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         Bewerter Historien der lieben Heiligen Gottes. Von jrem Christlichem, Gottseligem leben, warhaffter bekantnüß, herrlichen thaten, bestendigem leiden. - [2 Bände in Meistereinbänden der Zeit].

      Zweiter und dritter Teil der sechsbändigen kalendarischen Heiligengeschichte. Beide Bände enthalten den jeweils ersten Teilband (vorliegend hier die Monate März und Mai - VD16 10266 und 10268). Die Widmungskupfer beider Bände fehlen. Sonst vollständig. Beide Bände mit schöner Holzschnitt-Druckermarke Bergs (Gotteserscheinung vor musizierender Gruppe, darum die Legende: "Lobet denherren in seinnen Heilligen. Lobet in nach der Menge seiner Herligkait". Der Widmungstitel mit meisterhaft geschnittener Bildinitiale in kräftigem Abzug (ein Ritter mit Lanze stellt einen knieenden Fürsten). Der dritte Teil mit gestochenem Porträt Albrecht V. (ebenfalls in sehr kräftigem, sehr detailreichem Abzug). --- Laurentius Surius, 1522 in Lübeck geboren, studierte in Frankfurt an der Oder und in Köln. Er schloß sich 1541 den Kölner Karthäusern an, verfasste meist kirchenhistorische Schriften und genoß von 1570 an die Protektion von Papst Pius V. Er starb 1578 in Köln. ADB 37, 166. --- Die Einbände stammen von Meisterhand. Aufbau und Werkzeugformen lassen an den Stil von Jakob Krause denken: Die Deckel mit unterschiedlich breiten Rahmen aus bildhaften und ornamentalen Rollen und zwei (hier blinden) Querriegeln bilden ein harmonisches Ganzes (vgl. etwa den Einband Krauses für Kurfürst August aus dem Jahr 1580 v. Arnim 1992, 63f). - Die beiden vorliegenden Einbände gleichen sich weitgehend im kompositorischen Aufbau der blindgeprägten Deckelornamentik, unterscheiden sich aber in den verwendeten Rollen (das gilt auch für Kranzrollen und Arabesken). Identisch sind allerdings die Schließen. Die Rollen sind, soweit ersichtlich, nicht monogrammiert. --- Der sehr attraktive und wohlerhaltene Einband des 3. Teils (von außen nach Innen) mit Rahmen aus Blindlinien, Arabeskenrolle, Kranzrolle, allegorischer Tugendrolle (mit Justitia, Odorantia, Sapientia und Lucretia), Salvator-Rolle (Christus Salvator, David, Paulus, Johannes der Täufer). Zwischen den Rollen Blindlinien. Oberhalb und unterhalb der Salvator-Rolle je ein Querriegel. Im zentralen Feld ein Kranzrollenstreifen, gesäumt von zwei Arabeskenrollenstreifen. Die Tugendrolle ähnelt stark EBDB r004793 (zugeschrieben der Werkstatt des süddeutschen Meisters H.R. - Haebler I, 373, 4c). --- Der Einband des zweiten Teils (von außen nach Innen) mit Blindlinien, Arabeskenrolle, Kranzrolle, Salvatorrolle, Reformatorenrolle. Zwischen den Rollen Blindlinien. Oberhalb und unterhalb der Reformatorenrolle zwei Querriegel. Im zentralen Feld zwei Kranzrollenstreifen in geometrischem Blindlinienmuster. Die Komposition ähnelt dem bei Schunke abgebildeten Einband des Meisters F.D. (Schunke, Palatina, I, Tafel LIII. - Die via EBDB verglichenen Rollen der Werkstatt teils motivgleich, jedoch nicht identisch). --- Provenienz: Die Bände stammen aus der Bibliothek des 1806 säkularisierten Klosters Weingarten (die Rücken mit dezenten Spuren alter Signaturen die Titelblätter mit Vermerken von alter Hand "Monasterey Weingartensis Ao. 1628"). Die Vorsätze mit freiherrlichem Besitzvermerk, datiert 1885 (Bleistift, Namenszug unleserlich). --- Etwas berieben und bestoßen, erste und letzte Seiten gering fleckig durchgehend dezent wasserrandig. Band 2: Der Einband mit alten Brandspuren (der Rücken und Teile der Deckel mit Schwärzung und hitzebedingten feinen Rissen und Runzeln des Leders und mit Fehlstellen, der Rücken mit massiven Fehlstellen). Das Leder der Schließen mit deutlichen Rissen. Sonst und insgesamt ordentliche Exemplare. Der Einband des dritten Teils von großer Schönheit. 2 Bände, [25] (von 26) Bll., CCLXXIIII Bll. [25] Bll. (von 26), XXXIII Bll., reich blindgeprägte Schweinslederbände der Zeit auf sechs Doppelbünden, die Deckel auf schweren Holzdeckeln, mit je zwei Messingschließen der Zeit (die Stiftlager in Lanzenform, die Haken T-förmig mit gravierten pyramidenförmigen Linienbündeln und Rhomben), farbiger Blattschnitt, 36,5 x 25,5 cm.

      [Bookseller: Antiquariat Tautenhahn]
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         Athanasii Episcopi Alexandrini opera : studiosius quàm anteafuerint, à situ vindicata, quorum catalogus sequitur

      Argentinae [Strasbourg]: Apud Ioannes Knoblauchum, 1522. First edition. Hardcover. g- to vg. Folio (13 1/2 x 8 3/4"). [6], cccxiiii, [10] leaves (Index). Signatures: æ⁶ (æl verso blank), A-C⁸, D-F⁶ , G⁸, H-K⁶, L⁸, M-P⁶, Q⁸, R-V⁶, X⁸, Y-Z⁶, Aa⁶, Bb⁸, Cc-Ff⁶, Gg⁸, Hh-Ll⁶, Mm⁸, Nn⁶, Oo-Zz⁶, AA-CC⁶ (CC verso blank). Errors in foliation: xciii, cxxviii, cxlv, clxxxix, ccx, ccxxix wrongly numbered xci, cxxvii, clvi, cxcviii, ccxx, ccxxxi. Title within historiated woodcut border. Decorative woodcut initials. Imprint from colophon. Contemporary full blind-stamped pigskin over wooden panels. Raised bands. Scarce first Latin edition of the works of Saint Athanasius of Alexandria (ca 296-298-373), a Christian theologian, a Church Father, the chief defender of Trinitarianism against Arianism, and the 20th bishop of Alexandria. This work was published in Strasbourg in March 1522. This book contains the following works: 1) Commentarij in Epistolas Pauli, qui a pleris[que] uulgario adscribuntur 2) Contra gentiles liber unus 3) De incarnatione uerbi eiusque ad nos per corpus aduentu 4) Disputatio contra Arrium 5) In uim Psalmorum opusculum 6) Exhortatio ad Monachos 7) De passione imaginis d[omi]ni nostri Libellus 8) Epistolæ no[n]ullæ Romanoru[m] Pontificu[m] ad Athanasium, & Athanasij ad eosdem 9) Eiusdem Athanasij de [u]arijs quæstionibus liber. For more information, see: NUC-Pre 56 v. 24, p. 595; BMC v. 7, col, 1241; Adams v. 1, p. 76, #2080. Binding partly rubbed and darkened. Metal clasps missing. Contemporary previous owner's inscription on inside of front cover and on title page (not affecting lettering). Small ex-library stamp on title. Very minor worming throughout very first leaves (not affecting lettering). Very minor and sporadic foxing and age-toning throughout. Text in Latin. Binding in overall good-, interior in good+ to very good condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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         De Peste, Libri Tres, Avignon, 1522.

      1522. Avignon, 1522. Humanistic Commentary on Laws Concerning Plague Riva di San Nazarro, Gianfrancesco [c.1480-1535]. De Peste, Libri Tres. [Avignon: Per J. De Channey, 12 Septembris 1522]. [xxviii], 162 pp. Three woodcut text illustrations. Quarto (8-1/4" x 6"). Contemporary limp vellum with lapped edges and fragments of thong ties, raised bands to spine. Some soiling, spine darkened, minor wear to head of spine and corners. Title page printed within handsome woodcut architectural border, the two dedications commence with leaves with woodcut architectural borders and the coat of arms of the dedicatee, the first dediaction also feature a woodcut vignette of the author presenting his book on bended knee, woodcut decorated initials and printer device. Light toning to text, somewhat heavier in places, soiling and light foxing to a few leaves, brief annotations and underlining in contemporary hand throughout, later owner signature to foot of p. [iii]. A handsome copy of a rare title. $7,500. * First edition, one of two issues from 1522, the other published in Lyon by Jacques Secon, priority uncertain. Riva di San Nazarro, a Lombard noble, was a learned jurist and humanist scholar. His many works, all commentaries on aspects of Roman and canon law, went through several editions and were often excerpted and anthologized. As suggested by its title De Peste is a treatise on Roman and canon law concerning issues relating to plagues. The first legal work written about plague and one of the very first books on public health law, it reflects the near-annual occurrence of plague in early-modern Europe. All editions are scarce. OCLC locates 4 copies of the first edition, all of the Avignon issue, in North American law libraries (George Washington University, Harvard, Library of Congress, UC-Berkeley). Universal Short-Title Catalogue 110507.

      [Bookseller: The Lawbook Exchange, Ltd.]
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         Exlibris von Hans Baldung Grien (?) für Johannes Eck.

      Um 1522.. Kolorierter Holzschnitt. 156 x 100 mm (mit dem w. Rand). Warnecke 425; nicht bei Leiningen-Westerburg. - Johannes Eck (Johann Mayr von Eck, Schwaben; 1486-1543) war katholischer Theologe und apostolischer Nuntius in Ingolstadt. Anfänglich Luther gegenüber wohlwollend, nach der Veröffentlichung der Thesen erbitterter Gegner, überzeugt Leo. X. den Bann auszusprechen. Luther nannte ihn "Doktor Sau“ und "das Schwein aus Ingolstadt“ oder verkürzte den Titel "Dr. Eck“ zu "Dreck“. - Gering wurmstichig, verso Leim- und Montagereste.

