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Displayed below are some selected recent viaLibri matches for books published in 1507
2017-06-08 15:49:17
VIGNOLA, Giacomo Barozzi da.
1507. Ad 1: BAL 3452; Berlin Kat. 2586; STCN (8 copies, at least 6 incomplete); ad 2: cf. BAL 3452; Berlin Kat. 2586; STCN (8 copies, some incomplete). The most extensive edition of the work of the great Renaissance architect Vignola (1507-1573) as expanded by Michelangelo (1475-1564), with the text in Italian, Dutch, French, German and English, and with numerous supplemental series of plates, some appearing here for the first time. The 1686 broadside used as a paste-down at the end of the book celebrates the success of the Holy Roman Empire and its allies at the Battle of Buda, which wrested Buda (now part of Budapest) from Ottoman control after 145 years and heralded the end of Ottoman power in Hungary. Not only does this appear to be unique and not recorded in the literature, we have also found no other record of this anonymous poem. With a contemporary 5-line inscription on the last free endleaf and stencilled owner's inscription on itle-page. Lacking plate 28 in series 5 and 16 plates in series 6, but every copy has a different make-up. With a tear in 1 plate, slightly affecting the foot of the image, a marginal water stain at the head of the first few leaves and some dog-eared corners. Series 1 is sophisticated (each leaf cut down and mounted on modern paper), but the book is general in very good condition, many plates fine, and only slightly trimmed. The 1686 broadside has a hole affecting a few words near the end of the first 6 lines of the poem, and was formerly folded horizontally and vertically. The binding is wrinkled, with a few small tears and stains. A great … [Click Below for Full Description]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-06-03 18:24:42
VIGNOLA, Giacomo Barozzi da.
Regola de' cinque ordini d'archittettura, ... con la nuova aggionta di Michael-Angelo Buonaroti. | Regel vande vijf ordens der architecture,... | Reigle des cinq ordres d'architetture, | Regel der funff Orden von Architectur, ...| The rule of the V. orders of architecture.Amsterdam, Johannes Janssonius and Jan van Hilton, 1642. With an architectural engraved title-page for part 2, an engraved portrait of Vignola in an elaborate architectural frame, and 66 engraved architectural illustrations. With: (2) PAS, Crispijn van de (I and II). Oficina arcularia in qua sunt ad spectantia diversa ... | Boutique menuserie ... | Schriner Laden ... | Schrinwerckers winckel ...Amsterdam, Crispijn van de Pas, 1642. With an engraved title-page and 59 numbered engraved architectural plates in 6 series. (3) [MILIARIA - BATTLE OF BUDA]. LEOPOLD I. Copiis militaribus Budam expugnantibus, & Turcas subigentibus.[Amsterdam?, dated 1686 in chronograms]. A broadside containing a 38-line Latin poem celebrating the defeat of the Ottoman Empire by the troops of the Holy Roman Emperor Leopold I and his allies and their capture of Buda (now part of Budapest) at the Battle of Buda (or possibly celebrating the expected outcome of the battle still in progress). With 1 woodcut decorated initial and 2 decorative bands built up from arabesque typographic ornaments.2 editions (the first in 2 parts) published together, in 1 volume. Royal folio (44 x 28 cm) plus a 1mo broadside (40 x 26.5 cm). Contemporary sheepskin parchment over flexible boards.
Ad 1: BAL 3452; Berlin Kat. 2586; STCN (8 copies, at least 6 incomplete); ad 2: cf. BAL 3452; Berlin Kat. 2586; STCN (8 copies, some incomplete). The most extensive edition of the work of the great Renaissance architect Vignola (1507-1573) as expanded by Michelangelo (1475-1564), with the text in Italian, Dutch, French, German and English, and with numerous supplemental series of plates, some appearing here for the first time. The 1686 broadside used as a paste-down at the end of the book celebrates the success of the Holy Roman Empire and its allies at the Battle of Buda, which wrested Buda (now part of Budapest) from Ottoman control after 145 years and heralded the end of Ottoman power in Hungary. Not only does this appear to be unique and not recorded in the literature, we have also found no other record of this anonymous poem. With a contemporary 5-line inscription on the last free endleaf and stencilled owner's inscription on itle-page. Lacking plate 28 in series 5 and 16 plates in series 6, but every copy has a different make-up. With a tear in 1 plate, slightly affecting the foot of the image, a marginal water stain at the head of the first few leaves and some dog-eared corners. Series 1 is sophisticated (each leaf cut down and mounted on modern paper), but the book is general in very good condition, many plates fine, and only slightly trimmed. The 1686 broadside has a hole affecting a few words near the end of the first 6 lines of the poem, and was formerly folded horizontally and vertically. The binding is wrinkled, with a few small tears and stains. A great monume … [Click Below for Full Description]
Bookseller: ASHER Rare Books (Since 1830)
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2017-05-28 07:22:55
STRADA, Jacobus de [and Benjamin BRAMER].
GVK (5 copies); VD17 23:645678U (1 copy); Wellcome 1035. Reissue of the first edition of a richly illustrated work on all aspects of waterworks and hydraulics, with illustrations by Jacobus de Strada (1507-1588). The work was brought to the attention of the publisher by his son Octavius de Strada (1550-1612) and first published posthumously in 1617. De Strada was active in many fields: he worked as an architect, painter, art collector, author, publisher, etc., and, judging from the present work, was technically gifted. He gives clear expositions on pumping engines, watermills and all sorts of water-powered machines, accompanied by short descriptions and an introduction by the German architect and mathematician Benjamin Bramer (1588-1652). Due to its delayed publication, some of De Strada's designs were not as innovative as they were when he wrote. De Strada's designs nevertheless appear to be unique and independent of those by his contemporary, the Italian engineer Augostino Ramelli (1531-1610), who published around 100 designs of water-pumping machines in his Le diverse et artificiose machine..., 1588.Some occasional leaves and plates slightly browned, plates with only a few small spots and some occasional marginal thumbing, a few plates with water stains. Binding rebacked, as noted, sides with only a few small spots, otherwise in very good condition.
Bookseller: ASHER Rare Books (Since 1830)
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2017-05-19 07:05:54
Giunta; Benedetto Bordon (Künstler); Jacob von Strassburg (Holzschneider)
Venedig, Lucantonio Giunta, 1507. Original Postinkunabelblatt mit einem ganzseitigen Holzschnitt von Benedetto Bordon. Rückseitig mit zweispaltigem 36-zeiligem schwarz-rot gedrucktem Messetext und drei kleinen Holzschnitt-Initialen. Blattgröße: 16,1 x 11,2 cm. - - - Lucantonio Giunta wurde 1457 in Florenz geboren. 1477 zog er nach Venedig, um dort mit seiner Familie im Buchhandel zu arbeiten. Um 1489 begann er seine Tätigkeit als Herausgeber und ab 1500 unter seinem eigenen Namen zu publizieren. Er starb im Jahre 1538, nachdem er 406 Werke veröffentlicht hatte. - - Benedetto Bordon aus Padua arbeitete bei Giunta als Künstler zur Illustration seiner von ihm herausgegebenen Werke. Als Giuntas Holzschneider, identifizierte Lilian Armstrong (2001), Jacob von Straßburg. 1501 erschien Giunta?s erstes illustriertes Missale Romanum. Dieses war das erste Messbuch, welches mit einem reichen Bilderzyklus von 18 ganzseitigen Holzschnitten in Venedig erschien. Die Abmessungen der Holzschnitte betrugen 12,8 x 8 cm und 11,5 x 8 cm. - - - Bordon skizzierte in seinen Holzschnitten Menschen und deren persönliche Gefühle. Vergleichbare Darstellungen in Missalen der Zeit, wirken dagegen steif und emotionslos. (vgl. Lesley Stone 2005, From chapel to chamber: Liturgy and devotion in Lucantonio Giuntas Missale Romanum, 1508.) Congregatio Casinensis est societas plurium monasteriorum Benedictinorum intra Confoederationem Benedictinam.
