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Displayed below are some selected recent viaLibri matches for books published in 1520
2017-10-16 11:37:44
[HEURES À L'USAGE DE ROME]
Paris, Germain Hardouin, s.d. (1520); in-8 (164 x 105 mm), 96 ff., maroquin rouge du XVIIe siècle, dos muet orné à cinq nerfs, double filet d'encadrement sur les plats et fleurons dorés aux centres et aux coins, tranches dorées, étui (un mors fendu en pied sur 2,5 cm, minimes défauts d'usage). Lacombe, "Catalogue des livres d'heures imprimés au XV et XVI siècles", 304 ; Moreau, B. Inventaire, II, 1511-1520, n° 2355. Brunet V, Heures, 254. Élégant livre d'heures à l'usage de Rome, imprimé en lettres rondes sur peau de vélin par Germain Hardouin. Il est décoré de 34 miniatures soigneusement mises en couleurs, probablement dans l'atelier parisien de Hardouin : 22 grandes miniatures (à pleine page ou à deux tiers de page) et 12 petites figures. Exemplaire réglé, les feuillets de texte avec encadrements dorés, bordures peintes décorés d'un cordage entrelacé, initiales dorées sur fond bleu et rouge. Il est daté, d'après l'inventaire de Moreau, de 1520 : le colophon, en français, n'est pas daté. Parmi les plus grandes miniatures : saint Jean à Patmos, L'Arrestation du Christ, Adam et Ève, L'Annonciation, La Visitation, La Nativité, L'Annonce aux bergers, L'Adoration des Rois Mages, La Présentation de Jésus au Temple, La Fuite en Égypte, Le Couronnement de la Vierge, Le Bain de Bethsabée, La Mort chevauchant un taureau, Job assis sur le tas de fumier, La Crucifixion, La Descente de Croix, La Pentecôte, L'Assomption, Le Trone de Grâce.Les plus petites : sainte Barbe, saint Michel, saint Jean-Baptiste, saint Pierre, saint Christophe, saint Etienne, saint Nicolas, saint Antoine, saint … [Click Below for Full Description]
Bookseller: Librairie de L'Amateur [France, Strasbourg]
2017-10-16 11:29:24
Hus, Jan).
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2017-10-16 11:29:20
Biblia hebraica - VT - Proverbia Salomonis]. Münster, Sebastian.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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2017-10-16 11:12:04
Wierix, Johannes (1549-c. 1618) after Dürer, Albrecht (1471-1528)
Bookseller: Antiquariaat A.G. van der Steur [Den Haag, Netherlands]
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2017-10-14 01:05:13
DANTE ALIGHIERI. - [THE IMPORTANT STAGNINO-EDITION]
- Venice, Bernardino Stagnino, 1520. 4to. Contemporary full leather binding with blindtooled ornamentation to boards. Rebacked with five raised bands and blindstamped ornamentation. Hinges with wear but firm and strong. Leather ties to boards renewed. Three lines in contemporary hand written to front free end-paper. (Presumably) Previous owner's name crossed out to lower part of title-page. Title-page printed in red with black woodcut boarder and woodcut depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board. One full-page woodcut depicting Dante and Vergil. Numerous woodcut throughout in text. Small worm tract affecting lower margin on pp. 414-440, far from affecting text. An overall fine and clean copy. (13), 440 ff. Rare second Stagnino-edition with text edited by Pietro Bembo, profusely illustrated with woodcut illustrations throughout the text, of Dante's Comedy including the 15th century Cristoforo Landino commentaries, arguably still the most important and influential comments on Dante's seminal work. While the Aldine-style Dante-editions had flooded the literary market, the more austere and demanding academic circles still required their Dante with commentary. Bernardino Stagnino sought to satisfy this group of the reading public with three editions of the poem (1512, 1520 and 1536) incorporating Landino's commentary in all of them."Stagnino's one significant innovation was to print the "modern" Aldine text edited by Pietro Bembo together with the 15th-century Landino commentary. Inevitably, discrepancies between text and commentary became … [Click Below for Full Description]
Bookseller: Lynge & Søn ILAB-LILA [Denmark]
2017-10-12 12:22:13
MORE, St. Thomas
J. Froben. FIRST EDITION thus. 4to. pp. 115 (i). Roman letter, some Greek. Fine white on black woodcut historiated initials (one eight line), superb woodcut title border by Hans Holbein the younger, "at head, boys playing, and at foot, the story of C. Mucius Scaevola and King Porsenna. On the right hand Mucius, a young Roman who had made his way into the Etruscan camp, is represented slaying the secretary of Porsenna in mistake for the king himself; on the left he is seen thrusting his hand itto the fire in order to show his indifference to the order that he should be burnt alive. In the background is Rome, during the siege of which by Porsenna the incidents are said to have occurred. [Livy ii 12]" (McKerrow and Ferguson 8, on the copy used in England.) Froben's large woodcut Asclepius device on verso of last, some contemporary marginalia, two contemporary ms. ownership inscriptions on verso of last, "Edmund Pulleyn .. his book." and "codicis estis possesor nomine dritos", Chatsworth library bookplate on pastedown. Some light, mostly marginal, waterstaining, large light oil splash on two ll, verso of last browned and dusty, occasional marginal thumb mark. A very good, well margined, copy in English mottled calf c. 1800, covers bordered with double gilt rule, spine with raised bands, richly gilt in compartments, inner dentelles gilt, a.e.r. First separate, best and definitive edition of the Epigrams of St. Thomas More, beautifully printed by Froben with superb woodcut decoration by Hans Holbein the younger. More translated epigrams from the 'Greek Anthology' of Maximos Planu … [Click Below for Full Description]
Bookseller: Sokol Books Limited [GB]
2017-10-11 23:25:21
Caius Iulius Solinus Solino - Johannes Camers
Singrenius Singriener Alantse, 1520. In-folio, pp. (46), 1 cb, pp. 336, (4), frontespizio con bordura tipografica e il monogramma di luca Alantse; a p. (46) grande marca tipografica incisa su legno di Ioannes Singrenius, le note tipografiche con marca xilografica di Lucas Alantse sono all'ultima carta, bei capilettera figurati incisi su legno; al frontespizio nota di possesso e una nota manoscritta che evoca l'eclisse di sole del 1605. Senza la carta geografica. Legatura in piena pelle moderna, con il nome dell'autore impresso in oro al piatto anteriore. l'opera più nota di Solino qui nel commento di Iohannes Camers. Solino fu un autore latino, visse tra il III e il IV secolo; il suo Polyhistor è raccolta di cose memorabili, una sorta di compendio di Plinio e di altri autori classici, principalmente di argomento geografico. Gora di umidità su alcune pagine. classici classics history geography curiosità storia geografia
Bookseller: Libreria Antonio Pettini [IT]
2017-10-11 01:13:49
LUTHER, Martin.