      [Bookseller: Antiquariat Turszynski]
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         Lectura super quatuor libros Institutionum multorum doctorum et nuperrime domini Joannis de Gradibus.S.n. (Lyon, Jacques Sacon), 1522.

      S.n. (Lyon, Jacques Sacon) 1522 - Cm 40,5, cc. 157 (15). Frontespizio in rosso e nero. Testo in carattere semi-gotico, bei capilettera xilogafici. Affascinante legatura coeva in piena pergamena ricavata da antico codice tardo-medievale con dorso a 4 nervi. Minime mende alla legatura, traccia di due antiche etichette di possesso al frontespizio (che presenta una brunitura marginale, un rinforzo e mancanze nella parte alta), aloni sparsi perlopiù e marginali (più evidenti nelle carte iniziali e finali), sporadiche macchiette, segni di tarlo limitati al margine bianco di alcune carte. Esemplare più che discreto alla luce dell'alta epoca. Jean Faure (1275ca.-1340), detto Joannes Roncinus, fu giureconsulto francese di considerevole fama ed autorità. Dedicatosi ben presto all'opera d'attualizzazione del diritto romano, produsse un celebre commento alle Istituzioni giustinianee e questo Breviarium ai 9 libri del Codex (tralatiziamente attribuitogli). Tiraqueau, du Moulin e Boerius lo definirono rispettivamente "vir apud nos maxime autoritatis", "subtilissimus et consumatissimus juris doctor" e "summum Franciae Consuetudinarium" (cfr. Taisand, Les vies des plus celebres jurisconsultes, ed. 1737, pp. 181-82); in definitiva Faber va inserito a pieno titolo fra gli eredi della grande tradizione degli Ultramontani. Oltre che creatore di dottrina fu, così riportano le antiche biografie, impegnato come giudice e, notizia su cui peraltro sussistono dubbi, come cancelliere di Francia. L'opera appare fondata sulle dottrine di Azzone, Dino del Mugello, Guido da Baisio, Innocenzo IV, Enrico da Susa (ed ovviamente Jacobus de Ravanis) e va cronologicamente inserita nel contesto storico-culturale immediatamente pre-bartoliano. Rarissima edizione lionese, non censita in Iccu e nei principali repertori di biblioteche internazionali. Cfr. Pettegree-Walsby, French books. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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         Nouu(m) testame(n)tu(m) omne: tertio iam ac dillige(n)tius ab Erasmo Roterodamo recognitu(m): no(n) solum ad Grecam veritatem: veru(m) etiam ad multor(um) vtriusque lingue codicu(m): eore(m)que veteru(m) simul et emendatoru(m) fide(m): postremo ad p(ro)batissimoru(m) autoru(m) citatione(m): eme(n)datione(m) (et) interpretatione(m). Quisquis igit(ur) amas vera(m) Theologia(m): lege: cognosce ac deinde iudica Neque statim offendere: si q(ui)d mutatu(m) offenderis: s(ed) expe(n)de: nu(m) in melius mutatu(m) sit. Na(m) morib(us) e(st) no(n) iudiciu(m): da(m)nare q(uo)d no(n) inspexer(is). Addita sunt in singulas Apostolo(rum) ep(isto)las Argumenta p(er) Erasmu(m) Rot.

      Basel, Pamphilius Gengenbach 1522 - 641 (= 623) p. Contemporary blind-stamped Vellum over wooden boards with 3 raised bands, small 8° H. 11 x L. 8 x W. 4 cm. (Some wormholes in the binding, a single wormhole within the text throughout the text block and some very small ones in the bottom corner of the final pages. Without the final blank page, occasionally some waterstains, the corners of a few pages have been restored. With many old underlinings and annotations in the margins and several entries on the flyleafs. Each chapter is rubricated with a leather strap. Rare small edition of the Latin translation of the Greek New Testament by Desiderius Erasmus, 1466/69-1536. The translation by Erasmus was the first ever printed non-Vulgate version of the Bible in Latin and became very popular going through numerous editions. However, this edition is the only one that was printed in such a small format. Besides the Bible text it contains a dedication, a preface and the 'Argumentum by Erasmus. The work is illustrated with 3 woodcut decorative panels and a woodcut on the title page, depicting the descent of the Holy Spirit on Mary and the disciples, 8 woodcuts within the text, each placed at the beginning of a Bible book and depicting the accompanying author, and 3 woodcut tail-pieces. Several capital letters are handcoloured with red paint. Each of the woodcuts is handcoloured and in case of the woodcuts within the text also heightened with gold. The work is bound in an attractive blind-stamped pigskin binding, which closes with 2 clasps on straps. Both the front and back cover and the clasps are decorated with a matching floral design. A beautiful and charming copy.) [Attributes: Hard Cover]

      [Bookseller: Antiquariaat de Roo]
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         Opus de conscribendis epistolis, quod quidam & mendosum, & mutilum aediderant, recognitum ab autore & locupletatum. Parabolarum siue similium liber, ab autore recognitus

      Basel, Johann Froben, 1522 (August). First authorised edition of Erasmus' early pedagogical work "On the Writing of letters", begun some thirty years previously, complemented by his collection of aphorisms or "Parallels" gathered out of Plutarch's Moralia, Seneca, Lucian, Xenophon, Demosthenes, Aristotle, Pliny, and Theophrastus. Numerous later editions were printed of both schoolbooks; however the texts printed here are the basis of modern critical editions.Erasmus, Desiderius Rotterdam 1466? - 1536 Basel Opus de conscribendis epistolis, quod quidam & mendosum, & mutilum aediderant, recognitum ab autore & locupletatum. Parabolarum siue similium liber, ab autore recognitus. Basel, Johann Froben, 1522 (August) Two parts, quarto (223 × 150 mm), (308) ff. signed aâ€"z4 A-Z4 Aa-Ff4 Ee-Zz4 aa-ff4 and paginated 1-409 (i.e. 415, errors in numeration) (201). Woodcut compartment on title-page, two pages enclosed by borders of wood- and metalcut strip ornament, woodcut compartment on sub-title, initials from several alphabets, and printer's device on last page. provenance annotations on front endpaper in Latin and Greek; marginalia in the same hand over the first six leaves, then attention evidently lost -- inkstamp E[gon] S[aal] in upper corner of the front paste-down, denoting the book's former location in the Einbandsammlung (the so-called Max-Egon-Saales) in the Fürstlich-Fürstenbergi­sche Bibliothek at Donaueschingen, but no other library stamps or markings -- Reiss & Sohn, 'Auktion 68: Aus einer Süddeutschen Fürstenbibliothek, Teil 1', Königstein im Taunus, 20 October 1999, lot 56 A fresh and attractive copy in its original binding. Leather across the back of the binding partly worn away in top and bottom compartments, rubbed, small loss on lower cover, clasps lacking (catches remain), nonetheless a good specimen. binding contemporary calf over wooden boards; covers decorated in blind by an anonymous 'candela­bra' roll (145 × 15 mm) featuring a standing figure and cherub's head. [img-2326-left-large_default] The first authorised edition of Erasmus' 'On the writing of letters' First authorised edition of Erasmus' early pedagogi­ca­l work 'On the Writing of letters', begun some thirty years previously, complemented by his col­lection of apho­risms or 'Parallels' gathered out of Plutarch's Moralia, Seneca, Lucian, Xenophon, Demosthenes, Aristotle, Pliny, and Theophrastus. Numerous later editions were printed of both school books; 1 however the texts printed here are the basis of mod­ern critical editions. [img-2327-left-large_default] Title-page compartment (183 × 123 mm) designed by Hans Holbein the Younger In the dedicatory letter of the treatise on letter-writing (dated 25 May 1522), Erasmus com­plains that he had been forced to take the work up again, at the insistence of friends, because of the publication of an unfinished draft in England (at Cambridge, printed by John Siberch, October 1521). For the authorised edition, Erasmus rewrote many letters, substi­tuting fictitious for real names, suppressing personal remarks, frivolous subject-matter, and open references to contemporary events; he also composed new letters, including an 'Epistola con­solatoria' (pp.250-266) and a letter of advice (pp.312-315). The text of De conscribendis episto­lis remained afterwards fundamentally un­changed through numerous reprintings. 2 [img-2328-left-large_default] Border ornaments by Jacob Faber and Hans Franck The Parabolae, a by-product of Erasmus' revision of his Adagiorum chiliades, was first printed at Strasbourg by Matthias Schürer in 1514. Ten reprints followed in swift succes­sion, only one (Louvain: Thierry Martens, June 1515) incorporat­ing authorial corrections. In 1522, once again in Basel, Erasmus methodically revised the text for Froben, appending sixteen more similia, described in the colophon of our book as 'no mean addition' (auctar­ium non mediocre). Yet when Froben next printed the Parabolae, in 1534, one of his earlier (probably 1519 or 1521) editions was chosen as copy-text; that version reappeared in the Froben Opera omnia 1540, the source of Leclerc's Leiden text of 1703. Thus Erasmus's corrections and addi­tions of August 1522 became ignored, until restored to the canon by Jean-Claude Margolin in 1975. 3 The title-page compartment (183 × 123 mm) was designed by Hans Holbein the Younger and first used in Glareanus' Isagoge in musicen printed by Froben in May-June 1516. 4 The first page of text (folio a3 recto) has metalcut side-borders by Jacob Faber after Hans Holbein, 'Two Satyrs trumpeting' (134 × 116 mm) and 'Nude men attacking satyrs' (134 × 270 mm), used in conjunction with the famous 'Venus and Cupid' border by Hans Franck. 5 On the sub-title (folio Ee1 recto) is Urs Graf's signed bor­der 'Fool and a Satyr on columns' (168 × 106 mm), first used in Erasmus's Moriae Encomium printed by Froben in March 1515. 6 The author's dedicatory letter to Nicolas Bérault (folio a1 verso) and Froben's device (folio ff4 verso) are enclosed by strips of orna­ment, one block signed by Jacob Faber. The printer's device is a version designed by Ambrosius Holbein and signed by the blockcutter cb, first em­ployed in May 1517. 7 Only four copies are traced by the writer in North American libraries, of which two are imperfect ● Cambridge, Harvard University, Houghton Library, *NC5 Er153C 1522 ● New Haven, Yale University, Beinecke Library, BEIN Gr11 g522 (imperfect: Parabolae lacking) ● Urbana-Champaign, University of Illinois Library, IUA04555 ● Washington, dc, Folger Library, 220-608q (imperfect: Parabolae lacking) references British Museum, Short-title catalogue of German books (London 1962), p.275; Irmgard Bezzel, Erasmusdrucke des 16. Jahrhunderts in Bayerischen Bibliotheken. Ein bibliographisches Verzeichnis (Stuttgart 1979), no. 599; Verzeichnis der im deutschen Sprachbereich erschienenen Drucke des xvi . Jahrhunderts (Stuttgart 1986), E-2505 (repeated as E-3250); Lawrence D. Green and James J. Murphy, Renaissance Rhetoric Short Title Catalogue, 1460-1700 (Aldershot 2006), p.183 no. 1532 1. Judith Rice Henderson, 'Humanism and the humanities: Erasmus's Opus de conscribendis epistolis in sixteenth-century schools' in Letter-writing manuals and instruction from antiquity to the present: historical and bibliographic studies, edited by Carol Poster and Linda C. Mitchell (Columbia, sc 2007), pp.141-177. 2. Opera omnia Desiderii Erasmi, i/2, edited by Jean-Claude Margolin (Amsterdam 1971), p.175; Collected Works of Erasmus, 25, edited by Charles Fantazzi (Toronto 1985), p.6. 3. Printed in an appendix to Opera omnia Desiderii Erasmi, i/5 (Amsterdam 1975), pp.322-327; cf. Roger A.B. Mynors in Collected Works of Erasmus, 23 (Toronto 1978), pp.126-127. 4. F.W.H. Hollstein, German etchings, engravings & wood­cuts 1400-1700 (Roosendaal 1988), xiv, p.153 no. 10; Christian Müller, Hans Holbein d.J.: Die Druckgraphik im Kupferstichkabinett Basel (Basel 1997), p.240 no. 11. 5. Hollstein, op. cit., xiv, p.199 nos.24a-b. The large metalcut initial (46 × 46 mm) is by Holbein; see Müller, op. cit., p.314 no. 133 (alphabet reproduced pp.201-202). 6. Hollstein, op. cit. (Amsterdam 1977), xi, p.154 no. 319; Frank Hieronymus, Oberrheinische Buchillust­ration, 2: Basler Buchillustration 1500-1545, catalogue of an exhi­bition held in Universi­tätsbibliothek Basel (Basel 1984), no. 171. 7. Hollstein, op. cit., xiv, p.22 no. 4.

