(In fine:)Stampata in Roma a Di. XXVII. de Settembre nell anno M.D.XXIIII. Con gratia et privilegio. (Roma, s.t., 1524). in-12, ( 130x68 mm), ff. XXXX, copertina di carta settec. marmorizz. Rarissima terza edizione de ''I Suppositi'', cinque atti in prosa (quella ''riformata et ridotta in versi'' apparirà presso Giolito nel 1551), ''assai rara, citata dalla maggior parte delle bibliografie, ma di rado descritta, e inesattamente'' (cfr. Agnelli-Ravegnani II, p. 96). Lo stesso bibliografo afferma che ''pur seguendo cronologicamente l'editio princeps (impressa a Ferrara, senza note tipogr.), questa stampa di Roma non può dirsi con certezza la seconda edizione dei Suppositi in prosa, inquantoché senza dubbio è esistita una stampa di Siena del 1523, ricordata dal Mazzuchelli, dal Gamba, dal Polidori''. Per l'identicità delle caratteristiche tipografiche (caratteri, frontespizio, formato) può essere considerata ''gemella'' della ''Cassaria'' in prosa del 1525 (Roma, s.n.t., in-12) e, come quella, è da attribuirsi all'officina tipografica del Mazzocco (op. cit., pp. 83 e 96); c'è da notare, però, che lo STC (Italian Books, p. 38) e ICCU (A-2509) l'attribuiscono allo stampatore Francesco Minizio Calvo. Composta nel 1508 e rappressentata nel febbraio del 1509, la comedia è fondata tutta sopra sostituzioni di persone e sopra equivoci, a imitazione dell'Eunuco di Terenzio e dei Captivi di Plauto. Di notevole importanza letteraria tra le cinque commedie scritte dall'A., la presente ispirò Shakespeare per la sua pièce ''Taming of the shrew'' che la conobbe nella traduzione inglese pubbl … [Click Below for Full Description]

Jacques Bouchet pour Enguilbert de Marnef � Paris et � Poitiers, 1524. Poitiers: Jacques Bouchet pour Enguilbert de Marnef à Paris et à Poitiers, 1524. Second Edition. This is the lovely Hoe copy of a Medieval French morality poem reflecting the increasing public interest in astrology and fortune-telling, including what the author viewed as a mistaken attitude toward luck and divine providence. In these verses, first published in 1522, the poet guides the reader through a labyrinth, where, following twists and turns, those who thought themselves safely rich or powerful find instead they are beset by woes. He ends with an exhortation to trust only in the "three noble ladies": Faith, Hope, and Charity. Blessed with a good education and rich imagination, Poitiers poet and lawyer Jean Bouchet (1476-1555) was a friend and correspondent of Rabelais. He wrote on a variety of subjects, penning histories, guides to moral conduct, and panegyrics to the powerful, and had the good fortune of having a printer in the family, his brother Jacques, who produced this volume. His work is valuable today for the insight it gives us into society, politics, religion, and literature in 16th century France. A rough contemporary of, and certainly the equal in technique to, binders like Trautz, Marius Michel père, Lortic, and Cuzin, Chambolle the elder served his apprenticeship under Hippolyte Duru, and later formed a partnership with him. Chambolle's son, who was likely responsible for the present volume, continued the business when his father retired in 1898, and although the firm "showed a cautio … [Click Below for Full Description]

Jacques Bouchet pour Enguilbert de Marnef à Paris et à Poitiers, Poitiers, 1524. 188 x 122 mm. (7 3/8 x 5"). [172] leaves. Second Edition. FINE 19TH CENTURY BROWN MOROCCO IN THE JANSENIST STYLE BY CHAMBOLLE-DURU (stamp-signed on front doublure), raised bands, gilt titling, BEAUTIFUL RED MOROCCO DOUBLURES gilt and inlaid in a Grolieresque design, marbled free endpapers, all edges gilt. With woodcut device of the Brothers Marnef on title page and royal arms on verso, and a full-page allegorical frontispiece featuring Daedalus and Icarus flying away from the Minoan labyrinth, apparently pursued by bees, with a few gilt highlights added by a contemporary hand. Front free endpaper with morocco bookplate of Robert Hoe, monogrammed bookplate of Maurice Escoffier, and armorial bookplate of C. L. F. Robinson; title page with illegible red ink library stamp; frontispiece with ink cipher of "AER." Brunet I, 1156; Graesse I, 507; USTC 21032. A touch of light wear to exterior, top edges very slightly bumped, title and a few other leaves with expert repairs to lower margins, pages lightly washed and pressed, in keeping with bibliophilic fashion at the time of re-binding, but the ink still very dark and rich, an occasional negligible blemish, but still A BEAUTIFUL COPY, the contents extremely pleasing, and the doublures especially lustrous and glistening with gold. This is the lovely Hoe copy of a Medieval French morality poem reflecting the increasing public interest in astrology and fortune-telling, including what the author viewed as a mistaken attitude toward luck and divine providenc … [Click Below for Full Description]

[Wittenberg, Cranach und Döring 1524. 4to. 6 Bll. nnum. Mit Holzschnitt-Titelbordüre von Lucas Cranach d. Ä. Umschlag. Erste Ausgabe. Die interessante und heute noch aktuelle Schrift ist dem Ritter Hans Schott gewidmet, der Luther bei seiner Ankunft in Worms zum Empfang entgegengeritten war. Luther nimmt hier ausführlich Stellung zum Missbrauch elterlicher Gewalt, die er an und für sich befürwortet, beim Eheschliessungsrecht jedoch deutlich eingrenzt, damit nicht Eltern ihre Kinder zu einer Ehe ohne eigene Zuneigung zwingen könnten, was damals weit verbreitet war. Die schöne Titeleinfassung mit Luthers Initialen M L und der Lutherrose ist verzeichnet und abgebildet bei J. Luther Tafel 42. - Titel mit Nummern und ligiertem Beitzeintrag, Rückseite mit Sammler- bzw. Dublettenstempel, sonst gutes Exemplar. - Erased ownership inscription on title, verso with collector's and duplicate stamp, good copy. - VD16, L-4301; Benzing 1906; WA 15. 156 A. [Attributes: First Edition; Hard Cover; In Dust Jacket]

Basel: Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves. Wood … [Click Below for Full Description]

Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1524 Complet Fonctionne de Lactantius Byzantin Constantinople Orthodoxe Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. Œuvres complètes de 1524 de Lactantius byzantin orthodoxe de Constantinople Constantin Très Rare impression sur christianisme primitif & plus Lucius Caecilius Firmianus Lactantius était un auteur chrétien tôt (c. c. 250-325) qui est devenu conseiller auprès du premier empereur de Christian Roman, Constantine j'ai. Nous ne trouvons pas un autre exemple de cette impression très rare à la vente dans le monde entier Auteur principal: Lucius Caecilius Firmianus Lactance titre: Opera Omnia... publié: Basel ; Cratander. 1524. Langue: Latin Notes & contenu: · 1er Édition · 19 bellee-liaison fin de siècle · Travaux incluent : le Divinarum institutionum Libri VII le De ira Dei Liber j'ai le De opisicio Liber Dei j'ai le Quintessence de libros suos, liber acephalos le Phénix le Résurrection de Carmen de la Dominique le Carmen de passione Domini · Petites coupes supprimés de la page de titre (censure) LIVRAISON GRATUITE DANS LE MONDE ENTIER porter: porter comme on le voit sur les photos Reliure: reliure demi-cuir bien serré et sûr Pages: complète avec tous les 415 pages ; plus index, préfaces et tel Éditeur: Bâle ; Cratander. 1524. Taille: ~ 8 po X 5,5 po (22 cm x 14 cm) LIVRAISON … [Click Below for Full Description]

