBEN (ami d'Erasme) gravée sur bois, petit manque de papier. Collation complète (az, AZ, aa, uu6) 396 f., texte sur deux colonnes, marques d'imprimerie et page de Colophon de FROBEN en fin d'ouvrage. - In-folio 33 cm, reliure Renaissance sur ais de bois recouverts au dos de Titre aux fers rouges SUID.S EDITIO FROBENI 1544 avec restes de cuir et fleurons. - Plats plein veau d'époque ornés d'une plaque représentant un médaillon à la Bannière de la devise de Charles QUINT (Régnant de 1516 à 1556) : "CAROLUS V . ROMA . IMP. SEMPER. AUGUST. ETAT. SUI XLII", "un grand écusson contenant un aigle à deux têtes au-dessus du médaillon avec le portrait de 3/4 de l'Empereur Charles Quint en armure, épée dans en main à senestre et Sceptre à dextre, Dessous : Petite bannière "Plus Ultra" suspendue entre deux colonnes, Encadrements et roulettes à froid avec petits médaillons d'entours. Fermoirs manquants. Renforts de laiton aux angles. Reliure solide renforcée aux nerfs du premier plat. Très nombreux manques de cuir. Ce type de reliure prestigieuse était utilisé à cette époque pour les ouvrages de grande valeur. Nous avons retrouvé une même reliure pour une AMOROSA VISIONE de Boccace de 1521 et pour la reliure cf. Goldschmidt 184. - Corps de texte impeccable. Paginé complet. -- La première édition de Suidas est due à Démétrius Chalcondyle parue à Milan en 1499 elle est basée sur un manuscrit incomplet. - L'EDITION ALDINE, Veni … [Click Below for Full Description]

An early edition in English of the 13th century work fundamental to procedure in the royal courts, in John Baker's words "A law student began his studies by learning the writs, and [this was] the first book placed in his hands"; six copies in ESTC. Contemporary unlettered blind tooled calf, quite rubbed, new endpapers, title page squiggles, else clean with generous margins; the Taussig copy. Imprynted at London . . . by Thomas Petit [etc.], London, 1544.

Imprynted at London . . . by Thomas Petit [etc.], London, 1544. Contemporary unlettered blind tooled calf, quite rubbed, new endpapers, title page squiggles, else clean with generous margins; the Taussig copy An early edition in English of the 13th century work fundamental to procedure in the royal courts, in John Baker's words "A law student began his studies by learning the writs, and [this was] the first book placed in his hands"; six copies in ESTC

An early edition in English of the 13th century work fundamental to procedure in the royal courts, in John Baker's words "A law student began his studies by learning the writs, and [this was] the first book placed in his hands"; six copies in ESTC. Contemporary unlettered blind tooled calf, quite rubbed, new endpapers, title page squiggles, else clean with generous margins; the Taussig copy. Imprynted at London . . . by Thomas Petit [etc.], London, 1544.

Venezia, Eredi di Lucantonio Giunta, 1544. In folio, pergamena antica rimontata; cc. (10), 587, (1). Caratteri romani, con testo su due co-lonne inquadrato dal commento. Grande marca tipografica in fine. Frontespizio xilografico con titolo inscritto in cornice architettonica, con cariatidi alle colonne e figure architettoniche, 113 illustrazioni n. t. in xilografia, a ½ pagina e a ¾ di pagina, una delle quali, firmata con monogramma “L”, è tratta dall’edizione del 1519. Antica firma cancellata al frontespizio. Bell’esemplare. Mambelli, 195. Camerini, 493 e 220 (per l’edizione del 1519, che per la pri-ma volta utilizzò i legni qui pubblicati:) “. Benché inspirati ai legni creati in Germania per il Virgilio di Strasburgo: Joh. Grueninger, 1502, sono strettamente originali, trattati in modo vivace, notevolissimi per la storia del costume, in quanto illustrano gli episodi dell’opera virgi-liana come fossero contemporanei: vedute di città, figure di navi, armi, ecc. dimostrano, per molti aspetti, la vita comune del primo Cinquecento”. Sander, 7671, in nota. Essling, 79: “Ce livre est particulièrement intéressant par la quantité et l’importance des bois dont il est orné, tous copiés de l’édition publiée a Strasbourg en 1502 par Johann Gruninger”. Olschki, Choix, 5472 [Attributes: Hard Cover]

Frankfurt am Main, Peter Braubach 1544. 4to. 2 Bll.nnum., 193 Bll.num., 1 Bl.nnum. Titel rot und schwarz gedruckt, Mit Holzschnitt-Druckermarke am Schluß und einigen Zierstücken und Initialen. Wittenberger Schweinslederband der Zeit mit reicher Rollenstempel-Blindprägung aus der Werkstatt von Caspar Genseler (Vorderdeckel etwas aufgebogen, leichte Gebrauchsspuren). Schön gedruckte, erste von insgesamt fünf bei Braubach erschienenen Ausgaben der sieben erhaltenen Tragödien. Sie basiert auf der von dem Humanisten Antonio Francini herausgegebenen und bei Giunta erschienenen Ausgabe von 1522; wie bei dieser umgeben die »Scholia« den eigentlichen Text. Mit dem Beginn der Tätigkeit Braubachs in Frankfurt 1540 setzte dort der griechische Typendruck ein, wo im 16. Jh. mit weitem Abstand am meisten griechische Drucke in Deutschland produziert wurden. Siehe dazu ausführlich: Löwe, Die Ausbreitung der griechischen Typograpie in Deutschland bis zum Ende des dreissigjährigen Krieges. in: Gutenberg Jahrbuch 1940, S. 297 ff., und Hirsch, The printing tradition of Aeschylus, Euripides, Sophocles and Aristophanes. in: Gutenberg Jahrbuch 1964, S. 138 ff. Der gut erhaltene Wittenberger Renaissance-Einband aus der Werkstatt des Buchbinders Caspar Genseler (? 1588) trägt auf dem Vorderdeckel die Initialen »L W G« und das Datum »1554«. Er zeigt u.A. die Rolle Haebler I, 136, 3, monogrammiert »C G« und datiert »1551«. - Am Schluss des Textes findet sich neben dem Druckvermerk die, 1555 datierte, handschriftliche Zueignung eines Studenten an seinen Lehrer, den Gräzisten und Arzt Veit Winsheim (150 … [Click Below for Full Description]

