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Displayed below are some selected recent viaLibri matches for books published in 1502
2019-09-14 09:56:34
DANTE.
(al verso del foglio:) Lo 'nferno e 'l purgatorio e 'l paradiso di Dante Alaghieri. (in fine:) Venetiis, in Aedibus Aldi. Accuratissime men. Aug. MDII. (Venezia, Aldo Manuzio, 1502.).in-8 (mm 155x93), ff. 244 non numerati (il f. 82 bianco presente; collaz a-z8 A-G8 H4 ), carattere corsivo aldino, bella legatura del XIX secolo in zigrino nocciola, filetti oro ai piatti, titolo e fregi in oro al dorso, tagli dorati (ottimi restauri alle cerniere). Prima edizione aldina e prima delle edizioni di Dante impressa in formato tascabile. La lezione, curata da Pietro Bembo, servì di base a tutte le edizioni successive. La presente edizione è di insigne importanza filologica, assai rara ed ambita dai bibliofili: qui appare per la prima volta la celebre impresa tipografica di Aldo Manuzio dell' ancora con delfino al verso dell' ultimo foglio; la più celebre delle marche tipografiche della storia, che venne ultimata durante la stampa del volume. Buon esemplare (al contropiatto bel ex libris araldico Leigh); primo f. di testo con alcune lettere abilmente restaurate, levi macchie d'umido nel margine inf. bianco di alcuni ff. . Renouard, Annali, p. 34. 5. Gamba, testi di lingua, 385: ''molto raro''. Mambelli, Annali Danteschi 17: ''Assai rari gli esemplari completi''. De Batines, I, 60. UCLA, I, 47. Olschki Dantesca, 22: ''rarissima e graziosissima''..
Bookseller: Libreria Antiquaria Pregliasco [IT]
2019-07-14 08:17:19
Frati Francescani - PRIVILEGIA.
(In fine, colophon:) Expliciunt priuilegia...Impressa Venetiis cura et impensis Luccantonii de giunta flotentini...M.ccccc.ij. quarto idus Martij (Venezia, Giunti, 1502). in-8 picc., 28 ff.nn. (segn. a-c8, d4), caratt. semigotico, impresa tipogr. sul foglio di titolo, bella silografia a p.pag. al verso con la figura di S.Francesco che riceve la stigmate, una grande iniziale ornata all'inizio del testo. Legatura moderna p.vitello, raffinata, con bordura a secco sui piatti, dorso a nervi, tagli dor. Rara e assai accurata edizione, la prima del XVI sec. delle regole di S.Francesco. Ottimo esemplare (timbro della Bibliot. Galletti Landau nel margine inf. al verso del primo f.).. Sander n.5890. Essling n.1341. B.M.Sh.t. p.278. Manca al Camerini, Annali dei Giunti..
Bookseller: Libreria Antiquaria Pregliasco [IT]
2019-06-19 07:08:07
Caoursin, Guillaume
Strasbourg: Bartholomäus Kistler, 23 August 1502. Strasbourg: Bartholomäus Kistler, 23 August [1502]. Extremely rare polemic pamphlet about the Ottoman threat. This is the German translation of a treatise by the Franco-Flemish historiograph Guillaume Caoursin (c. 1430-1501). His account of the fictive correspondence between the Ottoman emperor Daglosius and his Beylerbeys (governors of major Turkish provinces) emphasises on the Ottoman threat, and, at the same time, confirms the power of the European countries and the church. Sebastian Brant edited this pamphlet as a favour to Cardinal Raymond de Gurck, who sojourned in Germany to raise money for a crusade. Caoursin was vice-chancellor of the Order of the Knights of St. John of Jerusalem (Knights Hospitallers). The main seat of this order was in Rhodes from 1310 until 1523. Especially after the fall of Constantinople (1453) Rhodes and its neighbour island Cyprus became the most important Christian outposts in the Mediterranean Sea. When in 1480 the Knights of Rhodes succeeded in preventing a Turkish attack they were granted common attention and admiration. Already in the year of the siege the Master of the Order, Pierre d'Abusson testified to emperor Friedrich III the miraculous events that helped to fight and to overwhelm the Ottomans. The vice-chancellor Caoursin wrote a report of the siege, Obsidionis Rhodiae urbis descriptio (Description of the siege of Rhodes), which quickly became a 'bestseller' translated in many languages and repeatedly printed. According to that account the Hospitaller knights - in order to fright … [Click Below for Full Description]
Bookseller: Dr. Jörn Günther Rare Books AG [Switzerland]
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2019-06-08 05:11:32
LUCAIN
(In fine) Venetiis apud Aldum mense aprili 1502 In-8 (90 X 155 mm) de 150 pages non chiffrées - (1 ff) - (sig. a-r8 et s 3, 8°), maroquin brun ancien, dos à nerfs muet. (Reliure début XVIIIe. Petites traces discrètes sur les plats, mouillure claire et quelques minimes rousseurs aux huit premiers feuillets). Première édition Aldine du poème épique du poète latin Lucain (39 - 65), né à Cordoue (aujourd'hui Andalousie, Espagne), consacré à la guerre civile opposant Pompée à Jules César. La Pharsale est un poème en dix livres, resté inachevé. Le récit donnant le détail exact des événements, peut également être considéré comme un ouvrage historique et Tite-Live notamment s'en inspira. Mais la Pharsale demeure également comme un modèle d'éloquence et d'émotion oratoire. L'ouvrage se termine par une brève biographie de l'auteur en fin de volume. Cet ouvrage est également l'un des premiers imprimés à avoir bâti la notoriété de l'éditeur vénitien. C'est en effet en 1501 qu'Alde Manuce introduisit l'usage du caractère penché, appelé italique ou aldino, dont le modèle fut donné par l'écriture de Pétrarque. Il commanda l'exécution de ces caractères au talentueux graveur Francesco Griffo. Ce fut d'ailleurs à cette époque que l'imprimeur commença la série de chefs-d'œuvre imprimés en petit format, que l'on pouvait emporter pour le voyage, initiative qui fut alors largement appréciée par le public. Agréable exemplaire en maroquin janséniste. Renouard, 33, Brunet III, 1198, Hoeffer XXXIII, 293-95
Bookseller: Librairie Jeanne Laffitte [Marseille, France]
2019-05-15 22:12:56
Valerio Massimo (Valerius Maximus)
in aedib. Aldi Romani, 1502. 8vo (cm. 16), 216 cc.nn. Ancora aldina al frontespizio ed al colophon. Legatura d’origine in piena pelle bruna con ds. a sei nervi e motivi geometrici impressi a secco (restauri e minime mancanze). Cornici impresse a secco ai piatti con piccolo fregio in oro al centro. Ai quattro angoli ferro di edere aldina. Tagli dorati e cesellati. Carte di guardia rinnovate. Piccolo restauro al margine inferiore bianco delle prime quattro carte. Nel complesso, esemplare in più che buono stato di conservazione ed in affascinante legatura coeva. Prima edizione aldina, nella prima rara emissione i cui fogli del fascicolo A vennero successivamente sostituiti per introdurvi altri componimenti poi rinvenuti. Renouard, p. 36.
