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Displayed below are some selected recent viaLibri matches for books published in 1510
2018-04-30 09:05:55
Aristoteles - Faber Stapulensis, Jacobus (Jacques LeFèvre d'Etaples), Jodocus Clichtoueus (Kommentar):
Paris, H. Stephanus, Oktober 1510. 270 Bl. (recte 268; Koll. a-K 1-8, L 1-4). Mit illustriertem Holzschnitt-Titel und zahlr. Textholzschnitten. 2° (27,5 x 21 cm). Holzdeckel mit blindgeprägtem Kalbsleder d. Z. Diese Arbeit Fabers (1450? - 1537) erschien zuerst 1492 unter dem Titel: "Octo physicos libros paraphrasis" (vgl. Brunet II, 1145; führt vorliegende Ausgabe nicht an; vgl. auch STC French 25) und ist hier u. a. um die "Metaphysik" vermehrt. Jöcher II, 463 führt den Titel neben Fabers theologischen, musiktheroretischen und astronomischen Arbeiten (zu Sacrobosco) ebenfalls nicht an, erwähnt, dass er als Sympathisant Luthers sein Doktorat verlor und Paris in Richtung Navarra verlassen mußte, bis er mit 101 Jahren aus Kummer an Glaubenszweifeln gestorben sei. Jodocus Clichtoveus (Josse Clicthove, 1472-1543) wird von Jöcher (I, 1965) im Kontext mit Faber als Kommentator erwähnt. KVK listet (im Mai 2018) insgesamt 4 Exemplare dieser Edition in öffentlichen Bibliotheken auf. Rücken unter Verwendung des alten Materials restauriert; nur noch die Messinganker der Schliessen vorhanden; Vorsätze erneuert; Titelei und letztes Blatt angeschmutzt, etwas fleckig, mit Glosse und hinterlegten Wurmspuren im Rand; sehr wenige wohl zeitgenössische Anstreichungen; bis ca. fol. 80 teils am Kopf mit schmalem Wasserrand, mit Wurmspuren und dadurch geringem Buchstabenverlust; Bl. o1 mit Einriss; ab Bl. 172 Foliierung fehlerhaft, Kollation aber komplett. LA
Bookseller: Antiquariat am Moritzberg [Hildesheim, NDS, Germany]
2018-04-29 05:00:41
OVIDE / OVID
1510. Précieux exemplaire, de toute rareté en très plaisante condition d'époque, de cette belle et importante édition illustrée d'un grand texte littéraire qui connut un succès considérable au XVIe siècle. Lyon, C. Davost pour Et. Gueymard, 1510.In-4 de (6) ff., 219 ff., (9) ff., 16 gravures sur bois dans le texte, un trou de vers habilement restauré sans manque en marge des 2 premiers ff., pte. mouillure en marge d'une dizaine de ff., annotations manuscrites de l'époque au second contreplat.Veau brun souple, plats entièrement ornés d'un large encadrement de fleurons à froid et d'un rectangle central orné de filets à froid et de 4 larges fleurons à la rose à froid, dos à nerfs refait. Reliure de l'époque.249 x 135 mm. / A precious copy, extremely rare in very pleasant original condition, of this beautiful and important illustrated edition of a great literary text which had a considerable success in the 16th century. Lyons, C. Davost pour Et. Gueymard, 1510.4to [249 x 135 mm] of (6) ll., 219 ll., (9) ll., 16 woodcuts in the text, a wormhole skillfully restored without loss in the margin of the first 2 ll., small waterstain in the margin of about ten ll., handwritten contemporary annotations on the second inner cover.Brown limp calf, covers entirely decorated with a wide framing with blind-stamped fleurons and a central rectangle decorated with blind-stamped fillets and with 4 wide blind-stamped rose fleurons, rebacked. Contemporary binding. [Attributes: Hard Cover]
Bookseller: Librairie Camille Sourget [Paris, France]
2018-04-15 08:24:16
APULEIUS, Lucius. -
Venezia, Pincio, 1510. In-folio piccolo (31,3 x 21,2 cm.). Piena pelle moderna, alcuni fregi impressi a secco ed in oro sui piatti e sul dorso, dorso con nervi. 37 graziose silogr. n.t. (65 x 85 mm.), ed alcuni capilettera istoriati su fondo nero inc. in legno. 236 ff.; esemplare accuratamente lavato e con un angolo bianco di 4 fogli abilmente restaurato: copia molto gradevole, con alcune nitide postille coeve a penna, in una bella legatura moderna in stile dell'epoca. Prima edizione illustrata delle Metamorfosi o Asino d'Oro, l'opera che rese celebre l'Apuleio, filosofo platonico (II sec. d.C.). Il contenuto - le avventure di un giovane tramutato per magia in un asino - ha ispirato generazioni di artisti e scrittori, e anche alchimisti, maghi e filosofi esoterici. «Dal lato letterario è anche notevole che le Metamorfosi sono l'unico romanzo latino pervenutoci per intero» (Treccani). Essling 1323. Sander 485. Adams A-1373. Casanatense, Biblioteca Magica, 106. Cf. Thorndike, History of Magic & Science, vol. I, chapter VII. Manca a Mortimer, Harvard. First illustrated edition: with 37 charming text woodcuts and some decorative initials on black ground. Expertly washed and corner of title and last 3 leaves skillfully repaired; generally an attractive copy in a good period style calf binding.
Bookseller: Libreria Antiquaria Rappaport [IT]
2018-03-11 08:40:51
MANCINELLI (Antonio)
Strasbourg, Mathias Schurer, 1510; petit in-4, VIII ff.n.ch. (sign. A1-A8) + 110 ff.num., broché, non relié, sous emboîtage de toile bleue moderne. Ritter II, 1470. Schmidt VIII, 32. Première édition strasbourgeoise de ces Discours académiques de l'humaniste italien Mancinelli, parus pour la première fois à Rome vers 1504. Ouvrage divisé en dix et contenant 126 discours. Impression en caractères romains, titre courant, initiales d'attentes. Notes marginales dans les marges. La page de titre comporte des ex-libris manuscrits anciens, deux tampons de bibliothèques de Capucins, et est un peu tachée ; pâle cerne de mouillure ancienne dans le coin inférieur des feuillets, sans gravité. Bon exemplaire malgré ces petits défauts, rare. 1510
Bookseller: Librairie de L'Amateur [France, Strasbourg]
2018-03-04 22:33:49
Der als „Breviarium Grimani“ bekannte Kodex ist sicherlich eines der wichtigsten, wenn nicht gar das wichtigste, aller Meisterwerke der flämischen Miniaturkunst der Renaissance. Er wurde wahrscheinlich zwischen 1510 und 1520 gefertigt. Daran beteiligt waren Maler wie Gerard David, Gerard Horenbout, Simon Bening und andere Künstler in der Nachfolge von Hugo van der Goes, Memling, Metsys, Jan Grossaert … Wer das Werk in Auftrag gab, ist nicht bekannt, aber es weist einige Ähnlichkeiten zu der ebenfalls berühmten und noch älteren Handschrift „Très Riches Heures“ des Herzogs von Berry auf, ehemals im Besitz der Margarete von Österreich - Tochter Maximilians I. und Regentin der Niederlande. Der Kardinal Domenico Grimani erwarb den Kodex um 1520 zum Preis von 500 Golddukaten und vererbte ihn der „Serenissima“ Republik von Venedig unter einer Bedingung: Er verfügte, dass das Manuskript „nur außerordentlichen Respektpersonen und zu einzigartigen Gelegenheiten“ gezeigt werden dürfe. Bis 1781 gehörte es zum „Schatz von San Marco“ und wird seitdem in der Biblioteca Marciana aufbewahrt. · Der Kodex enthält 835 Folios und ist in edlem karmesinrotem Samt gebunden. Die Buchdeckel schmücken elegante, fein ziselierte Rahmen, die wiederum unterteilt sind und verschiedene Medaillons beherbergen. Sie wurden jeweils in Goldbronze ausgeführt und repräsentieren den Dogen Antonio Grimani sowie den Kardinal Domenico. Das Breviarium ist ein eindrucksvoller und unvergleichlicher Zeitzeuge für die Pracht der flämischen Renaissancekunst. · Das Besondere dieser Bilderhandschrift liegt nicht nur … [Click Below for Full Description]
Bookseller: Bibliotheca Rara GmbH [Germany]
2018-03-03 06:27:38
Lefèvre d'Étaples, Jacques).
