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Displayed below are some selected recent viaLibri matches for books published in 1527
2014-09-21 12:04:55
FERRER, Saint Vincent
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2014-07-03 18:41:10
Macrobius, Ambrosius Theodosius
Johannes Soter Köln 1527. Half-cloth (46), 463 S. Guter Zustand/ Good, Including index, some text illustrations. Later bound in nice, brown half cloth. Titlepage loosened, few old ink marks.. *** Wenn Sie an einem Tag mehr als einen Titel bei uns bestellen, liefern wir innerhalb Deutschlands versandkostenfrei ***
Bookseller: Wissenschaftliches Antiquariat Thomas Ha
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2014-05-09 14:43:15
PEROTTUS NICOLAUS.
Aedibus Aldi, et Andreae Asulani,, Venetiis, 1527 - In-folio (cm. 30), cc. (82) di cui l'ultima bianca, 1436 (num. per colonne) + cc. (15) contenente l'ancora aldina sulla prima e l'ultima di queste. Legatura del tempo in piena pergamena con titolo manoscritto al dorso. Esemplare con qualche traccia d'uso ai bordi del frontespizio, una gora chiara all'angolo alto delle carte (queste leggermente increspate). Complessivamente genuino ed in discreto stato di conservazione. Si tratta della terza edizione aldina di quest'opera apparsa per la prima volta prsso Aldo nel 1499, poi nel 1513. Cfr. Renouard, p. 103. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Benacense [Italy]
2014-03-10 10:12:24
Abraham Ortelius
. Kolorierter Kupferstich, Blatt: 45,5 x 41 cm, Darstellung: 49,5 x 37 cm. Karte von Wales mit grosser Rollwerkkartusche links. Gestochen nach dem Entwurf von Humphrey Llwyd (Lhuyd) (1527-1568). Etwas gebräunt, sehr leichte Faltspuren in der Mitte, hinterlegte Ausrisse im weissen Rand unten, kleine Risse im Rand, ansonten gut erhalten. Verso deutsch. Text II. Map of Wales with a large cartouche. Engraved after draft by Humphrey Llwyd (Lhuyd) (1527-1568). Llwyd collaborated with Ortelius and in 1567 he was given a stipend from the Crown to create the first printed map of Wales. He died at the age of 41, five years before his map was published. Slightly age toned, very soft folds in the middle, small tears and repaired loss of paper in white margins, otherwise in a good condition.
Bookseller: Antiquariat Dasa Pahor
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2014-03-07 09:05:49
Salzburger Einband - Gorran, Nicolai:
Köln, Quentel, März 1527.. 8 nn. Bll., Fol. CCCCCLXXXVI. Mit großer Wappen-Titelvignette, zahlr. figürlichen Holzschnitt-Initialen und 4 großen Textholzschnitten (die Evangelisten). Folio. Schweinslederband um 1750.. Schweinslederband um 1750 auf Holzdeckeln und mit 5 Bünden, intakten Leder-Messing-Schliessen, reicher Fileten- und Rollstempelprägung, 2 Lederrückenschildern, dreiseitigem Rotschnitt, dem goldgepr. Wappen-Supralibro des Abtes Beda Seeauer auf Vorder- und dem goldgepr. Wappen-Supralibro des Stiftes St. Peter (Salzburg) auf dem Hinterdeckel. Gering berieben; Rücken am Fuß etwas fleckig; gestochenes Bibliotheksexlibris des Stiftes (datiert 1767) auf Innendeckel; Stempel und hs. Besitzvermerk des Stiftes auf Titelei. Insgesamt ein sehr sauberes Exemplar dieser Postinkunabel. Das Wappen-Supralibro Seeauers, datiert 1753, stammt vermutlich aus dem Beginn seiner Amtszeit im ältesten Klosters des deutschsprachigen Raumes; 1756 wurde unter seiner Aegide der charakteristische Zwiebelturm der Stiftskirche in Salzburg errichtet. VD16 N 1536.