Frankfurt am Main, Peter Braubach 1544. 4to. 2 Bll.nnum., 193 Bll.num., 1 Bl.nnum. Titel rot und schwarz gedruckt, Mit Holzschnitt-Druckermarke am Schluß und einigen Zierstücken und Initialen. Wittenberger Schweinslederband der Zeit mit reicher Rollenstempel-Blindprägung aus der Werkstatt von Caspar Genseler (Vorderdeckel etwas aufgebogen, leichte Gebrauchsspuren). Schön gedruckte, erste von insgesamt fünf bei Braubach erschienenen Ausgaben der sieben erhaltenen Tragödien. Sie basiert auf der von dem Humanisten Antonio Francini herausgegebenen und bei Giunta erschienenen Ausgabe von 1522; wie bei dieser umgeben die »Scholia« den eigentlichen Text. Mit dem Beginn der Tätigkeit Braubachs in Frankfurt 1540 setzte dort der griechische Typendruck ein, wo im 16. Jh. mit weitem Abstand am meisten griechische Drucke in Deutschland produziert wurden. Siehe dazu ausführlich: Löwe, Die Ausbreitung der griechischen Typograpie in Deutschland bis zum Ende des dreissigjährigen Krieges. in: Gutenberg Jahrbuch 1940, S. 297 ff., und Hirsch, The printing tradition of Aeschylus, Euripides, Sophocles and Aristophanes. in: Gutenberg Jahrbuch 1964, S. 138 ff. Der gut erhaltene Wittenberger Renaissance-Einband aus der Werkstatt des Buchbinders Caspar Genseler (? 1588) trägt auf dem Vorderdeckel die Initialen »L W G« und das Datum »1554«. Er zeigt u.A. die Rolle Haebler I, 136, 3, monogrammiert »C G« und datiert »1551«. - Am Schluss des Textes findet sich neben dem Druckvermerk die, 1555 datierte, handschriftliche Zueignung eines Studenten an seinen Lehrer, den Gräzisten und Arzt Veit Winsheim (150 … [Click Below for Full Description]

Michele Tramezino, Venetia. Volume petit in-8°, reliure demi-veau du XIXe, dos à quatre nerfs, petits fleurons estampés à froid, titre, filets et date "1544" dorés, plat marbrés, [8], 253, [1] f., page de titre ornée de la marque à la Sybille - Sibilla - de l'imprimeur vénitien Michele Tramezino, mentionné au colophon et avec les privilèges du Pape Paul III et du Sénat vénitien "con privilegio del Sommo Pontefice Paolo III e del Senato veneziano, per anni dieci". Rare première traduction en langue italienne du "de bello Gothico", de "la guerre contre les Goths" de Procope de Césarée, qui raconte la reconquête de l'Italie sous l'Empereur Justinien (483 - 565) occupée par les Ostrogoths, et décrit la longue période de guerre que subirent les cités du nord de l'Italie accablées par les désordres, la famine (537) et la peste. Petite tache à la pliure de la page de titre, auréole dans la partie inférieure de la page de titre et les huit suivantes, nom manuscrit à l'encre noire dans la marge de la page trois, très légère et marginale auréole en bord droit des feuillets 17 à 26, puis de 169 à 192, puis auréole en coin inférieur à partir du feuillet 241, sinon bon intérieur. PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST.(ALB5) Size: 11 x 16 [Attributes: Hard Cover]

Paris, Denys Janot, ‘on les vend a Paris et la Galerie du Palais pres la Chancellerie par Vincent Sertenas, 1544Sm.8vo. Contemporary calf gilt, boards and edges gilt, old manuscript vellum leaves used as spine lining (joints cracked)., in cloth box. 91 lvs ruled in red throughout, with woodcut initials.First French edition. - A life of the fifteenth century Albanian national hero, Scanderbeg, combined with a commentary on the Ottoman Turks. Scanderbegs early years were spent as a hostage to Murad II, but with the death of his father he escaped and returned to Albania. There he set himself up as a national Prince and rallying the support of other Albanian chieftains around him dedicated himself to the defeat of the Turkish enemy. For the rest of his reign Albania maintained her independence, but following his death Albania was sold by his son to Venice who then sold her to the Ottomans. She was to remain under Turkish rule for more the four centuries and did not begin to find her national freedom again until 1912.Gõllner, 828: On les vend a Paris en la Galerie du Palays pres la Chancellerie par Jan Longis.