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Displayed below are some selected recent viaLibri matches for books published in 1530
2017-07-27 13:30:43
Scuola di Marcantonio RAIMONDI
1530. Bulino, privo di dati editoriali. Da un soggetto di Raffaello Sanzio. L'opera è una derivazione dell'incisione di Marcantonio (Bartsch 26) rispetto alla quale si segnala per la mancanza della finestra sullo sfondo. Non descritta. Engraving, without printing details. After Raphael. This wiork is ia derivation of the engraving by Marcantonio Raimondi (Bartsch 26, circa 1516). The main difference is the absence of the window in the background. Undescribed. 153 118mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-07-21 04:10:54
Melanchthon, Philipp, humanist and reformer (1497-1560).
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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2017-07-18 09:28:09
Maestro HFE
1530 - Bulino, circa 1530, monogrammato in lastra in alto al centro. Bellissima prova, impressa su carta vergata coeva con filigrana non meglio identificata, rifilata al rame, strappo di carta perfettamente restaurato in alto visibile al solo verso, tracce di inchiostro antico in alto, per il resto in ottimo stato di conservazione. Rarissima opera. Engraving, 1530 approximately, signed with monogram on upper centre. Excellent work, printed on contemporary laid paper with unidentified watermark, trimmed to platemark, a perfectly repaired tear which can be seen only on verso, signs of ancient ink on upper part, otherwise in very good condition. A very rare work. Bibliografia: Bartsch vol. XV, pp.462, 2. Dimensioni 225x305. Dimensioni 225 305mm [Attributes: Signed Copy]
Bookseller: Libreria Antiquarius
2017-06-28 01:23:36
BERQUIN-DUVALLON, Pierre-Louis.
Leclerc, Bibliotheca Americana, 1038; Sabin 4962; Streeter coll. 1530; Howes 389. First and only edition in the original French, of a travel account of the territories of Louisiana and West Florida, then a French possession but administered by Spain. Pierre-Louis Berquin-Duvallon (1769-post 1814) was one of the many French plantation holders who had fled the Haitian Revolution on Saint-Domingue and settled in Louisiana. Embittered by his experience, he wrote an extremely negative report of Louisiana and its inhabitants, who had refused to admit the refugees' slaves. Nevertheless, after describing the geography and economy of the territories, Berquin-Duvallon gives a colourful account of the cities and their inhabitants, particularly of New Orleans. He found the latter to be a filthy place, unworthy to be titled a city, full of ramshackle buildings and streets that for the greater part of the year turn into open sewers. Its citizens fared no better, as he considered them to be noisy and amoral, they preferred drinking wine to conversation and only sought profit instead of education. The nightlife of New Orleans is particularly mentioned, with its gambling and endless dancing where the low orders indiscriminately mix: black and white, freeman and slave. In five specific chapters, the former plantation owner Berquin-Duvallon describes the various racial groups in the colony: white "creoles", white foreigners, freed people of colour and slaves. With some insignificant wear to the extremities of the boards and some offsetting of the colouring of the maps onto the header; a very … [Click Below for Full Description]
Bookseller: ASHER Rare Books (Since 1830)
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2017-06-22 13:05:45
[Martial], Marcus Valerius Martialis; [Catullus], Gaius Valerius Catullus; Tibullus, Albius; Propertius, Sextus; Gallus, Gaius Cornelius
Apud Henricum Petrum Mense Augusto Excudebat Henri. LEATHER BOUND. B00JSZSO5G In Latin. Two 1530, post-incunable editions of classic Roman poetry bound together in a 4 1/8 x 6 1/4 inches tall x 2 1/2 inches thick black full leather bound volume, three raised bands and gilt-stamped purple leather label to spine, marbled endpapers, engraved Henricus Petrus printer's mark (a stone being smashed by a godlike hammer over which fire is blown by a heavenly face, a reference to Jer. 23:29) preceding and following the second work, paginated by leaf, 231 leaves and 192 leaves, respectively. A collection of classic Latin poetry in two 1530 Basel, Switzerland editions: (1) Martial's Epigrams (Apud Henricum Petrum Mense Augusto); and (2) Poetry of Catullus, Tibullus, Sextus Propertius and Cornelius Gallus (Excudebat Henricus Petrus, Mense Martiuo). Recently rebound in full leather, covering the original wood boards. A thick volume which splays open very slightly. Martial title page has two tiny holes, staining, prior owner names and other notations, some lined out. Light marginal dampstains to first 20 or so leaves. About a dozen instances of underlining or marginalia throughout the volume. Otherwise, apart from occasional foxing or light stains, a very good copy of these two scarce early imprints. Martial's Epigrams is preceded by a letter of Pliny and an introduction to the text by Ottmar Luscinius (also called Othmar or Otmar Nachtgall, 1487-1537), an Alsatian Catholic Humanist known for his Biblical commentaries. The text of the second volume is preceded by brief biographies of the … [Click Below for Full Description]
Bookseller: Flamingo Books
2017-06-21 14:47:13
VECELLIO, Cesare.