Bookseller: Antiquariat am Moritzberg
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2014-02-17 06:44:58
THEOPHYLACTUS Archiepiscopus Bulgariae
(Köln, P. Quentel) 1527.. 4°. (6), 362 röm. pag. Bll. Blindgepr. Schweinsleder d. Zt. (nachgedunkelt, etwas fleckig, Ecken und Kanten leicht bestoßen) mit handschr. Rückentitel und handbeschr. altem Bibliotheksschildchen; eine von zwei originalen Schließen. So Erstausgabe; selten. Laut Hoffmann waren die Kommentare zu den Paulus-Briefen in der Übersetzung Porsenas unter dem Namen des Athanasius von Alexandria bereits 1477 und 1518 erschienen, bei Quentel 1527 erstmalig mit dem korrekten Autorennamen. Im gleichen Sinn zitiert Hieronymus (Griechischer Geist) Erasmus von Rotterdam in der Widmung zu einer Chrysostomos-Ausgabe mit dem Hinweis, "die Kommentare zu den Paulusbriefen, die irgend jemand ihm (= Athanasius) zugeschrieben habe, seien eindeutig Werke des Theophylactus" (zu Nr. 397). Im originalen Griechisch wurde das Werk erstmals im 17. Jahrhundert gedruckt. Theophylactus (1050/60 - nach 1107) stammt von Euboia, genoss in Konstantinopel eine gelehrte Ausbildung, wurde Priester und Rhetorik-Professor; Kaiser Michael VII. bestellte ihn zum Erzieher seines Sohnes. Gegen seinen Willen wurde er Erzbischof von Ohrid (Bulgarien) und blieb dort 25 Jahre Metropolitan der Bulgarischen Kirche. Seine Kommentare zu den vier Evangelien und zu den Paulusbriefen gehören zu den Standardwerken der byzantinischen Exegese. Der gut erhaltene Einband zeigt ein ungewöhnliches Dekor: Ein äußerer Rahmen ist mit einer Rolle geschmückt, die eine Trommel, ein Horn und Kandelaber enthält, dem schließt sich nach innen ein weiterer Rahmen - mit Einzelstempeln (Granatapfelmotiv) besetzt - an, darauf f … [Click Below for Full Description]
Bookseller: Antiquariat Büchel-Baur
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2014-02-08 17:27:18
Petrarca, Francesco (1304-1374):
Venedig ("Vineggia"): Gregorio de Gregori 1527.. Titelei, 5 Blatt, 381 Blatt, 1 Blatt. Ganzpergament der Zeit mit handschriftlichem Rückentitel. (Vorderdeckel mit dunklen Fleckchen mit kleinem Pergamentfrass, leicht berieben und bestossen, Paginierung teils irrig, Seiten aber vollständig vorhanden, Bezug der Spiegel angelöst, Titelei im rechten weissen Rand angestückt ohne Text- und Bildverlust, die ersten 30 Blatt wasserfleckig und teils braunfleckig, sonst innen nur wenig gebräunt bzw. braunfleckig, insgesamt recht frischer Druck auf meist weissem Papier, schön und recht gut erhalten). - Schöner und seltener venezianischer Druck des italienischen Klassikers. Über KVK konnten wir weltweit nur 8 Exemplare nachweisen! Die "Huomini illustri" bringen Biographien aus der Antike, u.a. von Romulus über Alexander den Großen, Hannibal, Cäsar, Augustus bis Vespanian und Trajan. Petrarca war Mitbegründer des Humanismus und wollte die Antike wiederbeleben. Der Drucker Gregorio de Gregoriis da Forli ist in der Zeit von 1496 bis 1527 nachgewiesen. Teilweise zusammen mit seinem Bruder Giovanni druckte er in dieser Zeit die erstaunliche Menge von mehr als 100 Büchern, meist Texte klassischer Autoren und Humanisten.
Bookseller: Versandantiquariat Bürck
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2014-02-08 11:21:08
DEMOSTHENES.
Hagenau, Joh. Setzer August 1527.. 8°. 88 nn. Bll. Mit Holzschnitt-Titelbordüre und mehreren fig. Initialen. Ldr. über drei Bünde. Vors. erneuert.. VD 16, D 497; BM STC, German Books S. 239; Adams D 287; Panzer VII, 98, 248 - Erste lateinische Ausgabe in Melanchthons Übesetzung. - Enthält 2 Reden des Demosthenes gegen den athenischen Tyrannenmorder Aristogeiton in Griechisch und Latein sowie einen Brief Melanchthons an Matthaus von Wallenrode. - Die ornament. Titelbordüre zeigt mehrere kleine Narrenköpfe. Im unteren Mittelfeld ein Monogramm "J. S." des Druckers. - First Latin translation by Melanchthon. With woodcut title-border and figural woodcut initials. - Beigeb.: BUDE, Guillaume. Gulielmi Budaei de contemptu fortuitatum Libri tres. In eosdem annotationes ipso opere nominus doctae ac insignes. (Argentorati, apud Georgium Vlricherum, mense martio 1529/Strasburg, Georg Ulricher 1529). 64 num. Bll., 72 num Bll. (Annotationes), 10 Bll. (Index). (A-R8, S10) Mit fig. Holzschn.-Titelbordüre u. Initialen. - Frühes philosophisches Werk des großen französ. Humanisten Guillaume Bude (1468-1540). Die Erstausgabe war 1520 in Paris erchinen. "Livre de sagesse dans lequel Bude medite sur le theme de la chance et sur les obligations du philosophe chretien en face de la bonne et mauvaise fortune" (Cat. Paris 1968). vgl. Adams B-3116. Letztes Bl. randrissig, ohne Textverl.
