Hieronymus Höltzel, 1524. <p>Only edition of this address by Andreas Döber, the Lutheran theologian and chaplain of the New Hospital at Nuremburg, in which he states he has "not stopped the beseeching of the Saints," in accordance with long established Roman order. Essentially, his action did not exclude the use of Latin from the hospital, a break from Protestant tenets. This got Luther's attention, and instead of raising his ire, he saw it as a path to reconciliation and compromise. An important and little-known work in the machine of the Reformation. <i>Quarto,</i> 185 x 145 x 1 mm. A4-B2 (<b>LACKS</b> B2, a blank); [5] <i>ff</i>. Bound in recent plain wraps of old paper. <i>Interior</i>: Minor damp to last leaf. VD16 D2101, Kuczinsky 601</p>

[Paris]: Jodocus Badius Ascensius, 1524. Fifth Badius Edition of the first work; Third Badius Edition of the second work. These are two typical productions of the press operated by the French humanist scholar Jodocus Badius Ascensius, or Josse Bade (1462-1535), who, like the great Aldus Manutius, was known for his editions of classical writers annotated with his own commentary. As Paul White notes in "Jodocus Badius Ascensius: Commentary, Commerce and Print in the Renaissance," Badius "played a central role in the flourishing of humanism and print culture in the French Renaissance." In four decades of printing, Badius issued more than 1,000 books, including multiple editions of both works offered here; his Aulus first appeared in 1511, and the Macrobius in 1515. First printed in 1469, "Attic Nights," the only surviving work by the Roman grammarian Aulus Gellius (ca. 125 - ca. 180), is a vast and charming collection of information gleaned from conversation and reading, a compilation containing observations about grammar, history, philosophy, and many other subjects, the whole of considerable value to us not only for the feeling of the times it conveys, but also for the numerous excerpts it contains from the works of lost ancient authors. The second work contains the two major productions of Macrobius, "In Somnium Scipionis" and the "Saturnalia," first printed by Nicholas Jenson in Venice in 1472. Little is known about the author's life, but from his writings, we conclude that Macrobius was a pagan Neoplatonist living about the year 400, one of a band of scholarly holdouts a … [Click Below for Full Description]

Title within ornamental woodcut border, woodcut initials, woodcut printer's device on verso of penultimate leaf (M7). Italic type. 8vo (152 x 105mm). 95, [1]ff. (D2 misbound between D6 & D7). Quarter calf over modern paper-covered boards, spine gilt with five raised bands, black morocco label with gilt lettered title in second compartment (joints split, boards scuffed, worming at foot of spine). Venice, per Nicolo Zopino e Vicentio compagno, 20 December,

[Leipzig, Jakob Thanner], März 1524. 4°. Mit einer breiten figürl. Holzschn.-Titelbordüre. 22 nn. Bll., Mod. Ppbd. Eine von vermutlich drei Ausgaben im Jahr der Erstausgabe; die erste war auf Emsers Privatpresse in Dresden gedruckt worden. - Berühmte Streitschrift Emsers (1478-1527) über die Messe, welche in einem fingierten Dialog zwischen Emser und Luther abgefasst wurde. Schon nach der Leipziger Disputation von 1519 entwickelte sich Emser zu einem der profiliertesten Gegner Luthers. - Einige zeitgen. Marginalien. Ecken leicht bestoßen. Tlw. schwach fleckig. - VD16, E 1122; vgl. BM STC, German Books 267 (Ausgabe Köln, 1532); nicht bei Kuczynski bzw. Adams. Versand D: 12,80 EUR Alte Drucke bis 1600, Theologie, Philosophie, Emser, Missae christianorum contra Luterana[m] missandi formula[m] assertio, Reformation, Gegenreformation, Luther

Np: Np, ca 1524. Van Leyden, Lucas. 12 x 7.5 cm. One copper engraved plate. BARTSCH B13. Lucas van Leyden was among the first Dutch exponents of genre painting and is generally regarded as a very accomplished engraver. Born in 1494, the engravings herein are early efforts by a highly skilled engraver who learned his art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14. 1524 date appears at lower left corner of the engraving at Abel's knee. Tipped onto paper leaf. Fine. Item #21854.

Np: Np, ca 1524. Van Leyden, Lucas. 12 x 7.5 cm. One copper engraved plate. BARTSCH B13. Lucas van Leyden was among the first Dutch exponents of genre painting and is generally regarded as a very accomplished engraver. Born in 1494, the engravings herein are early efforts by a highly skilled engraver who learned his art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14. 1524 date appears at lower left corner of the engraving at Abel's knee. Tipped onto paper leaf. Fine. Item #21854.

1524. Title within ornamental woodcut border, woodcut initials, woodcut printer's device on verso of penultimate leaf (M7). Italic type. 8vo (152 x 105mm). 95, [1]ff. (D2 misbound between D6 & D7). Quarter calf over modern paper-covered boards, spine gilt with five raised bands, black morocco label with gilt lettered title in second compartment (joints split, boards scuffed, worming at foot of spine). Venice, per Nicolo Zopino e Vicentio compagno, 20 December, Early edition of this allegorical, pastoral comedy by Giovanni Boccaccio, based on the text published by the Giunta press in 1521. Composed 1341-42 and first published in 1478, this work is generally seen to be the forerunner of the Decameron, and is a mixture of prose and verse intended to demonstrate the civilizing influence of love. Ameto, 'vagabondo giovane', encounters a group of nymphs, representing the virtues, in the wilderness where he lives and over the course of the stories they tell, 'd'animale bruto, uomo divenuto essere li pare' - he felt himself transformed from a brute animal into a man. The influence of the Ameto has been identified in the later pastorals of Sannazaro and Bembo, Tasso and Guarini; echoes of one of the tales in particular, concerning the troubles of an aged man in satisfying his younger wife, can be identified in Chaucer's The Merchant's Tale (Correale, 5). Of particular note in this edition is the attractive woodcut device on the verso of f.95, representing the legend of St. Nicholas and the gold coins. This volume is an excellent example of the oeuvre of Niccolo Zoppino, whose woodcu … [Click Below for Full Description]

Ortelius Hieronimus, 1524-1614. Ortelius redivius. 1665 Ortelius, H. - Ortelius redivivus et continuatus, Oder der Ungarischen Kriegs-Empörungen, Historische Beschreibung. Darinnen enthalten alles was sich ... zwischen theils Christlichen Ungarischen Königen und dem Hochlöbl. Ertz-Hauß Oesterreich alß auff einer und dem Türcken und dessen Anhang auff der andern Seiten in Ober- und Nider-Ungarn wie auch Siebenbürgen von dem 1395. biß in das 1607. Jahr ... zugetragen. 2 Tle. in 1 Bd. Mit 1 Kupfertitel, 1 gest. Faltkarte, 53 Kupfertafeln (von 54) sowie 153 gest. Porträts auf 49 Kupfertafeln (st. 40). Frankfurt, D. Fievet für P. Fürst in Nürnberg 1665. Pergamentband d. Zt. Folio. 6 Bll. 431 S., 6 Bll. 5 Bll. (st. 6), 362 S., 11 Bll. Nebehay/Wagner 464. - Lipperheide Ebd 1. - Nitsche/Stender 482. - Dritte und letzte Ausgabe des berühmten Werkes, erstmals 1602 erschienen. Umfangreiche zeitgenössische Chronik der Türkenkriege, mit Ansichten aller wichtigen Schauplätze zumeist aus der Vogelperspektive. Die Kupfer tragen z. Tl. das Monogramm LS, vermutlich für den Künstler Lucas Schnitzler (vgl. Nebehay/W.). Des weiteren enthält das Buch zahlreiche Portäts der beteiligten Kriegsherren beider Seiten. Im vorliegenden Exemplar finden sich im Vergleich zu Nebehay/W. 9 weitere Porträttafeln. "Der 1. Teil enthält die von Meyer bearbeitete Darstellung des Ortelius über die Geschichte Ungarns von 1395 bis 1607. Der eigentlichen historischen Schilderung geht eine geographische, naturkundliche und ethnographische Einführung voraus. Der 2. Teil enthält Meyers Fortsetzung der Geschichte Ungar … [Click Below for Full Description]