      [Bookseller: Robin Halwas | Rare Books]
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         Examen Concilii Tridentini : In IIII. partes diuisum, Præcipuorum totius doctrinæ Pontificiæ capitum firmam, solidamque refutationem complectens.

      Chemnitz (1522-1586)

      [Bookseller: Wissenschaftliches Antiquariat Köln]
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         Opus aureum ornatum omni lapide precioso singulare nouissime editum, et quam diligentissime et nouo a pluribus erroribus correctum et emendatum, super euangelijs totius anni per usum Romane curie et ordinis fratum predicatorum cum octo millibus dubiis exactissime declaratis ac quadruplici sensu sacrae scripture, Lugduni, a Stephano Gueynard (en portada)

      - Gislandi, Antonio (O.P.), Opus aureum ornatum omni lapide precioso singulare nouissime editum, et quam diligentissime et nouo a pluribus erroribus correctum et emendatum, super euangelijs totius anni per usum Romane curie et ordinis fratum predicatorum cum octo millibus dubiis exactissime declaratis ac quadruplici sensu sacrae scripture, Lugduni, a Stephano Gueynard (en portada); Lugduni, per Johannem de Cambray alias moylin, 29 nov. 1522 (en colofón). 4º. (18 x 13,5 cms.), 8 hs. + CCCXLJ fols. + 7 hs. Portada a dos tintas con capital ornada y grabado xilográfico; grabado xilográfico en colofón. Folio 1r a dos tintas con capitales xilográficas ornadas que se repiten a lo largo del texto. Encuadernación en pergamino moderno. Hermosa impresión en tipos góticos a dos columnas. Ref.: Baudrier, XI, nº 254 y XII, nº. 380. Antonio Ghislandi (14.-1507) fue un importante teólogo de la orden de los predicadores, inquisidor de Turin, natural de Giaveno (Torino). Su Opus aureum ornatum¿, es un amplio tratado exegético del Evangelio en el que se hace una revisión de todo el año litúrgico con la interpretación de más de ocho mil dudas, explicadas según el sentido cuádruple de la Sagrada Escritura, "histórico, alegórico, tropológico y anagógico". La obra se inicia con textos encomiásticos de los humanistas Domenico Macagno y Giovanni Tommaso Sertorio Desde la edición príncipe de Torino en 1507 se sucedieron numerosas impresiones a lo largo del Quinientos dadas a luz en diferentes ciudades europeas, como esta de Lyon de 1522, llegando incluso a publicarse tardíamente en España por el Inquisidor General Juan Bautista de Arzamendi (Madrid, Antonio González de Reyes, 1696). El ejemplar que ofrecemos está hermosamente ilustrado con xilografías y letras capitales ornadas, obra ilustre grabador, iluminador y fundidor de letras de Lyon, Guillaume II Leroy. [Attributes: Soft Cover]

      [Bookseller: El Amante de Libros]
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         Historiarum libri quinque in latinam conversi linguam, Nicolao Perotto interprete.Firenze, per haeredes Philippi Iuntae, 1522.

      Firenze, per haeredes Philippi Iuntae 1522 - Cm. 16, cc. 225 (1). Bel marchio tipografico giuntino a frontespizio e colophon. Legatura ottocentesca in mezza pergamena con ampie punte e titoli in oro su tass. rosso al dorso. Alcune annotazioni marginali di mano coeva. Trascurabile alone alla parte bassa delle ultime carte, antico rinforzo al margine esterno dell'ultima carta, sporadiche macchiette. Buon esemplare. Delle Storie di Polibio (206 a.C. – 124 a.C.), forse il culmine della storiografia antica per rigore nell'indagine delle fonti, ci sono pervenuti solo i primi cinque libri, oltre a estratti bizantini di altri libri. Polibio tratteggia un grande affresco delle guerre puniche tra Roma e Cartagine; i libri pervenuti coprono gli eventi fino al 216 a.C. Il traduttore Niccolò Perotto (1429-1480), umanista nativo di Fano, si formò a Mantova e a Ferrara con Vittorino da Feltre e Guarino da Verona. Cfr. Iccu; Camerini, 164; Graesse, V, 395; non Adams. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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         TABULA SUPERIORIS INDIAE ET TARTARIAE MAJOIS: MAP OF CHINA, TARTARY, TIBET, MONG

      - [Strassburg 1522], Johann Koberger. Single sheet woodcut map sheet size: 55.2 x 40 cm., map size: 16 x 45.5 cm., hand colored, minor dusty surface edges, minor old worm holes restored, now solid and stable copy. * RARE FIRST EDITION * *** *** *** . . A FABULOUS & EARLY FIRST MAP OF EASTERN ASIA . . THE FIRST EDITION OF THE FIRST EUROPEAN PRINTED MAP SHOWING CHINA, MONGOLIA, MANCHURIA, TIBET, JAPAN, CAMBODIA, TONKING, ANNAM, LAOS AND THAT PART OF SOUTHEAST ASIA & THE FAR EAST. * . . AN ITEM OF MAJOR IMPORTANCE IN THE WORLD OF CARTOGRAPHY . . THE FIRST EUROPEAN MAP OF EAST ASIA & JAPAN . A map inspired by Marco Polo, first recorded by Cladius Ptolemy in his stunning and celebrated first GEOGRAPHIA in ca. 150 A.D. The next issue of a similar map was by Fries, FIRST issued his atlas: "GEOGRAPHIA OF PTOLEMY" in 1522, this being map number 45 of that great and major work. **** KEY POINTS OF THE FIRST EDITION 1522: This is the FIRST recorded map to show China, Tibet, Japan, as well as Tonking, Annam, Laos and Cambodia. * The First Edition contains the text & illustrations on its four sheets: [NOTE:the text is lacking on all later editions & only found on the FIRST EDITION]. This is the "point." . Page 1. The front cover has the title: "TA SVPERIORIS INDIAE ET TARTARIAE MAIORIS" with the clover leaf, and with a pair of very elaborate columns at the left, and a border at the right with wording: "IHS MA IHS MA." The title page text continues: "Marcvs Polo venetus asserit, q inter onmnes imperatores et re/ges ta [m] sarracenoru[m]." Clearly acknowledging Marco Polo's great contribution to this map and knowledge of the region. [See Map Forum below]. . Pages 2 & 3. The center two pages show the map. Above the map is the elaborate title banner with wording: " S TABVLA I." . Page 4. This has text with two chapter titles: Large printers device ahead of text a. DEPROVIDENTIA REGIS MAGNICHAN b. DEVIRGINIBVS NON VALENTIBVSNVBERE Followed by another printers device. . Later editions of this map may lack the title page text, banner above the map, and the last page of text and printers devices. The later editions were 1525, 1535 and 1541. Only the true FIRST EDITION has the complete text and printers devices. **** THE TITLE: The title refers to this being a map of "Upper India [Superioris Indiae] & Tartary [Tartariae Majoris is Greater Mongolia, which includes Inner & Outer Mongolia of today]. * This is also an important "FIRST" map of Asia and Southeast Asia printed by a European. This work shows China, "Zipangri" [Japan], Tibet and Southeast Asia. It also shows "Tebet" Tartary, China, Prov. Bocat [Cambodia]. The map was drawn from primary information from Marco Polo and includes Tibet, Cianba, Bangal [Bengal], Mangi [Manchu], Tangut and Cathai [Cathay] shown in the present-day Manchuria location. * CHINA: Is the shown in the central and upper part of the map. Mongolia, Gobi Desert, the Pamirs mountains, and central China, Tibet and other provinces shown. * JAPAN: An oval-shaped Japan taken from the earlier outlines of the Contarini and Waldseemüller map is located due East of China and Southeast Asia, with Latin text stating that the Japanese are idol worshipers, independent minded and do not pay tribute to the Chinese Emperor. Japan is a large island called Zipangri, a name derived from the Chinese 'Land of the Rising Sun,' which Polo learned about from the Chinese. * A MOST FASCINATING VIGNETTE OF THE GREAT KUBLAI KHAN: An unusual vignette is located just East of "Provicia Cathai" and shows the Great Kublai Khan [1215-1294] seated in his Yurt [others wrongly call it a "tent"] he holds two swords. In his background are a large number of other Yurts presumably containing "Golden Hordes" [Tartar-Mongols]. It was recorded that Marco Polo [1254-1324] met Kublai Khan in 1269. This is a charming feature of this map. * THE TEXT: The texts throughout are in Latin. * PRINTING & HAND-COLOR TECHNIQUE: The map's black outline was finely printed by woodblock