Bookseller: Libreria Antiquaria Ex Libris s.r.l. [IT]
2019-05-15 12:23:54
Bale, Michael Furter, 1502. 128ff. In 4 relié en plein vélin 19e à l’imitation de l’ancien, dos à cinq nerfs, tranches rougies. Premier psautier en langue germanique imprimé à Bale en 1502, orné d’intéressantes lettrine historiées en gravures sur bois en rehaut d’époque, toutes les initiales e l’ouvrage ont été agrémentés d’un trait de gouache rouge. Il manque à cet exemplaire une page de titre et un calendrier. Très rare psautier orthodoxe, connu à quelques exemplaires, manque à la bibliothèque nationale et aux principaux bibliographes. In existe un tirage que l’on rencontre parfois, daté de 1503, l’édition de 1502 est infiniment plus rare. [Attributes: First Edition; Hard Cover]
Bookseller: L'Oeil de Mercure [Paris, France]
2019-04-28 15:33:50
JEAN GRÜNINGER
STRASBOURG: 1502. 22 bois la plupart du temps émargés et contrecollés sur du papier ancien.De divers formats.Parfois avec des fragments de texte. Un de 6 x 8 cm, trois de 12 x 15 cm, quatre de 14,5 x 15 cm, onze de 15 x17,5 cm, trois de 16,5 x 21,5 cm. SUITE DE VINGT-DEUX BOIS DE 1502 PAR LE GRAVEUR ALSACIEN JEAN GRÜNINGER ( Actif à Strasbourg de 1487 à 1531 POUR ILLUSTRER VIRGILE : Extraits de Publii Virgilii marois opera. [Au colophon]: Strasbourg, Johannes Grüninger, septembre 1502. In-folio . Kristeller, pp. 32 et suivantes. - BBA, Muller, Strasbourg, II, p. 23, n°15. - Muther, I, pp. 79-81. Première édition illustrée des oeuvres de Virgile. Sortie des presses de Johannes Grüninger, dont la marque typographique se trouve à la fin du volume, cette somptueuse édition est l'un des chefs-d'oeuvre de l'imprimerie strasbourgeoise à la Renaissance. Elle fut confiée à l'humaniste Sébastien Brandt, l'auteur du fameux Narrenschiff. Celui-ci exhuma pour ce projet ambitieux plusieurs manuscrits retrouvés en Allemagne et joignit ses commentaires à ceux de cinq glossateurs, parmi lesquels figurent Cristoforo Landino et Antonio Mancinelli. L'impression du texte a été réalisée en caractères romains, avec le texte de Virgile présenté au centre des pages et les nombreux commentaires disposés autour de celui-ci en plus petits caractères. Le titre est quant à lui imprimé en caractères gothiques en rouge, sur une ligne qui surmonte une gravure à pleine page. Remarquable illustration composée de 214 gravures sur bois en premier tirage, dont une sur le titre, près de 40 à pleine page et une à … [Click Below for Full Description]
Bookseller: LIVRES ET DOCUMENTS ANCIENS (inquarto) [montpellier, Languedoc-Rousillon, FR]
2019-04-17 08:11:10
Dante Alighieri
[Venetiis: in Aedib Aldi, 1502. [252] leaves. a-z8, A-G8, H4. Small octavo. Full green French morocco, raised bands, gilt inner dentelles, a.e.g. Set in Italic. Aldine anchor on colophon. One raised band nicked, careful sympathetic restoration of upper joint, light scattered foxing, faint old manuscript foliation of leaves, but a very good copy. Cloth slipcase and chemise. First Aldine edition, and the first edition of Dante in octavo format, based on a manuscript sent to Aldus by the Venetian humanist, Pietro Bembo. The edition is also notable for historians of typography as it marks the first utilization of the Aldine Anchor as Aldus's signature device -- although it does not appear in all copies, among them the earliest. The edition was such a success that it was soon counterfeited in such a faithful manner that close scrutiny of the final collation is necessary to distinguish the editions. With this edition, "it was as if the poem had never been printed before: the 15th-century vulgate was swept aside. Bembo's text was to become the basis for every subsequent edition of the Divine Comedy until the late 19th century" - Renaissance Dante in Print (1472 - 1629). Online catalogue of Notre Dame, Newberry Library, and Univ. of Chicago collaborative exhibition. RENOUARD 34:5. GOLDSMID 43. ADAMS D82-3. BMC (ITALIAN), P. 209. BRUNET II:500.
Bookseller: William Reese Company - Literature ABAA-ILAB [US]
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2019-04-15 22:22:59
Dante Alighieri
in Aedib Aldi, [Venetiis, 1502. [252] leaves. a-z8, A-G8, H4. Small octavo. Full green French morocco, raised bands, gilt inner dentelles, a.e.g. Set in Italic. Aldine anchor on colophon. One raised band nicked, careful sympathetic restoration of upper joint, light scattered foxing, faint old manuscript foliation of leaves, but a very good copy. Cloth slipcase and chemise. First Aldine edition, and the first edition of Dante in octavo format, based on a manuscript sent to Aldus by the Venetian humanist, Pietro Bembo. The edition is also notable for historians of typography as it marks the first utilization of the Aldine Anchor as Aldus's signature device -- although it does not appear in all copies, among them the earliest. The edition was such a success that it was soon counterfeited in such a faithful manner that close scrutiny of the final collation is necessary to distinguish the editions. With this edition, "it was as if the poem had never been printed before: the 15th-century vulgate was swept aside. Bembo's text was to become the basis for every subsequent edition of the Divine Comedy until the late 19th century" - Renaissance Dante in Print (1472 - 1629). Online catalogue of Notre Dame, Newberry Library, and Univ. of Chicago collaborative exhibition. RENOUARD 34:5. GOLDSMID 43. ADAMS D82-3. BMC (ITALIAN), P. 209. BRUNET II:500. [Attributes: First Edition]
Bookseller: William Reese Company - Literature, ABAA [New Haven, CT, U.S.A.]