Ortelius Hieronimus, 1524-1614. Ungarn/Kriegschronik, Ortelius H., anno 1604, 29Portrs.,30 Taf., UNGARN - ORTELIUS, H., Chronologia oder historische Beschreibung aller Kriegsempörungen unnd belagerungen der Stätt und Vestungen in Ober und Under Ungern mit den Türcken von A. 1395 biß auff gegenwertige Zeit geschehen. Itzund aber von Newem Corrigirt. Nürnberg, Lochner für Sibmacher, 1604. 4. Mit gestoch. Titel, 29 gestoch. Portrs., 30 doppelblattgr. Kupfertafeln und gefalt. Kupferstichkarte. 3 Bl., 581 S. (1 Bl. Errata zwischengeb.), 21 Bl. Mod. Hpgt. mit Rsch. (leicht fleckig, berieben und bestoßen). 135. Nebehay-W. 463 (zweite Ausg. 1603). Seltene dritte Ausgabe der umfangreichen Kriegschronik mit Schlacht und Belagerungsansichten zahlreicher ungarischer Städte in den "Türkenkriegen. Hier auch die oft fehlende Karte vorhanden gegenüber" der zweiten Ausgabe von 1603 um weitere drei Porträts vermehrt. Vorderer Vorsatz mit eingeklebtem Katalogtext und Besitzvermerk, Titel bis an den Rand der Darstellung beschnitten und aufgezogen, viele der Ansichten mit Randausbrüchen (meist mit geringem, tls. auch größerem Darstellungsverlust) und aufgezogen, einige Ansichten knapp beschnitten, Karte mit Ausschnitten im linken Rand, einige meist restaurierte Randläsuren, S. 577/578 verbunden, etw. braunfl., wasserrandig (auch wenige Tafeln) und gebräunt. NACHGEB.: DERS., Continuatio Deß Hungerischen und Sibenbürgischen Kriegswesens, Vom 1. Januarj. Anno 1603. biß auff jetziges 1604. Jar. Ebda. 1604. 1 Bl., 35 S. Erste Ausgabe. Rare third edition of the extensive war chronicle with views o … [Click Below for Full Description]

Basel: 1524. Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves … [Click Below for Full Description]

Basel: Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves. Wood … [Click Below for Full Description]

Sebastian Münster; Konrad Pellicanus [Basle] : J. Froben, [1524] In-8, relié veau estampé à froid ; pièce de parchemin en tête et en pied (reliure 16 ème S.)132 feuillets non chiffrés; a-q8 r4 ; 21 lignes.Une nouvelle édition des Proverbes avec une traduction latine de S. Munster et publiée pour la première fois en 1520. Une deuxième préface par Pellicanus.

Antwerpen, Michiel Hillen van Hoochstraten for Franz Birckmann, 1524. 96 Bll. (A-Z4, &4). Titelbordüre in Holzschnitt und Holzschnittinitialen. Flexibles Pergament mit Rückentitel (Schließbänder fehlen). 4to (200 x 148 mm). Seltene erste Ausgabe. Das wichtigste Werk der Renaissance über weibliche Erziehung und eines der meistgelesenen Bücher des 16. Jahrhunderts. Der aus Spanien gebürtige Vives widmete seine Schrift Katharina von Aragon, der späteren Königin von England und Gattin von Heinrich VIII. Es ist unterteilt in drei Bücher: Über die Jungfrauen; Über die Gattinnen; Über die Witwen. Im Verlauf der Reformation kam es zu einer Blüte humanistischer Erziehungsliteratur. Erasmus von Rotterdam schrieb mehrere an Männer gerichtete Eheschriften. Vives veröffentlichte 1528 als Gegenstück die an Männer adressierte Schrift "De officio mariti". Das Werk dokumentiert den Veränderungsprozess des Geschlechterverhältnisses im Reformationszeitalter und auch das Selbstverständnis der Frau in der Gesellschaft. Die Befürwortung der humanistischen Bildung für die Frauen, das neue Selbstverständnis der Ehe, das sich in der Reformation entwickelte, und viele weitere Positionen von Vives überdauerten die Zeiten. 1996 erschien die erste kritische Ausgabe des Werkes und im Zuge dieser Neuedition begann die Frauen- und Geschlechterforschung das Werk wieder genauer zu untersuchen (J. Jacobi: J. L. Vives, 2011). - Bezug gering fleckig. Stempel auf Titel, teils gering gebrauchsfleckig, ca. 10 Bll. im äußersten w. Rand gering farbfleckig, teils zeitgenössische Marginalien. - Nijhoff/Kronenberg 216 … [Click Below for Full Description]

1524. Gabriel BIEL canone misse. Erudistissimi viri Gabrielis Biel sacre Theosophie lice[n]titai, nostre tempestatis profundissimi, sacri canonis misse, & omnium mysteriorum que de ritu ecclesie catholice in missa fiunt tum mystica, tum literalis expositio optimis quibusque sacerdotibus necessaria, nuperrime maxima diligentia iterum atque iterum revisa et castigata : adiectis marginalibus adnotamentis ex oposculo prestantissimi viri Gaufridi BOUSSARDI theologi doctoris eximii excerptis ac a prioribus hoc signo distinctis. Habes etiam candide lector copiosum indicem omnium rerum scitu dignarum que hoc in opere cotinetur: quo facilius quam scire volueris tibi occurant. Accessit huic operi ex eo Joannis Trittenhemii abbatis Sphanhemensis libro, cui titulus est de scriptoribus ecclesiasticis ipsius Gabrielis Biel vita. Lyon, Simon Vincent, industria Johannis Crespin, chalchographi in famatissimo Lugdunense, 1524. In-4, pleine basane estampée sur ais de bois à fermoirs (l'un est manquant), entrelacs d'arabesques à froids encadrants un quadrilatère à 8 branches sur le premier plat et à 5 compartiments sur le second, reliure usagée, nombreux petits trous de vers, mors fendus, craquelure, haut d'un plat vermoulu consolidé avec de la terre ocre, nombreux petits trous de vers dans le texte plus prononcés en début et fin de volume, déchirure en marge supérieure droite du titre, petits trous de vers comblés au papier collant sur 1 cm au premier feuillet blanc et en marge inférieure, colonne de droite entre les ff. XII et XXVI, nombreuses lettrines ornées, petit trou au f. 129, 2 bois g … [Click Below for Full Description]

