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Displayed below are some selected recent viaLibri matches for books published in 1505
2016-09-30 22:13:55
D' AMBOISE (Cardinal Georges). Chaumont-sur-Loire, 1460 - Lyon, 1510.
Pièce signée Le Card. d Amboyse, datée du 1er janvier 1505. Grand vélin oblong, taches, 1 pli marqué. Lorsque LOUIS XII devient Roi en 1498, Georges d'AMBOISE qui est son conseiller depuis la mort de Louis XI, devient Premier ministre et Cardinal. Auparavent il avait été archevêque de Rouen et nommé Lieutenant général en Normandie. Au seuil même de la Renaissance, de 1502 à 1510, le cardinal Georges d'Amboise mettait le comble à sa gloire de protecteur des arts en construisant son admirable château de Gaillon, exquise expression de l'art architectural français, réalisé par des artistes de Rouen, Guillaume Senault, Pierre Delorme et Pierre Fain.
Bookseller: Connaissances et perspectives sarl
2016-08-29 00:38:29
Hans BALDUNG GRIEN Strasburgo 1484 circa - 1545
1505. Xilografia circa 1505 - 07, con il monogramma di Albrecht Durer nella parte inferiore destra. Magnifica prova di questa rara incisione, particolarmente contrastata, impressa su carta vergata coeva con filigrana "croce nei tre monti" (Briquet 1242), rifilata alla linea marginale, lievissime ossidazioni, per il resto in perfetto stato di conservazione. Al verso firma e timbro di collezione Biblioteca di Trier. Woodcut, 1505 - 07 approx., with Albrecht Durer's monongram on lower right. Excellent example of a rare work, with excellent contrast, printed on laid paper with "cross with three mountains" watermark (Briquet 1242), trimmed on margins, slight oxidation, in very good condition. On verso, signature and mark of collection Trier Library. Mende 13, Marianne Bernhard 13. 160 235
Bookseller: Libreria Antiquarius
2016-08-28 11:01:27
QUINTUS CALABRUS Smyrnaeus
Aldo, 1505. in - 8 (161 x 97 mm), ff. 172, deliziosa legatura di inizio ottocento, in marocchino blu a grana larga, piatti decorati con duplice bordura floreale e geometrica stilizzata, dorso liscio con fitto motivo a piccoli ferri e duplice tassello, uno in rosso con l'indicazione ''Calaber'', l'altro verde con il nome dello stampatore, il tutto impresso in oro. Ancora aldina al titolo e al verso dell'ultimo f. Editio Princeps dei tre poemetti epici relativi all'epopea omerica; l'opera di Quintus Smyrnaeus (detto Calabro perché il manoscritto fu ritrovato dal Cardinale Bessarione a Otranto) in particolare riguarda gli avvenimenti intercorsi tra la fine dell'Iliade e l'inizio dell' Odissea. Nella vita che precede il Coluthus, Aldo dà atto a Bessarione della scoperta dei manoscritti. Questa edizione aldina, veramente di notevole rarità, è databile con certezza 1505, facendo seguito alla mitica edizione di Omero del 1504, anch'essa senza data. Sul catalogo del 1503 conservato presso la Bibl.Nazionale di Parigi, Aldo stesso aveva aggiunto di sua mano alcuni libri impressi nel 1504 - 5, e tra questi il Quinto Smirneo. Bell'esemplare elegantemente rilegato da un raffinato legatore francese di inizio Ottocento, fresco, molto marginoso (provenienza: ex libris al contropiatto Bibliothèque de M. Renard; interessanti postille ms. nella parte finale del volume).
Bookseller: Libreria Antiquaria Pregliasco
2016-08-27 10:33:10
Albrecht DURER (Norimberga 1471 - 1528)
1505. Bulino, 1505, datato in lastra il altro al centro e monogrammato in basso a destra. Esemplare della quinta variante di sei descritta dal Meder. Bellissima prova, nitida e contrastata, impressa su carta vergata coeva con filigrana "armi di Memmingen" (Meder 237, Briquet 931), con margini, in ottimo stato di conservazione. Il titolo Il grande cavallo è legato non alle dimensioni della stampa, ma alle proporzioni dell'animale. La stampa è coeva a quella del Piccolo cavallo e riflette la fase in cui Dürer studiava e si cimentava nelle proporzioni dei corpi e in particolare su quelle dei cavalli, fino a pubblicare nel 1525 il Manuale delle misure e nel 1528 quattro libri delle Umane proporzioni, dai quali però rimasero esclusi proprio gli studi dell'artista sulle proporzioni del cavallo, poi riprese da Hans Sebald Beham dopo la morte di Dürer. Sono stati individuati quali precedenti per questa stampa due disegni del 1503 (Winkler n. 360 e n. 361). Mende ha proposto che in questa stampa sia in realtà rappresentato Bucefalo, il mitico cavallo di Alessandro Magno. In quest'opera il cavallo è ripreso dal dietro secondo una prospettiva che ha l'effetto di rafforzare l'idea del volume, di mettere in risalto la sua forma e la monumentalità, e di ingrandire le sue dimensioni apparenti. Da questa prospettiva infatti, il cavallo riempie lo spazio da un margine all'altro. A quest'opera si ispirò Caravaggio per la Conversione di San Paolo, per ottenere il massimo di naturalismo e monumentalità. Bell'esemplare di questa affascinante opera. Engraving, 1505, signed and dated on plate. Ex … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2016-08-21 17:18:42
OVIDIUS Naso, Publius