2019-04-04 15:11:32
DANTE ALIGHIERI
Venise: 1502. DANTE ALIGHIERI - Le Terze Rime di Dante DANTE ALIGHIERI Le Terze Rime di Dante Alde, Venise 1502, petit in-8 (9,5x15,5cm), a-z8 A-G8 H4 (soit 244f.), relié. Première édition aldine de La Divine Comédie et première édition de Dante en petit format. Impression en italiques (30 lignes par page). Cette édition est la première à porter la fameuse ancre aldine sur un petit format. Au verso de la page de titre : « Lo'nferno e'l Purgatorio e'l Paradiso di Dante Alaghieri », colophon : « VENETIIS IN AEDIB. ALDI ACCVRATISSIME. MEN. AVG. M.DII ».La Fondation Barbier-Mueller pour l'étude de la poésie italienne de la Renaissance précise bien qu'il n'y a pas eu deux émissions, mais plusieurs états de certains feuillets. Ainsi, certains exemplaires se distinguent par la marque de l'imprimeur au verso du dernier feuillet : la fameuse encre aldine tout juste créée qui fut en effet prête en cours d'impression. Enfin le verso de la page de titre en premier état comporte la faute « Alaghieri » qui a été corrigé par la suite.Notre exemplaire possède la marque de l'imprimeur au verso du dernier feuillet et conserve la faute « Alaghieri », soit le second état du dernier feuillet et le premier état de la page de titre.Reliure postérieure (XVIIème siècle) en plein veau brun moucheté, dos à cinq nerfs orné de caissons et fleurons dorés, toutes tranches rouges.Dos, mors et coins habilement restaurés.Petit trou de ver sans atteinte au texte des quatre premiers feuillets. Une très pâle mouillure sans gravité en marge basse des feuilles aii, aiii et aiiii.Ex-libris manuscrit surmontant un … [Click Below for Full Description]
Bookseller: Livres Anciens Gravures Feu Follet (livresetgravures) [FRA, FR]
2019-04-02 22:44:15
DANTE ALIGHIERI
- Alde, Venise 1502, petit in-8 (9,5x15,5cm), a-z8 A-G8 H4 (soit 244f.), relié. - Prima edizione aldina de La Divina Commedia e prima edizione di Dante in piccolo formato. Stampa in corsivo (30 righe per pagina). Questa edizione è la prima ad indossare il famoso anchor aldine su un piccolo formato. Sul retro del frontespizio: "Lo'nferno el Purgatorio e Paradiso di Dante Alaghieri", colophon: "VENETIIS IN AEDIB. ALDI ACCVRATISSIME. MEN. AVG. M.DII ". La Fondazione Barbier-Mueller per lo studio della poesia del Rinascimento italiano chiarisce che non ci sono stati due problemi, ma diversi stati di alcuni volantini. Pertanto, alcune copie si distinguono per il marchio della stampante sul retro dell'ultimo foglio; questo marchio era davvero pronto durante la stampa. Altri posseggono all'ultimo foglio una V rovesciata al posto della A di Aedibus nel colofone del primo stato; infine il retro del frontespizio che porta la colpa a "Alagueri" è stato corretto in alcune copie. La nostra copia ha l'impronta della stampante sul retro dell'ultimo foglio e la A di Aedibus non è corretta sul fronte e mantiene l'errore su "Alagueri", il primo stato dell'ultimo foglio e il primo stato del frontespizio. Pernetti (XVII secolo) in vitello marrone screziato, torna con cinque nervi decorati con scatole e florets dorate, tutti i bordi rossi. Schiena, punte e angoli abilmente restaurati. Piccolo wormhole senza violare il testo dei primi quattro volantini. Un'umidità molto leggera e non gravida nel margine basso delle foglie a ii , a iii e a iiii . Gli ex libris scritti a mano sormontano un prospet … [Click Below for Full Description]
Bookseller: Librairie Feu Follet [FR]
2019-03-28 18:13:23
DANTE ALIGHIERI
- Alde, Venise 1502, petit in-8 (9,5x15,5cm), a-z8 A-G8 H4 (soit 244f.), relié. - Première édition aldine de La Divine Comédie et première édition de Dante en petit format. Impression en italiques (30 lignes par page). Cette édition est la première à porter la fameuse ancre aldine sur un petit format. Au verso de la page de titre : « Lo'nferno e'l Purgatorio e'l Paradiso di Dante Alaghieri », colophon : « VENETIIS IN AEDIB. ALDI ACCVRATISSIME. MEN. AVG. M.DII ». La Fondation Barbier-Mueller pour l'étude de la poésie italienne de la Renaissance précise bien qu'il n'y a pas eu deux émissions, mais plusieurs états de certains feuillets. Ainsi, certains exemplaires se distinguent par la marque de l'imprimeur au verso du dernier feuillet : la fameuse encre aldine tout juste créée qui fut en effet prête en cours d'impression. Enfin le verso de la page de titre en premier état comporte la faute « Alaghieri » qui a été corrigé par la suite. Notre exemplaire possède la marque de l'imprimeur au verso du dernier feuillet et conserve la faute « Alaghieri », soit le second état du dernier feuillet et le premier état de la page de titre. Reliure postérieure (XVIIème siècle) en plein veau brun moucheté, dos à cinq nerfs orné de caissons et fleurons dorés, toutes tranches rouges. Dos, mors et coins habilement restaurés. Petit trou de ver sans atteinte au texte des quatre premiers feuillets. Une très pâle mouillure sans gravité en marge basse des feuilles aii, aiii et aiiii. Ex-libris manuscrit surmontant un paraphe sur la page de titre : « Amando la virtu presto s'impara e chi non l'ama pr … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [Paris, France]
2019-03-26 06:55:49
DANTE ALIGHIERI
First aldine edition of The Divine Comedy and first edition of Dante in small format. Italic printing (30 lines per page). This edition is the first to wear the famous anchor aldine on a small format. On the back of the title page: "Lo'nferno el Purgatorio and Paradiso di Dante Alaghieri", colophon: "VENETIIS IN AEDIB. ALDI ACCVRATISSIME. MEN. AVG. M.DII ".The Barbier-Mueller Foundation for the study of Italian Renaissance poetry makes it clear that there have not been two issues, but several states of certain leaflets. Thus, some copies are distinguished by the mark of the printer on the back of the last sheet; this mark was indeed ready during printing. Others possess at the last leaflet a V upside down in place of the A of Aedibus in the colophon of the first state; finally the back of the title page which bears the fault to "Alagueri" has been corrected in some copies.Our copy has the imprint of the printer on the back of the last sheet and the A of Aedibus not corrected on the front and keeps the fault to "Alagueri", the first state of the last sheet and the first state of the title page.Binding post (XVII century) in the mottled brown calf, back with five nerves decorated with boxes and gilded florets, all red edges.Back, bits and corners skillfully restored.Small wormhole without infringing the text of the first four leaflets. A very light, non-gravelly wetness in the low margin of the leaves at ii , a iii and a iiii .Handwritten ex-libris surmounting a flourish on the title page: "Amando the virtuous presto is spread out and not the ama presto if disimpara". The Ber … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [France]
