The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1502
2017-10-08 13:03:00
Aldegrever, Heinrich:
Orig. Kupferstich von Heinrich Aldegrever (Paderborn 1502 - Soest 1555 bis 1561): Samson und Dalila, 1528. Bartsch 35. Durchm. 5,2 cm - Der Stich zeigt den Moment, in dem Dalila Samson die Haare abschneidet, in denen seine Kraft liegt. In einer Hand hält Samson den Eselskinnbacken, mit dem er tausend Philister erschlagen hat. - Kräftiger Druck, eng beschnitten. Auf alter Unterlage (etw. stockfl.) mit altem Klebestreifen montiert, darüber Seidenhemdchen. H/R3 Versand D: 5,00 EUR Druckgraphik; Kupferstiche 16. Jhdt.
Bookseller: libretto - Antiquariat am Kunstmuseum [Germany]
2017-10-04 02:53:44
ALBERTUS MAGNUS (attributed to).:
Leipzig, Melchior Lotter, 1502. Early edition 1502, Latin text, small 4to, approximately 205 x 145 mm, 8 x 5¾ inches, single column, large clear black letter, many paragraphs in smaller font, space for initial capitals empty, 36 leaves including title page, collation: A-F6, F6 blank, colophon on F5v, bound in later vellum rebacked, old handwritten paper label to spine. Boards lightly marked and lightly soiled, spine browned, modern bookplate of A. Bernardes de Oliveira on front pastedown plus a tiny bookseller's label, many pages browned, many pale mostly neat early marginal Latin annotations in more than 1 hand, some discreet underlining, occasional vertical lines and pointing hands in the margins, a little light soiling to lower margins of A1v-Aiir, small ink spot on Aiiiv, no loss, otherwise clean. A good tight copy with browning to many pages (see images). An early popular medical book on human reproduction, women's health and childbirth. It was composed in the late 13th or early 14th century by a disciple of theologian and scientist Albertus Magnus, known as the pseudo Albertus Magnus. Goff, A-316; Polain 88-89 earlier editions; Krivatsy 85, 1500 edition. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.
Bookseller: Roger Middleton P.B.F.A. [GB]
2017-09-29 22:25:47
Aldine Printing] Dante Alighieri (1265-1321)
Bookseller: Buddenbrooks, Inc. ABAA [Newburyport, MA, U.S.A.]
2017-09-27 17:43:46
HERODOTUS.
Bookseller: Peter Harrington. ABA member [London, United Kingdom]
Check availability:
2017-09-27 03:20:31
Heinlein, Robert; Urusula LeGuin; Isaac Asimov; Harry Harrison; & many others.
Various places: Various publishers, ca. 1952–2000. 12mos. Approx. 500 vols. (some dupes). A large and various collection of science fiction and fantasy paperbacks, encompassing some of the greatest names of both genres and many early or uncommon editions (including the first edition of Andre Norton's The Sioux Spaceman, printed dos-à-dos with Richard Wilson's And Then the Town Took Off). A number of short story collections and "Best of" readers are present, as well as many early DAW paperbacks and Ace Books double novels. A sampling of the authors represented: Isaac Asimov, Michael Moorcock, Jack L. Chalker, A.E. van Vogt, Harry Harrison, Ursula K. LeGuin, Piers Anthony, Robert A. Heinlein, Robert E. Howard, Jack Vance, John Wyndham, Theodore Sturgeon, Clifford D. Simak, Jo Clayton, Poul Anderson, Pamela Sargent, Samuel R. Delany, Keith Laumer, Madeleine L’Engle, Fritz Leiber, Robert Silverberg, Tanith Lee, Larry Niven, et al.    The collection contains slightly more than 500 books, comprising some 525 titles (i.e., 55 books are Ace Doubles), with a few duplicates.    Cover art ranges from the simple and/or crude to the elaborate and/or lovely; many styles, trends, and fads are represented. with exuberant imagery ranging from classic "bug-eyed monsters" to near-naked ladies to pointy-nosed rockets to multiple, quite variously conceived instances of dinosaurs, orcs, and unicorns.    Among the artists (204 covers => identify the artists) are Gallardo, Jack Gaughan, Schinella, Allan Gutierrez, David Mattingly, Michael Gilbert, Clifford Geary, Steele Savage, Tim Kirk, Mi … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) [US]
Check availability:
2017-09-25 23:33:32
LUCANUS M.A.
apud Aldum, 1502. Cm. 16,2, cc. (140). Legatura ottocentesca in mezza pelle, dorso liscio con fregi e titoli in oro su tassello. Reintegrazione ad un angolo (bianco) e qualche macchietta alla prima ed ultima carta. Margine destro del primo quaderno leggermente rifilato. Esemplare peraltro marginoso ed in buono stato di conservazione. Interessante edizione veneziana, la prima ad essere impressa dai torchi di Aldo e basata sulla stampa incunabola del 1483. Cfr. Renouard p. 33.
Bookseller: Studio Bibliografico Benacense [IT]
2017-09-25 23:33:00
PERSIO FLACCO Aulo.
Per Caligulam Bacilerium, 1502. Testo latino, Cm.32x21. Carte 78 non numerate. Legatura in pergamena rigida, ai cui piatti è stata applicata altra pergamena di recupero, proveniente da codice manoscritto rubricato in rosso. Restauro cartaceo al frontespizio, con perdita di testo su quattro righe alla dedicatoria al verso dello stesso. Testo inquadrato su tre lati da commento in caratteri di corpo inferiore. Capilettera ad acquarello color rosso, apposti negli appositi spazi ad inizio dei capoversi. Chiose e sottolineature cinquecentesche, non invasive, ubicate principalmente nella seconda parte del volume. Decorazione acquarellata a mano al frontespizio. Esemplare genuino, a buoni margini. Si tratta di una rara edizione originale delle sei satire di Persio annotate dall'erudito Giovanni Battista Plauzio (Fontanellato, ? - 1533), che fu docente di retorica presso lo Studio bolognese. L'opera venne poi ristampata a Venezia nel 1516 (Io. Rubeus Vercellensis) e nel 1520 (Bernardinus de Vianis de Lexona). In riferimento allo stampatore Caligola Bazalieri, così annota il Corbelli in "Storia della Stampa in Bologna": "Le sue edizioni sono sempre interessanti per il carattere, pel testo, per l'adornamento: tutte presentano una freschezza e una originalità che non trova riscontro in Bologna nel tempo suo, se non con quelle di Girolamo Benedetti" (in "La Bibliofilia", XXI, 78) . > Graesse, V, 211. Panzer, VI, 321 . Codice libreria 128976.