Bookseller: Versandantiquariat Christine Laist [Germany]
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2017-05-19 07:05:54
Giunta; Benedetto Bordon (Künstler); Jacob von Strassburg (Holzschneider)
Venedig, Lucantonio Giunta, 1507. Original Postinkunabelblatt mit einem ganzseitigen Holzschnitt von Benedetto Bordon. Rückseitig mit zweispaltigem 36-zeiligem schwarz-rot gedrucktem Messetext und einem kleinen Holzschnitt im Text. Blattgröße: 16,1 x 11,2 cm. - - - Lucantonio Giunta wurde 1457 in Florenz geboren. 1477 zog er nach Venedig, um dort mit seiner Familie im Buchhandel zu arbeiten. Um 1489 begann er seine Tätigkeit als Herausgeber und ab 1500 unter seinem eigenen Namen zu publizieren. Er starb im Jahre 1538, nachdem er 406 Werke veröffentlicht hatte. - - Benedetto Bordon aus Padua arbeitete bei Giunta als Künstler zur Illustration seiner von ihm herausgegebenen Werke. Als Giuntas Holzschneider, identifizierte Lilian Armstrong (2001), Jacob von Straßburg. 1501 erschien Giunta?s erstes illustriertes Missale Romanum. Dieses war das erste Messbuch, welches mit einem reichen Bilderzyklus von 18 ganzseitigen Holzschnitten in Venedig erschien. Die Abmessungen der Holzschnitte betrugen 12,8 x 8 cm und 11,5 x 8 cm. - - - Bordon skizzierte in seinen Holzschnitten Menschen und deren persönliche Gefühle. Vergleichbare Darstellungen in Missalen der Zeit, wirken dagegen steif und emotionslos. (vgl. Lesley Stone 2005, From chapel to chamber: Liturgy and devotion in Lucantonio Giuntas Missale Romanum, 1508.) Congregatio Casinensis est societas plurium monasteriorum Benedictinorum intra Confoederationem Benedictinam.
Bookseller: Versandantiquariat Christine Laist [Germany]
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2017-05-12 21:52:04
Holzschnitt von Johann Otmar, 1507, 8 x 15,5 cm (Bilddarstellung) und 29 x 19,5 cm (Blattmaß). VD 16, B 2676. - Auf der ganzen Buchseite. - Blatt aus der Otma-Bibel 1507, die 13. dt. (von 18) der vorlutherischen Bibelausgaben. - Vorallem in den Rändern etwas fleckig. Versand D: 6,00 EUR Dekorative Graphik, Inkunabel, Religiöse Graphik
Bookseller: Peter Bierl Buch- & Kunstantiquariat [Eurasburg, Germany]
2017-05-12 21:52:04
Otmar, Johann
Augsburg, Johann Otmar, 1507. 29 x 19 cm, Montiert a. Karton unter Passepartout., Min. angeschmutzt. 600 gr. Schlagworte: TotentanzAlte Drucke - Bibeln [Attributes: Soft Cover]
Bookseller: antiquariat peter petrej [Zürich, ZH, Switzerland]
2017-05-12 21:52:04
MAXIMILIEN IER, MARGUERITE D'AUTRICHE
1507. Chez Jules Renouard et Cie, Paris. 1839. In-8.Carré. Broché. Etat d'usage. 2ème plat abîmé. Dos satisfaisant. Non coupé. 508 pages pour le tome I, et 540 pages pour le tome II. Etiquettes de code sur les dos. Tampons et annotations de bibliothèque sur les 1ers plats et en pages de garde et de titre. Manques sur les plats du tome I. Rousseurs. (Très rare) Publié d'après les manuscrits originaux par M. Le Glay.
Bookseller: Le-Livre.Com
2017-05-12 21:52:04
Wegehaupt, Heinz
4. Mit zahlr., meist farb. Abb. 346 / 414 / 488 SS. Olwdbde. mit OU. (Bd. III ohne SU). richtig gute Ex. umfassen die Jahre 1507 - 1900.
Bookseller: Antiquariat am Flughafen
2017-05-12 21:52:04
Paris Simon Vostre [] 1507 - Holzschnitt, alt koloriert, auf Büttenpapier, 1505-1510. Von Philippe Pigouchet. 12,4 x 8,0 cm (Darstellung / ohne Schmuckrahmen) / 14,8 x 10,3 cm (Blatt). (Paris: Simon Vostre [1507]). - Im Druckstock unten Inschrift: "VRIE // DAVID". Darunter typografisch die Verse: "Domine ne in furore tuo arguas me / neq[.] in ira tua corripias me Misere / re mei d[.]ne (.)". - Holzschnitt-Illustration aus einem Stundenbuch von Simon Vostre (Paris um 1507). Verso 4 weitere Holzschnitt-Illustrationen (u.a. Susanna im Bade) sowie Holzschnitt-Bordüren mit Frührenaissance- und Grotesken-Schmuck. - Bis knapp auf die Randbordüren beschnitten. Gering wellig. Gut erhaltenes Kolorit. Insgesamt guter Zustand. Philippe Pigouchet (tätig 1488 - 1518 Paris). Französischer Holzschneider und Drucker. Arbeitete v.a. mit dem Pariser Verleger Simon Vostre zusammen. Sprache: Deutsch
Bookseller: GALERIE HIMMEL [Germany]
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2017-05-11 10:15:16
Montelius, Oscar.
Stockholm: P.A. Norstedt & Söner, 1873–75. 2 vols. in 1. 8vo (25.1 cm, 9.9"). [6], 80, [12], 182, [16] pp.; illus. First edition comprising both parts: French translation of Montelius’s Svenska fornsaker, an atlas of Swedish antiquities from the Stone Age through the Iron Age. The weapons, pots, jewelry, and other items are beautifully depicted in => wood engravings by Karl Fredrik Lindberg, with accompanying descriptive text by Montelius, a prominent archeologist whose work on the chronological dating method known as seriation is reflected in the organization of the present volume.         Lipperheide, Katalog der Freiherrlich von Lipperheide’schen Kostumbibliothek, 285m. Contemporary quarter morocco with marbled paper–covered sides, spine with gilt-stamped title; joints and edges rubbed, joints cracked and leather chipped at spine extremities. Front free endpaper separated but present; front pastedown and free endpaper institutionally rubber-stamped. Pages clean. => Absorbing.
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) [US]
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2017-05-10 04:31:03
MA LUO KE KE LEI KE DENG
paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback Pages. Number: 1507 Language: Chinese. Most impressed by the world of the child mind the classic fairy tale series (Set 11) including the lame The Little Prince. Oscar Wilde fairy tale. The Little Prince . Bambi . The Water Babies. the blowhard Adventures . Pinocchio. Jungle Story and Blue Bird . riding a goose travel writing and Winnie the Winnipeg Bodhisattva . In the baptism ceremony. the careless maid broke the Prince leg of Doral. Soon. the prince of his mother and father have ... Satisfaction guaranteed,or money back.
