Displayed below are some selected recent viaLibri matches for books published in 1532

HUTTICH, Johann (ca 1480-1544) and Simon GRYNAEUS (1493-1541).
        Novus orbis regionum ac insularum veteribus incognitarum.
      Basel: Johannes Hervagius, 1532. - Folio (12 x 8 2/8 inches). Woodcut printer's device on title-page and last leaf, LARGE WOODCUT FOLDING MAP (a bit spotted, one or two small holes at creases), woodcut illustrations in the text (early gatherings lightly browned, a few mostly marginal pale stains and one or two spots). Contemporary blindstamped pigskin over wooden bevelled boards, each panel decorated in panels with broad fillets of alternating roll tools of portraits of "Venus" and "Lucretia" with the date 1532, and a heads in medallion roll, filled in with tudor rose and thistle tools, spine in five compartments with four raised bands, with early paper library labels in two, brass clasps and catches (extremities scuffed with some minor loss); preserved in brown morocco backed slipcase and chemise. Provenance: The near contemporary ownership inscriptions of Johannes Craesselius on the title-page, whose name appears in a copy of Rithaymer's "De orbis terrarum situ com- pendium" 1532, now at the University of Graz; manuscript library catalogue designation of the Society of Jesus, Graz dated August 1633 on the title-page; and a later inscription placing the book in their Mathematical library dated 1674 also on the title-page; Frank Sherwin Streeter (1918-2006), his sale, Christie's, Frank S. Streeter Library: Navigation, Pacific Voyages, Cartography, 16th April 2007, lot 273, $50,400 First edition, with the celebrated world map "Typus cosmographicus universalis", with an ANGEL AT EACH POLE WITH A CRANK TO TURN THE WORLD ON ITS AXIS which at the time of the first edition was a visual representation of Copernican theory predating by 11 years publication of his "De revolutionibus orbium coelestium" , the issue with "Asia" printed in large letters and "Tropicus Capricorni" printed above the tropical line. Shirley attributes the cartography of this map to Münster and the border decoration to Holbein, who was working with several Basel publishers at the time. It is of particular interest especially for its "richness of artistic decoration" (Shirley). The work contains accounts of the voyages of Cadamosto, the three voyages of Columbus, Nino, Pinzon, Vespucius, Cabral, and part of the Fourth Decade of Peter Martyr, "also many other pieces which do not relate to America" (Sabin). Begining with Madrignano's latin version of the "Paesi novamente retrovati", and followed by ten accounts, all of which had been previously published except the second, they include Vespucci's letter to Piero Soderinin Gonfalonier of Florence, recording his four voyages which was first published in 1507 as an appendix to Waldseemuller's "Cosmographiae Introductio"; the first publication of a letter from King Manuel of Portugal to Leo X relating the conquest of Malacca and the relief of Goa by Albuquerque; Madrignano's Latin translation of the "Itinerario" of Ludovico di Varthema, printed Rome 1510; Brocardus's description of the Holy Land; the travels of Marco Polo; the travels of Hayton the Armenian; a description of Russia by Matthias of Miechow first published in Cracow in 1517; another description of Russia by Paolo Giovio, first published in Rome 1525; Peter the Martyr's Fourth Decade, fist published in Basel in 1521; and an account of the antiquities of Prussia by Erasmuns Stella, also Basel 1510 (Modern Language Review, volume II, 1907). Adams G-1334: Sabin 34100; Shirley 67 (world map). Catalogued by Kate Hunter [Attributes: First Edition; Hard Cover]

      [Bookseller: Arader Galleries - Aradernyc]

[Livy]. Titus Livius; and Lucius Florus.
        T. LIVII PATAVINI HISTORIARUM AB URBE CONDITA DECADIS QUINTAE LIBRI QUNQUE NUNC PRIMUM EXCUSI. [Together with]: TITI LIVII PATAVINI DECADUM XIIII EPITOMAE. LUCIUS FLORUS. (2 books bound in one volume, as issued).
      Florentiae (Florence]: Bernardi Juntae [Bernardo Giunta], May 1532., 1532.. Good. - Small octavo, 6-1/2 inches high by 4 inches wide. Bound in full early natural vellum titled in holograph on the spine. The covers are slightly warped and stained. The collation is as follows: [1] blank, leaves [1] through 131, and [1] leaf illustrated with an attractive printer's mark; followed by leaves [1] to 52, with an attractive pictorial title page illustrated with a variant printer's mark. (The leaves are numbered on the rectos only, thus the first book has 264 pages and the second book has 104 pages). The colophon is printed on the verso of leaf 131. As issued, pages 42, 44 and 46 are misnumbered as 34, 6, and 38 respectively. There is evidence of early worming affecting the endpapers and pastedowns as well as the inner and outer edges of the last page. The hinges are cracked and the rear endpaper is torn. There is otherwise only occasional minor foxing and faint occasional staining. Good. Mounted on the front pastedown is Leo Samuel Loschi's discreet attractive book label "Ex libri Leonis S. Olschki bibliopolae Veneti". Leo Samuel Olschki founded the Libreria Antiquaria Editrice in Verona, Italy in 1886. The firm moved to its permanent home in Florence in 1897. It is among Italy's most distinguished publishers of important works in the humanities.This book subsequently came into the collection of Arthur Mullin, with his serpent & anchor bookplate mounted on the front pastedown.As noted by Bandino ["De Florentina Juntarum Typographia"], the second work by Lucius Florus does not include a date or identify a printer. However, the Giunta mark with 2 infants holding a lily and with cornucopias at their sides is present on the title page.The Roman historian Titus Livius [Livy] (64 or 59 BC to 17 AD) was responsible for the monumental history of Rome, "Ab Urbe Condita". It is his only surviving work and only a fragment of it exists. The book offered here describes the fifth decade and of that only the first five books remain. These give an account of the Roman war with the Macedonian King Perseus. The corruption of several Roman governors is described as well as the Third Punic War.

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]

GUYMIER, Cosma
        Concordata inter Sanctiſſi- | mum dominum noſtrum Pa | pam Leonem decimum & | Chriſtianiſſimum dominum | noſtrum Regem Franciſcum | huius nominis primum. || Pragmatica ſanctio. || Facultates legati. [Colophon, r8r]: Impreſſum Lutetiae apud Anto- | nium Augerellum, impenſis autem | Galeoti à Prato, Librarii in aula ma- | iore Palatii ad primam columnā ven- | dentis. Anno M. D. XXXII. | X. Calend. Iulii.
      Paris: Galeotus a Prato, 1532 Following his victory in the Battle of Marignano in September, 1515, Francis I of France, barely 21 years of age, negotiated with Pope Leo X to form what would become known as the Concordat of Bologna. It was signed in Rome on August 18, 1516, and confirmed the King's right to tithe, and the Pope's right to collect all income the Catholic Church made in France. But most importantly it would prove to be the ground rules for the limited Reformation in France in the coming years. The present book contains the text of the Concordat, as well as the Pragmatica Sanctio, the Pragmatic Sanction of Bourges (1438), which the Concordat of Bologna was designed to supersede. The Pragmatica Sanctio is glossed by Cosma Guymier. Octavo, 141 x 86 x 18 mm (binding), 138 x 83 x 14 mm (text block). a-r8, 136 ff. Bound in contemporary calf, unlettered. Rebacked, worn, loss of leather to extremities, front free endpaper pasted down to board, rear free endpaper lacking, all edges gilt. Interior: minor scattered staining, quite clean. Provenance: Attractive early manuscript cipher to upper pastedown containing letters K, N, E, T, O, and L; on pastedown, in manuscript, large K with "15" underneath; in manuscript to head margin of title, 17th-c. inscription: Collegij Societatis Jesu Meebliniæ M. B.; in manuscript beneath title, illegible inscription with cipher dated 1549.

      [Bookseller: W. S. Cotter Rare Books]