Bookseller: Studio Bibliografico Pera
2017-09-10 09:38:23
Marechal de Saxe - - Saxe, Maurice Comte de
Mit gestoch. Titelvignette, 5 gestoch. Kopfvignetten sowie 40 gestoch. Abb. auf 38 gefalt. Tafeln. 4. 2 Bl., XV, 80 S., 2 Bl., II, 86 S. Ldr. d. Zt. mit Rsch. (etw. berieben, kl. Loch im Bund). Erste (?) in Deutschland verlegte Ausgabe der von Bonneville posthum herausgegebenen Anleitung des Marechal de Saxe zur Kriegswissenschaft. - "Die Reveries des Marschalls entsprechen ihrem Titel durchaus. Unter all' den individuellen Arbeiten über Kriegskunst sind sie die individuellste. [...] Nichtsdestoweniger oder vielleicht ebendeswegen ist sein Buch so fesselnd" (Jähns II, 1502 f.). - Titel in Rot und Schwarz, alt gestempelt. - Tl. 1 durchgehend mit kl. Loch im Rand. Insgesamt wohlerhaltenes Exemplar.
Bookseller: Carl Adlers Buch- und Graphikkabinett [Germany]
2017-09-05 13:31:33
DANTE
in-8 (mm 157 x 95) , ff. 244 non numerati (il f. 82 bianco presente), carattere corsivo aldino, bella legatura inglese d'amatore di fine ottocento, non firmata, in marocchino blu scuro, i piatti adorni di riquadro con filetti e fregi floreali in oro, dorso a nervi con fregi e titoli oro, tagli dorati, dentelle int. Prima edizione aldina e prima delle edizioni di Dante impressa in formato tascabile. La lezione, curata da Pietro Bembo, servì di base a tutte le edizioni successive. La presente edizione è di insigne importanza filologica, assai rara ed ambita dai bibliofili: qui appare per la prima volta la celebre impresa tipografica di Aldo Manuzio dell' ancora con delfino al verso dell' ultimo foglio; la più celebre delle marche tipografiche della storia, che venne ultimata durante la stampa del volume. Bellissimo esemplare, abilmente rinfrescato all'epoca della rilegatura, con tre antiche provenienze nobiliari non ancora identificate, una con timbro e due manoscritte, sulla sguardia anteriore, sul primo e sul secondo foglio. In questo esemplare, di pregio particolare, ognuno dei 33 canti dell'Inferno ha nel margine bianco inferiore di una sua pagina una dotta nota manoscritta coeva di commento al canto stesso, vergata in chiaro minuto carattere, in una lingua italo-spagnuola, su tre o più righe, assai interessante. Inoltre tra i fogli i7 e i8 è inserito un foglio con numerazione 72 che contiene l'inizio del canto XXXII dell'Inferno, proveniente dall'edizione aldina del 1515 delle ''Terze Rime''. - Interessante per i rapporti di amicizia che il poeta canta nel sonetto LII "G … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-08-21 16:45:57
Dante Alighieri.
[Venice: Aldus, 1502]. 8vo (15.2 cm; 6"). [244] ff. First Aldine printing of the Divine Comedy, the first printing of Bembo's restoration of Dante's original text, the first printing of Dante in octavo format, and, on the verso of the colophon leaf, => the first appearance of the Aldine printer's device.    In at least one copy, the new Aldine device is surrounded by a double-line woodcut border. Here, that border has largely been removed from the wood block used
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PR [US]
Check availability:
2017-08-19 19:07:04
<strong>DANTE</strong>.
(al verso del foglio:) Lo 'nferno e 'l purgatorio e 'l paradiso di Dante Alaghieri. (in fine:) Venetiis, in Aedibus Aldi. Accuratissime men. Aug. MDII. (Venezia, Aldo Manuzio, 1502.). in-8 (154x100), ff. 224 (il f. 82 bianco presente, il verso dell'ultimo f. bianco), carattere corsivo aldino, bella legatura di fine Settecento in vitello marmorizzato, i piatti adorni da 3 bordure neoclassiche in oro, titolo su duplice tassello rosso e blu al dorso (piccoli difetti alle cerniere. Prima edizione aldina e prima delle edizioni di Dante impressa in formato tascabile. Prima tiratura, con il verso dell'ultimo f. bianco, in luogo dell'àncora che figura nella seconda tiratura. Come è noto, la nuova impresa tipografica aldina fu approntata in corso di edizione; pochissimi esemplari erano già stati finiti senza l'ancora, e sono di gran lunga più rari. La lezione curata da Pietro Bembo, servì di base a tutte le edizioni successive. La presente edizione è di insigne importanza filologica, assai rara ed ambita dai bibliofili. Esemplare marginoso in elegante legatura neoclassica, in genere fresco (pochi ff. presentano un alone di polvere), strappo restaurato all'angolo inf.esterno di 3 ff., che in un caso tocca il testo.. UCLA 47 (first issue). Renouard, Annali, p. 34. 5. Gamba, testi di lingua, 385: ''molto raro''. Mambelli, Annali Danteschi 17: ''Assai rara gli esemplari completi'' De Batines, I, 60. Olschki Dantesca, 22: ''rarissima e graziosissima''..
Bookseller: Libreria Antiquaria Pregliasco [IT]
2017-08-17 07:48:16
GERARDUS DE VLIEDERHOVEN.