Bookseller: cninternationalseller [China]
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2017-05-06 15:23:03
Petermann Etterlin:
Basel, Michael Furter, 24. Dezember, 1507. Einspaltiges O-Inkunabelblatt mit einem 4/5-seitigen Holzschnitt (14,7 x 16,2 cm) wohl von Daniel Schwegler und einer 4-zeiligen Holzschnitt-Initiale. Blatt mit einem Wurmloch und dem Wasserzeichen Kreuzstandarte mit Schlange über Ochsenkopf und der Blattsignatur "Sii". Blattgröße: 17,1 x 23,7 cm. Woodcut leaf Etterlin ist der erste Historiker, der die gesamte Geschichte der Schweizer Eidgenossenschaft ab dem Jahr 835 n. Chr. drucken lässt. Dies kann im Zusammenhang mit dem wieder erstarkten Selbstvertrauen der Schweizer Eidgenossen nach den Schwäbischen Kriegen zusammenhängen. Das Werk umfasst Holzschnittabdrucke von zwölf verschiedenen Blöcken. Dieser Holzschnitt gehört zur Gruppe der fünf wichtigsten Abbildungen des Werkes, die dem Holzschneider "DS" zugeordnet werden. Der Holzschnitt zeigt, nahezu seitengroß, Episoden aus der Schweizer Geschichte u. a. den Kampf mit einem Drachen in einer Berghöhle, der sich bei Wyl zugetragen haben soll. Folgender Text ist ein Auszug aus den Erläuterungen zum Bild: Wie in die wildnis Ury, Switz und Underwalden erstmalen lütt darin kamen und wie ein Track da wonet der ouch gedoet ward. Also sol man wissen das hie vor ettwas vil iaren, Ee das künig Rudolff Roemischer künig, erwelltt ward, vor sinen zitten in die pirge unnd lande die man yetz nemmpt Ury, Schwitz, und Underwalden, Etwas lütten darinne zewonen komen warent, die man damalen nempt zu Lutzern unn landen, da vornye kein mensch wonung gehept hat ir wonung hattent, Da selbs Rüttottent und buwttent, Da vil ungehürer tyeren und menger gr … [Click Below for Full Description]
Bookseller: Versandantiquariat Christine Laist [Seeheim-Jugenheim, Germany]
2017-04-28 20:34:55
Nicolaus Nicoli Florentinus (Falcutius, Niccolo, Falcucci, Faluchi):
Venedig Bonetus Locatellus für Octavianus Scotus oder Johann Emerich für Lucantonio Giunta 1515. Zweispaltiges 76-zeiliges O-Inkunabelblatt mit mehreren 6-zeiligen Holzschnitt-Initialen auf sauberem und festem Papier. Breitrandiges Exemplar mit dem Wasserzeichen "Waage im Kreis". Blattgröße: 27,5 x 43,5 cm. - - - Die Sermones medicinales des Niccolo Falcucci (gestorben 1411/12), Mediziner in Florenz, erschienen erstmals in Pavia zwischen 1481 und 1484 (GW 09704, H 11767) und in einer zweiten Auflage zwischen 1490 und 1491 in Venedig (GW 09705, H 11768). Eine dritte Auflage des Werkes erschien erneut in Venedig im Jahre 1507. Das Datum einer vierten Auflage (8 Sp.272a) ist vom 1. Mai 1515. Da die beiden zuletzt genannten Auflagen äußerst selten sind, kann dieses Blatt entweder der Ausgabe von 1507 oder der Ausgabe von 1515 zugeordnet werden.
Bookseller: Versandantiquariat Christine Laist [Seeheim-Jugenheim, Germany]
2017-04-24 21:48:22
Dante Alighieri
Bartholomeo, 1507. Softcover. Near Fine. Bartholomeo, Venice 1507. Original Illustrated Leaf. A page from Dante's Inferno featuring a woodcut of Canto XIX. Illustration is of Dante and Virgil in Hell where Simonists are tortured. Regarding: Simon Magus, a sorcerer who tried to buy spiritual powers from Peter (Acts 8:9-24). Double sided glass frame which is reversible so the back of the page can be shown. Condition: Near Fine, clean page, trivial wear, minor age toning at the edges.
Bookseller: 1st Editions and Antiquarian Books, ABA,
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2017-04-21 15:16:56
Dante Alighieri
Bartholomeo, 1507. Softcover. Near Fine. Bartholomeo, Venice 1507. Original Illustrated Leaf. A page from Dante's Inferno featuring a woodcut of Canto XIX. Illustration is of Dante and Virgil in Hell where Simonists are tortured. Regarding: Simon Magus, a sorcerer who tried to buy spiritual powers from Peter (Acts 8:9-24). Double sided glass frame which is reversible so the back of the page can be shown. Condition: Near Fine, clean page, trivial wear, minor age toning at the edges.
Bookseller: 1st Editions and Antiquarian Books, ABA,
2017-04-21 15:16:56
Dante Alighieri
Bartholomeo 1507 - Bartholomeo, Venice 1507. Original Illustrated Leaf. A page from Dante's Inferno featuring a woodcut of Canto XIX. Illustration is of Dante and Virgil in Hell where Simonists are tortured. Regarding: Simon Magus, a sorcerer who tried to buy spiritual powers from Peter (Acts 8:9-24). Double sided glass frame which is reversible so the back of the page can be shown. Condition: Near Fine, clean page, trivial wear, minor age toning at the edges. [Attributes: Soft Cover]
Bookseller: 1st Editions and Antiquarian Books
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2017-03-30 22:03:00
STRADA, Jacobus de [and Benjamin BRAMER].
GVK (5 copies); VD17 23:645678U (1 copy); Wellcome 1035. Reissue of the first edition of a richly illustrated work on all aspects of waterworks and hydraulics, with illustrations by Jacobus de Strada (1507-1588). The work was brought to the attention of the publisher by his son Octavius de Strada (1550-1612) and first published posthumously in 1617. De Strada was active in many fields: he worked as an architect, painter, art collector, author, publisher, etc., and, judging from the present work, was technically gifted. He gives clear expositions on pumping engines, watermills and all sorts of water-powered machines, accompanied by short descriptions and an introduction by the German architect and mathematician Benjamin Bramer (1588-1652). Due to its delayed publication, some of De Strada's designs were not as innovative as they were when he wrote. De Strada's designs nevertheless appear to be unique and independent of those by his contemporary, the Italian engineer Augostino Ramelli (1531-1610), who published around 100 designs of water-pumping machines in his Le diverse et artificiose machine., 1588.Some occasional leaves and plates slightly browned, plates with only a few small spots and some occasional marginal thumbing, a few plates with water stains. Binding rebacked, as noted, sides with only a few small spots, otherwise in very good condition. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
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2017-03-30 22:03:00
STRADA, Jacobus de [and Benjamin BRAMER].
1507. GVK (5 copies); VD17 23:645678U (1 copy); Wellcome 1035. Reissue of the first edition of a richly illustrated work on all aspects of waterworks and hydraulics, with illustrations by Jacobus de Strada (1507-1588). The work was brought to the attention of the publisher by his son Octavius de Strada (1550-1612) and first published posthumously in 1617. De Strada was active in many fields: he worked as an architect, painter, art collector, author, publisher, etc., and, judging from the present work, was technically gifted. He gives clear expositions on pumping engines, watermills and all sorts of water-powered machines, accompanied by short descriptions and an introduction by the German architect and mathematician Benjamin Bramer (1588-1652). Due to its delayed publication, some of De Strada's designs were not as innovative as they were when he wrote. De Strada's designs nevertheless appear to be unique and independent of those by his contemporary, the Italian engineer Augostino Ramelli (1531-1610), who published around 100 designs of water-pumping machines in his Le diverse et artificiose machine., 1588.Some occasional leaves and plates slightly browned, plates with only a few small spots and some occasional marginal thumbing, a few plates with water stains. Binding rebacked, as noted, sides with only a few small spots, otherwise in very good condition. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-03-07 17:14:01
PLINIUS SECUNDUS, Gaius / PLINY...