DÜRER, Albrecht
        De Symmetria partium in rectis formis humanorum corporum, Libri in Latinum conversi (per J. Camerarium) / De varietate figurarum et flexuris partium ac gestib[um] imaginum, libri duo. . .
      Nürnberg: in aedib. viduae Durerianae / Formschneider, 1532. 1st Edition. Hardcover. Folio - over 12 - 15" tall. De Symmetria partium in rectis formis humanorum corporum, Libri in Latinum conversi (per J. Camerarium). Nürnberg: in aedib. viduae Durerianae, 1532. 79 (of 80) unnumbered leaves, bound without the blank leaf A6. Signatures: A-E6 [-A6] F4 G-N6 O4. Title with 8-line verse to the reader above Dürer's woodcut monogram, gothic letter text in single and double columns, woodcuts throughout including 85 full-length figures of the human body. [Bound with] DÜRER, Albrecht. De varietate figurarum et flexuris partium ac gestib[um] imaginum, libri duo. . . Nürnberg: Formschneider, 22 Nov. 1534. 56 unnumbered leaves, including 4 folding and a final blank. Signatures: a-k6. Unsigned leaves a4, e6, f6, i5 split from bifolio and attached to a3, e5, f1, i4 respectively to gain folding leaves. Errata on k5v. "Elegia Bilibaldi Pirckeymheri in obitum Alberti Dureri" and three epitaphs on k4v-k5r crossed out and with remnant from former obscuring paste downs. Folio (315 x 205 mm). 18th-century vellum over thick boards, spine titled in gilt (vellum soiled, extremities little rubbed), new endpapers, marbled edges. Only little browning and occasional very slight foxing of paper, a small light waterstain at top fore margin of about one third of the leaves, first title page soiled and with repair of torn portion at lower margin plus a closed tear repaired at verso (both not affecting any text), small wormtrack at top blank margin of final 3 gatherings of first work. A fine wide-margined copy, complete except for a single missing blank. ---- Adams D-1044; Fairfax Murray German Books 152; Bohatta 20; DSB IV, pp. 259-60. FIRST LATIN EDITION, in two parts, of Vier Bücher von menschlicher Proportion first published 1528 in German. Unlike his Italian contemporary, Leonardo da Vinci, who published nothing, Dürer lived and worked in the world of printing and engraving. Dürer's treatise on human proportion was the earliest of the three theoretical works written in his later years. He began formulating mathematical rules for the proportions of the human form soon after his first trip to Venice in 1494-95. For his mathematical formulations he drew upon the works of antiquity as well as the Italian rediscoveries; as for his other theoretical works, his goal was to establish a scientific basis for aesthetics and to provide practical guidelines for draftsmanship. "The book is the synthesis of Dürer's solutions to his self-imposed formal problems; in it he sets forth his formal aesthetic... Dürer's aesthetic rules are based firmly in the laws of optics--indeed, he even designed special mechanical instruments to aid in the measurement of human form. He used the height of the human body as the basic unit of measurement..." (DSB). Book IV is of the greatest interest as it presents for the first time many "new, difficult, and intricate considerations of descriptive spatial geometry... Dürer's chief accomplishment as outlined in the Four Books is that in rendering figures... he first solved the problem of establishing a canon, then considered the transformation of forms within that canon... In so doing he considered the spatial relations of form and the motions of form within space" (DSB). Camerarius' translation popularised the fame of the book throughout Europe. "Without Camerarius' translation, Dürer's writings would not have achieved exceptional dissamination in Europe. Without Camerarius translation, Michelangelo would never have seen Dürer's theory of proportion" (translation from Dürer Katalog, Nürnberg, 1971). - Visit our website for additional images and information. Very Good.

      [Bookseller: Milestones of Science Books]

Grabador/Engraver: De Vos, Martin, Dibujante/Draw Artist:Sadeler, Raphaël
        El tiempo entre el trabajo y la pereza
      Países Bajos - MARTIN DE VOS (1532-1603) (diseño) RAPHAËL SADELER (ca. 1560- ca. 1632) (dibujo y grabado) Bajo de la imagen: Praemia virtutum Solers Industria donat, / Largitur tacito Gandia multa finu. / At Pager flagris, et Paupertate maligna / Arquitur lentae crimine Pigritiae. M. de vos inventor R. Sadler sculps. et excud. Filigrana con escudo en la derecha. Buen estado de conservación. Reintegro de papel y restaurada. En el reverso dibujo a lápiz. Hollstein, v. 46, 1.265. H. XXI, 210; Cas., p. 305, 9; Brussels 1992, n. 68; Veldman 1992, p. 244. Siglo/Century: XVI Buril Papel verjurado Grabador/Engraver: De Vos, Martin Dibujante/Draw Artist: Sadeler, Raphaël 1582 Altura papel/Paper height: 190 Anchura papel/Paper width: 238 Altura plancha/Plate height:157 Anchura plancha/Plate width: 184

      [Bookseller: Palau Antiguitats]

Jodocus of Erfurt; Caccialupe, Giovanni
        Vocabularius Utriusque Juris Difficillimas Quasque Voces Juxta
      1532. An Important Early Law Dictionary in a Notable Binding [Jodocus of Erfurt, Attributed]. Caccialupi, Giovanni Battista [c. 1420-1496]. Alberico, Da Rosate [c.1290-1360]. [Norvis, Jean, Binder]. Vocabularius Utriusque Iuris Difficillimas Quasque Voces Iuxta Receptos Juris Interpretes Edisserens: Iterum Exactissima Cura Recognitus, Conjectis in Suum Ordinem Dictionibus et non Paucis Vocabulis Elegantissimis hoc Signo * Prenotatis Locupletatus. Paris: apud Claudium Chevallonium sub Sole Aureo in Via ad Divum Jacobum. Anno 1532. [iv], CCXL ff. Main text in parallel columns. Octavo (6-1/2" x 4-1/4"). Contemporary paneled calf by Jean Norvis, large central panels featuring a pattern of acorns, thistles and dragons to boards, raised bands and early hand-lettered title to spine, to spine, ends restored, ties lacking, endleaves derived from a vellum manuscript leaf. Light rubbing and some crackling, moderate rubbing to extremities, corners lightly bumped and worn. Woodcut Chavallon devices to title page and ends of text, woodcut decorated initials. Light toning to text, somewhat heavier in places, light soiling and spotting to a few leaves, early owner inscription to front free endpaper, recent private-library stamp to foot of title page. A choice copy. $5,000. * A work of great authority, the Vocabularius, as it is popularly known, is usually attributed to Jodocus, a jurist associated with the University of Erfurt. First published by Wenssler in Basel around 1475, it went through more than seventy editions over the following 150 years. (It had a second life as the first section of the 1559 edition of Antonio de Nebrija's Lexicon Juris Civilis, a work that was reissued into the seventeenth century.) A useful and highly respected reference work, the Vocabularius is a collection of terms dealing with the Ius Commune taken from such late-scholastic texts as the Vocabularius Stuttgardiensis (1432), the Collectio Terminorum Legalium (c. 1400), and the Introductorium pro Studio Sacrorum Canonum of Hermann von Schildesch (c. 1330). This edition also includes Caccialupi's Tractatus de Modo Studendi in Utroque Iure, an introductory textbook for law students, and Rosate's Breve Compendiolum de Orthographia, a guide to legal writing. Jean Norvis was a leading sixteenth-century Parisian.

      [Bookseller: The Lawbook Exchange, Ltd.]

Luther, Martin
        Der Segen so man nach der Messe spricht uber das Volck aus dem vierten buch Mosiam vj. Cap.
      [colophon: Nürmberg: Kunigund Hergotin], 1532. Small 4to (18.5 cm, 7.25"). [6] ff. The second of only two editions, both printed in 1532, of Luther's text on blessings: Dealing directly with the Lutheran Church's priestly (i.e., Aaronic) blessing, this interpretation of the benediction complements Luther's 1527/1528 series of sermons delivered on the fourth book of Genesis, which were not fully published until 1902.    => Kunigunde Hergotin took over this Nürmberg printing business after her husband, Hans, was executed for printing a politically radical Anabaptist tract by Thomas Muntzer. "It is believed that she printed much of the material printed under Hans Hergot's name, and that he was simply the distributor. The materials he was distributing were considered heretical and politically radical, and while George, Duke of Saxony presided, Hans Hergot was tried and condemned to death. Kunegunde tried to convince the Nuremberg city council to intercede, but was unsuccessful, and Hans was publicly executed in 1527. Kunegunde continued the business under her own name until 1539" (Erdman, p. 264).    The title-page here features a four-element woodcut border of putti intertwined with flowering vines from which they are picking fruit. The text is in Fraktur (of course) and has a few historiated woodcut initials.    Evidence of readership: Underlining and marginalia throughout in an early hand in German; four blessings ca. 1557 on blank verso of last leaf (three in Latin, one in German).    Provenance: Ownership signature of Caspar von Schneider dated 1557 on verso of last leaf; most recently in the library of American collector Albert A. Howard, small booklabel ("AHA") at rear..    Searches of NUC and WorldCat locate only one U.S. library reporting ownership of this edition (Pitts Theological) and only six of the first.         VD16 L5879; Benzing 3016. On Kunigunde Hergotin, see Alex Erdmann, My Gracious Silence, p. 264. In later plain brown wrappers with inked publication information and => a charming hand-drawn symbolic ex libris on the inside front wrapper; edges chipped. Title-page and last leaf dust-soiled; some shallow chipping and mostly-light staining of margins. => Showing both ownership and readership in a most intriguing way.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]

Jodocus of Erfurt; Caccialupe, Giovanni
        Vocabularius Utriusque Juris Difficillimas Quasque Voces Juxta.
      1532 - An Important Early Law Dictionary in a Notable Binding [Jodocus of Erfurt, Attributed]. Caccialupi, Giovanni Battista [c. 1420-1496]. Alberico, Da Rosate [c.1290-1360]. [Norvis, Jean, Binder]. Vocabularius Utriusque Iuris Difficillimas Quasque Voces Iuxta Receptos Juris Interpretes Edisserens: Iterum Exactissima Cura Recognitus, Conjectis in Suum Ordinem Dictionibus et non Paucis Vocabulis Elegantissimis hoc Signo * Prenotatis Locupletatus. Paris: apud Claudium Chevallonium sub Sole Aureo in Via ad Divum Jacobum. Anno 1532. [iv], CCXL ff. Main text in parallel columns. Octavo (6-1/2" x 4-1/4"). Contemporary paneled calf by Jean Norvis, large central panels featuring a pattern of acorns, thistles and dragons to boards, raised bands and early hand-lettered title to spine, to spine, ends restored, ties lacking, endleaves derived from a vellum manuscript leaf. Light rubbing and some crackling, moderate rubbing to extremities, corners lightly bumped and worn. Woodcut Chavallon devices to title page and ends of text, woodcut decorated initials. Light toning to text, somewhat heavier in places, light soiling and spotting to a few leaves, early owner inscription to front free endpaper, recent private-library stamp to foot of title page. $5,000. * A work of great authority, the Vocabularius, as it is popularly known, is usually attributed to Jodocus, a jurist associated with the University of Erfurt. First published by Wenssler in Basel around 1475, it went through more than seventy editions over the following 150 years. (It had a second life as the first section of the 1559 edition of Antonio de Nebrija's Lexicon Juris Civilis, a work that was reissued into the seventeenth century.) A useful and highly respected reference work, the Vocabularius is a collection of terms dealing with the Ius Commune taken from such late-scholastic texts as the Vocabularius Stuttgardiensis (1432), the Collectio Terminorum Legalium (c. 1400), and the Introductorium pro Studio Sacrorum Canonum of Hermann von Schildesch (c. 1330). This edition also includes Caccialupi's Tractatus de Modo Studendi in Utroque Iure, an introductory textbook for law students, and Rosate's Breve Compendiolum de Orthographia, a guide to legal writing. Jean Norvis was a leading sixteenth-century Parisian binder. (The pa. [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]