(Leipzig, eller Wittenberg), Melchior Lotter, 1524. Lille 4to. Nyere helpergamentsbind i gl. stil med synlige rygbånd af pergament på bindsiderne. Lukkestroppe og falsede forkanter. Stempel på titelbladet. Titelbladet med det danske rigsvåben og på bagsiden et stort træstukket portræt af Christian II, begge af Lucas Cranach. 58 blade. Yderst velbevaret og ren. Eksemplaret genkendes fra kataloget over Per Hiertas bogsamling (Björck & Börjesson Katalog 272 (1932), nr. 647), hvor bindet beskrives som "Nytt, falsat pergmtbd. G. Rudbeck 134". Senere i Thore Virgins bogsamling (Bibliotheca Quarforsiana i lille stempel på sidste blanke side). Oprindeligt udskilt fra et bibliotek i Wolfenbüttel (lille stempel på titelbladet). ¶ Den yderst sjældne originaludgave (ganske få i privateje) af Sceppers forsvarsskrift for Christian II mod Kong Frederik I. Bogen, som indeholder Christian II's svar (ved Scepper) på to åbne breve som Frederik I udsendte 1523 og 1524, er et gennemarbejdet forsvar som bygger på historiske kilder. "Schepper omtaler, at Kong Christian har paalagt ham at forfatte dette Skrift. Han gjør opmærksom på, at, skjøndt der efter den Maade paa hvilken Kongen er blevet behandlet, var god grund til at bruge haarde og krænkende Ord, saa har Kong Christien udtrykkelig forbudt ham det, og i den Maaned han har forfattet sir Skrift ("in menstruo hoc labore nostro") har Intet været ham vanskeligere end at styre sin Pen, men Kongen ville ikke tage Hævn over sin Farfader...., men ligeoverfor begge Breve har han iagttaget at stride med Kjendsgjerninger end med Ord." (Bruun I, pp. 31 … [Click Below for Full Description]

Per Nicola Zopino e Vicentio compagno, Venetia, 1524. Cm.15x9,2. Pg.(352) numerate solo al recto. Legatura ottocentesca in mz.pelle, con piatti marmorizzati e tassello con titoli e filetti in oro al dorso. Frontespizio impresso in rosso e nero in ampia cornice figurata a motivi allegorici. Capilettera calcografici. Interno con impressione ben fresca, solo tracce di antica sgoratura brunita ai margini delle prime carte. Vissuto a Roma a cavallo del II e III secolo, Giuniano Giustino è celebre solo per la presente epìtome delle "Historiae Philippicae" di Pompeo Trogo. > Graesse, III, 514. Adams, I, J/741. 250 gr. [Attributes: Hard Cover]

Basel, Johann Froben, 1524. (132) Bll. Mit 2 versch. Holzschnittdruckermarken am Titel und letzten Bl. verso. (Beigebunden) II: [Melekhet ha-dikduk]. Institutiones grammaticae in Hebraeam linguam [...]. (144) Bll. Mit einigen Musiknoten im Text sowie Holzschnittdruckermarke am Titel (am letzten Bl. verso wdh.). Neuerer Pergamentband. 8vo. In maßgefertigtem Leinenschuber. I: Zweite Ausgabe von Münsters Edition des "Buchs der Sprüche", zuvor 1520 mit seiner ersten eigenen Arbeit überhaupt, einer Einführung in die hebräische Grammatik, herausgegeben. Die "synoptische Wort-für-Wort-Übersetzung" der Textausgaben, wie sie Münster in seinen Heidelberger Jahren edierte, ist Merkmal seines Programms einer "Propagatio linguae sanctae", der "Ausbreitung der Kenntnis der hebräischen Sprache an den deutschen Hochschulen" (Burmeister, S. 11). Zahlreiche hebräische und lateinische Marginalien der Zeit. Am Schluss zeitgenöss. hs. Kaufvermerk. - II: Einzige Ausgabe. Münsters zweite Veröffentlichung, eine Grundlage der modernen Hebraistik. Enthält ab Bl. r1 die sog. Jonas-Polyglotte, den Text des Propheten in hebräischer, chaldäischer, griechischer und lateinischer Sprache, mit Münsters Nachwort, ferner einen hebräischen Widmungsbrief an seine jüdischen Leser, einen Beitrag des Rabbi Moses Kimchi u. a. - Zeitgenöss. getilgter Besitzvermerk am Titel. Untere Ecke des Titelblatts defekt; Papierverluste fachmännisch ergänzt und Textverluste recto und verso in Bleistift nachgetragen. Zahlreiche, überwiegend lateinische Marginalien der Zeit. Beide Werke selten; das erste seit 1950 nicht im Handel … [Click Below for Full Description]

1524. In 8° (cm. 15,5) cc. 95 numerate solo al recto. Frontespizio inquadrato da bella bordura architettonica in xilografia. Marca tipogr. in xilografia incisa al verso dell'ultima carta. Legatura Piena Pelle settecentesca, titolo e fregi oro al dorso, piatto inquadrato da cornice in oro; tagli spruzzati in rosso. Manca l'ultima carta bianca. Qualche abrasione agli angoli e al dorso della legatura. Antica integrazione all'angolo inf. dell'ultima carta, altrimenti bell' esemplare, fresco e nitidamente impresso in bel carattere corsivo. Elegante e rara edizione mancante al Gamba. - Adams, n. 2126; BM STC Italian pag. 108; Graesse, Tomo I pag. 447 in nota. Edit16 CNCE 6260.

(In fine:)Stampata in Roma a Di. XXVII. de Settembre nell anno M.D.XXIIII. Con gratia et privilegio. (Roma, s.t., 1524). in-12, ( 130x68 mm), ff. XXXX, copertina di carta settec. marmorizz. Rarissima terza edizione de ''I Suppositi'', cinque atti in prosa (quella ''riformata et ridotta in versi'' apparirà presso Giolito nel 1551), ''assai rara, citata dalla maggior parte delle bibliografie, ma di rado descritta, e inesattamente'' (cfr. Agnelli-Ravegnani II, p. 96). Lo stesso bibliografo afferma che ''pur seguendo cronologicamente l'editio princeps (impressa a Ferrara, senza note tipogr.), questa stampa di Roma non può dirsi con certezza la seconda edizione dei Suppositi in prosa, inquantoché senza dubbio è esistita una stampa di Siena del 1523, ricordata dal Mazzuchelli, dal Gamba, dal Polidori''. Per l'identicità delle caratteristiche tipografiche (caratteri, frontespizio, formato) può essere considerata ''gemella'' della ''Cassaria'' in prosa del 1525 (Roma, s.n.t., in-12) e, come quella, è da attribuirsi all'officina tipografica del Mazzocco (op. cit., pp. 83 e 96); c'è da notare, però, che lo STC (Italian Books, p. 38) e ICCU (A-2509) l'attribuiscono allo stampatore Francesco Minizio Calvo. Composta nel 1508 e rappressentata nel febbraio del 1509, la comedia è fondata tutta sopra sostituzioni di persone e sopra equivoci, a imitazione dell'Eunuco di Terenzio e dei Captivi di Plauto. Di notevole importanza letteraria tra le cinque commedie scritte dall'A., la presente ispirò Shakespeare per la sua pièce ''Taming of the shrew'' che la conobbe nella traduzione inglese pubbl … [Click Below for Full Description]