Venice: J. Rubeus und B. Vercellensis, 1507. Hardcover. Folio - over 12 - 15" tall. 16 January 1507. Folio (295 x 195 mm). [16], 280 leaves, lacking the final blank only. Signatures: aa-bb8 a-z8 &8 A-L8 M10 (-M10). Printer and date from colophon: ". . .per Ioannem rubeum & Bernardinum fratresque Vercellenses ... 1507. die. xvi. Ianuarii". Numerous 4- to 12-line floral and figurative woodcut initials in text. Early 17th-century vellum over pasteboards, spine neatly lettered and decorated in black ink (boards soiled and rubbed, corners bumped and scuffed), blue-coloured edges. Text with faint waterstain the upper margin, a few occasional brown spots, little browning and soiling to first and final leaves, otherwise quite crisp and clean. Contemporary ink annotations in places, lower blank corner of leaf p1 torn, q4 with small holes affecting a few letters of text, burn hole in blank fore-margin of r3. Provenance: Contemporary ownership inscription to top title page almost entirely faded, printed paper label to pastedown 'Si vende in Verona, presso Michelang. Fumanelli, librajo alle Arche n. 1158, dove si trova un assortimento di Libri Scolastici ed altra sorte a prezzi vantaggiosi'. Beautiful copy. ----Graesse VI, p.338; NLM/Durling 3686; STC 526; Schweiger II, p. 784. - Beautiful and uncommon edition, edited by Alessandro Benedetti and printed by the Rosso brothers. This edition prepared according to handwritten sources, and with special consideration of Dioscorides and Hermolus Barbarus, the more important as edited by Alexander Benedictus, a physician who rendered outstand … [Click Below for Full Description]
Bookseller: Milestones of Science Books
2017-03-03 15:22:29
HEURES
Paris, Jean Barbier pour Guillaume Eustache, 1507. ____ Très rare édition, imprimée sur peau de vélin, dans une fraîche reliure du XVIe siècle et d'un format peu commun. Ces "heures" sont illustrées de 17 bois gravés, tous mis en couleurs et dorés à l'époque. Impression en noir et rouge, caractères gothiques, marque gravée de Guillaume Eustache sur le titre. Almanach pour les années 1507 à 1520. Au colophon : "Les prese[n]tes heures a lusaige de Rome tout au long sans requerir furent acheuees le xi iour de Auril Lan mil cinq cens et sept. Par iehan Barbier imprimeur demoura[n]t a Paris en la rue sai[n]t Jaques [sic] Pour Guillaume eustace, demoura[n]t en la grant salle du palais au troisieme pillier." Un seul autre exemplaire est connu de cette édition (Huntington Library). Elle est inconnue de toutes les bibliographies : Bohatta, Lacombe, Brunet, Praet, Ales. ***** Very rare edition, printed on vellum, in a very handsome 16th century binding, of an unusual size. Illustrated by 10 large and 7 small hand-colored woodcuts, within gold frames. The initials and other ornaments are illuminated. Printed in black and red, in gothic type, Eustace's device above imprint. Almanac for 1507-1520, on title page verso. Colophon reads : "Les prese[n]tes heures a lusaige de Rome tout au long sans requerir furent acheuees le xi iour de Auril Lan mil cinq cens et sept. Par iehan Barbier imprimeur demoura[n]t a Paris en la rue sai[n]t Jaques [sic] Pour Guillaume eustace, demoura[n]t en la grant salle du palais au troisieme pillier." The only other known copy is at the Huntington Library. Not … [Click Below for Full Description]
Bookseller: Hugues de Latude
2016-12-21 22:42:54
Janner, Ferdinand
VIII, 655 / 584 / 653 S. 21 cm, HLn der Zeit mit Rückenvergoldung, außen wie innen völlig frisch, mit geringfügigen Gebrauchsspuren, sehr guter Zustand. Einzige Ausgabe Sehr selten. - LThK VIII, 717 Lentner 2295. - Umfassende Chronik der Regensburger Bischöfe bis zum Jahr 1507. Mit gedruckter Widmung für Bischof Ignatius von Senestrey (1818-1906) - Zur Bistumsgründung beginnt 739 mit Gaubald (ca. 700-761), dem ersten Bischof des Bistums Regensburg, eine geschlossene Bischofsreihe. Bis 975 waren die Bischöfe zugleich als Abtbischöfe Vorsteher des Klosters Sankt Emmeram, erst der Hl. Wolfgang trennte mit der Einsetzung eines eigenen Abtes (Ramwold) Bischofs- und Abtwürde voneinander. Im Spätmittelalter gingen die Regensburger Bischöfe häufig aus bayerischen Adelsgeschlechtern hervor. Phasenweise dominierten auch die benachbarten bayerischen Herzöge und Pfalzgrafen aus dem Hause Wittelsbach. Nach der Säkularisation stand die Bischofswürde auch bürgerlichen Geistlichen offen, diesen sprach man in einer Übergangsphase in Bayern den Personaladel zu. -- Ferdinand Janner (geb. 1836 in Hirschau gest. 1895 in Regensburg) war ein deutscher römisch-katholischer Theologe und Pädagoge. Nach seiner Schulzeit in Amberg studierte er Katholische Theologie in Würzburg und wechselte später nach Regensburg, wo er 1858 zum Priester geweiht wurde. Wieder zurück in Würzburg wurde Janner zum Doctor Theologiae promoviert und wirkte anschließend bis 1863 als Kaplan in Weiden, ehe er zum Präfekten an das Priesterseminar in Regensburg berufen wurde. 1865 wurde er zum Professor für Religion und Geschich … [Click Below for Full Description]
Bookseller: REDIVIVUS Antiquariat & Buchhandlung
2016-12-12 15:19:05
Strada, Jacopo della (Jacobus de) et Jean Louveau
Gross-8" (23 x 15 cm). 12 Blätter, 394 S. mit zahlreichen Münz-Abbildungen, 15 Blätter Register. Späterer Ledereinband mit Lesebändchen, Rückenschild, Rückengoldprägung und Goldfileten sowie marmorierten Vorsätzen. Ränder nur teils leicht braunfleckig. Einband leicht abgegriffen bzw. teils ein wenig berieben, Ecken etwas angestossen. Geschichte der Kaiser des ost- und weströmischen Reiches von Julius Cäsar bis zu Kaiser Karl V. (und teils ihrer Frauen und Familienmitglieder) anhand ihrer Darstellung auf Münzen bzw. Medaillen aus der Sammlung Stradas. Für Herrscher, zu denen kein Porträt auffindbar war, stehen leere Umrahmungen mit dem entsprechenden Namenszug als Platzhalter. - Die lateinische Originalausgabe erschien unter dem Titel: Epitome thesauri antiquitatum, hoc est impp. Rom. orientalium et occidentalium iconum, ex antiquis numismatibus quàm fidelissime deliniatarum. - Jacopo de Strada (geboren 1507 in Mantua (Italien), starb 1588 in Prag), war Baumeister, Maler, Antiquar, Münzforscher und Schriftsteller. Ab 1557 als Kunstsachverständiger in Wien für Ferdinand I., Maximilian II. und in Prag für Rudolf II tätig. Sein Porträt, gemalt von Tizian um 1567/68 befindet sich im Kunsthistorischen Museum in Wien. - Graesse VI/1.507 - Brunet V.557 - Versandkosten innerhalb Deutschlands EUR 5,00 (versicherter Versand)
Bookseller: Norddeutsches Antiquariat
2016-12-11 22:23:45