2019-03-23 16:26:05
Antonio Urceo In hoc Codri Volumine Rare Bologna 1502 First Edition Folio, about 12 inches tall, wooded boards with clasp, recent leather spine. First edition of works of Antonio Urceo, a humanist that was a teacher of Copernicus. Extremely rare. Some rubrication in red and with some interesting early manuscript notes. A desirable postincunable. Missing I3-I4 in second part, also six leaves comprising signature E, also H2 and H5 (two copies of H3 and H4 bound instead). In first part H bound out of place after I. Generally in very good condition. A very desirable postincunable. Please check out my other listings. [Attributes: First Edition]
Bookseller: bavarianantiquarian [Los Angeles, California, US]
2019-03-10 04:44:21
SCHONHEINTZ, Jacob
Georg Schenck, 1502. Very good. Tight binding. Excellent condition of pages, no foxing and very light tanning. Two book plates from two different people are on front cover inside. I googled them and both had large collections of books from the 1500's. I have a dozen books or so I bought at an auction of this era. The people on the book plates were well known. One book plate is art itself and I have found auction sales for just the plate. I am not a book dealer so please ask questions and look carefully at pictures. I will be happy to send more pictures if you would like. Similar book on google $6500! I bought a collection of books from the 1500's and 1600's years ago. This is part of the collection. I have listed about six so far. There is a book exactly like it on line (google it) for $6,500.00. I am not a dealer, just a collector and I am selling some of my items now. This book has 24 pages, is in very good condition and I feel is very rare. The two book plates owners (names on them) attached to the interior of the front board are both on Google and were known book collectors. The Artistic book plate has been sold by itself. There is a lot of information about both of these people if you would like to research them. I feel I should have this examined by a professional, but thought I would try to see what the book collectors out there may know or want. SCHONHEINTZ, Jacob. Apologia Astrologie. (translated into the Defense of Astrology) One large woodcut diagram in the text. 24 unnumbered leaves. G. Schenck, 21 September 1502. (I am not sure this is from 1502 but have a feel … [Click Below for Full Description]
Bookseller: qmch [San Diego, California, US]
2019-02-16 10:44:25
ISOCRATE.
(à la fin:) Bononiae, Benedictus Hectoris, 1502. in-4. 11ff. (1f.blanc). Demi-vélin à coins postérieur. Edition Originale très rare, imprimée à Bologne, de la traduction latine par l'humaniste italien Filippo Beroaldo le Jeune (1472-1518), de ce texte attribué à Isocrate et connu sous le nom de la "Lettre à Demonicos". Ce recueil de conseils destinés à un jeune étudiant constitua notamment l'un des fondements de l'enseignement humaniste de la civilité et du savoir-vivre. "Aux côtés de Cicéron et de Sénèque, il faut mentionner d'autres grands anciens, lus eux aussi avec ferveur par les humanistes: Isocrate, Quintilien et surtout Plutarque offrent en effet des textes fondateurs pour la civilité classique. D'Isocrate il faut surtout retenir le discours A Demonicos, qui se présente comme une série de préceptes pour la conduite de la vie que le vieil orateur adresse au fils d'un ami. Il est édité de façon isolée dès le début du XVIe siècle, et très souvent associé au discours A Nicoclès, qui concerne les devoirs du Prince" (Montandon). Neveu du célèbre humaniste Filippo Beroaldo l'Ancien (1453-1505), dont il fut l'un des meilleurs élèves et qui était natif comme lui de Bologne, Filippo Beroaldo le Jeune devint président de l'Académie de Rome en 1514 et bibliothécaire du Vatican en 1516. Le présent ouvrage fut sa première publication; elle est d'une grande rareté. Bon exemplaire, bien complet du dernier feuillet blanc. Manque à Brunet. Graesse, III, p.436. Cf. Montandon, "Pour une histoire des traités de savoir-vivre en Europe" (1994), p.194. [Attributes: First Edition]
Bookseller: Librería Comellas [Barcelona, Spain]
2019-02-15 21:33:57
Dante Alighieri
Venetiis in Aedib[us] Aldi. Accuratissime men. Aug, 1502. Octavo volume, cc. [244]. Hardbound in full contemporary parchment, with visible tabs. The spine with three raised bands. Gold page edges with dry debossed decoration. The text set in elegant Aldine italic characters. Genuine example with wide margins. Complete volume in excellent condition. An extremely rare and exceptional volume: this is the first Aldine edition of Dante and the first edition of Dante produced in pocket format (the previous ones were all in folio). The publication, edited by Pietro Bembo, served as a basis for all subsequent editions. This work is of the greatest philological importance, and is very much sought after by bibliophiles: it is in this volume that the famous typographic logo of Aldus Manutius an anchor and dolphin printed on the verso of the last sheet appears for the first time. It is one of the most famous typographic logos in history, and was finalised precisely during the printing of this volume. It is therefore one of the most important books in the history of Italian literature and publishing. Graesse, Trésor de livres rares et précieux, t. II, p. 329; Renouard, Annales de l imprimerie des Alde, p. 34; Mambelli, Annali Danteschi, 17: Assai rari gli esemplari completi ; Olschki, Letteratura dantesca, 22: Rarissima e graziosissima . Volume in-8o, cc. [244]. Legatura coeva in piena pergamena rigida, con bindelle visibili. Dorso a tre nervi. Tagli dorati con fregi a secco. Testo in elegante carattere corsivo aldino. Esemplare genuino e marginoso. Volume completo e in ottimo stato di … [Click Below for Full Description]
Bookseller: Linea d'acqua [Venezia, Italy]
2019-02-03 18:24:42
Arabic Manuscript].