Vogel [Franz Adam] (Hg.)
        Code criminel de l'Empereur Charles V, vulgairement appelle La Caroline: Contenant les Loix qui sont suivies dans les Jurisdictions Criminelles de l'Empire et a l'usage des Conseils de Guerre des Troupes Suisses..
      Gr.8, Gestochenes Portrait (Le Baron de Besenval), Titelkupfer, 15 Bl, 365 S., 1 Bl., OLdr der Zeit mit Rückenschild, goldgeprägter Rücken, Erste (von 3) franz. Ausgabe. Gewidmet A Monsieur le Baron de Besenval, Lieutenat general des Armées du Roy, Colonel du Regiment des Gardes Suisse des sa Majeste.Franz Adam Vogel, Garde juge des Gardes suisse du Roi übersetzte die Kriminalordnung Kaiser Karls V aus dem Jahr 1532 ins Französische. Formel des Kriegsrates in deutscher Übersetzung.Die Constitutio Criminalis Carolina (CCC) oder Carolina gilt heute als erstes allgemeines deutsches Strafgesetzbuch. Eindeutschend wird sie schon früh auch als peinliche Halsgerichtsordnung Karls V. bezeichnet. Peinlich bezieht sich hierbei auf das lateinische "poena", übersetzt "Strafe" und bezeichnet Leibes- und Lebensstrafen. Die Carolina hatte weit über das Reich hinaus Gesetzeskraft und galt teilweise bis ins frühe 19 Jht.Jean-Victor de Besenval, Baron de Brünstatt (1671- 1736), schweizer Offizier in franz. diplomatischen Diensten. 1703 in Berlin, ab 1707 franz. Botschafter bei König Karl XII von Schweden und von 1710 bis 1721 am Hof des polnischen Königs u Kurfürsten von Sachsen August dem Starken.KANN ERST NACH MESSERERHÖFFNUNG VERKAUFT WERDEN!

      [Bookseller: antiquariat peter petrej]

CHAUCER, Geoffrey.
        The workes of Geffrey Chaucer, newlie printed, with dyvers workes whiche were never in print before: as in the table more playnly dothe appere.]
      London: by Thomas Godfray, 1532 - Folio (312 x 213 mm). Contemporary blind-tooled calf lifted from the original binding and relaid on heavy boards and rebacked to style (a pencilled note dates the restoration 1946), the sides panelled with a stylised wheatsheaf roll and a decorative roll incorporating heads, the fore edges showing the marks where clasps and catches were formerly attached. Housed in a dark brown cloth flat back box. Early ownership inscriptions of John Rappe in French, one in The Romaunt of the Rose (foot of sig. 2E3v) dated 8 June 1583; early ownership inscriptions of Ro: Tirell (=Tyrell) at head of The Canterbury Tales part-title and again at head of The Knight's Tale, and of Thomas Lanham at foot of Troylus and Creseyde part-title; some early underlines and contemporary marginalia throughout; front free endpaper with pencilled note (in the hand of Lord Kenyon?) stating that the book was bought at the sale of Captain Walter Tyrell's books, Christie's 1891; modern bookplate of Robert S. Pirie. A few minor marks or stains, last leaf with paper restoration at upper outer corner and loss of part of the foliation number and just touching one letter of the colophon, a very good copy. 394 (of 397) leaves (lacking A1–3, supplied in good quality facsimile). Black letter, text in double columns. 20 woodcut illustrations from 15 blocks, section-titles within woodcut compartments (McKerrow & Ferguson 19) for "The Romaunt of the Rose," "Troylus and Creseyde," "Boetius de consolatione philosophie," "How Pite is Ded and Beried in a Gentyll Hert," and "The Testament of Love," all with continuous foliation and signatures, QQ3 cancelled as usual and replaced by four leaves incorporating Robert Henryson's Testament of Criseyde. First complete collected edition of Chaucer and the first attempt to collect into a single volume the complete writings of an English author. The Canterbury Tales alone had been first printed by Caxton, first without and then with woodcuts, before Pynson attempted something like a collected edition in three separate publications of c.1526, but Godfray's publication "was the first attempt at a critical edition and for over 200 years provided the standard text of The Canterbury Tales" (Hayward). Only The Canterbury Tales is illustrated: the cuts of the Knight and Squire are copies from Pynson's 1526 edition (Hodnett 2066, 2067), while the remaining 13 were cut for Caxton's 1483 edition (Hodnett 214–236). The editor was William Thynne, clerk of the kitchen and of the green cloth to Henry VIII, and recipient of numerous grants and appointments. Thynne provides the first printed editions of a number of Chaucer's major works in verse and prose, including The Book of the Duchess, The Legend of Good Women, Boece, and The Treatise on the Astrolabe. He also printed a large number of works not by Chaucer, including poems by John Lydgate, Thomas Hoccleve, Richard Roos, and Robert Henryson, giving the volume an additional if accidental value as a poetical miscellany. The introductory materials to the edition are prefaced by an unsigned dedication to Henry VIII by Sir Brian Tuke, the king's secretary, arguing for the poet's pivotal role in the development of the English language. The publisher Thomas Godfray was associated with some of the more radical propagandists of the Tudor revolution and Thynne's edition began a gradual process in the 16th century by which Chaucer was established both as the father of English poetry and claimed for the nation as a proto-Reformer, so that John Foxe the martyrologist would eventually acclaim him as "a right Wycliffian". In its care and attention lavished on primarily secular literature, it also provided the model for the folio editions of the Jacobean dramatists. This is much the most complete copy to have appeared in commerce in the past 40 years. The only other substantially complete copy in that period was the William Morris–Richard Bennett–Michael Tompkinson–Albert May Todd copy, lacking six leaves (A1, A4, Uu

      [Bookseller: Peter Harrington. ABA member]

Luther, Martin.
        Der Segen so man nach der Messe spricht uber das Volck aus dem vierten buch Mosiam vj. Cap.
      Kunigund Hergotin]. The second of only two editions, both printed in 1532, of Luther's text on blessings: Dealing directly with the Lutheran Church's priestly (i.e., Aaronic) blessing, this interpretation of the benediction complements Luther's 1527/1528 series of sermons delivered on the fourth book of Genesis, which were not fully published until 1902. => Kunigunde Hergotin took over this Nürmberg printing business after her husband, Hans, was executed for printing a politically radical Anabaptist tract by Thomas Muntzer. "It is believed that she printed much of the material printed under Hans Hergot's name, and that he was simply the distributor. The materials he was distributing were considered heretical and politically radical, and while George, Duke of Saxony presided, Hans Hergot was tried and condemned to death. Kunegunde tried to convince the Nuremberg city council to intercede, but was unsuccessful, and Hans was publicly executed in 1527. Kunegunde continued the business under her own name until 1539" (Erdman, p. 264). The title-page here features a four-element woodcut border of putti intertwined with flowering vines from which they are picking fruit. The text is in Fraktur (of course) and has a few historiated woodcut initials. Evidence of readership: Underlining and marginalia throughout in an early hand in German; four blessings ca. 1557 on blank verso of last leaf (three in Latin, one in German). Provenance: Ownership signature of Caspar von Schneider dated 1557 on verso of last leaf; most recently in the library of American collector Albert A. Howard, small booklabel ("AHA") at rear.. Searches of NUC and WorldCat locate only one U.S. library reporting ownership of this edition (Pitts Theological) and only six of the first.

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]

Coster, Franciscus
        De universa historia Dominicae Passionis meditationes Quinquaginta.
      Coster (1532-1619)

      [Bookseller: Wissenschaftliches Antiquariat Köln]

        The Olde Tenures [with] Littleton Tenures Nevly Imprinted [with] Natura breuium, newly & moost newly corrected [with] Articvli ad Narrationes Novas Pertim. Formati [with] [Fitzherbert] Diuersite de courtz. S.T.C. 23884, 15731.5, 18396, 818, and 10949
      London: Imprints vary [three by Robert Redman; two by William Middleton], ?1532-?1545. Contemporary blind panelled calf, rebacked, remains of clasps, first title darkened, bookplate of Frederick J O Montague; the Taussig copy A unique collection of early English law books, all rare, three found in fewer than four copies in S.T.C., all important to the study of medieval English law and, in the case of the Littleton and Natura Brevium, English law in subsequent centuries

      [Bookseller: Meyer Boswell Books, Inc.]