Venice: Luc' Antonio Giunta, 1524. 1st Edition. Hardcover. Good. 1st Edition. Hardcover. Folio - over 12 - 15" tall. 10 March 1524. Folio (320 x 212 mm). [4], 44 (of 45) leaves (lacking fol. 15). Without final blank. Signatures: +4 a-e8 (-b7) f6 (-f6). Colophon: "Venetiis mandato & impe[n]sis Domini Luce Antonii Junta...M.D.XXIIII. Die. X martii" Decorative woodcut initials throughout, large woodcut device on colophon. 18th century calf (hinges repaired, boards and extremities worn). Text with light dampstaining throughout, title and preliminaries a bit soiled and browned, otherweise only little browned, small hole not touching text in title-leaf, a few ink annotations in contemporary hand. The missing leaf 15 was torn off from binding with portion left at gutter. Provenance: Hugh Selbourne (small ink stamp to verso title-page); Robert Ramsay (inscription to front pastedown). ---- Norman 427; NLM/Durling 907; not in Adams or Wellcome. FIRST GIUNTA EDITION, very rare. Celsus' De medicina, written c. 30 C.E., is the oldest Western medical document after the Hippocratic writings, the earliest major medical treatise written in Latin to survive, and the first of the treatises on medicine from the ancient world to be published in English. Prior to this edition of Celsus, fragments of Hippocrates, such as the Hippocratic Oath, were translated into English, but virtually all of Hippocrates, Galen and other classical writers on medicine and surgery waited until the nineteenth or twentieth century to be translated. Celsus remains the most important source of present-day knowled … [Click Below for Full Description]

Gregorio de Gregori, 1524. Due voll. rilegati assieme; in -8°, cc. 286, B; B, 191, B.; pergamena. Chiose amanuensi ai margini. Edizione intermedia, fra la prima e la seconda giuntina (1520 e 1526), della traduzione dal greco dei testi di Appiano Alessandrino, qui divisi in due libri (Braccesi, che non sapeva il greco, tradusse dalla versione latina di Decembrio). La prima edizione delle "guerre esterne" era del 1502 (Roma, Silber). Secondo Argelati (p. 68) quest'edizione è "assai rara".

Jean Petit, 1524. Cm. 23,5, cc. (6) xciv. Grande marchio di Petit al frontespizio e numerose incisioni xilografiche nel testo. Legatura settecentesca in piena pergamena semirigida con titoli impresso in oro al dorso. Alcune note coeve manoscritte nel testo. Esemplare marginoso e ben conservato. Con un minuscolo forellino di tarlo alle carte centrali e qualche macchia ai piatti, ma complessivamente molto ben conservato. Affascinante edizione di questa celebre cronistoria universale stilata dal teologo e storico tedesco Werner Rolewinck.

1524. SELTENE FRÜHE BIBEL-AUSGABE / POSTINKUNABEL IM ORIGINAL-EINBAND Biblia cum summarioru(m) apparatu... insignita: cui... add. sunt marginales add.: annales et gentis cuiusque... historias notantes Seltene Ausgabe, gedruckt in Lyon,im Verlag von G. de Villiers aus dem Jahre 1524. Mit 1 ganzseitigen Holzschnitt, einigen kleinen Textholzschnitten und zahlreichen Holzschnitt-Initialen. Kollationierung: 30 nn., 500 num., 38 (v. 54) nn. Blatt. Gebunden in einen blindgeprägten Ganzledereinband der Zeit über Holzdeckel gezogen mit 2 Metallschließen und 9 (v.10) Metallbeschlägen. BM, French Books, 53. Adams B 990. Baudrier XI, 393. Panzer VII, 335. - Der schöne ganzseitige Holzschnitt mit Darstellung der 6 Schöpfungstage nach dem Holzschnitt der Marechal-Bibel. Titel in Rot und Schwarz mit roter Druckermarke. ZUSTAND: Gutes Exemplar, Buchrücken bescharbt und bestossen,Aussengelenk leicht angeplatzt, Vorsatz und Titel mit Besitzervermerken,Innengelenk etwas angebrochen, gute Bindung, durchgehend etwas gebräunt unbd leicht fleckig. Überweisung auf DEUTSCHES ODER SCHWEIZER KONTO. Der versicherte Versand innerhalb Deutschlands kostet 6,00 Euro. Für den Versand innerhalb der Schweiz, Portokosten bitte gesondert erfragen. Für den Versand in das europäische Ausland und nach Übersee bitte ebenfalls Portokosten erfragen. Viel Spass beim Bieten und beim Einkauf. [Attributes: Hard Cover]

Venice, 1524. Venice. Please feel free to request a detailed description. Short description (computer translated from Russian into English): Mishne Tora, 1524, Venice. Author: Rambam. Language: Hebrew. We have thousands of titles and often several copies of each title may be available. Please contact us for details on condition of available copies of the book. SKU000150066 . Good. Hardcover. n/a. 1524.

Jean Petit,, Parisis, 1524. Cm. 23,5, cc. (6) xciv. Grande marchio di Petit al frontespizio e numerose incisioni xilografiche nel testo. Legatura settecentesca in piena pergamena semirigida con titoli impresso in oro al dorso. Alcune note coeve manoscritte nel testo. Esemplare marginoso e ben conservato. Con un minuscolo forellino di tarlo alle carte centrali e qualche macchia ai piatti, ma complessivamente molto ben conservato. Affascinante edizione di questa celebre cronistoria universale stilata dal teologo e storico tedesco Werner Rolewinck. [Attributes: Hard Cover]

1524. Aldine anchor devices on first and last leaves. 2 vols. 8vo. Iliad (160 x 103mm), 277 [1]ff. Contemporary limp vellum, 'Home. Ilias' along bottom edge (soiled, ties missing); Odyssey (160 x 98mm), 251, [1]f. 17th century vellum over boards, r.e. Venice, heirs of Aldus the elder, April 1524. The two separate volumes from the third Aldine edition are reunited here; the Odyssey volume being the poet Ernest Dowson's copy acquired while he was at Oxford. Dowson (1867-1900) entered Queen's College in 1886 but he left in March 1888 after five terms, without completing the papers for honour moderations. Although short-lived he became a leading figure of the 'Decadent' movement and T. S. Eliot, for instance, felt Dowson to be the most gifted and technically perfect poet of his age. Based on the 1517 Aldine edition both volumes are printed in Greek throughout, except for the two letters in Latin from Aldus to Girolamo Aleandro, which were reprinted from the first Aldine edition. The first volume contains the Iliad and Herodotus' Life of Homer, and the second comprises the Odyssey and Homeric Hymns. The Aldine Homer is rarely found in uniform sets, or when the bindings are uniform, the editions are not. Provenance: Iliad: contemporary inscription of 'Francisci Botesini' on fly-leaf. Printed label at foot of title-page of 'R. Robertson of Montgreenan Glasgow'. Odyssey: Ernest Dowson's copy 'Ex libris Ernesti C. Dowson, e Coll. Reg. Oxon'. Earlier inscriptions on title-page of 'P. Pett 1800', notes in pencil. Ahmanson-Murphy 226. Renouard 98:1. [Attributes: Hard Cover]