Hiler, p. 873; Lipperheide Aa 33; USTC 862177; Vinet 2093; for the binder and arms: Flety, p. 89; Olivier et al., Reliures armoriées 2466 & 2467. First edition, in the original Italian, of a famous early woodcut book of ancient and modern costumes by Cesare Vecellio (ca. 1530-1600), a nephew of Titian and himself a gifted painter and ornament draughtsman. This edition shows the 420 fine woodcuts at their freshest, revealing many details of the costumes. The third edition attributes the drawing of the figures to Titian, but they are usually regarded as the work of Vecellio himself. They were cut in wood by Christoph Krieger, a Nürnberg woodblock cutter working in Venice, where he was known as Christoforo Guerra. The presswork is good, showing the woodcut illustrations and decorated initials to excellent effect. The work is divided into two "libri", the first devoted to the costumes of Europe with 349 beautiful ancient and modern figures and 5 charming views of Venice; the second devoted to costumes of Asia and Africa with 64 figures. Vecellio added explanatory text, not only for the ancient but also for the modern costumes, the first time anyone had provided this information, so that the text is also an important primary source for clothing of the period. The part on Europe includes several beautiful Russian and East European, as well as numerous Turkish/Ottoman and Greek costume figures. C. Hardy learned bookbinding under Jean-Edouard Niédrée and set up his own Paris bindery around 1850. The firm signed its bindings Hardy-Mennil from ca. 1865, but little is known about eith … [Click Below for Full Description]
Bookseller: Antiquariaat FORUM BV
2017-06-18 08:09:18
RUELLIUS, Johannis
Apud Simonem Colinaeum, 1530. (22 x 31,5) EDIZIONE ORIGINALE. Splendida legatura in marocchino rosso con impressioni a freddo, tagli dorati e cesellati. (16), 120 ff. Jean Ruel (1479 -1537) fu il primo a tradurre l' Ippiatrico, una raccolta di scritti di veterinaria di 17 autori greci (Absyrto, Ierode, Ippocrate, Theomnesto, Pelagonio, Anatolio, etc.). Il suo testo è preceduto da una sestina del grande umanista greco J. Lascaris, che loda le qualità di Ruel come traduttore. Quest'opera sontuosa, dedicata a Francesco I, è una delle più celebri opere di medicina veterinaria del Rinascimento. Stampata da Louis Blaudblom di Gand (che lavorò per s. Colines dal 1529 al 1536), fu composta con un nuovo tipo di carattere sulla miglior carta vergata. Brun 286; Chiodi, Storia della Veterinaria, p. 120; Mennessier de la Lance II-262; Mortimer 470; Osler 3851; Renouard 165.48
Bookseller: Bibliotheca Culinaria srl
2017-06-18 00:00:00
VECELLIO, Cesare.
1530. Hiler, p. 873; Lipperheide Aa 33; USTC 862177; Vinet 2093; for the binder and arms: Flety, p. 89; Olivier et al., Reliures armoriées 2466 & 2467. First edition, in the original Italian, of a famous early woodcut book of ancient and modern costumes by Cesare Vecellio (ca. 1530-1600), a nephew of Titian and himself a gifted painter and ornament draughtsman. This edition shows the 420 fine woodcuts at their freshest, revealing many details of the costumes. The third edition attributes the drawing of the figures to Titian, but they are usually regarded as the work of Vecellio himself. They were cut in wood by Christoph Krieger, a Nürnberg woodblock cutter working in Venice, where he was known as Christoforo Guerra. The presswork is good, showing the woodcut illustrations and decorated initials to excellent effect. The work is divided into two "libri", the first devoted to the costumes of Europe with 349 beautiful ancient and modern figures and 5 charming views of Venice; the second devoted to costumes of Asia and Africa with 64 figures. Vecellio added explanatory text, not only for the ancient but also for the modern costumes, the first time anyone had provided this information, so that the text is also an important primary source for clothing of the period. The part on Europe includes several beautiful Russian and East European, as well as numerous Turkish/Ottoman and Greek costume figures. C. Hardy learned bookbinding under Jean-Edouard Niédrée and set up his own Paris bindery around 1850. The firm signed its bindings Hardy-Mennil from ca. 1865, but little is known abou … [Click Below for Full Description]
Bookseller: Antiquariaat FORUM BV [Houten, Netherlands]
2017-06-16 18:12:18
Deutschland - 1600 1530 - Blindgeprägter, lederbezogener O-Holzbuchdeckel des 16. Jahrunderts mit einer verzierten Metallbuchschließe und einem floral verzierten Metallbuckel. Beiliegend 6 Pergamentfragmente und zwei Beispielen der Kordelbindung. 21,5 x 32 cm. Das zentrale rechteckige Blumenmedaillon wird von drei verzierten Rahmen umgeben, die 14 Büsten mit dem Aufdruck MAR, PHIL, ERAS, IOHA (Evangelisten) und einem Kettenschließenmuster zeigen.
Bookseller: Versandantiquariat Christine Laist [Germany]
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2017-06-16 18:12:18
Anonymous
A Bound / Flex Cover / REPRINT: S L 1530 / modern Reprint 160 pages. Paper / Soft cover reprint edition in very good or better condition, slight wear to edges. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. Archival reprint. LIMITED EDITION, no. 32 of 250.. Clean and Unmarked Text. ~ SCARCE EDITION ~. Astrology / Astrological Guidebook. Philosophical Mind Powers.
Bookseller: Great Pacific Book Co.
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2017-06-16 18:12:18
[FORNACE - PERGAMENA ANTICA].
23x63 cm, perg. Buono, ordinari segni d'uso e del tempo. Atto riguardante Fornace (ville Fornacis i loco obi de fora al Castagne) datato 1530. In fine rogatura notarile con simbolo disegnato.
Bookseller: Studio Bibliografico Adige
2017-06-16 18:12:18
PU HAI YONG DENG
1530. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback Pages Number: 1530 Language: Chinese. Philosophers talk about the philosophical story (Set of 10) including Machiavelli said. The Prince story. Augustin said. The Love of God Pythagoras spoke of the number of stories . Epicurus talking about happy story of the story. the Fuxi talk about The Book of Changes story . Aristotle speak of happiness story . I speak of the Road story . Socrates spoke of wisdom story . Confucius talked about benevolence story . Plato talked about idea of the... Satisfaction guaranteed,or money back.