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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         1522 Erasmus Greek New Testament

      Johann Froben 1522 - New Testament in Greek & Latin, ed. Erasmus NOUUM TESTAMENTUM OMNE, TERTIO IAM AC DILIGENTIUS AB ERASMO ROTERDOMA RECOGNITUM BASEL: JOHANN FROBEN, 1522. A fine, tall copy of a rare book. Collation: A-C6 D-E8 (title-page, dedications, Paraclesis and Apologia of Erasmus, “Capita argumentorum contra morosos”, Soloecismi, canon tables); a-z A-Z &6 (New Testament, colophon. &6r blank, device on verso): 316 leaves. a1v-&5v paginated 2-562. Greek and Roman types, woodcut headpieces, borderpieces and initials, woodcut columns for the canon tables. Slight worming. Contemporary pigskin over oak. Third edition of Erasmus’s New Testament. The preliminaries omit Erasmus’s Ratio verae theologiae, widely distributed by various printers as a self-standing tractate, but add a “Capita argumentorum” in which Erasmus responds, under 110 headings, to various criticisms, concluding with a long list of his distinguished patrons and supporters across Europe. The main change to the text is that Erasmus added to the text of 1 John 5:7-8 the “Johannine Comma”, a Trinitarian clause that had become standard in the medieval Vulgate text. Its absence in the first two editions had been criticized by Jacobus Stunica, one of the editors of the Complutensian Polyglot’s New Testament (including the Comma), with whom Erasmus had become engaged in a pamphlet war. The Comma was allowed by Erasmus in this third edition, on the basis of Greek manuscript evidence that had been brought to his attention. [Attributes: Hard Cover]

      [Bookseller: RareBibles.com]
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         1522 1ed New Testament BIBLE Paraphrases of Erasmus of Rotterdam Humanism Froben

      Coloniae : Cervicornus, 1522. [Coloniae in aedibus Eucharij Cervicorni. Anno uirginei partus, M.D.XXII.] First edition. - 1522 1ed New Testament BIBLE Paraphrases of Erasmus of Rotterdam Humanism Froben “When I have a little money, I buy books; and if I have any left, I buy food and clothes.” Erasmus The ‘Paraphrases’ were Erasmus’s translations of the books of the New Testament Bible into a clear, understandable tongue. He began working on them in 1517, but many of them were not composed until the mid-1520s. This 1522 first edition from the Froben printing is exceedingly rare and includes the following epistles of the New Testament: • Ephesians • Colossians • Philippians • Thessalonians • Hebrews • Epistle of Jacob (now called James) • Epistle of Jude • Epistles of Peter • Epistles of John • Epistle to Philemon • Epistle to Titus • Epistle to Timothy This work is incredible difficult to find complete and intact. In the early 16th-century, the ‘Paraphrases’ were printed in separate sections, as individual tracts. According to one scholar, “When one is faced with one of these editions, one has to remember that a [16th-century] purchaser would see them as composed of separable parts, out of which sets could be made up in any way that supply might dictate.” (Mynors, xxix) Even Adams claims that printings include “all, two or more, or one only” of the books of the New Testament (Adams 785A). Eucharius Cervicornus was a relatively unknown printer from Cologne, whose publishing identity was Latinized from “Hirtzhorn”. Cervicornus was known to reprint Erasmus works under his own name, taking the highly desirable Froben printings and copying their work. This was especially common with Erasmus’s first edition of Jerome. (Bietenholz, 352). Item number: #1176 Price: $3950 ERASMUS, Desiderius Paraphrases Erasmi Roterodami in aliquot Pauli apostoli epistolas : Quarum catalogum in sequenti pagella reperies. Coloniae : Cervicornus, 1522. [Coloniae in aedibus Eucharij Cervicorni. Anno uirginei partus, M.D.XXII.] First edition. Details: • Collation complete with all pages: • Binding: Fine decorative leather; tight & secure • Language: Latin • References: Mynors, Publication of Latin Paraphrases; Adams 785A; Bietenholz, Correspondence of Erasmus • Provenance: o from the library of a Jewish book collector in Prague – Guido Kisch • Size: ~7.5in X 5.5in (19cm x 14cm) • Exceedingly rare with no other examples for sale worldwide Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1176 Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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         De abroganda missa privata Martini Lvtheri sententia.

      [colophon: Wittenberg, Ianvario 1522]. 4to (20.7 cm; 8.125"). [44] ff.. First edition of Luther's influential treatise rejecting the Roman Mass, papacy, and celibacy within the priesthood written in the Fall of 1521 for the Augustinian friars of Wittenberg and dedicated to them, which treatise inspired the community to stop conducting private masses. Anna Linton points out another major tenet of the work: "[Luther] denounced contact between the living and the dead . . . . thereby removing any justification for prayers to the saints or intecessory prayers for the dead. . . . [Further,] the sacrament of Extreme Unction was declared invalid" (p. 18).    The title is printed within a woodcut architectural border attributed to Renaissance painter, printer, and friend of Luther Lucas Cranach (Kat. Cranach, 216); the text also contains four => seven-line woodcut initials (one repeated).    Provenance: Ownership and deaccession rubber-stamps for the Georg-August University in Göttingen on bottom margin of first leaf of text; most recently in the library of American collector Albert A. Howard (sans indicia).         Benzing 997; VD16 L 3619. See also, Linton, Poetry and Parental Bereavement in Early Modern Lutheran Germany, Oxford & NY: Oxford University Press, 2008. 18th-century half calf and brown speckled paper, spine ruled in gilt with black leather gilt-lettered label, all edges speckled red; rubbed with some loss of leather/paper, rebacked with new endpapers, evidence of a removed bookplate on front pastedown. Title-page with a few small stains and "5" in old ink to lower margin; stamps as above. Very light waterstaining across inner corners, crossing one-third of text in top portions and not reaching it at bottom; light age-toning generally, three leaves with underlined passages of text, and offsetting from a different title-page ("6"'s?) to final blank. => A good++ copy of this important Lutheran tract.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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         Ain fraintlich trostliche vermanung an alle frumen Christen, zu Augspurg Am Leech, Darin auch angezaygt würt, wazu der Doc. Martini Luther von Gott gesandt sey. Wittemberg.

      (Augsburg, Erhard Oeglins Erben 1522).. Mit gr. Titelholzschnitt. 6 Bll. Rückenbroschur. 18 x 13,5 cm. VD 16 E 123; BNH Cat E 14; Kuczynski 623. - Günzburg (* um 1470 in Kleinkötz bei Günzburg, + Oktober 1533 in Leutershausen bei Ansbach) war ein reformatorischer deutscher Theologe und sozialer Reformer in Franken. Zwei Textausgaben sind laut VD16 bekannt, welche sich aber inhaltlich geringfügig unterscheiden. - Minimal fleckig.

      [Bookseller: Antiquariat Turszynski]
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         Il Petrarcha. 

      (f.16 n.n in fine:) Impresso in Fiorenza, per le heredi di Filippo di Giunta l'anno MDXXII del mese di Luglio (Firenze 1522). In-8, ff. 180, (24), impresa silografica dei Giunti in fine al verso dell'ultimo foglio. Legatura dell'epoca in pelle bruna, i piatti decorati a secco da riquadri di filetti, ricca bordura e 3 arabeschi centrali, tagli blu. Frontespizio entro bordura architettonica, 6 legni ai Trionfi, già utilizzati nel 1515, impresa Giuntina in fine. Rarissima edizione in corsivo: la prima parte contiene il Canzoniere, che comprende un utile indice per incipit dei Sonetti, nonché l'inedita ballata "Donna mi viene spesso nella mente" che Petrarca in un primo tempo incluse nel Vaticano Lat.3195, autografo del Canzoniere per poi sostituirla con un madrigale.; la seconda i Trionfi, illustrati da 6 superbe figure a piena pag. In fine un fascicolo spesso mancante comprende la ''Canzone di messer Francesco Petrarcha trovata in un anticho libro'', con incipit: ''Quel ch'ha nostra natura in se più degno''. Bernardo Giunti la aggiunse, pur sostenendo che Petrarca "non avrebbe mai voluto ricordarsi d'averle composte". Esempl. marginoso, al frontesp. nota mss. di Pier Antonio dell'Ancisa autore de ''Le famiglie fiorentine illustrate con varie scritture'' (Per la genealogia di Dell'Ancisa vedi: ASF, Manoscritti 348, cc. 300r-305v). Al verso del titolo lunga nota ms. di Pierangelo Dell'Ancisa. Lievi aloni gialli marginali agli ultimi 5 quaderni. Ex libris 800esco ''Biblioteca Todaroana''. - Fondo Petrarchesco Trivulziana, p. 111: ''La distanza tra Bernardo Giunti e suo padre, Filippo, si misura bene in questa edizione petrarchesca, la quarta in ordine di tempo. Se Filippo, che stampa Canzoniere e Trionfi nel 1504, 1510 e 1515, in tutti i casi delega la stesura e la sottoscrizione dell'epistola prefatoria al curatore Francesco Alfieri; Bernardo preferisce tenere per sé il privilegio... è sua la lunga dedicatoria, con sintassi latineggiante, sottoscritta e indirizzata a Don Michele da Silva ... analizza la controversa questione dell'ordinamento dei Trionfi, giudicando le lezioni degli altri editori, dal Manuzio al Soncino ... decide invece di relegare in un quaderno, a fine edizione, altre rime extravaganti del poeta, anche se Petrarca "non avrebbe mai voluto ricordarsi d'averle composte" ... con orgoglio filologico rivela al lettore di avere inserito nell'edizione una ballata fino allora inedita".. Essling 84. Sander n.5027. Marsand p.37. Hortis Cat. 46. Fiske 92..