Bookseller: Antiquariat Hellmut Schumann [CH]
2017-10-10 14:35:31
LUTHER, Martin.
Wittenberg, Melchior Lotter, the younger. Opening woodcut initial, and with woodcut title-border by Lucas Cranach. [44] ff. (some contemporary marginalia, title slightly soiled). Small 4to. Modern maroon calf. Wittenberg, (Melchior Lotter, the younger, 6 October 1520). First edition of an influential and important work, the manifesto of religion individualism, and a key reformatory work by Martin Luther (1483-1546). He made his final break with the Roman Church in this present tract "On the Babylonian Captivity of the Church", where he attacks the citadel of Roman power. It is the rare second of only three primary treatise of Luther's central documents of Protestant Reformation. The two others being "An den Christlichen Adel deutscher Nation, 1520" (To the Christian Nobility of German Nations) and "Tractatus de libertate christiana, 1520" (The Freedom of a Christian). Luther's revolutionary tract present here is not only a criticsm of the seven sacraments. He emphasizes the priesthood of believers and reminds the laity of their responsibility for the preaching of the Word and the administering of the sacraments Baptism, Penance and the Lord's Supper. "Unter allen wissenschaftlich-theologischen Schriften Luthers steht sie an erster Stelle" (Köstlin/Kawerau). This pamphlet was, in effect, a call for the Reformation to begin and had a most powerful influence on all classes. The book was published on the 6th October 1520. At least 5 editions in the original Latin were published before the year was over.- A nice copy with wide margins of one of the greatest rarities of Luther's … [Click Below for Full Description]
Bookseller: Antiquariat Hellmut Schumann [CH]
2017-10-07 20:58:29
STADEN, Hans.
Alden & Landis 660/161 (1 copy); WorldCat (3 copies); cf. Borba de Moraes, p. 836; Sabin 90050; this ed. not in STCN. Extremely rare Dutch edition of an important and very popular eye-witness account of mid-16th-century Brazil, by Hans Staden (ca. 1520/25-ca. 1557 or ca. 1576), a Hessian artilleryman who served the Portuguese in Brazil in the years 1547-1548 and 1549-1555. During most of his second trip to Brazil he was held prisoner near Rio de Janeiro by the Tupinambá Indians. Already fluent in the Tupi language, he probably gained a more intimate knowledge of the Indians than any other writer of his day. The first part describes his voyages and his capture by the Indians, while the second part describes their culture and customs. Staden's sensational tales of the "savage, naked, very godless and cruel cannibals" of Brazil, published when Europeans knew almost nothing of the New World, immediately made the book a best-seller. While its biased view of the Brazilian "savages" was the progenitor of many widely accepted 16th-century European beliefs about the New World, it also contains a wealth of information from the direct observations of a participant observer familiar with the native language. It therefore forms one of the most important sources of both facts and misperceptions about indigenous Americans. We have located only three other copies of the present edition worldwide.With some water stains and an occasional minor brown spot, but still in good condition and only slightly trimmed.
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
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2017-10-06 01:42:27
JACOBUS DE FORLIVIO (DALLA TORRE Giacomo) [ca, 1360-1413]
ANTONIUS DE GIUNTA, VENETIIS 1520 - Legatura settecentesca in piena pergamena rigida; autore, luogo e titolo in oro su doppio tassello al dorso; tagli maculati; al contropiatto anteriore, ex-libris della biblioteca di Piergiorgio Borio. 4 carte non numerate, compreso il frontespizio con titolo e nota di possesso manoscritta, bianco il verso; 215 carte numerate; 1 carta bianca. All'interno, testo su due colonne con numerosi capolettera istoriati e postille manoscritte da antica mano. Cfr. Treccani, "Figura esemplare dell'aridità della cultura aristotelica a Padova tra il XIV e il XV sec., come altri suoi colleghi (Biagio Pelacani, Gaetano da Thiene, G. Marliano) ebbe un certo seguito fra gli studenti, e molti allievi e amici come Paolo Veneto e Biondo Flavio lo ricordano con ammirazione nelle loro opere. Michele Savonarola, Antonio Guainerio, Gasparino Barzizza, Cristoforo Manfredini e altri ne esaltarono la sapienza che, al di là degli elogi d'obbligo, dovette essere profonda, se a lui pensò lo Studio di Siena per rinnovare l'insegnamento della medicina e per avvicinarsi al modello padovano. Per la sua competenza fu consultato sulla famosa questione del ritrovamento del cadavere di Livio, sorta a Firenze tra alcuni umanisti; egli dimostrò, contrariamente a quanto affermavano certi avversari, che si trattava del cadavere di un uomo, non di una donna. Ma l'esemplarità del suo insegnamento è testimoniata soprattutto da due decreti, del 1465 e del 1531, degli statuti dell'università padovana, dove si afferma che i professori di m … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Il Cartiglio [Italy]
2017-09-30 17:05:06
Kl.8, 8 Bl., 416, 291 (falsche Paginierung 279), 4 Bl., Späterer Lederband mit Blindprägung über 4 Bünden, Deckel berieben, kleine Fehlstellen im Gelenk. Fliegender Vorsatz eingerissen, durchgehend etwas wasserändig, einige Marginalien a. Vorsätzen und Titelblatt und einigen weiteren Blättern von alter Hand. Jean Crespin (1520-1572) war der Sohn des Rechtsgelehrten Charles Crespin in Arras. Crespin studierte in Löwen von 1533 bis 1538 zunächst Literatur, dann Rechtswissenschaft und praktizierte anschließend in Arras als Rechtsanwalt. Seit 1540 war er Parlamentsadvokat in Paris. Als er zur reformierten Kirche konvertierte, wurde er als "Ketzer" verfolgt und am 28. März 1545 ausgewiesen.Crespin ging zunächst nach Straßburg und Basel. Von dort kam er im Oktober 1548 nach Genf, wo er am 25. August 1551 als Einwohner (Habitant) anerkannt wurde und am 2. April 1555 die Bürgerrechte erhielt. In Genf betätigte er sich nicht mehr als Jurist, sondern wurde ein erfolgreicher Buchdrucker und Verleger. In 20 Jahren veröffentlichte er etwa 250 Bücher, darunter viele Werke zur Unterstützung des Reformators Johannes Calvin, mit dem er befreundet war. Ein weiterer Freund war Théodore de Bèze.Sein wichtigstes Werk war Le livre des martyrs (1554), in dem er die Glaubenskriege und religiöse Verfolgungen vom Mittelalter bis in die Gegenwart beschrieb.
