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Displayed below are some selected recent viaLibri matches for books published in 1520
2017-06-13 11:57:15
Hans Sebald BEHAM
Bulino 1520, datato emonogrammato in lastra in basso a sinistra. Buona prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. Bibliografia: Bartsch 17; Pauli 18. Dimensioni 58x83. Engraving, 1520, dated and signed with monogram on lower left plate. Good work, printed on contemporary laid paper, trimmed to platemark, in excellent condition. [Attributes: Signed Copy]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-06-11 22:54:22
[ARISTOTLE]
Augsburg: Grimm & Wirsung, 1520. Printed throughout in Roman letter of various sizes and mostly in double columns. First title page in red and black; heraldic woodcuts on second and third titles, devices, initials and text diagrams throughout. Final leaf, with large woodcut of Saint Catherine on colophon, is in facsimile on contemporary paper. Old vellum, new endpapers; occasional stains and a few wormholes. This edition of Aristotle's scientific and philosophical writings was brought together by Johann Eck (1486-1543) and here first printed in Augsburg by Grimm and Wirsung. This is also the first time the beautiful heraldic woodcuts were used. Research suggests that the artist could be Hans Burgkmair who worked in Augsburg at the time the book was printed. Another source indicates the woodcuts could be by the "Petrarca-Master" or that Books 2 and 3 were done by Hans Weiditz.
Bookseller: B & L Rootenberg Rare Books & Manuscript
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2017-06-09 11:55:23
Richard W., Nelson
1520 Seiten 22.4 x 28.6 x 6.4 cm, Gebundene Ausgabe [Info]: SIE SUCHEN EIN BUCH, CD ODER DVD IN DEUTSCH ODER ENGLISCH? FRAGEN SIE UNS - WIR BEMÜHEN UNS ES FÜR SIE ZU BESCHAFFEN! Abmahnung: Sollte der Inhalt oder die Aufmachung dieser Seite bzw. Anzeige fremde Rechte Dritter oder gesetzliche Bestimmungen verletzen, so bitte ich um eine entsprechende Nachricht ohne Kostennote. Ich garantiere, dass die zu Recht beanstandeten Passagen unverzüglich entfernt werden, ohne dass von Ihrer Seite die Einschaltung eines Rechtsbeistandes erforderlich ist. Dennoch von Ihnen ohne vorherige Kontaktaufnahme ausgelöste Kosten werde ich vollumfänglich zurückweisen und gegebenenfalls Gegenklage wegen Verletzung vorgenannter Bestimmungen einreichen. [INT]: LF: B33822
Bookseller: Antiquariat-Lombarde
2017-06-08 15:15:07
WALDSEEMULLER, Martin
Strasbourg: Martin Waldseemuller, 1520. Woodcut map with hand coloring. Sheet size 18" x 24.5" This iconic 1520 map by Martin Waldseemuller depicts the British Isles on a typical Ptolemaic projection with a trapezoid frame. The map famously shows Ptolemy's depiction of the British Isles (considered the 'edge of the world' in Ptolemy's time), with an elongated Scotland on an east-west orientation. The southwestern portion of England (Conrwall) also appears elongated. Ireland, located too far north, also shows an elongated south-west. The map, first published by Walseemuller in his 1513 edition of "Geographie Opus Novissima", was one of the most desireable of Ptolemy's maps, and is one of the few maps in the atlas that used letterpress in the margins and placenames. The atlas was the first to show Ptolemy's maps with relatively modern maps. This particular map from the 1520 edition of the atlas, with a missing title, is considered to be rarer than the first edition. The map is in good condition with minor wear along the original centerfold. Typical age toning and closed verso repairs near bottom margins. The title appears in manuscript. Claudius Ptolemy (90-168 CE) was a Roman geographer and mathematician living in Egypt, who compiled his knowledge and theories about the world's geography into one seminal work. Although his maps did not survive, his mathematical projections and location coordinates did. During the Renaissance revival of Greek and Roman works, "Geographia" was rediscovered by monks and based upon Ptolemy's detailed instructions, t … [Click Below for Full Description]
Bookseller: Argosy Book Store [U.S.A.]
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2017-06-06 11:38:27
WALDSEEMULLER, Martin
Strasbourg: Martin Waldseemuller, 1520. Woodcut map with hand coloring. Sheet size 18" x 24.5" This iconic 1520 map by Martin Waldseemuller depicts the British Isles on a typical Ptolemaic projection with a trapezoid frame. The map famously shows Ptolemy's depiction of the British Isles (considered the 'edge of the world' in Ptolemy's time), with an elongated Scotland on an east-west orientation. The southwestern portion of England (Conrwall) also appears elongated. Ireland, located too far north, also shows an elongated south-west. The map, first published by Walseemuller in his 1513 edition of "Geographie Opus Novissima", was one of the most desireable of Ptolemy's maps, and is one of the few maps in the atlas that used letterpress in the margins and placenames. The atlas was the first to show Ptolemy's maps with relatively modern maps. This particular map from the 1520 edition of the atlas, with a missing title, is considered to be rarer than the first edition. The map is in good condition with minor wear along the original centerfold. Typical age toning and closed verso repairs near bottom margins. The title appears in manuscript. Claudius Ptolemy (90-168 CE) was a Roman geographer and mathematician living in Egypt, who compiled his knowledge and theories about the world's geography into one seminal work. Although his maps did not survive, his mathematical projections and location coordinates did. During the Renaissance revival of Greek and Roman works, "Geographia" was rediscovered by monks and based upon Ptolemy's detailed instructions, the maps were recreated. … [Click Below for Full Description]
Bookseller: Argosy Book Store [U.S.A.]