      [Bookseller: Libreria Antiquaria Pregliasco]
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         Opus tragoedia[rum] aptissimisq[ue] figuris excultum [.].

      Venice, Bernardino de Vianis de Lexona Vercellense, 6 Nov. 1522). - Folio. 140 ff. With four-part woodcut border and 10 woodcuts in the text, as well as several woodcut initials. Later half vellum with marbled covers and ms. title to spine. Pretty edition of Seneca's tragedies, edited by Girolamo Avanzi, Gellio Bernardino Marmitta, and Daniel Caietanus. "Reproduces the 1510 edition" (cf. Schweiger). "Texte encadré par le commentaire [.] Page du titre: encadrement ornemental avec fond de hachures obliques et figures de deux daupins affrontés sur les côtés. - Dans le texte: dix vignettes d'une taille rude et grossière" (Essling). The dolphins (four of them, in fact) are cleverly hidden within the ornaments of the woodcut border. Each play is prefixed by an unsophisticated, but prettily designed Renaissance woodcut. A few interspersions in an appealingly cut Greek type. - Slight edge tear to f. 16. Some wrinkling to gutter throughout. Faded 17th century ownership to title page. Some fingerstaining to margins early on, otherwise a very clean and crisp copy from the collection of the steel industrialist Giacomo Galtarossa (b. 1916), president of the Associazione industriali della provincia di Verona (his etched bookplate on front pastedown). BM-STC Italian 621. Essling II, 209, 1691. Schweiger II.2, 938. OCLC 38721121. Not in Adams.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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         [Kitab Sharh Birkiwi Muhammad Efendi Commentary on Birgivi] Incipit: Marhum wa-magfurun lahu afdal 'ilman ... Muhammad al-Birkiwi

      [Ottoman Turkey, later 18th or early 19th century C.E.]. Text in Arabic and Ottoman Turkish, 15 lines in fine naskhi hand in black and red, fully vocalized, within gilt borders, on glazed laid paper. 125 numbered leaves, plus 1 index leaf. 1 vols. 12mo. Quarter leather and patterned paper boards. Six leaves remargined at gutter (1, 2, 115, 116, 125, 126), catchword erased from 125; short tear at top margin of index leaf, occasional smudging. Still very good overall. Text in Arabic and Ottoman Turkish, 15 lines in fine naskhi hand in black and red, fully vocalized, within gilt borders, on glazed laid paper. 125 numbered leaves, plus 1 index leaf. 1 vols. 12mo. Commentary on the Vasiyetname or testament of Mehmet Birgivi, a guide to proper conduct for Muslims. Imam Birgivi (928-981 A.H., 1522-1573 C.E.), Turkish Sufi and scholar, was also author of the well-known Tariqat al-muhammadiyya (Path of Muhammad). "Since the seventeenth century, it has been a major source and inspiration for the Salafi reform movement" (Ibrahim Kalin, Biographical Encyclopedia of Islamic Philosophy). The text follows the chapter organization of the Tariqat (composed in Arabic), and the colophon notes that the root text was composed in 980 and the Commentary in 1114, by 'Ali al-Qunawi. The colophon is incomplete as a catchword has been erased at the foot of the leaf and the chapter index begins at leaf 39. A late eighteenth-century or early nineteenth century manuscript copy of this devotional work. Cf. Princeton, Islamic Manuscripts, New Series no. 1644; Brockelmann, C. GAL, SII, 655 ( no. 10); Orientalischen Handschriften, XIII, 3 (30, 31)

      [Bookseller: James Cummins Bookseller]
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         Nouu(m) testame(n)tu(m) omne: tertio iam ac dillige(n)tius ab Erasmo Roterodamo recognitu(m): no(n) solum ad Grecam veritatem: veru(m) etiam ad multor(um) vtriusque lingue codicu(m): eore(m)que veteru(m) simul et emendatoru(m) fide(m): postremo ad p(ro)batissimoru(m) autoru(m) citatione(m): eme(n)datione(m) (et) interpretatione(m). Quisquis igit(ur) amas vera(m) Theologia(m): lege: cognosce ac deinde iudica Neque statim offendere: si q(ui)d mutatu(m) offenderis: s(ed) expe(n)de: nu(m) in melius mutatu(m) sit. Na(m) morib(us) e(st) no(n) iudiciu(m): da(m)nare q(uo)d no(n) inspexer(is). Addita sunt in singulas Apostolo(rum) ep(isto)las Argumenta p(er) Erasmu(m) Rot.

      Basel, Pamphilius Gengenbach 1522 - 641 (= 623) p. Contemporary blind-stamped Vellum over wooden boards with 3 raised bands, small 8° H. 11 x L. 8 x W. 4 cm. (Some wormholes in the binding, a single wormhole within the text throughout the text block and some very small ones in the bottom corner of the final pages. Without the final blank page, occasionally some waterstains, the corners of a few pages have been restored. With many old underlinings and annotations in the margins and several entries on the flyleafs. Each chapter is rubricated with a leather strap. Rare small edition of the Latin translation of the Greek New Testament by Desiderius Erasmus, 1466/69-1536. The translation by Erasmus was the first ever printed non-Vulgate version of the Bible in Latin and became very popular going through numerous editions. However, this edition is the only one that was printed in such a small format. Besides the Bible text it contains a dedication, a preface and the 'Argumentum by Erasmus. The work is illustrated with 3 woodcut decorative panels and a woodcut on the title page, depicting the descent of the Holy Spirit on Mary and the disciples, 8 woodcuts within the text, each placed at the beginning of a Bible book and depicting the accompanying author, and 3 woodcut tail-pieces. Several capital letters are handcoloured with red paint. Each of the woodcuts is handcoloured and in case of the woodcuts within the text also heightened with gold. The work is bound in an attractive blind-stamped pigskin binding, which closes with 2 clasps on straps. Both the front and back cover and the clasps are decorated with a matching floral design. A beautiful and charming copy.) [Attributes: Hard Cover]

      [Bookseller: Antiquariaat de Roo]
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         Tabula VII Euro

      Carta delle isole tratta dalla seconda edizione del 1525 della Geographia, curata da Laurent Fries, Claudii Ptolemaei Alexandrini Mathematicorum principis , Opus Geographiae noviter castigatum e emaculatum additionibus raris et invisis, necnon cum tabularum in dorso iucunda explanatione. La mappa deriva da quella ideata dal Waldseemuller, rispetto alla quale risulta una riduzione. L'esemplare presenta il titolo in alto racchiuso in un cartiglio, ed al verso delle meravigliose cornici rinascimentali, tipiche della sola edizione del 1525. L'edizione del 1522 è firmata dal medico e astronomo tedesco Laurent Fries (1490ca-1532ca), allievo del Waldseemüller che, dopo la morte del maestro, nel 1518, ne pubblicò e corresse quasi tutti i lavori. Essa conteneva cinquanta carte: 27 tolemaiche e 23 moderne. La stampa e l'incisione sono a cura di Johann Grieninger, abile incisore del legno operante allora a Strasburgo. La tavola VII d'Europa di questa edizione è un chiaro rifacimento della omonima carta del Germanico inserita nell'edizione di Ulma del 1482. Il titolo della carta è inserito in un nastro svolazzante posto esternamente al disegno. L'orografia è segnata per mezzo di mucchi di talpa disposti in catene e colorati in marron (l'Etna con fiamme che fuoriescono); i fiumi sono a doppia linea, colorati internamente in blu; le coste sono caratterizzate da numerosi golfi a cipolla leggermente tratteggiati lungo la parte esterna. Silografia a proiezione trapezoidale, piccoli restauri alla piega centrale, e nel cartiglio in alto, nel complesso in buono stato di conservazione. Nice example of the 1525 edition of Lorenz Fries map of Sicily and Sardinia. First published in Strasbourg by Johannes Gruninger in 1522, Fries map is based upon Waldseemuller's map of 1513. In 1525, an improved edition was issued, with a re-edit of the text by Wilibald Pirkheimer, from the notes of Johannes Regiomontanus. After Grüninger's death in 1531, the business was continued by his son Christoph, who seems to have sold the materials for the Ptolemy to two Lyon publishers, the brothers Melchior and Gaspar Trechsel, who published a joint edition in 1535, before Gaspar Trechsel published an edition in his own right in 1541. Strasburgo Strasbourg Dufour/Lagumina p. 286. Dimensioni in mm. 570 X 390

      [Bookseller: Libreria Antiquarius]
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         Super Institu. Excellentissimi iuris utriusque doctoribus domini Christophori Porci insignis lectura super primo, secundo et tertio Institutionum cum additionibus eximii utriusque censure interpretis domini Iasonis de Mayno Mediolanensis suis locis bene situatis, una cum apostillis. R. P. domini Nicolai Superancii. adiectis noviter summariis valde necessariis cum numeris.