Bookseller: antiquariat peter petrej
2017-09-28 13:48:21
Johannes Geiler von Kaysersberg:
Straßburg, Johann Grüninger, 1520. Zweispaltiges O-Postinkunabelblatt einem O-Holzschnitt (8,4 x 11,7 cm) von Albrecht Dürer. Druck auf festem Papier, Blatt im Rand gering fleckig, Blattgröße: 18,9 x 29,3 cm. - - - Letzter Abdruck von Dürers Originalholzstöcken. Die Predigten von Kaysersberg wurden mit den Originalholzschnitten der Erstausgabe des Narrenschiffs von 1494 illustriert. Bereits 1512 verwendete Matthias Hupfuff dieselben Holzstöcke zur Illustration seiner Ausgabe des Narrenschiffs. Zwischen 1512 und 1520 gingen Dürers Originalholzstöcke an J. Grüninger über. Nach 1520 verliert sich die Spur der in Basel geschnittenen Holzstöcke. Der Holzschnitt illustriert die Mitnahme von Tieren zum Gottesdienst. Ein junger Edelmann, der sich von seiner Frau verabschiedet, um in die Kirche zu gehen, trägt einen Falken auf der Hand und seine Hunde balgen sich am Boden. [3 Warenabbildungen bei antiquariat.de]
Bookseller: Versandantiquariat Christine Laist [Seeheim-Jugenheim, Germany]
2017-09-28 06:45:53
BOCCACCIO Giovanni
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-09-28 06:45:36
BOCCACCIO Giovanni
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-09-25 10:55:10
Lucas Van LEYDEN
1520. Bulino datato e monogrammato in lastra. Buona prova nella seconda variante dell’unico stato, impressa su carta vergata coeva priva di filigrana, rifilata al rame e completa della linea marginale, in ottimo stato di conservazione. Rara. Engraving 1520, dated and monogrammed on plate. Good impression of the second variant of the single state, printed on contemporary laid paper without watermark, trimmed at the platemark with borderline, in very good conditions. Rare. The New Hollstein 34b. 70 105mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-09-25 10:25:17
Detallado en descripción.
Detallada en descripción., Detallado en descripción. LIVRE D´OR DU MÉNAGE. 1520 recettes et 10000 astuces. Avec 156 photographies, don¿t 103 en coleurs, et 126 denssins. Par MASSARD, Pierre. Editions Stauffacher, Zurich 1963. 753 pages. Textes français. 248x180mm. Tissu hardcover en pleine jaune avec caractères bleus. Wrappers illustrés originaux. Parfait état; propre et bien entretenu. Dans attachée livre d'images avec leurs vestes. Exemplaire extrêmement rare. 753 páginas. 248x180mm. Tapa dura en plena tela color Amarillo con caracteres azules. Sobrecubiertas originales ilustradas. Impecable estado de conservación; limpio y bien cuidado. En foto adjunta el libro con sus sobrecubiertas. Ejemplar sumamente raro.
Bookseller: Libros Antiguos Raros [ALBACETE, Spain]
2017-09-19 16:03:42
Porro Girolamo ( 1520 - 1604 ) Venice
Artist: Porro Girolamo ( - 1604 ) Venice; issued in: Venice; date: ca 1674, 1520. technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 26 x 17; - description: Titlepage from Girolamo Porro.; - vita of the artist: Girolamo Porro (c. 1520 - after 1604) was an Italian engraver on wood and on copper. He was born at Padua, but worked during the greater part of his life in Venice. He engraved for a book entitled Imprese illustri di diversi, published by Camillo Camilli in 1535. He also executed the plates for the Orlando Furioso of Ariosto, published at Venice in 1584 , for the Funerali antichi di diversi Popoli et Natione, by Tommaso Porcacchi, published in 1574; and the portraits for the Sommario delle Vite do' Duchi di Milano by Scipione Barbuo, 1574. The maps in Girolamo Ruscelli's translation of the Geographia of Ptolemy, 1574, and the maps in Porcacchi's Isole piu famose del Mondo, first published in 1572, are likewise by him.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-09-12 17:54:42
BRICONNET GUILLAUME
Paris. Henri Estienne. 1520. Cm. 22; carte (14). Legatura di primi ottocento in mezza pelle, fregi e titoli in oro al dorso, piatti in carta marmorizzata. Bella edizione stampata in carattere romano da Estienne. Una delle ultime pubblicate prima della sua morte nello stesso anno. Prima edizione. Sermone tenuto da Briconnet Guillaume, Vescovo di Meaux, in cui esorta i prelati al dovere della residenza nelle sedi assegnate, non criticando la loro ignoranza o impreparazione ma il costume di nominare sostituti, spesso impreparati anche loro. Figura assai importante, Guillaume Briconnet, era il leader del gruppo degli evangelici di Meaux, gruppo che combinava Umanesimo con il ritorno allo studio della Bibbia e specialmente delle Lettere di San Paolo, come fonti primarie per la Dottrina Cristiana. Il gruppo si sciolse nel 1525. Briconnnet venne accusato di eresia per ben due volte. Briconnet Guillaume (1472- 1534). Ottimo esemplare, ampi margini [Attributes: First Edition; Hard Cover]
Bookseller: GALLERIA LA STAMPA ANTICA [VILLAFRANCA DI VERONA, Italy]
2017-09-12 07:05:03
Lefèvre André
VD17 12:112160R - Hohenemser 5342.- Polemische Schrift gegen die Augsburger Confession des aus Lüttich stammende André Lefèvre auch Fabricius Andreas (1520-1581). Er war Professor der Philosophie zu Löwen und in seinen letzten Lebensjahren geistlicher Rath des Herzogs Albert von Baiern und seines Sohnes Ernst, des Erzbischofs und Kurfürsten von Köln.- Etw. gebräunt.