Bookseller: Antiquariat Burgverlag
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2014-01-25 03:50:27
Matisse,Henri
André Sauret Large quarto, original printed card covers designed by Matisse, 152pp + (1), original lithograph frontispiece, 33 colour plates and colour cover printed by Ateliers Mourlot, 60 collotypes printed by Louis Duval.Henri Matisse, Paper Cut-Outs, no.217.English edition, Limited edition, no.1527 of 2000.
Bookseller: Hamish Riley-Smith Rare Books
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2014-01-19 10:27:44
DEMOSTHENES
Hagenau, Joh. Setzer August 1527. 8°. 88 nn. Bll. Mit Holzschnitt-Titelbordüre und mehreren fig. Initialen. Ldr.-Bd. über drei Bünde. Vors. erneuert. VD 16, D 497; BM STC, German Books S. 239; Adams D 287; Panzer VII, 98, 248 - Erste lateinische Ausgabe in Melanchthons Übersetzung. - Enthält 2 Reden des Demosthenes gegen den athenischen Tyrannenmörder Aristogeiton in Griechisch und Latein sowie einen Brief Melanchthons an Matthaeus von Wallenrode. - Die ornament. Titelbordüre zeigt mehrere kleine Narrenköpfe. Im unteren Mittelfeld ein Monogramm "J. S." des Druckers. - First Latin translation by Melanchthon. With woodcut title-border and figural woodcut initials. - Beigeb.: BUDÉ, Guillaume. Gulielmi Budaei de contemptu fortuitatum Libri tres. In eosdem annotationes ipso opere nominus doctae ac insignes. (Argentorati, apud Georgium Vlricherum, mense martio 1529/Strasburg, Georg Ulricher 1529). 64 num. Bll., 72 num Bll. (Annotationes), 10 Bll. (Index). (A-R8, S10) Mit fig. Holzschn.-Titelbordüre u. Initialen. - Frühes philosophisches Werk des großen französ. Humanisten Guillaume Bude (1468-1540). Die Erstausgabe war 1520 in Paris erschienen. "Livre de sagesse dans lequel Bude medite sur le theme de la chance et sur les obligations du philosophe chretien en face de la bonne et mauvaise fortune" (Cat. Paris 1968). vgl. Adams B-3116. Letztes Bl. randrissig, ohne Textverl. Versandkostenfreie Lieferung Alte Drucke, Altphilologie
Bookseller: Antiquariat Burgverlag [Austria]
2013-10-27 18:34:19
Quintilianus, Marcus Fabius
Cologne: Apud Eucharium Cervicornum, sumptu et aere M. Godefridi Hittorpii, 1527. [4] ll., 330 pp.; [24] ll., 202 pp., [13] ll. Both titles within identical alegorical woodcut border depicting at its base a recumbent Cleopatra pressing adders to her breasts, Dionysus pulling the beard of an old man, etc.; illustrated with woodcut capitals, headpieces and fleurons; first page of NOCTES within large woodcut border depicting the founders of Cologne, Agrippa and Agrippina [all illustrations by Hittorp?]. 1 vols. Folio. Contemporary calf, covers elaborately ruled and tooled in blind; spine perished; internally, some soiling and staining throughout, but sound; in a quarter morocco slipcase with chemise. [4] ll., 330 pp.; [24] ll., 202 pp., [13] ll. Both titles within identical alegorical woodcut border depicting at its base a recumbent Cleopatra pressing adders to her breasts, Dionysus pulling the beard of an old man, etc.; illustrated with woodcut capitals, headpieces and fleurons; first page of NOCTES within large woodcut border depicting the founders of Cologne, Agrippa and Agrippina [all illustrations by Hittorp?]. 1 vols. Folio. Very interesting and beautifully decorated Cologne printings by Cervicornum - who seemingly specialized in humanistic works and standard Latin classics such as these, working for the publisher Gottfried Hittorp. He may, alas, be best remembered by posterity for his piracy of Erasmus's edition (originally printed by Froben) of Epistolae Tres by Jerome in 1520, as well as Erasmus' Vita Hieronymi, taken from Erasmus' edition of St. Jerome's works pr … [Click Below for Full Description]
Bookseller: James Cummins Bookseller, ABAA [New York, NY, U.S.A.]
