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Displayed below are some selected recent viaLibri matches for books published in 1520
2014-02-11 16:54:32
Aegidius (Columna) Romanus
. . Nicht in Adams.- Aristoteles Kommentar des um 1245 in Rom geborenen Aegidius Romanus (gest. 1316 in Avignon). Er war von 1267 bis 1272 Schüler des Thomas v. Aquin in Paris, wurde 1285 Magister der Theologie u. ab 1295 Erzbischof v. Bourges. Seine Lehre war 1287 zur Ordensdoktrin der Augustiner erhoben worden (sog. ägidianische Schule).- Tls. gering gebräunt od. braunfleckig, zu Beginn leichter Wasserrand, tls. kl. Wurmgang im w. Rand, wenige hs. Anmerkungen od. Unterstreichungen, Ebd. berieben, Rücken mit kl. Fehlstellen u. Wurmlöcher.
Bookseller: Antiquariat Johannes Müller
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2014-02-09 15:59:07
Postinkunabel - Camertis (Camers), Johannes:
Wien, Johannes Singrenius (Singriener) für Lucas Alantse, 1520.. 8 Bll., 336 S., 18 Bll. (letztes weiß). Mit vierteiliger Titelholzschnitt-Bordüre, figürlichen Holzschnitt-Initialen, Holzschnitt-Verlegermarke im Kolophon und großer Holzschnitt-Druckermarke, in der unteren Randleiste signiert vom Formenschneider und Ornamentist Hans Rebell. Folio. Renaissance-Lederband d. Z. mit reicher Rollen-Blind- und Goldprägung (auf dem Vorderdeckel datiert mit 1520).. Rücken professionell im Stil d. Z. erneuert (Mitte 20. Jahrhundert?), inkl. der Blindprägung; etwas berieben und bestoßen; in den Ecken kleinere Bezugsfehlstellen (Wurmfraß?); Goldprägung oxydiert; Lederschließen fehlen; Innengelenke mit alten Papierstreifen verstärkt; teils wasserrandig und etwas fleckig; mit zeitgenössischen Anstreichungen und Marginalien; S. 137 fehlpaginiert als 139; verkleinerte Fotokopie der Titelei auf hinteren Innendeckel geklebt; auf Titel und letztem Textblatt mit Privatstempel "Bibl. Bernhard Vrat(isl)" (Breslau); Exlibris von Victor v. Stedingk auf Innendeckel, seine hs. bibliographischen Glossen (in Bleistift) auf dem fliegenden Vorsatz; v. Stedingks (?) Wappen-Prägeexlibris auf Titelei. Die berühmte, mehrfach gefaltete Holzschnittkarte "Tipus orbis Universalis iuxta Ptolemei Cosmographi traditionem (...) An. Do. MDXX" des Petrus Apianus (Peter Bennewitz, Mathematiker, 1495-1552) fehlt wie oft und ist als Faksimile auf altem Papier beigebunden (Einriß in Knickfalte). Harrisse (Bibl. Americana. no. 126) gibt als ihr erstes Erscheinungsdatum 1522 an (in: P.Mela: De situ Orbis. Basel). Sie ist n … [Click Below for Full Description]
Bookseller: Antiquariat am Moritzberg
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2014-02-09 03:34:30
Albohazen Hall (Abul Hasan Ali ibn abi Rijal).
(Venice, Lucantonio de Giunta), 2. I. 1520.. Folio (213 x 287 mm). 107 ff. (lacking final blank). Printed in double column. Title with large woodcut, woodcut diagram, decorative initials and printer's device to foot of final f. Modern blind-tooled calf with gilt spine.. A rare and early edition of this elaborate system of astrology, edited by Bartholomäus Alten. Abul Hasan Ali ibn abi Rijal (Albohazen Hall), probably born in Cordoba, flourished in Tunis from c. 1020 to 1040. He wrote an elaborate system of astrology, the "Distinguished Book on Horoscopes from the Constellations". He enjoyed a great reputation and was celebrated as "Ptolemaeus Alter" and as "summus astrologus". The work was translated from Arabic into Castilian by Judah ben Moses, upon demand of King Alfonso X of Spain, and - in 1485 - from the Castilian into Latin, by Aegidius de Tebaldis and Petrus de Regio. - 1601 ownership to title page. Repairs to lower corner of title (just touching minor part of border) and A2 (loss of a few letters). Lower corner water-stained. Lower corners a little frayed, repair to inner margin of last few ff., some spotting. Not in auction records of the past three decades; only three complete copies in institutional libraries outside Italy (BSB Munich, Württ. Landesbibliothek Stuttgart, UB Erlangen-Nuremberg); the copy in the Bibliotheque interuniversitaire de medecine Paris is incomplete (a mere 98 ff.). - Edit 16, CNCE 814. OCLC 311395050. Not in Adams. Not in BM-STC Italian.
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH
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2014-02-08 22:47:35
Udalricus von Augsburg.
Wittenberg, [M. Lotter, 1520].. 4 unn. Bll. Marmorierter Pappband. 4to.. Erste Ausgabe. - Flugschrift zur Zölibatsfrage mit einer anonymen Vorrede Luthers, vom VD 16 dem Augsburger Bischof zugeschrieben, was von der älteren Forschung allerdings nicht gestützt wird: "Die Epistola, die von den Reformatoren in so schamloser Weise ausgenutzt wurde, um ihre Angriffe gegen den Cölibat zu decken, ist längst als ein zwischen 1074 und 1078 entstandenes Machwerk eines unbekannten Gegners der gregorianischen Reform erwiesen" (Wetzer/Welte). - Titel mit hs. bibliograph. Verweis der Zeit. Durchgehend einige Wurmlöcher. - VD 16, U 10. Benzing 818a. Vgl. Claus, Luther, 818 b (Wiener Nachdruck).
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH
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2014-02-08 11:43:23
Horatius Flaccus, Q.
Venedig: G. de Fontaneto 1520.. Halbledereinband, um 1750 Kl.-Folio, 6 Bll., 234 num. Bll., Titelblatt m. Holzschnittbordüre u. 12 Textholzschnitten.,. STC 333. Adams H 866. Schweiger II, 392. Essling 1168. Graesse III, 349. - Die Ausgabe enthält nicht nur die Oden, sondern enthält Horazens Gesamtwerk; die Texte sind umgeben von den Kommentaren von Pomponius Porphyrius, Antonius Mancinelli, Josse Badius und Johannes Britannicus. Die Holzschnitte stammen aus der in Venedig bei Donino Pincio aus Mantua 1505 erschienenen Ausgabe (Essling 1165). Titel mit tlw. getilgtem Besitzeintrag von alter Hand, Riß und kleinem Ausriß vorne (kein Bildverlust), einzelne Bl. angerändert oder mit tls. hinterlegtem Riß, wenige hs. Marginalien, anfangs und gegen Ende stark wasserfleckig, tlw. stärker gebräunt und fleckig. - (Rücken an Kopf und Schwanz etw. läd., einzelne Wurmlöcher, beschabt und bestoßen). Title with partly erased ownership entry by contemporary hand, tear and small tear-out (not affecting illustration), some leaves restored or with backed tear, a few ms. marginalia, at the beginning and towards the end heavily waterstained, partly stronger browned and soiled. - Half calf around 1800 (spine a little damaged at top and bottom, isolated wormholes, scratched and scuffed).