Bookseller: Antiquariat Johannes Müller [Salzburg, Austria]
2017-09-11 17:51:23
DOCUMENTO MANUSCRITO SOBRE VITELA. SIGLO XVI. CARLOS V. [CONDE DE MONTEAGUDO]
Dada en Valladolid, en 21 de Agosto de 1520.- 6 Folios en vitela manuscritos con clara caligrafía gótica, texto bien encajado y márgenes muy amplios: serie de firmas legalizando y refrendando el documento; Folio (32 x 22,5 cm); Encuadernación en Pergamino habiéndose perdido la cubierta posterior; hilos de seda en colores que sujetaban el sello de plomo ya perdido.- La cubierta anterior algo rizada así como el margen externo de todas las hojas en vitela, que están manchadas por este margen. También la última la última hoja tiene manchas debido a la pérdida de la cubierta posterior, como ya se ha indicado. Libro en español [Attributes: Hard Cover]
Bookseller: Librería Miguel Miranda, AILA ILAB [Lope de Vega n.º XIX, Madrid, M, Spain]
2017-09-06 18:10:05
Karnkowski Stanislaw (Hrsg.)
VD16 W 4100.- Der zweite Teil mit eigenem Titel "Admonitiones quinque circa sacramentorum administrationem faciendae".- Ergebnisse der von Stanislaw Karnkowski (* 10. Mai 1520 in Karnków; ? 8. Juni 1603 in Lowicz) einberufenen Reformsynode für das Bistum Wloclawek, mit dem Ziel die Prinzipien des Konzils von Trient einzuführen. Er war von 1567 bis 1580 Bischof von Kujawien und seit 1581 Erzbischof von Gniezno und damit Primas von Polen. Er hat maßgeblich zur Rekatholisierung Polens beigetragen.- Erster Titel mit hs. Besitzvermerk, etw. gebräunt, sonst gutes attraktiv gebundenes Exemplar.
Bookseller: Antiquariat Johannes Müller [Salzburg, Austria]
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2017-09-06 13:36:49
WALDSEEMULLER, M. / C. PTOLEMY
Bookseller: Chaucer Bookshop ABA ILAB [Canterbury, United Kingdom]
2017-09-02 21:43:59
HESYCHIOS ALEXANDRINOS.
per haeredes Philippi Iuntae. In folio (mm 320x210). Segnatura: a-z8, &-8. 191 carte (erroneamente numerate 155). Carattere greco e romano. Testo disposto su due colonne. Grande marca editoriale dei Giunta incisa su legno, al recto della c. a1, e al verso della c. & 8, con due putti che sorreggono i due bracci del giglio giuntino con scudo araldico al centro; sotto riporta il monogramma FG. Doppia iniziale animata della lettera Alpha su fondo rosso alla c. a3r, testatina che si allunga lateralmente con due bande riccamente intagliate su legno, con motivi vegetali ed al centro un nastro con le lettere IC (Iesus Christos). Numerosi capilettera greci silografici, ornati entro vignette su fondo nero, che richiamano raffinati motivi arabo-bizantino, provenienti dall'apparato decorativo di Vlastos-Kallierges usato già nell'editio princeps. Legatura in piena pergamena rigida seicentesca, dorso liscio con antico tassello in pergamena.Seconda rara edizione del Dictionarium di Hesychios, (la princeps è di Venezia 1514 per i tipi di Aldo Manuzio). Nel lessico sono registrati in ordine alfabetico oltre cinquantamila lemmi, dai significati complessi, tratti da opere di rara importanza redatte da medici, storici, oratori e poeti, in alcuni casi anche andate perdute. Dell'autore non si trovano importanti notizie biografiche, si sa che fu lessicografo di Alessandria vissuto nel secolo V. I caratteri greci usati per la stampa furono disegnati e intagliati da Zacharias Kallierges. Successivamente i Giunta entrarono in possesso del magnifico apparato ornamentale di Nikolaos Vlastos, che trovi … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Perini s.a.s. [IT]
2017-08-29 18:40:37
Cornazzano Antonio.
Philippo di Giunta, 1520. 8° pergamena rigida, ex libris alla sguardia, timbro di antica bibl. religiosa estinta Marca tipografica (Giglio fiorentino con due putti) all'ultima dopo il registro. Brevissime note manoscritte ai margini di alcune carte; la stessa mano cinquecentesca al verso della marca dedica a «Lucretia sig.ra et Patronissima de tutto il mio cuore et io apresso» siglandosi. Il Cornazzano (Piacenza, 1429 - Ferrara, 1483 - 4) fu un teorico importante della danza (maestro di Ippolita Sforza) e letterato di Corte (Colleoni, Estensi, Sforza). La prefazione è di Bernardo da Giunta, uno dei 4 eredi di Filippo; fu lui infatti a curare l'edizione. L'autore aveva steso l'opera in prosa e successivamente elaborato la versione in terzine (nove libri); il poema didascalico ebbe grande fortuna, specie dopo la revisione attuata da Bernardo proprio in questa edizione. Il testo è stampato in innovativo carattere corsivo. Cfr. Renouard, XLV; Adams, 2646.