Geronimo de Beneditti, Bologna. [Colophon:] Impresso in Bologna: per maestro Geronimo de Beneditti da Bologna, 1524. del mese de Aprile. In-4 (205x140 mm.), ff. 55, (1); segnatura: 2a-2o4. Carattere romano. Titolo racchiuso entro un quadro di figure barocche (altare sacrificale, quattro putti alati che sorreggono cornucopie e tralci di vite). Impresa tipografica di Geronimo de Beneditti al recto della carta finale 2o4. Legatura in piena pergamena settecentesca con titolo inciso in oro su tassello al dorso. Tagli in bleu. Un ex libris manoscritto cassato al frontespizio. Bell'esemplare. Prima edizione fatta italiana sulla latina (dell'anno precedente) da Leandro Alberti, il quale vi premise una breve prefazione e una dedicatoria a Giovanna Carafa Pica, moglie di Gianfrancesco. E' questo il primo libro in lingua italiana dedicato alla stregoneria. Vi si resoconta l'attività stregonesca e quindi anti-stregonesca che colpì i principati di Mirandola e Concordia a cavaliere tra il 1522 e 1523 e che condusse al rogo sette uomini e tre donne, accusati di avere animato tregende, sabba e un particolare gioco paganamente erotistico denominato "Gioco della Donna". Opera molto rara. Bibliografia: Casanatense, 974. Adams II, P-1160. Sander II, 5688. Wellcome (elenca solo l'edizione del 1556). [Attributes: Hard Cover]

1524. Basel: Valentin Curio, 1 September 1524.4to, [76]pp. Greek and Latin on opposite pages, historiated woodcut initials, woodcut printer's device at the end. Modern half vellum and decorative boards, at foot of title is a contemporary presentation inscription from "Menradus" (possibly the humanist Menradus Molther, d. 1558) to one "Matthaeus", monastic library stamp on title (partly defaced), profuse manuscript annotations in a contemporary hand on six pages of the Greek text. § (Description courtesy of Fred Schreiber, upon which I cannot improve). "The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. In this first-person narrative the author sets sail with a crew of fifty companions from the Straits of Gibraltar, intending to sail across the Atlantic, but is swept away by a storm for seven days and seven nights, eventually landing on the moon; there the travelers observe the first interplanetary war in literature, fought between the "Selenitai" (People of the Moon) and the "Heliotai" (People of the Sun) over colonization rights to the Morning Star. The combatants, in true science-fantasy fashion, consist of fanciful creatures that are the spiritual ancestors of those found in Flash Gordon, Star Wars, and Star Trek: "Hippogypoi" (Vulture-Knights), "Hippomyrmekoi" (Ant-Knights), "Skorodomachoi" (Garlic-Fighters), "Psyllotoxotai" (Flea-Archers), "Lachanopteroi" (The Vegetable-Winged), … [Click Below for Full Description]

Basel: Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves. Wood … [Click Below for Full Description]

Froben, 1524. In-12 ( 160 X 105 mm ), demi-basane bronze, dos lisse orné de filets dorés ( Reliure du XIX e siècle ). Texte en Hébreu, latin et grec. Très belle impression du XVIe du célèbre imprimeur suisse FROBEN. Reliure frottée, très bel état intérieur. Linguistique Philologie Grammaire Hebraïsme Hebreu Grec Latin Imprimerie

Landshut,: Johann Weyssenburger, 1524. Landshut,: Johann Weyssenburger,, 1524.. First edition, quarto (197 by 152mm), title with large woodcut globe, arms of the Cardinal Archbishop of Salzburg on verso, full-page woodcut on p. [viii], the first quire printed in red and black, profusely illustrated with woodcuts depicting globes, scientific instruments, astronomical and geographical maps and diagrams, etc., the illustrations on pages (Cols.) 17, 24, 50, 63 and lv with well-preserved volvelles; without the two unused volvelles occasionally attached to the final printed leaf, being parts of the illustration of Apianus's ‘Instrumentum syderale', contemporary limp vellum, re-cased. Collation: [pi]4"; A-M4; 4: 56 leaves, 4 blank; with many mis-signings. A lv-M4v paginated (as “Col.”) 2-104. Petrus Apianus (1495-1552) was born in Saxony as Peter Bienewitz. He studied at the University of Leipzig from 1516 to 1519, where he took a Latinised version of his German name: Petrus Apianus. In 1520 he moved to Vienna, where he was part of the second Vienna school of cartography, and produced his first world map there. He then moved again to Landshut, where he produced the ‘Cosmographicus liber' in 1524, his first major work. Based on the theories of Ptolemy, it contains paper instruments called volvelles, which Apianus would use so effectively in his work that they are sometimes known as Apian wheels. It covers “the division of the earth into climatic zones, the uses of parallels and meridians, the determination of latitude, several methods for determining longitude including that of … [Click Below for Full Description]

Venice no printer's name Gregorio De Gregori?, 1524. TRENCIERE, ARTEGLIARIE, CAVE, DARE AVISAMENTI SENZA MESSO ALLO AMICO, FARE ORDINANZE, BATTAGLIONI, ET PONTI DE DISFIDA CON LO PINGERE, OPERA MOLTO UTILE CON LA EXPERIENTIA DE L'ARTE MILITARE. SECOND EDITION, 1524, in 4 books, Italian text. Small 8vo, approximately 150 x 95 mm, 6 x 3¾ inches, title page with woodcut pictorial border by Eustachio Celebrino, showing at the top Mars and Bellona, Roman god and goddess of war, 2 soldiers fighting with swords and shields, at the sides weapons and armour and at the bottom 2 armies facing each other, 10 full page woodcut illustrations, 11 illustrations in the text, 1 full page illustration shows fireworks, the others show siege engines, bastions, mines, battering rams, bridges, bellows and diving equipment, 26 typographical diagrams of battle formations, 6 full page, 4 large decorated initials, leaves: [8], 1-71 numbered on rectos only, making a total of 142 pages, lacking final blank leaf, bound in modern half calf over patterned paper boards, raised bands and blind rules to spine, no label or lettering. Title page upper margin cropped close not affecting woodcut border, 2 small inkstains affecting border, occasional pale marks to margins, small ink mark to 1 text page with loss of 2 letters, small stain to another, no loss of legibility, small closed tear to 1 lower margin, tiny paper flaw to 1 lower corner, light brown stain to upper edge of leaves 49-71, small light brown stain to last 3 leaves, no loss of legibility, small margin corner cut from final leaf. A very good copy o … [Click Below for Full Description]

Basel: Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves. Wood … [Click Below for Full Description]

I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. 1524 Complete Works of Lactantius Byzantine Constantinople Constantine Orthodox Very Rare Printing on Early Christianity & More Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I. We do not find another example of this very rare printing for sale worldwide Main author: Lucius Caecilius Firmianus Lactantius Title: Opera Omnia... Published: Basel; Cratander. 1524. Language: Latin Notes & contents: · 1st edition · Beautiful 19th-century fine binding · Works include: o Divinarum institutionum Libri VII o De ira Dei Liber I o De opisicio Dei Liber I o Epitome in libros suos, liber acephalos o Phoenix o Carmen de dominica resurrection o Carmen de passione Domini · Small cuts removed from title page (censorship) FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure fine leather binding Pages: complete with all 415 pages; plus indexes, prefaces, and such Publisher: Basel; Cratander. 1524. Size: ~8in X 5.5in (22cm x 14cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our first priority. Notify us within 7 days of receiving your item and we will offer a full refund guarantee without reservation. $750 Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I, guiding his religious po … [Click Below for Full Description]