Istanbul, 908 AH [1502/03 AD]. 8vo (18 x 13 cm). 78 ff., naskh script with features of ta'liq, in several different hands. Half-leather Oriental binding with a flap and pasted boards. A collective volume with texts in Arabic on Arabic manuscript paper (for ff. 43-45 and from f. 73 onwards European paper is used). It was copied by Ahmad b. 'Uthman al-Arzan al-Rumi in the city of Qustantiniyya (Istanbul) in one of the eight madrasas (colophon in a later hand on f. 78a). - 1) ff. 1v-13v. Fragment without beginning or end, and possibly misbound, of a gloss on logic (Qala-aqulu structure). Possibly this is the commentary by Qutb al-Din al-Razi al-Tahtani (d. 766/1364) on al-Risala al-Shamsiyya fi al-Quawa 'id al-Maniqiyya, by Nagm al-Din 'Ali b. 'Umar al-Quazwini al-Katibi (d. 675/1276 or 693/1294), Gal G I, 466. Outb al-Din is mentioned on f. 1v. Heavy interlinear and marginal glossing. - 2) ff. 14b-59b. Gloss on logic (Qala-aqulu structure), apparently by al-Sayyid al-Sharif, whose name is mentioned variously. This is the gloss by al-Sayyid al-Sharif al-Gurgani (d. 816/1413), GAL G II, 216, on the commentary by Muhammad b. Qutb al-Din Muhammad al-Razi al-Tahtani (d. 766/1364), GAL G II, 209, on al-Risala al-Shamsiyya fi al-Qawa 'id al-Mantiqiyya, by Magm al-Din 'Ali b. 'Umar al-Qazwini al-Katibi (d. 675/1276, or 693/1294), GAL G I, 466, as confirmed by comparison with MS Berlin Mq. 63 (= Ahlwardt 5260). - 3) ff. 60a-78b. Acephalous fragment of a gloss on logic (Qala-aqulu structure). In the margin of f. 60a is the name "'Sayyid Tasdiqat'", which may indicate that his is anothe … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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2019-02-01 01:31:04
Cicero Marcus Tullius
1502. I) Vgl. Schweiger II, 194 (Ausg. Paris) - Renouard II, 282.- Sehr seltene Ausgabe der erstmals 1502 erschienenen Rezension des Jodocus Badius.- II) Schweiger II, 646 - Baudrier XII, 211.- Eine von zwei Lyoner Ausgaben dieses Jahres, erstmals mit dem Kommentar von Johann Deverdellay.- Der Holzschnitt zeigt den Dichter mit zwei Schreibern.- Leicht gebräunt od. braunfleckig, wenige zeitgenöss. Anmerkungen, zu Beginn u. am Ende mit kl. Wurmlöchern, erster Titel mit kl. Randläsur im Bund, Ebd. etw. berieben u. mit kl. Wurmspuren.
Bookseller: Antiquariat Müller [Austria]
2019-01-30 17:40:45
Frati Francescani - PRIVILEGIA
1502. in-8 picc., 28 ff.nn. (segn. a-c8, d4), caratt. semigotico, impresa tipogr. sul foglio di titolo, bella silografia a p.pag. al verso con la figura di S.Francesco che riceve la stigmate, una grande iniziale ornata all'inizio del testo. Legatura moderna p.vitello, raffinata, con bordura a secco sui piatti, dorso a nervi, tagli dor. Rara e assai accurata edizione, la prima del XVI sec. delle regole di S.Francesco. Ottimo esemplare (timbro della Bibliot. Galletti Landau nel margine inf. al verso del primo f.).
Bookseller: Libreria Antiquaria Pregliasco [IT]
2019-01-29 18:43:17
SCHONHEINTZ, Jacob
One large woodcut diagram in the text. 24 unnumbered leaves. Small 4to, modern boards. Nuremberg: G. Schenck, 21 September 1502. First edition; this is the first of only two books known to have been printed by Georg Schenck and the author's only book. "In 1502 there was printed at Nürnberg a defense of astrology by Jakob Schonheintz, a doctor of arts and medicine and a Franconian. He signs his preface at Würzburg. The immediate occasion of this defense was 'the impudence of a certain man who wishes himself to be considered a theologian, although he is anything else than one, who had attacked astrology and its professors. Pity for the unlearned who may take his attack seriously has moved Schonheintz to reply. He furthermore regards this preliminary skirmish as a preparation for a future encounter, 'not with a cursed scribbler, but with the most learned and most eloquent Giovanni Pico Mirandola, most generous count of Concordia.' Schonheintz proceeds to say that no one has attacked astrology more bravely, no one more learnedly, no one with greater force and contention than Pico has."-Thorndike, IV, pp. 542-43. This book was much read and quoted in the early 16th century. Fine copy. ? Zinner 818. [Attributes: First Edition; Hard Cover]
Bookseller: Jonathan A. Hill, Bookseller Inc. [New York, NY, U.S.A.]
2019-01-29 16:33:34
[Taylor, John].
Philadelphia: Morgan & Yeager, [1821–24]. 16mo (17 cm, 6.75"). [12] pp; 12 plts., illus. The online catalogue at the American Antiquarian Society writes of this work: "An adaptation for children of the comic narrative poem Monsieur Tonson, by John Taylor (1757-1832). For his authorship see the Dictionary of national biography." It also notes that "Morgan and Yeager published together from 1815 to 1824" and that the work was "probably issued after 1820." Another observation is that the hand-colored plates "might be by William Charles, who worked with Joseph Yeager" but that the title is "not listed in Harry B. Weiss' William Charles: Early caricaturist, engraver and publisher of children's books (1932)."    The title-page (i.e., the front wrapper) informs that the publication price was "25 cents plain, 37 1/2 coloured." The text and illustrations are mostly printed only on one side of a leaf.    Provenance: 19th-century signature of Richard H. Downing on verso of frontispice; most recently in the children's book collection of Albert A. Howard, small booklabel ("AHA") at rear.    WorldCat locates only three U.S. libraries reporting ownership (Yale, Free Library of Philadelphia, AAS).         Shoemaker 2310; not in Welch; not in Rosenbach, Children's. Buff printed paper covers; text block recased. Wrappers and text age-soiled and with stains; still, a (now) solid and appealing period piece.
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) [US]
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2019-01-29 16:02:53
HERODOTUS.