Bookseller: Libreria Pontremoli [IT]
2017-08-27 08:12:13
Loukata, Josef (1879 Hranice bei Dobris – Prag 1967)
- Schwarze Kreide, teils gewischt. Signiert. 36,5:25,6 cm. Reproduziert in: „Meggendorfer Blätter", Nr. 1520. Literatur: Galerie J.H. Bauer, 1979, Fliegende Blätter Meggendorfer Blätter, SS. 7, 32/33; Flemig, S. 177. Tschechischer Maler und Illustrator, Mitarbeiter „Fliegende Blätter", „Meggendorfer Blätter" und „Simplicissimus".
Bookseller: Galerie Joseph Fach GmbH
2017-08-24 14:14:12
Wierix, Johannes (1549-c 1618) after Dürer, Albrecht (1471-1528)
Engraved at the age of 14 (as inscribed in the stone in the foreground) by Johannes Wierix after Dürer. On the plate on the right the date and the monogram of the German master:'1520 / AD' Engraving on paper, trimmed to platemark; total: 145 x 100 mm; state II/2; Hollstein 989; MH 749; Alvin 628
Bookseller: Historisch Antiquariaat A.G. van der Ste [Netherlands]
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2017-08-24 14:08:29
PONTIFICALE ROMANUM.
PONTIFICALE ROMANUM. Pontificale fm Ritus Sacrosancte Romane Ecclesie cum additionibus opportunis ex aplica bibliotheca sumptis alias non ipressis... (Colophon:). In florentissima Venetiarum urbe per... Lucamantonium de Giunta florentinum anno Domini 1520 die xv septembris... In - folio, pergamena secentesca. 6 ff. nn., 253 ff., 1 f. bianco (mancante). Frontespizio stampato in rosso con grandi caratteri gotici entro bordura nera incisa in legno, testo e musica su due colonne in rosso e nero, 3 grandi illustrazioni racchiuse in bellissime bordure in silografia e 162 piccole figure incise in legno nel testo che si trovano quasi su ogni foglio le quali sono molto graziose, alla maniera di Zoan Andrea. L' esemplare è ben conservato, malgrado lievi tracce d' uso ai primi ff., e un piccolo strappo alla legatura in basso. Edizione rarissima. Manca alla Harvard College Library. Alès, Livres de liturgie, 165: Dans ce pontifical, chaque cérémonie est précédée d' une figure ad hoc; ces figures ne sont point reproduites dans le pontifical de 1572... Essling, 1695. Sander, 5839. Adams, 1238. B.M., Italian books, p. 387. Olschki, Choix de livres rares, 3230.
Bookseller: Brighenti libri esauriti e rari [IT]
2017-08-21 03:28:52
LUTHER, Martin.
Wittenberg, Melchior Lotter, the younger, 6 October 1520. Opening woodcut initial, and with woodcut title-border by Lucas Cranach. [44] ff. (some contemporary marginalia, title slightly soiled). Small 4to. Modern maroon calf. Wittenberg, (Melchior Lotter, the younger, 6 October 1520). First edition of an influential and important work, the manifesto of religion individualism, and a key reformatory work by Martin Luther (1483-1546). He made his final break with the Roman Church in this present tract "On the Babylonian Captivity of the Church", where he attacks the citadel of Roman power. It is the rare second of only three primary treatise of Luther's central documents of Protestant Reformation. The two others being "An den Christlichen Adel deutscher Nation, 1520" (To the Christian Nobility of German Nations) and "Tractatus de libertate christiana, 1520" (The Freedom of a Christian). Luther's revolutionary tract present here is not only a criticsm of the seven sacraments. He emphasizes the priesthood of believers and reminds the laity of their responsibility for the preaching of the Word and the administering of the sacraments Baptism, Penance and the Lord's Supper. "Unter allen wissenschaftlich-theologischen Schriften Luthers steht sie an erster Stelle" (Köstlin/Kawerau). This pamphlet was, in effect, a call for the Reformation to begin and had a most powerful influence on all classes. The book was published on the 6th October 1520. At least 5 editions in the original Latin were published before the year was over.- A nice copy w … [Click Below for Full Description]
Bookseller: Hellmut Schumann Antiquariat [Switzerland]
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2017-08-19 12:51:34
Longuolius, Christophorus [Christophe de Longueil].
Joannis Parvi, Egidii Gormontii et Petri Gromors, 1520. in 4° pergamena floscia mod. Terza edizione, dopo la prima di Manuzio, senza data, ma attribuita all'anno 1518 ( o 1519 ), e la seconda, romana, del 1519, per i tipi del Guillery. Cristoforo Longolio nacque a Malines, in Belgio, nel 1488, e morì a Padova nel 1522. Umanista francescano, fu difensore di uno stile prettamente ciceroniano tanto che si suppone fosse messo in caricatura da Erasmo, nel Ciceronianus, celato nel personaggio di ?Nosopona?. Arriva a Roma nel 1516 e, dopo aver studiato greco con Musuro e Lascaris, divenne personaggio di spicco nell'ambiente umanistico romano, ma i suoi detrattori ( tra i quali Valeriano e Colocci ) scoprirono e pubblicizzarono il fatto che 10 anni prima aveva tenuto un discorso mirante a dimostrare l'inferiorità dell'Italia nei confronti della Francia. Nell'Agosto del 1518 Longolio scrisse due celeberrime orazioni, che celebravano Roma, per discolparsi da quest'accusa ( di lesa maestà ), e in conseguenza di esse ottenne la cittadinanza romana nel 1519. Prima edizione stampata in Francia, rarissima, e terza in assoluto. Il catalogo collettivo di Francia segnala solo l'esemplare della Nazionale di Parigi.