2013-10-25 16:21:49
HIGDEN, RANULF
Southwark: Peter Treveris for John Reynes. 3rd Edition. Hardcover. Very Good. SCARCE 1527 FIRST ILLUSTRATED EDITION of Higden's monumental and influential history. The third edition overall, following the exceedingly rare 1482 Caxton printing and 1495 Wynkyn de Worde printing. Translated from Latin into English by John Trevisa. Higden's "reputation rests almost entirely upon the Polychronicon. That work offered to the educated and learned audience of fourteenth-century England a clear and original picture of world history based upon medieval tradition, but with a new interest in antiquity, and with the early history of Britain related as part of the whole. Higden's historical narrative is particularly notable for its description of the Roman world. An interest in the ancient world had been developing for some time in fourteenth-century England. Higden was clearly aware of this, for he says that at the request of his fellow monks he changed his plan of writing a history of his own country and decided to enlarge the scope of his work. A further feature of his account is the description of the world contained in the first book of the Polychronicon. Through the medium of John Trevisa's translation this section of Higden's work proved to be one of the most popular parts of his chronicle…" "The English translations of the Latin text increased knowledge of the work among a lay audience. The first translation of the Polychronicon was made by John Trevisa during the 1380s… The influence of Higden's chronicle is also to be seen in the work of chr … [Click Below for Full Description]
Bookseller: The Manhattan Rare Book Company
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2013-08-04 22:57:27
Horace [Quintus Horatius Flaccus]
Not stated. : Eucharius Cervicornus. , 1527. Fair. Full, later calf. Four bands to spine. Covers a little rubbed. Front joint cracked. New endpapers. Leaves toned. Pen annotating to 7 leaves. Last five leaves are missing the blank bottom/outer corner and the very last leaf has it seems at some point become detached and dogeared and has thus had the ragged blank edges cut square and has been pasted to a blank rear fly-leaf, with the small amount of missing text replaced in neat handwriting. Trimmed.. Hard. 32mo. 5". . Fair. Illus. by Title page has illustrative wood blocked border..
Bookseller: Ryan O'Horne Books [Hexham, United Kingdom]
2013-07-20 00:21:26
Higden, Ranulphus
Higden, Ranulphus. (c. 1280 d. 1364)Polycronycon (Polycronicon)Translated into English by John Trevisa) Southwerke: P. Treueris at ye expences of J.Reynes, 16 May, 1527. Early sections badly wormed and somewhat stained, interior sections are bright and book binding is tight. This copy was William Herbert's copy who was the editor of Ames "Typographical Antiquities". The title page is Red and Black, rather flimsy with some loss of paper and tears at the margins. Large woodcut of St. George and neither the crown nor Reynes device untrimmed, cut of St. George repeated on last page, woodcut border to colophon and 11 other woodcuts, one of them full page (slight tear in margin). Woodcut initials throughout. Printed in large gothic letter in two columns, with "William Buttler" written on the first and last leaves, and "Quarles" in the blank compartment of the woodcut on the last page. Folio (11-3/8 X 7-7/8 inches), full scored russia, backstrip gilt with red morocco label. "Imprinted in Southwerke by my Peter Treveris at the expences of John Reynes bokseller, 1527." Reference to Pope John VIII -fo.ccxxv b (225b). Sold at auction in 1930 (Sotheby's); 1936 (Sowers);1939 (Dawson) and Fall of 1944 (Dawson). Book Plate of "The Right Honorable George Rose"Third edition.(THE FIRST ILLUSTRATED) In this edition, which is a literal reprint of the second, the woodcuts are inserted for the first time
Bookseller: Calix Books [U.S.A.]
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2013-07-08 15:07:33
Boece
[Paris,] Quæ omnia impressa quidem sunt Iodoci Badii Ascensii typis & opera: impensis autem Nobilis & prædocti viri Hectoris Boethii Deidonani: a quo sunt & condita & edita. [1527] . first edition, folio (290x208mm.), ff.[xlii]+xxii+ccclxiii, title printed in black and red within architectural borders, enclosing the printer's large device (Silvestre 468) illustrating a printer's workshop, the border and device repeated with sub-title in black on f.[1] of the text, contents in clean, crisp and large state; nineteenth century panelled calf, well rebacked with old spine relaid, new ruby morocco label, g.e., excellent Adams B.2308; Bibliographia Aberdonensis pp.31-2; Renouard Badius Ascensius ii/pp.195-6. With a fine contemporary ownership inscription (dated 1533) at the foot of the title-page, that of Matthew Weymiss (or Matthias Weymss) of Dordrecht, "Gardianus" of a convent in Mecheln (Malines, Belgium). This ancient and important city was, from 1559, the residence of the only archbishopric in the country, and hence the religious capital of Belgium. This is the second of two seminal Scottish histories from the press of the humanist scholar-printer Badius Ascensius (the other, by John Major or Mair, was published in 1521). Following an early education in Dundee, Boece, like so many of his countrymen, proceeded to Paris, then the most frequented university in Europe, and became a regent or professor there, probably from 1492 to 1498. Among his friends and contemporaries in the college were Erasmus, "the splendour and ornament of our age," and John Major or Mair: among their p … [Click Below for Full Description]
Bookseller: Grant & Shaw Ltd
2013-06-09 21:49:53
Anonimo
Xilografia, 1527 circa, con il monogramma di Durer in alto a sinistra. Esemplare di quarto stato, edito ad Augsburg nel 1781. Bellissima prova, impressa su carta vergata coeva, con margini, in eccellente stato di conservazione. Copia del ritratto attribuito a Erhard Schoen. Bibliografia: Bartsch 156 a; TIB 156, C2. Dimensioni 252x288. Woodcut, 1527 circa, with Durer?s monogram on upper left. Example in the fourth state, printed in Augsburg in 1781. Magnificent work, printed on contemporary laid paper, with margins, in excellent condition. Copy of the portrait ascribed to Erhard Schoen. Bartsch 156 a; TIB 156, C2. Dimensioni 252x288.