DEVENTER, RICHARD PAFRAET, [13 GIUGNO] 1502. "In-4ø; 56 cc.; legatura ottocentesca in tutto cartoncino; occhietto in rosso e nero, grande iniziale miniata in rosso con estensione floreale, capitali rubricate in rosso. Bell'esemplare. Firma di possesso abrasa alla prima carta." "Rara edizione stampata
Bookseller: Libreria Antiquaria Mediolanum [IT]
2017-07-02 19:51:47
ALBERTUS MAGNUS (attributed to).:
Leipzig, Melchior Lotter, 1502. Early edition 1502, Latin text, small 4to, approximately 205 x 145 mm, 8 x 5¾ inches, single column, large clear black letter, many paragraphs in smaller font, space for initial capitals empty, 36 leaves including title page, collation: A-F6, F6 blank, colophon on F5v, bound in later vellum rebacked, old handwritten paper label to spine. Boards lightly marked and lightly soiled, spine browned, modern bookplate of A. Bernardes de Oliveira on front pastedown plus a tiny bookseller's label, many pages browned, many pale mostly neat early marginal Latin annotations in more than 1 hand, some discreet underlining, occasional vertical lines and pointing hands in the margins, a little light soiling to lower margins of A1v-Aiir, small ink spot on Aiiiv, no loss, otherwise clean. A good tight copy with browning to many pages (see images). An early popular medical book on human reproduction, women's health and childbirth. It was composed in the late 13th or early 14th century by a disciple of theologian and scientist Albertus Magnus, known as the pseudo Albertus Magnus. Goff, A-316; Polain 88-89 earlier editions; Krivatsy 85, 1500 edition. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.
Bookseller: Roger Middleton P.B.F.A.
2017-06-21 23:09:09
Calepino, Ambrogio
Reggio: Bertochus, 1502. Calepino, Ambrogio (1440-1510/11). Ambrosii Calepini bergomatis eremitani dictionarium. Folio. [444]ff. Rhegii Lingobardiae [Reggio]: Dionysius Bertochus, 1502 (colophon). 312 x 208 mm. 19th century half calf, paste paper boards, rubbed, corners worn. First and last leaves remargined, marginal repairs to a number of other leaves, minor worming and staining, but on the whole a good copy. Letter tabs added by an early owner. Sheet with former owner?s notes tipped to inside front cover; notes in another hand on front free endpaper.Rare First Edition of the most successful and widely reprinted reference book of the early modern period, which went through an astonishing 166 editions in the sixteenth century, followed by 32 in the seventeenth and 13 in the eighteenth. Calepino, an Augustinian monk, ?devoted some thirty years to composing his dictionary, which focused on classical Latin usage and on encyclopedic information and literary examples from ancient culture. In the years after his death many, mostly anonymous editors made modifications, corrections, and especially additions, often borrowing from other dictionaries . . . In the early modern period the Calepino not only became the most widely recognized brand of dictionary, still active in the early twentieth century, but it also came to stand for the entire dictionary genre . . . At the same time the success of the Calepino solidified the association of the title ?dictionarium? with the dictionary genre?only a few major dictionaries were called by another title? (Blair, Too Much to Know: Managing S … [Click Below for Full Description]
Bookseller: Jeremy Norman's Historyofscience.com
2017-06-21 15:56:18
[Aldine Printing] Dante Alighieri (1265-1321)
Venice: in Aedib. Aldi. Accuratissime men. Aug MDII., (Venezia. Aldo Manuzio, 1502). The first Aldine printing of The Divine Comedy and the Aldine ?pocket book? format and the first use of the anchor device. With the famous Aldine anchor device on the final leaf. 8vo; 160mm x 95mm, in a beautiful antique binding of full polished vellum, the spine decorated with gilt ruled raised bands separating the compartments, two of the compartments with lettering labels of dark maroon morocco gilt lettered, the covers with triple gilt fillet rules at the borders, marbled endleaves, red edges. [244] leaves, and with the f.82 blank present. A very handsome and desirable copy, very nicely bound. Internally crisp and and quite bright and clean throughout, four of the leaves a bit shorter than the others, but with the same edge colour and clearly part of the text-block for a great time, last leaf with small restoration to the upper outside corner. RARE AND IMPORTANT AND ONE OF THE GREAT BOOKS IN LITERARY AND PRINTING HISTORY. The first Aldine printing of Dante's Divine Comedy; the first edition of Dante to appear in a more handy, portable format (all previous editions were folios); the first book to contain the famous Aldine device of the anchor and dolphin (though Renouard suggests that a portion of the edition was issued without the device). According to Brunet, this is a much sought-after edition, and copies are difficult to find in complete and desirable condition. This book for all intents and purposes inaugurated the beginning of literary publishing by Aldus by which books became avai … [Click Below for Full Description]
Bookseller: Buddenbrooks, Inc.
2017-06-16 18:09:58
Aldegrever, Heinrich:
Orig. Kupferstich von Heinrich Aldegrever (Paderborn 1502 - Soest 1555 bis 1561): Samson und Dalila, 1528. Bartsch 35. Durchm. 5,2 cm - Der Stich zeigt den Moment, in dem Dalila Samson die Haare abschneidet, in denen seine Kraft liegt. In einer Hand hält Samson den Eselskinnbacken, mit dem er tausend Philister erschlagen hat. - Kräftiger Druck, eng beschnitten. Auf alter Unterlage (etw. stockfl.) mit altem Klebestreifen montiert, darüber Seidenhemdchen. H/R3 - Please ask for detailed information in English / Demandez des détails en francais s.v.p. Sprache: Deutsch Gewicht in Gramm: 50
Bookseller: Antiquariat libretto Verena Wiesehöfer [Ahlen, NRW, Germany]
2017-06-11 10:38:14
Franciscans.
[colophon: Impressa Venetiis: Cura [et] impensis Luccantonii de Giunta, 1502]. Small 8vo (15.8 cm; 6.25"). [28] ff.; illus. Early post-incunable Giunta publication covering Franciscan ecclesiastical immunities and privileges. Lucantonio Giunta, originally trained as a stationer, quickly saw the entrepreneurial potential of selling mass-produced religious, legal, and medical texts in the early days of printing and began funding printing projects as early as 1489, eventually taking on his brothers as partners. The Giunti went on to have a powerhouse of a publishing business with bookstores and printing houses in several Italian cities, most notably Florence — and even some in Spain!    Preceding the text, which is printed in gothic type as is appropriate for a law book, on title-page verso is a full-page woodcut of Saint Francis receiving the stigmata with a castle in the background and Saint Michael in the sky. Lucantonio's printer's mark, a fleur de lis with a few extra flourishes and the letters L and A, appears on the title-page. The format would suggest this was meant to be a vade mecum or handy reference on the subject of privileges and exemptions    Provenance: Various notes, some more legible than others, of 17th-century users; among these, "Di Bartolomeo Pieroti," "Ex Libris Paul[u]s Pierotti," and one date "Die xx Janu[a]rii 1640."    An uncommon book with searches of WorldCat, NUC, and COPAC revealing only one U.S. institution in possession, that being the Folger Shakespeare Library.         EDIT16 CNCE 19644; not in Adams; on Lucantonio, see: Pettas, The Giunti of … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co
Check availability:
2017-06-06 03:54:39
Introduction de: François Lesure
Éditions Minkoff 1979. 248 pages. Relié. In-4°. Manuscrits, 11. Présentation de l'éditeur: Manuscrit daté 1502 et copié en Italie du nord, probablement pour un chanteur du nom de Lodovico Millias ou Milliare. Il contient 114 pièces religieuses et surtout profanes à 2, 3 et 4 voix, principalement sur des textes italiens, dont beaucoup ne se retrouvent dans aucune autre source. Les auteurs identifiés sont M. Cara, B. Tromboncino, Isaac, Fogliano. La plupart des pièces sont encore inédites.