Silva Francesco, 1505. in - folio (mm 320x214), ff. (8), CLX, carattere romano. Legatura coeva su assicelle, dorso in pelle a doppi nervi con impressioni a secco; al piatto posteriore conservata la borchia metallica dellì antico sistema di chiusura. Al recto del primo foglio, Titolo e impresa dello stampatore in rosso, nella parte superiore vi è una magnifica grande silografia (mm 150x150) raffigurante Ovidio in primo piano seduto sulla sinistra davanti ad una specie di altare, con inciso ritratto di un imperatore, al di sopra del quale sono appoggiati libri e un cestino di fiori che l'a. porge a simboleggiare ''les fleurs de son génie'' (Sander). Sullo sfondo 14 personaggi religiosi e laici; questa silogr. era già apparsa nell'edizione della Polyantahea del Nano stampata a Savona sempre dal Silva nel 1503. Testo racchiuso nel commento di Raffaele Regio, professore a Padova e poi a Venezia. Precedono il testo: dedica del Merula al suo allievo François Poncher di Parigi; prefazione del commentatore, versi di Giovanni Maria Cattaneo, Antonio Motta e Andrea Assaraco; copiosi indici, e la dedica a Francesco Gonzaga. Pregevole edizione, fedele identica ristampa di quella dello stesso Silva apparsa solo un mese prima (15 dicembre 1504). La rapidità con cui l'editore si premurò di ristamparla fa pensare ad un notevole successo editoriale; l'esiguità delle copie sopravvissute (rarissima: sono censite una sola del 1504 alla B.Reale, ed una sola del 1505 presso la collezione Bocca). Ottimo esemplare estremamente fresco e genuino, antica nota di possesso e piccoli fori di tarlo al mar … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco
2016-08-20 16:23:13
AESOP
Apud Aldum, October, 1505. FIRST EDITIONS (in parts) Folio. 150 ll. A8 a8 B10 b8 C8 c8 D10 d8 e-h8 i6 k-_8, o4. Greek and Roman letter, mostly on alternating ll. partly double column, printer's dolphin and anchor device on t.p. and larger on verso of last. T.p. very slightly dusty, a very handsome, clean, large, thick paper copy in English late C18 straight grained red morocco, a.e.g. C18 armorial bookplate of Wilmot, 3rd Viscount Listburne on front pastedown, C20 of William Davignon on ffep. One of the rarest and most sought after editions of the early Aldine press and in practice the earliest obtainable of the author's original text. The volume comprises the Aesopian Fables in Latin and Greek, together with a life of the author, similarly the 34 fables of Gabrias, Phurnutus on the 'nature of the Gods', Palaephatus on disbelieving histories, Heraclides on the allegories of Homer, the hieroglyphs of Horapollo, a collection of proverbs drawn from Tarraeus and Didymus, Aphthonius and Philostratus' de fabula in Latin and Greek, those of Hermogenes translated by Priscian, and finally an Apologia for Aesop 'de Cassita apud Gellium'. Almost all of these, apart from the Aesop, are in their first edition or editio princeps, Praz p. 373 particularly notices the Horapollo.Aesop is the traditional composer of the oldest and most important collection of Greek Fables, which are probably the earliest examples of popular and maybe children's literature still extant. Herodotus, writing in the fifth century BC already knew of Aesop as an author from the past. Aesop's life has been overlaid … [Click Below for Full Description]
Bookseller: Sokol Books Limited
2016-08-17 23:55:15
PHALARIS Pseudo
Luere Francesco de, 1505. in - 4, ff. 44 n.n. (segn. A4 B - F8), elegante leg. 800esca in marocchino verde, titolo e fregi in oro al dorso a nervetti, tagli dorati. Frontespizio silografico su fondo nero, una grande iniziale ornata, car. tondo. Precedono il testo l'importante proemio di Francesco Griffolini ''Aretinus'' a Novello Malatesta, signore di Cesena, nel quale afferma la maggiore veridicità storica del genere epistolare rispetto alle cronache; e la dedica del cremonese Niccolò Lugaro (1447 - 1515) a Corrado Stanga. L'editore Zavarisio utilizzava abitualmente la tipografia di Francesco Riccardi. Queste lettere, erroneamente attribuite a Falaride (VI secolo a.C., tiranno di Acragas), si devono probabilmente ad Apollonio di Tyana e Marco Bruto (I secolo a.C.). La traduzione si deve al Griffolini (1420 - 1490 c.) ''la più importante impresa versoria del G., per la quale egli conseguì grande fama in età umanistica grazie anche alla cospicua fortuna del testo, poi volgarizzato da Bartolomeo Fonzio'' (D.B.It vol. 59, p.383). Pur essendo rarissime la maggior parte delle numerose edizioni quattrocentesche, l'importanza di questa elegantissima edizione va ricercata nel legno che funge da frontespizio, tra i più raffinati del primo Cinquecento italiano: in grandi capitali intagliate su fondo nero, in alto il monogramma di Cristo, in basso un lieve fregio floreale. Le lettere sono state in alcuni casi accorpate per ottenere la stessa giustificazione delle 4 parole pur mantenendo le stesse proporzioni. Perfetto esempl., marginoso e fresco, di libro rarissimo (4 esemplari censit … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco
2016-07-09 16:26:22
Brant, Sebastian
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. Leaf. Very Good. Dürer, Albrecht. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcuts have dark, crisp impressions. The leaf has some minor marginal toning. Very nice example of Dürer's earliest woodcut designs. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Leaves from these editions are very easily confused and many later printings are often listed as firsts; in all but the very first edition, the woodcuts were done by other craftsmen based on Dürer's original designs. This leaf is from the second Latin edition. It contains two woodcuts (most leaves only have one) featuring Dürer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention Dürer established). The first woodcut, "The Teaching of Wisdom," illustrates both wise men and fools reacting to a sermon. The reverse, "Stroking a Fallow Stallion," is depiction of a fool being trampled by a horse he feigned to respect which symbolizers the ultimate fate of false flatters. One of the most famous and popular works during the early years of printing, The Ship of Fools was a satire on the many then current ecclesiastical abuses as exemplified by Brant's imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of The Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht Dürer, then a young jou … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA [U.S.A.]