THEOPHYLACT OF OHRID (ca. 1055-dopo 1107)
        In omnes D. Pauli epistolas enarrationes
      Ex officina Eucharij Cervicorni, 1532 mense Martio (Coloniae impensis honesti viri Godefridi Hyttorpij pridie calendas Ianuarij). In 8vo (mm 168x108). Pp. [24], 943, [1 bianca]. Segnatura: AA8 BB4 A-Nnn8. Carattere romano e gotico. Vignetta in legno al frontespizio e stupenda iniziale figurata all'inizio del testo a carta A1r (Holbein?); altre iniziali ornate su fondo nero. Legatura coeva in piena pelle scamosciata, dorso a tre nervi scoperti e rinforzati in pergamena con etichetta manoscritta, tagli rossi (piccole mancanze alle cuffie e agl'angoli, forellini di tarlo al dorso, un po' sciupata e sporca di polvere, ma solida). Gora d'acqua all'angolo inferiore esterno di numerose carte, altra macchia giallognola su poche carte, strisciolina asportata dal margine superiore bianco del frontespizio con perdita di testo al verso, rinforzi al margine interno delle prime carte, qualche fascicolo un po' sciolto. A parte ciò, buon esemplare genuino, copiosamente postillato da una mano coeva o di poco posteriore, dall'inizio alla fine del volume (contropiatti e risguardi inclusi). Firma di appartenenza e nota d'acquisto al frontespizio: "Petri Campioli" e "Joseph. M.a Venturi emi lib. 3½". Rara edizione, stampata a Colonia da Eucharius Cervicornus per conto di Hittorp Gottfried, del commento alle Epistole paoline di Teofilatto di Ocrida, precettore vissuto a Costantinopoli nell'XI secolo alla corte di Alessio I Comneno, qui nella traduzione di Cristoforo Porsena, priore di Santa Sabina, apparsa per la prima volta a stampa a Roma nel 1477. Esemplare di particolare interesse per le numerose postille al testo, redatte da una mano coeva o di poco posteriore, in una scrittura estremamente minuta e fitta, in inchiostro marrone chiaro e marrone scuro. VD 16, B-5003; Grieschicher Geist aus Basler Pressen, Basel, 1992, p. 684..

      [Bookseller: Libreria Govi Alberto]

Leonicenus Nicolaus (1428 - 1524)
        Nicolai Leoniceni vicentini, philosophi & medici clarissimi, Opuscula: quorum catalogum versa pagina indicabit. Per D. Andream Leennium medicum, à multis quibus scatebant vitijs, repurgata, atque annotatiunculis illustrata
      (Sichart Johannes), 1532. Folio (cm. 29), 4 cc.nn., 157 (i.e. 175) pp., 1 c.nn. (segue) Aurelianius Caelius, Caelii Aureliani siccensis Tardarum Passionum Libri V., D. Oribasii sardi iuliani Caesaris archiatri Euporiston lib:III. Medicinae compen: lib:I. Curationum lib:I. Trochiscoru confect:lib:I, Basileae mense Augusto, Henricu Petrus 1529, 10 cc.nn., 345 (i.e. 247) pp. Numerosi capilettera figurati. Legatura settecentesca in piena pergamena con titolo manoscritto al dorso (bruniture sparse e un piccolo foro nella parte inferiore del dorso). Tagli marmorizzati. Assente l’ultima carta non numerata della prima opera (marca tipografica). Margini superiori sobri e lieve lacuna al margine laterale delle prime 120 carte della seconda opera. Nella stessa è tagliato al frontespizio (per censura) il nome dell’editore e, sempre in quest’ultima, un foro di tarlo interessa una minima parte del testo da carta 257 a carta 269. Nel complesso, pur tenendo conto delle caratteristiche descritte, si tratta di un esemplare molto buono, con interni generalmente ottimi e assai freschi(tranne modeste ingialliture in qualche carta) che unisce tre importanti contributi in prima edizione: il primo di un caposcuola italiano della medicina umanistica, il secondo di un autore bizantino, il terzo di un medico africano di cittadinanza romana. Gli Opuscoli di Leoniceno raccolgono i seguenti scritti: De Plinij & plurium aluirum Medicorum in medicina erroribus, De tribus doctrinis ordinatis, secundum Galeni sententiam, De virtute formativa, De dipsade & pluribus aòijs serpentibus, De Tito seu vipera, De morbo Gallico sive Neapolitano, Contra suarum translationum obtrectatores Apologia, Medici Romani. Nicolai Leoniceni discipuli, Anisophista. Della seconda opera ed in particolare dell’Euporiston di Oribasio, Fielding H. Garrison (An introduction of medicine, Philadelphia and London 1921 p. 112) scrive che ‘had rare merit of avoiding any current superstitions and inculeating sound therapeutic doctrine’. Sulla prima opera: Durling, 2788; Wellcome, 3743. Sulla seconda: Durling, 358.Wellcome, 546.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]

Busteter, Hans.
        Ernstlicher Bericht, wie sich ain Frum[m]e Oberkayt Vor, In, und Nach den gefärlichsten Kriegssnöten mit klugem vortayl zu ungezweyfletem Sig loblichen üben un[d] halten sol an ain Fürnämen, Ersamen und Wysen Burgermayster und Radt des Heyligen Rychs Stat Augspurg.
      [colophon: Augspurg: Hainrichen Stayner], 1532. 4to (19.5 cm; 7.75"). [4], 26 ff. Only edition of an important early and practical military manual that Lienhart Fronsperger felt merited inclusion in his Kriegssbuch (Franckfurt am Mayn, 1573). The threat to Germany from the aggressive advance of the Turkish empire was the precipitating cause for Busteter to compose his German-language treatise on the practical aspects of warfare: mustering, payments, siege, attack, defense, treason, logistics, diplomacy, and so on. The work is addressed to the authorities of Augsburg.    The text is in fraktur and the title-page is illustrated with => a large woodcut of four foot soldiers and a drummer in a forest.    Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.    Searches of WoldCat, NUC, and COPAC locate only one copy in the U.S. (Newberry Library) and one in Britain (British Library).         VD16 B9990; Index Aurel. 128.290; Hohenemser 1423. Modern boards with vellum (or vellum-like) covering. Partially uncut copy. Light staining or smudging in some margins; a few marginal jottings in old ink. => A rather nice copy.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]

Bry, Jan Theodor de (1561-1623), after Boissard, Jean-Jacques (1528-1602)
        DURNHOFERUS THEOLOGUS (Portrait of Lorenz Dürnhofer)
      Portrait of theologian Lorenz Dürnhofer (1532-1594). Titled on the oval frame: 'DURNHOFERUS THEOLOGUS', inscribed in the bottom margin: 'Haec Durnhoferi facies Pegnesis & albis / Eloquium & mores obstupuere viri. L3'. Engraving on paper, with small margins; platemark: 143 x 107 mm; total: 157 x 115 mm; a trace of stain on the left margin.

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]

ZWINGLI (Ulrich)
        Enchiridion psalmorum, quos sanctae memoriae clarissimus vir Hulderichus Zvinglius ex Ebraica veritate latinitati donavit, & mira claritate illustravit (.).
      - Tiguri, apud Christophorum Froschouer [Zurich, Christoph Froschauer], 1532 Fort volume in-16 (110 x 71 mm), peau de truie sur ais de bois biseautés, dos gothique à 3 nerfs, plats entièrement ornés d'un large décor d'encadrement de filets et motifs végétaux estampés à froid, fermoirs de bronze doré (reliure germanique de l'époque), 226 [i.e. 206] f., (1) f. bl. [sign. a-z, aa-cc8]. Edition originale très rare, comme toutes les éditions des écrits du réformateur alémanique. Cette traduction des psaumes d’Ulrich Zwingli a été publiée à titre posthume et préfacée par son ami et proche collaborateur l’humaniste, philologue et hébraïsant Léo Jud (1482-1542). Fondateur de la liturgie zurichoise, celui-ci eut une influence déterminante dans la diffusion de Zwingli. Ulrich Zwingli (1484-1531) est l’introducteur et le principal artisan de la Réforme en Suisse, qu’il initia à partir du soutien de la ville de Zurich, pour la propager à travers la Confédération. Il trouva une mort prématurée au combat lors de la seconde bataille de Kappel qui opposa Zurichois et cantons catholiques. Il traduisit ce psautier directement de l’hébreu, afin de rester au plus près du sens originel, mais également pour offrir une version plus conforme à l’esprit de la Réforme. L’imprimeur du livre, Christoph Froschauer (1490-1564), a été l’un des premiers à exercer à Zurich. Très entreprenant, il joua également un rôle central dans la diffusion de la pensée zwinglienne. Il a notamment été l’imprimeur de la célèbre "Bible de Zurich" (ou "Bible de Froschauer"). Le texte est imprimé à l’aide d’un grand nombre de polices de caractères, des caractéristiques de corps, graisse et italique très variées, dont des notes en caractères hébraïques. Quelques petites taches d’encre éparses. Quelques annotations d’époque en marge p. 66-68. Ex-libris anciens biffés sur le contreplat et le titre. (Bibles imprimées du XVe au XVIIIe siècle conservées à Paris, n°3290. VD 16 B 3151, Vischer, C-204. I. Zinguer, 'L'hébreu au temps de la Renaissance', p. 40). Bel exemplaire, remarquablement conservé dans sa première reliure estampée, avec ses fermoirs en bronze doré préservés. [Attributes: First Edition]

      [Bookseller: Librairie HATCHUEL]

Weidtz, Hans the younger (before 1500-1536).
        Losing money ['De remediis utriusque fortunae']
      Woodcut illustration from the 'De remediis utriusque fortunae' published in Augsburg 1532. The book is a collection of small tales by Francesco Petrarca. This plate would illustrate the 12th tale from the third book, representing a man losing his money. Woodcut on paper, on verso text in letterpress; total: 107 x 160 mm; in outstanding condition; Thieme Becker XXXV, p. 269.