(Paris, Henricus Stephanus, 15 March 1510). Small folio (205 x 285 mm). XLVIII pp. With wide woodcut title border and full-page woodcut (scribe) on verso of final leaf. (Bound with) II: (The same). In hoc opere contenta arithmetica decem libris demonstrata. Musica libris demonstrata quatuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellantur. Paris, Henricus Stephanus, (7 Sept. 1514). (72) ff. With wide woodcut title border. Contemporary blindstamped brown calf. Fine sammelband of two works edited by the leading French humanist. Lefèvre (1455-1536), a native of Étaples near Amiens and also known as Faber Stapulensis, had studied in Italy before teaching philosophy and theology in Paris, also publishing on matematical subjects. - I: An early edition of this work, mainly concerned with artimetic and based on Lefèvre's studies of the works of Boethius. Another edition, radically abridged and without the commentary, is included as the third part of the following collection. - II: Second edition of this combination of works. "The greater part of this volume is devoted to the ten books on arithmetic by Jordanus Nemorarius, [the greatest mathematician of his time save Leonardo Fibonacci of Pisa], with the commentary of Jacobus Faber Stapulensis. The work of Jordanus is similar to that of Boethius, and is concerned only with theory of numbers. In particular, the Greek theory of ratios, as elaborated in the Middle Ages, is extensively treated. The second part consists of the work of Jacobus Faber Stapulensis on music, in four b … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-03-03 06:26:14
Lefèvre d'Étaples, Jacques).
(Paris, Henricus Stephanus, 15 March 1510). Small folio (205 x 285 mm). XLVIII pp. With wide woodcut title border and full-page woodcut (scribe) on verso of final leaf. (Bound with) II: (The same). In hoc opere contenta arithmetica decem libris demonstrata. Musica libris demonstrata quatuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellantur. Paris, Henricus Stephanus, (7 Sept. 1514). (72) ff. With wide woodcut title border. Contemporary blindstamped brown calf. Fine sammelband of two works edited by the leading French humanist. Lefèvre (1455-1536), a native of Étaples near Amiens and also known as Faber Stapulensis, had studied in Italy before teaching philosophy and theology in Paris, also publishing on matematical subjects. - I: An early edition of this work, mainly concerned with artimetic and based on Lefèvre's studies of the works of Boethius. Another edition, radically abridged and without the commentary, is included as the third part of the following collection. - II: Second edition of this combination of works. "The greater part of this volume is devoted to the ten books on arithmetic by Jordanus Nemorarius, [the greatest mathematician of his time save Leonardo Fibonacci of Pisa], with the commentary of Jacobus Faber Stapulensis. The work of Jordanus is similar to that of Boethius, and is concerned only with theory of numbers. In particular, the Greek theory of ratios, as elaborated in the Middle Ages, is extensively treated. The second part consists of the work of Jacobus Faber Stapulensis on music, in four b … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-03-03 06:24:57
Lefèvre d'Étaples, Jacques).
(Paris, Henricus Stephanus, 15 March 1510). Small folio (205 x 285 mm). XLVIII pp. With wide woodcut title border and full-page woodcut (scribe) on verso of final leaf. (Bound with) II: (The same). In hoc opere contenta arithmetica decem libris demonstrata. Musica libris demonstrata quatuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellantur. Paris, Henricus Stephanus, (7 Sept. 1514). (72) ff. With wide woodcut title border. Contemporary blindstamped brown calf. Fine sammelband of two works edited by the leading French humanist. Lefèvre (1455-1536), a native of Étaples near Amiens and also known as Faber Stapulensis, had studied in Italy before teaching philosophy and theology in Paris, also publishing on matematical subjects. - I: An early edition of this work, mainly concerned with artimetic and based on Lefèvre's studies of the works of Boethius. Another edition, radically abridged and without the commentary, is included as the third part of the following collection. - II: Second edition of this combination of works. "The greater part of this volume is devoted to the ten books on arithmetic by Jordanus Nemorarius, [the greatest mathematician of his time save Leonardo Fibonacci of Pisa], with the commentary of Jacobus Faber Stapulensis. The work of Jordanus is similar to that of Boethius, and is concerned only with theory of numbers. In particular, the Greek theory of ratios, as elaborated in the Middle Ages, is extensively treated. The second part consists of the work of Jacobus Faber Stapulensis on music, in four b … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-03-03 06:20:49
Lefèvre d'Étaples, Jacques).
(Paris, Henricus Stephanus, 15 March 1510). Small folio (205 x 285 mm). XLVIII pp. With wide woodcut title border and full-page woodcut (scribe) on verso of final leaf. (Bound with) II: (The same). In hoc opere contenta arithmetica decem libris demonstrata. Musica libris demonstrata quatuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellantur. Paris, Henricus Stephanus, (7 Sept. 1514). (72) ff. With wide woodcut title border. Contemporary blindstamped brown calf. Fine sammelband of two works edited by the leading French humanist. Lefèvre (1455-1536), a native of Étaples near Amiens and also known as Faber Stapulensis, had studied in Italy before teaching philosophy and theology in Paris, also publishing on matematical subjects. - I: An early edition of this work, mainly concerned with artimetic and based on Lefèvre's studies of the works of Boethius. Another edition, radically abridged and without the commentary, is included as the third part of the following collection. - II: Second edition of this combination of works. "The greater part of this volume is devoted to the ten books on arithmetic by Jordanus Nemorarius, [the greatest mathematician of his time save Leonardo Fibonacci of Pisa], with the commentary of Jacobus Faber Stapulensis. The work of Jordanus is similar to that of Boethius, and is concerned only with theory of numbers. In particular, the Greek theory of ratios, as elaborated in the Middle Ages, is extensively treated. The second part consists of the work of Jacobus Faber Stapulensis on music, in four b … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-02-25 15:53:38
CIBOULE, Robert (ca. 1403-1458).
Paris: Philippe Pigouchet for Simon Vostre, [ca. 1510]. 8vo (141 x 91 mm). [128] leaves. Bâtarde types. Title with small metalcut device of Simon Vostre (Renouard 1108), on verso a full-page metalcut of the Trinity and All Saints, large Pigouchet device on verso of last leaf (Renouard 919), 3- and 4-ine metalcut initials. All quires with printed quire signatures on first two rectos and contemporary manuscript signatures on 3rd and 4th rectos. Small marginal repair to title-leaf, catching edge of metalcut on verso. Eighteenth-century mottled sheep-backed paste-paper boards, spine with blue-stained calf lettering piece, edges red-sprinkled (rubbed, extremities abraded). Provenance: contemporary inscription on title effaced in ink; Carmelites of Valenciennes, later 16th or 17th-century inscription Carmeli Vallencen"; Maille, 18th-century signature.*** First(?) Edition of a treatise on the path to spiritual enlightenment, by a fifteenth-century French theologian and teacher, whose mysticism was expressed with logical clarity. A fragmentary copy survives (BnF) of an undated edition printed by Gilles Couteau (cf. GW 0670110N and Brunet II:4). Couteau was active from 1491 to 1523, and the priority of these two very rare editions has not been established. Robert Ciboule (or Cibole) was rector of the University of Paris from 1437, a regent of the Faculty of Theology from 1438 until his death, and chancellor of Notre-Dame from 1451, in which capacity he submitted a memoir in favor of the rehabilitation of Joan of Arc in the 1455-56 retrial. A moderate in the Gersonian mode, Ciboule w … [Click Below for Full Description]
Bookseller: Musinsky Rare Books [USA]
2018-02-23 07:39:31
Lefèvre d'Étaples, Jacques).