Bookseller: Antiquariat Gallus GmbH
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2014-02-08 11:43:23
HORACE, Quintus, Q.
Venice Gulielmum de Fontaneto de Monteferrato 1520. Folio. ff. [6], CCXXXIIII. Title in red and black inside ornamental wood cut border. Printed in Roman type. Text contains 12 woodcuts and numerous decorative initials of various styles and sizes. Horace's verse is surrounded by commentary. Rebound in modern speckled calf. Leaves rinsed in distilled water (no chemicals used); mild spotting and staining remain - including areas in the first two signatures of transparent gray smudging (perhaps a printing / manufacturing error). Several marginal tears are neatly sealed; title page is a bit faded in areas; bottom inside corner of t.p. carefully repaired with contemporary paper; marginalia on leaf XCVIII written in a miniscule old hand; occasional lines of verse underlined. Outer edges of text-block left untrimmed after last re-sewing. Quintus Horatius Flaccus (65-8 bce) is considered one of the greatest Roman poets. This collection of his works includes the "Odes," the "Epodes," the "Carmen Saeculare," the "Ars Poetica," the "Epistles" and the "Satires" (Sermonum). Commentaries are included by the 3rd century c.e. Pomponius Porphyrio and by the 15th/16th century humanists Antonio Mancinelli, Giovanni Britannico and Josse Badius (Ascensius). [Adams H-866; Schweiger II, p. 392; BM-STC Italy, p.333; Edit16 CNCE 22688 (lists several copies); Panzer VIII, p.463; OCLC lists 1 copy]. Hardcover.
Bookseller: Robert McDowell Antiquarian Books
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2014-02-08 11:08:12
Varignana, Guglielmo.
Venedig, Alessandro Bindoni, 20. XI. 1520.. (8), 127 Bll. (ohne das l. w. Bl.). Halbpergamentband unter Verwendung einer Antiphonarhandschrift. 8vo.. Zweite Ausgabe; die Erstausgabe erschien im Vorjahr bei Garaldi in Pavia. "Early in the 14th century Varignana wrote a remarkable treatise which he entitled 'Secreta medicinae' [...] The plan on which the book is constructed is simple and convenient for rapid consultation. The author begins at the head, and goes through all the diseases in detail right down to the feet" (Ferguson II, Suppl. 2, S. 18). Der Mediziner und Philosoph Guglielmo da Varignana (1270-1339) war Bruder des Bologneser Stadphysikus Bartolomeo da Varignana, der dort die erste gerichtsmedizinische Sektion vornahm. - Durchgehend schwach wasserrandig; etwas knapp beschnitten. Mehrere Anstreichungen von Marginalien von zeitgenöss. Hand. - Edit 16, CNCE 34074. Wellcome 6495. Durling 2198. Hirsch/Hübotter V, 708. Ferguson (Bibliogr. Notes, Index) 317. Nicht in BM-STC Italian, Adams oder Waller.
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH
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2014-02-08 00:40:59
Madrid. Testimonio-Faksimile-Verlag.,. Kommentarband: Emilia Fernandez Tejero, T.O. Monasterio, J.de Azcarraga Servert. Auf 980 Ex. lim. Aufl.,mit Zertifikat. Kommentarband spanisch. 772 Seiten. Verziert in Farbe und Gold mit Filigranleisten und labyrinthischen Ornamenten. Text in punktierter spanischer Quadratschrift in 2 Kolumnen. Originalformat Groß-Oktav (27,5 x 20 cm.) lederbezogene Holzdeckel mit Silberprägung im Stil Mudejar.. In Alcala de Henares bei Madrid entsteht diese bedeutende hebräische Bibel mit der ersten kritischen Ausgabe des Vulgata-Textes. (Al-Qal'ah, Al-Kalage: 'die Stadt' nannten die Araber das um 1000 zerstörte römische Complutum). Kardinal Francisco Ximenez de Cisnero, der spätere Erzbischof von Toledo und Primas Spaniens, gründet die Universität von Alcala, die jetzige Complutense, und veranlasst auf seine Kosten die Polyglotte (vielsprachige) Bibel in 6 Bänden (1520). Er gewinnt den besten Hebraisten der Zeit, Alfonso de Zamora mit seiner umfassenden Kenntnis der biblischen Sprachen für den 6. Band, dem Wörterbuch für Hebräisch, Chaldäisch und Latein. Dafür bearbeitet Alfonso die "Biblia Hebraica" in der Lorentina und versieht sie mit Anmerkungen. Der Codex ist der wichtigste der sieben, die für die Complutenser Polyglotte benutzt wurden. Escorial, Biblioteca del Monasterio, G.II.8 Coleccion Scriptorium, 9. 2 vols, 772, 128 pp. This 15th-c. Hebrew Bible, created in Madrid, is exquisitely ornamented with filigree and calligraphic vignettes and labyrinthic designs. It is known that the rabbi Alfonso of mora worked on this codex in the University of … [Click Below for Full Description]
Bookseller: Versandantiquariat Karl Heinz Schmitz
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2014-01-26 19:38:25
1520 - Collectanea antiquitatun in urbe, atque agro moguntino repertarum. Moguntiae, Ioannis Schoeffer, 1520. 293 x 205 mm, Pergamino moderno, lomo rotulado. hojas, incluida portada grabada [A6, B4-E4].    Magnífica impresión alemana post-incunable con la riqueza ornamental característica de las ediciones ilustradas alemanas del período gótico y pre-renacentista.   El autor fue un arqueólogo y numismático de Mainz, que reflejó en esta obra los hallazgos arqueológicos en dicha ciudad alemana, todos ellos ilustrados con bellas xilografías a toda página. Portada encuadrada en orla xilográfica compuesta por cuatro tacos. Ejemplar restaurado, con refuerzo y sello eliminado en la primera y última hoja Ref:  Brunet, III-391; Graesse, III-402.   Arqueologia, post-incunable
Bookseller: ArteyGrafía. com / Elena Gallego
2014-01-23 09:42:01
BERTHORIUS, PETRUS, ( Pierre Bercheur, Berchorius, Bersuire, Bercheure, Berchoire ).:
Lugduni, Impressum in officina libraria Jacobi Marechal, 1520.. super tota[m] Biblia[m] fratris Petri Berthorij Pictavie[n]sis ordinis divi Benedicti divinaru[m] litteraru[m] studiosissimi, quattuor [et] triginta libris consummatu[m], singulisq[ue] ([cu]m materie exigentia[m]) capitibus aptissime distinctu[m], ubi notabiliorum historiaru[m] ac figuraru[m] veteris [et] novi testamentoru[m], premissa compendiosa textus summa, tropologica seu allegorica atq[ue] no[n]nunque [quamquam?] anagogica subnectit[ur] explanatio, adiectis Biblie [con]corda[n]tijs ... 1520, date taken from colophon. Large 8vo, approximately 250 x 175 mm, 10 x 7 inches, Latin text, title page printed red and black, architectural border with portrait of Bercheur at the top and 14 portraits of scholars reading or writing at the sides and along the bottom, plus the printer's pictorial device below the text, numerous pictorial and decorated initials large and small, black letter printed in two columns, leaves: (12), CCXVIII (misprinted CCVIII), leaves LI to LIIII bound out of order, collated and guaranteed complete, bound in later vellum, no label or lettering, all edges red, marbled endpapers. Vellum lightly marked, spine very slightly darkened, upper cover slightly bowed, original front endpaper slightly creased and slightly torn, repaired, remains of small label to lower margin of title page, small ink number in fore-edge margin of title page, some pale damp staining to lower margin of first 32 leaves, the same to upper margin of first 12 leaves, both recurring occasionally, name of Bible book in faint … [Click Below for Full Description]
Bookseller: Roger Middleton
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2013-11-28 12:24:53
LUCANUS M.A. (LUCANO)
in aedibus Guilielmi de Fontaneto Montisferrati XVIII Februarii 1520 In-4 p. (mm. 304x202), legat. in mz. pelle coeva (restaur.) con piatti in legno (manca il fermaglio in pelle), dorso a cordoni, 4 cc.nn., CCVI cc.num., incluso il frontesp. stampato in rosso e nero entro bella cornice ornamentale tratteggiata; testo inquadrato dal commento (in carattere tondo), ornato da pregevoli grandi capilettera per lo più su fondo nero, e con 10 bellissime vignette nel t., tutto xilografato. Cfr. Essling,854: ?Bois de l?édition 4 juin 1511 avec les différences suivantes: Livre III, Combat devant Dyrrachium / Livre VII, Soldates assaillis par des serpents? - Sander,II,4021 - Adams,L-1566 - Choix de Olschki,IV,4757. ?La "Farsalia", poema epico di Marco Anneo Lucano (Cordova 39 d.C. - Roma 65 d.C.) in dieci libri, è rimasto incompiuto. L?argomento dei primi 8 libri è la guerra tra Cesare e Pompeo, negli ultimi due v?è il racconto delle imprese d?Africa e d?Egitto.. Più che di Cesare, che egli dipinge uomo settario, avido di guerre e stragi, Lucano è fervido ammiratore di Pompeo che eleva a simbolo della libertà repubblicana. Nei suoi ottomila versi la "Farsalia" riesce opera a vero carattere storico.. e vi attinsero anche storici posteriori, tanto più che le decadi di Livio corrispondenti a questa guerra civile sono oggi perdute?. Così Diz. Opere Bompiani,III, p. 301. Ultima c. restaur. per strappi e picc. manc. (non di testo); con uniformi arross. più o meno lievi e fiorit. ma complessivam. un discreto esemplare.
Bookseller: Libreria Antiquaria Malavasi
2013-11-09 17:42:58
CAVICEO Jacobo
per Nicolo Zoppino V april. 1520 In-24 gr. (mm. 147x100), p. pelle coeva, ricche cornici a secco ai piatti, dorso a cordoni, 284 cc.nn. Al frontespizio grande vignetta silografata (mm. 100x75) che raffigura un giovane uomo, quasi nudo, legato ad un albero; nell?aria vola un Amorino che lo mira con una freccia; a destra e a sinistra due satiri suonano strumenti musicali; in alto la scritta ?Ancora spero solver me? e in basso ?P.Amor?. Ciascuno dei 3 libri in cui è divisa l?opera è introdotto da una vignetta (mm. 46x66), pure silografata, che raffigura il Pellegrino che parla ?a Violate, a Theodoro e a Hacate?. Alla c. AA12 inno al lettore inquadrato in cornice architettonica. Dedica a Lucrezia Borgia, Duchessa di Ferrara. ?Romanzo del sacerdote parmense Iacopo Caviceo (1443-1511), pubblicato nel 1508. E? la storia boccaccesca degli amori di due giovani, Peregrino e Ginevra, che l?autore finge d?aver ascoltato (in tre tempi) dall?ombra del protagonista stesso apparsogli in visione.. e reso piccante dalle numerose allusioni a uomini contemporanei e dalla lubricità di parecchi episodi. Godette al suo tempo di una grandissima popolarità; in mezzo secolo fu ristampato 19 volte e tradotto in francese e in castigIiano.? Così Diz. Opere Bompiani, IV, p. 394. Cfr. Sander,I,1876 - Short-Title Cat. British Library, p. 163 - Essling, vol. II-p. I, 1891 - Choix de Olschki,IX,12696 - Brunet,I,1701: ?il y a aussi des éditions de Venise, 1520, 1526, .. qui sont rares?. Solo prime 3 cc. con picc. fori di tarlo margin. (restaurati al frontesp.), altrim. esemplare ben conservato.
Bookseller: Libreria Antiquaria Malavasi
2013-10-31 14:39:00
DANTE.
Bernardino Stagnino da Trino de Monferra 1520 In fine: Impressa in Venetia per Miser Bernardino Stagnino da Trino de Monferra, del M.D.CCCCC.XX (1520) A di XXVIII Marzo. In 8vo; pp. 440 erroneamente numerate 441. Pergamana coeva. Lievi restauri al frontespizio ed alle ultime carte con perdita di qualche lettera di testo. De Batines I, pp. 78/79; Mambelli 27; Sander n.2325; Essling 529. 5 immagini allegate.
Bookseller: Studio Bibliografico Casella
2013-08-02 07:49:47
[Manuscript Psalter]
[Spain, Circa 1520. 211 manuscript leaves on vellum in black, blue and red ink, with large initials in red and blue, some with scrollwork in a finer pen, occasional use of yellow as well, some initials being quite large, 118 of the leaves being music and with other musical notations throughout. folio (385 x 270mm), bound in full tan calf over heavy wooden boards to correct period style, the blind tooled paneling suggests the original 16th century Spanish binding, the thick boards each with 4 bronze bosses likely reused from an earlier binding. 6ff Calendar, 7-84ff, 1-99ff, [28ff unnumbered pp]. A fine and handsome book, beautifully preserved. A FINE LARGE MANUSCRIPT FOLIO FROM THE EARLY PART OF THE 1500'S
Bookseller: Buddenbrooks, Inc.
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2013-08-01 16:17:50
Machiavelli, Niccolo
Bookseller: The Manhattan Rare Book Company [U.S.A.]