Bookseller: Libreria Antiquarius
2013-06-07 06:04:51
Prisciano di Cesarea
Venetiis, In Aedibus Aldi, et Andreae Asulani Soceri, 1527. 1527 In-8° (216x138mm), cc. (14), 299, (4), legatura moderna p. pergamena rigida con titolo in oro al piatto. Titolo e filetti dorati al dorso. Ancora aldina al titolo e al v. dell'ultima c. di registro ed explicit. Indice bicolonne preliminare, numerosissimi capilettera rubricati elegantemente in rosso (alla c. 1 r il capolettera è in rosso e in azzurro). Freschissimo e immacolato esemplare. Ex-libris di Natalio Botana, il famoso editore e impresario della stampa uruguayano vissuto dal 1888 al 1941. Prima edizione aldina delle opere di Prisciano, il celebre grammatico romano vissuto tra la fine del V secolo e l'inizio del VI che fu autore fra l'altro della "Institutio de arte grammatica". L'edizione è a cura dell'umanista veronese Bernardino Donato, che, con il presente libro, prese a collaborare con Aldo Manuzio per le cure filologiche di testi classici. Nel frontespizio Aldo rivendica il pregio testuale della propria edizione, condannando l'approssimazione che aveva invece contraddistinto la precedente edizione giuntina del 1525. Renouard, 103.2. Adams, P-2113. Schweiger, II, 824. STC Italian, p. 540.
Bookseller: Libreria Antiquaria Galleria Gilibert
2013-01-22 20:35:03
PELITI R. (a cura di)
5 voll, pregevole ril. carton. con solida cust., dorso e angoli in pelle, nerv. al dorso, cm 35x25, pp compless. 1527, per il Quinto e Sesti Libro alla normale numeraz. seguono cc. 100 nn. con testo ed illustraz.
Bookseller: Editoriale Umbra
2013-01-03 10:50:58
THE SACK OF ROME].
[Augsbourg, ca June 1527, or later]. 4to., (7 6/8 x 5 6/8 inches). Gothic type. Full-page wood-engraved plate and two vignettes, two of which have been attributed to Weiditz. 20th-century tan morocco backe marbled paper boards. Provenance: contemporary inscription at the foot of the title-page; from the library of Charles Fairfax Murray (1849-1919), German Books 369. First edition, and RARE, and one of the earliest accounts of the sacking of Rome by the mutinous Italian, German and Spanish armies of Charles V, Holy Roman Emperor. As early as 1524, the year after Clement VII became Pope, Francis I of France's conquest of Milan prompted the Pope to change his allegiance from Imperial Spain and to ally himself with other Italian princes (including the Republic of Venice) and France in the January of 1525. This alliance acquired Parma and Piacenza for the Papal States, the rule of Medici over Florence and the free passage of the French troops to Naples. However at the Battle of Pavia in February of 1525 Francis was captured by his bitter enemy Charles V and held captive in Madrid. So Clement re-affirmed his loyalty to Charles, signing an alliance with the viceroy of Naples. Once Francis was freed after the Treaty of Madrid in 1526 Clement changed sides again, and entered into the League of Cognac together with France, Venice, Florence, and Francesco Sforza of Milan. Then he issued an invective against Charles, who in reply declared him a "wolf" instead of a "shepherd", menacing a council convened to discuss the Lutheran question. Meanwhile troops loyal (but unpaid) to Charles, … [Click Below for Full Description]
Bookseller: Arader Galleries - Aradernyc [New York, NY, U.S.A.]
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2013-01-03 10:50:58
THE SACK OF ROME].
[Augsbourg, ca June 1527, or later]. 4to., (7 6/8 x 5 6/8 inches). Gothic type. Full-page wood-engraved plate and two vignettes, two of which have been attributed to Weiditz. 20th-century tan morocco backe marbled paper boards. Provenance: contemporary inscription at the foot of the title-page; from the library of Charles Fairfax Murray (1849-1919), German Books 369. First edition, and RARE, and one of the earliest accounts of the sacking of Rome by the mutinous Italian, German and Spanish armies of Charles V, Holy Roman Emperor. As early as 1524, the year after Clement VII became Pope, Francis I of France's conquest of Milan prompted the Pope to change his allegiance from Imperial Spain and to ally himself with other Italian princes (including the Republic of Venice) and France in the January of 1525. This alliance acquired Parma and Piacenza for the Papal States, the rule of Medici over Florence and the free passage of the French troops to Naples. However at the Battle of Pavia in February of 1525 Francis was captured by his bitter enemy Charles V and held captive in Madrid. So Clement re-affirmed his loyalty to Charles, signing an alliance with the viceroy of Naples. Once Francis was freed after the Treaty of Madrid in 1526 Clement changed sides again, and entered into the League of Cognac together with France, Venice, Florence, and Francesco Sforza of Milan. Then he issued an invective against Charles, who in reply declared him a "wolf" instead of a "shepherd", menacing a council convened to discuss the Lutheran question. Meanwhile troops loyal (but unpaid) to Charles, … [Click Below for Full Description]
Bookseller: Arader Galleries - Aradernyc [New York, NY, U.S.A.]