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2016-06-08 19:11:01
Kunsthistorisches Museum Wien.
- Das Kunsthistorische Museum in Wien genießt Weltruf - zu Recht. Finden sich hier doch die meisten, die schönsten und die kostbarsten Zeugnisse der internationalen Kunstgeschichte auf einen Streich - und ein Ausstellungsprofil das zu den exquisitesten weltweit zählt. Spitzenwerke der europäischen Malerei aus Sammlungsbestand haben für die Schmuckreihe Pate gestanden, die das Museum selbst auflegt. Hier ein prächtiges Schmuckstück, inspiriert von dem Gemälde »Junge Venezianerin« von Albrecht Dürer aus dem Jahr 1505. Die eingesetzten Perlen alternieren mit dem Onyx und verströmen zeitlose Eleganz. Halsschmuck, Silber, Flussperlen, Onyx.
Bookseller: Frölich und Kaufmann
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2016-05-26 12:41:09
BOOK OF HOURS PRINTED ON VELLUM, IN LATIN AND FRENCH
Paris: Thielmann Kerver, [colophon dated], 1505 [calendar covering the years 1497-1520]. n. This is a rare and appealing edition of a printed Book of Hours from a major Parisian publisher renowned for this kind of prayer book. Seven of the large miniatures--the Betrayal, Tree of Jesse, Annunciation, Nativity, Annunciation to the Shepherds, Flight into Egypt, and David and Bathsheba--are based on those created by the printer Pigouchet for his 1496 edition. The scenes depicting the Coronation of the Virgin, the Instruments of the Passion, and the Virgin with her emblems were created by the Kerver workshop for an incunabular edition, as was the diagram explaining the concept of the Trinity, which is based on an entirely different conception than that used by Pigouchet and other publishers. The Kerver blocks new to this edition are slightly larger, and depict the Martyrdom of St. John, the Visitation, Presentation, Crucifixion, Pentecost, and Raising of Lazarus. According to Mortimer, "the figures seem slightly elongated in contrast to those in the earlier blocks, and the more sophisticated style shows a German influence." In addition to the Hours of the Blessed Virgin, the text includes prayers to prepare for Mass, Hours of the Cross, of the Holy Spirit, of the Conception of the Virgin, and of Saint Barbara, Mass of the Virgin, the Seven Penitential Psalms, Suffrages, prayers of St. Gregory and St. Bridget, and the Office of the Dead. Thielman Kerver the Elder (d. 1522) came from Koblenz to Paris around 1497, and began printing works for Jean Petit, the preeminent Parisian pub … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Mediev
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2016-05-13 13:34:08
OVIDIUS, Naso, Publius.
Habes praeterea candidissime lector in hoc volumine nuperrime impresso e diligenti cura reviso. Emendationes quam plurimas per Aemilium Merulam editas e seorsum ordine coadunatas. (In fine:) Impressum Taurini, per magistrum Franciscum de Silua, anno Domini MDV die XV mensis Ianuarii, (Torino, da Silva 1505). in-folio (mm 320x214), ff. (8), CLX, carattere romano. Legatura coeva su assicelle, dorso in pelle a doppi nervi con impressioni a secco; al piatto posteriore conservata la borchia metallica dellì antico sistema di chiusura. Al recto del primo foglio, Titolo e impresa dello stampatore in rosso, nella parte superiore vi è una magnifica grande silografia (mm 150x150) raffigurante Ovidio in primo piano seduto sulla sinistra davanti ad una specie di altare, con inciso ritratto di un imperatore, al di sopra del quale sono appoggiati libri e un cestino di fiori che l'a. porge a simboleggiare ''les fleurs de son génie'' (Sander). Sullo sfondo 14 personaggi religiosi e laici; questa silogr. era già apparsa nell'edizione della Polyantahea del Nano stampata a Savona sempre dal Silva nel 1503. Testo racchiuso nel commento di Raffaele Regio, professore a Padova e poi a Venezia. Precedono il testo: dedica del Merula al suo allievo François Poncher di Parigi; prefazione del commentatore, versi di Giovanni Maria Cattaneo, Antonio Motta e Andrea Assaraco; copiosi indici, e la dedica a Francesco Gonzaga. Pregevole edizione, fedele identica ristampa di quella dello stesso Silva apparsa solo un mese prima (15 dicembre 1504). La rapidità con cui l'editore si premurò di ristamparla fa pensa … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Habes praeterea candidissime lector in hoc volumine nuperrime impresso e diligenti cura reviso. Emendationes quam plurimas per Aemilium Merulam editas e seorsum ordine coadunatas. (In fine:) Impressum Taurini, per magistrum Franciscum de Silua, anno Domini MDV die XV mensis Ianuarii, (Torino, da Silva 1505). in-folio (mm 320x214), ff. (8), CLX, carattere romano. Legatura coeva su assicelle, dorso in pelle a doppi nervi con impressioni a secco; al piatto posteriore conservata la borchia metallica dellì antico sistema di chiusura. Al recto del primo foglio, Titolo e impresa dello stampatore in rosso, nella parte superiore vi è una magnifica grande silografia (mm 150x150) raffigurante Ovidio in primo piano seduto sulla sinistra davanti ad una specie di altare, con inciso ritratto di un imperatore, al di sopra del quale sono appoggiati libri e un cestino di fiori che l'a. porge a simboleggiare ''les fleurs de son génie'' (Sander). Sullo sfondo 14 personaggi religiosi e laici; questa silogr. era già apparsa nell'edizione della Polyantahea del Nano stampata a Savona sempre dal Silva nel 1503. Testo racchiuso nel commento di Raffaele Regio, professore a Padova e poi a Venezia. Precedono il testo: dedica del Merula al suo allievo François Poncher di Parigi; prefazione del commentatore, versi di Giovanni Maria Cattaneo, Antonio Motta e Andrea Assaraco; copiosi indici, e la dedica a Francesco Gonzaga. Pregevole edizione, fedele identica ristampa di quella dello stesso Silva apparsa solo un mese prima (15 dicembre 1504). La rapidità con cui l'editore si premurò di ristamparla fa pensa … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-05-13 13:34:08