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]

        HORAE, use of Rome, in Latin. Hore divine virginis Marie secundum usum Romanum, cum alijs multis folio sequenti notatis: una cum figuris Apocalipsis & destructio Hierusalem & multis figuris Biblie insertis
      Paris: Germain Hardouin, 1532. From the Collection of Arthur & Charlotte Vershbow. 8vo (197 x 118 mm). 95 leaves (of 96, lacking F8). Roman type: 19 (of 20) large, 12 smaller metal cuts, and publisher's device, metalcut Anatomical Man surrounded by 4 small metal cuts, gilt architectural frame to pages with large miniatures, ink-ruled frame with painted floral border on gold ground to other pages, liquid gold initials on blue or red ground. 19th-century brown morocco gilt, by B. Magnin. Lacking F8 containing a large metal cut, owner's name removed from title. Provenance: purchased from Goodspeed's Book Shop, 1983. A FINE PARISIAN BOOK OF HOURS PRINTED ON VELLUM, ILLUMINATED BY A CONTEMPORARY HAND IN GOLD AND COLORS. Germain Hardouin (active 1500-1541) took over the press established by his brother Gilles in Paris in 1491, and produced various, almost simultaneous, editions of books of hours either with gothic or roman type, and with or without printed borders. The present edition is printed in roman type, with wholly painted borders (not applied over a printed base). These Horae contain a series of engravings based on designs from the workshop of Jean Pichore for the Hardouin brothers. Lacombe 304; Brunet V: Heures, 254.

      [Bookseller: Riverrun Books & Manuscripts]

Capella Galeazzo Flavio.
        De Rebus nuper Italia gestis libri octo [..].
      apud Io. Petreium, 1532. In-4° (cm. 19,7), legatura in p. pelle maculata con nervi al dorso e filetti a secco; cc. 75 [1b] in ottimo stato, con vignetta silografica al frontespizio, capilettera in silografia; lieve brunitura uniforme, piccolissima integrazione al margine bianco della carta r4, sporadici segni d'uso. Rara edizione della cronaca dei fatti occorsi in Italia per la conquista del ducato di Milano, compreso il Sacco di Roma, dal 1521 al 1530. Capella inviò la sua opera prima della pubblicazione a Benedetto Giovio per la correzione. «Predari 129 cita come prima edizione una di Parigi 1517 che è impossibile» [Hoepli 602] mentre la prima è in realtà in Milano 1531. Di notevole interesse per la storia milanese, ebbe numerose ristampe e traduzioni in italiano e tedesco. Cfr. Graesse II, 41. Ottimo esemplare.

      [Bookseller: Gabriele Maspero Libri Antichi]

RÜXNER, Georg (fl. 1530)
        Anfang, Ursprung und herkommen des Thurniers in Teutscher nation
      Simmern: Hieronymus Rodler, 1532. From the Collection of Arthur & Charlotte Vershbow. Folio (319 x 216 mm). 220 leaves. Gothic type. Title with large woodcut initial A and arms of Charles V on verso. One folding woodcut plate of a tournament (between fols. 33 and 34), two full-page and 246 smaller coats-of-arms and 39 half-page woodcuts including repeats. Contemporary blindstamped pigskin over wooden boards, stamped with ornamental rolls forming panels which contain figures of the Evangelists and Virtues. Lacking one clasp and catch, remnants of original leather spine panel; marginal tear in final leaf, some pale dampstaining in fore-margins at beginning and end, some intermittent pale staining and spotting. Provenance: Windhagen Library (17th-century inscription on title); Charles Fairfax Murray (1849-1919, bookplate; sold Christie's 10 December 1917, lot 386); purchased from William H. Schab, 1959. THE FAIRFAX MURRAY COPY OF THE SECOND EDITION, printed by the same printer and using the same cuts as the 1530 first edition. A magnificently printed and illustrated German woodcut book, describing tournaments and festivities. The 36 tournaments held in different German cities are described in the order of the events: arrival, festivities, tournament, celebration of the victor, departure from the town etc. The coats-of-arms are those of the victors of the tournaments and those of the towns where the tournaments were held. The woodcuts are generally attributed to Master H.H., who illustrated another work for Rodler in 1531 (an adaptation of Dürer's Unterweysung der Messung), and was identified by Bonnemann as Hans von Hunsrück, i.e. Johann II, Count Palatine of Simmern, who financed the publication of Ruxner's book at his private press. The folding plate depicts all stages of a tournament. Not in Adams. BM/STC German 761; Bonnemann, Rodler, 4; Brunet 1471; Fairfax Murray German 373 (this copy). Lipperheide Tb 10.

      [Bookseller: Riverrun Books & Manuscripts]

BRUNFELS, Otto (circa 1489-1534)
        Herbarum vivae eicones ad naturae imitationem -Novi Herbarii tomus II -De vera herbarum cognitione appendix
      Strasbourg: Johann Schott, 1532. From the Collection of Arthur & Charlotte Vershbow. Two volumes bound in one (the appendix added to vol.II), folio (287 x 188 mm). Vol. I: Title within woodcut allegorical border, 4- and 5-part borders to several pages, woodcut arms of Strasbourg, ornamental and historiated initials, head- and tailpieces, 86 woodcuts of plants by Hans Weiditz; vol. II: Title within woodcut allegorical border, 4- part border on 2 pages, 49 woodcut illustrations by Weiditz, ALL COLORED IN A CONTEMPORARY HAND. 18th-century mottled calf gilt, edges gilt. Rebacked preserving original gilt spine panels, repairs to corners, some slight drying; A4 in volume I bound after b4, lacking blanks b4 and G6 in the first volume and H4 and S6 in the second, small stain in lower margin of first title and first text leaf, some leaves lightly browned, occasional minor staining. Provenance: Johannes Beusler (early ownership inscription on title); Jean Charles Patin (inscription dated 1817 on front flyleaf noting that he is a native of Manneville and currently farming in Bézu-la-Forêt); purchased from William Schatzki, 1971. FINELY COLORED COPY of the second edition of volume I (the first was 1530) and FIRST EDITION OF VOLUME TWO OF THE FIRST BOTANICAL BOOK TO CONTAIN REALISTIC AND ACCURATE ILLUSTRATIONS. Referred to as "the first great mind in modern botany" (Hunt), Brunfels' most revolutionary contribution was his choice of artist accurately to portray these "living portraits of plants." The magnificent woodcuts executed by Weiditz were taken from watercolors drawn directly from nature and delineate botanical details well beyond their known function in the taxonomic literature of the time. The first volume was reprinted to be sold with the second, and this is how many sets are constituted. The appendix at the end of the second volume contains the first published writings of both Jerome Bock and Leonhardt Fuchs. After Brunfels's death, a third volume was published (1536-39) and was illustrated after different artists. Adams B-2924 and B-2925; Fairfax Murray German 462 (1530 edition); Garrison-Morton 1803; Grolier/Horblit 33a; Hunt 30 (mixed edition); Nissen BBI 257, Ib, IIa and 257,III; Norman 361; Stafleu &Cowan TL2 852 and 853; Pritzel 1283. Fact and Fantasy 27.

      [Bookseller: Riverrun Books & Manuscripts]

Ciceronis (M. T.)
        Orationum. Volumen tertium.
      Parisis apud Simonem Colinaeum* An. MDXXXII. Mense octobri., 1532. Reliure plein veau marbré (postérieure), dos à cinq nerfs, titre doré sur p. de t., filets et fers dorés, tranches rouges, coupes filetées. Coins et coupes usés, coiffes manquantes.. 10.5/15.5 cm., 4 ff., 276 pp.. Très belle typographie d'une composition et d'une précision stupéfiantes. Jolies lettrines gravées. Dernière page remontée sur onglet. Un carré de papier à été découpé au centre de la page de titre, sans doute pour faire disparaître une marque de propriété manuscrite dont on distingue les contours… * Simon de Colines Devise : Hanc aciem sola retundit virtus. - Virescit vulnere virtus Imprimeur-libraire, libraire juré de l'université de Paris (1522), graveur et fondeur de caractères. - Né entre 1470 et 1480, peut-être en Champagne. Succède à l'imprimeur-libraire Henri Estienne dont il épouse la veuve. De 1522 à 1526, fait travailler avec lui son beau-fils Robert I Estienne. Décédé avant juin 1546. Entre 1520 et 1531, Simon de Colines grave une vingtaine de polices de lettres romaines et italiques directement inspirées par les caractères d’Alde Manuce. Il est le chef de file de la première génération de graveurs de lettres parisiens, c’est probablement lui qui forme la génération suivante, celle d’Augereau et de Garamont. Dans le courant des années 1520, les polices gravées par Simon de Colines commencent ainsi à remplacer ainsi les fontes d’ancien style que les imprimeurs parisiens continuaient à employer. (cf:garamond.culture(point)fr)