2012-12-24 10:50:52
THEOPHYLACTUS [THEOPHYLACTOS, THEOPHYLACT]. - [WITH METALCUT HOLBEIN-TITLE-BORDER]
Basel, Andrea Crantander, 1527. Small folio. Bound in a black half calf with gilt back (ab. 1850). A bit of wear to extremities. Internally a bit of faint dampstaining to upper margin some leaves. Last couple of quires with heavier dampstaining, mainly to margins, rarely affecting text. One leaf with a crude repair to upper margin, not affecting tect. Last two leaves with dampstaining to text-part as well. Magnificent, very elaborated metalcut title-page border (with Christ as Intercessor before God the Father, the Four Symbols of the Evangelists and the Mission of the Apostles), elegant and beautiful metalcut border to first leaf of text, beautiful metalcut initials throughout and a few beautiful metalcut vignettes, all designed by Holbein and executed by Faber - the first border is signed "IF" by Faber in the plate. F. (1), (9 ff. - Index), ff. 2-221, (1 f. - colophon). ¶ The fourth issue of the beautiful and rare Basel-Cratander-edition of Theophylactos' "Evangelia Ennarationes" ("Commentaries on the Four Gospels") in the Latin version by Johannes Oelampadio.The work is most excellently printed by Cratander in Basel, and the many metal-cut initials as well as the two metalcut borders (most beautiful and outstanding is the first, depicting Christ as Intercessor before God the Father, the Four Symbols of the Evangelists and the Mission of the Apostles) are executed after drawings by Hans Holbein the younger by the famous engraver and block-cutter Jacob Faber or Master IF, as he is known due to the monogram with which he signed his prints. Faber, or Jecques Lefèvre (not to … [Click Below for Full Description]
Bookseller: Herman H J Lynge & Søn A/S [DK]
2012-11-30 23:54:42
THEOPHYLACTUS Archiepiscopus Bulgariae
(Cologne, P. Quentel) 1527. 4to. (6), 362 lvs. Contemp. blind-stamped pigskin over wooden boards (darkend, soiled, edges and corners rubbed), spine labels, 1 clasp (of 2). Thus first edition, scarce. According to Hoffmann the commentaries to the letters of Paul as published in translation under the name of Athanasius of Alexandria had appeared as early as 1477 and 1518, Quentel gives 1527 as the first issue under the correct author's name. Similarly, Hieronymus (Griechischer Geist) Erasmus von Rotterdam, in the dedication of an edition of Chrysostomos makes the comment „the commentaries to the letters of Paul which someone ascribed to him (i.e. Athanasius), are clearly the work of Theophylactus" (No. 397). The work was first printed in the original Greek in the 17th century. Theophylactus (1050/60 – post-1107) came from Euboia, enjoyed a high standard of education in Constantinople and became a priest and professor for public speaking (rhetoric); Emperor Michael VII engaged him as tutor to his son. Against his wishes he was appointed Archbishop of Ohrid (Bulgaria) and remained there for 25 years as metropolitan of the Bulgarian church. His commentaries to the four gospels and to Paul's letters belong to the standard works of Byzantine Exegesis. The well-preserved binding has unusual decoration: an outer framework is decorated with roll work showing a drum, a horn and a candelabra, within this the next frame is decorated with single stamp work showing the pomegranate motif, another roll of candelabra follows and a pair of figures. Front and back covers are the same. The EBDB … [Click Below for Full Description]
Bookseller: Antiquariat Buechel-Baur [Winnenden, Germany]
2012-06-28 21:46:09
Boccaccio G.
Firenze, Giunti, 1527 (ma 1729). In 8° (24x17,2cm), leg. in mezza pelle, con titoli al dorso a quattro nervi, piccolo difetto all'attaccatura anteriore del piatto, pp. 1, 8 nn, 284, 1. Interni perfetti a grandi margini, ristampa di pregio della celeberrima Ventisettana: "Stefano Orlandelli eseguì co'torchi del Pasinello in Venezia l'anno 1729, a spese di Salvatore Ferrari, una ristampa in numero (dicesi) di 300 esemplari, con uno in pergamena. Di questa ristampa che mal a proposito suol indicarsi come contraffazione, l'editore del Decamerone, 1761, porge una nota di oltre 450 spropositi..." Gamba 172; Brunet I, 999; Parenti, Luoghi falsi, 87. Ricercato "pezzo da collezione".