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2017-06-06 11:38:27
WALDSEEMULLER, Martin
Martin Waldseemuller, Strasbourg. Woodcut map with hand coloring. Sheet size 18" x 24.5" This iconic 1520 map by Martin Waldseemuller depicts the British Isles on a typical Ptolemaic projection with a trapezoid frame. The map famously shows Ptolemy's depiction of the British Isles (considered the 'edge of the world' in Ptolemy's time), with an elongated Scotland on an east-west orientation. The southwestern portion of England (Conrwall) also appears elongated. Ireland, located too far north, also shows an elongated south-west. The map, first published by Walseemuller in his 1513 edition of "Geographie Opus Novissima", was one of the most desireable of Ptolemy's maps, and is one of the few maps in the atlas that used letterpress in the margins and placenames. The atlas was the first to show Ptolemy's maps with relatively modern maps. This particular map from the 1520 edition of the atlas, with a missing title, is considered to be rarer than the first edition. The map is in good condition with minor wear along the original centerfold. Typical age toning and closed verso repairs near bottom margins. The title appears in manuscript. Claudius Ptolemy (90-168 CE) was a Roman geographer and mathematician living in Egypt, who compiled his knowledge and theories about the world's geography into one seminal work. Although his maps did not survive, his mathematical projections and location coordinates did. During the Renaissance revival of Greek and Roman works, "Geographia" was rediscovered by monks and based upon Ptolemy's detailed instructions, the maps were recreated. The first pr … [Click Below for Full Description]
Bookseller: Argosy Book Store, ABAA, ILAB [New York, NY, U.S.A.]
2017-06-06 11:38:27
Waldseemuller, Martin
Strasbourg: Martin Waldseemuller, 1520. Woodcut map with hand coloring. Sheet size 18" x 24.5"This iconic 1520 map by Martin Waldseemuller depicts the British Isles on a typical Ptolemaic projection with a trapezoid frame. The map famously shows Ptolemy's depiction of the British Isles (considered the 'edge of the world' in Ptolemy's time), with an elongated Scotland on an east-west orientation. The southwestern portion of England (Conrwall) also appears elongated. Ireland, located too far north, also shows an elongated south-west. The map, first published by Walseemuller in his 1513 edition of "Geographie Opus Novissima", was one of the most desireable of Ptolemy's maps, and is one of the few maps in the atlas that used letterpress in the margins and placenames. The atlas was the first to show Ptolemy's maps with relatively modern maps. This particular map from the 1520 edition of the atlas, with a missing title, is considered to be rarer than the first edition. The map is in good condition with minor wear along the original centerfold. Typical age toning and closed verso repairs near bottom margins. The title appears in manuscript. Claudius Ptolemy (90-168 CE) was a Roman geographer and mathematician living in Egypt, who compiled his knowledge and theories about the world's geography into one seminal work. Although his maps did not survive, his mathematical projections and location coordinates did. During the Renaissance revival of Greek and Roman works, "Geographia" was rediscovered by monks and based upon Ptolemy's detailed instructions, the maps were recreated. The … [Click Below for Full Description]
Bookseller: Argosy Book Store [U.S.A.]
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2017-06-06 09:59:11
Luther, Martin:
Basel, Adam Petri 1520.. Mit 2 Titelholzschnitten und 2 schwarzgrund. Initialen. Pappband mit Marmorpapierbezug. 19 x 14,5 cm. VD16 L 6196; BL 404. - Erstmals im Vorjahr erschienen. Die hübschen Titelholzschnitte zeigen Petrus und Paulus. - Breitrandiges Exemplar.
Bookseller: Antiquariat Turszynski
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2017-06-04 16:54:39
Suarez, R. P. Fr.
Pars I et II. 28x19 cm. 1216 Spalten 1520 Spalten. Lederbände mit hübsch blindgeprägten Deckeln und golden geprägten Rücken. Band I: Deckel vorne und hinten mit Lederabrieb oben, kleiner Beschädigung des oberen Kapitals und leicht aufgeplatzten Rückenkanten. Band II mit leichten Beschädigungen des Rückens und der Rückenkanten durch Wurmfraß. R-Deckel mit Lederabrieb. Ecken und Kanten beider Bände stärker berieben bzw. bestoßen. Innen beide Bände wenig gebräunt und durchgehend etwas gilbfleckig. Kl. handschriftlicher Eintrag a. d. Vorsatzseite mit Bleistift sowie je zwei Bibliotheksstempel. A R. P. Francisco Noel Ejusdem Socieatis Concinnatum. et in duas partes divisum, Duobusque Tractatibus a Suarez omissis adauctum: primo scilicet de Justit'a et Jure, secundo de Matrimonio. Pars Prima, novem priores dicti auctoris tomos complecetens: I. De Deo Uno et Trino. II. De Angelis. III. De Opere Sex Dierum ac de Anima IV. De Deo ut fine Hominis V. De Legius ac Deo Legislatore VI, VII, VIII. De Gratia. IX. De Fide, Spe, Charitate. Accurante J.-P. Migne, Bibliothecae Cleri Universae sive Cursuum Completorum in Singulos Scientiae Exxlesiasticae Rmos Editore. Pars Secunda, novem posteriores dicti auctoris tomos complectens: X, XI, XII, XIII. De Religione. XIV, XV. De Incarnatione. XVI, XVII. De Sacramentis. XVIII. De Censuris.