I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. 1524 Complete Works of Lactantius Byzantine Constantinople Constantine Orthodox Very Rare Printing on Early Christianity & More Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I. We do not find another example of this very rare printing for sale worldwide Main author: Lucius Caecilius Firmianus Lactantius Title: Opera Omnia... Published: Basel; Cratander. 1524. Language: Latin Notes & contents: · 1st edition · Beautiful 19th-century fine binding · Works include: o Divinarum institutionum Libri VII o De ira Dei Liber I o De opisicio Dei Liber I o Epitome in libros suos, liber acephalos o Phoenix o Carmen de dominica resurrection o Carmen de passione Domini · Small cuts removed from title page (censorship) FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure fine leather binding Pages: complete with all 415 pages; plus indexes, prefaces, and such Publisher: Basel; Cratander. 1524. Size: ~8in X 5.5in (22cm x 14cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our first priority. Notify us within 7 days of receiving your item and we will offer a full refund guarantee without reservation. $750 Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I, guiding his religious po … [Click Below for Full Description]

ERASMUS, DESIDERIUS. Hyperaspistes diatribae adversus Servum Arbitrium Martini Lutheri...[BOUND WITH: De libero arbitrio]. Basel: Froben (1526, 1524). These two works mark Erasmus' foray into the complex theological questions of predestination and free-will raised by Martin Luther. Written at the urging of his friend St. Thomas More and Pope Clement VII, De libero arbitrio is a polemical discourse intended to refute Luther's notion that all things are directly controlled by God, including human free will. The work provoked a fiery response from Luther, who the following year published one of his most famous works, De servo arbitrio (Hans Lufft: Wittenberg): 'On the Bondage of the Will.' Erasmus continued the polemic with Hyperaspistes, published in 1526 and the first work bound in here. Both works found here are first editions from the press of Johannes Froben. Large wood-cut initial at beginning of first work. 8vo (15.9 x 10.7cm), [156pp.] & [48pp.]. Initial leaves of first work and final leaves of second work have small staining to upper corners. Second work has several stamps to title-page and is a bit toned throughout. Some antique marginalia and scoring in second work. Bound in modern black morocco. [I: Adams E, 673. II: Vander Haeghen I, 20; Kossmann 178; Bezzel 1263; De Reuck 152; Adams E, 595; BMC VIII.927(948)]. [Attributes: First Edition]

Nuremberg: Fredericus Peypus, 1524. [4],51,[1] leaves, with a half-page woodcut portrait of Emperor Charles V on titlepage recto, full-page woodcut of the royal arms on titlepage verso, numerous woodcut initials throughout, and woodcut printer's device on verso of final numbered leaf. 19th-century full red morocco, gilt ruled boards and turn-ins, elaborately gilt spine, a.e.g. Light wear to corners and spine ends. 20th-century pencil annotations in front free endpapers. One small wormhole near gutter margin through text block, expertly restored. Light tanning, scattered faint foxing. A fine copy. Sir Thomas Phillipps' copy of the first Latin edition of Cortés' Third Letter, containing his account of the destruction of Tenochtitlán, and one of the most significant documents of the Spanish conquests in the Americas during the early 16th century. In this letter, Cortés recounts in vivid detail the events after the "Noche de Tristas" on June 30, 1520, during which the Spanish and their Mexican Indian allies were initially driven from Tenochtitlán after the death of Montezuma. Over the course of the next fourteen months, the Spanish would fight their way back to the Aztec capital and the climax of the letter is Cortés' harrowing description of capture and destruction of Tlatelolco and Tenochtitlán, and the surrender of Cuauhtémoc, marking the end of the Aztec Empire and the beginning of firm Spanish control in Mexico and Central America, what Cortés had coined "New Spain." Cortés wrote this letter at Coyoacá … [Click Below for Full Description]

Oppenheim, Jacob Cobel, 1524 ; in-folio de [10] ff., 78 ff., vélin moderne à la Bradel. Seconde édition latine de ce traité sur la fabrication des astrolabes et leur utilisation pour les calculs astronomiques. La Renaissance est la période de perfectionnement ultime de l'instrument. Il faudra ensuite attendre l'invention du chronomètre pour améliorer les calculs. On trouve en début d'ouvrage un poème scientifique composé par Philippe Mélanchton, élève de Stöffler. Le traité contient 44 bois gravés dans le texte, dont 26 figures à pleine page et 4 figures « à système » comportant des parties mobiles ou dépliantes. La belle marque gravée de l'imprimeur figure au dernier feuillet. Quelques marques de soulignement ; erreur de numérotation f. 24, petit manque à l'un des éléments dépliants f. 21, quelques rousseurs, mouillures et taches, travail de vers sans atteinte aux 25 premiers feuillets. Bel ouvrage, considéré comme le plus important traité sur l'astrolabe et évocateur des progrès scientifiques de la Renaissance.

Nuremberg: Fredericus Peypus, 1524. [4],51,[1] leaves, with a half-page woodcut portrait of Emperor Charles V on titlepage recto, full-page woodcut of the royal arms on titlepage verso, numerous woodcut initials throughout, and woodcut printer's device on verso of final numbered leaf. 19th-century full red morocco, gilt ruled boards and turn-ins, elaborately gilt spine, a.e.g. Light wear to corners and spine ends. 20th-century pencil annotations in front free endpapers. One small wormhole near gutter margin through text block, expertly restored. Light tanning, scattered faint foxing. A fine copy. Sir Thomas Phillipps' copy of the first Latin edition of Cortés' Third Letter, containing his account of the destruction of Tenochtitlán, and one of the most significant documents of the Spanish conquests in the Americas during the early 16th century. In this letter, Cortés recounts in vivid detail the events after the "Noche de Tristas" on June 30, 1520, during which the Spanish and their Mexican Indian allies were initially driven from Tenochtitlán after the death of Montezuma. Over the course of the next fourteen months, the Spanish would fight their way back to the Aztec capital and the climax of the letter is Cortés' harrowing description of capture and destruction of Tlatelolco and Tenochtitlán, and the surrender of Cuauhtémoc, marking the end of the Aztec Empire and the beginning of firm Spanish control in Mexico and Central America, what Cortés had coined "New Spain." Cortés wrote this letter at Coyoacán and dated it May 15, 1522. It reached Europe by November 1522, thou … [Click Below for Full Description]

Nuremberg: Fredericus Peypus, 1524. [4],51,[1] leaves, with a half-page woodcut portrait of Emperor Charles V on titlepage recto, full-page woodcut of the royal arms on titlepage verso, numerous woodcut initials throughout, and woodcut printer's device on verso of final numbered leaf. 19th-century full red morocco, gilt ruled boards and turn-ins, elaborately gilt spine, a.e.g. Light wear to corners and spine ends. 20th-century pencil annotations in front free endpapers. One small wormhole near gutter margin through text block, expertly restored. Light tanning, scattered faint foxing. A fine copy. Sir Thomas Phillipps' copy of the first Latin edition of Cortés' Third Letter, containing his account of the destruction of Tenochtitlán, and one of the most significant documents of the Spanish conquests in the Americas during the early 16th century. In this letter, Cortés recounts in vivid detail the events after the "Noche de Tristas" on June 30, 1520, during which the Spanish and their Mexican Indian allies were initially driven from Tenochtitlán after the death of Montezuma. Over the course of the next fourteen months, the Spanish would fight their way back to the Aztec capital and the climax of the letter is Cortés' harrowing description of capture and destruction of Tlatelolco and Tenochtitlán, and the surrender of Cuauhtémoc, marking the end of the Aztec Empire and the beginning of firm Spanish control in Mexico and Central America, what Cortés had coined "New Spain." Cortés wrote this letter at Coyoacá … [Click Below for Full Description]

1524. Venedig, G.Giolito di Ferrarii, 1549. 8vo. Cont.limp vellum. Remedies of ties. A few wormholes in the text. (14), (660) pp. Describing the wars with the Turks.