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2013-06-11 08:28:15
Albrecht DURER (Norimberga 1471 - 1528)
Bulino, 1520, datato e monogrammato in lastra in basso a sinistra. Esemplare nella prima variante di cinque descritta dal Meder. Magnifica prova, ricca di contrasti, impressa su carta vergata coeva priva di filigrana, irregolarmente rifilata alla linea marginale, lievi restauri nella parte sinistra perfettamente eseguiti, nel complesso in ottimo stato di conservazione. L?opera rappresenta in ordine cronologico l?ultima interpretazione del soggetto del maestro di Norimberga. Insieme alla Madonna allattante del 1519 (Meder 39) e alla Madonna col Bambino incoronata da un angelo (Meder 41) questo lavoro forma un gruppo affine che viene ricordato come ?nuove immagini di Maria? nel diario del viaggio ai Paesi Bassi di Dürer. Il Panofsky fa notare che questo la schematizzazione delle forme del corpo espressa da questo bulino ricorda il poliedro della Melancolia, e rappresenta la migliore espressione di valori plastici raggiunta dalla grafica del Dürer Engraving, 1520, dated and signed with monogram on lower left. Example in the first state of five, as described by Meder. Magnificent work, printed on contemporary laid paper without watermark, irregularly trimmed to the borderline, minor repairs on left part perfectly executed, otherwise in excellent condition. The work depicts the last representation the Nuremberg Master realized of this subject. Together with the Breast-feeding Madonna of 1519 (Meder 39) and the Madonna with Child crowned by an Angel (Meder 41), this work is part of a group that Dürer called "new images of Mary? in his journal of the trip to the Netherlands. Panof … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2013-06-10 03:22:20
DANTE. -
Venezia, Stagnino, 1520.In-4. Pergamena molle del '900, titolo sul dorso. Titolo in rosso e nero entro bella cornice ripetuta al principio del poema, una tav. f.t., 98 graziose illustrazioni n.t., e 2 marche tipografiche, il tutto inc. in legno. (12), 440, (mal num. 441) ff.; esemplare buono e fresco; margine superiore un po' corto e piccolo restauro ad un angolo degli ultimi 5 fogli. «Edizione in caratteri corsivi, rara e molto stimata... fu intitolata Opere probabilmente perché contenente il Credo, il Pater Nostro e l'Ave Maria parafrasati in versi italiani da Dante...» (De Batines I, 78). Essling 539. Sander 2325. Harvard, Mortimer I, 144, descrive l'edizione del 1512 di cui questa è un'esatta ristampa.
Bookseller: Libreria Antiquaria Rappaport
2013-06-09 21:49:53
Hans Leonard SCHAUFFELAIN (Norimberga 1480 - Norimberga 1540)
Xilografia, circa 1520, monogrammata in basso al centro. Magnifica prova, impressa su carta vergata coeva, completa della linea marginale, lievi tracce di colore in basso a destra, per il resto in ottimo stato di conservazione. Testo al verso. Bibliografia: Bartsch 50 (riproduce la copia del Maestro IS) Dimensioni 130x198. Woodcut, circa 1520, signed at lower left. A magnific impression, printed on contemporary paper, in very good conditions. Rare.ibliografia: Bartsch 50 (the copy by Master IS) Dimensioni 130x198.
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Georg PENCZ (Norimberga 1550 - 1550)
Bulino, monogrammato in lastra in alto al centro. Della serie Scene dall?Antico Testamento. Bellissima prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. Bibliografia: Bartsch 24; Hollstein 17. Dimensioni 77x48 Engraving, signed with monogram and dated on upper centre. From the series Scene dall?Antico Testamento (Scenes from the Old Testament). Magnificent work, printed on contemporary laid paper, trimmed to platemark, in very good condition.
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Georg PENCZ (Norimberga 1550 - 1550)
Bulino, monogrammato in lastra in basso al centro. Della serie Scene dall?Antico Testamento. Bellissima prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. Bibliografia: Bartsch 25; Hollstein 18. Dimensioni 77x48. Engraving, signed with monogram on lower centre plate. From the series Scene dall?Antico Testamento (Scenes from the Old Testament). Magnificent work, printed on contemporary laid paper, trimmed to platemark, in very good condition.
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Georg PENCZ (Norimberga 1550 - 1550)
Bulino, monogrammato in lastra in basso al centro. Bellissima prova, impressa su carta vergata coeva, rifilata la rame, in ottimo stato di conservazione. Bibliografia: Bartsch 29; Hollstein 34. Dimensioni 76x48 Engraving, signed with monogram on lower centre plate. Excellent work, printed on contemporary laid paper, trimmed to platemark, in very good condition.
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Hans Leonard SCHAUFFELAIN (Norimberga 1480 - Norimberga 1540)
Xilografia, circa 1520, monogrammata in basso al centro. Magnifica prova, impressa su carta vergata coeva, completa della linea marginale, in ottimo stato di conservazione. Testo al verso. Bibliografia: Bartsch 30; Hollstein 27. Dimensioni 130x198. Woodcut, circa 1520, signed at lower left. A magnific impression, printed on contemporary paper, in very good conditions. Rare.Bartsch 30; Hollstein 27. Dimensioni 130x198.
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Hans Sebald BEHAM Nuremberg 1500 - Frankfurt 1550
Bulino 1520, datato emonogrammato in lastra in basso a sinistra. Buona prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. Bibliografia: Bartsch 17; Pauli 18. Dimensioni 58x83. Engraving, 1520, dated and signed with monogram on lower left plate. Good work, printed on contemporary laid paper, trimmed to platemark, in excellent condition.
Bookseller: Libreria Antiquarius
2013-06-09 21:49:53
Scuola di Marcantonio RAIMONDI
Bulino, circa 1520. Da un soggetto di Raffaello. Magnifica prova, impressa su carta vergata coeva, rifilata al rame, in buono stato di conservazione. La stampa è una ripetizione dell?opera di Marcantonio Raimondi (Bartsch 279), rispetto alla quale è in controparte. Il tema, senza alcuna variante, è affrontato anche da Marco Dente. La storia dell?arte è piena di artisti di scuola che replicavano le opere del Maestro; il Bartsch le denomina ?ripetizioni? mentre altri studiosi preferiscono chiamarle ?repliche?. Secondo Landau esistono ben 42 lavori di Marcantonio che sono interpretati anche da artisti della sua cerchia come Agostino Veneziano, Marco Dente ed altri che, non firmandosi, sono di difficile, e comunque dubbia, individuazione. Bellissimo e raro esemplare. Timbro di collezione al verso. Engraving, about 1520. After Raphael. Magnificent proof, printed on contemporary laid paper, trimmed with copper, in good condition. The print is a repetition of the work of Marcantonio Raimondi (Bartsch 279), with respect to which it is party. The theme, without any variant, is also addressed by Marco Dente. The history of art is full of artists of school that replicated the works of the Master; Bartsch calls the "reps" while other scholars prefer to call these "replicas". According to Landau there are no less than 42 works of Marcantonio which are understood by artists in his circle as Agostino Veneziano, Marco Dente and others, not signing his letters are difficult, and in any case doubtful identification. Beautiful and rare example. Collection mark on the reverse. Bartsch 279 B; L … [Click Below for Full Description]
Bookseller: Libreria Yelets
2013-06-08 09:22:31
Musi Agostino, dei (Agostino Veneziano). [1490 - 1540].
[Roma, c. 1520, ma tiratura della fine del XVI secolo], incisione calcografica a bulino, mm. 210x281. Rifilata alla scena incisa e applicata su cartoncino. In basso a sinistra monogramma AV [Antonio Veneziano]. Si tratta della versione del Veneziano di un disegno di Giulio Romano inciso negli stessi anni anche da Marcantonio Raimondi (Bartsch 346). Piccola abrasione all'angolo superiore destro. Bartsch 347.
Bookseller: Libreria Antiquaria Gozzini
2013-06-06 15:40:48
AA.VV.