Bookseller: cninternationalseller [China]
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2017-06-13 13:19:25
Cercle de la Librairie, Promodis - Livre Édition originale en parfait état. Tome 1 : Les bibliothèques médiévales du Viè siècle à 1530. Tome 2 : Les bibliothèques sous l'ancien régime 1530-1789. Tome 3 : Les bibliothèques de la Révolution et du XIXè siècle, 1789-1914. Tome 4 : Les bibliothèques au Xxè siècle 1914-1990. 4 volumes in-° cartonnage d'éditeur sous jaquette illustrée. Boîtiers. [Attributes: First Edition; Hard Cover]
Bookseller: Librairie Seigneur [France]
2017-06-10 21:56:33
Dietrich Schäfer Hrsg. Verein für hansische Geschichte.
686 S. 4 Broschur/Klebebindung Buch ist in altersgemäßem Zustand, Seiten altersbedingt nachgedunkelt, und mit Randläsuren, Rücken in Auflösung begriffen
Bookseller: Antiquariat Franke
2017-06-04 05:52:01
Strasbourg, Strassburg, Bibel-Konkordanz - Conradus de Halberstadt:
Bookseller: Andersens Antikvariat [Glostrup, Denmark]
2017-05-30 16:16:24
Lambert HOPFER (attivo a Norimberga 1525 - 1550)
1530. Acquaforte su ferro, circa 1530, monogrammata in lastra in basso a destra. Della serie "La Passione". Ottima prova, impressa su carta vergata, con piccoli margini, in eccellente stato di conservazione. Hollstein 12, II/II. Dimensioni 91x137. Ex collezione Graphischen Sammlung Munchen (Lugt 1614). Etching on iron, 1530 circa, monogrammed on plate on lower right. From the series "The Passion". Excellent impression, printed on laid paper, with small margins, in very good condition. Hollstein 12, II/II. Dimensioni 91x137. Ex collezione Graphischen Sammlung Munchen (Lugt 1614).
Bookseller: Libreria Antiquarius
2017-05-30 16:16:24
Lambert HOPFER (attivo a Norimberga 1525 - 1550)
1530. Acquaforte su ferro, circa 1530, monogrammata in lastra in basso a destra. Della serie "La Passione". Ottima prova, impressa su carta vergata, con piccoli margini, in eccellente stato di conservazione. Hollstein 7, II/II. Dimensioni 91x137. Ex collezione Graphischen Sammlung Munchen (Lugt 1614). Etching on iron, 1530 circa, momogrammed on plate on lower right. From the series "The Passion". Good work, printed on laid paper, with small margins, in excellent condition. Hollstein 7, II/II. Dimensioni 91x137. Ex collezione Graphischen Sammlung Munchen (Lugt 1614).
Bookseller: Libreria Antiquarius
2017-05-26 09:30:35
Lanciani, Rodolfo
314, 296, 309, 253, 327, 425 S. Kunstleder mit Schutzumschlag Slighty brownish dust jacket. Vol. 1: 1000-1530.Vol. 2: Gli ultimi anni di Clemente VII e il pontificato di Paolo III (1531-1549). Vol. 3: Dalla elizione di Giulio III alla morte di Pio IV (7 febbraio 1550 - 10 dicembre 1565). Vol. 4: Dalla elezione di Pio V alla morte di Clemente VIII (7 gennaio 1566 - 3 marzo 1605). Vol. 5: Dalla elizione di Paolo V alla morte di Innocenzo XII (16 maggio 1605 - 27 settembre 1700). Vol. 6: Dalla elizione di Clemente XI alla morte di Pio IX (23 novembre 1700 - 7 febbraio 1878). [6 Vols.]. Guter Zustand/ Good With figures. Note of ownership.
Bookseller: Antiquariat Thomas Haker GmbH & Co. KG
2017-05-22 21:47:19
COLLECTIF
TYPOGRAPHIEE. PANCKOUCKE ET Ce, PARIS - R260122446: Dos cuir marron, titres et filets dorés. Toile beige. 13 planches illustrées en monochrome, en bichromie ou en une couleur et or. Auréoles d'humidité sur la toile des plats. 1. Ornement composés dans le style renaisance française vers 1530 ./ 2. Miniature représentant J. C. sur la montagne, récitant le Pater, déssinées d'après une des peintures d'Hyppolyte Flandrin à Saint-Germain-des-Prés./ . In-Folio Relié demi-cuir. Etat d'usage. Coins frottés. Dos satisfaisant. Intérieur frais Classification Dewey : 704.9-Iconographie [Attributes: Hard Cover]
Bookseller: Le-Livre
2017-05-21 10:13:49
Ugo da CARPI
Chiaroscuro a quattro blocchi, 1527 – 1530 circa. Da un soggetto di Parmigianino. È difficile determinare con esattezza lo stato di questo esemplare, perché il foglio ha subito restauri. Questa stampa, celebrata da Vasari come la "più bella stampa che alcuna che mai facesse Ugo" è considerata come il capolavoro di Ugo da Carpi, e una delle più note stampe del XVI secolo. Il filosofo cinico Diogene appare, in questa raffigurazione molto teatrale, simile al dio Poseidone: i capelli scompigliati dal vento, il mantello buttato all’indietro, teso come una vela. L’identità di Diogene è riconoscibile dai suoi attributi: la botte, nella quale scelse di vivere in assoluta povertà; il pollo spennato, simbolo del suo criticismo della dottrina metafisica di Platone che aveva definito l’uomo "animale bipede senza piume". È assorto nella lettura di un libro appoggiato per terra cui funge da leggio un altro volume, e accompagna con la torsione del busto il gesto del braccio destro che indica con una bastoncino la pagina aperta di un terzo libro ai suoi piedi. Il vigore pittorico dell’opera deriva dal fatto che Ugo da Carpi non distingue tra la piastra graduante nera, che generalmente descrive la struttura della linea, e la lastra di argilla per la finitura a colore. Il soggetto deriva da un'invenzione del Mazzola, degli anni 1526-1527, di cui esiste anche una versione incisa a bulino in formato ridotto e con varianti, di Caraglio (Bartsch XV, p. 94 n. 61). La questione della priorità tra il chiaroscuro di Ugo e l'incisione di Caraglio (Bartsch XV.94.61) è stata chiarita quando è stato sco … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-18 14:17:06
[NICOLAI, David Christof].