Likely Germany (Limburg an der Lahn), 1500-1524. Folio (220 x 305 mm). Latin composite manuscript (black ink) on paper. (100), (7 blank) ff. Some rubrication and red highlights; a few initials in gilt and red or blue. - (Bound with) II: Rolewinck, Werner. Fasciculus temporum. Cologne, Ludwig von Renchen?, not after 1483. (73 [instead of 74]) ff. With numerous woodcuts in the text, coloured by a contemporary hand. Index and first half rubricated, a few Lombardic initials. Contemporary wooden boards (upper board restored) with calf spine on three raised double bands. Early 16th century Latin manuscript of al-Qabisi's most influential work, "al-Madkhal" (in the translation of Joannes Hispalensis from 1144): an introduction to some of the fundamental principles of genethlialogy, the astrological science of casting nativities, or divination as to the destinies of newborns. The author, known as Alchabitius in the Latin tradition, flourished in Aleppo, Syria, in the middle of the tenth century. "Although al-Qabisi's education was primarily in geometry and astronomy, his principal surviving treatise, 'Al-madkhal ila sina'at ahkam al-nujum' ('Introduction into the Art of Astrology') in five sections [.], is on astrology. The book, as the title indicates, is an introductory exposition of some of the fundamental principles of genethlialogy; its present usefulness lies primarily in its quotations from the Sassanian Andarzghar literature and from al-Kindi, the Indians, Ptolemy, Dorotheus of Sidon, Masha'allah, Hermes Trismegistus, and Valens" (DSB). Together with the writings of Abu Ma' … [Click Below for Full Description]

Lione, per Jacobu Myt, 1524. Due parti, cc. (4) 203 (17); 116 (12). Unito a: NICOLAUS DE LYRA. Preceptorium: sive expositio tripharia perutilis in decalogum legis divine [solo parte prima, completa in sé, che raccoglie integralmente i Precetti di Niccolò di Lira; la seconda parte raccoglie testi di S. Anselmo, S. Bernardo, S. Isidoro]. S.n.d. (ma Colonia, 1505). Cc. (80). Tre parti in due volumi di cm. 13,5. Testo in semi-gotico e graziosi capilettera xil. Ex-libris Paul Schmidt. Ottima legatura ottocentesca in mezzo marocchino rosso con dorso a 4 nervi e titoli in oro. Esemplare corto nel margine alto di alcune cc., sporadiche macchiette e qualche sottolineatura di antica mano. Esemplare peraltro fresco e ben conservato. Prima opera. Gabriele Barletta (? - m. dopo 1480), domenicano forse allievo di S. Antonino a Firenze, fu un celebre oratore e pronunciò sermoni nelle principali chiese d'Italia, "Nescit praedicare qui nescit barlettare". Così la voce B. (DBI, vol. VI): "Citato da storici sia domenicani sia laici, fu - secondo alcuni - maestro di teologia ed esperto pure nel diritto civile e canonico. Scrisse i Sermones quadragesimales et de sanctis costituiti da 52 Sermones domenicales, 28 De sanctis, 3 Extravagantes, 4 De adventu, che furono pubblicati per la prima volta a Brescia da Giacomo Britannico l'ii nov. 1497 U quadragesimali) ed il 13 genn. 1498 (gli altri). In essi, con stile popolare, vengono esaltate le virtù e biasimati i vizi; ciò con l'ausilio di exempla in parte basati sull'osservazione personale, in parte tratti dalla tradizione storico-letteraria sia cla … [Click Below for Full Description]

[Wittenberg, Cranach und Döring 1524. 4to. 6 Bll. nnum. Mit Holzschnitt-Titelbordüre von Lucas Cranach d. Ä. Umschlag. Erste Ausgabe. Die interessante und heute noch aktuelle Schrift ist dem Ritter Hans Schott gewidmet, der Luther bei seiner Ankunft in Worms zum Empfang entgegengeritten war. Luther nimmt hier ausführlich Stellung zum Missbrauch elterlicher Gewalt, die er an und für sich befürwortet, beim Eheschliessungsrecht jedoch deutlich eingrenzt, damit nicht Eltern ihre Kinder zu einer Ehe ohne eigene Zuneigung zwingen könnten, was damals weit verbreitet war. Die schöne Titeleinfassung mit Luthers Initialen M L und der Lutherrose ist verzeichnet und abgebildet bei J. Luther Tafel 42. - Titel mit Nummern und ligiertem Beitzeintrag, Rückseite mit Sammler- bzw. Dublettenstempel, sonst gutes Exemplar. - Erased ownership inscription on title, verso with collector's and duplicate stamp, good copy. - VD16, L-4301; Benzing 1906; WA 15. 156 A. [Attributes: First Edition; Hard Cover; In Dust Jacket]

[S.l. Wien] : [Johann Singriener d.Ä.] 1524. 11 Bll. mit grossem Titelholzschnitt in 8° in Pappband des frühen 20.Jh. *einzelne Randbemerkungen von alter Hand* schönes Expl.*. Drucker und Ort nach dem Expl. der ÖNB AC10269135 - dort allerdings mit 12 Bll. VD 16 nennt insgesamt 11 Druckvarianten für das Jahr 1524 Versand D: 5,00 EUR Literatur

Colofón: En la muy noble et muy leal cibdad de Seuilla por Ioan varela de Salamanca. Acabose a doze dias del mes de Enero. Año de mill et quinientos y veynte y quatro Años, 1524. [Para pedidos desde fuera de España, por favor, consulte las condiciones de venta y envío, tipo B. / For orders to be delivered outside Spain, please, let you see our sale and shipping terms, type B. / Pour les commandes à livrer hors d'Espagne, s'il vous plait, voyez les conditions de vente et de livraison, type B].- // Fol., (273x200 mm).- [4], CLXIX, [1] h. [error de foliación, f. XXII y XXIII por delante de f. XVIII]; sign.: A4, a-v8, x10 [x10, ausente en este ejemplar]; letra gótica a línea tirada; portada en tinta roja con orla xilográfica arquitectónica con figuras de diferentes profetas; iniciales xilográficas.- // Encuadernación moderna en pergamino; lomo liso rotulado; planos mudos; cortes jaspeados. Galería en zona superior del margen interno en sign. h-m y s-t, sin afectar; manchas muy esporádicas (la más fea en f. 71); mitad exterior del folio 104 perdida por rotura vertical, suplida en s. XVII mediante injerto con el texto faltante manuscrito; folios 138 y 139 rasgados en la parte superior, sin pérdida; pequeño cerco de humedad en margen inferior junto al cosido desde f. 129 hasta el final; último folio, x10, con el escudo heráldico de Gonzalo Fernandez de Cordoba xilografiado, ausente. Texto limpio, con algunas anotaciones manuscritas de época en márgenes. Pese a ello, buen ejemplar.- // Proc.: Ex-libris manuscrito bajo el colofón, 'Del maestro fray Bartholome de Blancas'; exlibris d … [Click Below for Full Description]

Paris, [Pierre Vidoué pour] Jehan Petit, 1524. 1 vol. petit in-folio, parchemin souple, titre écrit à la plume au dos. Reliure ancienne, qq. accrocs près des bordures. Bon exemplaire. Titre en rouge et noir dans un encadrement gravé sur bois, orn&é de la marque typographique de Jehan Petit, marque typographique de Pierre Vidoué au v° du dernier feuillet, lettrines ornées ou historiées sur fond criblé, impression en car. romains, (14) ff., CXIII ff., (1) f. Signatures : A6 [B-C]4 [a-t]6. Quelques mouillures angualires en fin de volume, perforation avec léger manque au feuillet de titre. Edition établie avec soin par Sébastien Mengin. Pour le texte elle reprend celui de l'édition de 1506. Composée au début du Ve siècle sur la demande de Saint-Augustin, l'Histoire d'Orose constitue la première histoire universelle chrétienne depuis la cération du monde jusqu'à son époque. Graesse V, 51; Moreau-Renouard III, n°721.