2 (ca. 37 x 26,5 cm). Kommentarband mit 100 Textseiten u. 56 Abbildungen auf Tafeln sowie 38 farbige Faksimile-Blätter, teils mit Miniaturen, Initialen und Rankenschmuck. Samtbezogener Holzdeckeleinband mit 1 farbigen Miniatur unter Glas, 4 Wappen-Medaillons aus Metall, 4 erhaben gestalteten Metall-Medaillons, verzierten Eckbeschlägen, 2 verzierten Schliessen sowie 5 Standknubben auf dem hinteren Deckel. Kommentarband in Pappe mit Deckelvignette u. Titel-Rückenprägung. Beide Bände in samtgefütterter Pappschatulle mit Deckeltitel, diese an einer Ecke gestaucht, Deckelkante dort angeplatzt. Schatulle nur teils leicht angestaubt, befindet sich in einem weiteren Karton, dieser etwas gebräunt. Nummer 463 von 800 Exemplaren der einmaligen Ausgabe, davon 250 der Vorzugsausgabe in vollständiger Replizierung des Einbandes und Faksimilierung der Handschrift - Vermutlich hat Friedrich der Weise das Fest-Epistolar für den liturgischen Gebrauch in einer Kirche gestiftet. Es ist wohl im Zeitraum zwischen 1507 und 1509 in der Werkstatt des Jacob Elsner (gest. 1517) in Nürnberg geschaffen worden und wurde wahrscheinlich an Allerheiligen 1509 in Benutzung genommen. Die Handschrift ist in gotischer Buchschrift geschrieben und enthält drei ganzseitige Miniaturen: das sächsische Kurwappen, das sächsische Gesamtwappen sowie die Beweinung Christi. Außerdem sind mit zum Teil figürlichem Rankenwerk und Miniaturen geschmückte Textseiten vorhanden, die restlichen Seiten enthalten das gleiche Linienschema wie die Schriftseiten, sind jedoch unbeschrieben geblieben. - SW: Buchmalerei, alte Handschrifte … [Click Below for Full Description]
Bookseller: Norddeutsches Antiquariat
2016-12-07 22:18:19
QUINTUS CURTIUS (DELLA ROBBIA Luca)
Opera et impensa Philippi Giuntae bibliopolae florentini. In 16 (cm 11 x 16,5), carte (6) + (2) bianche + (158) + (2) bianche. Legatura coeva in piena pergamena coeva con nervi al dorso. Annotazioni antiche di possesso al frontespizio. Carte numerate a mano da ex possessore. Edizione originale stampata da Giunti della Storia di Alessandro Magno di Quinto Curzio Rufo e curata da Luca Della Robbia, come si legge nell'introduzione. L'opera, divisa in 10 libri, e' giunta mutila dei primi due. Poco si sa dell'Autore. Secondo Niebuhr, Quinto Curzio fu contemporaneo dell'imperatore Settimio Severo che mori' nel 211. Quintiliano cita Quinto Curzio ma non sembra si tratti dello stesso scrittore. La prima edizione dell'opera dello scrittore sembra sia stata pubblicata a Roma nel 1470. Fra quella romana e questa di Giunta del 1507 ne vennero pubblicate altre: a Milano, (presso Zarotus) nel 1481, a Verona nel 1491, a Venezia nel 1494 cui segui' quella del 1502. In tutte queste edizioni i primi due libri sono mancanti. ITA
Bookseller: Libreria Antiquaria Coenobium [IT]
2016-11-13 21:56:14
Gangolf II. von Hohengeroldseck, (d. 1549).
1507. Oblong 8vo. 1 p. Confirms the payment of 20 Rheinland Guilders to Dionysius Braun, accountant of the Roman Emperor Maximilian I. - Left margin with some tiny holes from old threading in a book of receipts.
Bookseller: Antiquariat Inlibris
2016-11-13 18:02:03
STRADA, Jacobus de [and Benjamin BRAMER].
GVK (5 copies); VD17 23:645678U (1 copy); Wellcome 1035. Reissue of the first edition of a richly illustrated work on all aspects of water techniques and hydraulics, with illustrations by Jacobus de Strada (1507-1588). The work was brought to the attention of the publisher by his son Octavius de Strada (1550-1612) and first published posthumously in 1617. De Strada was active in many fields: he worked as an architect, painter, art collector, author, publisher, etc, and, judging from the present work, was technically gifted. He gives a clear exposition of pumping engines, watermills and all sorts of water-powered machines, accompanied by short descriptions and an introduction by the German architect and mathematician Benjamin Bramer (1588-1652). Due to its delay in publication, some of De Strada's designs lost its innovativeness. Nevertheless, De Strada's designs appear to be unique and independent of those by his contemporary, the Italian engineer Augostino Ramelli (1531-1610), who published around 100 designs of water-raising machines in his Le diverse et artificiose machine..., 1588.Some occasional leaves and plates slightly browned, plates with only a few small spots and some occasional marginal thumbing, a few plates with waterstains. Binding rebacked, as noted, sides with only a few small spots, otherwise in very good condition.
Bookseller: ASHER Rare Books (Since 1830)
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2016-09-20 18:07:36
BEATRIZET, Nicolas. ( Beatricetto )
1507. Bulino, misure: 33,0x56,0. Grandiosa e ricca incisione, priva di margini, con restauri e tracce d'uso, controfondata. Molto decorativa. Primo stato su tre prima degli indirizzi di Orlando e Van Schoels. Huelsen, 61.- Bartsch 29 - 95.
Bookseller: Galleria Garisenda
2016-09-20 17:21:22
GERSON (Jean);LUXEMBOURG (François de);
Paris 1507 ca In-8 gothique (180 x 110 mm) de LXXX ff., maroquin vert janséniste, dos à nerfs, dentelle intérieure, tranches dorées sur marbrure (Duru). Le premier catéchisme diocésain destiné aux fidèles du Mans.Proposé dès 1508 sous la forme d'un petit livre publié à Paris par François de Luxembourg (évêque du Mans de 1507 à 1509), L'Instruction des curez pour instruire le simple peuple... par tout levesche du Mans reproduit l'Opus tripartitum de Jean Gerson en latin suivi de la version française dont l'édition princeps fut imprimée à Paris en 1507 puis distribuée aux différents diocèses avec les mandements des évêques respectifs. Le traité de Gerson est suivi d'un petit opuscule qui a pour titre Le Livre de Jésus. Chaque chapitre est en latin d'abord, puis en français. « Le volume publié à Paris par François de Luxembourg est un véritable catéchisme, dans le sens où nous l'entendons, quoique sous une forme un peu différente. S'il ne procède pas encore par interrogations et réponses, il est cependant destiné à être fixé dans les mémoires, et dans ses moindres détails. C'est une publication vraiment populaire, une édition de propagande. (...) C'est la première lettre pastorale des évêques du Mans que l'on connaisse, comme l'ouvrage lui-même est le premier livre français imprimé pour le diocèse. » [A. Angot, Le catéchisme au diocèse du Mans depuis 1508 : étude historique et bibliographique, Le Mans, 1886] A la fin du mandement de l'évêque François de Luxembourg est inscrit (verso du feuillet VI) : Fait a paris le X jour de Mars lan de grace mil cinq centz et sept. Lett … [Click Below for Full Description]
Bookseller: Bonnefoi Livres Anciens
2016-09-20 13:57:31
MANCINELLI, Antonio.