1530. Incisione su rame di dimensioni 36,5x21 cm. Buono, ordinari segni d\'uso e del tempo, tracce di foxing. La stampa offre una visione del "Monumento tirolese di bronzo e marmo" (come leggiamo nel titolo in cartiglio in basso a destra) eretto in ricordo di un episodio storico che sarebbe occorso all'imperatore Carlo V sul passo del Brennero nel 1530 circa. Nella parte superiore il riquadro di maggiori dimensioni ospita una veduta del monumento in primo piano, in basso a sinistra invece una vista del monumento inserito nel contesto naturale. Molto rara.
Bookseller: Studio Bibliografico Adige
2017-05-18 11:44:30
Breitsprecher, Roland, Peter Terrell und Veronika Schnorr
1530 Seiten 19,6 x 12,8 x 5,8 cm, Gebundene Ausgabe / Sofort verfügbar / Rechnung mit ausgewiesener MwSt. liegt bei / daily shipping worldwide with invoice /
Bookseller: Mosakowski & Stiasny GbR
2017-05-12 09:47:02
Kiefhaber J(ohann). C(arl). S(igmund).
Schreiben Martin Luthers aus dem Jahre 1530 an den damaligen Hofmusiker Ludwig Senfel (1490-1543) in München, welcher beweist, "mit welcher Liebe Luther der Musik und Singkunst ergeben war" (aus dem Vorwort).- Senfl korrespondierte vor allem seit den 1520er Jahren mit wichtigen Personen der frühen Reformation, allen voran Martin Luther, der auch die herausragende Qualität der Münchner Hofkapelle rühmte.- Mit einer Biographie v. Ludwig Senfel, dem Text des Schreibens in Latein u. Deutsch sowie tls. ausfürl. Erklärungen ("Der Musik Kraft" / Von der Musica und Ritter-Spiel").- Ebd. etw. berieben u. waserfleckig, sonst gutes Exemplar.# Reprint of a Writing by Martin Luther from the year 1530 to the court musician Ludwig Senfel (1490-1543) in Munich about his relationship to music; with additives and explanations.
Bookseller: Antiquariat Johannes Müller [Salzburg, Austria]
2017-05-06 22:20:25
Munster, Sebastian; Cortese Paolo; Brenz, Johann
Bookseller: Pazzo Books (ABAA-ILAB) [Boston, MA, U.S.A.]
2017-05-06 22:20:25
Munster, Sebastian; Cortese Paolo; Brenz, Johann
Bookseller: Pazzo Books (ABAA-ILAB) [Boston, MA, U.S.A.]
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2017-05-06 22:20:25
Munster, Sebastian; Cortese Paolo; Brenz, Johann
Henricum Petrum, Basel 1530 - Full contemporary rolled pigskin over wooden boards, much worn and discolored, lacking clasps, but catches are intact and binding quite sound overall, 1615 inscription to pastedown. Title page of In Acta Apostolica (bound first) excised on the lower right corner, old notes to title and scattered, neat, notes and annotations in early or contemporary hands throughout all three works, heavily in In Acta, more scattered in the other two. Occasional mostly marginal damp staining, foxing, marginal browning and age toning, final title page (Paulus Cortesius) darkened and last few pages stained and worn at edges , but generally clean and bright overall. In Acta Apostolica: Haguenau, Petri Brubacchi, 1535. [6], 421 (i.e. 241) leaves, lacking the final blank; (Dictionarium Trilingue) 238, [2] pp.; Paulus Cortesius In Sententias: Basel, Froben, 1513. [6], 52 leaves.The rare first edition of Munster's three language dictionary (Adams M1927). Munster had published his Dictionarium Hebraicum in 1523 to much acclaim, but it was with his three language dictionary that his more humanistic leanings were fulfilled - the homo trilinguis being a sort of renaissance ideal of the educated man. Bound with Paulus Cortesius In Sententias (just 14 copies in WorldCat) published by Froben in 1513, and Brenz's In Acta Apostolica with manuscript annotation throughout. Size: Folio. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Language & Linguistics; Antiquarian & Rare. Inventory No: 046397. [Attributes: First Edition; Hard Cover]
Bookseller: Pazzo Books (ABAA-ILAB)
2017-05-06 12:12:19
Solis, Virgil (1514, Nürnberg - 1562, ebenda)
Spublisher, "1530. (um 1530). Maße: ca. 24 cm x 14,5 cm, im Passepartout, (gering randfleckig) --- - Virgil Solis, auch Virgilius Solis war ein deutscher Zeichner und Kupferstecher - Einband: "Paperback. 154
Bookseller: Celler Versandantiquariat [Eicklingen, Germany]
2017-05-06 12:12:19
Jesus mit drei Engeln unter einem Baum sitzend, im Hintergrund Landschaft mit Häusern und einem Flußlauf - Kupferstich
(um 1530). Maße: ca. 24 cm x 14,5 cm, im Passepartout, (gering randfleckig) --- - Virgil Solis, auch Virgilius Solis war ein deutscher Zeichner und Kupferstecher - (um 1530). Maße: ca. 24 cm x 14,5 cm, im Passepartout, (gering randfleckig) --- - Virgil Solis, auch Virgilius Solis war ein deutscher Zeichner und Kupferstecher -
Bookseller: Celler Versandantiquariat [Germany]
2017-05-06 12:12:19
Solis, Virgil
Virgil Solis (1514 - Nürnberg - 1562) 1530-1562, Nürnberg. Copper engraving. Minor thin places in the paper, else in very good condition. 61 by 109mm (2½ by 4¼ inches).