Venetiis: Tacuini de Tridino, 1524. Un volume in 4to (22x32,5 cm) di (4)-LIIII fogli (il foglio IX erroneamente indicato X). Pagina di titolo in rosso e nero in cornice tipografica. 5 incisioni xilografiche (10x7 cm) nel testo; capilettera incisi. Qualche glossa coeva manoscritta al margine; traccia di tarlo al margine bianco basso nei fogli 25/30, e in alto ai fogli 50/54 (questi ultimi toccano anche il testo). Data e indicazioni tipografiche al colophon: Venetiis : in aedibus Ioannis Tacuini de Tridino, 1524 die XXV Februari. Legatura coeva in pergamena, con titolo manoscritto al piatto, che ha una larga mancanza all'angolo superiore sinistro (coinvolgendo il titolo manoscritto). Legatura originale che merita però un restauro professionale. Affascinante figurato del primo 500 dell'opera di Ovidio. (Solo 4 esemplari completi censiti nelle biblioteche italiane).

O.O. u. Dr. (Augsburg, J. Ramminger), 1524. 4to. 8 Bl. (das letzte weiß). Mit großem Titelholzschnitt (Lamm Gottes) u. einer schmalen ornamentalen Randleiste. Umschlag aus altem Marmorpapier. Einer von etwa 10 Drucken im Jahr der Erstausgabe. - Nikolaus Herman(n)s erfolgreichste Schrift und eine der meistgedruckten Flugschriften der Reformationszeit. Zunächst anonym erschienen, wurde sie anfänglich sogar für eine Schrift Luthers gehalten. Hermanns spätere Bedeutung beruht vor allem auf seinen Beiträgen zur Entwicklung des evangelischen Kirchenliedes. In dem vorliegenden 'Mandat Jesu' wird zum erstenmal die literarische Form des Himmelsbriefes für die Zwecke der Reformation benutzt. Das Mandat kommt direkt von Jesus und evoziert die mittelalterliche Lehensordnung mit Jesus als Erbherrn, dem alle Getauften durch ihre Taufe gehuldigt haben. Der Evangelist Matthäus erscheint als Kanzler, Paulus als Hauptmann. Alle werden aufgeboten, um das an den Teufel verlorene Schloß (das von den Papisten verfälschte Evangelium) zurückzuerobern. "Der zuerst seltsam anmutende, eigenartige und drängende Zuruf" (RE VII, 706) hat unter den Zeitgenossen großen Eindruck gemacht. Bis 1614 erschienen 27 Ausgaben, darunter Übersetzungen ins Böhmische und Dänische. - Kuczynski 1006; VD 16 H 2390; vgl. NDB 8, 628. - Braunfleckig. 2 Blatt oben bis an den Satzspiegel beschnitten. [Attributes: First Edition; Hard Cover; In Dust Jacket]

437 S., 20 Bl. 593 (recte 529) S., 22 Bl. Mit 2 Druckermarken auf den Titeln. 8 (19,5 x 13 cm). Pergament des 17. Jahrhunderts mit handschriftlichem Rückentitel. Erste Ausgabe. - Kommentar zum Neuen Testament, gilt als Strigels bedeutendstes Werk. - Victorin Strigel aus Kaufbeuren (1524-1569) zählt als Schüler Melanchthons zu den bedeutendsten evangelischen Theologen seiner Zeit, berühmt sind seine Auseinandersetzungen mit Matthias Flacius Illyricus in Jena, 1562 war Strigel ins kursächsische Leipzig ausgewichen. "Sein reichhaltiges Schrifttum, dem Stil der Zeit entsprechend, weist ihn durchgehend als Repräsentanten der melanchthon. Schule aus, die in ihrer Abendmahlslehre dem (Krypto-) Calvinismus in Deutschland weithin den Weg bereitete" (LThK IX, 1114). - Im oberen Bund durchgehend meist schwach wasserrandig, sonst kaum fleckig, gegen Ende oben etwas knapp beschnitten. Einband minimal bestoßen und gering angestaubt Gutes Exemplar. - Titel mit Besitzvermerk von Heinrich Lubbert "verus possessor huius libri", wohl der "eifrige lutherische Prediger zu Bahlendorf bey Lübeck" (Jöcher II, 2549 1640-1703), von dem Jöcher eine ganze reihe theologischer Werke verzeichnet, wenige Anstreichungen und ganz vereinzelte Marginalien von seiner Hand im Text. *VD 16 S 9600. Adams S 1934. - Vgl. Thomas Pfundner, in: Lebensbilder aus dem bayerischen Schwaben XIV, 55-83.

(Leipzig, eller Wittenberg), Melchior Lotter, 1524. Lille 4to. Nyere helpergamentsbind i gl. stil med synlige rygbånd af pergament på bindsiderne. Lukkestroppe og falsede forkanter. Stempel på titelbladet. Titelbladet med det danske rigsvåben og på bagsiden et stort træstukket portræt af Christian II, begge af Lucas Cranach. 58 blade. Yderst velbevaret og ren. Eksemplaret genkendes fra kataloget over Per Hiertas bogsamling (Björck & Börjesson Katalog 272 (1932), nr. 647), hvor bindet beskrives som "Nytt, falsat pergmtbd. G. Rudbeck 134". Senere i Thore Virgins bogsamling (Bibliotheca Quarforsiana i lille stempel på sidste blanke side). Oprindeligt udskilt fra et bibliotek i Wolfenbüttel (lille stempel på titelbladet). ¶ Den yderst sjældne originaludgave (ganske få i privateje) af Sceppers forsvarsskrift for Christian II mod Kong Frederik I. Bogen, som indeholder Christian II's svar (ved Scepper) på to åbne breve som Frederik I udsendte 1523 og 1524, er et gennemarbejdet forsvar som bygger på historiske kilder. "Schepper omtaler, at Kong Christian har paalagt ham at forfatte dette Skrift. Han gjør opmærksom på, at, skjøndt der efter den Maade paa hvilken Kongen er blevet behandlet, var god grund til at bruge haarde og krænkende Ord, saa har Kong Christien udtrykkelig forbudt ham det, og i den Maaned han har forfattet sir Skrift ("in menstruo hoc labore nostro") har Intet været ham vanskeligere end at styre sin Pen, men Kongen ville ikke tage Hævn over sin Farfader...., men ligeoverfor begge Breve har han iagttaget at stride med Kjendsgjerninger end med Ord." (Bruun I, pp. 31 … [Click Below for Full Description]