(Paris, Henricus Stephanus, 15 March 1510). Small folio (205 x 285 mm). XLVIII pp. With wide woodcut title border and full-page woodcut (scribe) on verso of final leaf. (Bound with) II: (The same). In hoc opere contenta arithmetica decem libris demonstrata. Musica libris demonstrata quatuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellantur. Paris, Henricus Stephanus, (7 Sept. 1514). (72) ff. With wide woodcut title border. Contemporary blindstamped brown calf. Fine sammelband of two works edited by the leading French humanist. Lefèvre (1455-1536), a native of Étaples near Amiens and also known as Faber Stapulensis, had studied in Italy before teaching philosophy and theology in Paris, also publishing on matematical subjects. - I: An early edition of this work, mainly concerned with artimetic and based on Lefèvre's studies of the works of Boethius. Another edition, radically abridged and without the commentary, is included as the third part of the following collection. - II: Second edition of this combination of works. "The greater part of this volume is devoted to the ten books on arithmetic by Jordanus Nemorarius, [the greatest mathematician of his time save Leonardo Fibonacci of Pisa], with the commentary of Jacobus Faber Stapulensis. The work of Jordanus is similar to that of Boethius, and is concerned only with theory of numbers. In particular, the Greek theory of ratios, as elaborated in the Middle Ages, is extensively treated. The second part consists of the work of Jacobus Faber Stapulensis on music, in four b … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-02-23 00:10:43
RAIMONDI Marc-Antoine 1480-1527/34
"Coupé à la marque du cuivre, petite tache sur le bord droit; très bel encrage. Épreuve avec la marque Ant. Sal. Exc. Pliure verticale au centre et petite déchirure en haut. Bartsch XIV, 245. Une des plus belles et célèbres estampes du Maître." Beau papier filigranné fleur de lys dans un double cercle. Bon Antoine Salamanca 1510-1520 29,5 x 43,5 cm Gravure
Bookseller: Librairie Seigneur [France, Le Poêt en Percip]
2018-02-20 22:05:22
Grabador: De Cerceau, Jacques Androuet, Dibujante:De Cerceau, Jacques Androuet
Francia - JACQUES ANDROUET DE CERCEAU (1510-1585) (grabado) Conjunto formado por diez estampas de Atlantes y cariátides. Editadas en París, hacia 1546-1549. Buen estado de conservación aunque ligeramente cortadas dentro de la huella (sin afectar la imagen). Ligeras marcas de adhesivo en el reverso. Las 3 imágenes adjuntas tan sólo muestran una parte de la serie. Para más detalles, consultar. Siglo: XVI.Buril. Papel verjurado. Grabador: De Cerceau, Jacques Androuet. Dibujante: De Cerceau, Jacques Androuet. . Altura papelt: 150. Anchura papel: 120. Altura plancha:. Anchura plancha:
Bookseller: Palau Antiguitats [Barcelona, Spain]
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2018-02-19 20:48:26
John IV Patriarch of Antioch.
Johanne Granion (Granjon), Paris, January ie: [1510-1520]. 11 Leaves (of 12?). May lack a colophon, though the one other known example also has 11 leaves. Small 4to. 190 mm. Woodcut Title Vignette / Printer's Device. Gothic letter text. Highly decorative primary initial (a reverse S with Mary and saints). Cypher bookplate of Henry E. Olwell. Later (1860's) full leather binding tooled in blind. Brit. Mus. French p. 245. Not in Adams. Though attributed here to John of Antioch, Orthodox patriarch at the time of Alexius I Comnenus (1081-1118), it is unlikely a work from his pen. The text seems to deal more with the Council of Basle Convoked by Pope Martin V in 1431, and closed finally at Lausanne in 1449. The position of the pope as the common Father of the Christian world had been seriously compromised by the transfer of the papal court to Avignon. The Council was momentous. This little work comes at an early stage during the dispute waged between Pope Eugene IV (1431-1437) and the council, and was issued when a shaky peace was established between the parties (1434). The reconciliation was more apparent than real and the disputes grew more vehement. The history of this era is significant to any understanding of the state of the Western world before the Reformation. VERY RARE. SAFE ADD 1
Bookseller: Bookshop Family Album [US]
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2018-02-18 08:44:02
SCHOEN, Erich (Bearb.).
4. XX, 1510 (1 S. Mit Frontisp. u. hunderten Abb. OLn. m. Goldpräg. Einbd. leicht fleckig. Titelbl. m. Knitterspuren.
Bookseller: Antiquariat Burgverlag
2018-02-05 01:07:35
(Lefèvre d'Étaples, Jacques).
1510. Small folio (205 x 285 mm). XLVIII pp. With wide woodcut title border and full-page woodcut (scribe) on verso of final leaf. (Bound with) II: (The same). In hoc opere contenta arithmetica decem libris demonstrata. Musica libris demonstrata quatuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellantur. Paris, Henricus Stephanus, (7 Sept. 1514). (72) ff. With wide woodcut title border. Contemporary blindstamped brown calf. Fine sammelband of two works edited by the leading French humanist. Lefèvre (1455-1536), a native of Étaples near Amiens and also known as Faber Stapulensis, had studied in Italy before teaching philosophy and theology in Paris, also publishing on matematical subjects. - I: An early edition of this work, mainly concerned with arithmetic and based on Lefèvre's studies of the works of Boethius. Another edition, radically abridged and without the commentary, is included as the third part of the following collection. - II: Second edition of this combination of works. "The greater part of this volume is devoted to the ten books on arithmetic by Jordanus Nemorarius, [the greatest mathematician of his time save Leonardo Fibonacci of Pisa], with the commentary of Jacobus Faber Stapulensis. The work of Jordanus is similar to that of Boethius, and is concerned only with theory of numbers. In particular, the Greek theory of ratios, as elaborated in the Middle Ages, is extensively treated. The second part consists of the work of Jacobus Faber Stapulensis on music, in four books. The third part is the Epitome o … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris [AT]
2018-02-02 17:11:58
Lefèvre d'Étaples, Jacques).
(Paris, Henricus Stephanus, 15 March 1510). Small folio (205 x 285 mm). XLVIII pp. With wide woodcut title border and full-page woodcut (scribe) on verso of final leaf. (Bound with) II: (The same). In hoc opere contenta arithmetica decem libris demonstrata. Musica libris demonstrata quatuor. Epitome in libros arithmeticos divi Severini Boetii. Rithmimachie ludus qui et pugna numerorum appellantur. Paris, Henricus Stephanus, (7 Sept. 1514). (72) ff. With wide woodcut title border. Contemporary blindstamped brown calf. Fine sammelband of two works edited by the leading French humanist. Lefèvre (1455-1536), a native of Étaples near Amiens and also known as Faber Stapulensis, had studied in Italy before teaching philosophy and theology in Paris, also publishing on matematical subjects. - I: An early edition of this work, mainly concerned with arithmetic and based on Lefèvre's studies of the works of Boethius. Another edition, radically abridged and without the commentary, is included as the third part of the following collection. - II: Second edition of this combination of works. "The greater part of this volume is devoted to the ten books on arithmetic by Jordanus Nemorarius, [the greatest mathematician of his time save Leonardo Fibonacci of Pisa], with the commentary of Jacobus Faber Stapulensis. The work of Jordanus is similar to that of Boethius, and is concerned only with theory of numbers. In particular, the Greek theory of ratios, as elaborated in the Middle Ages, is extensively treated. The second part consists of the work of Jacobus Faber Stapulensis on music, in four … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-01-24 09:56:19
MISSAL FOR ITINERANT PRIESTS
(Nuremberg: Wolfgang Huber, 1510. Chancery 4to (207 x 142 mm.). Collation: A-G8. 56 leaves, foliated [1], 1-25, [6], 26-48, [1] leaves. Gothic types. Quires A-C and E-G and leaves D1-2 with text in two columns, 27 lines; D4r-D8r (Canon) in larger gothic type in one column, 22 lines. Title and colophon (G7v) printed in red, text in red and black throughout, four- and two-line woodcut capital initials and cross symbols in red. Canon with full-page crucifixion woodcut, dated 1510 (D3v), 5-line historiated initial T opening Canon on facing page, and small tailpiece cut of Veronica's veil (D7r); full-page Rosary and All Saints woodcut at end (G8r), the three canon cuts with fine contemporary hand-coloring. A large copy, with pinholes in lower outer margins. Some light dampstaining in gutters, light foxing to a couple of leaves. Bound in contemporary German calf over wooden boards, originally tooled in Zwischgold (mostly oxydized), upper cover with a panel stopping short of the upper edge, the upper compartment containing the word Misalis stamped in individual letters, the panel below it defined by a roll-tooled foliate and flower border roll framed by quadruple parallel fillets, at center three parallel vertical impressions of an angular dotted interlace roll, the border area punctuated with 4 impressions of an eagle and arabesque tool and 3 impressions of a small leafy plant tool; lower cover with a full-sized panel composed of the same foliate and flower roll used as border, and with two further impressions of the roll crossing each other diagonally to form a saltire design; … [Click Below for Full Description]
Bookseller: Musinsky Rare Books, Inc. [U.S.A.]