Bookseller: Antiquariat Reinhold Berg eK [Regensburg, Germany]
2017-05-03 10:11:08
Guarini, Batista
1530. Leider von sehr schlechter Erhaltung: Das Titelblatt und mindestens das erste Blatt fehlen ( von daher kann nur mittels des Inhalts auf den Autor und Titel geschlossen werden ). Mit den Seiten 3 – 298 ( Seite 299 ist zur Häflte fehlend / Seiten 249 – 252 fehlen/ Seitenzählung teils irrig ). Gegliedert in die Kapitel Primo bis Quinto. Marmorierter Pappband der Zeit, 8° ( 16 x 7 cm ). Einband stark berieben, Ecken und Kanten teils sehr stark bestoßen und angeknickt, Bezugspapier des Einbands teils fehlend, Bindung gelockert. Innen fehlen ( wie erwähnt ) das Titelblatt sowie die erste und zweite Seite, die letzte Seite nur zur Hälfte vorhanden. Seiten teils stärker eselsohrig, teils mit Randläsionen ( aber ohne Textverluste ). Offenbar nach den Drucktypen zu urteilen ein Druck der Renaissance um 1530 – 1600 mit einigen gestochenen Vignetten im Text. ( Gewicht 150 Gramm ) ( Pic erhältlich // webimage available ) [Attributes: Hard Cover]
Bookseller: Antiquariat Friederichsen [Hamburg, Germany]
2017-05-02 00:41:43
PABST, Gustav and Walther Otto MÜLLER.
Junk, Rara 17; Myko Libri 1530; Nissen, BBI 1427; Stafleu & Cowan 7175. First edtions of an illustrated work on cryptogams in Germany. The work consists of three parts, dealing respectively with "Flechten" (lichens), "Pilze" (fungi) and "Lebermoose" (liverworts or hepatics). The first part on lichens was written by the German botanists Walther Otto Müller (1833-1887) and Gustav Pabst (d. 1911), while the other two parts were written by Pabst alone. Each part gives taxonomic descriptions of the cryptogams, of which many are shown in the plates. Due to its accurate coloured lithographs of fungi, showing a wide variety of them, the second part is considered to be the most valuable. "Das beste unter den weniger umfangreichen Abbildungswerken deutschen Cryptogamen. Die Illustrationen sind so scharf, das sie Kupferstich ähneln" (Junk). Slightly browned throughout with some occasional foxing in the first and the third part, only affecting a few of the plates. Binding worn along the extremities. Otherwise in very good condition.
Bookseller: ASHER Rare Books (Since 1830)
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2017-05-01 14:44:35
Jacobus De Voragine
Nuremberg: Anton Koberger, 1530. Loose Leaf. Acceptable. Framed leaf from Legenda aurea or The Golden Legend, depicting the martyrdom of Saint Regina. Leaf measures 9 x 13 in. Engravings hand colored. Early German blackletter text. Foxing to pages. Loss to bottom left corner. Among incunabula, printed before 1501, Legenda aurea was printed in more editions than the Bible. This is an oversized or heavy book, that requires additional postage for international delivery outside the US.
Bookseller: Sequitur Books [Boonsboro, MD, U.S.A.]
2017-04-29 01:49:58
Althammer, Andreas.
(Norimbergae), [Johann Petreius], 1530. 8°. Titel mit Holzschnitt-Bordüre. 357 SS., 12 nn. Bll. Pgt. (19. Jhdt.?) mit hs. Rückentitel (etwas fleckig und beschabt). VD16 A 2010. Nicht bei Adams. Vgl. Neufforge V, 509 (EA 1527) u. NDB I, 219.- Frühe (4.?) Ausgabe, vorangestellt ein Gedicht von Vincentius Opsopäus.- Andreas Althamer (geb. Brenz um 1500, gest. um 1539 wohl Ansbach) war Reformator und Humanist.- "Als Führer der evangelisch Gesinnten mußte er 1525 fliehen. In Wittenberg wurde Luther bestimmend für ihn. 1527 ernannte ihn der Rat zu Nürnberg zum Nachfolger des wegen Verdachts der Wiedertäuferei hingerichteten Pfarrers Wolfgang Vogel von Eltersdorf. 1528 wurde er Kaplan von St. Sebald und nahm im Februar am Berner Religionsgespräch teil. Im Sommer berief ihn Markgraf Georg auf die Stadtpfarrei Ansbach. Gemeinsam mit J. Rurer förderte er eifrig die Neugestaltung des evangelischen Kirchenwesens in der Markgrafschaft Brandenburg, zunächst durch Teilnahme am Tage von Schwabach und Durchführung der daselbst beschlossenen Kirchenvisitation, dann durch Förderung des Schulwesens und Herausgabe des ersten, 'Katechismus' benannten, Lehrbüchleins und schließlich durch Mitarbeit an der Brandenburg-Nürnbergischen Kirchenordnung 1533.- Ränder etwas knapp beschnitten, dadurch einige Marginalien mit minimalem Buchstabenverlust. Sonst sauber und wohlerhalten. Drucke 16. Jahrhundert
Bookseller: Antiquariat MEINDL & SULZMANN OG [Wien - Vienna, Austria]
2017-04-27 16:15:09
CICERON, Marco Tulio.
[Paris] Vaenundatur Iodoco Badio Asensio (sic) (al colofón) sub prelo Ascensiano, Nonas Maias 1530. - 4to.; 6 hojas, XCV folios numerados. Bella marca tipográfica en portada del impresor Josse Bade. Cubiertas modernas mudas en cartulina.