S.n.t. (ma Roma, Lodovico degli Arrighi Vicentino e Lautizio Perugino, 1524). In - 4°; 8 cc.; legatura del '900 in tutto marocchino rosso, titolo in oro al dorso, filetto in oro ai piatti, merletto interno. Ex libris al contropiatto anteriore. Buon esemplare. Rarissima prima edizione del maggior contributo teorico del Trissino alla sua battaglia in favore di una scrittura ortofonica della lingua italiana, scritto in forma di epistola indirizzata a Papa Clemente VII. Di questa prima edizione esistono due tirature, entrambe di assoluta rarità, caratterizzate da minime differenze, solo di carattere tipografico: la presente è la seconda, per la quale l'autore stesso introdusse piccole modifiche, volte a cesellare ulteriormente la raffinatissima impostazione. Le nuove lettere proposte e già utilizzate in questa operetta sono la 'e' e la 'o' aperte, la 'z' ottusa, la 'j' e la 'v' consonanti; la grafia usata era mutuata dall'alfabeto greco. Paradossalmente - visto che il Trissino le considerava "di necessità minore" - solo le ultime due trovarono stabile impiego nell'alfabeto italiano. Il contributo di Trissino, seppure non ebbe seguito duraturo nell'ortografia dell'italiano standard, rappresenta uno dei culmini della riflessione teorica cinquecentesca. "E' noto come Giovan Giorgio Trissino, indottosi ad affidare ai torchi le proprie opere, abbia prescelto non già comuni editori di professione, per illustri che fossero, ma eccezionali maestri nell'arte calligrafica, in grado di surrogare in modo perfetto il limpido corsivo cancelleresco dei manoscritti confezionati per la più esig … [Click Below for Full Description]

Gregorio de Gregori, 1524. Due voll. rilegati assieme; in -8°, cc. 286, B; B, 191, B.; pergamena. Chiose amanuensi ai margini. Edizione intermedia, fra la prima e la seconda giuntina (1520 e 1526), della traduzione dal greco dei testi di Appiano Alessandrino, qui divisi in due libri (Braccesi, che non sapeva il greco, tradusse dalla versione latina di Decembrio). La prima edizione delle "guerre esterne" era del 1502 (Roma, Silber). Secondo Argelati (p. 68) quest'edizione è "assai rara".

(In fine:) Impresso in Bologna p. Maestro Geronimo de Beneditti dell'anno della Incarnatione del nostro Signore M.D.XXIIII (1524). In 4°, pergamena del sec. XVII con tit. manoscritto al dorso, tagli azzurri; cc. 55, (1), caratteri romani. Titolo inscritto in ricca cornice xilografica con fregi e illustrazioni allegoriche. Marca tipografica in fine. Prima edizione in lingua volgare, curata dal p. domenicano e storico bolognese Leandro Alberti, di questa importante opera sulla stregoneria. Bell'esemplare, con ampi margini. (E. Scapparone in DBI:) "La polemica contro le nuove forme di paganesimo e l'idea della superstitio quale chiave di lettura complessiva del sapere degli antichi si protrassero ben oltre il De rerum praenotione. Lo confermano i fatti del 1522-23, quando il suo impegno contro le pratiche anticristiane e idolatriche si spostò dal terreno della divinazione cólta a quello della tradizione popolare, intrecciando confutazione teorica e azione pratica. All'indomani dei processi per stregoneria e dei roghi accesi fra i sudditi di Mirandola - per iniziativa dell'inquisitore di Parma e Reggio Girolamo Armellini e del suo vicario, l'ex savonaroliano fiorentino Luca Bettini, ma con il patrocinio e l'attivo coinvolgimento dello stesso Pico, titolare del potere civile su quelle terre -, egli pubblicò la Strix, sive de ludificatione daemonum, composta «in tempo di circa deci giorni» in risposta alle vivaci reazioni suscitate dall'inchiesta (Bologna, G.G. Benedetti, 1523). Alle pagine dell'operetta è consegnata una lettura di «cotesta ria, scelerata e perversa schola del De … [Click Below for Full Description]

per Jacobu Myt, 1524. Due parti, cc. (4) 203 (17); 116 (12). Unito a: NICOLAUS DE LYRA. Preceptorium: sive expositio tripharia perutilis in decalogum legis divine [solo parte prima, completa in sé, che raccoglie integralmente i Precetti di Niccolò di Lira; la seconda parte raccoglie testi di S. Anselmo, S. Bernardo, S. Isidoro]. S.n.d. (ma Colonia, 1505). Cc. (80). Tre parti in due volumi di cm. 13,5. Testo in semi-gotico e graziosi capilettera xil. Ex-libris Paul Schmidt. Ottima legatura ottocentesca in mezzo marocchino rosso con dorso a 4 nervi e titoli in oro. Esemplare corto nel margine alto di alcune cc., sporadiche macchiette e qualche sottolineatura di antica mano. Esemplare peraltro fresco e ben conservato. Prima opera. Gabriele Barletta (? - m. dopo 1480), domenicano forse allievo di S. Antonino a Firenze, fu un celebre oratore e pronunciò sermoni nelle principali chiese d'Italia, "Nescit praedicare qui nescit barlettare". Così la voce B. (DBI, vol. VI): "Citato da storici sia domenicani sia laici, fu - secondo alcuni - maestro di teologia ed esperto pure nel diritto civile e canonico. Scrisse i Sermones quadragesimales et de sanctis costituiti da 52 Sermones domenicales, 28 De sanctis, 3 Extravagantes, 4 De adventu, che furono pubblicati per la prima volta a Brescia da Giacomo Britannico l'ii nov. 1497 U quadragesimali) ed il 13 genn. 1498 (gli altri). In essi, con stile popolare, vengono esaltate le virtù e biasimati i vizi; ciò con l'ausilio di exempla in parte basati sull'osservazione personale, in parte tratti dalla tradizione storico-letteraria sia classico-p … [Click Below for Full Description]

1524. In-8 (15 cm) (2) 115 c. Occhiello, dettagli editoriali al colophon. Piena pergamena floscia coeva, titolo manoscritto al dorso. Cofanetto in cartoncino rivestito di carta decorata. Ossidazione ad un fascicolo (8 carte) rare fioriture, ma nel complesso ottimo e fresco esemplare. Erodiano: storico greco nato verso il 170, forse ad Antiochia, e morto verso il 255; fu una delle piu' importanti fonti per lo studio del primo impero. Gregorio de Gregori tipografo originario di Forlì, figlio di Gregorio o di Antonio, fu attivo a Venezia e a Fano. Lavorò sia da solo che in società con il fratello Giovanni e con Bernardino Stagnino. A Fano stampò, per la prima volta in Europa, un testo in caratteri arabi. Era ancora vivo nel maggio del 1529. Seconda edizione italiana dopo quella giuntina del 1522. Graesse p.524 iii. Herodianus Syrius (ca 170- ca 255). In-8 (5 cm (2) 115 c editorial infrmation on colophon. Full vellum. Some foxing in few pages. Very good copy. Second edition. Importan work to study roman first empire. Graesse p.524 iii.