Bookseller: Libreria Medievale
2017-06-03 23:19:21
RONDINELLI Giovanni.
1502. In Arezzo, per Michele Bellotti stampatore vescov., 1755, in-8 grande, cartonatura rustica coeva, titolo manoscritto al dorso, pp. 248. Contiene anche: a c. G7r "Racconto di messer Arcangelo Visdomini dei fatti della citta di Arezzo dell'anno MDII"; a c. N8r "Racconto d'anonimo autore dei fatti della citta di Arezzo dell'anno 1529 e 1530". Ex-libris calcografico di Giuseppe Pelli [Bencivenni?, direttore degli Uffizi dal 1775 al 1793] sul contropiatto anteriore e alcune note manoscritte nl XVIII secolo, probabilmente dello stesso Pelli sul frontespizio e al margine bianco di diverse carte. Ottimo esemplare, a pieni margini.
Bookseller: Libreria Antiquaria Gozzini
2017-06-03 23:08:06
Dante Alighieri
[Venice: Aldus, 1502]. 8vo (15.2 cm; 6"). [244] ff. First Aldine printing of the Divine Comedy, the first printing of Bembo's restoration of Dante's original text, the first printing of Dante in octavo format, and, on the verso of the colophon leaf, => the first appearance of the Aldine printer's device.    In at least one copy, the new Aldine device is surrounded by a double-line woodcut border. Here, that border has largely been removed from the wood block used — but not entirely, for small regularly spaced "dots" of it are still visible. In yet other copies, all traces of the border have been removed, and in some others there is no anchor device at all, indicating differing states of the edition. => Clearly the press was "tweaking" its logo!    The text is from a manuscript that Pietro Bembo, the greatest Dante scholar of the Italian Renaissance, supplied to Aldus for this edition specifically. It is radically different from the Landino version that circulated in manuscript in the 15th century and was used for the incunable editions. This Bembo version held sway until the end of the 19th century.    Binding: 19th-century full crushed red morocco by Duru, dated 1853. Round spine with raised bands and gilt floral devices in four of the six spine compartments, the other two having author and title gilt in one and place and date of publication in other. Boards ruled in blind with a double fillet forming a center panel bearing a gilt filigree center device and with gilt floral corner de … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PR [U.S.A.]
Check availability:
2017-06-03 23:08:06
Dante Alighieri.
[Venice: Aldus, 1502]. 8vo (15.2 cm; 6"). [244] ff. First Aldine printing of the Divine Comedy, the first printing of Bembo's restoration of Dante's original text, the first printing of Dante in octavo format, and, on the verso of the colophon leaf, => the first appearance of the Aldine printer's device.    In at least one copy, the new Aldine device is surrounded by a double-line woodcut border. Here, that border has largely been removed from the wood block used — but not entirely, for small regularly spaced "dots" of it are still visible. In yet other copies, all traces of the border have been removed, and in some others there is no anchor device at all, indicating differing states of the edition. => Clearly the press was "tweaking" its logo!    The text is from a manuscript that Pietro Bembo, the greatest Dante scholar of the Italian Renaissance, supplied to Aldus for this edition specifically. It is radically different from the Landino version that circulated in manuscript in the 15th century and was used for the incunable editions. This Bembo version held sway until the end of the 19th century.    Binding: 19th-century full crushed red morocco by Duru, dated 1853. Round spine with raised bands and gilt floral devices in four of the six spine compartments, the other two having author and title gilt in one and place and date of publication in other. Boards ruled in blind with a double fillet forming a center panel bearing a gilt filigree center device and with gilt floral corner devices matching those in the spine compartments; single gilt rule on board edges. Wide turn- … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co
2017-06-02 13:29:31
Franciscans.
[colophon: Impressa Venetiis: Cura [et] impensis Luccantonii de Giunta, 1502]. Small 8vo (15.8 cm; 6.25"). [28] ff.; illus. Early post-incunable Giunta publication covering Franciscan ecclesiastical immunities and privileges. Lucantonio Giunta, originally trained as a stationer, quickly saw the entrepreneurial potential of selling mass-produced religious, legal, and medical texts in the early days of printing and began funding printing projects as early as 1489, eventually taking on his brothers as partners. The Giunti went on to have a powerhouse of a publishing business with bookstores and printing houses in several Italian cities, most notably Florence — and even some in Spain!    Preceding the text, which is printed in gothic type as is appropriate for a law book, on title-page verso is a full-page woodcut of Saint Francis receiving the stigmata with a castle in the background and Saint Michael in the sky. Lucantonio's printer's mark, a fleur de lis with a few extra flourishes and the letters L and A, appears on the title-page. The format would suggest this was meant to be a vade mecum or handy reference on the subject of privileges and exemptions    Provenance: Various notes, some more legible than others, of 17th-century users; among these, "Di Bartolomeo Pieroti," "Ex Libris Paul[u]s Pierotti," and one date "Die xx Janu[a]rii 1640."    An uncommon book with searches of WorldCat, NUC, and COPAC revealing only one U.S. institution in possession, that being the Folger Shakespeare Library.         EDIT16 CNCE 19644; not in Adams; on Lucantonio, see: Pettas, The Giunti of … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co
2017-05-29 18:27:04
Dante Alighieri.