Bookseller: Libreria Pontremoli [IT]
2017-08-16 09:52:08
Livius Titus
per Melchiorem Sessam & Petrum de Rauanis socios Anno domini 1520 Die III Maii, Venetiis. Piccole naturali imperfezioni al frontespizio, restaurato con risarcimenti e rinforzi. Rari percosi di tarlo restaurati senza interessamento del testo, altri due percorsi di tarlo estinto ma sempre marginali e senza perdita di testo. Restauri alla tavola della carta 1, bruciatura alle carte 6 e 7, Strappetto alla base della carta 33, Chiare macchioline di muffa alla base tra le carte 18 e 50, rarissime annotazioni coeve sempre marginali, ampia gora che interessa il volume per la seconda meta, scurimento alla carta 279 Frontespizio bicromatico rosso e nero raffigurantel'Autore incorniciato che tieneåÊ in mano un libro, marca tipografica xilografata raffigurante un gatto con topo in bocca in un cerchio in cui poggia una corona. Ai lati le iniziali MS. Bellissimi capilettera ornati xilografati, prima carta del libro I xilografata e incornicata, altre nove testatine xilografate ad ogni libro dell'Urbe Condita, nei 10 libri del De Belli Punici e nei 10 libri del De Bello Macedonio e Asiatico. cc. (69) + cc. 295 p. 310x220 mm
Bookseller: Libreria Antiquaria Giulio Cesare [roma, ROMA, Italy]
2017-08-14 12:29:37
DANTE. -
Venezia, Stagnino, 1520. In-4. Pergamena molle del '900, titolo sul dorso. Titolo in rosso e nero entro bella cornice ripetuta al principio del poema, una tav. f.t., 98 graziose illustrazioni n.t., e 2 marche tipografiche, il tutto inc. in legno. (12), 440, (mal num. 441) ff.; esemplare buono e fresco; margine superiore un po' corto e piccolo restauro ad un angolo degli ultimi 5 fogli. «Edizione in caratteri corsivi, rara e molto stimata... fu intitolata Opere probabilmente perché contenente il Credo, il Pater Nostro e l'Ave Maria parafrasati in versi italiani da Dante...» (De Batines I, 78). Essling 539. Sander 2325. Harvard, Mortimer I, 144, descrive l'edizione del 1512 di cui questa è un'esatta ristampa.
Bookseller: Libreria Antiquaria Rappaport [IT]
2017-08-14 12:29:37
DANTE.
DANTE. Opere del Divino Poeta Danthe con suoi comenti recorrecti et con ogne diligentia novamente in littera cursiva impresse. In fine: Impressa in Venetia per Miser Bernardino Stagnino da Trino de Monferra, del M.D.CCCCC.XX (1520) A di XXVIII Marzo. In 8vo; 12cc.n.nn., pp. 440 erroneamente numerate 441. Frontespizio con caratteri neri e rossi, due marche tipografiche al frontespizio ed al colophon, una tavola fuori testo all'inizio del canto primo, capilettera con fregi, illustrazioni nel testo in silografia. Pergamena coeva. Lievi restauri al frontespizio ed alle ultime carte con perdita di qualche lettera di testo. De Batines I, pp. 78/79; Mambelli 27; Sander n.2325; Essling 529. [Attributes: Hard Cover]
Bookseller: CASELLA STUDIO BIBLIOGRAFICO ALAI-ILAB [Napoli, NA, Italy]
2017-08-14 12:28:28
Portis, Leonardo de.
[Basel], Johann Froben, [ca 1520]. 4to. (4), 62, (6) pp. With woodcut printer's device on title page (repeated on final page) and 3 woodcut initials. Sewn. Early edition of a frequently reissued manual on classical coins, measurements, and weights, edited and introducted by Giovanni Battista Egnazio. Page 58 gives the diagram of an ancient measurement. - Slightly browned throughout. Apparently removed from an old sammelband; contemporary marginalia on p. 13 trimmed by binder's knife. Old ownership and notes on the preserved lower wrapper cover or interleaf. VD 16, P 4394. BM-STC German 713. Cf. Heckethorn (The Printers of Basle) 114, 6 (1530 Hieronymus Froben edition). Not in Adams.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2017-08-10 12:53:26
[HOLBEIN, Hans, the younger (circa 1497-1543), illustrator] - ZASIUS, Ulrich, editor (1461-1536)
Basel: Adam Petri, 1520. Folio (299 x 200 mm). Large woodcut coat-of-arms of Freiburg on title and full-page woodcut illustration of patron saints of Freiburg on verso by Hans Holbein, (repeated on B1), woodcut folding plate of a genealogical tree, woodcut initials. 16th-century German blind-stamped pigskin over paste boards, initials "D.S.D." and date "1577" stamped on upper cover. Some slight darkening, H3 with small tear within text, folding plate torn and expertly repaired. Provenance: Johannes Jacobus Schmidlin (early 16th-century bookplate on half-sheet facing title); David Sebastian ("IUD" Iuris Utriusque Doctor, Doctor of Laws, gift inscription dated 1577 with motto on title, and binding); early marginalia; 16th-century manuscript continuation on blanks at the end in an early hand; Auer von Herrenkirchen (bookplate); purchased from Bernard M. Rosenthal, 1971. FIRST EDITION of the municipal laws and statutes of Freiburg, edited by Ulrich Zasius. ONE OF THE FIRST BOOKS ILLUSTRATED BY HANS HOLBEIN, INCLUDING THE MODEL FOR HOLBEIN'S 'SOLOTHURN MADONNA'. The woodcut of the Virgin enthroned is signed "HH" on the left side of the platform upon which she is seated. Chamberlain notes: "In composition the Solothurn Madonna bears close resemblance to a large woodcut; designed by Holbein, on the back of the title-page of the Statute Book or Town Laws of Freiburg-im-Breisgau . . . The similarity between the two designs is particularly close in the position and movement of the arms and hands of the Infant Christ. The woodcut, which is signed 'H.H.' on the edge of the step on the … [Click Below for Full Description]
Bookseller: Riverrun Books & Manuscripts
2017-08-10 12:53:26
[HOLBEIN, Hans, the younger (circa 1497-1543), illustrator] - ZASIUS, Ulrich, editor (1461-1536)