Adams H-394; Ahmanson-Murphy 62 & 62a; Dibdin II, p. 19; PMM 41. Splendid copy of the famous first edition of the original Greek text of the works of Herodotus (ca. 484 BC- ca. 425 BC), "the father of history," published and edited by Aldus Manutius at Venice on the basis of many manuscripts. By promoting Herodotus as a key to ancient history and society and providing a reliable text, it set the stage for his popularity in the 16th century. It covers the growth of the Persian Empire, the history of Egypt, Persian incursions into Greece, the defeat of the Persians in 490 BC, the Persian king Xerxes's attempt to avenge the Persian defeat and their defeat once again in 479 BC. But perhaps of greatest interest are the strange and fantastic tales and anecdotes, including the circumnavigation of Africa."Herodotus is the earliest historian; his predecessors were by contrast chroniclers. He was the first to collect his materials systematically, to test their accuracy as far as he could, and to arrange his story so as to appeal to, as well as inform, his readers. . Certainly for the Persian war his authority forms the basis of all modern histories; and, more than that, it is the stuff of legends. Herodotus is far more than a valuable source: always readable, his work has been quoted and translated ever since" (PMM).With extensive records of provenance. In fine condition and with generous margins, with only some light stains on the first page and last page, and a couple tiny marginal worm holes in the last 4 leaves (in the margins except for 1 in the last leaf). Magnificent copy of a … [Click Below for Full Description]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2019-01-16 08:01:37
1502. SELTENE UND SEHR SCHÖNE POSTINKUNABEL IM ORIGINAL-EINBAND DER ZEIT DIONYSIUS AREOPAGITA OPERA WUNDERSCHÖNE KALBSLEDEREINBÄNDE DER ZEIT Sie bieten auf eine seltene Inkunabel, gedruckt in Strassburg, im Verlag von dem Drucker des Jordanus v. 1483 d.i. Georg Husner, aus dem Jahre 1502. Buchformat: 28,5cm x 20cm. Kollationierung: 8 nn.,CCCXXIX num.,1 w., 4 nn,CXVII num.,1 w.,LXVII num.,1 w. Blatt. Mit grossem Titelholzschnitt und einigen schematischen Textholzschnitten. Gebunden in Holzdeckeleinbände der Zeit mit blindgeprägtem hellen Kalbslederbezug. Die Landshuter Einbände mit wunderschöner Blindprägung, jedoch ohne Buchschliessen. Schöne Strassburger Post-Inkunabel, Teil 1 ab Blatt CCXLIII im zweiten Band stellenweise rubiziert, durchgehend Lombarden in Rot oder Grün eingemalt, vereinzelt in beiden Farben. ZUSTAND: Gutes Exemplar, Einbände etwas berieben, etwas wurmstichig, innen teils etwas wurmstichig, der zweite Band stärker wasserfleckig, sonst nur wenig fleckig oder gebnräunt. In beiden Bänden das 1. Blatt mit altem Besitzervermerk der Franziskaner zu Passau, im Text vereinzelt Marginalien. Beide Bände auf dem vorderem Spiegel mit gestochenem Exlibris der Bayerischen Hof.- und Staatsbibliothek (ausgesdchiedene Dublette). WEITERE SELTENE INKUNABELN FINDEN SIE IN UNSERER AKTUELLEN AUKTION Überweisung auf DEUTSCHES ODER SCHWEIZER KONTO. Der versicherte Versand innerhalb Deutschlands kostet 6,00 Euro. Für den Versand innerhalb der Schweiz, Portokosten bitte gesondert erfragen. Für den Versand in das europäische Ausland und nach Übersee bitte ebenfalls Portokosten erfr … [Click Below for Full Description]
Bookseller: antiquarischekostbarkeit (welsprofi) [Balmberg, CH]
2018-12-28 20:47:50
Catullus Gaius Valerius, Tibullus Albius, Propertius Sextus, Marcus Anneus Lucanus
Venice, Aldo Manuzio, January 1502. Two works in one volume, 8° (161x99 mm) I. Three parts. Collation: A-F8-; 2A-D8, E4; a-i8. [152] leaves. Italic type. Blank spaces for capitals, with printed guide letters. II. Collation: a-r8, s4. [140] leaves. Italic type. Blank spaces for capitals, with printed guide letters. Contemporary Venetian brown morocco over pasteboards. Covers within blind border of fillets and foliate roll, one small gilt ivy-leaf at each corner. At centre at the upper cover the inscription 'CAT. TIB. PROP. LVCA.', lettered in gilt; on the lower cover a sun-shaped tool. Traces of four pairs of ties. Italian-style spine with three double bands alternating with four single bands, underlined by blind fillets. Darkened edges. Corners somewhat worn, joints slightly cracked, minor loss to the extremities of spine. A good copy, first leaf of the first bound edition partly loose, with a small hole affecting a few letters or words on the verso. Some marginal spots. Early inked foliation in the outer upper margin, the three title lines in a frame inked by the earliest owner of the copy. In the same hand some marginalia, pen trials, reading marks, and the annotation on the verso of fol. i7 of the first edition, 'Quand'io veggio la terra / Vestir di nuouo un bianco uelo / Et l'acqua al uerno conuertirsi in uetro / Et chi poi ueggio nel girar al ciclo / Al Tempo che uien dietro / La fredda naue distillarsi, e il gielo / Allhora io dico, ahi donna di guai temp[.] / In quel ghiaccio crudel, ch'in uoi sta sempre'. A few pencilled bibliographical notes on the pastedown.Proven … [Click Below for Full Description]
Bookseller: PrPh Books [New York, NY, U.S.A.]
2018-12-27 20:39:02
Cicero Marcus Tullius
1502. I) Vgl. Schweiger II, 194 (Ausg. Paris) - Renouard II, 282.- Sehr seltene Ausgabe der erstmals 1502 erschienenen Rezension des Jodocus Badius.- II) Schweiger II, 646 - Baudrier XII, 211.- Eine von zwei Lyoner Ausgaben dieses Jahres, erstmals mit dem Kommentar von Johann Deverdellay.- Der Holzschnitt zeigt den Dichter mit zwei Schreibern.- Leicht gebräunt od. braunfleckig, wenige zeitgenöss. Anmerkungen, zu Beginn u. am Ende mit kl. Wurmlöchern, erster Titel mit kl. Randläsur im Bund, Ebd. etw. berieben u. mit kl. Wurmspuren.
Bookseller: Antiquariat Johannes Müller [Salzburg, Austria]
2018-11-28 12:58:49
Celtis, Konrad:
Sodalitas Celtica, Nürnberg 5.IV.1502. 66 (v. 73) num. Bl. u. 45 (v. 48) unn. Bl. mit 1 Druckermarke. Etwas späterer roter Maroquinband mit Rückenvergoldung u. Goldschnitt. Etwas berieben u. bestoßen. Exlibris. Einige Bleistiftanmerk. 1 Bl. lose. – Es fehlen die 12 Blätter mit den Holzschnitten u. umseitigem Text. Exemplar aus der Bibliothek von William Morris mit dessen Bibliotheksschild auf dem Vorsatz. Das Exlibris ist von dem bedeutenden irischen Sammler William Horatio Crawford (Lakelands Cork). – „Als Frucht der Erlebnisse während der 10jährigen Wanderungen 1487/97 durch Deutschland erschien 1502 das Kaiser Maximilian I. gewidmete lyrische Hauptwerk des C. „Quatuor libri Amorum secundum quattuor latera Germaniae": vier kleine in sich geschlossene lyrische Liebesromane, zyklisch verbunden in architektonisch-gesetzmäßigem Aufbau, bebildert mit Holzschnitten Dürers und aus der Schule Michael Wolgemuts C. gilt als der deutsche Erzhumanist. Er war die stärkste poetische Begabung der humanistischen Bewegung um 1500." (NDB III, 182f.)