OVIDIUS Naso, Publius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2016-01-07 17:22:30
Hesse, Johannes Witte de
Paris: Robert Gourmont for Olivier Senant, 1505. [20] leaves. Small quarto. Early 20th-century speckled calf, tooled in blind, spine gilt, leather label. Extremities lightly worn. Minor soiling. Very good. A rare edition of this early travel narrative, giving an account of the journey of Johannes de Hesse, encompassing the Holy Land and other regions, in 1389. In a similar vein with Mandeville's travels, Hesse's work provides the reader with a fantastic and extremely engaging narrative - he encounters cannibals, pygmies, and a unicorn; sees a parting of the sea, which enables him to reach a holy shrine; finds and visits the Garden of Eden; and spends a significant amount of time visiting the legendary (and mythical) Prester John in his oriental palace. Like Mandeville's travels, Hesse's ITINERARIUS is significant for its place in the development of travel literature. It was popular enough to have been printed in seven editions from about 1490 to 1500, in Cologne, Antwerp, and Deventer. Includes a full-page woodcut printer's device on the verso of the final leaf. GW M07739. GOFF H-148. TOBLER 1389.
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2015-11-24 03:54:24
Psuedo-)HYPPOCRATES, (Psuedo-)DIOGENES of Synope and (Psuedo-)BRUTUS, Marcus Junius
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2015-11-15 13:04:43
AESOP
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2015-11-02 15:21:35
ARISTOTLE
Paris, Henri Estienne, 1505. Folio. ff. [210]. a-p8 q6; a10; a-d8, e4; A-D8, E6. Lettre Batard, some Greek. Title printed in red within beautiful decorative woodcut border in black incorporating the arms of the University of Paris, capital spaces with guide letters, small woodcut diagrams and tables, “Sum Rimoldi van Nyevelaer fuisco discensis medici. Non est mortale quod opto. A° 1605” ms. on title “Nunc Carmelilarum Thenensium. Ex liberali dono R. D Joˆis Hemelarii, Canonici Antwerpiensis Anno 1635. 18 Septemb. orate pro eo” beneath, contemporary marginal annotations, T-p dusty, occasional light dust soiling in upper margin in places, old repair to extreme lower outer corner of title and next eight leaves, light waterstains in margins in a few places. A very good copy, on thick, crisp paper with good margins, some lower margins untrimmed, in modern calf antique, all edges red. Extremely rare edition of the of Ethics of Aristole published for the University of Paris, printed here for the first time byHenry Estienne, from the unfindable incunable edition of Jean Higman and Wolfgang Hopyl, 1497. The work is divided into four parts, including three different Latin translations of the Nicomachean Ethics, the third translation (attributed to Grosseteste) is sometimes attributed wrongly to Henricus Krosbein, the other two are by Leonardo Aretino and Joannes Arguropoulos with Lef.vre d’Etaples’ and Giorgio Valla’s commentary. The work also includes a short poem by Baptista Mantuanus. Panzer states that Henri Estienne might have been involved with the printing of the 1497 version … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2015-09-06 06:57:26
William Lyndwood
Paris: Printed by Wolfgang Hopyl for William Bretton [etc.], 1505. Modern panelled calf, the first leaf of the table dusty with a marginal repair, else especially lovely, printed in red and black; the Taussig copy The second 16th century edition (and the first to include Aton's Constitutions), in Maitland's words "the principal witness whom we have to examine, if we would discover the theory of law which prevailed in our [early] English ecclesiastical courts
Bookseller: Meyer Boswell Books, Inc.
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2015-04-24 18:43:47
Augustinus, Aurelius:
Basel, Johann Petri, Johannes Amerbach und Johann Froben, 1505.. Folio, circa 34 x 25 cm. 300, 55 Bll. (ohne das letzte weisse), mit grossem Holzschnitt, durchgehend Initialen in Rot und Blau, 1 grössere Initiale in Gold und Farben Blindgeprägter Kalbslederband d. Zt. auf Holzdeckeln mit Schließenresten und 6 (von 8) Metallbeschlägen, Titelprägung "septima pa.". VD 16, 4147; STC 52; Adams A 2156; IA 110.079. Sehr elegante, zweispaltige und teils von reichem Kommentar umgebene Ausgabe des Hauptwerkes von Augustinus, hier im Unterschied zu Amerbachs Ausgabe von 1489 nicht nur mit den beiden Kommentaren der englischen Dominikaner Nicolaus Trivet und Thomas Waley, sondern zusätzlich nun auch denjenigen von Francis de Meyronnes und Jacopo Passavantis. Der zweite Teil enthält den ausführlichen Index zu den Werken von Augustinus' Civitas Dei und die "Principalium materiarum librorum sancti Augustini de civitate dei summaria annotatio". Druck in gotischer Rotunda ("Amerbachs Augustinustype"), einige Passagen auch in Antiqua. Der prachtvolle grosse Holzschnitt zeigt den Heiligen Augustinus am Schreibpult, darunter links Adam und die Gottesstadt ("Syon"), rechts Kain und der vom Satan regierte Menschenstaat ("Babylon - In sathane sedem, Cayn istam condidit urbem"). Die erste Gesamtausgabe des Kirchenvaters erschien zwischen 1505 und 1517 in zusammen 11 Bänden. Hier Band sieben mit dem Hauptwerk in besonders schöner Ausstattung mit dem berühmtem Holzschnitt, durchgehend Initialen in Rot und Blau und einem sehr schönen "G" zu Beginn in Rot, Grün und Blau mit Goldauflage. - Vorsatz mit … [Click Below for Full Description]
Bookseller: Antiquariat Thomas Rezek
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2015-04-08 15:57:49
WIRSUNG (WIRTSUNG), Christoph.