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2018-01-22 17:51:38
MISSAL FOR ITINERANT PRIESTS.
(Nuremberg: Wolfgang Huber, 22 August 1510). Chancery 4to (207 x 142 mm.). Collation: A-G8. 56 leaves, foliated [1], 1-25, [6], 26-48, [1] leaves. Gothic types. Quires A-C and E-G and leaves D1-2 with text in two columns, 27 lines; D4r-D8r (Canon) in larger gothic type in one column, 22 lines. Title and colophon (G7v) printed in red, text in red and black throughout, four- and two-line woodcut capital initials and cross symbols in red. Canon with full-page crucifixion woodcut, dated 1510 (D3v), 5-line historiated initial T opening Canon on facing page, and small tailpiece cut of Veronica's veil (D7r); full-page Rosary and All Saints woodcut at end (G8r), the three canon cuts with fine contemporary hand-coloring. A large copy, with pinholes in lower outer margins. Some light dampstaining in gutters, light foxing to a couple of leaves. Bound in contemporary German calf over wooden boards, originally tooled in Zwischgold (mostly oxydized), upper cover with a panel stopping short of the upper edge, the upper compartment containing the word Misalis stamped in individual letters, the panel below it defined by a roll-tooled foliate and flower border roll framed by quadruple parallel fillets, at center three parallel vertical impressions of an angular dotted interlace roll, the border area punctuated with 4 impressions of an eagle and arabesque tool and 3 impressions of a small leafy plant tool; lower cover with a full-sized panel composed of the same foliate and flower roll used as border, and with two further impressions of the roll crossing each other diagonally to form a saltir … [Click Below for Full Description]
Bookseller: Musinsky Rare Books [USA]
2018-01-18 22:00:35
BLONDI FLAVII [FLAVIUS BLONDUS].
Venice, per G. [i.e. Gregorium de Gregoriis?] M.D.X. Cal. Iulias., [1510]. Folio. In recent limp vellum with ties. Soiling to lower part of first leaf. Paper-label with description taped on to top of first leaf (measuring 10x100 mm), not affecting text. Previous owner's name [Ed. Orwell 1585] in contemporary hand to top of first leaf. A few occassional marginal annotation in contemporary hand. Internally very fine and clean. (3), III, 123, CXXIII-CXXXXVI, [1 blank] ff. [Signatures: a°6, B-E°6, F-G°4, H-I°6, AA-DD°6, EE°3, FF-LL°6, MM°3, NN-PP°6, Q°6, AA-CC°4. ([Qvi] and [CCiv] blank)]. ¶ Early edition of Blondus's two famous works on the topography of ancient Rome and Italy.Flavio Biondo da Forli (1392-1463) wrote his first work on Rome in 1444-46, and with this work, one of the very first attempts to deal systematically with antiquities and architecture was made. In all Biondo wrote three systematic and well-documented guides to the ruins of Rome (ancient Rome), Roma Ristaurata being the first and most important, and they are considered the first systematic surveys or guides to ancient architecture. Roma Ristaurata founded the basis for all later works on ancient Rome and with it Biondo founded the discipline of this sort of architectual history. It is the very first work to be based on the actual antique ruins that were to be seen at the time of Blondus, -the work is based on actual empirical investigations.Blondus is also famous for having coined the term "Medio Evo" (now Middle Ages and Medieval).BMC, Books Printed in Italy 1465-1600: p. 107 Adams, I:B 2064.
Bookseller: Herman H J Lynge & Søn A/S [DK]
2018-01-05 16:51:15
MASSARELLI Michelangelo.
1510. [San Severino Marche, 1555-1577], manoscritto su carta, in-4 piccolo, privo di copertine e in parte sciolto, carte [121], la prima recante al recto il titolo con il verso bianco, la seconda bianca. Steso da una sola mano in chiara grafia, in lingua italiana. E' presente una cartulazione antica manoscritta. Mancano le carte [13] [14], [115], [116]. La prima registrazione è datata 15 settembre 1555, l'ultima 5 dicembre 1577, ma le ultime 4 carte sono sciolte. Il volume avrebbe potuto in origine continuare e potrebbero mancare ulteriori carte in fine. Il giornale registra ogni tipo di avvenimento: pagamenti, morti, nascite, matrimoni, viaggi, ecc. Per quanto riguarda il Vescovo Angelo Massarelli, fratello dell'autore del manoscritto Michelangelo, segnaliamo la notizia della sua nomina a vescovo (18 dicembre 1557, c. [8r]), quella del passaggio a San Severino prima di recarsi al Concilio di Trento come Segretario (14-17 marzo 1561 c. [24r]) e quella della morte, annotata al 20 luglio 1566 (c. [54r]). Qualche gora e sgualcitura.
Bookseller: Libreria Antiquaria Gozzini [IT]
2017-12-29 17:29:53
APULEIUS, Lucius. -
Venezia, Pincio, 1510. In-folio piccolo (31,3 x 21,2 cm.). Piena pelle moderna, alcuni fregi impressi a secco ed in oro sui piatti e sul dorso, dorso con nervi. 37 graziose silogr. n.t. (65 x 85 mm.), ed alcuni capilettera istoriati su fondo nero inc. in legno. 236 ff.; esemplare accuratamente lavato e con un angolo bianco di 4 fogli abilmente restaurato: copia molto gradevole, con alcune nitide postille coeve a penna, in una bella legatura moderna in stile dell'epoca. Prima edizione illustrata delle Metamorfosi o Asino d'Oro, l'opera che rese celebre l'Apuleio, filosofo platonico (II sec. d.C.). Il contenuto - le avventure di un giovane tramutato per magia in un asino - ha ispirato generazioni di artisti e scrittori, e anche alchimisti, maghi e filosofi esoterici. «Dal lato letterario è anche notevole che le Metamorfosi sono l'unico romanzo latino pervenutoci per intero» (Treccani). Essling 1323. Sander 485. Adams A-1373. Casanatense, Biblioteca Magica, 106. Cf. Thorndike, History of Magic & Science, vol. I, chapter VII. Manca a Mortimer, Harvard. First illustrated edition: with 37 charming text woodcuts and some decorative initials on black ground. Expertly washed and corner of title and last 3 leaves skillfully repaired; generally an attractive copy in a good period style calf binding.