Poitiers: Jacques Bouchet pour Enguilbert de Marnef à Paris et à Poitiers, 1524. Second Edition. 188 x 122 mm. (7 3/8 x 5"). [172] leaves. Second Edition. FINE 19TH CENTURY BROWN MOROCCO IN THE JANSENIST STYLE BY CHAMBOLLE-DURU (stamp-signed on front doublure), raised bands, gilt titling, BEAUTIFUL RED MOROCCO DOUBLURES gilt and inlaid in a Grolieresque design, marbled free endpapers, all edges gilt. With woodcut device of the Brothers Marnef on title page and royal arms on verso, and a full-page allegorical frontispiece featuring Daedalus and Icarus flying away from the Minoan labyrinth, apparently pursued by bees, with a few gilt highlights added by a contemporary hand. Front free endpaper with morocco bookplate of Robert Hoe, monogrammed bookplate of Maurice Escoffier, and armorial bookplate of C. L. F. Robinson; title page with illegible red ink library stamp; frontispiece with ink cipher of "AER." Brunet I, 1156; Graesse I, 507; USTC 21032. A touch of light wear to exterior, top edges very slightly bumped, title and a few other leaves with expert repairs to lower margins, pages lightly washed and pressed, in keeping with bibliophilic fashion at the time of re-binding, but the ink still very dark and rich, an occasional negligible blemish, but still A BEAUTIFUL COPY, the contents extremely pleasing, and the doublures especially lustrous and glistening with gold.This is the lovely Hoe copy of a Medieval French morality poem reflecting the increasing public interest in astrology and fortune-telling, including what the author viewed as a mistaken attitude t … [Click Below for Full Description]

Jacques Bouchet pour Enguilbert de Marnef � Paris et � Poitiers, 1524. Poitiers: Jacques Bouchet pour Enguilbert de Marnef à Paris et à Poitiers, 1524. Second Edition. 188 x 122 mm. (7 3/8 x 5"). [172] leaves. Second Edition. FINE 19TH CENTURY BROWN MOROCCO IN THE JANSENIST STYLE BY CHAMBOLLE-DURU (stamp-signed on front doublure), raised bands, gilt titling, BEAUTIFUL RED MOROCCO DOUBLURES gilt and inlaid in a Grolieresque design, marbled free endpapers, all edges gilt. With woodcut device of the Brothers Marnef on title page and royal arms on verso, and a full-page allegorical frontispiece featuring Daedalus and Icarus flying away from the Minoan labyrinth, apparently pursued by bees, with a few gilt highlights added by a contemporary hand. Front free endpaper with morocco bookplate of Robert Hoe, monogrammed bookplate of Maurice Escoffier, and armorial bookplate of C. L. F. Robinson; title page with illegible red ink library stamp; frontispiece with ink cipher of "AER." Brunet I, 1156; Graesse I, 507; USTC 21032. A touch of light wear to exterior, top edges very slightly bumped, title and a few other leaves with expert repairs to lower margins, pages lightly washed and pressed, in keeping with bibliophilic fashion at the time of re-binding, but the ink still very dark and rich, an occasional negligible blemish, but still A BEAUTIFUL COPY, the contents extremely pleasing, and the doublures especially lustrous and glistening with gold. This is the lovely Hoe copy of a Medieval French morality poem reflecting the increasing public interest in astrology and fortune-tellin … [Click Below for Full Description]

[Wittenberg, Cranach und Döring 1524. 4to. 6 Bll. nnum. Mit Holzschnitt-Titelbordüre von Lucas Cranach d. Ä. Umschlag. Erste Ausgabe. Die interessante und heute noch aktuelle Schrift ist dem Ritter Hans Schott gewidmet, der Luther bei seiner Ankunft in Worms zum Empfang entgegengeritten war. Luther nimmt hier ausführlich Stellung zum Missbrauch elterlicher Gewalt, die er an und für sich befürwortet, beim Eheschliessungsrecht jedoch deutlich eingrenzt, damit nicht Eltern ihre Kinder zu einer Ehe ohne eigene Zuneigung zwingen könnten, was damals weit verbreitet war. Die schöne Titeleinfassung mit Luthers Initialen M L und der Lutherrose ist verzeichnet und abgebildet bei J. Luther Tafel 42. - Titel mit Nummern und ligiertem Beitzeintrag, Rückseite mit Sammler- bzw. Dublettenstempel, sonst gutes Exemplar. - Erased ownership inscription on title, verso with collector's and duplicate stamp, good copy. - VD16, L-4301; Benzing 1906; WA 15. 156 A. [Attributes: First Edition; Hard Cover; In Dust Jacket]

Basel: Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves. Wood … [Click Below for Full Description]

Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1524 Complet Fonctionne de Lactantius Byzantin Constantinople Orthodoxe Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. Œuvres complètes de 1524 de Lactantius byzantin orthodoxe de Constantinople Constantin Très Rare impression sur christianisme primitif & plus Lucius Caecilius Firmianus Lactantius était un auteur chrétien tôt (c. c. 250-325) qui est devenu conseiller auprès du premier empereur de Christian Roman, Constantine j'ai. Nous ne trouvons pas un autre exemple de cette impression très rare à la vente dans le monde entier Auteur principal: Lucius Caecilius Firmianus Lactance titre: Opera Omnia... publié: Basel ; Cratander. 1524. Langue: Latin Notes & contenu: · 1er Édition · 19 bellee-liaison fin de siècle · Travaux incluent : le Divinarum institutionum Libri VII le De ira Dei Liber j'ai le De opisicio Liber Dei j'ai le Quintessence de libros suos, liber acephalos le Phénix le Résurrection de Carmen de la Dominique le Carmen de passione Domini · Petites coupes supprimés de la page de titre (censure) LIVRAISON GRATUITE DANS LE MONDE ENTIER porter: porter comme on le voit sur les photos Reliure: reliure demi-cuir bien serré et sûr Pages: complète avec tous les 415 pages ; plus index, préfaces et tel Éditeur: Bâle ; Cratander. 1524. Taille: ~ 8 po X 5,5 po (22 cm x 14 cm) LIVRAISON … [Click Below for Full Description]