      [Bookseller: Librairie Traits et Caracteres]

Martyr, Peter
        EXTRAICT OU RECUEIL DES ISLES NOUVELLEMENT TROUVEES EN LA GRAND MER OCEANE OU TEMPS DU ROY DESPAIGNE FERNAND & ELIZABETH SA FEMME, FAICT PREMIEREMENT EN LATIN PAR PIERRE MARTYR DE MILLAN, & DEPUIS TRANSLATE EN LANGUAIGE FRANCOYS...
      Paris: Simon de Colines, 1532. [8],207 leaves. Small quarto. 18th-century calf, gilt, inner dentelles; rebacked to style, spine gilt with leather label. Bookplates on front pastedown. Some minor soiling. Scattered notations in Spanish in an early hand. Very good. In a cloth clamshell case, leather label. First French edition, and the first collection of voyages printed in the French language, collected by Peter Martyr, the first historian of the Americas. "Peter Martyr (1457-1526) was born near Lake Maggiore. He was a contemporary and friend of Christopher Columbus, Vasco da Gama, Hernan Cortes, Ferdinand Magellan, Sebastian Cabot, and Amerigo Vespucci. Through his friendship with these explorers, as well as from his official position as a member of the Council for the Indies in Spain, he was able to obtain authentic original documents and much valuable information about the discoveries made by the early navigators. His works were held in the highest esteem by his contemporaries and are indispensable as a primary source for the history of the Americas" - Hill. This edition consists of a slightly abridged translation of Peter Martyr's first three Decades (from DE ORBE NOVO, first published in 1516 in Alcala de Henares), and three "narrations," the first being a translation of the first edition (Basel 1521) of Martyr's fourth Decade; the second and third are abridged translations of the Second and Third Letters of Cortes, first published in 1524 at Nuremberg. Cortés' famed Second Letter, dated Oct. 30, 1520, provides a vivid account of the conquest of Mexico, describing the people he encountered and fought en route to the Aztec capital. He relates his conflict with his rival Velazquez and gives a wonderful description of the buildings, institutions, and court at Tenochtitlan. It is here that Cortés provides a definitive name for the country, calling it "New Spain of the Ocean Sea." This letter is also important for making reference to Cortés' "lost" first letter, supposedly composed at Vera Cruz on July 10, 1520. Whether that letter was actually lost or suppressed by the Council of the Indies is unknown, but there is little doubt it once existed. The text is the first major announcement to the world of the discovery of major civilizations in the New World, and as such is a work of surpassing importance. Martyr's work also touches on Cuba and the West Indies. In addition to numerous Spanish notations in an early hand, this copy bears the bookplates of Theodore Bauffremont-Courtenay, Prince Duke of Bauffremont (1793- 1852), Cavalry Colonel, supporter of the Duchesse de Barry and aide to the Duke de Bordeaux; and Prince Constantin Radziwill (1850-1920), founder of Monte Carlo and father of Leon Radziwill, Proust's friend and model for the character Robert de Saint-Loup. A rare work, seldom met with in commerce. Only two copies have appeared at auction in the last sixty years. The DuPont copy realized $48,400 in 1991. EUROPEAN AMERICANA 532/1. CHURCH 64. HARRISSE 167. BRUNET I, 293. HILL 533 (ref).

      [Bookseller: William Reese Company - Americana]

Pompeius (Trogus)
        Des Hochberuemptesten Geschicht schreybers Justini warhafftige Hystorien die er auß Trogo Pompeio gezogen und inn Viertzig vier Buecher außgeteylt darinn er von vil künigreychen der welt wie die auff und abgang genommenn beschriben. Die Hieronimus Boner d er zeyt Schultheys zu Colmar auß dem Latein inn diß volgend Teütsch vertolmetscht hat. - [Sammelband mit zwei Schriften].
      Steiner, Augsburg 1532 - [4], cxix Bll.; Pergamentband der Zeit mit Rückenschildchen, blindgeprägte Deckel, 4to (29,2 x 19,5 cm). Sammelband mit zwei historischen Werken des 16. Jahrhunderts in zweiten deutschen Ausgaben: I. VD16, T 2070. Zweite deutsche Ausgabe (EA Augsburg 1531). Deutsche Übersetzung der "Historiae Philippicae" des Pompeius. Mit 50 meist halbseitigen Holzschnitten von Jörg Breu and Hans Weiditz u.a. sowie 22 dekorativen Schlußstücken vom Meister DS. - Beigebunden: Herodianus (Historicus): Der fürtrefflich Griechisch geschicht schreiber Herodianus, den der Hochgelert Angelus Politianus inn das Latein, vnd Hieronimus Boner in nachuolgendt Teütsch pracht, wellicher Herodianus von Marco Elio Antonino Philosopho an, untz auff Gordianum den jüngern römischen Keysern, unnd ihrer Regierung, die sich wunderbarlich zutragen, geschriben hatt (Augspurg, Steiner 1532, 4 Bll., lxvii [i.e. 70] Bll.). VD16, H 2504. Zweite deutsche Ausgabe (EA Augsburg 1531). - Deutsche Übersetzung der "Historiae" des Herodianus. --- Provenienz des Sammelbands (gestochenes Wappenexlibris): Joseph Ulrich Ignati von Sonnenberg Herr In Castellen Fischbach (1725-1798). - Kapitale abgestoßen, Rücken mit kleineren Fehlstellen, stärker berieben, Schließenbänder fehlen, Exlibris auf Innenspiegel, im Vorderdeckel und durch die erste Lage kleine Minierspuren, Papier etwas fleckig, wenige Einrisse, vereinzelte handschriftliche Marginalien, Bl. Ij mit (teils hinterlegtem) Einriß, letztes Blatt verso mit aufkaschierter Handschrift, dahinter wurden weitere Blätter entfernt. Im Gesamteindruck gut erhaltener Sammelband. 3002 Gramm. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Tautenhahn]

Gambiglioni, Angelo, and Others
        De Maleficiis, Repertoriu[m] primi voluminis Maleficioru[m], In quo.
      1532. Malefactors! Gambiglioni, Angelo (Aretino, Angelo) [15th. c.]. Cucalon, Jeronimo [16th. c.]. Gandino, Alberto [c.1245-c.1310]. Vitalini, Bonifacio Vitalini [d.ca. 1390]. De Maleficiis, Repertoriu[m] Primi Voluminis Maleficioru[m], In quo Coinetur Tractat Clarissimoru[m]. J.U. Doc. do. Angeli de Aretio: Domini Alberti de Gandino: Ac deni Bonifacii de Uitellinisde Mantua per Ordine Numeri et Alphabeti Fabricatu[m]. Superadduntur de Novo que Plures Alie Utilissime Additiones Domini Hieronymi Chucalon Hispani. In quo Quide[m] Volumine Multa Sunt Elegater Addita: & Diligentior[um] Cura [Quibus] Prius Castigata et Emendata. [Lyons: In Aedibus Benoit Bonyn Impensis Jacques Giunta], 1532. [xxxvi], ccccxxviii; [xvi], cxv, [1] ff. Two parts in one volume, each with title page and individual pagination. Second part has title beginning: Bonifacius de Maleficiis. Text in parallel columns with side-notes. Quarto (6-1/2" x 4-3/4"). Contemporary sheep, blind rules to boards, raised bands to spine, early repair to foot of spine, front free endpaper renewed. Negligible light rubbing to boards, moderate rubbing to extremities with some wear to spine ends and corners, minor worming to spine, rear joint starting at ends, a few cracks to text block, a few signatures detached, recent owner bookplate to front pastedown. Title page, with a woodcut depicting a torture scene, printed in red and black within an architectural border, torture image and border repeated in title page of second part, a few woodcut pictorial head-pieces and decorated initials. Moderate toning and light foxing to text, brief contemporary annotations to some leaves. $3,500. * Later issue of a work first published in 1472. It is a collection of canon and Roman-law writings dealing with criminal law, murder, slander, adultery, sodomy, etc. with interesting chapters on torture and other means to obtain confessions by a distinguished group of (mostly Italian) jurists. A popular work, it was expanded and reissued several times during the fifteenth and sixteenth centuries. OCLC locates 3 copies of our 1532 Lyons imprint, none in North America. Baudrier, Bibliographie Lyonnaise VI:146. Universal Short-Title Catalogue 146416.

      [Bookseller: The Lawbook Exchange, Ltd.]