First Aldine printing of the Divine Comedy, the first printing of Bembo's restoration of Dante's original text, the first printing of Dante in octavo format, and, on the verso of the colophon leaf, => the first appearance of the Aldine printer's device. In at least one copy, the new Aldine device is surrounded by a double-line woodcut border. Here, that border has largely been removed from the wood block used -- but not entirely, for small regularly spaced "dots" of it are still visible. In yet other copies, all traces of the border have been removed, and in some others there is no anchor device at all, indicating differing states of the edition. => Clearly the press was "tweaking" its logo! The text is from a manuscript that Pietro Bembo, the greatest Dante scholar of the Italian Renaissance, supplied to Aldus for this edition specifically. It is radically different from the Landino version that circulated in manuscript in the 15th century and was used for the incunable editions. This Bembo version held sway until the end of the 19th century. Binding: 19th-century full crushed red morocco by Duru, dated 1853. Round spine with raised bands and gilt floral devices in four of the six spine compartments, the other two having author and title gilt in one and place and date of publication in other. Boards ruled in blind with a double fillet forming a center panel bearing a gilt filigree center device and with gilt floral corner devices matching those in the spine compartments; single gilt rule on board edges.Wide turn-ins tooled in gilt with a floral vine roll, a rol … [Click Below for Full Description]
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books
2017-05-27 23:30:07
Franciscans.
Cura [et] impensis Luccantonii de Giunta, 1502. Early post-incunable Giunta publication covering Franciscan ecclesiastical immunities and privileges. Lucantonio Giunta, originally trained as a stationer, quickly saw the entrepreneurial potential of selling mass-produced religious, legal, and medical texts in the early days of printing and began funding printing projects as early as 1489, eventually taking on his brothers as partners. The Giunti went on to have a powerhouse of a publishing business with bookstores and printing houses in several Italian cities, most notably Florence -- and even some in Spain! Preceding the text, which is printed in gothic type as is appropriate for a law book, on title-page verso is a full-page woodcut of Saint Francis receiving the stigmata with a castle in the background and Saint Michael in the sky. Lucantonio's printer's mark, a fleur de lis with a few extra flourishes and the letters L and A, appears on the title-page. The format would suggest this was meant to be a vade mecum or handy reference on the subject of privileges and exemptions Provenance: Various notes, some more legible than others, of 17th-century users; among these, "Di Bartolomeo Pieroti," "Ex Libris Paul[u]s Pierotti," and one date "Die xx Janu[a]rii 1640." An uncommon book with searches of WorldCat, NUC, and COPAC revealing only one U.S. institution in possession, that being the Folger Shakespeare Library.
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books
2017-05-14 01:59:12
DIE ERSTE DARSTELLUNG DER TABAKPFLANZE - - PENA, Petrus.
Fol. 458 S. (Titel- u. Erratablatt fehlen), mit rd. 270 eingedruckten u. 5 separat gedruckten u. eingeklebten Pflanzendarstellungen in Holzschnitt. Pgmtbd. d. Zt. unter Verwendung einer alten Pergamenthandschrift (stärker berieben und gebräunt, einige Wurmspuren in Vorder- u. Hinterdeckel), Vorsätze fachgerecht erneuert. Frisches, breitrandiges Exemplar, nur an den Rändern teils schwach gebräunt. Auf den letzten 5 Bll. leichte Brandspuren. Vermerk v. alter Hd. auf d. 1. S., verso ein gelöschter Stempel. Adams 2,58,P616. Pollard 449,19595. Nissen: BBI 138,1502. Arents: Tobacco (1),237ff.,Nr.13 (sehr ausführlich zur Textgeschichte u. über die abgebildete Tabakpflanze). Vergl. Graesse 4,240 u. Brunet III,401 (Plantin-Ausg. 1576). Zu Pena s. Jöcher/Adelung 5,1837. Zu L. (auch Lobel, 1538-1616), nach welchem die "Lobelie" benannt ist u. d., wegen seiner Berühmtheit als Botaniker, v. Jacob I. nach London berufen wurde, vgl. Hirsch/H. 812. Unter d. 5 separat gedruckten Holzschnitten, die fast immer fehlen, befindet sich die erste bildliche Darstellung der Tabakpflanze, die 1569 erstmals nach Europa gebracht worden war. Selten.
Bookseller: Antiquariat Löcker
2017-05-01 17:15:08
[Roach, John, ed.].
London: Sherwin & Co., 1821–22. 12mo (15 cm, 5.9"). 2 vols. I: [4], ii, 360 pp.; 9 plts. II: [2], iii, [1], 360 pp.; 9 plts. Scarce-to-say-the-least illustrated variant of a long-popular anthology first published in 1793. OCLC and NUC Pre-1956 fail to find any holdings of this edition, which is also not listed by NSTC; from this time period, most catalogues and bibliographies find only the three-volume 1826 printing.    The contents of these two volumes appear to be based almost entirely on John Roach's Beauties of the Poets of Great Britain, although Roach is not cited as the editor, the pieces are in a different order than originally presented, and there are a few minor changes: "The Negro Boy" is not included here, while several "runic odes" by Mathias and Penrose have been added. The expected highlights of Pope, Gray, Cowper, Burns, Chatterton, Goldsmith, etc. are present, as well as lesser-known pieces such as Mrs. Carter's "Address to Meditation," Mary Darby Robinson's "Trumpeter," and Helen Maria Williams's "Sonnet to Twilight" and "Sonnet to Hope" (the latter memorized by Wordsworth, whose first published poem was "Sonnet, on seeing Miss Helen Maria Williams Weep at a Tale of Distress").    The volumes are illustrated with 18 wood-engraved plates signed by Sears, Willis, and others — not the 1793 originals.    Provenance: Ownership note of "Adams Jewett, M.D." to top of title-page.         This ed. not in NSTC (CD version), Lowndes, or Allibone. Not in British Library OPAC, not in NUC Pre-1956, not in OCLC, not in COPAC. Recent marbled paper–covered boards, spines w … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) [US]
Check availability:
2017-04-24 18:10:16
Coote [ed.], Charles H., Johann /Johannes Schöner and Maximilianus Transylvanus
8, gebundene Ausgabe, Leinen 8 (19*12.5 cm), 2 Bll., XLV S., 206 unpag. S., 2 Bll., 1 Orig.-Kartenbeilage The Cantino map of 1502, gestochenes Frontispiz, zahlr. Illustr., Initialen, Buchschmuck, Text Latein/Englisch, Leineneinband d.Zt., Rückengold-, Deckelschwarzprägung, marm. Vorsätze. London, Henry Stevens & Son 1888. Ehem. Bibliotheksexemplar m. Bibliotheksschildchen im Innendeckel und gelöschtem Bibliotheksstempel verso Titel. Von den ursprünglich beigegebenen sechs Faksimilebeigaben ist nurmehr eine vorhanden (Cantino Map) und die Tasche für die Beilagen wurde entfernt. Die fehlenden Beilagen wurden durch Ausdrucke digitalisierter Karten ersetzt. Einband gealtert aber intakt, kartonartiges Papier ohne Stockflecken, keine Einträge, keine Gerüche übler Art.