Bookseller: Hesperia Libros [Spain]
2017-04-27 06:35:38
Simler, Josias
1530. 8, 12 Bl., 576 S. 123 S., 2 Bl., HLdr. d. Zeit. m Rückenschild, Deckel berieben, ein Aussengelenk leicht angerissen, Besitzerstemp. a. Titelbl. , innen sauber. Barth 23695 - Josias Simler (auch Josias Simmler (1530-1576), Schweizer Theologe und Landeskundler. 1544 ging Simler nach Zürich, um unter seinem Paten Heinrich Bullinger zu studieren. Er setzte sein Studium in Basel und Strassburg fort. 1552 wurde er in Zürich Professor für Exegese des Neuen Testaments, 1560 für Theologie. Ab 1555 begann er die Bibliotheca universalis von Conrad Gesner neu herauszugeben. In seinem Werk De Alpibus commentarius, welches das erste Werk war, das sich umfassend mit den Alpen befasste, sammelte er alle Informationen über das Gebirge aus den Werken verschiedener anderer Autoren versehen mit Anmerkungen aus eigener Anschauung. Simler schrieb zudem weitere Werke über die Schweizer Landeskunde, wie De Republica Helvetiorum (Abriss der Chronik von Johannes Stumpf, 1547/48) oder Vallesiae Descriptio.
Bookseller: antiquariat peter petrej [Switzerland]
2017-04-27 06:35:38
Simler, Josias
Kl.8, 1139 S., OPerg. handschriftlicher Rückentitel, Deckel etwas knittrig m. kleinen Fehlstellen, Schliessbändel fehlen, sonst schönes Exemplar. VD 16 ZV 14429, Vischer C 877 - Josias Simler (auch Josias Simmler (1530-1576), Schweizer Theologe und Landeskundler. 1544 ging Simler nach Zürich, um unter seinem Paten Heinrich Bullinger zu studieren. Er setzte sein Studium in Basel und Strassburg fort. 1552 wurde er in Zürich Professor für Exegese des Neuen Testaments, 1560 für Theologie. Ab 1555 begann er die Bibliotheca universalis von Conrad Gesner neu herauszugeben. In seinem Werk De Alpibus commentarius, welches das erste Werk war, das sich umfassend mit den Alpen befasste, sammelte er alle Informationen über das Gebirge aus den Werken verschiedener anderer Autoren versehen mit Anmerkungen aus eigener Anschauung. Simler schrieb zudem weitere Werke über die Schweizer Landeskunde, wie De Republica Helvetiorum (Abriss der Chronik von Johannes Stumpf, 1547/48) oder Vallesiae Descriptio.
Bookseller: antiquariat peter petrej
2017-04-26 23:41:46
Solis, Virgil (1514, Nürnberg - 1562, ebenda)
Ohne 1530 (um 1530). Maße: ca. 24 cm x 14,5 cm, im Passepartout, (gering randfleckig) - Virgil Solis, auch Virgilius Solis war ein deutscher Zeichner und Kupferstecher - Versand D: 5,90 EUR originale Kunst/ Graphik/ Plakate
Bookseller: Celler Versandantiquariat
2017-04-25 16:14:54
PABST, Gustav and Walther Otto MÜLLER.
, . . Junk, Rara 17; Myko Libri 1530; Nissen, BBI 1427; Stafleu & Cowan 7175. First edtions of an illustrated work on cryptogams in Germany. The work consists of three parts, dealing respectively with "Flechten" (lichens), "Pilze" (fungi) and "Lebermoose" (liverworts or hepatics). The first part on lichens was written by the German botanists Walther Otto Müller (1833-1887) and Gustav Pabst (d. 1911), while the other two parts were written by Pabst alone. Each part gives taxonomic descriptions of the cryptogams, of which many are shown in the plates. Due to its accurate coloured lithographs of fungi, showing a wide variety of them, the second part is considered to be the most valuable. "Das beste unter den weniger umfangreichen Abbildungswerken deutschen Cryptogamen. Die Illustrationen sind so scharf, das sie Kupferstich ähneln" (Junk). Slightly browned throughout with some occasional foxing in the first and the third part, only affecting a few of the plates. Binding worn along the extremities. Otherwise in very good condition.
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-04-25 09:42:33
Faksimile-Ausgabe, Codices Selecti Vol. XCVI. Graz 1993.
- Stilistische Einheit von Bild und Schrift: Die Texte sind in einer Renaissanceschrift, der Humanistica formata, geschrieben, einer Schrift, die sich durch Klarheit und Wohlproportioniertheit auszeichnet und in Nachahmung einer italienisch beeinflussten Druckantiqua entstanden ist. Da auch die Miniaturen des Codex italienischen Einfluss verraten, passen Schrift und Bild stilstisch in einzigartiger Weise zusammen. Die Miniaturen des jüngeren Gebetbuches Karls V. erscheinen wie gerahmte Andachtsbilder in den Text eingelegt. Durch ihre Landschafts- und Architekturhintergründe erwecken sie einen dreidimensionalen Eindruck; aus der flächigen Schriftseite blickt man gleichsam durch den Holzrahmen des Bildes in die Tiefe. Die kleinen Initialen, die sich vielfach an die Rahmen anschmiegen, bleiben indes in der Fläche. Das jüngere Gebetbuch Karls V. ist rund zwei Jahrzehnte nach dem älteren entstanden und durch seine radikal veränderte Gestaltung und Farbgebung von diesem grundverschieden. Viele ganzfigurige Bilder oder ganz- bzw. halbseitige Miniaturen sind nun zu Halbfiguren oder Brustbildern reduziert oder im Ausmaß verkleinert worden. Auch die Einrahmung der Miniaturen unterscheidet sich von der des älteren Gebetbuches, indem nicht mehr Miniatur und Anfang des Gebetes zu einer Einheit zusammengefasst werden, sondern die Miniaturen jeweils allein in schmale Rahmen einkomponiert sind, die aus goldenen und braunen Leisten gebildet werden und den Bildern Plastizität verleihen. Das jüngere Gebetbuch Karls V. ist für die Entwicklungsgeschichte der flämischen Buchmalerei nach 1530 bed … [Click Below for Full Description]
Bookseller: Frölich und Kaufmann
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2017-04-24 11:51:24
CICERON, Marco Tulio.