Venedig, J. Tacuinus, 5. August, 1507. 48 nn. Bl. mit 2 figürl. Holzschnitt-Initialen. Alter Pergament (etwas fleckig, Vorsätze erneuert). Der italienische Humanist und Pädagoge Antonio Mancinelli (1452-1506) gehörte zum Kreis der römischen Akademie um Pomponius Laetus (vgl. Jöcher III, 95). Seine Werkausgabe ist noch ganz im Inkunabel-Stil ohne eigenes Titelblatt gedruckt. Nur der vorliegende erste Band ist als Werkausgabe bezeichnet. Unmittelbar unter dem Kopftitel "Omnia opera" folgt eine 1504 datierte kurze Vorrede Mancinellis ("Ad lectorem. Quae olim ca(n)dide lector Adolesce(n)s: Iuvenisve edidera(m) ...") mit einem Verzeichnis seiner Schriften. Der Band selbst enthält: Donati melioris secunda editio; Catonis carmen de moribus; De arte libellus; Catonis commentum.- Alle nachfolgenden Bände erschienen als selbständige Einzelbände ohne Hinweis auf die Werkausgabe. - Seltene Postinkunabel; nicht im BM STC und bei Adams. - Im unteren Drittel durchgehend wasserrandig, stellenw. auch braunfleckig. Teilw. mit Wurmspuren im Bund u. einzelnen kl. Wurmgängen im Text.
Bookseller: Buch & Consult Ulrich Keip [Berlin, Germany]
2016-09-17 20:55:02
DENISSE (Nicolas);
Rouen Martin Morin 1507 ca Petit in-8 gothique (10 x 16 cm) à 2 colonnes de (16)-232 ff. mal chiffrés ccxxxiii (cahiers +8, A-X8, aa-hh8), erreurs de pagination sans manque, veau brun, dos orné à nerfs, pièce de titre en maroquin rouge, tranches rouges (reliure du XVIIIe siècle). Edition post-incunable rouennaise, la première dans ce format presqu'aussi rare que l'originale. Belle et rare impression normande en caractères gothiques du premier XVIe siècle. Le Gemma predicantium ou recueil des homélies du moine cordelier rouennais Nicolas Denisse ou Denyse mort en 1509, fut imprimé une première fois au format in-quarto vers 1505-1506 par Martin Morin puis dans un format plus petit vers 1507 - datation établie selon « l'état de la marque postérieure au 15 février 1507 » (Valérie Neveu). Marque de l'imprimeur sur le titre encadrée par la devise Imprime A Rouen Devant Sainct Lo, avec bandeau à droite. Martin Morin (1450-1522) imprima dans sa ville de Rouen entre 1490 et 1518, après avoir fait son apprentissage dans la région rhénane. Signature ancienne à l'encre du temps en fin de table (8e feuillet liminaire). Ex-libris gravé armorié sur le contreplat supérieur, non identifié ; mors et coins restaurés. Collation conforme à Pellechet, 4191 ; Polain, 1257 ; Frère, II, 326 ; Catalogue Charles Lormier, 4565 ; Répertoire bibliographique des Livres imprimés en France au 16e siècle, IL, n°66 ; Catalogues régionaux des incunables des bibliothèques publiques de France, Valérie Neveu, XVII, n°214.
Bookseller: Bonnefoi Livres Anciens
2016-08-29 09:09:37
PLINIUS C. Secundus Verone[n]sis.
Ioannes Rubeus & Bernardinus fratesque Vercellenses, 1507]. in folio, ccnn 16, cc 280, ccnn 10 (manca l'ultima bianca), solida leg. ottocentesca m. perg. con fregi oro e tass. in pelle al d. Gr. capilett. in legno. Pregevole edizione della celebre opera di Plinio con il commento dello scienziato Alessandro Benedetti originario di Legnago di Verona (1450? - 1512). Importante anche per la storia dell'editoria, come una delle prime edizioni pubblicate dagli editori Rossi, tipografi vercellesi attivi a Venezia. BMSTC p. 526. Ex libris. Prime 4 cc mal impaginate. Belliss. esempl. a larghi margini. [006]
Bookseller: Studio Bibliografico Scriptorium
2016-08-28 20:02:25
VIGERIUS Marcus
Soncino, 1507. in - folio, ff. (8, di cui l'ultimo bianco), CCXLVI, (16), car. romano su 38 linee per pag., bella leg. del primo Settecento in p. pergam., bordura floreale impressa in oro ai piatti, ricchi fregi al dorso liscio, tagli marmorizz. Titolo con stemma cardinalizio inquadrato da ricca bordura rinascimentale su fondo nero; 10 illustrazioni a piena pagina, entro larga bordura decorata, riguardanti temi della vita di Cristo, 33 vignette (mm 52x52), di cui 6 ripetute, su fondo criblé. Prima edizione dedicata a papa Giulio II, di cui si riportano le armi al tit., del trattato ascetico di Marco Vigerio (1446 - 1516), cardinale e protettore dell'ordine dei Francescani dal 1505. Il Decacordo cristiano è il più famoso libro che Soncino abbia mai pubblicato ed è considerato uno dei più bei figurati italiani della prima metà del Cinquecento. Le bellissime illustrazioni a piena pagina sembrerebbero essere, secondo gli ultimi studi, incisioni su metallo; le figure più piccole, che simboleggiano i 33 anni della vita di Cristo, sono invece incise in legno. La parte iconografica del libro è opera di un solo artista ancora anonimo, nonostante la grande tavola della Natività sia firmata "L" e quella della Pentecoste rechi due grandi lettere "F" e "V". Alcuni studiosi (Passavant, Fumagalli) avevano erroneamente attribuito le iniziali a Florio Valvassore, attivo solo più tardi. Essling invece interpreta "F" e "V" come Fano Urbe, mentre la "L" sarebbe l'iniziale del misterioso artista; Sander avvicina le incisioni alla scuola di Giovanni Bellini. Le illustrazioni, di elevata qualità … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco
2016-08-25 18:49:48
PETRARCA Francesco (pseudo)
Pinci da Lecco, 1507. in - 4, ff. XC, (2, l'ultimo è bianco), bel carattere tondo. Leg. ottocentesca mezza pelle ed angoli, dorso a nervi con titolo in oro. Con due belle iniziali istoriate. Pregevole e rara edizione (prima 1478) di questa raccolta di vite di imperatori e pontefici ampliata rispetto all'originale, che terminava al 1371 (f. LXXXI verso), sino a Pio III nel 1503. L'opera è ritenuta apocrifa di Petrarca, o traduzione da un originale latino di Donato Albanzani da Pratovecchio. Si segnala un importante passaggio nella vita di Innocenzo VIII (f. 88r), cronaca dell'anno 1483, con riferimento alla scoperta dell'America: "Fu anchora da questi re mandato Cristoforo Colombo corsale di natione genovesee ad cercare terre nuove in mare: il quale di poi navicando molte terre agli antichi ignote discoperse..". Esemplare molto marginoso con alcune postille marginali di mano coeva, di notevole interesse. Assai raro.