Bookseller: P.u.P. Hassold OHG [Germany]
2017-05-30 14:29:50
Luther, Martin:
Basel, Adam Petri 1520. - Mit 2 Titelholzschnitten und 2 schwarzgrund. Initialen. Pappband mit Marmorpapierbezug. 19 x 14,5 cm. VD16 L 6196; BL 404. - Erstmals im Vorjahr erschienen. Die hübschen Titelholzschnitte zeigen Petrus und Paulus. - Breitrandiges Exemplar. [Attributes: Hard Cover]
Bookseller: Antiquariat Uwe Turszynski
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2017-05-30 05:19:51
Lucas Van LEYDEN
Acquaforte, 1520, monogrammata e datata in lastra in basso a sinistra "L 1520". Esemplare nel primo stato, di due, catalogato da Salamon. Sconosciuto a Hollstein. Unica variante secondo Filedt Kok. Superba prova, impressa su carta vergata coeva, completa oltre la linea marginale, in perfetto stato di conservazione. Davide in preghiera è una delle prime e pochissime acqueforti eseguite da Luca di Leyda. Luca rappresenta Davide pentito, secondo il racconto di Samuele (II.24.10-17), nel momento in cui l’Angelo si appresta ad annientare Gerusalemme con la peste, che dice al Signore "Guarda che sono io quegli che ha peccato, io ho commesso l’iniquità, ma queste pecorelle cos’hanno fatto? Sia dunque la tua mano su di me e sul mio casato". Il primo stato della lastra, sconosciuto a Hollstein, fu catalogato per la prima volta da Harry Salamon nel 1972. I due stati si differenziano in prima e dopo le macchie di ruggine che hanno intaccato la lastra di ferro. Magnifico esemplare. Etching, 1520, dated and signed on plate at bottom left "L 1520". Great example, printed on contemporary laid paper, trimmed close to the platemark, in perfect condition. One of the earliest and rare etchings executed by Lucas van Leyden The very rare first state of the plate, unknown to Hollestein, and catalogued for the first time by Harry Salamon in 1972. The first state is without the the rust spots that have affected the plate. The subject (II Samuel 24) refers to David's penitence for having taken a census of Israel and Judah. God offered him the choice of three punishments: three years of famine, thre … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-29 12:53:32
BERTHORIUS, PETRUS, ( Pierre Bercheur, Berchorius, Bersuire, Bercheure, Berchoire ).:
Lugduni, Impressum in officina libraria Jacobi Marechal, 1520. super tota[m] Biblia[m] fratris Petri Berthorij Pictavie[n]sis ordinis divi Benedicti divinaru[m] litteraru[m] studiosissimi, quattuor [et] triginta libris consummatu[m], singulisq[ue] ([cu]m materie exigentia[m]) capitibus aptissime distinctu[m], ubi notabiliorum historiaru[m] ac figuraru[m] veteris [et] novi testamentoru[m], premissa compendiosa textus summa, tropologica seu allegorica atq[ue] no[n]nunque [quamquam?] anagogica subnectit[ur] explanatio, adiectis Biblie [con]corda[n]tijs ... 1520, date taken from colophon. Large 8vo, approximately 250 x 175 mm, 10 x 7 inches, Latin text, title page printed red and black, architectural border with portrait of Bercheur at the top and 14 portraits of scholars reading or writing at the sides and along the bottom, plus the printer's pictorial device below the text, numerous pictorial and decorated initials large and small, black letter printed in two columns, leaves: (12), CCXVIII (misprinted CCVIII), leaves LI to LIIII bound out of order, collated and guaranteed complete, bound in modern full calf, gilt lettered maroon label, gilt decoration to spine, blind decoration to covers, edges stained red, new endpapers. Remains of small label to lower margin of title page, small ink number in fore-edge margin of title page, some pale damp staining to lower margin of first 32 leaves, the same to upper margin of first 12 leaves, both recurring occasionally, name of Bible book in faint tiny hand in upper outer corner of rectos, small area of worming to fore-edge margin of 7 le … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A.
2017-05-29 12:52:41
BERTHORIUS, PETRUS, ( Pierre Bercheur, Berchorius, Bersuire, Bercheure, Berchoire ).:
Lugduni, Impressum in officina libraria Jacobi Marechal, 1520.. super tota[m] Biblia[m] fratris Petri Berthorij Pictavie[n]sis ordinis divi Benedicti divinaru[m] litteraru[m] studiosissimi, quattuor [et] triginta libris consummatu[m], singulisq[ue] ([cu]m materie exigentia[m]) capitibus aptissime distinctu[m], ubi notabiliorum historiaru[m] ac figuraru[m] veteris [et] novi testamentoru[m], premissa compendiosa textus summa, tropologica seu allegorica atq[ue] no[n]nunque [quamquam?] anagogica subnectit[ur] explanatio, adiectis Biblie [con]corda[n]tijs ... 1520, date taken from colophon. Large 8vo, approximately 250 x 175 mm, 10 x 7 inches, Latin text, title page printed red and black, architectural border with portrait of Bercheur at the top and 14 portraits of scholars reading or writing at the sides and along the bottom, plus the printer's pictorial device below the text, numerous pictorial and decorated initials large and small, black letter printed in two columns, leaves: (12), CCXVIII (misprinted CCVIII), leaves LI to LIIII bound out of order, collated and guaranteed complete, bound in modern full calf, gilt lettered maroon label, gilt decoration to spine, blind decoration to covers, edges stained red, new endpapers. Remains of small label to lower margin of title page, small ink number in fore-edge margin of title page, some pale damp staining to lower margin of first 32 leaves, the same to upper margin of first 12 leaves, both recurring occasionally, name of Bible book in faint tiny hand in upper outer corner of rectos, small area of worming to fore-edge margin of … [Click Below for Full Description]
Bookseller: Roger Middleton [United Kingdom]