Bookseller: Studio Bosio [Magliano Alpi, CN, Italy]
2012-06-21 21:34:57
(Italy)
A huge, beautiful production, with some of the illustrations, maps and human figurers, and all of the armorials, hand-colored and heightened with liquid gold; all of the pages, whether single or double leaves, are tipped to guards; all leaves folio size, 18" x 13" approximate and most are double page, twice the size given above; consisting of the genealogical family trees with details of marriage and notable achievements, of important Italian Royal families; the first leaf of the genealogy depicts the coat of arms of the family, in color and occasionally heightened in gold, including: Rossi Di Parma (4) double leaves, followed by 1 plate page depicting 'Monumento eretto nella chiesa della Steccata di Parma a Bertrando di Troilo Rossi ucciso a Valmontone nel 1527'., Bramati engraving after Sottili; Sanvitale di Parma (3) double leaves, followed by 1 plate page of 'Medaglie dell famiglia Sanvitale', (please note that it seems fairly certain that all medals and coinage described in this volume are given to actual size, depicting front and back designs, an important reference point) engraved by Bordiga; Scaligeri di Verona (4) double leaves of genealogical text, a few small medals illustrated, followed by another double page of text, with an acquatint of Cimitero di S. Maria Antica in Verona, Bonati insc. after Cattaneo, with a plan of the location above, followed by a double-page plate in color of Cangrande I, II, Cansignorio 'Ritratti nella Gelleria di Belvedere in Vienna gia in quella di Ambras in Tirolo', Pedgraglio inc., the other half of the plate … [Click Below for Full Description]
Bookseller: Certain Books, ABAA
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2012-06-21 21:34:57
Italy)
- A huge, beautiful production, with some of the illustrations, maps and human figurers, and all of the armorials, hand-colored and heightened with liquid gold; all of the pages, whether single or double leaves, are tipped to guards; all leaves folio size, 18" x 13" approximate and most are double page, twice the size given above; consisting of the genealogical family trees with details of marriage and notable achievements, of important Italian Royal families; the first leaf of the genealogy depicts the coat of arms of the family, in color and occasionally heightened in gold, including: Rossi Di Parma (4) double leaves, followed by 1 plate page depicting 'Monumento eretto nella chiesa della Steccata di Parma a Bertrando di Troilo Rossi ucciso a Valmontone nel 1527'., Bramati engraving after Sottili; Sanvitale di Parma (3) double leaves, followed by 1 plate page of 'Medaglie dell famiglia Sanvitale', (please note that it seems fairly certain that all medals and coinage described in this volume are given to actual size, depicting front and back designs, an important reference point) engraved by Bordiga; Scaligeri di Verona (4) double leaves of genealogical text, a few small medals illustrated, followed by another double page of text, with an acquatint of Cimitero di S. Maria Antica in Verona, Bonati insc. after Cattaneo, with a plan of the location above, followed by a double-page plate in color of Cangrande I, II, Cansignorio 'Ritratti nella Gelleria di Belvedere in Vienna gia in quella di Ambras in Tirolo', Pedgraglio inc., the other half of the plate being 'Mastino della S … [Click Below for Full Description]
Bookseller: Certain Books, ABAA
2012-05-12 14:08:20
HORATIUS FLACCUS, Quintus
s.XVI, Venetiis. Folio, 1h (de 6h, falta port, es última hoja del índice), 279ff (de 286, faltan ff 39 y 40, ff 20, 21 y 34 mal colocados, mancha hum. esquina sup. dch. y margen, algunas págs tostadas, 213 y 246 mal restaurados), capitulares, 11 xilografías. Perg. - Por paginación y presencia de xilografías, presumiblemente se trata de una edición impresa en Venezia, bien la de 1527 (Guilielmum de Fontaneto de Monteferrato), la de 1536 (Ioannis Tacuini de Tridino) o la de 1540 (Venturinum Roffinellum). Muy bella.