BERNARDINUM DE LISONAEdito nel 1520, in Venetis, In 16¯, legatura in piena pergamena, capilettera.Opera suddivisa nei seguenti capitoli: Divi Augustini Meditationes&eiusde Soliloquia & Manuale, Bernardi Abbadis Epistola nò vulgaris eius fermo de passione dni, Petri Damiani Sermo, Anselmi Meditationes sunt, Carmina.N. fratris ordinis predicatoru in quibus suprascriptor opusculoru per optime comendantur, Pii.Pont. Max& carmina, Maphei vegii carmè laudesce Monice, Item qui totum concludit... Buon esemplare.
Bookseller: Libreria Internazionale Ulrico Hoepli
2013-04-04 12:41:40
Andrén, Erik./Källström, Olle./Hernmarck, Carl./Stavenow, Åke./Munthe, Gustaf./Bengtsson, Bengt.
Del I. Renässans och barock. 1520-1700. Del II. Senbarock, Fredrik I:s stil och rokoko 1700-1780. Del III. Gustaviansk stil, empire och romantik. 1780-1850. Äldre guldsmedsteknik av Bengt Bengtsson. Nordisk Rotogravyr 1941-45. 4:o. Rikt illustrerad. 248,(146); 250,(248); 315,(3),(216) s. Original falsade pergamentband med övre guldsnitt. Röda och blå titeletiketter. (Nordiska Bokhandelns bokbinderi). 30 x 22 cm. I ett specialtillverkat skåp med intarsia i rutmönster på sidor och ovandelen. Höjd 66,5 cm. Bredd 39 cm. Djup 27 cm
Bookseller: Antiquaria
2013-02-13 11:33:46
No printer, place, nor date (Melchior Ramminger, Augsburg c. 1520). 4to. With a large and extremely interesting woodcut on titlepage + 10 pages, ie. 6 leaves in all. Bound in a modern half vellum binding with nice sidepaper with floral pattern. Thorough antiquarian bookseller description inserted on the inner cover.. Kuczynski 1306, Schottenloher 34296.** Anonymous protestant pamphlet written against indulgences from Rome. The book consists of quotations from the Bible, especially the New Testament, and is noteworthy for being not Latin but in translation. Of special note is the great initial woodcut showing the inside of a church. A preacher is on his pulpit reading out an indulgence, a seemingly unwilling 'customer' is dragged to a table in the center where indulgences are being sold. At the center is a cross, but no Jesus, who has left. The woodcut, which is in style of Hans Holbein, is attributed to Heinrich Vogtherr (1490-1556)
Bookseller: Vangsgaards Antikvariat
2013-02-06 09:48:02
Bayern - -
Mit Titelholzschnitt, Titel gedruckt in Rot. 12 nn., LXVII (recte 69) num. Bll. Ldr. d. Zt. mit blindgepr. Wappensupralibros auf den Deckeln, Folio. VD 16 B 966; Schottenloher (Schobser) 167. - In dieser dritten Ausgabe ist die "Vischerey" nicht mehr enthalten. Der Index endet auf Bl. 11r: "Hye enndet sich das Register". - Der Titelholzschnitt zeigt die beiden Herzöge Wilhelm und Ludwig als Wappenhalter. Der Text ist durchweg in Rot und Schwarz gedruckt. - Etwas beschabt und bestoßen, Rücken, Kanten und Vorsätze erneuert. Gering gebräunt, tls. leicht fleckig, in der zweiten Hälfte im unteren Innensteg mit restauriertem Wurmloch. Bis auf den Titel breitrandig.
Bookseller: Antiquariat Turszynski
2013-01-15 16:27:21
Orosio Paolo.
Cm. 15, cc. (172). Legatura settecentesca in piena pergamena rigida con nervi passanti. Tagli rossi a spruzzo. Il primo capolettera è ornato a fondo criblè; spazi guida per i capilettera; al verso dell' ultima carta è presente il colophon entro doppio filetto da cui si evince il nome dello stampatore. Esemplare genuino, piuttosto marginoso e ben conservato. Alcune annotazioni ms. coeve. Prima traduzione italiana delle Historie adversus paganos, abbraccianti il periodo compreso fra la narrazione della creazione contenuta nella Genesi ed il 417 a.C., e commissionata dallo stesso Sant'Agostino come conferma storica dell'imponente elaborazione teologica contenuta nel ""De civitate Dei"" (Dante scrisse che del suo ""latino Augustin si provide""). La presente prima versione italiana era stata preceduta soltanto da una traduzione francese del 1491. Il volgarizzatore, Giovanni Guerini, nativo di Lanciza, fiorì nella prima metà del XVI secolo. Cfr. Baroncelli ed Adams, O-311.
Bookseller: Studio Bibliografico Benacense
2013-01-11 16:21:47
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MODERN HISTORIATED INITIAL, FROM AN ANTIPHONER IN LATIN
Italy, perhaps Tuscany: , 15th century, but with a 20th ce, 1520. Italy, perhaps Tuscany, 15th century, but with a 20th century[?] miniature. 591 x 406 mm. (23 1/4 x 16"). Five lines of text beneath five four-line staves of music, the text in a very large, clean gothic book hand. Rubrics in red, three large initials painted in red or blue with elaborate penwork in the contrasting color, the verso WITH A FINE MODERN REPLICA HISTORIATED INITIAL showing a young, strong, dark-skinned figure who appears to be Christ, considerable leafy foliage emanating from the letter up and down the left margin (the initial measuring approximately 95 x 110 mm.).Lower outer corner ragged, the hair side of the leaf with minor overall darkening, slight soiling, and faint wrinkling, but a leaf with no serious problems and generally pleasing, especially because the initial is in perfect condition.Of the modern initials found on this and the previous leaf, the present one is clearly the best. Not only do we note how carefully the paint has been applied here, but we sense a power and dynamism in the portrayal that makes this historiation much different from the other examples. In such details as the thickness of the figure's neck and the profundity of his gaze, we feel the artist's visual message--that this is a strong, devoted, and determined Christ--communicated with powerful emotional impact.
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [United States]
2012-12-23 18:44:40
PICO DELLA MIRANDOLA, GIOVANNI FRANCESCO [GIANFRANCESCO, GIANFRAN, JOHANNES FRANCISCUS PICUS]. - [THE FIRST PUBLIC INTRODUCTION OF GREEK SCEPTICISM TO THE MODERN WORLD]
Mirandulae, Ioannes Maciochius Bundenius, 1520 (on colophon). [Mirandola, Mazzocchi]. Small folio. Contemporary full vellum binding with handwritten title to spine. Author written in contemporary hand to lower edge. Binding professionally restored, at lower part of spine, edges of boards, and corners of back board. Free end-papers renewed. First leaf restored, with lower blank part supplied in later paper - no loss of text! This lower part was blank on both recto and verso. A bit of soiling to upper part of this leaf, as well as two old owner's inscriptions. First few leaves a bit browned, not heavily. Otherwise only light scattered browning. Some small marginal worm-holes to inner and lower blank margins, far from affecting text. All in all very fine, nice, and clean. Woodcut device to final leaf. (6), 208 ff. ¶ The seminal first edition of Gianfrancesco Pico's main work, the work which publicly introduces Greek scepticism to the modern world (i.e. the Reniassance) for the first time and thus comes to play a seminal role in the development of modern thought. With this work, Pico becomes the first modern thinker to specifically use the theories of Sextus Empiricus, foreshadowing the great "Sceptical Revolution" of the later Renaissance as well as the ideas of later modern thinkers such as Montesquieu. The "Examen" furthermore introduces other important critiques of Aristotle that were not generally known at the time (and works that had not yet been published) as well as a completely new sort of attack upon the theories of Aristotle that come to play an important role in l … [Click Below for Full Description]
Bookseller: Herman H J Lynge & Søn A/S [DK]
2012-12-22 19:13:40
Cameni Giovanni Francesco.