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2017-05-24 15:15:03
Marcantonio RAIMONDI
Bulino, circa 1520. Della serie I dodici Cesari. Esemplare nel primo stato di due, o di tre, avanti l’indirizzo dell’editore Salamanca e la numerazione. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in perfetto stato di conservazione. La serie I dodici Cesari rappresenta il primo esempio di riproduzione di monete antiche, ingrandite in misura significativa, secondo una pratica che divenne poi abituale e fu adottata da Daniel Hopfer ad Augsburg. Secondo Vasari, i ritratti degli imperatori erano tra le opere che Raffaello spedì a Dürer, il quale successivamente lodò l’arte di Marcantonio. Questa serie documenta il profondo interesse dell’artista per il settore antiquario, che lo spinse a riprodurre i modelli nel modo più fedele possibile. Per affinità stilistiche con l’incisione raffigurante Carlo V (B. 497), le opere possono essere datate intorno al 1520. Molto rara. Engraving, circa 1520. Series The Twelve Caesars. Example in the first state of two, or three, on the address of publisher Salamanca and numbering. Magnificent proof, rich tone, printed on contemporary laid paper without watermark, trimmed on copperplate, in perfect condition. The series The Twelve Caesars is the first example of reproduction of ancient coins, enlarged significantly, a practice which became routine and was adopted by Daniel Hopfer in Augsburg. According to Vasari, the portraits of the emperors were among the works that Raphael sent to Dürer, who later praised the art of Marcantonio. This series documents the artist's deep interest in the fi … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-18 13:09:00
Gerstäcker, Johann Christoph
8. Gest. Frontispiz, Titelblatt in Rot und Schwarz, 2 Bl., 12 , 1520 S. Ganzpergamentband mit (verblasstem) handschriftlichen Rückentitel. Gutes Exemplar der Erstausgabe. Nur ganz geringe Alters- und Gebrauchsspuren. VD18 11026928. Selten. Schneller Versand auf Rechnung ( Vorauszahlung vorbehalten ) . Versand mit der Post bzw. DHL ( Lieferzeit : D ca. 3-5 Tage, EU ca. 5 - 12 Tage ) .
Bookseller: Kunsthandlung Primavera
2017-05-14 09:56:46
PROCESSIONAL
THIS LARGE, LAVISHLY ILLUMINATED MUSIC MANUSCRIPT PROCESSIONAL IS A FINE EXAMPLE OF THE SKILL OF THE ARTISTS WORKING DURING THE LAST FLOWING OF MEDIEVAL MANUSCRIPT ILLUMINATION IN NORTHERN FRANCE. Illuminated manuscript on parchment. France (Rouen), c. 1520-1530; c. 1525-1550; 1674. Dimensions 225 x 158 mm. Written in black in a gothic bookhand on nine long lines with nine lines of music with square notation on four-red line staves on most pages. TWELVE LARGE HISTORIATED INITIALS, that are elaborately shaped and colored in liquid gold, against grounds of red and blue, the biblical scenes in full color and highlighted with liquid gold, TWO FULL-PAGE ILLUMINATED BORDERS, one with Renaissance architectural forms and the other containing the standing figures of saints between flower sprays against a liquid gold ground. BINDING: Sixteenth- or seventeenth-century dark brown leather binding, blind tooled with simple panels back and front with gilt ornaments at the corners, rounded spine with five raised bands, elaborately decorated in gilt, red leather spine label, "Procession/ avec/ miniature," possibly rebacked or repaired with the spine laid down, marbled pastedowns. TEXT: Processionals include the texts and chants for liturgical processions. Each person within a religious order (friars, monks, or nuns) had his or her own Processional, usually rather small books. This Processional is somewhat larger, and is certainly more grandly illuminated than many surviving examples. Many of the surviving examples, particularly those with illumination, were made for nuns. ILLISTURATION: … [Click Below for Full Description]
Bookseller: Les Enluminures [U.S.A.]
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2017-05-14 09:56:46
PROCESSIONAL
1520. THIS LARGE, LAVISHLY ILLUMINATED MUSIC MANUSCRIPT PROCESSIONAL IS A FINE EXAMPLE OF THE SKILL OF THE ARTISTS WORKING DURING THE LAST FLOWING OF MEDIEVAL MANUSCRIPT ILLUMINATION IN NORTHERN FRANCE. Illuminated manuscript on parchment. France (Rouen), c. 1520-1530; c. 1525-1550; 1674. Dimensions 225 x 158 mm. Written in black in a gothic bookhand on nine long lines with nine lines of music with square notation on four-red line staves on most pages. TWELVE LARGE HISTORIATED INITIALS, that are elaborately shaped and colored in liquid gold, against grounds of red and blue, the biblical scenes in full color and highlighted with liquid gold, TWO FULL-PAGE ILLUMINATED BORDERS, one with Renaissance architectural forms and the other containing the standing figures of saints between flower sprays against a liquid gold ground. BINDING: Sixteenth- or seventeenth-century dark brown leather binding, blind tooled with simple panels back and front with gilt ornaments at the corners, rounded spine with five raised bands, elaborately decorated in gilt, red leather spine label, "Procession/ avec/ miniature," possibly rebacked or repaired with the spine laid down, marbled pastedowns. TEXT: Processionals include the texts and chants for liturgical processions. Each person within a religious order (friars, monks, or nuns) had his or her own Processional, usually rather small books. This Processional is somewhat larger, and is certainly more grandly illuminated than many surviving examples. Many of the surviving examples, particularly those with illumination, were made for nuns. ILLISTURA … [Click Below for Full Description]
Bookseller: Les Enluminures [US]
2017-05-12 17:44:39
Pedioneus, Johannes (Rhetus).