Venice: Luc' Antonio Giunta, 1524. 1st Edition. Hardcover. Good. 1st Edition. Hardcover. Folio - over 12 - 15" tall. 10 March 1524. Folio (320 x 212 mm). [4], 44 (of 45) leaves (lacking fol. 15). Without final blank. Signatures: +4 a-e8 (-b7) f6 (-f6). Colophon: "Venetiis mandato & impe[n]sis Domini Luce Antonii Junta...M.D.XXIIII. Die. X martii" Decorative woodcut initials throughout, large woodcut device on colophon. 18th century calf (hinges repaired, boards and extremities worn). Text with light dampstaining throughout, title and preliminaries a bit soiled and browned, otherweise only little browned, small hole not touching text in title-leaf, a few ink annotations in contemporary hand. The missing leaf 15 was torn off from binding with portion left at gutter. Provenance: Hugh Selbourne (small ink stamp to verso title-page); Robert Ramsay (inscription to front pastedown). ---- Norman 427; NLM/Durling 907; not in Adams or Wellcome. FIRST GIUNTA EDITION, very rare. Celsus' De medicina, written c. 30 C.E., is the oldest Western medical document after the Hippocratic writings, the earliest major medical treatise written in Latin to survive, and the first of the treatises on medicine from the ancient world to be published in English. Prior to this edition of Celsus, fragments of Hippocrates, such as the Hippocratic Oath, were translated into English, but virtually all of Hippocrates, Galen and other classical writers on medicine and surgery waited until the nineteenth or twentieth century to be translated. Celsus remains the most important source of present-day knowled … [Click Below for Full Description]

Gregorio de Gregori, Venezia, 1524. Due voll. rilegati assieme; in -8°, cc. 286, B; B, 191, B.; pergamena. Chiose amanuensi ai margini. Edizione intermedia, fra la prima e la seconda giuntina (1520 e 1526), della traduzione dal greco dei testi di Appiano Alessandrino, qui divisi in due libri (Braccesi, che non sapeva il greco, tradusse dalla versione latina di Decembrio). La prima edizione delle "guerre esterne" era del 1502 (Roma, Silber). Secondo Argelati (p. 68) quest'edizione è "assai rara". [Attributes: First Edition]

Jean Petit, 1524. Cm. 23,5, cc. (6) xciv. Grande marchio di Petit al frontespizio e numerose incisioni xilografiche nel testo. Legatura settecentesca in piena pergamena semirigida con titoli impresso in oro al dorso. Alcune note coeve manoscritte nel testo. Esemplare marginoso e ben conservato. Con un minuscolo forellino di tarlo alle carte centrali e qualche macchia ai piatti, ma complessivamente molto ben conservato. Affascinante edizione di questa celebre cronistoria universale stilata dal teologo e storico tedesco Werner Rolewinck.

1524. SELTENE FRÜHE BIBEL-AUSGABE / POSTINKUNABEL IM ORIGINAL-EINBAND Biblia cum summarioru(m) apparatu... insignita: cui... add. sunt marginales add.: annales et gentis cuiusque... historias notantes Seltene Ausgabe, gedruckt in Lyon,im Verlag von G. de Villiers aus dem Jahre 1524. Mit 1 ganzseitigen Holzschnitt, einigen kleinen Textholzschnitten und zahlreichen Holzschnitt-Initialen. Kollationierung: 30 nn., 500 num., 38 (v. 54) nn. Blatt. Gebunden in einen blindgeprägten Ganzledereinband der Zeit über Holzdeckel gezogen mit 2 Metallschließen und 9 (v.10) Metallbeschlägen. BM, French Books, 53. Adams B 990. Baudrier XI, 393. Panzer VII, 335. - Der schöne ganzseitige Holzschnitt mit Darstellung der 6 Schöpfungstage nach dem Holzschnitt der Marechal-Bibel. Titel in Rot und Schwarz mit roter Druckermarke. ZUSTAND: Gutes Exemplar, Buchrücken bescharbt und bestossen,Aussengelenk leicht angeplatzt, Vorsatz und Titel mit Besitzervermerken,Innengelenk etwas angebrochen, gute Bindung, durchgehend etwas gebräunt unbd leicht fleckig. Überweisung auf DEUTSCHES ODER SCHWEIZER KONTO. Der versicherte Versand innerhalb Deutschlands kostet 6,00 Euro. Für den Versand innerhalb der Schweiz, Portokosten bitte gesondert erfragen. Für den Versand in das europäische Ausland und nach Übersee bitte ebenfalls Portokosten erfragen. Viel Spass beim Bieten und beim Einkauf. [Attributes: Hard Cover]

Venice, 1524. Venice. Please feel free to request a detailed description. Short description (computer translated from Russian into English): Mishne Tora, 1524, Venice. Author: Rambam. Language: Hebrew. We have thousands of titles and often several copies of each title may be available. Please contact us for details on condition of available copies of the book. SKU000150066 . Good. Hardcover. n/a. 1524.

Jean Petit,, Parisis, 1524. Cm. 23,5, cc. (6) xciv. Grande marchio di Petit al frontespizio e numerose incisioni xilografiche nel testo. Legatura settecentesca in piena pergamena semirigida con titoli impresso in oro al dorso. Alcune note coeve manoscritte nel testo. Esemplare marginoso e ben conservato. Con un minuscolo forellino di tarlo alle carte centrali e qualche macchia ai piatti, ma complessivamente molto ben conservato. Affascinante edizione di questa celebre cronistoria universale stilata dal teologo e storico tedesco Werner Rolewinck. [Attributes: Hard Cover]

1524. Aldine anchor devices on first and last leaves. 2 vols. 8vo. Iliad (160 x 103mm), 277 [1]ff. Contemporary limp vellum, 'Home. Ilias' along bottom edge (soiled, ties missing); Odyssey (160 x 98mm), 251, [1]f. 17th century vellum over boards, r.e. Venice, heirs of Aldus the elder, April 1524. The two separate volumes from the third Aldine edition are reunited here; the Odyssey volume being the poet Ernest Dowson's copy acquired while he was at Oxford. Dowson (1867-1900) entered Queen's College in 1886 but he left in March 1888 after five terms, without completing the papers for honour moderations. Although short-lived he became a leading figure of the 'Decadent' movement and T. S. Eliot, for instance, felt Dowson to be the most gifted and technically perfect poet of his age. Based on the 1517 Aldine edition both volumes are printed in Greek throughout, except for the two letters in Latin from Aldus to Girolamo Aleandro, which were reprinted from the first Aldine edition. The first volume contains the Iliad and Herodotus' Life of Homer, and the second comprises the Odyssey and Homeric Hymns. The Aldine Homer is rarely found in uniform sets, or when the bindings are uniform, the editions are not. Provenance: Iliad: contemporary inscription of 'Francisci Botesini' on fly-leaf. Printed label at foot of title-page of 'R. Robertson of Montgreenan Glasgow'. Odyssey: Ernest Dowson's copy 'Ex libris Ernesti C. Dowson, e Coll. Reg. Oxon'. Earlier inscriptions on title-page of 'P. Pett 1800', notes in pencil. Ahmanson-Murphy 226. Renouard 98:1. [Attributes: Hard Cover]