Bookseller: Libreria Antiquaria Rappaport [IT]
2017-12-19 05:17:30
(Columna, Guido de)
Straßburg, Johann Knobloch d. Ä, 1510. Mit Holzschnitt-Titel und 113 tls. wiederholten Textholzschnitten. 95 nummerierte Bll., 1 w. Bl. Holzdeckelband im Stil d. Zt. mit Lederrücken. 32,5 x 23 cm. VD16 H 5680 (4 Standorte); Goed. I, 372, 6,6; Gotzkowsky 245, 11; Heitz/Ritter 680; Muller 123, 88; Muther 1518. - 13. deutsche Ausgabe, die zweite, die im 16. Jahrhundert gedruckt worden ist und die erste bei Knobloch, noch mit den Holzschnitten Kistlers von 1499 illustriert. Von der Übersetzung Hans Mairs sind drei Varianten bekannt, diese stammt ursprünglich aus dem Jahr 1391 und erschien 1494 erstmals in gedruckter Form. Der große Titelholzschnitt mit der Erstürmung und der Zerstörung der Stadt Troja ist vermutlich für den Druck der vorliegenden Ausgabe hergestellt worden. Die Textholzschnitte stammen aus Kistlers Troja - Ausgabe und seinem Straßburger Druck "Montevilla" (dazu Hain Copinger 10651 und Schramm; Straßburger Drucker, Teil 2 (Bilderschmuck 20), Tafel 1931), sie wurden zumeist seitlich beschnitten, bzw. durch zusätzliche ornamentale Leisten an den Seiten dem Satzspiegel angepasst. Sie messen ca. 75 x 130 mm (einer 200 x 135 mm). - Tls. etwas gebräunt und fleckig. Einige alte Unterstreichungen, wenigen Anmerkungen und Notizen. Tls. etwas feuchtfleckig. einige wenige kleine Wurmlöcher. Insgesamt recht gutes Exemplar der seltenen Ausgabe! [6 Warenabbildungen bei antiquariat.de]
Bookseller: Antiquariat Turszynski [DE]
2017-12-10 19:47:43
(Columna, Guido de):
Straßburg, Johann Knobloch d. Ä., 1510. Mit Holzschnitt-Titel und 113 tls. wiederholten Textholzschnitten. 95 nummerierte Bll., 1 w. Bl. Holzdeckelband im Stil d. Zt. mit Lederrücken. 32,5 x 23 cm. VD16 H 5680 (4 Standorte); Goed. I, 372, 6,6; Gotzkowsky 245, 11; Heitz/Ritter 680; Muller 123, 88; Muther 1518. - 13. deutsche Ausgabe, die zweite, die im 16. Jahrhundert gedruckt worden ist und die erste bei Knobloch, noch mit den Holzschnitten Kistlers von 1499 illustriert. Von der Übersetzung Hans Mairs sind drei Varianten bekannt, diese stammt ursprünglich aus dem Jahr 1391 und erschien 1494 erstmals in gedruckter Form. Der große Titelholzschnitt mit der Erstürmung und der Zerstörung der Stadt Troja ist vermutlich für den Druck der vorliegenden Ausgabe hergestellt worden. Die Textholzschnitte stammen aus Kistlers Troja - Ausgabe und seinem Straßburger Druck "Montevilla" (dazu Hain Copinger 10651 und Schramm; Straßburger Drucker, Teil 2 (Bilderschmuck 20), Tafel 1931), sie wurden zumeist seitlich beschnitten, bzw. durch zusätzliche ornamentale Leisten an den Seiten dem Satzspiegel angepasst. Sie messen ca. 75 x 130 mm (einer 200 x 135 mm). - Tls. etwas gebräunt und fleckig. Einige alte Unterstreichungen, wenigen Anmerkungen und Notizen. Tls. etwas feuchtfleckig. einige wenige kleine Wurmlöcher. Insgesamt recht gutes Exemplar der seltenen Ausgabe! Bücher de
Bookseller: Antiquariat Turszynski [DE]
2017-12-10 19:47:43
(Columna, Guido de):
Straßburg, Johann Knobloch d. Ä., 1510. Mit Holzschnitt-Titel und 113 tls. wiederholten Textholzschnitten. 95 nummerierte Bll., 1 w. Bl. Holzdeckelband im Stil d. Zt. mit Lederrücken. 32,5 x 23 cm. VD16 H 5680 (4 Standorte); Goed. I, 372, 6,6; Gotzkowsky 245, 11; Heitz/Ritter 680; Muller 123, 88; Muther 1518. - 13. deutsche Ausgabe, die zweite, die im 16. Jahrhundert gedruckt worden ist und die erste bei Knobloch, noch mit den Holzschnitten Kistlers von 1499 illustriert. Von der Übersetzung Hans Mairs sind drei Varianten bekannt, diese stammt ursprünglich aus dem Jahr 1391 und erschien 1494 erstmals in gedruckter Form. Der große Titelholzschnitt mit der Erstürmung und der Zerstörung der Stadt Troja ist vermutlich für den Druck der vorliegenden Ausgabe hergestellt worden. Die Textholzschnitte stammen aus Kistlers Troja - Ausgabe und seinem Straßburger Druck \"Montevilla\" (dazu Hain Copinger 10651 und Schramm; Straßburger Drucker, Teil 2 (Bilderschmuck 20), Tafel 1931), sie wurden zumeist seitlich beschnitten, bzw. durch zusätzliche ornamentale Leisten an den Seiten dem Satzspiegel angepasst. Sie messen ca. 75 x 130 mm (einer 200 x 135 mm). - Tls. etwas gebräunt und fleckig. Einige alte Unterstreichungen, wenigen Anmerkungen und Notizen. Tls. etwas feuchtfleckig. einige wenige kleine Wurmlöcher. Insgesamt recht gutes Exemplar der seltenen Ausgabe! Versandkostenfreie Lieferung
Bookseller: Antiquariat Uwe Turszynski
2017-12-08 08:07:17
Mulinari, Stephano - (um 1741 Florenz um 1790)
Radierung und Aquatinta in Braun, nach Francesco Salviati, eigentl. de? Rossi (1510 Florenz-Rom 1563), auf festem Bütten mit Wasserzeichen: P. 46,8:58,5 cm. Bei der Vorlage zu dieser Radierung handelt es um ein verlorenes Fresko von Francesco Salviati. ? Sehr guter Abdruck mit zweizeiligem Text unter der Darstellung, mit vertikaler Mittelfalte, winzigem Rändchen um die Plattenkante und leichten Papierschäden an drei Ecken. Mulinari war Schüler und Mitarbeiter Andrea Scacciatis (1725-1771)und schuf zahlreiche Reproduktionsstiche meist in Tuschmanier.
Bookseller: Galerie Joseph Fach GmbH [Oberursel im Taunus, Germany]
2017-11-12 15:40:35
- Antique print, titled: 'Dat Smaert daer droefheyt [.].' - The virgin lamenting the body of Christ. Engraving on wove paper. Description: 19th. Century impression of the original copperplate. Ref: Copy after Hollstein 1 by the Monogrammist II with the skull.Artists and Engravers: Made by 'Monogrammist AH with the horseshoe' after 'Monogrammist II with the skull'. This monogrammist worked probably in Delft or Gouda in the beginning of the 16th. Century. Condition: Good, given age. Ample margins, foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LA-C8-42 The overall size is ca. 5.8 x 7.6 inch. The image size is ca. 4.3 x 5.9 inch. The overall size is ca. 14.7 x 19.2 cm. The image size is ca. 11 x 14.9 cm.
Bookseller: ThePrintsCollector
Check availability:
2017-11-07 14:27:12
Originallithographien - Hans Meid - Leip, Hans.