8. Mit einigen Holzschn.-Initialen. 68 nn. Bll. (das letzte weiß), Mod. Ppbd. m. goldgepr. Rückenschild. Erstausgabe. - [...] Der genannte Poeta laureatus Johannes Pedioneus (1520-1550) stammt vermutlich aus Triesen er lehrte seit 1545 als Professor für Poetik und Rhetorik an der Katholischen Universität Ingolstadt und machte sich als neulateinischer Dichter der Gegenreformation einen Namen, wurde allerdings von seinen protestantischen Kollegen heftig angefeindet (Burmeister, K. H. Der Humanismus in Feldkirch). - Leicht gebräunt. - VD16, P 1116.
Bookseller: Antiquariat Wolfgang Friebes
2017-05-11 17:01:50
Beham, Hans Sebald (1500 Nürnberg - 1550 Frankfurt am Main),
1520. In der Platte mit dem Monogramm und der Jahreszahl. Kräftiger, feinzeichnender Druck. Mit der vollen Darstellung, wohl auf die Plattenkante geschnitten. 6,1 x 4,5 cm. Bartsch 37. Pauli 39. Blatt 2 aus einer Folge mit sieben Blättern \"Christus und die zwölf Apostel\", von 1520. Ehemals aus Sammlung Hugo Ahne, Aussig und Dr. Karl Max Osthof, (beide nicht bei Lugt). - Untere linke Ecke mit winziger Knickspur. Kleine Ergänzung im Bereich des Nasenrückens des Paulus. Verso blasse Braunfleckchen, wenig nach recto durchschlagend. Verso an der rechten Blattkante Reste einer alten Montierung. Versand D: 5,00 EUR Beham Bartsch 37, Beham Pauli 39, Apostel, Petrus, Paulus, Kleinmeister, Altmeistergraphik
Bookseller: Kunstantiquariat Joachim Lührs
2017-05-10 10:22:12
Johann Geiler von Kaysersberg - Postinkunabel - 6 Werke mit 4 Original Holzschnitten
1520 - An dem Ostertag hat der hochgelert Doctor keisersperg gepredigt vo[n] den dry marie[n] wie sie vnsern here[n] iesum cristu[m] wolte[n] salbe[n] Vnd von den mucke[n] die vnß die salben verderben. Von de[n] senffkoernlin. Vnd vo[n] den früchte[n] des wolsterbe[n]s. : Angeschriben vo[n] einer ersame[n] iunckfrawe[n] vn[d] die erbete[n] das sie sollchs in de[n] druck gelasen hat, in hoffnung zu gut allen menschen. Stassburg : Seliglich geendet vnd getruckt von Johannes Grieninger in der keyserlichen statt Straßburg auff mit fasten im jar 1520. VD16 G 716 60 Blatt, 1 Auflage., 2. Enthalten: Von den Früchten des Wohlsterbens. (VD16 G 824) 3. Enthalten: Von den Mücken, die uns die Salben verderben. (VD16 G 825) 4. Enthalten: Von den Senfkörnlein. (VD16 G 826) Es fehlen Titelblatt mit Holzschnitt, Blatt 29 - 30 und 55. Als Kopie eingebunden. (siehe letztes Bild) 1 Holzschnitte Original Angebunden 1513 - Ein heilsam trostliche predig doctor Ichans Geiler von Keisersperg, die er zu bischoff Albrechten von Strassburg vnd andern erwirdigen prelaten, vn[d] seiner gantze[n] Ersame[n] priesterschafft vor zeite[n] getho[n] hat... Vss wolgezierte latein durch Iacobu wimpfillllinge darzu durch grosse bit bewegt i[n] tütsche sprach ... transferiert Straßburg, Johann Grüninger, VD16 G 716 12 Blatt, 1 Auflage. Es fehlen Titel, Blatt 2,3,4 und 12, nur Titel als Kopie eingebunden Angebunden 1512 - Predig d[er] Himelfart Ma[ria] : dis seind fier predig vo unser lieben Frawe, eine seit von irer himmelfart ... , aber die andern dry predigen sagen von dryerlei empfengni … [Click Below for Full Description]
Bookseller: HGomoll
2017-05-10 06:29:32
Krantz, Albert:
(J. Soter),, Köln, 1520 - Folio (ca. 32 x 21 cm). Mit breiter, ornamentaler Titelholzschnittbordüre. 255 nichtnummerierte Bll. Holzdeckeleinband mit braunem blindgeprägten Lederrücken und 2 restaur. intakten Schließen. (zwei weitere Schließen fehlen oben und unten). - VD16, K 2257. Seltene erste Ausgabe; BM, German Books, 477 und Adams C 2884. NDB XII, Seite. 673f. Schöner Druck in Antiqua aus der Offizin des aus Bensheim im Odenwald stammenden Druckers Johannes Soter. Mit der oftmals abgebildeten Titelbordüre in orientalisch anmutender Bandornamentik und maurischem Dekor. Zeitgenössisch gebunden in einem herrlichen blindgepr. Holzdeckelband. Innen leicht gebräunt, etwas fleckig, teilweise stärker und randig. Wenige Blätter mit Defekten. Mit geknoteten Blattweisern versehen und mit zahlr. zeitgenöss. Unterstreichungen und Marginalien. Blatt q1 stärker angestaubt. Titelblatt mit kleinem hinterlegtem Ausschnitt. Einband wenig bestoßen. Rücken mit reparierten Defekten.