Bookseller: Antiquariat Engel & Co GmbH [Stuttgart, Germany]
2018-11-23 08:16:42
Herodotus; Edited by Aldus Manutius
Aldus Manutius September, 1502, Venice. Rare first edition of Herodotus' history of the Persian Wars, one of the most important texts edited by the great scholar-printer-publisher. Folio, bound in contemporary vellum, woodcut title in Greek and Roman letter, verso with dedication in Latin, text in Greek letter throughout with spaces for capital letters, woodcut device on title and last page. Aldus claims in the dedication that he corrected the text from multiple exemplars, one of the few instances where such a claim by him is justified and can be verified. He was the first to have access to the 'Florentine' codices, where Valla had used the so-called Roman family of manuscripts for his translation. The printer's copy was discovered in Nuremberg by Brigitte Mondrain in 1993 (Scriptorium 49 [1995], pp. 263-273). The History was designed to match the Aldine Thucydides of four months earlier: they share a paper stock, all types and the number of lines per page. Ahmanson-Murphy 50; Isaac 12782; Laurenziana 64; Renouard, Alde 35:8; Sansoviniana 67. In excellent condition with light rubbing and wear, bookplates to the pastedown, some light toning to the text, occasional Greek and Latin annotations in a c.17th-century hand, small repairs to the final four leaves. An exceptional example of this landmark work, rare and desirable in contemporary vellum. Herodotus is generally considered 'the father of history'. Departing from the Homeric chronicle, '[h]e was the first to collect his materials systematically, to test their accuracy as far as he could, and arrange his story in such a wa … [Click Below for Full Description]
Bookseller: Raptis Rare Books, ABAA/ ILAB [Palm Beach, FL, U.S.A.]
2018-11-19 11:16:08
BARTOLUS DE SAXOFERRATO et ANDREAS (Johannes).
2 ouvrages en 1 petit in-12. 1). XXIIIIff. chiffrés. + 31ff. (il manque peut-être un feuillet blanc à la fin). + 17pp. non chiffrées + 6ff. + 19pp. non chiffrées + 8ff. + 8ff. + 11ff. (1f.blanc). 2). 8ff. Plein maroquin rouge, dos à nerfs orné, double filet d'encadrement et roulette dorés sur les plats avec des fleurons aux angles, tranches dorées (reliure du début du 18e siècle). 1). Précieux recueil d'opuscules juridiques, imprimés en caractères gothiques à Cologne dans les premières années du 16e siècle et réunis sous un même titre à la faveur du projet éditorial désigné par Stintzing sous le nom de "Kölner Sammelwerke" ("le recueil de Cologne"). Ce projet, peut-être unique en son genre, avait mobilisé plusieurs imprimeurs et libraires de la ville pour produire et assembler différents opuscules de droit très prisés des étudiants et des juristes. Publiés aussi bien séparément que sous la forme de recueils plus ou moins complets, ces opuscules ne portaient ni date ni adresse d'impression, et ils présentaient la particularité extraordinaire de paraître issus de la même imprimerie et de ne constituer qu'un seul et même volume, quand en réalité leur élaboration et leur réunion sous forme de recueil était le fruit d'une collaboration complexe entre plusieurs imprimeurs et libraires. Le typographe Cornelius von Zierickzee est le seul dont le nom apparaisse fugacement dans l'une des variantes du recueil, mais parmi les imprimeurs ayant vraisemblablement participé au projet figurent Heinrich Quentell et ses héritiers, Martin von Werden, Johann von Landen et Hermann von Bongart. L … [Click Below for Full Description]
Bookseller: Librería Comellas [Barcelona, Spain]
2018-11-12 08:45:21
Petrarca Francesco
[Lyon, ca. 1502]. 8° (145x92 mm). Collation: a-y8, z4, A8. [188] leaves. Complete with fols. u6, x5, y5, and z4 blank. Lyons italic type. Nearly contemporary vellum, over pasteboards. Smooth spine with title inked vertically by an early hand. Edges speckled brownish red, head-edge darkened. A few stains to the covers. A very good copy, the upper margin slightly trimmed, partly affecting the early inked foliation. A few spots, a small stain on fol. l7. An early hand has added in the final leaf an index of Petrarch's poems included in the volume.Provenance: Alessandro Grassi (seventeenth-century ownership inscription on the recto of the first leaf); purchased by John Barker in Rome in 1671 (ownership inscription on the front pastedown, 'Roma, 15. d'Apr- 1671. di Sig.r Ales. Grassi, incontro il palazzo del Gouernatore'; also in Barker's own hand is the note on the front pastedown 'v. Hor. l. I. Sat. 10', and a passage taken from the Dell'Huomo di lettere by Daniello Bartoli on the recto of the front flyleaf 'Fauorino auuisa [Gell. l. 17 c. 12] che per aguzzare l'ingegno, quando dall'otio di molto tempo ci paia rintuzzato, e ottuso, ottimo mezzo sia prendere à trattare materie inutili, e allegre. P. Bartoli dell'Huomo di lettere, p. 339'); Kenneth Rapoport (ex-libris on the front pastedown). The exceedingly rare Lyonese counterfeit, in its first issue, of the celebrated Petrarca volgare printed by Aldus in Venice in 1501, and edited for him by the outstanding humanist Pietro Bembo (1470-1547) on the basis of Petrarch's autograph manuscript of the Canzoniere, held at the Vatican … [Click Below for Full Description]
Bookseller: PrPh Books [New York, NY, U.S.A.]