6 Lithographien und Titelblatt. 4, Original-Pappmappe mit lithographischer Deckelvignette. Die Mappe an den Kanten und am Rücken oben und unten sehr leicht rissig und gestaucht, mit leichteren Randläsuren und schwach gebräunt und angerieben, vorne unten links kleinere Ausbleichstelle durch radiertem Bleistiftpreis, das Titelblatt mit leichteren Knickspuren, die Tafeln an den Rändern teils mit Läsuren, eine Tafel mit leicht überstehendem Rand, insgesamt sehr gut erhalten. Lithographische Folge des Hamburger Schriftstellers und Künstlers Hans Leip zum Leben des Staatsmannes und Diplomaten François de Scépeaux (*1510 - + 1571 in Durtal bei ANgers), der ab 1562 Marschall von Frankreich war. Zu sehen sind u. a. die Episoden: Der Tod des Hausküchenmeisters am Hofe von Frankreich, Das Gefecht bei Dom champs, Das Gastmahl der Compagnie St. André, Die Brüder des Comba, Der Handstreich auf Pourt - a - Mousson sowie Die Hinrichtung der Rebellen zu Bordeaux. Die Darstellungen wurden vom Künstler Hans Meid auf den Stein gezeichnet, signiert und numeriert. Unter seiner Aufsicht bei Julius Pudbrese zu Hamburg 1921 auf Japan gedruckt in 50 Exemplaren. Dies ist die Nr. 2/50. Alle Lithographien von Leip mit Bleistift vom Künstler handsigniert. Sehr selten!!!
Bookseller: Bührnheims Literatursalon GmbH
2017-10-29 22:25:06
[Tournaments] - Schlichtegroll, Friederich.
1510. Oblong folio. Fascicles 1-6 (out of 8) in 1 vol. Lithogr. title page (wanting lithogr. half-title), lithogr. dedication, lithogr. table of contents, lithogr. final leaf, IV, 28 (instead of 60) pp., 25 ff., 24 (instead of 31) double-page-sized coloured lithogr. plates in gilt and silver by Theobald and Clemens Senefelder. Contemp. brown morocco with elaborately gilt spine and covers, leading edges gilt; inner dentelle gilt, marbled endpapers; edges gilt. Stored in contemp. brown morocco slipcase with elaborately gilt spine by J. Mackenzie. Tournaments and hastiludes began in the 11th century as both a sport and to provide training for battle. The sport of jousting grew out of the tournament and, by the 15th century, the art of tilting became quite sophisticated. Horses - as shown here on the 24 spectacular plates heightened with silver and gold - were specially bred for the joust. The present work, a rare incunable of lithography hardly ever encountered complete, is also an early example of lithography used to produce a perfect facsimile, namely of a manuscript tournament book kept at the Royal Library in Munich. The facsimile was produced by Theobald and Clemens Senefelder, brothers of the famous Alois Senefelder who had invented the process. Most known copies are illuminated in the very highest quality and heightened in gold and silver; Dussler refers to these copies as "de-luxe editions". Our copy comprises fascicles 1-6 (out of 8), containing 4 (of 5) introductory lithogr. leaves, pp. I-IV and 1-28 (of 60) and 24 (of 31) coloured lithogr. double-page plates, each w … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris
2017-10-28 09:42:10
TRACTATUS DE ARTE BENE VIVENDI
(In fine, colophon:) Impressus Parisius pro Johane Petit...anno millesimo quingentesimo decimo, die vero xxii Octobris (22 ottobre 1510). in-8, ff. 36 n.n. (segn. *8, b-d8, *4), raffinata leg. dell'ottocento in cuoio su assicelle con bordure, fregi e figure a secco sui piatti, dorso a nervi, fermagli in cuoio ed ottone. Sotto il titolo è la grande impresa figurata dello stampatore, una grande iniz. fig. su fondo criblé, numerose iniz. silogr., testo interamente rubricato in rosso. Pregevole e rara edizione di questo trattatello popolare sull'arte di ben vivere e ben morire, di anonimo autore, comparso all'inizio del XV secolo, variamente attribuito a Jean de Bruxelles, a Matteo di Cracovia o a Sant'Alberto Magno. Secondo il moderno studio di M.C. O'Connor (''The Art of dying well'', New York, 1942), questo testo sarebbe stato scritto da un frate domenicano delegato al Concilio di Costanza (1414-1418). Ottimo esemplare in artistica legatura.. Ediz. mancante a STC French, all'Adams e Graesse (che registra numersoe ediz. per lo più precedenti). Unico repertorio che registra quest'edizione dell'opera è quello informatico della Bibliothèque Nationale de France..
Bookseller: Libreria Antiquaria Pregliasco
2017-10-28 07:10:50
BARTOLOMEO da Pisa (Rinonichi)
Ponte Gotardo, 1510. in-folio, (mm 273x198), ff. (4), CCLVI ff. legatura del primo Settecento in marocchino rosso, titolo e data su tassello e ricchi fregi in oro al dorso, ai piatti bordura e fregi angolari in oro. Al frontespizio bordura a racemi, una grande vignetta con Francesco che riceve le stimmate e grande impresa di Gotardo da Ponte; al verso silografia grandiosa silografia che rafigura Francesco ai piedi di un albero "genealogico" delle 40 conformità, sul quale è crocefisso Cristo; Mortimer nota che ''this representation of the material of the text in the form of a tree was part of the original manuscript submitted by Bartholomaeus for approbation in 1399'' (Harvard, It. n.44). Nel testo, tre ripetizioni del legno delle stimmate e varie grandi capilettera istoriate. Prima edizione dell'opera che ha assicurato per secoli larga fama al frate minore Bartolomeo de Rinonichi, professore nei ginnasi di Padova, Siena e Pisa e predicatore illustre. Composto tra il 1385 e il 1390, e approvato ufficialmente dall'Ordine il 2 agosto 1399, durante il Capitolo generale di Assisi, sviluppa sino alle ultime conseguenze il tema della conformità tra la vita di Cristo e quella di s. Francesco, unico fra tutti i santi ad avvicinarsi in maniera totale al proprio modello divino. L'opera, divisa in tre grandi libri, mette a profitto la maggior parte delle fonti disponibili nella seconda metà del Trecento, compresi gli scrittori francescani spirituali; con una serie di parallelismi sintetici tra i due: come la vita di Gesù ha avuto quaranta frutti spirituali altrettanti ne darà la vita d … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-10-28 02:49:52
MAJOR, Johannes [John Mair, 1467-1550].
1510. [Paris: Parisiis, impressum per Henricum Stephanum, impensis Iodoci Badii ascensii, Joannis Parvi et magistri Constantini Leporis, 1510. [y] Paris: Impresse impensis communibus Joannis Parvi et Jodoci Badii Ascensii, 1528]. Dos tomos en un volúmen en folio; el tomo primero tiene una hoja , 122 folios numerados, 7 hojas. Falto de portada, seis hojas de preliminares. Tres folios presentan desgarros con carencia de texto. El tomo segundo tiene 4 hojas, 120 folios. Presenta falta de portada y pérdida parcial de texto en la hoja que le sigue, anterior a la tabla. Impresión en letra gótica para ambos tomos. Capitulares grabadas en criblé. Anotaciones marginales manuscritas, de la época. Texto limpio y amplios márgenes. Buen estado de conjunto pese a las faltas señaladas. Encuadernación de la época, en piel sobre tabla, con ruedas gofradas y restos de cierres, bastante fatigada, pero sólida. Rarísima edición de los Comentarios a los Libros Primero y Segundo de las "Sentencias" de Pedro Lombardo, obra del gran teólogo e historiador John Mair, quien ejerció una gran influencia desde sus Cátedras de Lógica y Teología de las Universidades de Paris, Glasgow y especialmente en St. Andrew's, no sólo en el pensamiento escolástico y nominalista de su época, sino en el desarrollo de una conciencia nacional escocesa, por sus escritos históricos y políticos,. Maestro de figuras tales como John Knox, Patrick Hamilton y George Buchanan, ilustres reformadores escoceses, y en su etapa parisina de Calvino, Ignacio de Loyola y Francisco de Vitoria y de un círculo de lógicos españoles integrad … [Click Below for Full Description]
Bookseller: Hesperia Libros
2017-10-27 14:07:41
- Antique Master Print, untitled. Scene from the Passion of Christ: Christ carrying the cross. Veronica kneels by the side of the road with her veil in her hands. Soldiers pull and push Christ, while two grieving women follow Him closely. Etching on wove (vellin) paper. Description: Source unknown, to be determined. Ref: IconClass 73D41 Artists and Engravers: Made by 'Lambert Hopfer' after 'Albrecht Durer'. Lambert Hopfer (ca. 1510-1550) was a German engraver and etcher from a family of Augsburg etchers. He specialized in religious, historic and allegoric subjects. His father, Daniel Hopfer is widely believed to be the first to use etching in printmaking. His brother is Hieronymus Hopfer. Condition: Very good, given age. No margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: GV-C1-17 The overall size is ca. 3.4 x 5.9 inch. The image size is ca. 3.4 x 5.9 inch. The overall size is ca. 8.6 x 15 cm. The image size is ca. 8.6 x 15 cm.