Basel: Adam Petri, 1520. From the Collection of Arthur & Charlotte Vershbow. Folio (299 x 200 mm). Large woodcut coat-of-arms of Freiburg on title and full-page woodcut illustration of patron saints of Freiburg on verso by Hans Holbein, (repeated on B1), woodcut folding plate of a genealogical tree, woodcut initials. 16th-century German blind-stamped pigskin over paste boards, initials "D.S.D." and date "1577" stamped on upper cover. Some slight darkening, H3 with small tear within text, folding plate torn and expertly repaired. Provenance: Johannes Jacobus Schmidlin (early 16th-century bookplate on half-sheet facing title); David Sebastian ("IUD" Iuris Utriusque Doctor, Doctor of Laws, gift inscription dated 1577 with motto on title, and binding); early marginalia; 16th-century manuscript continuation on blanks at the end in an early hand; Auer von Herrenkirchen (bookplate); purchased from Bernard M. Rosenthal, 1971. FIRST EDITION of the municipal laws and statutes of Freiburg, edited by Ulrich Zasius. ONE OF THE FIRST BOOKS ILLUSTRATED BY HANS HOLBEIN, INCLUDING THE MODEL FOR HOLBEIN'S 'SOLOTHURN MADONNA'. The woodcut of the Virgin enthroned is signed "HH" on the left side of the platform upon which she is seated. Chamberlain notes: "In composition the Solothurn Madonna bears close resemblance to a large woodcut; designed by Holbein, on the back of the title-page of the Statute Book or Town Laws of Freiburg-im-Breisgau . . . The similarity between the two designs is particularly close in the position and movement of the arms and hands of the Infant Christ. The woodcut, wh … [Click Below for Full Description]
Bookseller: Riverrun Books & Manuscripts
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2017-08-06 15:29:11
Wierix, Johannes (1549-c. 1618) after Dürer, Albrecht (1471-1528)
Engraved at the age of 14 (as inscribed in the stone in the foreground) by Johannes Wierix after Dürer. On the plate on the right the date and the monogram of the German master:'1520 / AD'."Engraving on paper, trimmed to platemark; total: 145 x 100 mm; state II/2; Hollstein 989; MH 749; Alvin 628"
Bookseller: Antiquariaat A.G. VAN DER STEUR
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2017-08-06 15:29:11
Wierix, Johannes (1549-c. 1618) after Dürer, Albrecht (1471-1528)
- Engraved at the age of 14 (as inscribed in the stone in the foreground) by Johannes Wierix after Dürer. On the plate on the right the date and the monogram of the German master:'1520 / AD' Engraving on paper, trimmed to platemark; total: 145 x 100 mm; state II/2; Hollstein 989; MH 749; Alvin 628
Bookseller: Antiquariaat A.G. van der Steur
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2017-08-06 15:29:11
Wierix, Johannes (1549-c. 1618) after Dürer, Albrecht (1471-1528)
Bookseller: Antiquariaat A.G. van der Steur [Den Haag, Netherlands]
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2017-08-05 07:27:21
BOEMUS, Johannes, 1485-1534
Augsburg : Augustae Vindelicorum excusa in officina Sigismundi Grimm medici, ac Marci Wirsung, 1520. [Imprint from colophon]. First edition. Folio, later vellum, three raised bands to spine; added title page: Repertorium librorum trium Ioannis Boemi de omnium gentium ritibus. Item index rerum scitu digniorum in eosdem, set within a decorative woodcut border, an old paper repair to centre; ff. 6, lxxxi, lacking the terminal blank; ornamental woodcut initials; water stains to last few leaves. Rare first edition of a work that constitutes the first printed ethnographic compendium of the Renaissance. Its author, the humanist Johannes Boemus (or Böhm, 1485-1534), was canon of Ulm Cathedral. Although Boemus' work, which attempts to describe the manners and customs of peoples of Europe, Africa and Asia, is based to a large extent on accounts by writers of antiquity, his information on the Arab world and Asia relies heavily on the account of the Bolognese Ludovico di Varthema (Vertomannus) of his travels by land and sea to the Far East, first published in 1510. Varthema visited Egypt, Mecca, Yemen, Persia, India, Ceylon, Burma, Sumatra, the Moluccas, Borneo and Java. For a detailed discussion of Boemus' work, see Klaus A. Vogel. Cultural variety in a Renaissance perspective: Johannes Boemus on "The manners, laws and customs of all people", 1520, in: Shifting cultures: interaction and discourse in the expansion of Europe, edited by Henriette Bugge, Joan Pau Rubiés (Münster, 1995, pp. 17ff): Vogel (ibid.) writes: 'Johannes Boemus' book on "The manners, laws and customs of all peop … [Click Below for Full Description]
Bookseller: Douglas Stewart Fine Books [Melbourne, Australia]
2017-07-28 16:05:52
Källström, Hernmark, Stavenow, Munthe, Andrén
1520. Inbunden bok. Nordisk Rotogravyr, Stockholm. Inbunden. Pergamentband. Mycket gott skick.
Bookseller: Bo Lindgren [Sweden]
2017-07-27 13:30:43
Scuola di Marcantonio RAIMONDI
Bulino, 1520-30 circa, monogrammata AD (monogramma di Duerer), in basso a destra. Da un’incisione di Marcantonio Raimondi. Buona prova, impressa su carta vergata coeva, rifilata al rame, assottigliamento della carta in corrispondenza degli angoli, per il resto in ottimo stato di conservazione. Rispetto all’incisione dello stesso soggetto realizzata da Marcantonio Raimondi, che risulta in controparte, questa copia mostra sullo sfondo, attraverso una sorta di finestra, un paesaggio tipicamente nordico. Lo stile incisorio rimanda alla scuola del Raimondi. Si è pensato che il soggetto dell’incisione possa essere la settima scena, perduta, sulla parete nord della stufetta vaticana del cardinal Bibbiena, decorata da Raffaello e dalla sua cerchia con episodi della vita di Venere. Circa l’identificazione con la perduta scenetta del Bibbiena, cfr. Oberhuber, p. 335 e Mason, n. 69. Dell’incisione del Raimondi esistono varie repliche che ne attestano il vasto successo, tra cui quella di Altdorfer. La scena è di una raffinatezza delicata: Venere seduta, nuda, con un’espressione dolce e assorta, è chinata in avanti nell’atto di asciugarsi un piede con una veste. Accanto a lei, in piedi è Cupido alato, con il suo arco nella sinistra, e la mano destra tra i riccioli. Dalla finestra alle loro spalle, si scorge un paesaggio collinare. Il drappeggio sulla sinistra, con le sue pieghe, conferisce profondità spaziale alla scena. Engraving, about 1520-30, unsigned. Single state. A good proof, printed on contemporary laid paper, trimmed to copperplate, restoration at upper right corner perfectly … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-07-24 09:23:58
Erik Andrén, Brynolf Hellner, Carl Hernmarck och Kersti Holmquist
Bok. SVENSKT SILVERSMIDE 1520-1850 "Guld o silverstämplar" är utgivet av Nordiska Museet och Nordisk Rotogravyr, Stockholm 1963. 792 sidor. Förlagets dekorerade halvfranska band. Mycket gott skick.