(In fine:) Venetiis, Greg. de Gregoriis, 1524. in-4, ff. XC num., 2 nn. (ult. bianco) leg. coeva p. perg. , tit. ms. al dorso. Testo in minuto nitidissimo car. corsivo, spazio con lettera-guida per le iniz. Dedica a Rinaldo Polo. Prima edizione dell'opera più significativa dell'umanista veneziano d'origine albanese (1456-1531). Sono 10 dialoghi filosofoci, ad imitazione di Platone e Cicerone, su vari argomenti: De divinatione, De animorum immortalitate, De tribus animorum vehiculis, De nominum inventione, De compescendo luctu, De relativorum natura, De precibus, De aetatum moribus, De alica, De ludo talario. Particolarmente interessanti il primo che tratta della divinazione e delle varie forme di premonizione; il secondo, in cui, prendendo posizione nella discusssione provocata dal Pomponazzi, sostiene che l'anima, sostanza semovente e separata, come vogliono Platone ed Aristotele, è immortale; il penultimo che tocca la gastronomia e la medicina (l'alica è una qualità di orzo con cui si preparava una tisana; per altri ''opuscula'' l'autore è registrato nelle bibliografie di medicina di Wellcome e Durling); ed infine l'ultimo che riferisce di quel tipo di rappresetazione musicale in cui gli attori venivano vestiti d'una tunica (talaris) lunga sino ai talloni. Assai raro. Ottimo esemplare. STC 375. Adams L-507. [Attributes: Hard Cover]

(In fine:) Venetiis, Greg. de Gregoriis, 1524. in-4, ff. XC num., 2 nn. (ult. bianco) leg. coeva p. perg. , tit. ms. al dorso. Testo in minuto nitidissimo car. corsivo, spazio con lettera-guida per le iniz. Dedica a Rinaldo Polo. Prima edizione dell'opera più significativa dell'umanista veneziano d'origine albanese (1456-1531). Sono 10 dialoghi filosofoci, ad imitazione di Platone e Cicerone, su vari argomenti: De divinatione, De animorum immortalitate, De tribus animorum vehiculis, De nominum inventione, De compescendo luctu, De relativorum natura, De precibus, De aetatum moribus, De alica, De ludo talario. Particolarmente interessanti il primo che tratta della divinazione e delle varie forme di premonizione; il secondo, in cui, prendendo posizione nella discusssione provocata dal Pomponazzi, sostiene che l'anima, sostanza semovente e separata, come vogliono Platone ed Aristotele, è immortale; il penultimo che tocca la gastronomia e la medicina (l'alica è una qualità di orzo con cui si preparava una tisana; per altri ''opuscula'' l'autore è registrato nelle bibliografie di medicina di Wellcome e Durling); ed infine l'ultimo che riferisce di quel tipo di rappresetazione musicale in cui gli attori venivano vestiti d'una tunica (talaris) lunga sino ai talloni. Assai raro. Ottimo esemplare. STC 375. Adams L-507. [Attributes: Hard Cover]

Venice Ioane Antonio & Piero Fratelli da Sabio, 1524. Second Edition in Italian, and First Durantino Edition [VITRUVIUS POLLIO, Marcus]. [DURANTINO, Francesco Lutio, Editor] De architectura traducto di latino in vulgare dal vero exemplare con le figure a li soi loci con mirando ordine insignito: con la sua tabula alphabetica: per la quale potrai facilmente trouare la moltitudine de li vocabuli a li soi loci con summa diligentia expositi: enucleati: mai piu da niuno altro fin al presente facto ad immensa vtilitate di ciascuno studioso. Venice: Ioane Antonio & Piero Fratelli da Sabio, 1524. Second Edition in Italian, and first Durantino edition. Folio (12 1/4 x 8 1/4 inches; 310 x 212 mm). [22], 110 leaves. With errata page and colophon. With 136 woodcut figures and diagrams and 101 woodcut initials. The 136 woodcuts 'are close copies of the full set of blocks from the Giocondo edition of 1511 printed at Venice by Giovanni Tacuino. The copies were made for the first Durantino edition' (Mortimer). Title within an elaborate woodcut border and printed in red and black. Full 18th-century vellum. Spine elaborately stamped in gilt. Spine with two morocco labels, lettered in gilt. Some light staining to velum. Occasional old ink notes in text, generally in margin. Overall a very good and clean copy. The first Italian translation of Vitruvius was issued three years previously in 1521 and this edition "is best described as a marriage of the text of Cesarino's translation of 1521 with the woodcut illustrations of Giocondo's edition of 1511" (BAL RIBA, p.2299). "The ten books of ‘On Arc … [Click Below for Full Description]

Venetia,: per Nicolo Zopino e Vicentio compagno, 1524. Venetia, per Nicolo Zopino e Vicentio compagno, 1524. In-16 p. (mm. 155x96), p. pergam. molle con legacci (risg. rifatti), 40 cc.nn. (ultima bianca), frontespizio entro pregevole bordura figur. Introduce la Favola di Orpheo una bella tavola xilografata che raffigura Apollo e le muse mentre suonano strumenti musicali; al recto dell'ultima carta “Epitaphium Angeli Policiani per Iacobum Philippum pellibus nigris Troianum” e al verso marca tipografica con S. Nicola seduto sulla cattedra episcopale. Ristampa dell'edizione 1521, "molto rara". <br> Cfr. Sander,II,5821 - Essling,2103 - Brunet,IV,782 - Gamba, p. 232: “Le famose "Stanze".. scritte dal Poliziano in età di soli 14 anni, sono uno de' più leggiadri componimenti ch'abbia l'italiana poesia”.<br> Con lievi aloni o arross.; 2 cc. restaur. perchè corte di margini, ma buon esemplare.

in-8 de 32 ff. n.ch.-CLI ff. signés A - D, a - t8 (le dernier blanc) ; plein vélin moderne, genre ancien. -Mouillures claires sur la moitié des ff. (la plupart marginales), titre courant lég. atteint sur qq. feuillets. 3e ouvrage imprimé par Jean Crespin, qui exerça de 1524 à 1543.Titre en rouge et noir dans un encadrement allégorique.Baudrier VI-121 ; S. von Gültlingen VI-p. 12 : 3, n'en localise que 3 exemplaires, dont un à la B.M. de Lyon (incomplet du dernier f.).L'édition la plus ancienne mentionnée par le N.U.C. a été imprimée à Lyon en 1521 par Jean Marion. Le Worldcat et le K.V.K. ne mentionnent pas d'édition antérieure. L'édition de 1525 est probablement la seconde, ou la troisième (il existe une édition imprimée à Lyon en 1525 par Antoine du Ry)."Decius (Philippe de Dexio), canoniste, né à Milan en 1454, mort en 1535 ou 1536. Dès l'âge de vingt ans, il enseigna le droit, d'abord à Paris, ensuite à Sienne ; en 1490, il était auditeur de la Rote à Rome ; en 1502, il fut chargé de l'enseignement du droit canon à Padoue. Il était retourné à Pavie, où il professait depuis 1505, lorsqu'il provoqua et dirigea contre Jules II, en faveur de Louis XII, une assemblée de cardinaux mécontents. Excommunié pour ce fait, il dut se réfugier en France, où il devint conseiller du parlement de Grenoble (1510), puis *professeur à Valence*. Léon X, son ancien élève, le manda à Rome. Il fut rappelé en France par François Ier ; mais il rentra bientôt en Italie, et se fixa enfin à Pise." (Encycl. Berthelot XIII-p. 1067).Le De regulis juris fut très souvent réédité au XVIe siècle. En 1556 … [Click Below for Full Description]

Per Bernardino di Vitale, 1524. In 8, 98 cc. Fori di tarlo alle ultime 3 cc. con perdita di qualche lettera n. t. M. pg. ottocentesca. Nota di possesso cinquecentesca al f. 'Rendimi a Lorenzo Ardinghelli' (Possibile che si tratti di un appartenente alla famiglia guelfa degli Ardinghelli di S. Gimignano). Prima edizione italiana tradotta da Gaetano Tizzone da Posi. Gamba, 1732. ITA