Bookseller: ThePrintsCollector
Check availability:
2017-10-24 12:06:59
PLINIO CECILIO SECONDO.
Giovanni e Bernardino de Lisona,, Venezia, 1510 - Cm. 30, pergamena rigida con dorso a 3 nervi, carte 230 con 8 carte di indice manoscritto aggiunte all'opera in fine. Importante epistolario di Plinio il Giovane, oltre 200 lettere dirette a più di 100 destinatari. Molto interessante l'epistolario intercorso tra Plinio e l'Imperatore Traiano, al quale è dedicato il famoso Panegirico presente in fine. Il commento è affidato al noto umanista Giovanni Maria Cattaneo, allievo del Merula. Impressum Venetiis per Ioannem et Bernardinum De Lisona Vercellenses. Testo completamente rubricato e con decorazioni floreali a colori al frontespizio, tutte le iniziali xilografiche colorate e decorazione a colori a piena pagina al retro (in origine bianco) della carta 176. Minimi lavori di tarlo a poche carte, alcune carte brunite ma nel complesso ottimo esemplare. Affascinante. Graesse, vol. 5, pag. 345.
Bookseller: La Darsena di Leonelli Siro e C. s.a.s. [Italy]
2017-10-24 12:02:00
Der als „Breviarium Grimani“ bekannte Kodex ist sicherlich eines der wichtigsten, wenn nicht gar das wichtigste, aller Meisterwerke der flämischen Miniaturkunst der Renaissance. Er wurde wahrscheinlich zwischen 1510 und 1520 gefertigt. Daran beteiligt waren Maler wie Gerard David, Gerard Horenbout, Simon Bening und andere Künstler in der Nachfolge von Hugo van der Goes, Memling, Metsys, Jan Grossaert … Wer das Werk in Auftrag gab, ist nicht bekannt, aber es weist einige Ähnlichkeiten zu der ebenfalls berühmten und noch älteren Handschrift „Très Riches Heures“ des Herzogs von Berry auf, ehemals im Besitz der Margarete von Österreich - Tochter Maximilians I. und Regentin der Niederlande. Der Kardinal Domenico Grimani erwarb den Kodex um 1520 zum Preis von 500 Golddukaten und vererbte ihn der „Serenissima“ Republik von Venedig unter einer Bedingung: Er verfügte, dass das Manuskript „nur außerordentlichen Respektpersonen und zu einzigartigen Gelegenheiten“ gezeigt werden dürfe. Bis 1781 gehörte es zum „Schatz von San Marco“ und wird seitdem in der Biblioteca Marciana aufbewahrt.· Der Kodex enthält 835 Folios und ist in edlem karmesinrotem Samt gebunden. Die Buchdeckel schmücken elegante, fein ziselierte Rahmen, die wiederum unterteilt sind und verschiedene Medaillons beherbergen. Sie wurden jeweils in Goldbronze ausgeführt und repräsentieren den Dogen Antonio Grimani sowie den Kardinal Domenico. Das Breviarium ist ein eindrucksvoller und unvergleichlicher Zeitzeuge für die Pracht der flämischen Renaissancekunst.· Das Besondere dieser Bilderhandschrift liegt nicht nur in der A … [Click Below for Full Description]
Bookseller: Bibliotheca Rara GmbH
2017-10-16 13:35:54
TRACTATUS DE ARTE BENE VIVENDI
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-10-16 12:39:18
Ambrosius Spiera.
Bookseller: Antiquariat Christian Strobel (VDA/ILAB) [Irsee, Germany]
2017-10-16 12:06:46
Simon Vostre
HEURES à l' usage de Rome. (Paris), Simon Vostre, circa 1510. (fol. a1:) Hore beate Marie Virginis, secundum usum Romanum, ad longum, absque aliquo recursu, cum illius Miraculis, et figuris Apocalipsis et biblianis, una cum Triumphis Cesaris. (Al verso:) Almanach pour 1510 - 1530. (fol. i 7, verso:) l' Envelissement de Notre Seigneur, (fol. i 8:), S' ensuyt la table de ces presentes Heures, (fol. i 8 verso: l' elenco delle materie dell' indice termina:) Les heures de la Conception Notre Dame. In - 8°, piena pelle coeva, dorso a nervi, piani con riquadri a secco. (140) ff. in 18 quaderni segnati: a - c per 8, d per 4, e - p per 8, e a, e, i per 8. Car. gotico, iniziali colorate e dorate, 21 linee. Testo inquadrato entro bordura illustrata, con 21 bellissime silografie a piena pagina. Bell' esemplare STAMPATO su PERGAMENA. Custodito in cofanetto in m. pelle e tela. Brunet, V, 1592 (n° 85). Lacombe, Livres d' heures, 213. Bohatta, 920). Van Praet, Cat. des ouvrages imprimes sur vélin, a, p. 108, n° 128.
Bookseller: Brighenti libri esauriti e rari [IT]
2017-10-16 11:56:16
EUCLIDE. -
(Colophon:) Venezia, Tacuino, 1510. In - folio picc. Legatura coeva in assi di cipresso con tracce di fermagli di cuoio e ottone, angoli usati, dorso rifatto nel primo '900 in pelle impr. a secco. Frontespizio con le prime due linee silografate e con una bella vignetta raffigurante S. Giovani Battista, foglio A1 con magnifico bordo su tre lati ed una grande iniziale rossa, 21 belle e grandi iniziali (12 con putti), moltissimi graziosi capilettera su fondo nero, innumerevoli figure geometriche e diagrammi n.t., marca tipografica in fine, il tutto inc. in legno. (10), (230) ff.; frontespizio ingiallito e lievemente macchiato, alcuni fogli un po' arrossati e piccoli forellini di tarlo al principio ed in fine. Pregevole ed assai rara edizione della celebre opera. Essling 283. Adams E - 973. Riccardi II, 645. Honeyman 974. Thomas Stanford, Euclid, n.5 e p.5: «... a very important edition appeared in 1505 printed at Venice by Joannes Tacuinus. It was translated into Latin from a Greek text by Bartolommeo Zamberti... The volume itself is a first - rate example of the Venetian book of the time. There is an elaborate title - page with the printer's well - known cut of John the Baptist at the foot. The first page of the text has a fine border, and the larger initials are a charming set depicting children playing. The enunciations are printed in gothic, the demonstrations in roman type. In 1510 some of the same sheets were reissued with a freshly printed last page containig the colophon, a misreading of which has often led to the issue being described as of 1517. Both issues seem to … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Rappaport [IT]
2017-10-16 11:42:12
[Tournaments] - Schlichtegroll, Friederich.