Maestro del Dado
        Amorini con struzzo
      1532 - Bulino, 1532 circa, monogrammato in lastra con la lettera B nel dado; a sinistra, RAPHA. VR.IN. e a destra ANT: LAFREII.FORMIS. Secondo stato di quattro o cinque, con l’indirizzo di Lafrery aggiunto. Da un soggetto di Raffaello. La scena raffigura tre putti che giocano con uno struzzo. L’incisione è la seconda di una una serie di quattro matrici, incise intorno al 1532 e basate sugli arazzi, di invenzione di Raffaello, tessuti in Francia su richiesta di Leone X (1475 – 1521), e destinati allo zoccolo della Sala di Costantino. Gli arazzi sono attribuiti dal Vasari a Giovanni da Udine. Le matrici subirono molti ritocchi nelle edizioni successive curate da Orlandi e De Rossi, e nel 1823 furono censurate per volere di Leone XII (1760 – 1829). Bella impressione, ricca di toni e ben contrastata, impressa su carta vergata coeva, completa oltre la linea del margine, in ottimo stato di conservazione. Engraving, 1532 circa, signed on plate with monogram B in the die, at right. Lettered along bottom 'Rapha ur in / Ant Lafrerii formis. Second state, of three four or five, with the Antonio Lafreri's publisher's address added. The scene shows three putti standing before a large garland, the one in the middle rides an ostrich, the one at the right pull a feather from its tail and one below crouches holding its leg. The plate is the second from a series of four, based on the tapestries, in turn based on Raphael’s drawings, woven in France for pope Leo X (1475-1521). Vasari attribues the tapestries to Giovanni da Udine. The plates were very retouched in the subsequent editions published by Orlandi and De Rossi, and in 1823 were censored at the behest of Pope Leo XII (1760-1829). Beautiful impression, printed on contemporary laid paper, complete beyond the margin line, in excellent condition. Raphael Invenit, p. 137, no. II.2; Bartsch XV.208.33; Passavant II.259.2 Dimensioni 284 207mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]

Blumblacher, Christoph
        Commentarius In Kayser Carl deß Fünfften, und deß H. Röm. Reichs Peinliche Halsgerichts-Ordnung, Worinnen umbständlich, gründlich und klar ausgeführet und erkläret wird, wie man Den gantzen Peinlichen Proceß sowohl mit Protocolliren, mit der Captur, Examiniren, Constituiren, Torquiren und sonsten biß zu Ende ordentlich führen / als auch nach Abführ- und Schliessung derselben / allerhand Unthaten gebührlich straffen solle. Worbey Der Text ....
      Mit Titelvignette. 2 Bll., 403 S., 19 S. Register. Titel in Rot- und Schwarzdruck. OPergament m. Rückenvergold. 21x16 cm. - Ebd. stärker fleckig, Titelei m. Eckfehlstelle, dadurch sehr kleiner Textverlust, Vor- und Nachsatz, Titelei u. S. etw. fleckig, Bll. teilw. leicht wasserrandig. -- Die Constitutio Criminalis Carolina (CCC) oder Carolina von 1532 gilt heute als erstes allgemeines deutsches Strafgesetzbuch. In der Übersetzung aus dem lateinischen Original ins Deutsche heißt sie Peinliche Gerichts- oder Peinliche Halsgerichtsordnung Kaiser Karls V.. Peinlich bezieht sich hierbei auf das lateinische poena für Strafe und bezeichnet Leibes- und Lebensstrafen. Auf sie stützte sich die Methode der so genannten peinlichen Befragung (Folter) bei der Erwirkung von Geständnissen. Die Einführung der Carolina schuf die Voraussetzung für die massenhafte Durchführung von Hexenprozessen zwischen 1580 und 1680 in Deutschland. Unschuldige Menschen gerieten in die Fänge eines erbarmungslosen Vernichtungsapparates, aus dem es in der Regel kein Entkommen gab. Jede und jeder musste befürchten, Opfer zu werden. -- Wir akzeptieren VISA und MASTERCARD. Credit cards accepted. ---

      [Bookseller: Antiquariat im Kloster]

Budé, Guillaume
        De asse et partibus eius libri quinq(ue)
      Paris, Badius Ascensius 1532 - 1. April 1532. Ein Band in Folio ; 8 nn., 202 num Bll., marmorierter Lederband des 17. Jahrhunderts auf 6 Bünden, Ecken und Kanten mit kleinen Restaurierungen, Rückenvergoldung und goldgeprägter Rückentitel, hinterer Innendeckel mit wenigen biobliogr. Angaben in Kugelschreiber, fliegende Vorsätze mit Einriss, gesprenkelter Schnitt, Titelblatt mit breiter figürlicher Holzschnittbordüre und großer Holzschnitt-Druckermarke (Darstellung einer Druckerpresse), erste 10 Bll. mit Wasserfleck im äußeren Rand, sonst sehr sauber, schöner und großzügiger Antiqua-Druck mit griechischen Einsprengseln, einige große Cribblé-Initialen und gedruckte Randnoten, Textspiegel von späterer Hand im Stile der Zeit regliert und teils rubriziert. Gutes bis sehr gutes Exemplar. Etwas spätere Ausgabe, 1514 erstmals erschienen. Guillaume Budé (1467-1540) war ein französischer Philologe, Humanist, Diplomat und Bibliothekar am Hof von Franz I. Er gab den Impuls, die griechischen Magistraturen zu studieren. In seinem Werk de asse et partibus eius widmet er sich den Materialitäten der Antike und erforschte das lateinische und griechische Geld- und Finanzwesen sowie die Institutionen und Magistraturen Griechenlands und insbesondere Athens. Die Bedeutung dieser Arbeit fand Ausdruck in einer hohen Zahl von Ausgaben im 16. und 17. Jahrhundert. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Dieter Stecher]

Castiglionchio, Lapo da
        Tractatus Allegationum Illustrissimi J U Monarche Domini Lapi de.
      1532 - Pleading in Canon Law Castiglionchio (Castellione), Lapo da, [d. 1381]. Tractatus Allegationum Illustrissimi. J.U. Monarche Domini Lapi de Castellhouo: Accuratissime nunc Demum cum haud Vulgari Accessione Impressus: Summariis in hac Ultima Impressione Cuilibet Allegationi Summo cum Conatu Prepositis. Premissiumque est Repertorium Singulares Totius Operis Sententias Complectens. [Lyons: Impressum: Opera [et] Industria Benedicti Bo[n]nyn Impressoris Seduli], 17 July 1532. [xii], 126. [2] ff. Main text in parallel columns. Quarto (6-3/4" x 4-3/4"). Contemporary limp vellum, later lettering piece to spine, speckled edges. Light soiling and a few minor stains, light rubbing to extremities, 18th-century armorial bookplate of the jurist Baron Rudolf Johann of Wrisberg (1677-1764) to front pastedown, vellum just beginning to crack though at ends of hinges. Title page, with large printer device, printed within woodcut architectural border, woodcut decorated initials, colophon has another large printer device. Light toning to text, internally clean. A handsome copy. * Later edition. This long-lived treatise on pleading and procedure in canon law was first printed in 1470. As indicated by the title, it deals mostly with the proper form of allegationes, that is, arguments by advocates that direct the judge's attention to the canons that support their client's case. In this edition, each allegatio is followed by a summary. Lupo da Castiglionchio, Latinized as Lapus de Castellione, was a Tuscan noble and friend of Petrarch. His Allegationes went through several editions, five of them in the fifteenth century. All editions are rare. OCLC locates no copies of this edition in North America. Adams, A Catalogue of Books Printed on the Continent of Europe L207.

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]

Athanasius Alexandrinus.
        Omnia opera, quae in hunc usque diem è Graeco in Latinam linguam versa sunt: nunc recens quamexactissima diligentia recognita & excusa. Interpretes Ioh. Aretinus, Ambr. Monachus, Ang. Politianus, Ioh. Capnion, Eras. Roterdamus.
      Köln Cervicornus 1532 - 54 Bll., 579 SS. Mit vielen teils figürl. schwarzgrund. Initialen versch. Formats. Schweinslederband d. Zt. auf Holzdeckeln mit Blindpräg. u. Schließen. VD 16, A 3978 (Unser Ex. letzte S. richtig pag. 579). Seltene lat. Gesamtausgabe der Werke des hl. Athanasius. "der berühmteste der alexandrinischen Bischöfe, der große Gegner des Areiois. Seine zahlr. Schriften. stehen im Dienste seiner theologischen Kämpfe für die Verteidigung des auf dem Konzil v. Nizäa festgelegten Glaubens v. der Wesensgleichheit des Sohnes mit dem Vater" (Tusc. Lex.). Unter den Übersetzern ist auch Erasmus v. Rotterdam. - Einband fleckig und angeschmutzt. Eine Schließe fehlend. Vorderer fliegender Vorsatz entfernt, hinterer mit Notizen von alter Hand. Alte Besitzvermerke auf Titel. Teils etwas wasserrandig und wurmspurig. Gewicht (Gramm): 534

      [Bookseller: Müller & Gräff e.K.]