1530. [Paris] Vaenundatur in Officina Ascensiana, Ianuario 1530. 4to.; 6 hojas, XCIIII folios numerados. Bella marca tipográfica en portada del impresor Josse Bade. Cubiertas modernas mudas en cartulina.
Bookseller: Hesperia Libros
2017-04-24 11:51:24
CICERON, Marco Tulio.
1530. [Paris] Vaenundatur Iodoco Badio Asensio (sic) (al colofón) sub prelo Ascensiano, Nonas Maias 1530. 4to.; 6 hojas, XCV folios numerados. Bella marca tipográfica en portada del impresor Josse Bade. Cubiertas modernas mudas en cartulina.
Bookseller: Hesperia Libros [Spain]
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2017-04-24 11:51:24
CICERON, Marco Tulio.
1530. [Paris] Vaenundatur Iodoco Badio Asensio (sic) (al colofón) sub prelo Ascensiano, Nonas Maias 1530. 4to.; 6 hojas, XCV folios numerados. Bella marca tipográfica en portada del impresor Josse Bade. Cubiertas modernas mudas en cartulina.
Bookseller: Hesperia Libros
2017-04-04 10:46:10
Niccolò ROSSIGLIANI detto "Il Vicentino" (Attivo a Vicenza 1540 - 50)
1530. Chiaroscuro a tre blocchi,1530 - 1540 circa. Esemplare del primo stato di due, avanti il monogramma dello stampatore Andrea Andreani. Da un soggetto attribuito al Parmigianino. Dalla serie 'Le Virtù Cristiane'. Bellissima prova, impressa su carta vergata coeva, con margini, in perfetto stato di conservazione. La scena raffigura una personificazione della Carità Cristiana seduta con tre bambini. I disegni della serie di sei xilografie a chiaroscuro, oggi perduti, sono generalmente attribuiti al Parmigianino, anche se i suoi studi studi relativi a tali soggetti sono molto diversi. Problematica è anche l'identificazione dell'incisore: Bartsch elenca il chiaroscuro come anonimo; Pittaluga, seguito Kolloff, ne attribuisce la paternità a Ugo da Carpi; Oberhuber ad Antonio da Trento. Bruce Davis sulla base dello stile e per l'uso di più blocchi, suggerisce il nome di Nicolò Rossigliani detto il Vicentino. Chiaroscuro woodcut from three blocks in green, 1530 circa. First state of two, before Andreani' monogram. From the series Christian Virtues, after Parmigianino. A great impression, on contemporary laid paper, with margins, very gopod condition. The scene depicts a female personification of Charity seated with children clambering over hee. The designs of the series of six chiaroscuro woodcuts is generally attributed to Parmigianino, although no related drawings by him are known and his studies of such subjects are quite different. The identification of the printmaker is problematic: Bartsch listed the chiaroscuro as Anonymous Artist after Parmigiano; Pittaluga, following Ko … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2017-04-01 13:55:45
Luther, Martin.
Wittenberg, (Hans Lufft), 1530. - 8vo (130 x 185 mm). (328) ff. (A-Z8, a-s8). With woodcut title border, 36 full-page woodcuts (including 3 repeats) and woodcut initials. Contemporary dark brown full calf, blindstamped with tendril designs framing a crucifix (upper cover) and four rows of tendril rolls (lower cover). Remains of clasps; spine on 3 raised bands, professionally repaired. Exceptionally rare impression of Luther's New Testament in German, the original edition of the last text he issued before incorporating it into his first complete German Bible of 1534. Luther's first edition of the German New Testament, famously published in September 1522, had been a single-handed effort, the work of no more than eleven intensely laborious weeks which he had spent in hiding at the Wartburg. An expensive folio production, it nevertheless sold out in less than three months. During the following years Luther had moved on to tackle various books of the Old Testament, for the preparation of which he employed the help and advice of several friends whose knowledge of Hebrew he felt to be superior. In 1529 however, as part of his work towards a complete German Bible, he meticulously revised (with the support of Melanchthon) his earlier version of the New Testament, and the present edition went forth at Frankfurt's 1530 Easter Book Fair. For the first time it appeared in the pocket-size octavo format, containing several new woodcuts by Georg Lemberger which maintained the style of the Lucas Cranach illustrations. Notably, the woodcut of St. Matthew is a portrait of Luther himself. The … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH
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2017-03-30 07:54:46
Cesare (Gaius Iulius Caesar)
Per Nicolo d’Aristotile detto Zoppino (al colophon), 1530. 8vo (cm. 14,5), 8 cc.nn., 263 cc.nn. Frontespizio in rosso e nero con cornice xilografica figurata, 6 carte geografiche n.t. di cui una (Spagna) su due carte. Inoltre all’inizio di ogni libro della Guerra Gallica e Civile una vignetta a mezza pagina di soggetto cavalleresco. In fine marca tipografica dello Zoppino. Legatura settecentesca in piena pergamena con titolo calligrafico al dorso. Tagli colorati a spruzzo. Poche postille marginali ed una nota d’antica mano sull’ultima facciata. Fresco e genuino esemplare. La traduzione di Agostino Ortica Della Porta (letterato genovese fiorito nel primo ventennio del Cinquecento e famoso anche per un volgarizzamento di Sallustio) risale al 1517; un anno dopo le fu contrapposta quella del fiorentino Dante Popoleschi che - però - non ebbe fortuna. Invece quella dell’Ortica, che adottò una lingua assai più espressiva e rimase a lungo insuperata, fu ristampata molte volte e adottata anche nell’edizione aldina del 1547.