BMN, p. 71; Krivatsy 13067; STCN (3 copies); for the cookery book: Landwehr, Ned. Kookboek 7 note; Witteveen & Cuperus 6840. Rare third Dutch edition, including the second edition of one of the earliest Dutch cookery books, of a popular book on medicine by Christoph Wirsung (ca. 1505-1571), covering all parts of the human body and all possible illnesses and ailments that can affect that particular part, together with the cures for those illnesses and ailments, mainly by means of herbs. It was translated into Dutch by Carolus Battus, a Flemish refugee who was city physician at Dordrecht from 1588 to 1601. Battus added the cookery book, apparently his own compilation, for the second Dutch edition in 1593. It is the third printed Dutch-language cookery book known and the first published in what is now the Netherlands.With bookplate and bookbinder's ticket. With the title-page somewhat worn, some minor water stains in the preliminaries, and some repairs to the folds of the first and last few leaves (not affecting the text), but otherwise in very good condition, with only an occasional minor marginal defect. Important medical work, including the second edition of one of the first Dutch cookery books.
Bookseller: ASHER Rare Books (Since 1830)
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2015-04-04 08:52:14
PINCIO, Giano Pirro (fl. 1st half of the 16th cent.)
Mantova, Venturino Ruffinelli 0, 1505. THE FIRST IMPORTANT HISTORY OF TRENT AND SURROUNDING REGIONS, INCLUDING SOUTH TYROLTwo parts in one volume, folio. 16, 104, (2 blank) ll. Contemporary limp vellum, outer corner of front panel skillfully repaired, short inscription on the first title page inked out, a genuine and attractive copy.RARE FIRST EDITION of the first printed important chronicle of what today are the South Tyrol and Trentino regions, especially under its prince bishops Georg Neideck (1505-1514), Bernardo Cles (1514-1539), and Cristoforo Madruzzo (1539-1567). The work is dedicated to Aliprando Cles, nephew of the bishop, and was translated into Italian by Carlo Zanetti in 1648 (cf. A. Chemelli, Trento e le sue Stampe. Il Seicento, Trento, 1983, pp. 6-8).In June 1511 the two principalities of Trento and Brixen had received the status of ''perpetual confederate'' states among Austrian possessions. The peace of 1516 with the Republic of Venice, however, reduced the principality to a discontinuous enclave between large Habsburg possessions. During the war against Venice, in 1509, the territory had been ravaged by Landsknechts returning from a failed expedition against Vicenza. This was followed by pestilences in 1510 and 1512, famines in 1512, 1519 and 1520, and an earthquake in 1521: these grievous happenings spurred the beginning of forms of resistance against Habsburg rule.A true rebellion broke out in 1525, called Bauernkrieg or 'peasants war'. The rebels were led by Michael Gaismayr, who had devised a complex plan of liberation of all the territories of Brixe … [Click Below for Full Description]
Bookseller: Libreria Alberto Govi di F. Govi Sas [Modena, Italy]
2014-12-22 14:12:29
Hermes Trismegistus / Ludovico Lazzarelli:
[Kolophon:] Paris, Henricus Stephanus, 1 April 1505.. First edition of Ficino's version of Asclepius, first edition of Lazzarelli's Crater Hermetis, first edition of Lefevre's new argumenta, first combined printing of Poimander and Asclepius.4to. a-h8 i-l6: 81 (i. e. 82) leaves. One wormhole throughout. Some contemporary marginalia and underlinings.Bound first: Johannes Damascenus. Theologia. Ibd., 15 April 1507. (Renouard. p. 4., no. 2. Fairfax Murray no. 642. First edition of De orthodoxa fidei and first printed text of Johannes Damascenus.)Contemporary blindstamped calf over wooden boards. Defects to head & foot of spine, and to corners, claps gone. Johannes Damascenus: 4 wormholes, 3 pages with lost upper blank corners, upper margin of first leaf repaired. Marginal waterstaining in both items. Exlibris on paste-down: Chateau de Montre Vost. Renouard, Estienne, p. 3, no. 3; BL/STC p. 223; Schreiber no. 4; M. Ficino and the Return of Hermes Trismegistus, Amsterdam/Florence 1999, no. IX; P. O. Kristeller (Ed.), Catalogus Translationum et Commentariorum I, 139 & 142f. Not in Adams. .
Bookseller: Antiquariat Jürgen Dinter GbR
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2014-08-18 05:49:00
Office of the Blessed Virgin Mary
[Venice: 1505], 1505. . Incomplete copy with only 125 of 196 leaves. Each page is ornately decorated with woodcuts. Bound in full vellum. Old stains throughout but text is legible and unmarked. A nice speciman of early 16th century illustration in a Catholic liturgical book. The woodcut borders repeat themselves throughout the book and depict scenes from the New Testament.