Bookseller: GuGr
2017-07-20 15:55:21
Rutilius Namatianus, Claudius
(Bologna, in aedibus Hieronymi de Benedictis, 1520). 4to. (40) SS. Papered marble spine. Editio princeps of the "Itinerarium" ("De Reditu Suo") of the 5th century Roman Gaul poet Rutilius. "On the reverse of the title page is a poem by the editor Giambattista Pio to Pope Leo X, ending on fol. 4v; text begins on 5r. A very rare edition, apparently the first" (cf. Schweiger). The poem in elegiac meter describes a coastal voyage from Rome to Gaul in 416. The solid literary quality of the work, and the flashes of light it throws across a momentous but dark epoch of history, combine to give it exceptional importance among the relics of late Roman literature. Rare, last copy auctioned in 1954.- A well-preserved copy. Edit 16, CNCE 47666. BM-STC Italian 594. Schweiger II.2, 859f. [Attributes: First Edition]
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH [Austria]
2017-07-20 15:55:21
Rutilius Namatianus, Claudius.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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2017-07-14 11:10:54
Borsius, Marcus, attrib. author.
No place [Germany?]: No publisher/printer, no date [1520]. Small 8vo (13.5 cm; 5.25"). [20] ff. (last blank). Related to the Reformation work Epistolae obscurorum virorum, the present small production is a macaronic satire in dialogue form with the interlocutors "M. Ortuinus, M. Lupoldus, M. Gingolphus, Erasmus, Reuchlin, Faber Stapulensis.” In earlier editions it travelled under the title Dyalogus nouus & mire festiuus ex quorunda[m] viroru[m] salibus cribratus.    This edition is not in VD16 and only one copy is located via WorldCat. COPAC records are too abbreviated to determine if any library owns a copy.    Provenance: Two 16th-century ownership signatures on title-page: Simon Albach, undated, and Marcus Albinastes, 1583. Ex–Colgate Rochester Crozer Divinity School library with its bookplate (properly deaccessioned); later in the library of American collector Albert A. Howard (sans indicia).         This edition not in VD16; not in Index Aurel. Mid-20th-century marbled paper wrappers, gently rubbed and a corner chipped; old library bookplate as above; "Very rare" inked on endpaper opposite title-page in a very old hand. Title-page and a few other leaves with finger oil or other stains, one very short tear and inked underline with one-word note partially trimmed, foxing to endpapers only.
Bookseller: Philadelphia Rare Books & Manuscripts Co
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2017-07-14 08:50:44
Uniformen - Frankreich
(44 x 30 cm) (ger. fl.) - Die Tafeln zeigen jeweils zwei Soldaten, auch zu Pferd, in ihren farbenprächtigen Uniformen, und Waffen mit landschaftlichem Hintergrund, Uniformen von 1520 - 1786 -
Bookseller: Celler Versandantiquariat
2017-07-14 08:50:44
Hass [or Has], Kunz.
Hass (1450-1527) was a meistersinger and this publication is his song about "the universal and new custom/usage with which the people of the world are very burdened in these times" (or, more figuratively, "in which the people of the world are very involved in these times"). This is one of two editions of 1520 following the two editions of 1519, all printed by Johann Schönsperger and with rather different title-pages as to layout of the type, whether printing is black and red or just black, and whether the jester image has a border. In this copy the title-page is printed in black and red and has a borderless woodcut image of a jester seated on a tree stump playing a lute (six strings). The cut has the letters "CH" in the lower left and "VG" in the lower right: "CH" being "Cunz Hass" and the "VG" being Urs Graf! German scholars have attributed all of the editions to Schönsperger based on the type. NUC and WorldCat locate => only one copy in North America (Yale). Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear.
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2017-07-14 08:50:44
Borsius, Marcus, attrib. author.
No place [Germany?]: No publisher/printer, no date [1520]. Small 8vo (13.5 cm; 5.25"). [20] ff. (last blank). Related to the Reformation work Epistolae obscurorum virorum, the present small production is a macaronic satire in dialogue form with the interlocutors "M. Ortuinus, M. Lupoldus, M. Gingolphus, Erasmus, Reuchlin, Faber Stapulensis.” In earlier editions it travelled under the title Dyalogus nouus & mire festiuus ex quorunda[m] viroru[m] salibus cribratus.    This edition is not in VD16 and only one copy is located via WorldCat. COPAC records are too abbreviated to determine if any library owns a copy.    Provenance: Two 16th-century ownership signatures on title-page: Simon Albach, undated, and Marcus Albinastes, 1583. Ex–Colgate Rochester Crozer Divinity School library with its bookplate (properly deaccessioned); later in the library of American collector Albert A. Howard (sans indicia).         This edition not in VD16; not in Index Aurel. Mid-20th-century marbled paper wrappers, gently rubbed and a corner chipped; old library bookplate as above; "Very rare" inked on endpaper opposite title-page in a very old hand. Title-page and a few other leaves with finger oil or other stains, one very short tear and inked underline with one-word note partially trimmed, foxing to endpapers only.
Bookseller: Philadelphia Rare Books & Manuscripts Co
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