Bookseller: Antiquariat Winfried Scholl (VDA/ILAB)
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2017-05-04 11:25:31
Reuchlin, Johannes:
(Leipzig Schumann ) 1520 - Mit Holzschnitt-Druckermarke auf dem Titel. 12 nn. Bl. 20 x 14 cm. Geheftet. (092). VD16 R 1293. - Sehr seltener Leipziger Druck von Johannes Reuchlins dramatischem Erstlingswerk, das im frühen 16. Jahrhundert auch als Schulstoff Verbreitung fand. Herausgegeben und mit einem Vorwort versehen von Andreas Paleosphyra. - Die ersten fünf Blatt mit umfangreichen handschriftlichen Anmerkungen eines Zeitgenossen. - Deckblatt angestaubt. Wasserrandig. Anfangs am rechten Rand unfrisch und gebräunt, danach rechts beschnitten. [Attributes: Soft Cover]
Bookseller: Sächsisches Auktionshaus & Antiquariat
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2017-05-03 15:15:36
Schumpeter, Joseph A.
1520 Seiten Leinen Bibl.-Ex., Guter Zustand. Stempel auf Seitenschnitt. Buchrücken leicht vergilbt.
Bookseller: Antiquariat Thomas Haker GmbH & Co. KG
2017-05-01 10:16:32
Beham, Hans Sebald (1500 Nürnberg - 1550 Frankfurt am Main),
1520. In der Platte mit dem Monogramm und der Jahreszahl. Kräftiger, feinzeichnender Druck. Mit der vollen Darstellung, wohl auf die Plattenkante geschnitten. 6,1 x 4,5 cm. Bartsch 37. Pauli 39. Blatt 2 aus einer Folge mit sieben Blättern "Christus und die zwölf Apostel", von 1520. Ehemals aus Sammlung Hugo Ahne, Aussig und Dr. Karl Max Osthof, (beide nicht bei Lugt). - Untere linke Ecke mit winziger Knickspur. Kleine Ergänzung im Bereich des Nasenrückens des Paulus. Verso blasse Braunfleckchen, wenig nach recto durchschlagend. Verso an der rechten Blattkante Reste einer alten Montierung. Beham Bartsch 37, Beham Pauli 39, Apostel, Petrus, Paulus, Kleinmeister, Altmeistergraphik
Bookseller: Kunstantiquariat Joachim Lührs [Hamburg, Germany]
2017-04-23 11:19:34
Hans Leonard SCHAUFFELAIN (Norimberga, 1480 - ivi, 1540)
1520. Xilografia, circa 1520, priva di data e firma. Magnifica prova, impressa su carta vergata coeva, rifilata ai margini, in ottimo stato di conservazione. Sconosciuto marchio di collezione al verso. Woodcut, circa 1520, without printind details. Avery good impression, on contemporary laid paper, trimmed to the borderline, in very good conditions. Unknown collector's mark on verso. Bartsch, VII.122 60 83
Bookseller: Libreria Antiquarius
2017-04-22 13:24:39
Porro Girolamo (1520 - 1604) Venice
Artist: Porro Girolamo ( - 1604) Venice; issued in: Venice; date: ca 1574. - technic: Copper print; - colorit: colored; - condition: Tear on the right side perfectly restored; - size (in cm): 25 x 17; - description: Map shows Istria in Kroatia with partly Slowenia. - vita of the artist: Girolamo Porro (c. 1520 - after 1604) was an Italian engraver on wood and on copper. He was born at Padua, but worked during the greater part of his life in Venice. He engraved for a book entitled Imprese illustri di diversi, published by Camillo Camilli in 1535. He also executed the plates for the Orlando Furioso of Ariosto, published at Venice in 1584 , for the Funerali antichi di diversi Popoli et Natione, by Tommaso Porcacchi, published in 1574; and the portraits for the Sommario delle Vite do' Duchi di Milano by Scipione Barbuo, 1574. The maps in Girolamo Ruscelli's translation of the Geographia of Ptolemy, 1574, and the maps in Porcacchi's Isole piu famose del Mondo, first published in 1572, are likewise by him.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-03-29 20:00:37
4 bd. (1: Renässans och barock 1520-1700. 2: Senbarock, Fredrik I:s stil och rokoko 1700-1780. 3: Gustaviansk stil, empire och romantik 1780-1850. 4: Guld- och silverstämplar). Stockh.: Nordisk Rotogravyr & Nordiska Museet 1941-63. Rigt illustr. 4to. Bind 1-3 indbundet i smukt orig. brunt nigerskind, bind 4 i orig. hellærred.
Bookseller: Peter Grosells Antikvariat
2017-03-24 03:21:47
ANDROUET DU CERCEAU, Jacques.
BAL 95; Berlin Kat. 4699; Fowler 26; Vagnetti EIIb29. First edition of a beautifully illustrated manual on perspective for use of painters, sculptors and architects by Jacques Androuet Du Cerveau (ca. 1520-1584), one of the most fertile architects of the second half of the 16th century. He started the Pont-Neuf at Paris by order of Henri III, but the civil war prevented its completion. By order of Henri IV he worked at the gallery of the Louvre, but being a Protestant, Androuet had to flee Paris. The present work teaches the art of perspective in 60 lessons, offering gradually increasingly difficult problems as aids to the artist in constructing perspective views. The lessons are clearly illustrated with one plate for each lesson. The plates have great charm, thanks to both the arrangement of the illustrations and by the clear and strong designs. Most were etched by Androuet du Cerceau himself, and show perspective views and projections first of geometric figures and solids, then of increasingly elaborate buildings, architectural details and landscapes.With small tears repaired in three plates, only 1 affecting the pictorial image, and a small rust hole in another, but still in good condition. Kept in half morocco velvet-lined box. Recased, with the parchment somewhat stained.