Bookseller: Kubik Fine Books Ltd, ABAA
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2014-08-10 06:21:47
PALLAS, Peter Simon.
BMC NH, p. 1505; Nissen, ZBI 3074; Wood, p. 511; DSB X, pp. 283-285.First edition of Pallas's monograph on rodents. Peter Simon Pallas occupied himself with botany, zoology, geology, and geography, searching constantly for "causal interrelationships and hidden regularities of natural phenomena. ... He was one of the first to use anatomical characteristics in classifying animals. His research in comparative anatomy provided the foundations for animal taxonomy" (DSB). His descriptions of rodents in the present volume are accompanied by attractive and accurate plates of animals and animal parts. A highly desirable, clean and wide-margined copy.
Bookseller: ASHER Rare Books (Since 1830)
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2014-08-05 13:00:32
Breydenbach, Bernhard von:
Speier, P. Drach, 3. Auflage ca., 1505.. 200 Seiten Blindgepr. Ldr. auf Holzdeckel (320 x 227 mm). Verlag und Auflagejahr sind nicht angeben. VD 16 B 8259 Auf der Innenseite des vord. Buchdeckels ist folgender alter Eintrag: "Gedruckt zu Augsburg Anton Sorg im Jahre 1488". Darüber befindet sich eine Buchbeschreibung ca. aus den 70er Jahren. Diese bezieht sich auch auf diesen Eintrag. Jedoch nach Prüfung und Recherche ist es nicht die 2. Aufl. von 1488, sondern die 3. Auflage ca. 1505. Das Buch ist nur ein Fragment. Es besteht nur noch aus 200 Seiten (von ca. 230), unpaginiert. Die verbliebenen Holzschnitte sind alle altkoloriert. Enthalten sind der Titelholzschnitt mit der Grabeskirche (wiederholt sich), 6 Textholzschnitte mit Personenabbildungen und 7 Alphabettafeln, ferner zahlreiche eingemalte Initialien. Es sind nur noch einige Städteansichten fragmentarisch erhalten. Keine der ursprünglich gefaltenen Ansichten sind komplett. Venedig: Eine Seite Korfu: Eine Seite Modon: 2 Seiten Canoia: Eine Seite Das heilige Land: 2 Seiten Es befinden sich zahlr. alte handschriftliche Einträge aus verschiedenen Jahrhunderten auf den Vorsätzen. Einige Seiten sind hinterlegt, mit wenigen Anstreichungen und Notizen im Text. Teils haben die Seiten kleine Fehlstellen (ohne Textverlust) oder Risse, teils fleckig. An den Rändern der ersten u. letzten 3 Seiten befinden sich Wurmlöcher. Schliessen und Rücken fehlen, 4 bündig, 48 zeiliger Druck. Reste des Buchrückentitels sind noch vorhanden, Lederfehlstellen am Buchdeckel. Das Buch ist also in keinem guten Zustand.
Bookseller: adamsbuch Einzelunternehmen
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2014-08-05 13:00:32
Breydenbach, Bernhard von:
Speier, P. Drach, 3. Auflage ca., 1505 - 200 Seiten Verlag und Auflagejahr sind nicht angeben. VD 16 B 8259 Auf der Innenseite des vord. Buchdeckels ist folgender alter Eintrag: "Gedruckt zu Augsburg Anton Sorg im Jahre 1488". Darüber befindet sich eine Buchbeschreibung ca. aus den 70er Jahren. Diese bezieht sich auch auf diesen Eintrag. Jedoch nach Prüfung und Recherche ist es nicht die 2. Aufl. von 1488, sondern die 3. Auflage ca. 1505. Das Buch ist nur ein Fragment. Es besteht nur noch aus 200 Seiten (von ca. 230), unpaginiert. Die verbliebenen Holzschnitte sind alle altkoloriert. Enthalten sind der Titelholzschnitt mit der Grabeskirche (wiederholt sich), 6 Textholzschnitte mit Personenabbildungen und 7 Alphabettafeln, ferner zahlreiche eingemalte Initialien. Es sind nur noch einige Städteansichten fragmentarisch erhalten. Keine der ursprünglich gefaltenen Ansichten sind komplett. Venedig: Eine Seite Korfu: Eine Seite Modon: 2 Seiten Canoia: Eine Seite Das heilige Land: 2 Seiten Es befinden sich zahlr. alte handschriftliche Einträge aus verschiedenen Jahrhunderten auf den Vorsätzen. Einige Seiten sind hinterlegt, mit wenigen Anstreichungen und Notizen im Text. Teils haben die Seiten kleine Fehlstellen (ohne Textverlust) oder Risse, teils fleckig. An den Rändern der ersten u. letzten 3 Seiten befinden sich Wurmlöcher. Schliessen und Rücken fehlen, 4 bündig, 48 zeiliger Druck. Reste des Buchrückentitels sind noch vorhanden, Lederfehlstellen am Buchdeckel. Das Buch ist also in keinem guten Zustand. Sprache: de Gewicht in Gramm: 1330 Blindgepr. Ldr. auf Holzdeckel … [Click Below for Full Description]
Bookseller: adamsbuch Einzelunternehmen
2014-08-02 12:30:08
Pontanus, Johannes Iovianus:
Venedig, Aldus Manutius, 1505.. 242 nn. Bl.. Mit 2 wiederholten Holzschnitt-Druckermarken und 1 Holzschnitt-Initiale. 8°. Späterer Lederband mit reicher Blind- und Goldprägung im Stil der Renaissance; marmorierter Schnitt.. Gering berieben; bio-bibliographische Glossen auf Vorderspiegel und Vordervorsatz (in Französisch); Besitzvermerk eines A. de Belloy auf Vorsatz und Titelei, auch die Glossen möglicherweise von ihm; teils wasserrandig; Bl. p8 und q1 etwas fleckig; letzte Bl. mit winzigem Eckausriss (professionell restauriert). Der italienische Humanist Giovanni Pontano (1427-1503), Philosoph, Poet und Historiker, war Staatssekretär, Schatz- und Kammerpräsident unter den neapolitanischen Königen Ferdinand I und II, Alfons I und II. Vorliegende Werkausgabe ist die erste bei Aldus erschienene. Einer Untersuchung wert ist die mögliche Frage, ob Pontano um 1500 mit N. Kopernikus (1473-1543) in Rom zusammentraf, der dort Vorlesungen zur Astronomie hielt. Zweifelsfrei fest steht, dass Kopernikus in seiner italienischen Studienzeit umfassende Kenntnis des humanistischen Gedankengutes erwarb, d. h. auch mit den Schriften des Pontano bekannt war, dem das eleganteste Latein seiner Zeit nachgesagt wird. Vielleicht war die Befruchtung gegenseitig und Kopernikus somit der Anreger für die astronmischen Hexameter des Pontano. Jöcher II, 706f; Poggendorff II, 499; Brunet IV, 807.