Bookseller: Versandantiquariat Reader's Corner
2017-03-06 13:56:23
HOMER...
Venice: J. Tacuinus de Tridino, 1502. 3rd Edition. Hardcover. Folio - over 12 - 15" tall. 25 February 1502. Folio (303 x 212 mm). 95 (of 96) numbered leaves, lacking leaf K2. Signatures: A8 B-P6 Q4. Roman types with a little Greek, large white-on-black woodcut initials from the printer's famous series of which many show putti playing. 19th century sprinkled card boards (rubbed, corners scuffed, paper on joints cracked), edges sprinkled red. Internally quite clean and crisp, little finger soiling in places, few old annotations, small single wormtrace to first three leaves affecting a few letters, faint dampstain to upper margin of about 10 leaves, old marginal annotation. Provenance: Ex Bibliotheca Gymn. Pal. Sedin. (stamp to lower title). Except for the missing leaf a fine copy. ----Adams H781; Hoffmann II, 334; EDIT 16, CNCE 22944. - EARLY (THIRD?) EDITION of Lorenzo Valla's influential Latin translation of the Iliad which was originally published in 1474. This book is quite rare with only a single copy recorded at auction in the past 50 years. Very Good....
Bookseller: Milestones of Science Books
2017-03-03 22:08:32
ANDRADA, Francisco d'.
Bosch 52; Huth Library 177; Maggs, Bibl. Brasiliensis 104; Rodrigues 171. First edition of this principal history of the reign of João III of Portugal (1502-1557), ruler of Portugal from 1521 until his death. His reign was marked by the introduction and establishment of the inquisition in Portugal from 1536 onwards. During his rule, Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. ''Francisco de Andrada (ca. 1540-1614) was a Commander of the Order of Christ, a member of the State Council, Chief Keeper of the Archives and Chief Chronicler of the Kingdom. He was the son of Fernâo Alvares d'Andrada, Treasurer to King Joâo III'' (Maggs).With the bookplate (in gold) of the Huth Library on inside of front cover, embossed stamp of Antonio de Almeide Correa on the title-page. Very good copy of an important work on the discoveries and conquests of the Portuguese. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-03-03 22:08:32
ANDRADA, Francisco d'.
Bosch 52; Huth Library 177; Maggs, Bibl. Brasiliensis 104; Rodrigues 171. First edition of this principal history of the reign of João III of Portugal (1502-1557), ruler of Portugal from 1521 until his death. His reign was marked by the introduction and establishment of the inquisition in Portugal from 1536 onwards. During his rule, Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. ''Francisco de Andrada (ca. 1540-1614) was a Commander of the Order of Christ, a member of the State Council, Chief Keeper of the Archives and Chief Chronicler of the Kingdom. He was the son of Fernâo Alvares d'Andrada, Treasurer to King Joâo III'' (Maggs).With the bookplate (in gold) of the Huth Library on inside of front cover, embossed stamp of Antonio de Almeide Correa on the title-page. Very good copy of an important work on the discoveries and conquests of the Portuguese. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-03-03 22:08:32
ANDRADA, Francisco d'.
1502. Bosch 52; Huth Library 177; Maggs, Bibl. Brasiliensis 104; Rodrigues 171. First edition of this principal history of the reign of João III of Portugal (1502-1557), ruler of Portugal from 1521 until his death. His reign was marked by the introduction and establishment of the inquisition in Portugal from 1536 onwards. During his rule, Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. ''Francisco de Andrada (ca. 1540-1614) was a Commander of the Order of Christ, a member of the State Council, Chief Keeper of the Archives and Chief Chronicler of the Kingdom. He was the son of Fernâo Alvares d'Andrada, Treasurer to King Joâo III'' (Maggs).With the bookplate (in gold) of the Huth Library on inside of front cover, embossed stamp of Antonio de Almeide Correa on the title-page. Very good copy of an important work on the discoveries and conquests of the Portuguese. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-03-03 22:08:32
ANDRADA, Francisco d'.
Bosch 52; Huth Library 177; Maggs, Bibl. Brasiliensis 104; Rodrigues 171. First edition of this principal history of the reign of João III of Portugal (1502-1557), ruler of Portugal from 1521 until his death. His reign was marked by the introduction and establishment of the inquisition in Portugal from 1536 onwards. During his rule, Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. ''Francisco de Andrada (ca. 1540-1614) was a Commander of the Order of Christ, a member of the State Council, Chief Keeper of the Archives and Chief Chronicler of the Kingdom. He was the son of Fernâo Alvares d'Andrada, Treasurer to King Joâo III'' (Maggs).With the bookplate (in gold) of the Huth Library on inside of front cover, embossed stamp of Antonio de Almeide Correa on the title-page. Very good copy of an important work on the discoveries and conquests of the Portuguese. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-03-03 22:08:32
ANDRADA, Francisco d'.
Bosch 52; Huth Library 177; Maggs, Bibl. Brasiliensis 104; Rodrigues 171. First edition of this principal history of the reign of João III of Portugal (1502-1557), ruler of Portugal from 1521 until his death. His reign was marked by the introduction and establishment of the inquisition in Portugal from 1536 onwards. During his rule, Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. ''Francisco de Andrada (ca. 1540-1614) was a Commander of the Order of Christ, a member of the State Council, Chief Keeper of the Archives and Chief Chronicler of the Kingdom. He was the son of Fernâo Alvares d'Andrada, Treasurer to King Joâo III'' (Maggs).With the bookplate (in gold) of the Huth Library on inside of front cover, embossed stamp of Antonio de Almeide Correa on the title-page. Very good copy of an important work on the discoveries and conquests of the Portuguese. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-03-03 22:08:32
ANDRADA, Francisco d'.