Cm. 21, cc. xliiii. Con capolettera decorati. Esemplare privo di legatura e del frontespizio. Edizione originale di quest'opera dello scrittore cinquecentesco perugino Cameni, spesso trascurato dalle principali bibliografie letterarie. Si tratta di una raccolta di liriche latine dedicata al perugino Alfano Alfani e costituisce, nel complesso, un'offerta lirica giovanile pubblicata quando l'autore fu assunto per la prima volta presso il ginnasio cittadino Le poesie toccano quasi tutti i generi del grande genere umanistico: spunti bucolici e intenti celebrativi, meditazioni sulla morte, notizie autobiografiche, temi mitologici si alternano indiscriminatamente. Cfr. Vermiglioli (bibl. degli scrittori perugini): ""libro rarissimo"".
Bookseller: Studio Bibliografico Benacense
2012-10-19 06:50:07
PEUTINGER, Conrad
Moguntiae [Mainz], Schoeffer, 1520.. 1520. A1-DIV. Title within a very decorative large wdct.-border, followed by 14 ptly folding leaves with wdct.-illustrations of inscriptions on tomb-stones and marbles of roman origin found at Augsburg. Schoeffer's impressum r° last leaf. Folio. Later full vellum w. morocco letter-piece gilt, pasted on spine (front outer joint starts cracking).On pastedown a photograhic illustration of Peutinger's coat of arms pasted on, as well as the roman bookseller's label: "C. E. RAPPAPORT LIBRI RARI ROMA". The title-leaf has in the lower outer margin a small (old) repair that bears an heraldic previous owner's stamp: "Prof. Dr. Med. Hermann Werner Siemens'' probably covering another previous owners' signature. ¶ Cf. ADAMS II, P 942 for the Radolt folio-edition of 1505. BRUNET quotes this edition. See Brunet IV, col. 582. Our copy being a second revised and augmented edition, not in Adams. * KOLLATION IN DEUTSCHER SPRACHE UND WEITERE BILDER AUF ANFRAGE. Diese Ausgabe nicht bei Adams. Cf.: Monika Grünberg-Dröge, Biographisch-Bibliographisches Kirchenlexicon, Band VII: PEUTINGER. Eigene Schriften und Veröffentlichungen: Romanae vetustatis fragmenta in Augusta Vindelicorum et ejus diocesi, Erhard Ratdold 1505; zweite vermehrte und verbesserte Ausgabe unter dem Titel Inscriptiones vetustae Romanae bei Schöffer, Mainz 1520. Bdg. a bit worn, 4 leaves with inobtrusive marginal waterstaining, else a fresh and clean copy. *** PEUTINGER was a German humanist and patron of the arts (1465-1547) MORE ILLUSTRATIONS UPON REQUEST.
Bookseller: INTERNATIONAAL ANTIQUARIAAT
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2012-07-01 12:06:10
BERCHEUR, PIERRE (Petrus Berthorius, Berchorius, Bersuire, Bercheure, Berchoire).:
super tota[m] Biblia[m] fratris Petri Berthorij Pictavie[n]sis ordinis divi Benedicti divinaru[m] litteraru[m] studiosissimi, quattuor [et] triginta libris consummatu[m], singulisq[ue] ([cu]m materie exigentia[m]) capitibus aptissime distinctu[m], ubi notabiliorum historiaru[m] ac figuraru[m] veteris [et] novi testamentoru[m], premissa compendiosa textus summa, tropologica seu allegorica atq[ue] no[n]nunque [quamquam?] anagogica subnectit[ur] explanatio, adiectis Biblie [con]corda[n]tijs ... 1520, Date taken from colophon. Large 8vo, approximately 250 x 175 mm, 10 x 7 inches, Latin text, title page printed red and black, architectural border with portrait of Bercheur at the top and 14 portraits of scholars reading or writing at the sides and along the bottom, plus the printer's pictorial device below the text, numerous pictorial and decorated initials large and small, black letter printed in two columns, leaves (12), CCXVIII (misprinted CCVIII), leaves LI to LIIII bound out of order, collated and guaranteed complete, bound in later vellum, no label or lettering, all edges red, marbled endpapers. Vellum lightly marked, spine very slightly darkened, upper cover slightly bowed, original front endpaper slightly creased and slightly torn, repaired, remains of small label to lower margin of title page, small ink number in fore-edge margin of title page, some pale damp staining to lower margin of first 32 leaves, the same to upper margin of first 12 leaves, both recurring occasionally, name of Bible book in faint tiny hand in upper outer corner of rectos, small area of worming to … [Click Below for Full Description]
Bookseller: Roger Middleton
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2012-06-30 08:28:03
Solinus, Caius Julius: Mela, Pomponius:
Vienna: Johann Singriener for Lukas Alantse, [1520].. [8],151,[32]pp.; [56] leaves. Contemporary green-stained vellum. Some light wear and soiling, ties lacking. Minor foxing and soiling. Very good, in unsophisticated original condition. A contemporary sammelband containing a pair of works by two important early geographers. Solinus (ca. 250 A.D.) was a Roman geographer of some repute. His POLYHISTOR... was first published by Nicholas Jenson in Venice in 1473. Mela was the earliest Roman geographer, writing around 43 A.D. Both works have extensive indexes. Only four copies of either title are located by VD16 online. An interesting and handsome volume combining the two most important geographical sources of the ancient world. VD16 S6965, M2312.
Bookseller: William Reese Company - Americana
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2012-06-23 17:46:28
ARTHURIANA].
On les vend a Paris en la rue Sainct Jaques a lenseigne de Lelephant devàt les Mathurins. [Regnault, ca. 1510-1520]. 1510 - 1 vol. petit in-32° (113 x 86 mm.) de [98] ff., foliotés de a1-n2, caractères gothiques. 179 blasons gravés en bois, dont 162 en couleurs. Plein vélin d’époque, dos lisse à deux nerfs. Conservé dans une boîte de bois postérieure ornée de deux blasons (Parchmin déformé, graffitis anciens à l'encre brune sur les gardes, quelques traces de mouillures et diverses taches et salissures dans le corps d'ouvrage). Première édition séparée de l’Armorial des Chevaliers de la Table ronde, d’une insigne rareté, illustrée de 179 blasons gravés, dont 162 en coloris d’époque. A la fin du Moyen-âge, la légende arthurienne connait une vogue considérable. Le cycle des romans de la Table ronde est lu, copié, traduit, adapté dans toute l'Europe et les héros de ces romans, comme beaucoup de héros légendaires, se trouvent dotés très tôt d'armoiries. En France, dès le 15ème siècle, quelques manuscrits diffusent cette héraldique légendaire. Ce petit volume s'ouvre sur une préface traitant des origines de l’héraldique. Suivent 179 blasons dont le premier est celui du roi de France (blason qui disparaît dans les éditions suivantes), un par page avec, pour chacun, la description du blason et les qualités du chevalier concerné. A la fin sont recueillis huit blasons de chevaliers inconnus. Paru pour la première fois en tête d'une édition de Gyron le Courtoys imprimé par Vérard vers 1501 (Pastoureau, "Armorial des chevaliers de la Table ronde", 1983, p.37 - … [Click Below for Full Description]
Bookseller: Librairie Ancienne Les Trois Islets
2012-06-20 18:13:59
Andrén, Erik./Källström, Olle./Hernmarck, Carl./Stavenow, Åke./Munthe, Gustaf./Bengtsson, Bengt.