Bookseller: Antiquariat am Moritzberg
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2014-07-25 05:51:03
Brashler, William
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. Leaf. Very Good. D?rer, Albrecht. D?rer, Albrecht. Leaf. 8vo - over 7?" - 9?" tall. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of D?rer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht D?rer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts featuring D?rer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention D?rer established). The first, The Teaching of Wisdom, illustrates both wise men and … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
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2014-07-25 05:51:03
Brant, Sebastian
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. Leaf. Very Good. D?rer, Albrecht. D?rer, Albrecht. Leaf. 8vo - over 7?" - 9?" tall. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of D?rer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht D?rer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts (most only have one) featuring D?rer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention D?rer established). The first, Learning from Fools, illustrates … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
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2014-07-25 05:51:03
Brant, Sebastian
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. Leaf. Very Good. D?rer, Albrecht. D?rer, Albrecht. Leaf. 8vo - over 7?" - 9?" tall. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of D?rer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht D?rer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts featuring D?rer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention D?rer established). The first, Of Contempt for God, shows a fool testing God's p … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
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2014-07-25 05:51:03
Brashler, William
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. Leaf. Very Good. D?rer, Albrecht. D?rer, Albrecht. Leaf. 8vo - over 7?" - 9?" tall. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of D?rer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht D?rer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts featuring D?rer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention D?rer established). The first, The Teaching of Wisdom, illustrates both wise men and … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
2014-07-25 05:51:03
Brant, Sebastian
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. Leaf. Very Good. D?rer, Albrecht. D?rer, Albrecht. Leaf. 8vo - over 7?" - 9?" tall. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of D?rer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht D?rer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts (most only have one) featuring D?rer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention D?rer established). The first, Learning from Fools, illustrates … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
2014-07-25 05:51:03
Brant, Sebastian
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. Leaf. Very Good. D?rer, Albrecht. D?rer, Albrecht. Leaf. 8vo - over 7?" - 9?" tall. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of D?rer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht D?rer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts featuring D?rer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention D?rer established). The first, Of Contempt for God, shows a fool testing God's p … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
2014-07-19 05:10:31
Brant, Sebastian
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of Dürer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht Dürer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts (most only have one) featuring Dürer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention Dürer established). The first, Learning from Fools, illustrates careless fool who has stumbled while following in the same path of a foolish predec … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
2014-07-19 05:10:31
Brashler, William
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of Dürer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht Dürer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts featuring Dürer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention Dürer established). The first, The Teaching of Wisdom, illustrates both wise men and fools reacting to a sermon. The reverse, Stroking a Fallow Stallion, is depiction o … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
2014-07-19 05:10:31
Brant, Sebastian
Paris: Jodocus Badius Ascensius (Josse Badius), 1505. The leaf is approximately 5.25" x 8". Each woodcut is approximately 85 x 115 mm. The woodcut has a dark, crisp impression. The leaf has some minor marginal toning. Very nice example of Dürer's earliest woodcut designs. One of the most famous and popular works during the early years of printing was Brant's Ship of Fools, a satire on the many then current ecclesiastical abuses as exemplified by his imaginary character, Saint Grobian, the patron saint of vulgarity and coarse manners. A substantial part of the Ship of Fools' popularity was no doubt due to its marvelous woodcut illustrations, most of which were created by Albrecht Dürer, then a young journeyman woodcut designer working in Basel. His work in these woodcuts, Durer's first significant commissioned effort, is not as impressive as his later efforts as a master in Nuremberg; e.g., the hatching consists of only simple parallel lines and contours are crude, thick, and without much variation. Still, they are superior to other illustrations in the book done by an assortment of masters. Thirteen editions were published between 1494 and 1521 (six authorized and seven pirated). Although initially published in German, this leaf is from the second Latin edition. This leaf contains two woodcuts featuring Dürer's fools who always wear cowls with ass-ears and a coxcomb of bells (a convention Dürer established). The first, Of Contempt for God, shows a fool testing God's patience with his contempt. The reverse, Of Blasphemy, depicts a fool tormenting Chri … [Click Below for Full Description]
Bookseller: Read 'Em Again Books, ABAA
2014-06-26 09:55:30
Paris, G, Anabaat für Germain Hardouyn, 1. Oktober 1505.. 106 (von 108) Bll.. Mit Druckermarke und 15 (von 16) großen und 29 kleineren Holz- oder Metallschnitten, koloriert und mit Gold; zahlr. eingemalte Initialen in Rot oder Blau mit Gold, am Schluß mit kleinerem Metallschnitt in architektonischer Umrahmung (ohne Kolorit). 8°. Etwas späterer Kalbsledereinband mit vergoldetem Lilien-Seme und zentralem Monogramm "I B"; Goldschnitt. Etwas berieben; Kanten, Ecken und Bünde bestoßen und mit etwas Bezugsleder-Verlust; alte Glossen auf fliegenden Vorsätzen; Blätter etwas knapp beschnitten, dadurch teils Verlust von Bordürenrand; teils etwas fleckig; 3 radierte Wörter am Schlußblatt; es fehlen die Bll. d3 und d6. Die schönen Illustrationen (in architektonischen Bordüren), ausgemalt in der Art von Miniaturen, zeigen Aderlaßmann, Johannes mit dem Giftbecher, Judas' Verrat, Mariae Heimsuchung, die Kreuzigung, Verkündigung der Hirten, die Heiligen drei Könige, die Flucht nach Ägypten usw.; die kleineren meist mit Heiligendarstellungen. Bohatta 807; Lacombe 148f; Tenschert: Horae B.M.V. II, Nr. 70.