Bosch 52; Huth Library 177; Maggs, Bibl. Brasiliensis 104; Rodrigues 171. First edition of this principal history of the reign of João III of Portugal (1502-1557), ruler of Portugal from 1521 until his death. His reign was marked by the introduction and establishment of the inquisition in Portugal from 1536 onwards. During his rule, Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. ''Francisco de Andrada (ca. 1540-1614) was a Commander of the Order of Christ, a member of the State Council, Chief Keeper of the Archives and Chief Chronicler of the Kingdom. He was the son of Fernâo Alvares d'Andrada, Treasurer to King Joâo III'' (Maggs).With the bookplate (in gold) of the Huth Library on inside of front cover, embossed stamp of Antonio de Almeide Correa on the title-page. Very good copy of an important work on the discoveries and conquests of the Portuguese. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-03-03 22:08:32
ANDRADA, Francisco d'.
Bosch 52; Huth Library 177; Maggs, Bibl. Brasiliensis 104; Rodrigues 171. First edition of this principal history of the reign of João III of Portugal (1502-1557), ruler of Portugal from 1521 until his death. His reign was marked by the introduction and establishment of the inquisition in Portugal from 1536 onwards. During his rule, Portuguese possessions were extended in Asia and in the New World through the Portuguese colonization of Brazil. ''Francisco de Andrada (ca. 1540-1614) was a Commander of the Order of Christ, a member of the State Council, Chief Keeper of the Archives and Chief Chronicler of the Kingdom. He was the son of Fernâo Alvares d'Andrada, Treasurer to King Joâo III'' (Maggs).With the bookplate (in gold) of the Huth Library on inside of front cover, embossed stamp of Antonio de Almeide Correa on the title-page. Very good copy of an important work on the discoveries and conquests of the Portuguese. [Attributes: First Edition]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2017-02-14 17:28:03
Jean Pichore o sua bottega (Pagina miniata su pergamena da Libro d'Ore - Illuminated leaf on vellum from a Book of Hours)
1502. Miniatura dipinta su pergamena proveniente da un Libro d'Ore francese, riconducible a Jean Pichore o alla sua bottega. Cm 12x16.5. Al recto viene rappresentato San Pietro con in mano le chiavi ed un libro. Al verso manoscritto in gotico una parte del Vangelo di San Giovanni con due piccoli capilettera miniati a colori. La miniatura è databile tra il 1502 ed il 1521, periodo in cui a Parigi, Pichore era attivo ed aveva istituito la sua bottega. Pichore ed i suoi allievi, lavorarono principalmente per i tipografi parigini Germain Hardouyn e Simon Vostre. Splendida miniatura ottimamente conservata coi colori ancora vividissimi. Al verso si notano traccie di vecchia applicazione su di un supporto. Per l'opera di Jean Pichore si rimanda all'ottimo lavoro di Caroline Zohl : Jean Pichore Buchmaler, Graphiker und Verleger in Paris um 1500, Turnhout Brepols, 2004. (La miniatura è conservata dentro una cornice 800esca dorata)
Bookseller: Libreria antiquaria Segni nel Tempo
2017-02-11 19:02:38
ALDE] VALERIUS MAXIMUS
[212] ff. Venise, Alde, oct. 1502, in-8, [212] ff, maroquin citron de la fin du XIXe siècle, dos à nerfs orné, double filet en encadrement sur les plats, filet sur les coupes, roulette sur les chasses, tranches dorées, (signatures *4, A8-Z8, aa8-cc8) Première édition aldine de Valère Maxime. Premier état avec 8 feuillets au cahier A. Le deuxième état est paru la même année, avec douze au cahier A, afin de placer les 24 "exempla nuper inventa", que Cuspinianus procura à Alde. Les deux premiers et le dernier feuillets sont restaurés dans les marges, certains feuillets légèrement comblés dans la marge inférieure. Renouard, Alde, p. 55.
Bookseller: Librairie Alain Brieux
2017-02-09 12:07:50
DIE ERSTE DARSTELLUNG DER TABAKPFLANZE - - PENA, Petrus.
Fol. 458 S. (Titel- u. Erratablatt fehlen), mit rd. 270 eingedruckten u. 5 separat gedruckten u. eingeklebten Pflanzendarstellungen in Holzschnitt. Pgmtbd. d. Zt. unter Verwendung einer alten Pergamenthandschrift (stärker berieben und gebräunt, einige Wurmspuren in Vorder- u. Hinterdeckel), Vorsätze fachgerecht erneuert. Frisches, breitrandiges Exemplar, nur an den Rändern teils schwach gebräunt. Auf den letzten 5 Bll. leichte Brandspuren. Vermerk v. alter Hd. auf d. 1. S., verso ein gelöschter Stempel. Adams 2,58,P616. Pollard 449,19595. Nissen: BBI 138,1502. Arents: Tobacco (1),237ff.,Nr.13 (sehr ausführlich zur Textgeschichte u. über die abgebildete Tabakpflanze). Vergl. Graesse 4,240 u. Brunet III,401 (Plantin-Ausg. 1576). Zu Pena s. Jöcher/Adelung 5,1837. Zu L. (auch Lobel, 1538-1616), nach welchem die "Lobelie" benannt ist u. d., wegen seiner Berühmtheit als Botaniker, v. Jacob I. nach London berufen wurde, vgl. Hirsch/H. 812. Unter d. 5 separat gedruckten Holzschnitten, die fast immer fehlen, befindet sich die erste bildliche Darstellung der Tabakpflanze, die 1569 erstmals nach Europa gebracht worden war. Selten.
Bookseller: Antiquariat Löcker
2017-01-20 11:11:40
Simrock, Karl
426 Seiten. Diese Ausgabe wurde erstmalig anläßlich der fünfzigsten Wiederkehr von Richard Wagners Todestag vom Aksanischen Verlag in Berlin veranstaltet. Den Druck dieser Neuauflage besorgte die Graphische Kunstanstalt der Deutschen Zentraldruckerei in Berlin, den Einband schuf die Buchbinderei des Verlages. Die Abbildungen zu den "Abenteuern" stammen von Eduard Bendemann, Julius Hübner, Alfred Rethel und C. Stilke. Der Einband ist dem eines Buches nachgebildet, das etwa 1502 in der Buchbinderei der Abtei Benediktbeuren angefertigt wurde. ,Auf der Innenseite des Einbanddeckels befinden sich zwei Stempel der Tempelhofgesellschaft (wohl der nachmaligen Besitzer dieses Buches). Diese Prachtausgabe befindet sich noch in einem guten Zustand im Hartpappschuber.