      Lyon, Antonium du Ry for Francesco Giunta, 1522. - 4°, circa 20 x 15 cm. 10 (one blank) ff., CCVIII numbered ff., title with figurative woodcut border, Giunta device at the end Vellum (probably 18th cent.) IT\ICCU\NAPE\024049 (only 1 record); Adams P 1955. Elegant imprint with the classic introductory texts for the study of the Corpus iuris civilis. The title with a pretty magister cum discipulis woodcut and text in red and black. - This copy is from the famous library of the Kartause Buxheim with the old armorial stamp to the rear of the title, together with another fleur de lys stamp. "- Very few old annotations, only few quires with some light staining, little browning, mostly clean, endpapers renewed, nice copy with an important provenance.

      [Bookseller: Antiquariat Thomas Rezek]
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         Kitab Sharh Birkiwi Muhammad Efendi. Commentary on Birgivi]. Incipit: Marhum wa-magfurun lahu afdal 'ilman ? Muhammad al-Birkiwi

      later 18th or early 19th century C.E.], [Ottoman Turkey - Text in Arabic and Ottoman Turkish, 15 lines in fine naskhi hand in black and red, fully vocalized, within gilt borders, on glazed laid paper. 125 numbered leaves, plus 1 index leaf. 1 vols. 12mo. Commentary on the Vasiyetname or testament of Mehmet Birgivi, a guide to proper conduct for Muslims. Imam Birgivi (928-981 A.H., 1522-1573 C.E.), Turkish Sufi and scholar, was also author of the well-known Tariqat al-muhammadiyya (Path of Muhammad). "Since the seventeenth century, it has been a major source and inspiration for the Salafi reform movement" (Ibrahim Kalin, Biographical Encyclopedia of Islamic Philosophy). The text follows the chapter organization of the Tariqat (composed in Arabic), and the colophon notes that the root text was composed in 980 and the Commentary in 1114, by 'Ali al-Qunawi. The colophon is incomplete as a catchword has been erased at the foot of the leaf and the chapter index begins at leaf 39. A late eighteenth-century or early nineteenth century manuscript copy of this devotional work. Cf. Princeton, Islamic Manuscripts, New Series no. 1644; Brockelmann, C. GAL, SII, 655 ( no. 10); Orientalischen Handschriften, XIII, 3 (30, 31) Quarter leather and patterned paper boards. Six leaves remargined at gutter (1, 2, 115, 116, 125, 126), catchword erased from 125; short tear at top margin of index leaf, occasional smudging. Still very good overall Text in Arabic and Ottoman Turkish, 15 lines in fine naskhi hand in black and red, fully vocalized, within gilt borders, on glazed laid paper. 125 numbered leaves, plus 1 index leaf. 1 vols. 12mo [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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         Opus tragoediarum aptissimisque figuris excultum In quo tria millia errata

      Impressum Venetiis |(Venise): Per Bernardinum de Vianis, 1522. Fine. Per Bernardinum de Vianis, Impressum Venetiis (Venise) 1522, in-folio (21x31cm), 140ff. Sig.: A-P8, Q-R10, relié. - Very rare edition of the tragedies of Seneca, illustrated with 10 woodcuts in-text (6,5x8cm), the head of each of the ten tragedies. Many initials in black or screened. Text of the tragedy in the center with the comments being distributed around in Roman characters. Binding open vintage parchment with a back with nerves redone in vellum formerly (eighteenth and early nineteenth?). Handwritten title in black pen. Absence of the cover page before the first title sheet. First dish detached exposed seams. Last layers frayed in right margin. - [FRENCH VERSION FOLLOWS] Très rare édition post-incunable des tragédies de Sénèque, illustrée de 10 figures sur bois in-texte (6,5 x 8 cm), en tête de chacune des dix tragédies. Nombreuses lettrines en noir ou criblées. Texte de la tragédie dans une colonne centrale avec les commentaires se distribuant autour, en caractères ronds. Titre dans un large encadrement floral gravé. On considère que l'édition princeps des tragédies de Sénèque est celle de 1484 à Ferrare (Andreas Gallicum). Colophon : « Impressum Venetiis per Bernardinum de Vianis de Lexona Vercellensem. Anno Domini M.D.XXII, die VI Novembris. »   Reliure en plein parchemin d'époque, avec un dos à nerfs refait en vélin anciennement (XVIIIème ou début XIXème). Titre manuscrit à la plume noire. Absence de la page de garde avant le premier feuillet de titre. Premier plat détaché des coutures, apparentes. Derniers feuillets effrangés en marge droite. Manque en bordure sur le plat inférieur. Exemplaire d'une belle fraîcheur, hormis le feuillet de titre, légèrement passé.     Édition réalisée par Girolamo Avanzi qui réunit ses propres commentaires sur les Tragédies de Sénèque, (lesquels ont parus initialement en 1507 à Venise), et ceux de Daniel Galetanus et Bernardino Marmitae de l'édition de 1498 des mêmes Tragédies de Sénèque. Ce professeur de philosophie et de philologie exerçait à Padoue, il a réalisé plusieurs éditions de textes antiques, notamment Catulle, Ausone... Il fut l'assistant d'Aldo Manuce dans la préparation des éditions de plusieurs textes antiques.   Dix tragédies de l'auteur nous sont parvenues, dont deux posent problème quant à leur attribution, Octavie et Hercule sur l'Oeta. Les Troades sont quant à elles une adaptation des Troyennes d'Euripide. Le théâtre de Sénèque ne contient pas de dramaturgie scénique ou d'intrigue, c'est un théâtre où, comme chez Euripide - dont l'auteur est très proche -, le verbe est souverain et commande le dénouement tragique. Les pièces paraissent ainsi comme une succession de déclamations où l'action est absente, Sénèque concentrant son écriture sur la tragédie interne de ses personnages après l'acte irrémédiable qui les a précipités dans la folie, ainsi Médée après ses crimes, ou Hercule après son infanticide. L'influence de cette écriture sera grande à la fin du XVIème et au début du XVIIème, notamment chez Garnier.

      [Bookseller: Librairie Le Feu Follet]
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         IV. IVVENALIS AQUINATIS SATYROGRAPHI OPUS. Interprete Ioanne Britannico viro eruditissimo. Vna cum Iodoci Badii Ascensii familiaribus explanationibus. Cum figuris apte appositis. Index praeterea omnium rerum in margine existentium secundum ordinem alphabeticum: ut facilius quaecunque volueris inuenire possis. (Datato al colophon: Venetiis. Ex Aedibus Ioannis Tacuini del Tridino. M.D.XXII. die XXII Octobris. Antonio Grimano Principe Optimo.)

      Un volume legato in pergamena rigida (rilegatura tardo settecentesca) in quarto cm22x31, pp (12 + 324) 6 carte non numerate, CLXII carte numerate solo recto; frontespizio gotico in nero e rosso con marca raffigurante il Battista, vignette xilografiche ornano l'incipit di ciascuna delle sedici satire. Segnatura +6 A-T8 V10. Non comune edizione delle Satire di Giovenale per i tipi dello stampatore Giovanni Tacuino, originario di Trino (o Cerreto) e attivo a Venezia agli inizi del Secolo XVI; l'edizione comprende il fortunato commento di Giovanni Britannico (apparso per la prima volta nel 1501) e quello di Josse Bade. INTERNATIONAL SHIPPING WILL REQUIRE AN ADDITIONAL FEE AND SOME DELAY IN ORDER TO OBTAIN THE NECESSARY EXPORT PERMIT.

      [Bookseller: Libreria antiquaria Dedalo M. Bosio]
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         Prosopographiae heroum atque illustrium virorum totius Germaniae, pars prima [secunda & tertia]. In hac personarum desriptione omnium tam armis et autoritate, quam literis & religione totius Germaniae celebrium virorum vitae & res praeclarè gestae bona fide referentur, à condito mundo [part 1] ... ad ... annum [1566] usque [part 3].Basel, Nicolaus Brylinger (volume 3: heirs of Nicolaus Brylinger), 1565-1566. 3 volumes bound as 1. Folio. With 3 title-pages, each with the same woodcut printer's device and with the same woodcut portrait of the author on the back (each with a different verse), ca. 1500 woodcut portraits of famous men from German history (including many repeats) and several letterpress genealogical tables. Boards covered with ca. 1800 orange-brown paste-paper, sewn on 4 double cords, with a hollow back, gold-tooled spine.

      Adams P-179; VD16 P228-P230; cf. Lipperheide 634 (German edition). First edition of an extensive biographical work by the Swiss physician, professor in medicine, theologian and linguist Heinrich Pantaleon (1522-1595). It contains biographies of the "heroes", famous men and important figures in the history of "Germania", here including the Low Countries and Switzerland. The first part starts at the creation of the world by God (year 1) and continues up to the year 3970, the first year of the Christian era (AD) and then to AD 800. It includes mostly the lives of mythical Germanic heroes and monarchs: Tuisto, the divine ancestor of the Germanic peoples, Adulas, Diclas, Obalus, etc. The second part covers the years 800 to 1500, including a biography of Gutenberg. The third part, covering 1501 to 1566, contains interesting biographies of Luther, Erasmus, Vesalius, Mercator and many others.With bookplate, library stamp, owner's inscription and some other manuscript notes. Slightly browned, some marginal thumbing, and tiny wormholes in the first and last 80 pages. Binding worn at the extremities, front hinge cracked.