Bookseller: Antiquariat am Moritzberg
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2014-05-27 17:34:54
J. F. R Stainer and C. Stainer
about A.D. 1505, 1901. about A.D. 1505, 1901 Book. Very Good. Hardcover. First edition. The second of two volumes of this pioneering piece of early musical scholarship. A collaboration of the Stainer family, this work is edited by Sir John Stainer (18401901), an English composer and organist whose music was very popular during his lifetime. This work isconsidered one ofthe first serious attempts by a British scholar to explore and truly appreciate repertory before the Renaissance. (ODNB)First edition. Condition: In half moroccobinding with cloth boards. Externally a trifle rubbed with some damp staining and marks to the front board. Very minor loss to the head of the spine. Internally, firmly bound. Pageshave a very faint tidemark to the upper marginthroughout but are otherwise very bright and clean. Overall: GOOD..
Bookseller: Rooke Books
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2014-05-27 17:34:54
Straßburg, Johann Grüninger, um 1505.. O-Buchseite aus Grüningers Stundenbuch mit einem ganzseitigen O-Holzschnitt der Verkündigung Mariae. Holzschnitt mit floral- und engelverzierter Holzschnittrandleiste und Titel in Rotdruck. Blatt im Rand wenig fleckig. Blattgröße: 9,5 x 14,5 cm. Rückseitig mit 20-zeiligem Text und einer roten Rubrik. Holzschnitt von Hans Springinklee aus Nürnberg woodcut leaf.
Bookseller: Versandantiquariat Christine Laist
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2014-03-06 06:47:30
Genf (Geneve), Jean Bellot, um 1505.. Einspaltiges, 23-zeiliges O-Postinkunabelblatt auf feinem Papier in rot-schwarzem Druck. Blatt mit einer 4-zeiligen roten Holzschnitt-Initiale, drei 2-zeiligen Holzschnitt-Lombarden und rotlinierter Blatteinteilung. Blattgröße: 18,7 x 12,6 cm.. Seltenes Schweizer Missale-Blatt des Druckers Jean Ballot! Das Gebetbuchblatt beinhaltet auf der Vorderseite den Text: "Requiem aeternam dona eis" Domine (Ewige Ruhe gib ihnen, Herr), den auch Mozart für sein Requiem verwandte. Es folgt Oratio. Inclina, Domine, aurem tuam ... und In diebus illis: Audivi vocem de caelo, dicentem mihi ... Die Rückseite des Blattes der "Heiligen Messe für Verstorbene" beginnt mit der Ansprache "Fratres", auf die ein Auszug aus dem 1. Korinther-Brief, Kap. 15 (Vers 12-23) von Paulus aus dem Jahre 55 n. Chr. folgt: Sie autem Christus praedicatur quod resurrexit a mortuis, quomodo quidam dicunt in vobis, quoniam resurrectio mortuorum non est? (Gott hat Jesus den Mesias, von den Toten auferweckt. Daher ist es mir völlig unbegreiflich, wie da einige von euch sagen können, es gäbe keine Auferstehung von den Toten).
Bookseller: Versandantiquariat Christine Laist
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2014-02-10 18:40:04
Tschudi Aegidius
. . Barth 10227 - Lonchamp 3043 - Jöcher IV, 1347.- Erste Ausgabe von Tschudis (1505-1572) Hauptwerk, der ersten auf Quellenforschung beruhenden Darstellung der eidgenössischen Geschichte, herausgegeben vom Basler Historiker J. R. Iselin (1705-1779).- Die Chronik gibt etwa die Zeit von 1000 - 1470 wieder. Das Werk ist deswegen besonders wertvoll, weil es ansonst verlorenes Quellenmaterial benutzt und wiedergibt (Urkunden, Akten, Jahrzeitenbücher, Tagsatzungsabschiede, Stiftsbücher etc.).- Tls. nur wenig gebräunt od. fleckig, Bd. 2 Titel mit kl. Randläsur u. mit kl. Wurmgang, Ebde. etw. berieben u. bestoßen, oberes Kapital v. Bd. 2 etw. beschädigt.
Bookseller: Antiquariat Johannes Müller
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