Geronimo de Beneditti, Bologna. [Colophon:] Impresso in Bologna: per maestro Geronimo de Beneditti da Bologna, 1524. del mese de Aprile. In-4 (205x140 mm.), ff. 55, (1); segnatura: 2a-2o4. Carattere romano. Titolo racchiuso entro un quadro di figure barocche (altare sacrificale, quattro putti alati che sorreggono cornucopie e tralci di vite). Impresa tipografica di Geronimo de Beneditti al recto della carta finale 2o4. Legatura in piena pergamena settecentesca con titolo inciso in oro su tassello al dorso. Tagli in bleu. Un ex libris manoscritto cassato al frontespizio. Bell'esemplare. Prima edizione fatta italiana sulla latina (dell'anno precedente) da Leandro Alberti, il quale vi premise una breve prefazione e una dedicatoria a Giovanna Carafa Pica, moglie di Gianfrancesco. E' questo il primo libro in lingua italiana dedicato alla stregoneria. Vi si resoconta l'attività stregonesca e quindi anti-stregonesca che colpì i principati di Mirandola e Concordia a cavaliere tra il 1522 e 1523 e che condusse al rogo sette uomini e tre donne, accusati di avere animato tregende, sabba e un particolare gioco paganamente erotistico denominato "Gioco della Donna". Opera molto rara. Bibliografia: Casanatense, 974. Adams II, P-1160. Sander II, 5688. Wellcome (elenca solo l'edizione del 1556). [Attributes: Hard Cover]

1524. Basel: Valentin Curio, 1 September 1524.4to, [76]pp. Greek and Latin on opposite pages, historiated woodcut initials, woodcut printer's device at the end. Modern half vellum and decorative boards, at foot of title is a contemporary presentation inscription from "Menradus" (possibly the humanist Menradus Molther, d. 1558) to one "Matthaeus", monastic library stamp on title (partly defaced), profuse manuscript annotations in a contemporary hand on six pages of the Greek text. § (Description courtesy of Fred Schreiber, upon which I cannot improve). "The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. In this first-person narrative the author sets sail with a crew of fifty companions from the Straits of Gibraltar, intending to sail across the Atlantic, but is swept away by a storm for seven days and seven nights, eventually landing on the moon; there the travelers observe the first interplanetary war in literature, fought between the "Selenitai" (People of the Moon) and the "Heliotai" (People of the Sun) over colonization rights to the Morning Star. The combatants, in true science-fantasy fashion, consist of fanciful creatures that are the spiritual ancestors of those found in Flash Gordon, Star Wars, and Star Trek: "Hippogypoi" (Vulture-Knights), "Hippomyrmekoi" (Ant-Knights), "Skorodomachoi" (Garlic-Fighters), "Psyllotoxotai" (Flea-Archers), "Lachanopteroi" (The Vegetable-Winged), … [Click Below for Full Description]

Basel: Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves. Wood … [Click Below for Full Description]

Froben, 1524. In-12 ( 160 X 105 mm ), demi-basane bronze, dos lisse orné de filets dorés ( Reliure du XIX e siècle ). Texte en Hébreu, latin et grec. Très belle impression du XVIe du célèbre imprimeur suisse FROBEN. Reliure frottée, très bel état intérieur. Linguistique Philologie Grammaire Hebraïsme Hebreu Grec Latin Imprimerie

Landshut,: Johann Weyssenburger, 1524. Landshut,: Johann Weyssenburger,, 1524.. First edition, quarto (197 by 152mm), title with large woodcut globe, arms of the Cardinal Archbishop of Salzburg on verso, full-page woodcut on p. [viii], the first quire printed in red and black, profusely illustrated with woodcuts depicting globes, scientific instruments, astronomical and geographical maps and diagrams, etc., the illustrations on pages (Cols.) 17, 24, 50, 63 and lv with well-preserved volvelles; without the two unused volvelles occasionally attached to the final printed leaf, being parts of the illustration of Apianus's ‘Instrumentum syderale', contemporary limp vellum, re-cased. Collation: [pi]4"; A-M4; 4: 56 leaves, 4 blank; with many mis-signings. A lv-M4v paginated (as “Col.”) 2-104. Petrus Apianus (1495-1552) was born in Saxony as Peter Bienewitz. He studied at the University of Leipzig from 1516 to 1519, where he took a Latinised version of his German name: Petrus Apianus. In 1520 he moved to Vienna, where he was part of the second Vienna school of cartography, and produced his first world map there. He then moved again to Landshut, where he produced the ‘Cosmographicus liber' in 1524, his first major work. Based on the theories of Ptolemy, it contains paper instruments called volvelles, which Apianus would use so effectively in his work that they are sometimes known as Apian wheels. It covers “the division of the earth into climatic zones, the uses of parallels and meridians, the determination of latitude, several methods for determining longitude including that of … [Click Below for Full Description]

Venice no printer's name Gregorio De Gregori?, 1524. TRENCIERE, ARTEGLIARIE, CAVE, DARE AVISAMENTI SENZA MESSO ALLO AMICO, FARE ORDINANZE, BATTAGLIONI, ET PONTI DE DISFIDA CON LO PINGERE, OPERA MOLTO UTILE CON LA EXPERIENTIA DE L'ARTE MILITARE. SECOND EDITION, 1524, in 4 books, Italian text. Small 8vo, approximately 150 x 95 mm, 6 x 3¾ inches, title page with woodcut pictorial border by Eustachio Celebrino, showing at the top Mars and Bellona, Roman god and goddess of war, 2 soldiers fighting with swords and shields, at the sides weapons and armour and at the bottom 2 armies facing each other, 10 full page woodcut illustrations, 11 illustrations in the text, 1 full page illustration shows fireworks, the others show siege engines, bastions, mines, battering rams, bridges, bellows and diving equipment, 26 typographical diagrams of battle formations, 6 full page, 4 large decorated initials, leaves: [8], 1-71 numbered on rectos only, making a total of 142 pages, lacking final blank leaf, bound in modern half calf over patterned paper boards, raised bands and blind rules to spine, no label or lettering. Title page upper margin cropped close not affecting woodcut border, 2 small inkstains affecting border, occasional pale marks to margins, small ink mark to 1 text page with loss of 2 letters, small stain to another, no loss of legibility, small closed tear to 1 lower margin, tiny paper flaw to 1 lower corner, light brown stain to upper edge of leaves 49-71, small light brown stain to last 3 leaves, no loss of legibility, small margin corner cut from final leaf. A very good copy o … [Click Below for Full Description]

Basel: Shipment will always and only traceable. We make a single shipment for more items purchased. Shipping worldwide. The pictures below are an important part of the description. Therefore the pictures must be viewed carefully. We accept payment with -B-a-n-k-T-r-a-n-s-f-e-r- At the discretion of europe buyers or holding a paypal account in Euro: if buyers have an Euro account, we prefer to receive payment through paypal in Euro. Due to of the continuous change of Dollar and Euro, for the payment we will see and we will take valid the final price (in Euro) when the auction will be terminated. Per gli acquirenti italiani: se il pagamento sarà effettuato tramite bonifico bancario la spedizione sarà gratuita. Please make bid only if you are truly interested to buy. Thanks and good auction! TWO VOLUMES BOUND IN ONE VOLUME INCLUDES: The First Account in Literature of a Trip to the Moon. First separate edition in the original Greek of the True Story, the first account in literature of a trip to the Moon, by the second-century A.D. Syrian-Greek satirist Lucian of Samosata. Two volumes in one vol. in 4 (20 x 15 cm) Binding (XIX century) in half leather. Some lacks to the spine. Good conditions: some brownings and light waterstains at the corners of the lower margin. TITLE: 1) Orpheus. Orphei poetarum vetustissimi Argonauticon opus graecum, cum interpretatione latina incerti autoris, recens addita, & diligentius quàm hactenus emendata. apud inclytam Germaniae Basileam Anno domini 1523 (colophon:) Basileae: in aedibus Andreae Cratandri, mense Iunio 1523. COMPLETE: (56) leaves. Wood … [Click Below for Full Description]