      [Bookseller: Antiquariaat FORUM BV]
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         Descriptio Summaria Tabulae Orbis

      Strasburgo 1522 - Xilografia, 1522 ma esemplare tratto dall'edizione del 1535 della Geographia di Laurent Fries. Magnifica prova, impressa su carta vergata coeva, leggermente rifilata a sinistra, in perfetto stato di conservazione. Laurent Fries nativo di Burgundy, si stabilì a Strasburgo, dove si hanno sue notizie come disegnatore per l’opera di Peter Apian pubblicata nel 1520. Il lavoro lo portò ad entrare in contatto con l’editore Johannes Gruninger, che ebbe l’idea di replicare la versione della Geographia di Tolomeo del Waldseemuller, edita sempre a Strasburgo nel 1513. Sotto la direzione di Fries, le mappe vennero ristampate, modificate ed arricchite con note storiche e figure allegoriche, leggende e, a volte, con mostri marini. Vennero aggiunte tre nuove mappe, tra le quali questa carta marina del mondo, che rappresenta una delle prime mappe con la dicitura America. Rispetto alle altre carte della Geographia di Fries edita da Gruninger nel 1522, tutte basate sul lavoro del Waldseemuller, questa mappa presenta diversi elementi innovativi derivanti da fonti contemporanee, ed è monogrammata nel titolo con le iniziali dell’autore. No Title - The globe surroundd by seven circles and twelve wind-gods. - Dürer A. - Fries L. 1522-35. Dürer's authorship is proved by two letters of the mathematician and architect of Karl V, Johann Tscherte, who plainly mentions Dürer's name as the designer of the Armillary Sphere" The Illustrated Bartsch 10.534. Dimensioni 270 388mm

      [Bookseller: Libreria Antiquarius]
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         Tabu Nova Orbis

      Lione 1522 - Nel 1522 Fries produsse un’edizione della Geographia di Tolomeo, basata sulla versione di Strasburgo del 1513 di Martin Waldseemuller. Le carte furono rielaborate e ridotte nel formato, apportando lievi modifiche. Questa mappa del mondo raffigura solo le estreme coste orientali dell’America, mentre di particolare rilevanza risulta la Groenlandia, raffigurata come una penisola che si estende dalla Russia. Le edizioni della Geographia di Lyon sono rare, poiché furono censurate dal Calvinisti. Esemplare tratto dall’edizione del 1535, Claudii Ptolemaei Alexandrini Geographicae Enarrationis. Libri Octo. Ex Bilibaldi Pirckeymheri Tra[ns]Latione, Sed Ad Graeca & Prisca Exemplaria À Michaele Villanovano Iam Primum Recogniti. Lugduni Ex Officina Melchioris Et Gasparis Trechsel Fratrum. M.D. XXXV. Xilografia, in ottimo stato di conservazione. Bibliografia: Shirley, The Mapping of the World, 49. Dimensioni 450x315. In 1522 Fries reissued Ptolemy’s Geographia, based on the Strasbourg edition of Martin Waldseemuller, 1513. The maps were revised and reduced in size, with further minor changes. This map of the world depicts only the farthest Eastern coasts of America, while Greenland is quite relevant, shaped as a peninsula extending from Russia. The Lyon editions of the Geographia are quite rare, for they have been censored by the Calvinists. Example taken from the 1535 edition, Claudii Ptolemaei Alexandrini Geographicae Enarrationis. Libri Octo. Ex Bilibaldi Pirckeymheri Tra[ns]Latione, Sed Ad Graeca & Prisca Exemplaria À Michaele Villanovano Iam Primum Recogniti. Lugduni Ex Officina Melchioris Et Gasparis Trechsel Fratrum. M.D. XXXV. Woodcut in excellent condition. Bibliografia: Shirley, The Mapping of the World, 49. Dimensioni 450x315. R. W. Shirley, "The Mapping of the world", 49 Dimensioni

      [Bookseller: Libreria Antiquarius]
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         Sancti Laurentii presbiteri Novarum, scriptoris perantiqui, Homiliae duae. Una de Poenitentia, altera de Eleemosyna, ad uitae emendationem pietatemque perquam utiles, typis hactenus nusquam excusae.

      - (Al fin:) Parisiis, Michaelem Vascosanum, 1522, 20,5 x 15,5 cm., 32 hojas sin paginar, la última blanca. (Carece de encuadernación. Según Moreau y Cerl Thesaurus, se fechó en 1522 erróneamente, ya que el impresor comienza su actividad en 1530, por lo que debe tratarse del año 1532. En esta obra se recogen dos de las tres homilías que se conocen de este santo mártir de la Iglesia Católica del Siglo V).

      [Bookseller: Librería Anticuaria Antonio Mateos]
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         Italia)

      Lione 1522 - Nel 1522 Fries produsse un’edizione della Geographia di Tolomeo, basata sulla versione di Strasburgo del 1513 di Martin Waldseemuller. Le carte furono rielaborate e ridotte nel formato, apportando lievi modifiche. Successivamente ristampata nel 1525, sempre a strasburgo, e nel 1535 a Lione e 1541 a Vienne, con modifiche nei titoli e nelle scritte al verso. Esemplare tratto dall’edizione del 1525, del "Claudii Ptolemaei Alexandrini Geographicae Enarrationis". Xilografia, finemente colorata a mano, in ottimo stato di conservazione. Laurent Fries published in 1522 a new edition of the Geographia, with new maps drawn by Waldseemuller, re-engraved in a smaller size. The work is made of 50 maps; 27 derive from Ptolemy, 20 are the so called "modern ones" and 3 depict the South-East of Asia, China and Japan, and a sea chart of the New World. The first edition of Fries’ Geographia was bitterly criticized for its text; for that reason, the publisher Gruninger hired for the translation Willibald Pirckheimer who used Johannes Regiomontanus’ notes; Johann Huttich supervised the whole project. The text, on verso on each map, was enriched with beautiful and decorative woodcut drawings, ascribed to Albrecht Durer who absolutely took a part in the realization of the armillary sphere. After just three years, in 1525, a new edition of the Geographia was issued, the forth and the last in Strasbourg. Nonetheless, notwithstanding the editorial effort, Pirckheimer was not satisfied with the result and encouraged Gruninger to burn the blocks. Once both Fries and Gruninger had died, the blocks were bought by two brothers, Melchior and Gaspar Treschel. A third edition of the Geographia, including Fries’ blocks, was issued in Lyon in 1535. The supervision of the text was entrusted to Michael Servetus, who revised Pirckheimer’s volume. The text on verso is decorated with woodcut drawn by Hans Holbein the Young and Urs Graf. A following and last edition was printed in Vienna in 1541. From the Claudii Ptolemaei Alexandrini Geographicae Enarrationis, 1525. Woodcut with fine colouring, very good conditions. R. Borri "L'Italia nelle antiche carte " (2011), scheda 25. Dimensioni 340 265mm

      [Bookseller: Libreria Antiquarius]
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         Petrarcha con doi Commenti Sopra li Sonetti et Canzone, El Primo.

      1522 - 1522 Venetian Printing of Petrach's Sonnets, Canzonas and Triumphs with Five Leaves of Woodcuts Petrarch (Petrarca, Francesco) [1304-1374]. Da Tempo, Antonio [1329-1338], Commentaries. Petrarcha con Doi Commenti Sopra li Sonetti et Canzone. El Primo del Ingeniosissimo Misser Francesco Philelpho. L'Altro del Sapientissimo Misser Antonio da Tempo Novamente Addito. Ac Etiam com lo Commento del Eximio Misser Nicolo Peranzone, Overo Riccio Marchesiano Sopra li Triumphi, Con Infinite Nove Acute & Excellente ex Positione. [Venice: Per Dominum Bernardinum Stagninum Alias de Ferrariis de Tridino Montisferrati, 1522 die XXVIII Martii, 1522]. CXVIII, [14], CXL ff. Main text surrounded by linear gloss. 6 full-page woodcuts (in the Trionfi). Octavo (6-1/2" x 4-1/2"). Later three-quarter sheep over patterned boards, gilt fillets and lettering piece to spine, speckled edges. Some rubbing to extremities with some wear to spine ends and corners, hinges cracked. Title printed within ornate woodcut border, woodcut decorated initials. Light toning to text, dampstaining to margins in a few places, occasional loss to headlines due to trimming, fore-edge of title page trimmed just touching border, minor worming and inkstains to a few leaves. Early owner signature and brief inscription to title page, brief annotations and underlining in a few places, interior otherwise clean. An appealing copy. * A handsome printing of this important critical edition of the Sonnets, Canzonas and Trionfi of Petrarch. It is enhanced with editorial contributions by Francesco Filelfo [1398-1481], Bernardo Lapini [active 1475] and Nicolo Peranzone. The Triumphs are illustrated with five woodcuts. Censimento Nazionale delle Edizioni Italiane del XVI Secolo CNCE33353. [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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         Assieme di 2 lettere autografe firmate indirizzate a Roberto Del Beccuto. Datate 1522, 1524.

      1522. Una lettera in italiana datata 22 ottobre 1524, 2pp. vergate e 1 bianca, la IV con indirizzo. Le ultime venti righe dello scritto sono autografe e firmate. Ambedue le lettere sono dirette allo zio del Beccuto a Firenze. Guido De Medici, discendente da Aberardo, ramo che dal 1629 darà origine ai Marchesi Della Castellino, fu cameriere segreto di Leone X, Castellano di Sant'Angelo al tempo del sacco di Roma, vescovo di Venosa (1527), arcivescovo di Chieti. Morì nel 1527.