- Del I. Renässans och barock. 1520-1700. Del II. Senbarock, Fredrik I:s stil och rokoko 1700-1780. Del III. Gustaviansk stil, empire och romantik. 1780-1850. Äldre guldsmedsteknik av Bengt Bengtsson. Nordisk Rotogravyr 1941-45. 4:o. Rikt illustrerad. 248,(146); 250,(248); 315,(3),(216) s. Original falsade pergamentband med övre guldsnitt. Röda och blå titeletiketter. (Nordiska Bokhandelns bokbinderi). 30 x 22 cm. I ett specialtillverkat skåp med intarsia i rutmönster på sidor och ovandelen. Höjd 66,5 cm. Bredd 39 cm. Djup 27 cm.[#2616]
Bookseller: Antiquaria Bok & Bildantikvariat AB
2012-06-18 13:27:14
SOLINUS, Caius Julius (second half 3rd-century AD) - CAMERS, Giovanni Ioannis (1468-1546).
[Colophon:] Vienna, Austria: Johannes Singrenius for Lucas Alantse, 1520. - Folio (12 x 8 inches). Letterpress title within historiated woodcut border. Folding woodcut map "Tipvs Orbis Vniversalis ivxta Ptolomei Cosmographi traditionem et Americi Vespvcii." by Peter Apian (Shirley 45) dated 1520, woodcut printer's and publisher's devices and initials (expertly washed). 19th-century calf gilt by Bedford; brown morocco gilt solander box by Sangorski and Sutcliffe. Provenance: 19th-century ink library stamp at foot of title-page; bookplate of Henry Huth (1815-1878), bibliophile, on the front paste-down; bookplate of Bernardo Mendel (1894-1971), bibliophile, gifted to; the Lilly Library at Indianna University, their duplicate ink stamp on the verso of the colophon. THE HUTH-MENDEL-LILLY LIBRARY COPY Containing the celebrated and EARLIEST OBTAINABLE MAP TO NAME "AMERICA". The world map prepared by Peter Apian is preceded in naming "America" only by and modeled on the large 1507 wall map by Waldseemülle, of which only one example remains. The "Polyhistora" of Solinus was first printed in Venice in 1473, but this is the first edition with American interest. North and South America are represented as narrow strips of land separated by a wide channel. The northern continent is called merely "Terra incognita," but the southern has the inscription: "Anno d 1497 haec terra cum adiac?tib', insulis inuenta est per Columbum Ianuensem ex mandato regis Castellae America p'uincia." The first is Joannes Camers's edition of the Polyhistor, an ancient treatise on natural history by Caius Julius … [Click Below for Full Description]
Bookseller: Arader Galleries - Aradernyc [U.S.A.]
2012-06-08 15:57:14
Orbellis, Nicolaus de (1400-1475) (commentary on Duns Scotus)
Paris: Francis Regnault, 1520. Hardcover. Very Good. Fine woodcut elephant device of Francois Regnault on titlepage. Octavo near contemporary laced vellum with manuscript spine title (vellum crinkled and hinge starting to split at front of spine). Titlepage in red & black (early ownership neatly written on either side of Regnault's elephant device) Unpaginated but 374 leaves most neatly numbered in manuscript, collated complete. Colophon dated Paris 8th May 1521. *Nicolas de Orbellis' commentary on John Duns Scotus' work on Peter Lombard's Sententiae (referenced by Adams O251).
Bookseller: Abbey Antiquarian Books [Blockley, GLOS, United Kingdom]
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2012-06-08 15:57:14
Orbellis, Nicolaus de (1400-1475) (commentary on Duns Scotus)
Francis Regnault, Paris 1520 - Fine woodcut elephant device of Francois Regnault on titlepage. Octavo near contemporary laced vellum with manuscript spine title (vellum crinkled and hinge starting to split at front of spine). Titlepage in red & black (early ownership neatly written on either side of Regnault's elephant device) Unpaginated but 374 leaves most neatly numbered in manuscript, collated complete. Colophon dated Paris 8th May 1521. *Nicolas de Orbellis' commentary on John Duns Scotus' work on Peter Lombard's Sententiae (referenced by Adams O251). 1 volume.
Bookseller: Abbey Antiquarian Books [United Kingdom]
2012-06-03 19:21:33
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH AN EXQUISITE MINIATURE OF THE ARCHANGEL MICHAEL REPRESSING THE DEVIL, FROM AN EXTREMELY FINE BOOK OF HOURS IN LATIN
1520. Five Leaves from the Doheny Master, Showing "Virtuosity of Technique Without Parallel" 114 x 64 mm (4 1/2 x 2 1/2"). Single column, 21 lines of text, written in a very fine tiny upright humanistic hand. Attractively matted. Rubrics in red, one paragraph mark in black on a gold ground, one two-line initial in gold on a black ground, both sides of the text within a knotted ropework border in gold and red with convoluted tassels at the bottom. One side of the leaf WITH A BEAUTIFUL, ANIMATED, AND BRIGHTLY COLORED SMALL MINIATURE SHOWING MICHAEL AND SATAN; the lively diagonal composition depicting an intent golden-haired archangel (dressed in a gold tunic trimmed in pink, and with white, pink, and green wings) brandishing his sword, as he pushes the devil down into the lower left corner with a gold-encrusted blue shield, Satan (painted a lavender color with gold highlights and covered with bristling hairs) pleading for mercy; the scene with a rich black background, and the whole within a plain gold frame (the miniature measuring 21 x 20 mm.). The fore edge slightly oblique (apparently as always, because of a lack of squareness in the vellum piece used here), very small blacked-out place at middle of top margin (presumably to cover up old foliation), but IN ABSOLUTELY SPLENDID CONDITION, the bright paint and the glitter of the gold entirely intact. This splendid item and the following four leaves (as well as item #437, below) were produced by the celebrated atelier known as the 1520s Hours Workshop. These leaves represent the finest illumination being done during the final … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Mediev
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2012-04-27 05:57:20
HESYCHIOS ALEXANDRINOS.