I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. 1524 Complete Works of Lactantius Byzantine Constantinople Constantine Orthodox Very Rare Printing on Early Christianity & More Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I. We do not find another example of this very rare printing for sale worldwide Main author: Lucius Caecilius Firmianus Lactantius Title: Opera Omnia... Published: Basel; Cratander. 1524. Language: Latin Notes & contents: · 1st edition · Beautiful 19th-century fine binding · Works include: o Divinarum institutionum Libri VII o De ira Dei Liber I o De opisicio Dei Liber I o Epitome in libros suos, liber acephalos o Phoenix o Carmen de dominica resurrection o Carmen de passione Domini · Small cuts removed from title page (censorship) FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure fine leather binding Pages: complete with all 415 pages; plus indexes, prefaces, and such Publisher: Basel; Cratander. 1524. Size: ~8in X 5.5in (22cm x 14cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our first priority. Notify us within 7 days of receiving your item and we will offer a full refund guarantee without reservation. $750 Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I, guiding his religious po … [Click Below for Full Description]

I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. 1524 Complete Works of Lactantius Byzantine Constantinople Constantine Orthodox Very Rare Printing on Early Christianity & More Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I. We do not find another example of this very rare printing for sale worldwide Main author: Lucius Caecilius Firmianus Lactantius Title: Opera Omnia... Published: Basel; Cratander. 1524. Language: Latin Notes & contents: · 1st edition · Beautiful 19th-century fine binding · Works include: o Divinarum institutionum Libri VII o De ira Dei Liber I o De opisicio Dei Liber I o Epitome in libros suos, liber acephalos o Phoenix o Carmen de dominica resurrection o Carmen de passione Domini · Small cuts removed from title page (censorship) FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure fine leather binding Pages: complete with all 415 pages; plus indexes, prefaces, and such Publisher: Basel; Cratander. 1524. Size: ~8in X 5.5in (22cm x 14cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our first priority. Notify us within 7 days of receiving your item and we will offer a full refund guarantee without reservation. $750 Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 250 - c. 325) who became an advisor to the first Christian Roman emperor, Constantine I, guiding his religious po … [Click Below for Full Description]

ERASMUS, DESIDERIUS. Hyperaspistes diatribae adversus Servum Arbitrium Martini Lutheri...[BOUND WITH: De libero arbitrio]. Basel: Froben (1526, 1524). These two works mark Erasmus' foray into the complex theological questions of predestination and free-will raised by Martin Luther. Written at the urging of his friend St. Thomas More and Pope Clement VII, De libero arbitrio is a polemical discourse intended to refute Luther's notion that all things are directly controlled by God, including human free will. The work provoked a fiery response from Luther, who the following year published one of his most famous works, De servo arbitrio (Hans Lufft: Wittenberg): 'On the Bondage of the Will.' Erasmus continued the polemic with Hyperaspistes, published in 1526 and the first work bound in here. Both works found here are first editions from the press of Johannes Froben. Large wood-cut initial at beginning of first work. 8vo (15.9 x 10.7cm), [156pp.] & [48pp.]. Initial leaves of first work and final leaves of second work have small staining to upper corners. Second work has several stamps to title-page and is a bit toned throughout. Some antique marginalia and scoring in second work. Bound in modern black morocco. [I: Adams E, 673. II: Vander Haeghen I, 20; Kossmann 178; Bezzel 1263; De Reuck 152; Adams E, 595; BMC VIII.927(948)]. [Attributes: First Edition]

Nuremberg: Fredericus Peypus, 1524. [4],51,[1] leaves, with a half-page woodcut portrait of Emperor Charles V on titlepage recto, full-page woodcut of the royal arms on titlepage verso, numerous woodcut initials throughout, and woodcut printer's device on verso of final numbered leaf. 19th-century full red morocco, gilt ruled boards and turn-ins, elaborately gilt spine, a.e.g. Light wear to corners and spine ends. 20th-century pencil annotations in front free endpapers. One small wormhole near gutter margin through text block, expertly restored. Light tanning, scattered faint foxing. A fine copy. Sir Thomas Phillipps' copy of the first Latin edition of Cortés' Third Letter, containing his account of the destruction of Tenochtitlán, and one of the most significant documents of the Spanish conquests in the Americas during the early 16th century. In this letter, Cortés recounts in vivid detail the events after the "Noche de Tristas" on June 30, 1520, during which the Spanish and their Mexican Indian allies were initially driven from Tenochtitlán after the death of Montezuma. Over the course of the next fourteen months, the Spanish would fight their way back to the Aztec capital and the climax of the letter is Cortés' harrowing description of capture and destruction of Tlatelolco and Tenochtitlán, and the surrender of Cuauhtémoc, marking the end of the Aztec Empire and the beginning of firm Spanish control in Mexico and Central America, what Cortés had coined "New Spain." Cortés wrote this letter at Coyoacá … [Click Below for Full Description]

Oppenheim, Jacob Cobel, 1524 ; in-folio de [10] ff., 78 ff., vélin moderne à la Bradel. Seconde édition latine de ce traité sur la fabrication des astrolabes et leur utilisation pour les calculs astronomiques. La Renaissance est la période de perfectionnement ultime de l'instrument. Il faudra ensuite attendre l'invention du chronomètre pour améliorer les calculs. On trouve en début d'ouvrage un poème scientifique composé par Philippe Mélanchton, élève de Stöffler. Le traité contient 44 bois gravés dans le texte, dont 26 figures à pleine page et 4 figures « à système » comportant des parties mobiles ou dépliantes. La belle marque gravée de l'imprimeur figure au dernier feuillet. Quelques marques de soulignement ; erreur de numérotation f. 24, petit manque à l'un des éléments dépliants f. 21, quelques rousseurs, mouillures et taches, travail de vers sans atteinte aux 25 premiers feuillets. Bel ouvrage, considéré comme le plus important traité sur l'astrolabe et évocateur des progrès scientifiques de la Renaissance.

Nuremberg: Fredericus Peypus, 1524. [4],51,[1] leaves, with a half-page woodcut portrait of Emperor Charles V on titlepage recto, full-page woodcut of the royal arms on titlepage verso, numerous woodcut initials throughout, and woodcut printer's device on verso of final numbered leaf. 19th-century full red morocco, gilt ruled boards and turn-ins, elaborately gilt spine, a.e.g. Light wear to corners and spine ends. 20th-century pencil annotations in front free endpapers. One small wormhole near gutter margin through text block, expertly restored. Light tanning, scattered faint foxing. A fine copy. Sir Thomas Phillipps' copy of the first Latin edition of Cortés' Third Letter, containing his account of the destruction of Tenochtitlán, and one of the most significant documents of the Spanish conquests in the Americas during the early 16th century. In this letter, Cortés recounts in vivid detail the events after the "Noche de Tristas" on June 30, 1520, during which the Spanish and their Mexican Indian allies were initially driven from Tenochtitlán after the death of Montezuma. Over the course of the next fourteen months, the Spanish would fight their way back to the Aztec capital and the climax of the letter is Cortés' harrowing description of capture and destruction of Tlatelolco and Tenochtitlán, and the surrender of Cuauhtémoc, marking the end of the Aztec Empire and the beginning of firm Spanish control in Mexico and Central America, what Cortés had coined "New Spain." Cortés wrote this letter at Coyoacán and dated it May 15, 1522. It reached Europe by November 1522, thou … [Click Below for Full Description]