R
        De Partu Hominis et quae circa ipsum accidunt.
      Frankfurt: Christian Egenolph, 1532. 1st Edition. Hardcover. 8vo - over 7¾ - 9¾" tall. De Partu Hominis et quae circa ipsum accidunt. Frankfurt: Christian Egenolph, 19 October 1532. 80 unnumbered leaves. Signatures: A-K8. Colophon on K8r. Woodcut illustration on title-page, woodcut illustrations in text. [Bound with] II. BARBARO, Francesco. De re uxoria libri duo. Hagenau: Johann Setzer (heirs), 1533. 52 unnumbered leaves. Signatures: A-E8 F4 G8. Colophon and printer's woodcut device on G8r. Two works in one volume. 8vo (152 x 95 mm). Contemporary blind-stamped polished calf, spine with 5 raised bands (expertly resored, ties lacking). Internally quite fresh and only very little browned, light dampstain to lower blank margin of some leaves. The woodcuts in first work with roman numbering in ink, a few short annotations elswere. Provenance: Etienne Tarnier, presentation copy to François Herrgott*, Jean Blondelet library. A fine, well margined copy. ----I. VD16 R2861; cf. Heirs of Hippocrates 200 (1551 edition). First edition in Latin of Der swangern Frauwen und hebammen Rosegarten (first published in 1513). This extremely popular book on midwifery, which treats obstetrics as a separate subject in its own right, survived 40 editions. Eucharius Roesslin's son, also called Eucharius and also the town physician of Frankfurt, was responsible for this Latin translation. His father was responsibility for the midwives, therefore he wrote in the vernacular as midwives were unlikely to be conversant with Latin. The 21 pictorial woodcuts are of obstetrical subjects, mostly of the various positions of the foetus in utero, plus two medallion portraits on colophon page, one ornamental woodcut initial. II. VD16 B 356; Panzer VI, 111, 359. First edition of the treaty on marriage offered by the Venetian humanist Barbaro (1390-1454) to his friend Laurent de Medici on the occasion of his marriage in 1416 with Ginevra Cavalcanti. Among the duties of women, he insists on the need for noble women to breast-feed their infants themselves. Includes a beautiful mark of the pharmacy Setzer on the last leaf. *Dedication from the gynecologist Tarnier to Professor Herrgott, dated 1886/Paris. Inventor of the forceps and a supporter of Lister's aseptic practices, Etienne (or Stéphane) Tarnier (1828-1897) devised for the premature Incubator, reducing infant mortality by almost 30% in the Maternity Hospital in three years. Most of his work was published in the "Traité de l'art des accouchements" published under the names of Tarnier and his assistant Burin. His dedication to François Herrgott (1814-1907), professor in the faculty of medicine of Nancy and historian of medicine, occupies the whole verso of the first flyleaf. One can imagine that the few annotations in red ink are by Herrgott's hand. Our copy is quoted by Herrgott in his Essai d'une histoire de l'obstétricien, Paris, 189, II, p. 28. Very Good.

      [Bookseller: Milestones of Science Books]

[Livy] Titus Livius; and Lucius Florus
        T. LIVII PATAVINI HISTORIARUM AB URBE CONDITA DECADIS QUINTAE LIBRI QUNQUE NUNC PRIMUM EXCUSI. [Together with]: TITI LIVII PATAVINI DECADUM XIIII EPITOMAE. LUCIUS FLORUS. (2 books bound in one volume, as issued).
      Florentiae (Florence]: Bernardi Juntae [Bernardo Giunta], May 1532., 1532.. Good. - Small octavo, 6-1/2 inches high by 4 inches wide. Bound in full early natural vellum titled in holograph on the spine. The covers are slightly warped and stained. The collation is as follows: [1] blank, leaves [1] through 131, and [1] leaf illustrated with an attractive printer's mark; followed by leaves [1] to 52, with an attractive pictorial title page illustrated with a variant printer's mark. (The leaves are numbered on the rectos only, thus the first book has 264 pages and the second book has 104 pages). The colophon is printed on the verso of leaf 131. As issued, pages 42, 44 and 46 are misnumbered as 34, 6, and 38 respectively. There is evidence of early worming affecting the endpapers and pastedowns as well as the inner and outer edges of the last page. The hinges are cracked and the rear endpaper is torn. There is otherwise only occasional minor foxing and faint occasional staining. Good. <p>Mounted on the front pastedown is Leo Samuel Loschi's discreet attractive book label "Ex libri Leonis S. Olschki bibliopolae Veneti". Leo Samuel Olschki founded the Libreria Antiquaria Editrice in Verona, Italy in 1886. The firm moved to its permanent home in Florence in 1897. It is among Italy's most distinguished publishers of important works in the humanities.<p>This book subsequently came into the collection of Arthur Mullin, with his serpent & anchor bookplate mounted on the front pastedown.<p>As noted by Bandino ["De Florentina Juntarum Typographia"], the second work by Lucius Florus does not include a date or identify a printer. However, the Giunta mark with 2 infants holding a lily and with cornucopias at their sides is present on the title page.<p>The Roman historian Titus Livius [Livy] (64 or 59 BC to 17 AD) was responsible for the monumental history of Rome, "Ab Urbe Condita". It is his only surviving work and only a fragment of it exists. The book offered here describes the fifth decade and of that only the first five books remain. These give an account of the Roman war with the Macedonian King Perseus. The corruption of several Roman governors is described as well as the Third Punic War.

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]

Preller, L.
        Griechische Mythologie. Bd.1+2 [in 6 Büchern]. Bd.1: Theogenie und Goetter. Bd.2: Die Heroen.
      1532, 964 S. Halbleinen Befriedigender Zustand. Bibl.-Ex. Bibliothekseinband. Papier alterungsbedingt vergilbt. Einige Seiten mit Klebeband repariert. Bd.II/3: Gelenke schadhaft. Buchrücken angeplatzt. Bd.II/1+2: Vorsatz zerrissen. Bd.1: Vorderes Gelenk schadhaft, erste 10 S. lose, mit kleinen Randeinrissen. Neuerer Bibliothekseinband. Stempel auf Seitenschnitt.

      [Bookseller: Antiquariat Thomas Haker GmbH & Co. KG]

Castiglionchio, Lapo da
        Tractatus Allegationum Illustrissimi J U Monarche Domini Lapi de...
      1532. Pleading in Canon Law Castiglionchio (Castellione), Lapo da, [d. 1381]. Tractatus Allegationum Illustrissimi. J.U. Monarche Domini Lapi de Castellhouo: Accuratissime nunc Demum cum haud Vulgari Accessione Impressus: Summariis in hac Ultima Impressione Cuilibet Allegationi Summo cum Conatu Prepositis. Premissiumque est Repertorium Singulares Totius Operis Sententias Complectens. [Lyons: Impressum: Opera [et] Industria Benedicti Bo[n]nyn Impressoris Seduli], 17 July 1532. [xii], 126. [2] ff. Main text in parallel columns. Quarto (6-3/4" x 4-3/4"). Contemporary limp vellum, later lettering piece to spine, speckled edges. Light soiling and a few minor stains, light rubbing to extremities, 18th-century armorial bookplate of the jurist Baron Rudolf Johann of Wrisberg (1677-1764) to front pastedown, vellum just beginning to crack though at ends of hinges. Title page, with large printer device, printed within woodcut architectural border, woodcut decorated initials, colophon has another large printer device. Light toning to text, internally clean. A handsome copy. * Later edition. This long-lived treatise on pleading and procedure in canon law was first printed in 1470. As indicated by the title, it deals mostly with the proper form of allegationes, that is, arguments by advocates that direct the judge's attention to the canons that support their client's case. In this edition, each allegatio is followed by a summary. Lupo da Castiglionchio, Latinized as Lapus de Castellione, was a Tuscan noble and friend of Petrarch. His Allegationes went through several editions, five of them in the fifteenth century. All editions are rare. OCLC locates no copies of this edition in North America. Adams, A Catalogue of Books Printed on the Continent of Europe L207.

      [Bookseller: The Lawbook Exchange, Ltd.]

DEMOSTHENES,
        Greek title then Graecorum oratorum omnium facile principis orationes duas and sexaginta Basle per Iohannem Hervagium September
      

      [Bookseller: Maggs Bros. Ltd.]

DÜRER, Albrecht
        De Symmetria partium in rectis formis humanorum corporum, Libri in Latinum conversi (per J. Camerarium).
      Nürnberg: in aedib. viduae Durerianae, 1532. 1st Edition. Hardcover. Folio - over 12 - 15" tall. Folio (301 x 204 mm). 80 unnumbered leaves (last blank). Signatures: A-E6 F4 G-N6 O4. Title with 8-line verse to the reader above Dürer's woodcut monogram, gothic letter text in single and double columns, woodcuts throughout including 85 full-length figures of the human body. 18th-century vellum over pasteboards with gilt-lettered morocco spine label (extremities little rubbed, corners bumped, little worming to boards, head of spine and endpapers), marbled endpapers, blue-colored edges. Minor browning and spotting to text, title and a few other pages with light brown stains, erased stamp(?) on final leaf. Provenance: bookplate with monogram "VGL" to front pastedown and small stamp to title-page. A fine, unmarked and unrestored copy. ----Adams D-1044; Fairfax Murray German Books 152; Bohatta 20. - First Latin edition by Camerarius of book I and II of the "Vier Bücher der menschlichen Proportion" (books III and IV were published in 1534 under the title "De varietate"). The woodcuts are derived from the German edition of 1528. Unlike his Italian contemporary, Leonardo da Vinci, who published nothing, Dürer lived and worked in the world of printing and engraving. Dürer's treatise on human proportion was the earliest of the three theoretical works written in his later years. Dürer began formulating mathematical rules for the proportions of the human form soon after his first trip to Venice in 1494-5. For his mathematical formulations he drew upon the works of antiquity as well as the Italian rediscoveries; as for his other theoretical works, his goal was to establish a scientific basis for aesthetics and to provide practical guidelines for draftsmanship. "The book is the synthesis of Dürer's solutions to his self-imposed formal problems; in it he sets forth his formal aesthetic... Dürer's aesthetic rules are based firmly in the laws of optics--indeed, he even designed special mechanical instruments to aid in the measurement of human form. He used the height of the human body as the basic unit of measurement..." (DSB). Erste lateinische Ausgabe der 1528 deutsch erschienenen grundlegenden Proportionslehre der Renaissance. "De Symmetria" umfaßt Buch I u. II des deutschen Werkes. Die Illustrationen sind die der Original-Ausgabe. Ein von Bohatta vermuteter erster lateinischer Druck der "Symmetria" von 1528 existiert nicht. Very Good.

      [Bookseller: Milestones of Science Books]