per haeredes Philippi Iuntae,, Florentiae, 1520. In folio (mm 320x210). Segnatura: a-z8, &-8. 191 carte (erroneamente numerate 155). Carattere greco e romano. Testo disposto su due colonne. Grande marca editoriale dei Giunta incisa su legno, al recto della c. a1, e al verso della c. & 8, con due putti che sorreggono i due bracci del giglio giuntino con scudo araldico al centro; sotto riporta il monogramma FG. Doppia iniziale animata della lettera Alpha su fondo rosso alla c. a3r, testatina che si allunga lateralmente con due bande riccamente intagliate su legno, con motivi vegetali ed al centro un nastro con le lettere IC (Iesus Christos). Numerosi capilettera greci silografici, ornati entro vignette su fondo nero, che richiamano raffinati motivi arabo-bizantino, provenienti dall'apparato decorativo di Vlastos-Kallierges usato gi? nellíeditio princeps. Legatura in piena pergamena rigida seicentesca, dorso liscio con antico tassello in pergamena.Seconda rara edizione del Dictionarium di Hesychios, (la princeps Ë di Venezia 1514 per i tipi di Aldo Manuzio). Nel lessico sono registrati in ordine alfabetico oltre cinquantamila lemmi, dai significati complessi, tratti da opere di rara importanza redatte da medici, storici, oratori e poeti, in alcuni casi anche andate perdute. Dellíautore non si trovano importanti notizie biografiche, si sa che fu lessicografo di Alessandria vissuto nel secolo V. I caratteri greci usati per la stampa furono disegnati e intagliati da Zacharias Kallierges. Successivamente i Giunta entrarono in possesso del magnifico apparato ornamentale di Nikolaos … [Click Below for Full Description]
Bookseller: libreria antiquaria perini Sas di Perini [Verona, VR, Italy]
2012-03-23 14:12:06
Österreichische Stände].
Ohne Ort (Augsburg), ohne Drucker, o. J. (nach dem 8. Februar 1520). Erstausgabe. - Der konvertierte Jude Paul Ricius studierte in Italien Medizin, war 1514 in Nürnberg und Salzburg als Arzt tätig und wurde im gleichen Jahr Leibarzt des Kaisers Maximilian I. In seiner „Isagoge Cabalae" behauptete er, daß der Sternenhimmel beseelt sei. Diese These wurde von Agrippa von Nettesheim noch weiter entwickelt, von Johann Eck im „Chrysopassus" und auf einer Disputation in Bologna jedoch abgelehnt. Ricius antwortete 1519 in seinem Werk „Naturalia et prophetica de Anima coeli [.]" in dem er seine Behauptung weiter untermauerte. Mitte Februar 1519 kam Ricius nach Ingolstadt, wo Eck eine Disputation in Gegenwart des Kardinals und Bischofs von Gurk, Matth. Lange veranlaßte. Eck zwang Ricius zu Zugeständnissen, die dieser in seiner Schrift „De anima coeli compendium" abzuschwächen versuchte. Es entwickelte sich daraus eine heftige Kontroverse, in der Eck Ricius der unverschämtesten aller Lügen bezichtigte und sich erbot, seine Ansicht einem Schiedsgericht zu unterstellen. „Ritius suchte nun sich Hilfstruppen zu verschaffen. Er klagte seinen Unmuth und das erlittene Unrecht den österreichischen Landständen. Diese ersuchten in einem Schreiben vom 8. Febr. 1520 die Herzoge Wilhelm und Ludwig von Bayern, ihr Ansehen möge verhindern ‚mordacissimo Eccii latratus rabidamque maledicentiam compescere, injungereque, ut quae in Ritium plena veneno scripta in publicum prodire non sinat, iniqui notam aut tergat, aut improperii multam reportet‘. Eck wird als ‚optimus maledicendi magister‘ bezeichnet" ( … [Click Below for Full Description]
Bookseller: Antiquariat Wolfgang Friebes [Graz, Austria]
2012-03-21 11:09:12
CAMENI GIOVANNI FRANCESCO.
per Guilielmum de Fontaneto Montisferrati, Venetiis, 1520 - Cm. 21, cc. xliiii. Con capolettera decorati. Esemplare privo di legatura e del frontespizio. Edizione originale di quest'opera dello scrittore cinquecentesco perugino Cameni, spesso trascurato dalle principali bibliografie letterarie. Si tratta di una raccolta di liriche latine dedicata al perugino Alfano Alfani e costituisce, nel complesso, un'offerta lirica giovanile pubblicata quando l'autore fu assunto per la prima volta presso il ginnasio cittadino Le poesie toccano quasi tutti i generi del grande genere umanistico: spunti bucolici e intenti celebrativi, meditazioni sulla morte, notizie autobiografiche, temi mitologici si alternano indiscriminatamente. Cfr. Vermiglioli (bibl. degli scrittori perugini): "libro rarissimo". [Attributes: First Edition]
Bookseller: Studio Bibliografico Benacense
2011-10-19 13:30:55
[Roman Catholic Church]
n.p.: n.p., c. 1520. Loose leaf. Fine. Two original hand colored leaves from a Latin Prayer Book. Text and image size: 3 5/8 x 5 3/4 inches. One leaf with page containing "De Profundis" (Psalm 130), a penitential Psalm used in liturgical prayers for the departed in the Western Church and an illustration in the lower border depicting a penitent praying to Christ with orb (Kyrie Pantokrator). The other leaf with a page containing the beginning of the "Taedet animam meam" (Job 10:1-7), a lesson in the Office of Matins used in the morning of a funeral or memorial and an illustration in the lower border of a gentleman receiving guests while a woman looks on, presumably depicting Job and his wife and friends. Both leaves with three images of the dance of death. Text printed in red and black with borders hand colored. Professionally conserved, matted and framed. Frame size: 14 3/4 x 17 5/8 inches Two beautifully printed and hand colored leaves from funeral-related services with topical images and the Dance of Death.
Bookseller: St. Wulfstans Books [U.S.A.]
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2010-08-06 18:43:25
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH AN EXQUISITE MINIATURE OF SAINT MARK, FROM AN EXTREMELY FINE BOOK OF HOURS IN LATIN
France, Tours or Paris, ca, 1520. Hardcover. 114 x 64 mm (4 1/2 x 2 1/2"). Single column, 21 lines of text, written in a very fine, tiny, upright humanistic hand. Attractively matted. Rubrics in red, two paragraph marks in black or gold against a gold or white background, two line fillers in black and gold (one in the shape of a knotted rope), a two-line initial in gold on a gray ground with wispy gold decoration, text on both sides within a knotted ropework border in gold and red with convoluted tassels at the bottom; one side of the leaf WITH AN EXTRAORDINARILY FINE, SMALL MINIATURE SHOWING MARK seated with a scroll on his knees, the youthful apostle, dressed in blue and maroon, deep in thought, his elbow resting on his knee, his attribute, the lion, looking on with an especially charming expression of sympathy, the scene in an interior with a window at the top left above a leafy molding, the whole within a plain gold frame (the miniature measuring approximately 21 x 18 mm.). IN EXTRAORDINARILY FINE CONDITION. In this miniature, the painter has been remarkably successful in giving both the Evangelist and his emblematic companion clear expressions of emotion. The depiction of architectural detail like the window molding here is typical of the elegant little touches in these very small miniatures that could only have been executed convincingly by an artist with the highest degree of skill. This splendid item was produced by the celebrated atelier known as the 1520s Hours Workshop. These leaves represent the finest illumination being done during the final and glorious period … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Mediev
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