Bookseller: Libreria Antiquaria Pregliasco
2016-08-25 12:04:25
GHISLANDI Antonio
De Silva Franc. ?, 1507. 2 parti in un vol. in - folio, ff. (4), CCVIII; CXXXI, (1 bianco), testo in carattere romano su due colonne, titolo a stampa rossa, grandi e piccole lettere iniziali ornate su forndo nero. Pregevole legatura torinese del tempo in p. pelle interamente decorata a secco sui piatti e al dorso con disegni geom. e fregi floreali (alcuni lievi abili restauri). Precedeono il testo versi di Domenico Macaneo e di Giovanni Tommaso Sertorio in onore dell'opera e una lettera dedicatoria dell'autore al vescovo di Torino Ludovico della Rovere. Prima edizione, probabilmente unica, di quest'esegesi del Vangelo di tutto l'anno liturgico, con l'interpretazione di oltre ottomila "dubbi" spiegati secondo il quadruplice senso della sacra scrittura: "hystorice, allegorice, tropologice, anagogice". Cinquecentina torinese assai rara. Ottimo esemplare nella sua bella legatura coeva (antiche firme di possesso sul f. di titolo).
Bookseller: Libreria Antiquaria Pregliasco
2016-08-19 12:00:40
Guilelmus Parisiensis,
Jakob von Pforzheim . -, Basel 1507 - Zeitgenöss. Schweinslederband über Holzdeckeln mit reicher Blindprägung und 2 Messingschließen. 4to. 3 (st. 4) nn., 391 röm. num., 8 nn. Bll. - Spätere Ausgabe, erstmals 1473 erschienen. Verfasser der im 15. und 16. Jahrhundert sehr geschätzten Postille ist der Pariser Bischof Guilelmus. Der gelehrte Dominikaner befaßte sich u. a. mit Quellentexten des Augustus, Hieronymus und Thomas von Aquin (vgl. ausführl. GW X, 426ff. zur Verfasserfrage und Überlieferung). - Schöner und überwieg. sauberer Scholiendruck auf festem Papier. - Fehlt das Titelbl. - Ca. 40 Bll. mit schmalem Wasserrand, vereinz. gering fleckig, mit Einträgen und Wappenzeichnung auf dem hint. Innendeckel (dat. 1604, Wappen wdh. auf dem ersten Bl.), letztes Bl. mit Besitz- und Kaufvermerk von 1509. Einbd. tls. etw. fleckig, wenige Wurmlöcher, Ecken tls. mit Bezugsdefekt, unt. bewegl. Schließenteil entfernt, Innengelenke leicht gelockert.VD 16, E 4371. - Nicht im BM STC und bei Adams. 1600 g. [Attributes: Hard Cover]
Bookseller: Ketterer Kunst Hamburg GmbH
Check availability:
2016-08-19 08:38:26
D'AQUIN Thomas
Martini Flach (Martin Floch), 1507. - Martini Flach (Martin Floch), Impresse Argentine (Strasbourg) 1507, in - folio (20.5x29.5cm), (52) Fo CCCXXXI (2), relié. - Rara edizione del gotico questiones Disputate. Una copia avvistato in inglese cataloghi Cattedrale Biblioteca, nulla nella Biblioteca Nazionale di Francia e di altri cataloghi francesi. Un'edizione delle stesse Questiones presenti nell'editor al momento del 1500 alla British Library. Indicazioni editoriali nel colophon. Primo foglio con il titolo. Stampa di due colonne con 53 righe per la pelle colonne.Demi dorato antico più di tavole di legno, cieco - stampato sulla gli appartamenti di fiori e foglie. Titolo penna grigio. Montaggio delle parti sulla copertura superiore. Schede di legno del piatto inferiore ricostruito identico. Irons coperchio inferiore freddo sono diversi dalla cima piatta, i rotoli sono identici. Piatti tempestati di wormholes, idem per le prime 8 fogli, da scolorimento e scomparire; Idem nell'ultima pagina. Copia raffreddato, 4 fogli (Fo CIX - big strappare fino a due terzi della pagina - Fo CXIII - con poca mancanza di margine destro - Fo CXIX) con una lacrima nel margine superiore, senza spazi. Fo CXLVIII posto prima CXLVII.Les Questiones disputate sono una serie di questioni disputate presso l'Università di Parigi e di Roma su diversi argomenti e in tempi diversi dell'anima, il male, la verità, l'unione del Verbo Incarnato Erano più tardi ... volte e scritto da Tommaso d'Aquino. Alcuni come il De anima e De spiritualibus creaturis ancora non hanno française.Editeur traduzione commentatore: J … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet
2016-07-30 15:30:36
Diodorus Siculus.
{pr. by Jean Marchant for} Jean Petit. [bound with] Justinus, Marcus Junianus. Justini historia ex Trogo Pompeio quattor & triginta epithomatis collecta; acc. Lucius Florus et Sextus Rufus. [Paris]: De Marnef, [ca. 1507]. 4to. A8B4C6a-y8.4z6&4; [18], 140 ff. Diodorus, according to the Oxford Companion to Classical Literature, "is one of the sources of our knowledge of the legends of mythology." His 40-book Bibliotheke Historike, with its accounts of the mythic origins of Hellenes, Greeks, and Egyptians, helps document the derivations of the Greek and Roman gods and also preserves fragments of the sources he consulted. Only 15 intact books of this history of the world were known at the beginning of the 16th century; the noted Renaissance scholar Poggio Bracciolini provided this translation of the first six from the original Greek for Nicholas V. (Books 16 and 17 were to be discovered in 1517.) Diodorus's work is here accompanied by Justinus's abridged version of Trogus Pompeius's history. Both books feature striking capitals and title-page devices. The typography of the first book is Jean Marchant's, done for Jean Petit whose lion-and-leopard device is prominently displayed. The second book's device shows initials of two of the three de Marnef brothers (E and G) beneath a pelican in her piety. This second book collates exactly like the Jean Petit edition of Justinus, printed sometime after December of 1507, and appears to differ from it solely in its title-page, probably reset only for insertion of the de Marnef device. => While one copy of Diodorus bound wi … [Click Below for Full Description]
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2016-07-30 15:30:36
Diodorus Siculus.