1510. Oblong folio. Fascicles 1-6 (out of 8) in 1 vol. Lithogr. title page (wanting lithogr. half-title), lithogr. dedication, lithogr. table of contents, lithogr. final leaf, IV, 28 (instead of 60) pp., 25 ff., 24 (instead of 31) double-page-sized coloured lithogr. plates in gilt and silver by Theobald and Clemens Senefelder. Contemp. brown morocco with elaborately gilt spine and covers, leading edges gilt; inner dentelle gilt, marbled endpapers; edges gilt. Stored in contemp. brown morocco slipcase with elaborately gilt spine by J. Mackenzie. Tournaments and hastiludes began in the 11th century as both a sport and to provide training for battle. The sport of jousting grew out of the tournament and, by the 15th century, the art of tilting became quite sophisticated. Horses - as shown here on the 24 spectacular plates heightened with silver and gold - were specially bred for the joust. The present work, a rare incunable of lithography hardly ever encountered complete, is also an early example of lithography used to produce a perfect facsimile, namely of a manuscript tournament book kept at the Royal Library in Munich. The facsimile was produced by Theobald and Clemens Senefelder, brothers of the famous Alois Senefelder who had invented the process. Most known copies are illuminated in the very highest quality and heightened in gold and silver; Dussler refers to these copies as "de-luxe editions". Our copy comprises fascicles 1-6 (out of 8), containing 4 (of 5) introductory lithogr. leaves, pp. I-IV and 1-28 (of 60) and 24 (of 31) coloured lithogr. double-page plates, each w … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris [AT]
2017-10-16 11:30:45
BARTOLOMEO DA RINONICO.
Bookseller: Libreria Antiquaria Mediolanum [IT]
2017-10-16 11:11:36
Antoninus, Florentinus
[Paris] François Regnault [1510] [304] p. un volume, 145 feuillets chiffrés (comprenant la page de titre, A-T2), 5 feuillets de table et un feuillet blanc, soit en tout 152 ff. petit in-8 Plein maroquin rouge à longs grains postérieur (reliure du début du XIXeme siècle), dos à 4 faux-nerfs cloisonné et orné de filets dorés, quadruple filet en encadrement sur les plats, chiffre doré (HM) en écoinçon sur le plat supérieur, simple filet doré sur les coupes, tranches dorées Dorures sur le plat supérieur et sur le dos légèrement passée par endroit, restauration aux charnières, mouillures marginales à quelques feuillets et petit accroc en marge des derniers feuillets, néanmoins bel exemplaire Petit vignette ex-libris gravée avec pour devise " Libro liber", ex-libris manuscrit " genuriu" " de Bretigneres" Moysant" Annotations en manicules à l'encre, logne notice manuscrite au crayon noir, signée CC (Charles Cousin, vente 1891, N° 833, qui mentionne : exemplaire du marquis de Roure, analysé dans Analecta Biblion)Florentinus AntoninusImpression gothique sur deux colonnes de ce traité de la confession, de Saint-Antonin, célèbre dominicain qui fut archevêque de Florence de 1446 à 1459. Il rassemble des sermons sur le thème du péché et de la repentence. Belle marque de l'imprimeur au titre. Reliure signée Purgold. Il était le contemporain de Simier et surtout de Thouvenin et faisait partie des relieurs qui recommencèrent à donner un plus grand soin au travail matériel, au " corps d'ouvrage ", dans la reliure en maroquin. Bon ouvrier lui-même, il sut s'entourer de gens habiles, comme Ba … [Click Below for Full Description]
Bookseller: Jean-Denis Touzot Libraire [France, Paris]
2017-10-11 13:44:05
BARTOLOMEO da Pisa (Rinonichi)
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-09-11 07:45:25
(APULEIUS LUCIUS)
Venetiis, per Philippum Pincium Mantuanum, 1510. In folio, pergamena coeva; cc. 236. Grandi iniziali xilografiche ornate e 37 belle illustrazioni xilografiche nel testo. Bell'esemplare, con ampi margini, in condizioni di eccellente freschezza. La prima edizione del Commento di Beroaldo ad Apuleio fu pubblicata a Bologna nel 1500. Essling, 1323. Sander, 485. Adams/A-1373.
Bookseller: Libreria Docet [IT]
2017-09-01 00:39:30
FAERNO, Gabriele;PERRAULT, Charles;
1510. In-4 (255 x 198 mm) de 13 ff.n.ch. y compris le frontispice gravé, 238 pp.ch. et 2 ff.n.ch. ; vélin ivoire, titre à l'encre au dos, tranches rouges (reliure de l'époque). Praz, p. 332 : "Not an emblem-book proper, but a work to be classified in the cognate genre of apologues. Included however, in this edition as well as in later ones, in some catalogues of emblems" ; Cohen-De Ricci, 371. Très beau livre de fables qui se rattache aux recueils d'emblèmes. Le poète néo-latin Gabriele Faerno (Cremona, vers 1510-1561), qui eut comme protecteur le cardinal Giovanni Angelo Medici di Marignano ? pape entre 1559 et 1565 sous le nom de Pie IV ?, composa ces fables, réputées pour leur élégance, alors que celles de Phèdre n'avaient pas encore été découvertes. La première édition parut après la mort de Faerno, en 1564. Un siècle plus tard, Charles Perrault en donna une traduction française, publiée en 1699. Cette édition très soignée présente le texte original suivi de la version de Perrault. Elle est illustrée de 101 figures gravées sur cuivre, dont un frontispice signé Claude Du Bosc montrant Ésope contrefait au milieu des animaux, et 100 vignettes en tête non signées (9 x 11 cm). Comme le souligne Mario Praz, cette suite s'apparente au genre emblématique dont elle possède le caractère énigmatique et l'élégance austère, adoucie par le burin gracieux d'un artiste anonyme du XVIIIe siècle. Aux scènes charmantes peignant la nature et la vie des animaux se mêlent quelques compositions mythologiques de rigueur, ou encore des catastrophes naturelles, vite occultées par de paisibles ta … [Click Below for Full Description]
Bookseller: CLAVREUIL [Paris, France]
2017-08-31 13:37:44
Geiler von Kaisersberg Johann
- VD 16, G 763 - Goedeke I, 400, 15 - STC German 335 - vgl. Adams G 320 u. Ritter, Incunables & Livres XVIe Siecle Bibl. Municipale Strasbourg, 1078 (nur Ausg. 1510) - nicht in Fairfax Murray.- Erste bei Grüninger erschienene Ausgabe im ersten Druck (Titel in schwarz, Holzschn. auf Blatt 20b ohne Monogramm).- Schönes Straßburger Holzschnittbuch. Die sieben Predigten Geilers, die nach Dacheux auf Gerson zurückgehen, behandeln die Themen: Das irig schafe; Der helisch Lew; Kristliche Küngi; De dreieckecht spiegel; der esche(n) grüdel; Dz Klappermul; Der Trostspeigel. Das "Eschengrüdel" ist eine der ersten literarischen Darstellungen und die erste Illustration des Aschenbrödelthemas. Geiler (1455-1510) war einer der beliebtesten Kanzelredner und Schriftsteller der vorreformatorischen Zeit, der mit deutschsprachigen Sammlungen wie dieser große Wirkung erzielte. "Sein eingängiger Stil, der auf Derbheiten und Komik nicht verzichtet, verfehlte seine Wirkung auch auf eine ungebildete Zuhörerschaft nicht" (C. Händl).- Der Holzschnitt "der dreieckecht Spiegel" ist mit "HG" signiert (Nagler No. 979 und 944) schreibt ihn Hans Baldung Grien zu.- Titel verso gestempelt, etw. braun- u. tls. fingerfleckig, kl. Wurmgang, Ebd. leicht berieben.# Second edition of a collection of popular sermons, containing "Der Eschengrüdel" the first printed version of the fairy-tale of Cinderella, and with the woodcut, showing a tired girl leaning on the hearth in the kitchen, presenting the first printed portrait of Cinderella, the prototype for numerous Cinderella-pictures. [Attributes: Signed Copy]
Bookseller: Antiquariat Johannes Müller
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