Bookseller: ASHER Rare Books (Since 1830)
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2017-03-23 19:22:18
Radini Tedeschi, Tommaso
Leipzig, Melchior Lotter d. Ä, 1520. Italiens Reaktion auf die Thesen Martin Luthers - Zweite Ausgabe der nur zweimal gedruckten, überaus seltenen Schrift des Dominikanerpaters Tommaso Radini Tedeschi da Piacenza (1488-1527), der sich hier mit den Thesen und reformatorischen Ansätzen Martin Luthers auseinandersetzt, "nunc vero secundo Lipsiae apud Melchiorem Lottherum seniorem est excusa. Anno M.D.XX. Mense Octobris" (Kolophon). Die erste Ausgabe war im katholischen Köln im selben Jahre 1520 erschienen (VD16 R 84).Tommaso Radini Tedesci stammt aus Piacenza, trat in den Konvent von S. Eustorgio in Mailand ein und erlangte Berühmtheit ebenso als Theologe wie als Dichter mit seinem Hauptwerk der ?Calipsichia?. ?Tommaso Radino, dell?ordine de? predicatori, buono teologo, ma miglior oratore e poeta, che fece la ?Calipsichia? col ?Siderale Abisso?. Mancò in Roma nel tempo dell?infelice captura di essa dall?essercito di Carlo V imperatore nel 1527?. In seiner vorliegenden Schrift wird Luther vorgeworfen, mit seiner Neuerungsbewegung als Ketzer den Ruf der deutschen Fürsten wie der deutschen Völker verunglimpft zu haben (?Nationis gloriam violantem oratio?). Das Werk ist insofern von Bedeutung, da es nicht in erster Linie die Meinung der Päpste selbst, sondern eines humanistisch gebildeten Italieners wiedergibt ? und damit zu einer höchst interessanten Schilderung Deutschlands aus der südlichen Sicht Norditaliens wird. Die hübsche Titelvignette zeigt oben zwei Füllhörner, aus denen exotische Vögel herausfliegen. Sie stoßen in üppigem Rankenwerk auf volatile Monster, die sich aus de … [Click Below for Full Description]
Bookseller: Antiquariat Abaton oHG [Germany]
2017-03-22 14:56:55
Lucas Van LEYDEN (Leida 1494 - 1533)
"Bulino, 1520, datato in alto a sinistra e monogrammato ""L"" in basso a destra. Splendida prova, nell'unico stato conosciuto e in una variante corrsipondente alla prima su tre di quelle descritte Filedt Kok. Impressa su carta vergata coeva, rifilata ai margini ma completa oltre la linea marginale, in eccellente stato di conservazione. La bella incisione raffigura un nobile e una dama seduti in un paesaggio con un castello sullo sfondo. La signora, seduta per terra con la mano destra protesa per ricevere una sorta di vaso che il nobiluomo, seduto su una pietra in primo piano a destra, le offre lei con la mano destra. Magnifico esemplare, di eccellente tiratura." "Engraving, 1520, lettered with the letter ""L"" at bottom right and the date 1520 at the top left. Only state or the first issue described by Filedt Kok. Superb example, printed on contemporary laid paper, trimmed close to the platemark, in excellent condition. The engraving shows a Nobleman and a Lady Seated in a Landscape; the lady sits on the ground at left and reaches out her right hand to receive a vase that the gentleman, seated on a rock at right foreground, reaches toward her with his right hand; he is seen almost from behind; the landscape extends behind them with a castle in right background. A great example." S. Salamon, Lucas van Leyden, n. 90; Bartsch (intaglio) 148; Hollstein (Dutch and Flemish) 148 (only state); Filedt Kok (New Hollstein) 148 (a).
Bookseller: Libreria Antiquarius [IT]
2017-03-20 13:26:23
Lucas Van LEYDEN (Leida 1494 - 1533)
1520. Acquaforte, 1520, monogrammata e datata in lastra in basso a sinistra "L 1520". Esemplare nel primo stato, di due, catalogato da Salamon. Sconosciuto a Hollstein. Unica variante secondo Filedt Kok. Superba prova, impressa su carta vergata coeva, completa oltre la linea marginale, in perfetto stato di conservazione. Davide in preghiera è una delle prime e pochissime acqueforti eseguite da Luca di Leyda. Luca rappresenta Davide pentito, secondo il racconto di Samuele (II.24.10-17), nel momento in cui l'Angelo si appresta ad annientare Gerusalemme con la peste, che dice al Signore "Guarda che sono io quegli che ha peccato, io ho commesso l'iniquità, ma queste pecorelle cos'hanno fatto? Sia dunque la tua mano su di me e sul mio casato". Il primo stato della lastra, sconosciuto a Hollstein, fu catalogato per la prima volta da Harry Salamon nel 1972. I due stati si differenziano in prima e dopo le macchie di ruggine che hanno intaccato la lastra di ferro. Magnifico esemplare. Etching, 1520, dated and signed on plate at bottom left "L 1520". Great example, printed on contemporary laid paper, trimmed close to the platemark, in perfect condition. One of the earliest and rare etchings executed by Lucas van Leyden The very rare first state of the plate, unknown to Hollestein, and catalogued for the first time by Harry Salamon in 1972. The first state is without the the rust spots that have affected the plate. The subject (II Samuel 24) refers to David's penitence for having taken a census of Israel and Judah. God offered him the choice of three punishments: three years of famine … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2017-03-07 15:22:57
[Author unknown]
[Augsburg]: [Sigmund Grimm & Marx Wirsung], 1520. 1st Edition. Soft cover. 4to - over 9¾ - 12" tall. 4to (202 x 146 mm). [5], [1 blank] unnumbered leaves, title-page with large woodcut illustration. Unbound. Paper only little browned, light dampstaining to lower part. ----VD 16, R 2800; Panzer, DA, Zusätze 995 d; not in Adams. One of eight issues printed in the same year with no priority established. All of highest rarity. The fine almost full-page title-woodcut shows the seven electors in front of emperor Charles V. The coronation took place in Aachen on October 23, 1520. Charles V called himself the 'elect Emperor'. He became the last Holy Roman Emperor to be crowned by a pope, by Clement VII at Bologna, in 1530. Einer von acht Drucken aus demselben Jahr, sämtliche von größter Seltenheit. Der schöne, fast ganzseitige Titelholzschnitt zeigt die sieben Kurfürsten vor dem thronenden Kaiser Karl V. Die Krönung fand am 23. Oktober 120 in Aachen statt. Anschließend ernannte sich Karl zum 'Erwählten Kaiser'. Karl V. war der letzte Römische Kaiser, dessen Kaisertum durch die Krönung durch den Papst bestätigt wurde. Very Good.