Nuremberg: Fredericus Peypus, 1524. [4],51,[1] leaves, with a half-page woodcut portrait of Emperor Charles V on titlepage recto, full-page woodcut of the royal arms on titlepage verso, numerous woodcut initials throughout, and woodcut printer's device on verso of final numbered leaf. 19th-century full red morocco, gilt ruled boards and turn-ins, elaborately gilt spine, a.e.g. Light wear to corners and spine ends. 20th-century pencil annotations in front free endpapers. One small wormhole near gutter margin through text block, expertly restored. Light tanning, scattered faint foxing. A fine copy. Sir Thomas Phillipps' copy of the first Latin edition of Cortés' Third Letter, containing his account of the destruction of Tenochtitlán, and one of the most significant documents of the Spanish conquests in the Americas during the early 16th century. In this letter, Cortés recounts in vivid detail the events after the "Noche de Tristas" on June 30, 1520, during which the Spanish and their Mexican Indian allies were initially driven from Tenochtitlán after the death of Montezuma. Over the course of the next fourteen months, the Spanish would fight their way back to the Aztec capital and the climax of the letter is Cortés' harrowing description of capture and destruction of Tlatelolco and Tenochtitlán, and the surrender of Cuauhtémoc, marking the end of the Aztec Empire and the beginning of firm Spanish control in Mexico and Central America, what Cortés had coined "New Spain." Cortés wrote this letter at Coyoacá … [Click Below for Full Description]

1524. Venedig, G.Giolito di Ferrarii, 1549. 8vo. Cont.limp vellum. Remedies of ties. A few wormholes in the text. (14), (660) pp. Describing the wars with the Turks.

Likely Germany (Limburg an der Lahn), 1500-1524. Folio (220 x 305 mm). Latin composite manuscript (black ink) on paper. (100), (7 blank) ff. Some rubrication and red highlights; a few initials in gilt and red or blue. - (Bound with) II: Rolewinck, Werner. Fasciculus temporum. Cologne, Ludwig von Renchen?, not after 1483. (73 [instead of 74]) ff. With numerous woodcuts in the text, coloured by a contemporary hand. Index and first half rubricated, a few Lombardic initials. Contemporary wooden boards (upper board restored) with calf spine on three raised double bands. Early 16th century Latin manuscript of al-Qabisi's most influential work, "al-Madkhal" (in the translation of Joannes Hispalensis from 1144): an introduction to some of the fundamental principles of genethlialogy, the astrological science of casting nativities, or divination as to the destinies of newborns. The author, known as Alchabitius in the Latin tradition, flourished in Aleppo, Syria, in the middle of the tenth century. "Although al-Qabisi's education was primarily in geometry and astronomy, his principal surviving treatise, 'Al-madkhal ila sina'at ahkam al-nujum' ('Introduction into the Art of Astrology') in five sections [.], is on astrology. The book, as the title indicates, is an introductory exposition of some of the fundamental principles of genethlialogy; its present usefulness lies primarily in its quotations from the Sassanian Andarzghar literature and from al-Kindi, the Indians, Ptolemy, Dorotheus of Sidon, Masha'allah, Hermes Trismegistus, and Valens" (DSB). Together with the writings of Abu Ma' … [Click Below for Full Description]

Lione, per Jacobu Myt, 1524. Due parti, cc. (4) 203 (17); 116 (12). Unito a: NICOLAUS DE LYRA. Preceptorium: sive expositio tripharia perutilis in decalogum legis divine [solo parte prima, completa in sé, che raccoglie integralmente i Precetti di Niccolò di Lira; la seconda parte raccoglie testi di S. Anselmo, S. Bernardo, S. Isidoro]. S.n.d. (ma Colonia, 1505). Cc. (80). Tre parti in due volumi di cm. 13,5. Testo in semi-gotico e graziosi capilettera xil. Ex-libris Paul Schmidt. Ottima legatura ottocentesca in mezzo marocchino rosso con dorso a 4 nervi e titoli in oro. Esemplare corto nel margine alto di alcune cc., sporadiche macchiette e qualche sottolineatura di antica mano. Esemplare peraltro fresco e ben conservato. Prima opera. Gabriele Barletta (? - m. dopo 1480), domenicano forse allievo di S. Antonino a Firenze, fu un celebre oratore e pronunciò sermoni nelle principali chiese d'Italia, "Nescit praedicare qui nescit barlettare". Così la voce B. (DBI, vol. VI): "Citato da storici sia domenicani sia laici, fu - secondo alcuni - maestro di teologia ed esperto pure nel diritto civile e canonico. Scrisse i Sermones quadragesimales et de sanctis costituiti da 52 Sermones domenicales, 28 De sanctis, 3 Extravagantes, 4 De adventu, che furono pubblicati per la prima volta a Brescia da Giacomo Britannico l'ii nov. 1497 U quadragesimali) ed il 13 genn. 1498 (gli altri). In essi, con stile popolare, vengono esaltate le virtù e biasimati i vizi; ciò con l'ausilio di exempla in parte basati sull'osservazione personale, in parte tratti dalla tradizione storico-letteraria sia cla … [Click Below for Full Description]

[Wittenberg, Cranach und Döring 1524. 4to. 6 Bll. nnum. Mit Holzschnitt-Titelbordüre von Lucas Cranach d. Ä. Umschlag. Erste Ausgabe. Die interessante und heute noch aktuelle Schrift ist dem Ritter Hans Schott gewidmet, der Luther bei seiner Ankunft in Worms zum Empfang entgegengeritten war. Luther nimmt hier ausführlich Stellung zum Missbrauch elterlicher Gewalt, die er an und für sich befürwortet, beim Eheschliessungsrecht jedoch deutlich eingrenzt, damit nicht Eltern ihre Kinder zu einer Ehe ohne eigene Zuneigung zwingen könnten, was damals weit verbreitet war. Die schöne Titeleinfassung mit Luthers Initialen M L und der Lutherrose ist verzeichnet und abgebildet bei J. Luther Tafel 42. - Titel mit Nummern und ligiertem Beitzeintrag, Rückseite mit Sammler- bzw. Dublettenstempel, sonst gutes Exemplar. - Erased ownership inscription on title, verso with collector's and duplicate stamp, good copy. - VD16, L-4301; Benzing 1906; WA 15. 156 A. [Attributes: First Edition; Hard Cover; In Dust Jacket]

[S.l. Wien] : [Johann Singriener d.Ä.] 1524. 11 Bll. mit grossem Titelholzschnitt in 8° in Pappband des frühen 20.Jh. *einzelne Randbemerkungen von alter Hand* schönes Expl.*. Drucker und Ort nach dem Expl. der ÖNB AC10269135 - dort allerdings mit 12 Bll. VD 16 nennt insgesamt 11 Druckvarianten für das Jahr 1524 Versand D: 5,00 EUR Literatur