Bookseller: Escalinata, librería [Madrid, Spain]
2012-05-03 14:45:04
Ambrosius (Sanctus):
Basel, Froben, 1527.. 22 Bll., 275, 250 S., 1 Bl.. Mit einigen Holzschnittinitialen und 4 Holzschnitt-Druckermarken. Folio. Kalbslederbd d. Z. auf Holzdeckel, mit Rückenschild, etwas -vergoldung und reicher Blindprägung auf den Deckeln.. VD 16, A 2180; BM, German Books, 25. Deckel berieben bzw. beschabt; Ecken bestoßen; Schließen fehlen; Rückenbezug etwas brüchig; Kapitale und Ecken mit kleinen Fehlstellen; Rückenschild teils abgeplatzt; teils wurmlöchrig, gegen Ende stärker - hier auch geringer Buchstabenverlust und wasserrandig am Fuß des Bugs. Auf beiden Deckeln mit Rollstempel "Nackter Knabe mit Thyrsusstab", der auf den Münchener Binder Kaspar Schinnagl, Hofbuchbinder von Herzog Wilhelm IV, verweist (Haebler II, 247,7). Provenienz: aus der Bibliothek des Klosters Diessen, mit deren gestochenem Exlibris auf Innendeckel sowie hs. Besitzvermerk auf der Titelei; weiterer Besitzvermerk der Königlichen Bibliothek München auf Innendeckel (Dublette).
Bookseller: Antiquariat am Moritzberg
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2011-11-27 15:56:09
Murner, Thomas (Hrsg.):
Luzern, Thomas Murner, 1527.. Kl.-4°. (13) Bl. (v. 14), (168) Bl. (a-c4, d1 (d2 fehlt), A-Z4, Aa-Ss4). Lederband des 20. Jh. mit rotem verg. Rückenschild.. VD16 M 7033. - Goedeke II, 219, 51a. - Haller III, 267. - German STC 61. - Erste Ausgabe der Protokolle der Badener Disputation von 1526, die vom Franziskaner Thomas Murner (1475-1537) ein Jahr später in Luzern herausgegeben wurden. Mit einer handschriftlichen Signatur von Johann Huber, dem leitenden Notar der Streitgespräche "Johannes Huber zu Luzern geschr... J. Huber ..." ?. Die 12 katholischen Orte organisierten im Zuge der Reformation in Zürich diese Disputation mit Johannes Eck, dem Wortführer der Katholiken und mit Johannes Oekolampad für die reformierte Seite, der für Zwingli einsprang, da dieser sich weigerte daran teilzunehemen, der aber trotzdem Einfluss auf die Gespräche nahm, indem er sich durch die beiden Landsleute Thomas Platter und Hieronymus Zimmermann über deren Verlauf informierte und seinerseits Antworten an Oekolampad übermitteln liess. "Zwar ging die kath. Partei siegreich hervor, doch hatte die Disputation u.a. zur Folge, dass Basel und Bern der Reformation fortan günstiger gestimmt waren" (HLS - Irena Backus). - Es fehlt das leere Blatt d2. Über ca. 30 Seiten am oberen Innenfalz mit hinterlegten Papierverlusten, zum Teil mit Textverlust. Der obere Rand knapp beschnitten (12 Blatt mit Textverlust). Durchgehend gebräunt und etwas stock- und fingerfleckig. Einbandgelenke angeplatzt. (Sprache: Deutsch / German)
Bookseller: EOS Buchantiquariat Benz
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2011-10-25 16:40:55
Ambrosius:
Köln, Hero Alopecius (Fuchs), 1527.. 8°. 48 Bll, mit figürlicher Titelbordüre (Weihnachten!) und 3 figürl. Holzschnitt-Initialen Neuer Pergamentband. Index Aurel. 104.649; VD 16, A 2217; Nicht im BM STC und bei Adams. Seltene, erste Ausgabe mit der schönen Titeleinfassung, die oben das Wappen der Stadt Köln zeigt und unten die Anbetung der Könige (vgl. Merlo Sp. 1038, 423). Der Text erschien auch zusammen mit drei Werken von Augustinus, alle vier Bücher finden sich jedoch auch einzeln. Ambrosius diskutiert hier die Frage des freien Willens und der Gnade. - Gut erhalten, nur wenig fleckig, einige alte Unterstreichungen.
Bookseller: Antiquariat Thomas Rezek
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2010-07-03 18:10:26
Neue Bilder Gallerie
Wegehaupt 1527; Slg. Brüggemann 575; Brüggemann/Ewers 621 und Sp. 429f. - "Bilderlehrbuch mit enzyklopädischem Charakter. Das Niveau der Beiträge ist allgemein hoch" (Brüggemann/Ewers). Der Band enthält u.a. einen völkerkundlichen, auf den "Nachrichten des gewiß unparteiisch und genau beobachtenden Pallas" beruhenden Beitrag über die Mongolei, der ausdrücklich den Anspruch erhebt "jene unstatthaften Ansprüche der Weißen auf die Oberherrschaft . zu widerlegen". - Die Tafeln zeigen den Leuchtturm von Alexandria (Frontispiz), vier Tafeln Kostüme, eine (als 18./19. bezeichnet) zeigt Gerber und Töpfer, eine weitere ägyptische Gottheiten, alle anderen Tierdarstellungen. - Tlw. etwas fleckig, bei einer Vogelabbildung (auf Taf.10) ist die Farbe verschmiert.
Bookseller: Patzer & Trenkle [Konstanz, Germany]
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