Bookseller: Milestones of Science Books
2017-03-04 21:01:53
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
1520. Bulino, 1520-22 circa, firmata in lastra, in basso a sinistra, con la tavoletta vuota. Da un soggetto di Giulio Romano. Bellissima prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. L'opera è considerata come una delle più belle incisioni di Marcantonio Raimondi, prodotte nel periodo immediatamente successivo alla morte di Raffaello. Il disegno preparatorio, perduto, viene attribuito a Giulio Romano. Le forza espressiva delle figure è caratteristica dello stile di Giulio Romano. Un'analogia ancora più forte con i lavori di Giulio risulta più evidente dal confronto tra la figura di Anteo con la figura maschile posseduta dal diavolo nella Trasfigurazione di Raffaello. Il paesaggio che fa da sfondo in Ercole e Anteo, con la sua macchia di alberi frondosi e le rovine di un antico tempio, ricorda gli sfondi di molte rappresentazioni della Madonna eseguite da Giulio negli ultimi anni della vita di Raffaello. La fonte per le figure di questa incisione, e quindi anche per il l disegno di Giulio, probabilmente è stata un gruppo scultoreo risalente al II secolo a.C. che, agli inizi del XV secolo, era tra le statue del Belvedere Vaticano agli inizi. Ugo da Carpi eseguì un chiaroscuro, in controparte, della stessa composizione. Engraving, 1520-22 circa, signed with an empty tablet at lower left. After Giulio Romano. A good impression, printed on contemporary laid paper, trimmed to the platemark, very good condition. Praised by most authors as one of Marcantonio Raimondi's finest engravings, produced in the period immediately following the … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2017-02-25 10:25:27
Luther, Martin:
Basel, Adam Petri 1520. Mit 2 Titelholzschnitten und 2 schwarzgrund. Initialen. Pappband mit Marmorpapierbezug. 19 x 14,5 cm. VD16 L 6196; BL 404. - Erstmals im Vorjahr erschienen. Die hübschen Titelholzschnitte zeigen Petrus und Paulus. - Breitrandiges Exemplar. Versand D: 5,00 EUR
Bookseller: Antiquariat Uwe Turszynski
2017-01-16 16:20:42
Livius Titus
per Melchiorem Sessam & Petrum de Rauanis socios, Anno domini 1520 Die III Maii. 310x220 mm Piccole naturali imperfezioni al frontespizio, restaurato con risarcimenti e rinforzi. Rari percosi di tarlo restaurati senza interessamento del testo, altri due percorsi di tarlo estinto ma sempre marginali e senza perdita di testo. Restauri alla tavola della carta 1, bruciatura alle carte 6 e 7, Strappetto alla base della carta 33, Chiare macchioline di muffa alla base tra le carte 18 e 50, rarissime annotazioni coeve sempre marginali, ampia gora che interessa il volume per la seconda metà, scurimento alla carta 279 Frontespizio bicromatico rosso e nero raffigurante l'Autore incorniciato che tiene  in mano un libro, marca tipografica xilografata raffigurante un gatto con topo in bocca in un cerchio in cui poggia una corona. Ai lati le iniziali MS. Bellissimi capilettera ornati xilografati, prima carta del libro I xilografata e incornicata, altre nove testatine xilografate ad ogni libro dell'Urbe Condita, nei 10 libri del De Belli Punici e nei 10 libri del De Bello Macedonio e Asiatico.
Bookseller: Libreria Antiquaria Giulio Cesare
2016-12-29 10:00:10
Livius Titus
per Melchiorem Sessam & Petrum de Rauanis socios Anno domini 1520 Die III Maii, Venetiis. Piccole naturali imperfezioni al frontespizio, restaurato con risarcimenti e rinforzi. Rari percosi di tarlo restaurati senza interessamento del testo, altri due percorsi di tarlo estinto ma sempre marginali e senza perdita di testo. Restauri alla tavola della carta 1, bruciatura alle carte 6 e 7, Strappetto alla base della carta 33, Chiare macchioline di muffa alla base tra le carte 18 e 50, rarissime annotazioni coeve sempre marginali, ampia gora che interessa il volume per la seconda metˆ, scurimento alla carta 279 Frontespizio bicromatico rosso e nero raffigurante l'Autore incorniciato che tieneåÊ in mano un libro, marca tipografica xilografata raffigurante un gatto con topo in bocca in un cerchio in cui poggia una corona. Ai lati le iniziali MS. Bellissimi capilettera ornati xilografati, prima carta del libro I xilografata e incornicata, altre nove testatine xilografate ad ogni libro dell'Urbe Condita, nei 10 libri del De Belli Punici e nei 10 libri del De Bello Macedonio e Asiatico. cc. (69) + cc. 295 p. 310x220 mm
Bookseller: Libreria Antiquaria Giulio Cesare [roma, ROMA, Italy]
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