Bookseller: Libreria Antiquaria Ex Libris s.r.l. [IT]
2017-03-19 22:33:37
PONTANO G. GIOVIANO
Basilea; Andreas Cratander 1530 - in 8°; (22,5 x 15 cm. ca.); pp. (12), 382, (2); leg. in piena pelle (la pregevole legatura d’epoca presenta delle impressioni a secco con motivi floreali e figure umane sui piatti e sul dorso) con laccetti di chiusura. Bella marca tipografica xilografica al frontespizio e nel verso dell'ultima carta (Donna con i piedi alati, posta su un globo che tiene nella mano destra un rasoio), iniziali figurate ed instoriate, testo della prima pagina entro ricca cornice figurata xilografica, carattere italico. Quest’opera è un trattato completo che affronta tutti gli aspetti della scienza e degli oroscopi, illustrando i movimenti celesti e le rivoluzioni dei pianeti, indicando così l'influenza che essi hanno sui destini terreni degli uomini. Giovanni Gioviano Pontano (1422-1503) di Napoli, fu poeta, astrologo, umanista e uomo politico. Egli fu come Marsilio Ficino, non solo un valido promotore del movimento umanistico quattrocentesco, ma partecipò anche al movimento esoterico, che era coltivato da quasi tutti gli uomini di cultura del tempo. Fondò così a Napoli l'Accademia Pontiniana, come quasi contemporaneamente il Ficino quella Ficiniana, che si richiamava a Platone e alle conoscenze esoteriche dell'antichità (Rare sottolineature, alcune note ai margini, restauri alla legatura. Esemplare molto buono)
Bookseller: IL LIBRAIO [Italy]
2017-03-04 10:59:46
FRACASTORO, Girolamo (FRACASTORIUS)...
Verona: [Stefano dei Nicolini da Sabbio], 1530. 1st Edition. Hardcover. 8vo - over 7¾ - 9¾" tall. August 1530. 8vo (204 x 148 mm). Collation: a-e8 (-e8). 39 leaves (of 40, lacking the final of four blanks only), unfoliated. Italic type, initial spaces with guide letters. Later stiff vellum, spine with 3 raised bands. Some pages with faint marginal staining, a few spots in places. Provenance: Giancarlo Beltrame Library; faint remnants of a stamp remover from title, removed inscription on e7. A fine, crisp copy. An Italian export license is provided with this copy. ----Norman 826; Heirs of Hippocrates 98; Lilly Library, Notable Medical Books, 23; NLM/Durling 1641; Osler 4817; Waller 3173; Wellcome I, 2391; Adams F826; BM/STC Italian p. 275; Garrison-M. 2364; Baumgartner & Fulton 1. - RARE FIRST EDITION (especially rare in original binding), lacking only the final blank (of four) at the end. Fracastoro dedicated this mock-heroic poem to his patron, Cardinal Pietro Bembo, by whom it was esteemed and praised (although he insisted that some passages be eliminated). "The poem, drafted in Latin hexameter (about 1,300 verses) of exquisite beauty, occupies a prominent place in the literature of the times and represents a magnificent paradigm of formal sixteenth-century virtuosity in refined Latin of a didactic quality reminiscent of Vergil's Georgics" (DSB). The work brought Fracastoro much fame, and established the universal name of the sickness, which derives from the hero of the treatise, the unfortunate shepherd Sifilo. "Fracastoro, through the course of the poem, speculates o … [Click Below for Full Description]
Bookseller: Milestones of Science Books
2017-02-27 01:20:59
ANTONIO da Trento (Attivo a Bologna 1527 - 1530)
1530. Chiaroscuro, 1530 circa, impresso su carta vergata coeva da due legni, in nero e ocra. Privo di firma. Magnifica prova, ricca di toni, impressa su carta vergata coeva, rifilata alla linea marginale, in perfetto stato di conservazione. L'opera deriva, da un disegno del Parmigianino, Circe e i compagni di Ulisse, conservato agli Uffizi, ed eseguito tra il 1524-30. L'incisione anonima è riferibile ai primi anni del quarto decennio del XVI secolo ed è attribuita ad Antonio da Trento. Una tarda edizione dell'opera viene pubblicata da Andreani, tra il 1602 e il 1610. La scena è ispirata ai versi del libro X dell'Odissea, in cui si narra dei compagni di Ulisse trasformati in animali dalla maga Circe. Rispetto al racconto, la scena è ambientata sulla nave e non nella vallata prossima al palazzo della maga. Alcuni marinai sono già stati trasformati, mentre nell'uomo che si aggrappa all'albero il processo di metamorfosi è ancora in atto. Bellissimo prova, impressa su carta vergata coeva, piccolo strappo restaurato al lato destro, per il resto in perfetto stato di conservazione. Chiaroscuro woodcut printed from two blocks in black and ochre, 1530 circa, not signed. After a drawing by Parmigianino of the same subject at the Uffizi, Florence (Inv. No. 1972F). (A. E. Popham, Catalogue of Drawings by Parmigianino, 1971, vol. I, p. 69, no. 85). A very good impression, printed on contemporary laid paper, complete of the borderline, perfect condition. This work is ascribed to Antonio da Trento; a late edition was published by Andreani in c. 1602-1610. A very good impression, printed on … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
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