      [Bookseller: Libreria Antiquaria Pregliasco]
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         Biblia, das ist: Die gantze Heilige Schrifft, des Alten und Neuen Testaments.

      mit 20 ganzseitigen Kupfern und 142 Text-Holzschnitten nach Sandrart, 2. 40,2 x 27,8 cm. (49) Bll.,1181,23 Seiten, In gutem Zustand. der Einband mit geschwärzter Blindprägung , eine der beiden Messingschließen defekt und unvollständig, einige Lagen am Beginn und Ende des Buchblocks mit kleinen Branntlöchern mit geringen Textverlusten , da meist im Rand, einige Seiten mit Kritzeleien von Kinderhand , meist in den Rändern, insgesamt von guter Erhaltung. weiter im Titel: Wie solche von Herrn Doctor Martin Luther Seel. Im Jahr Christi 1522, in unsere Deutsche Mutter-Sprach zu übersetzen angefangen / Anno 1534. zu End gebracht / und Vor einigen Jahren bereits Mit den Summarien Herrn Johann Sauberti Seel. auch mit dem Vielfältigen und Lehrreichen Nutzen / über alle Capitel/ des Herrn D. Salomon Blassens Seel. ausgefertiget, Anjetzt mit gantz neuen und schönen Kupffer-Bildnissen nebst derenselben beygedruckten Lebens-Läuffen, auch andern annehmlichen Figuren samt deren kurzen Auslegungen und angehengten Moralien ausgezieret, dann von denen vorhin eingeschlichenen Druck-Fehlern auf das fleissigste gereiniget, Über dieses sind nicht allein des seel. Hrn. Lutheri und seines Geschlechts wahrhafte und aus uralten Gemählden genommene Abbildungen und Lebens-Lauff beigefüget, sondern auch zu End des gantzen Wercks, neben den Christlichen Haupt-Symbolis ein kurtzer und nützlicher Bericht von der Augspurgischen Confession selbsten, wie man sie in dem rechten Original, im Jahr 1530, Kayser Carl dem Fünfften überantwortet, beygedruckt worden. Samt einer Vorrede Herrn Johann Michael Dilherrns , Mit königl. Polnischen und Chrfürstl. Sächs. allergnädigsten PRIVILEGIO, - die Familie Endter beherrschte mehr als ein Jahrhundert den Bibeldruck in Deutschland, hier eine der Endter-Bibeln, , teils mit kleinen Fehlstellen bedingt durch ehemals ausgerissene Ecken und Fraßgänge, vollständige Seitenzahlen: (49) Blatt, darunter Titel, Register und Lebensbeschreibung Luthers und Adam und Eva, Noah und Abraham, Moses und Aaron, 1181 Seiten mit unpaginierten Einschüben nach den Seiten 184, 534, 706, 912, 916, 1034 (insgesamt 11 ungezählte Blatt), am Schluß 23 unpaginierter Seiten mit der Augsburger Konfession, mit gezählten 142 Textholzschnitten, einigen Holzschnittvignetten und mehr als 70 Holzschnittinitialen.

      [Bookseller: Leipziger Antiquariat e.K.]
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         Polybii Historiarum Libri quinque in latinam conversi linguam, Nicolao Perotto interprete.

      1522. . [In fine:] Florentiae per Haeredes Philippi Iuntae Mense, 1522. In 8vo piccolo, ff. 2 (foglio di guardia e front.), pp. 225, (1) + ff. 2, spazio del capolettera iniziale in bianco, il recto dell'ultima carta è di registro, il verso reca la ripetizione dell'impresa dei Giunti (marca tipografica con il giglio fiorentino al front. e in fine), leg. in cart. coevo, autore, titolo e data di edizione calligrafti al dorso, riportati su tassellino in carta. Precede l'inizio del I libro il proemio di N. Perotti al Pontefice Niccolò V. Rara edizione dei primi cinque libri delle "Storie" di Polibio, quanto ci resta dell'opera che in quaranta libri abbracciava gli avvenimenti dal 264 al 146 a. C., periodo cruciale per l'affermazione di Roma come "caput mundi". L'Autore (205 ca. - 120 a. C.), nativo di Megalopoli in Arcadia, fu uomo d'affari e di guerra, politico e storico insigne, tanto da essere considerato uno padri della storia intesa in senso moderno. L'opera, in prima edizione giuntina, è una delle più importanti sulla storiografia classica di Roma. La traduzione, dal greco al latino, è di uno dei maggiori latinisti del XV secolo. Il titolo e la marca al frontespizio sono ritagliati e riapplicati perfettanente a integrazione della pagina, un leggero strappetto attraversa in orizzontale la marca; alcune sporadiche note manoscritte e normali macchiette del tempo. Peraltro trattasi di un buon esemplare, completo e marginoso. (Manca a Renouard, Adams e Brunet; Camerini, p. 120, n. 164; Bandini, II, p. 175; Graesse, p. 395; Olschki, VIII, p. 11279; Annali dei Giunti di Firenze, I, n. 164).

      [Bookseller: Studio Bibliografico Botteghina D'arte G]
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         Ex Plauti Comoediis. XX. Quarum carmina magna ex parte in mensum suum restituta sunt. M.D.XXII. Index verborum, quib. paulo abstrusiorib. Plautus utitur. Argumenta singularum Comoediarum. Authoris vita. Tralatio dictionum graecarum

      in aedibus Aldi et Andreae Asulani soceri, 1522. 8vo (cm. 21,1), 14 cc.nn., 284 cc. Ancora aldina al frontis. e al verso dell’ultima carta. Importante legatura coeva in piena pelle con nervi. Medaglione impresso in oro al centro dei piatti e fleurons angolari (restauri agli angoli e alle cuffie). Piccole scritte di appartenenza al frontis., di cui una cancellata. Ex libris ‘Chavoix’ sulla carta di guardia libera anteriore. Bell’esemplare. Prima ed unica edizione stampata dalla tipografia di Aldo Manuzio. Edizione compiuta su un testo annotato da Erasmo e dallo stesso Manuzio. Renouard, p. 94; Adams, P-1487; Brunet IV, 708.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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         Il Petrarcha. (f.16 n.n in fine:) Impresso in Fiorenza, per le heredi di Filippo di Giunta l'anno MDXXII del mese di Luglio (Firenze 1522)

      In-8, ff. 180, (24), impresa silografica dei Giunti in fine al verso dell'ultimo foglio. Legatura dell'epoca in pelle bruna, i piatti decorati a secco da riquadri di filetti, ricca bordura e 3 arabeschi centrali, tagli blu. Frontespizio entro bordura architettonica, 6 legni ai Trionfi, già utilizzati nel 1515, impresa Giuntina in fine. Rarissima edizione in corsivo: la prima parte contiene il Canzoniere, che comprende un utile indice per incipit dei Sonetti, nonché l'inedita ballata "Donna mi viene spesso nella mente" che Petrarca in un primo tempo incluse nel Vaticano Lat.3195, autografo del Canzoniere per poi sostituirla con un madrigale.; la seconda i Trionfi, illustrati da 6 superbe figure a piena pag. In fine un fascicolo spesso mancante comprende la ''Canzone di messer Francesco Petrarcha trovata in un anticho libro'', con incipit: ''Quel ch'ha nostra natura in se più degno''. Bernardo Giunti la aggiunse, pur sostenendo che Petrarca "non avrebbe mai voluto ricordarsi d'averle composte". Esempl. marginoso, al frontesp. nota mss. di Pier Antonio dell'Ancisa autore de ''Le famiglie fiorentine illustrate con varie scritture'' (Per la genealogia di Dell'Ancisa vedi: ASF, Manoscritti 348, cc. 300r-305v). Al verso del titolo lunga nota ms. di Pierangelo Dell'Ancisa. Lievi aloni gialli marginali agli ultimi 5 quaderni. Ex libris 800esco ''Biblioteca Todaroana''. - Fondo Petrarchesco Trivulziana, p. 111: ''La distanza tra Bernardo Giunti e suo padre, Filippo, si misura bene in questa edizione petrarchesca, la quarta in ordine di tempo. Se Filippo, che stampa Canzoniere e Trionfi nel 1504, 1510 e 1515, in tutti i casi delega la stesura e la sottoscrizione dell'epistola prefatoria al curatore Francesco Alfieri; Bernardo preferisce tenere per sé il privilegio.. è sua la lunga dedicatoria, con sintassi latineggiante, sottoscritta e indirizzata a Don Michele da Silva .. analizza la controversa questione dell'ordinamento dei Trionfi, giudicando le lezioni degli altri editori, dal Manuzio al Soncino .. decide invece di relegare in un quaderno, a fine edizione, altre rime extravaganti del poeta, anche se Petrarca "non avrebbe mai voluto ricordarsi d'averle composte" .. con orgoglio filologico rivela al lettore di avere inserito nell'edizione una ballata fino allora inedita".

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Il Consiglio di M. Marsilio Ficino Fiorentino contro la pestilentia con altre cose aggiunte appropriate alla medesima malattia.

      - In Firenze, per gli heredi di Philippo di Giunta, 1522 (au colophon). In-8 (150 x 90 mm), demi-vélin à coins, pièce de titre de maroquin noir et doré (rel. XVIIIe), 61, (2) feuillets, caractères italiques. Précoce édition italienne, imprimée par Giunta à Florence. Marsile Ficin composa ce célèbre traité directement en italien à l’occasion de la peste qui sévit en 1478-1479. Traduit en latin et dans plusieurs langues européenne, l’ouvrage remporta un large succès et fut réimprimé à l’occasion de nouvelles épidémies, ici lors de celle de 1522 à Florence. Fils de médecin, lui-même formé dans cette discipline, philosophe humaniste parmi les plus influents de la Première Renaissance, Marsile Ficin étudie les causes, les manifestations et le diagnostic de la maladie en soumettant divers traitements, largement influencés par sa pratique alchimique. Il cite ainsi fréquemment Arnaud de Villeneuve et Raymond Lulle. L’ouvrage contient, en supplément, un traité du médecin florentin Tommaso del Garbo (f. 50 à 61). Cette édition est rare. Seulement 5 ex. recensés dans le monde par WorldCat. (BM Italian Books 241. Wellcome. I, 2264). Un commentateur anonyme de l’époque, dans des notes manuscrites calligraphiées en latin sur le titre (recto/verso) et à quelques marges, commente les recherches de Ficin, cite la position des anciens sur le sujet (Platon et Démocrite) et soumet ses propres recettes. Quelques taches au dernier feuillet et petits accrocs de papier sans perte de texte. Petit ex-libris ancien à la plume "Franco Renucci". Très bon exemplaire, frais, bien conservé. (Esemplare ben completo e in buono stato di conservazione, con solo qualche sporadica fioritura e una minima lacuna marginale a due carte. Legatura ottocentesca in mezza pergamena con punte e piatti marmorizzati, titoli dorati su tassello al dorso. Annotazioni di una antica mano al frontespizio e alle prime carte). [Attributes: Hard Cover]

      [Bookseller: Librairie HATCHUEL]
 36.   Check availability:     ZVAB     Link/Print  

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