{pr. by Jean Marchant for} Jean Petit, 1507. [bound with] Justinus, Marcus Junianus. Justini historia ex Trogo Pompeio quattor & triginta epithomatis collecta; acc. Lucius Florus et Sextus Rufus. [Paris]: De Marnef, [ca. 1507]. 4to. A8B4C6a-y8.4z6&4; [18], 140 ff. Diodorus, according to the Oxford Companion to Classical Literature, "is one of the sources of our knowledge of the legends of mythology." His 40-book Bibliotheke Historike, with its accounts of the mythic origins of Hellenes, Greeks, and Egyptians, helps document the derivations of the Greek and Roman gods and also preserves fragments of the sources he consulted. Only 15 intact books of this history of the world were known at the beginning of the 16th century; the noted Renaissance scholar Poggio Bracciolini provided this translation of the first six from the original Greek for Nicholas V. (Books 16 and 17 were to be discovered in 1517.) Diodorus's work is here accompanied by Justinus's abridged version of Trogus Pompeius's history. Both books feature striking capitals and title-page devices. The typography of the first book is Jean Marchant's, done for Jean Petit whose lion-and-leopard device is prominently displayed. The second book's device shows initials of two of the three de Marnef brothers (E and G) beneath a pelican in her piety. This second book collates exactly like the Jean Petit edition of Justinus, printed sometime after December of 1507, and appears to differ from it solely in its title-page, probably reset only for insertion of the de Marnef device. => While one copy of Diodorus bo … [Click Below for Full Description]
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2016-05-23 10:28:46
HEURES
Jean Barbier pour Guillaume Eustache, Paris 1507 - ____ Très rare édition, imprimée sur peau de vélin, dans une fraîche reliure du XVIe siècle et d'un format peu commun. Ces "heures" sont illustrées de 17 bois gravés, tous mis en couleurs et dorés à l'époque. Impression en noir et rouge, caractères gothiques, marque gravée de Guillaume Eustache sur le titre. Almanach pour les années 1507 à 1520. Au colophon : "Les prese[n]tes heures a lusaige de Rome tout au long sans requerir furent acheuees le xi iour de Auril Lan mil cinq cens et sept. Par iehan Barbier imprimeur demoura[n]t a Paris en la rue sai[n]t Jaques [sic] Pour Guillaume eustace, demoura[n]t en la grant salle du palais au troisieme pillier." Un seul autre exemplaire est connu de cette édition (Huntington Library). Elle est inconnue de toutes les bibliographies : Bohatta, Lacombe, Brunet, Praet, Ales. *-------* Very rare edition, printed on vellum, in a very handsome 16th century binding, of an unusual size. Illustrated by 10 large and 7 small hand-colored woodcuts, within gold frames. The initials and other ornaments are illuminated. Printed in black and red, in gothic type, Eustace's device above imprint. Almanac for 1507-1520, on title page verso. Colophon reads : "Les prese[n]tes heures a lusaige de Rome tout au long sans requerir furent acheuees le xi iour de Auril Lan mil cinq cens et sept. Par iehan Barbier imprimeur demoura[n]t a Paris en la rue sai[n]t Jaques [sic] Pour Guillaume eustace, demoura[n]t en la grant salle du palais au troisieme pillier." The only other known copy is at the Huntington Library. … [Click Below for Full Description]
Bookseller: Hugues de Latude
2016-01-19 23:30:58
Diodorus Siculus.
[Paris: {pr. by Jean Marchant for} Jean Petit 4to. 123, [6] ff.. ca. 1507] [bound with] Justinus, Marcus Junianus. Justini historia ex Trogo Pompeio quattor & triginta epithomatis collecta; acc. Lucius Florus et Sextus Rufus. [Paris]: De Marnef, [ca. 1507]. 4to. A8B4C6a–y8.4z6&4; [18], 140 ff. Diodorus, according to the Oxford Companion to Classical Literature, "is one of the sources of our knowledge of the legends of mythology." His 40-book Bibliotheke Historike, with its accounts of the mythic origins of Hellenes, Greeks, and Egyptians, helps document the derivations of the Greek and Roman gods and also preserves fragments of the sources he consulted. Only 15 intact books of this history of the world were known at the beginning of the 16th century; the noted Renaissance scholar Poggio Bracciolini provided this translation of the first six from the original Greek for Nicholas V. (Books 16 and 17 were to be discovered in 1517.) Diodorus's work is here accompanied by Justinus's abridged version of Trogus Pompeius's history. Both books feature striking capitals and title-page devices. The typography of the first book is Jean Marchant's, done for Jean Petit whose lion-and-leopard device is prominently displayed. The second book's device shows initials of two of the three de Marnef brothers (E and G) beneath a pelican in her piety. This second book collates exactly like the Jean Petit edition of Justinus, printed sometime after December of 1507, and appears to differ from it solely in its title-page, probably reset only for insertion of the de Marnef device. => While one copy … [Click Below for Full Description]
Bookseller: SessaBks, A Division of the Philadelphia
2015-11-27 06:47:04
Arnoldus von Tongern, Jacob Wimpheling auch Wimpfeling)
Im Colophon Nürnberg, Hieronymus Höltzel 12. November 1507 - . Kl.4°. 10 Blätter. Mit einem satirischen Holzschnitt von Wolf Traut auf dem Titelblatt. Altes Halbpergament. VD 16 A 3765. Erweiterte Auflages des erstmals 1504 in Köln erschienen Traktates gegen das Zölibat. Der Elässer Humanist Wimpheling war ein entschiedener Gegener des Konkubinats beim Klerus. Im Rand leicht wasserrandig. Kleines Ex Libris auf Innendeckel. Gutes und sauberes Exemplar.
Bookseller: Antiquariat Fatzer ILAB
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2015-11-24 01:17:01
Sacro Bosco, Johannes de
[Paris: Henrici Stephani, 1507. [63]pp., including numerous illustrations. Folio. Antique-style paneled calf, elaborately gilt, spine gilt. 18th-century institutional stamp on verso of titlepage. Occasional minor repairs, most prominent in blank margin of last leaf. Contemporary manuscript notes on several leaves. Overall very good. An important edition of Sacrobosco's works on astronomy and the calendar. A 13th-century mathematician and astronomer, Sacrobosco taught at the University of Paris and is believed to have been of British origin. There is, however, very little reliable information about his life. Much of what is "known" is little more than speculation on behalf of historians of the 16th and 17th centuries. SPHÆRA, as it is most commonly known, is the most famous of Sacrobosco's works. It is a basic account of the spherical geometry underpinning the mathematical astronomy of Ptolemy and his Arabic commentators. It was extraordinarily successful, particularly as a university text book. There are hundreds of extant manuscript copies, and it was first printed in 1472 at Ferrara. There were over thirty further incunabula editions, and more than two hundred in the 16th century; the last early modern edition was printed in Antwerp in 1673. The interest in Sacrobosco's work and computations was no doubt fueled by the mathematical demands of the art of navigation, then a fundamental element of the desperate race for control of the New World. In fact, other editions of Sacrobosco's work were published with fledgling accounts of Spanish discoveries, such as the 1551 Paris p … [Click Below for Full Description]
Bookseller: William Reese Company - Americana [U.S.A.]
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2015-11-18 00:23:36
Wien: Johannes Winterburger 1507 - Canon de Missale Pataviense, wahrscheinlich 1. Auflage dieses Messbuchs im Wiener Verlag von Johannes Winterburger von Winterburg (kollationiert nach einem Exemplar in der Bayerischen Staatsbibliothek), es soll aus der Sammlung von Adalbert Ritter Lanna stammen, 6 Blätter - vollständiger Kanonteil, unpaginiert, zwischen Präfatio - letzte paginierte Folio CXXXVIII - und Folio CXXXIX (Judica prima post trinitatis), auf Pergament in rot und schwarz gedruckt, gotische Schrift - nichtkursive Buchschrift Rotunde, Text des Kanon beginnt mit den Wörtern "Te igitur clementissime pater", mit 9,5 x 11 cm großer, handkolorierter Initiale T (Messe lesender Priester) u. 1 kleiner Holzschnitt (Kreuz mit Strahlen, 3,3 x 3,3 cm) auf der Rückseite des 4 Blattes einspaltiger Text, 19 Zeilen auf einer Seite, 21 x 29 cm; 3. Blatt oben leicht wellig, Fol. 5v-6r von Mitte bis Seitenrand gewellt, Fol. 4r-6r fleckig, untere Ecken leicht abgegriffen, S. 4 unten mit Spuren von Lesezeichen, auf Fol. 2v mit einer handegeschriebenen Marginalie "dem", Besitzereintrag auf letzter Seite, altersgemäß sehr guter Zustand. Book Language/s: la
Bookseller: Antikvariat Valentinska
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