Bookseller: Michael Damböck
2017-01-15 14:53:28
Ovidio (Publius Ovidius Naso)
8vo (cm. 14,8), 3 Voll.; 64 cc.nn. (di cui l’ultima bianca), 204 cc.nn. (si unisce) Heroidum Epistolae. Auli Sabini. Epistolae tres. P.O.N. Elegiarum. Libri tres. De Arte amandi. Libri tres. De Remedio amoris. Libri duo. In Ibin. Liber unus. Ad Liviam Epistola de morte Drusi. De Nuce. De Medicamine faciei, ibidem, in aedibus Aldi Romani, mense Decembri 1502 (al colophon), 202 cc.nn. (si unisce) Quae hoc in libello continentur. Fastorum. Libri VI., ibidem, in Aldi Romani Academeia, mense Ianuario 1502 (al colophon), 85 cc.nn., 1 c. bianca (segue) De Tristibus. Libri V. De Ponto. Libri IIII, ibidem, in Academia Aldi, Mense Febr. 1503 (al colophon), 118 cc.nn. Ancora aldina ai frontis. e ai colophon. Buone legature inizi ‘700 in piena pelle maculata con nervi, ricchi fregi e titolo oro su tassello rosso al ds. Qualche traccia di usura e tassello del primo vol. di colore difforme (bruno). Tagli rossi. Belle carte di guardia marmorizzate. Timbretto al frontis. dei primi due volumi ed annotazioni di antica di mano sulla prima carta delle Metamorfosi. Minuscoli percorsi di tarlo al margine interno per circa metà del secondo vol. e forellino di tarlo sulle ultime 4 cc. del terzo. Antica numerazione ms. di gran parte delle pagine del primo vol. Tenui e piccole macchie su pochissime carte. Complessivamente esemplare fresco ed in ottimo stato di conservazione. Rarissima prima edizione aldina dell’opera di Ovidio. Renouard, p. 37; Brunet IV, 269.
Bookseller: Libreria Antiquaria Ex Libris s.r.l.
2016-12-15 22:29:39
DIE ERSTE DARSTELLUNG DER TABAKPFLANZE - - PENA, Petrus.
Fol. 458 S. (Titel- u. Erratablatt fehlen), mit rd. 270 eingedruckten u. 5 separat gedruckten u. eingeklebten Pflanzendarstellungen in Holzschnitt. Pgmtbd. d. Zt. unter Verwendung einer alten Pergamenthandschrift (stärker berieben und gebräunt, einige Wurmspuren in Vorder- u. Hinterdeckel), Vorsätze fachgerecht erneuert. Frisches, breitrandiges Exemplar, nur an den Rändern teils schwach gebräunt. Auf den letzten 5 Bll. leichte Brandspuren. Vermerk v. alter Hd. auf d. 1. S., verso ein gelöschter Stempel. Adams 2,58,P616. Pollard 449,19595. Nissen: BBI 138,1502. Arents: Tobacco (1),237ff.,Nr.13 (sehr ausführlich zur Textgeschichte u. über die abgebildete Tabakpflanze). Vergl. Graesse 4,240 u. Brunet III,401 (Plantin-Ausg. 1576). Zu Pena s. Jöcher/Adelung 5,1837. Zu L. (auch Lobel, 1538-1616), nach welchem die "Lobelie" benannt ist u. d., wegen seiner Berühmtheit als Botaniker, v. Jacob I. nach London berufen wurde, vgl. Hirsch/H. 812. Unter d. 5 separat gedruckten Holzschnitten, die fast immer fehlen, befindet sich die erste bildliche Darstellung der Tabakpflanze, die 1569 erstmals nach Europa gebracht worden war. Selten.
Bookseller: Antiquariat Löcker
2016-12-15 16:00:56
Cicero, Marcus Tullius
8vo. Mit 2 Titelvignetten sowie mehreren Initialen. (16 nn)., 305 numer., (11 nn.) Bl. (8), 281, (6) Bl. (6), 275 (recte 273), (15) Bl. Figürlich geprägtes Schweinsldr. d. Zeit auf 4/5/5 Bünden. Rotschnitt (Bd. 2+3). VD 16 C 3347 bzw. Bd. 3: C 3345. - ADB 37, 21ff. - Ausgabe des Humanisten u. Straßburger Schulrectors Johann Sturm (1502-1589) nach der Ausgabe bei Aldus Pius Manutius mit den Korrekturen des Andrea Navagero u. des Pietro Vettori. - Der 3. Bd. in einer früheren Auflage von 1564. - Die Einbände, vermutl. aus Magdeburg, variieren: Bd. 1: datiert 1596, florale Prägung d. Rückens u. der Deckelrahmung um je 1 Brustbild: Karl V., sign. MB., im Typus v. EBDB p000966 mit dem Motto "plus ultra, 1581" u. der Unterschrift: "Carole mortales dubitant homo sisne deusve sunt tua sceptra hominis set(d) tua fa(cta dei)". Rückendeckel: Johann Friedrich I. v. Sachsen, ähnlich EBDB p000967: "Victus eras acie fitei (fidei) constantia tantem (tandem) victorem ante hominis (homines) fecit et ante deum". Bd. 2: datiert 1587, bezeichnet MGL. 2 große Wappen m. floraler Rahmung. Bd. 3: datiert 1568, bezeichnet MDL. Florale Rahmung um Darstellungen der Iustitia u. Fortuna. - Bände berieben, Ecken bestoßen, Fehlstellen am Rücken v. Bd. 2 oben u. unten u. v. Bd. 3 oben. Tintenschrift v. alter Hd. in Innendeckeln (Namen u. Transkripiton d. Deckelpräg.) sowie kl. Stempel., wenige kl. Einrisse. Bd. 1: Vorsatz fehlend. Titel m. kl. Löchlein u. Ausschnitt an unterer Ecke, einige Bl. an überstehender Kante abgegriffen. Ganz vereinzelt Tintenmarginalien v. alter Hd., Wurmgang i. w. Rande, sonst s … [Click Below for Full Description]
Bookseller: Antiquariat Düwal Berlin [Germany]
______________________________________________________________________________


      Home     Wants Manager     Library Search     563 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2019 viaLibri™ Limited. All rights reserved.