2018-11-11 19:08:34
Biel, Gabriel
Tubingen, Germany: 1502 Folio. Gabriel Biel 'Sententiarum' FINE PERIOD BINDING. Vol 3&4. Theology 1502 Folio. Gabriel Biel 'Sententiarum' FINE PERIOD BINDING. Vol 3&4. Theology Click images to enlarge Description ''Gabriel In Tertium Sententarium' By Gabriel Biel [Ca 1420-25 - Dec.1495] [Johan Otman For F Meinherger, Sugsburg or Tubingen. 1502] Folio [12.50'' tall x 8.75'' wide]. Adams B1999. Collates Aa- Xx6, [10]p. No page numbers. Text in two columns. An excellent clean copy. Minor wear or blemishes commensurate with age else a very nice copy. BOUND TOGETHER WITH: ''Gabriel In Quartum Libri Sententiarum'' [Johan Otman For F Meinherger, Sugsburg or Tubingen. 1502] Collates A-Z6, Aa-Ll6, [6], [33]p. Both volumes complete. These are volumes 3 & 4 [of 4] of his 'Sentences' bound together. Scattered minor light browning else an excellent, tear free copy with wide 2'' margins. Undated title pages to both volumes. Gabriel Biel: German Philosopher & Theologian, Ca. 1420-25 - Dec-1495. Biel's first publication, on the Canon of the Mass, is of permanent interest and value. His second and most important work is a commentary on the Sentences of Peter Lombard, which would come to play a major influence on Martin Luther during the coming Reformation. In this he calls Occam his master, but the last three books show him more Scotist than Nominalist. Matthias Sceheeben describes him as "one of the best of the Nominalists, clear, exact, and more positive as well as more loyal to the Church than any of the others" Bound in contemporary blind stamped vellum over wooden boards. Small vellum … [Click Below for Full Description]
Bookseller: humber-books [Kingston Upon Hull, GB]
2018-11-04 08:11:49
[CHRONIQUES DE NORMANDIE].
Rouen, Burges, s.d. (circa 1502). Petit in-4 gothique de 143 feuillets avec deux boisgravés (il manque 20 feuillets à notre exemplaire, lesquels ont été reproduits en fac-similé, montés sur onglets et reliés dans un volume à part en veau). Veau postérieur (XVIII e) en bel état, dos à nerfs. Rare édition qui est reprise sur celle de 1487.
Bookseller: Librairie Bertran [France, Rouen]
2018-11-01 23:37:33
ALIGHIERI, Dante (1265-1321)
Venice, Aldus Manutius. In 8vo (mm. 158x95); pergamena rigida coeva o di poco posteriore, dorso a tre nervi, tagli dorati e goffrati (taglio superiore un po' iscurito); cc. [244]. Segnatura: a-z8 A-G8 H4 . La carta l2 è bianca. Marca tipografica al verso dell'ultimo foglio. Carattere corsivo. Ottima copia marginosa. Questa PRIMA EDIZIONE ALDINA della Commedia vanta numerosi primati. Oltre ad essere la prima edizione cinquecentesca e la prima edizione tascabile del capolavoro dantesco, in essa appare per la prima volta la celebre marca tipografica di Aldo Manuzio dell'ancora con delfino. Il curatore Pietro Bembo trascrisse il testo (oggi Ms. Vat. lat. 3197), servendosi come base dell'esemplare (oggi Ms. Vat. lat. 3199) della Commedia che il Boccaccio aveva mandato in dono al Petrarca, fra l'estate del 1351 e il maggio del 1353, e che aveva avuto come ultimo proprietario e postillatore Bernardo Bembo. Voltando le spalle alla tradizione rappresentata dalle monumentale edizione con commento di Cristoforo Landino (Firenze, Niccolò di Lorenzo, 1481), il Bembo fissò una nuova vulgata del poema dantesco, tanto che l'aldina del 1502 divenne il testo di riferimento di tutte le altre stampe cinquecentesche fino all'edizione della Crusca del 1595. "The poetry of the Comedy emerged from beneath a sea of exegetical commentary for the first time in more than twenty years in this edition produced by the most celebrated printer and publisher of Renaissance Italy, Aldus Manutius. The text differed radically from the Landino vulgate which had established itself during the last decades of the … [Click Below for Full Description]
Bookseller: Libreria Alberto Govi di F. Govi Sas [Modena, Italy]
2018-10-16 14:24:07
ALBERTUS MAGNUS (attributed to).
Leipzig Melchior Lotter. Early edition 1502, Latin text, small 4to, approximately 205 x 145 mm, 8 x 5¾ inches, single column, large clear black letter, many paragraphs in smaller font, space for initial capitals empty, 36 leaves including title page, collation: A-Fvi, Fvi blank, colophon on Fvv, bound in later vellum rebacked, old handwritten paper label to spine. Boards lightly marked and lightly soiled, spine browned, modern bookplate of A. Bernardes de Oliveira on front pastedown plus a tiny bookseller's label, many pages browned, many pale mostly neat early marginal Latin annotations in more than 1 hand, some discreet underlining, occasional vertical lines and pointing hands in the margins, a little light soiling to lower margins of Aiv-Aiir, small ink spot on Aiiiv, no loss, otherwise clean. A good tight copy with browning to many pages (see images). An early popular medical book on human reproduction, women's health and childbirth. It was composed in the late 13th or early 14th century by a disciple of theologian and scientist Albertus Magnus, known as the pseudo Albertus Magnus. Goff, A-316; Polain 88-89 earlier editions; Krivatsy 85, 1500 edition. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST. [Attributes: Hard Cover]
Bookseller: Roger Middleton P.B.F.A. [Oxford, United Kingdom]
2018-10-12 20:06:31
CHRONIQUES DE NORMANDIE].
Rouen, Burges, s.d. (circa 1502). Petit in-4 gothique de 143 feuillets avec deux boisgravés (il manque 20 feuillets à notre exemplaire, lesquels ont été reproduits en fac-similé, montés sur onglets et reliés dans un volume à part en veau). Veau postérieur (XVIII e) en bel état, dos à nerfs. Rare édition qui est reprise sur celle de 1487. [Attributes: Hard Cover]
Bookseller: Librairie BERTRAN [ROUEN, France]
2018-10-07 09:04:10
DANTE.
(al verso del foglio:) Lo 'nferno e 'l purgatorio e 'l paradiso di Dante Alaghieri. (in fine:) Venetiis, in Aedibus Aldi. Accuratissime men. Aug. MDII. (Venezia, Aldo Manuzio, 1502.). in-8 (mm 157 x 95) , ff. 244 non numerati (il f. 82 bianco presente), carattere corsivo aldino, bella legatura inglese d'amatore di fine ottocento, non firmata, in marocchino blu scuro, i piatti adorni di riquadro con filetti e fregi floreali in oro, dorso a nervi con fregi e titoli oro, tagli dorati, dentelle int. Prima edizione aldina e prima delle edizioni di Dante impressa in formato tascabile. La lezione, curata da Pietro Bembo, servì di base a tutte le edizioni successive. La presente edizione è di insigne importanza filologica, assai rara ed ambita dai bibliofili: qui appare per la prima volta la celebre impresa tipografica di Aldo Manuzio dell' ancora con delfino al verso dell' ultimo foglio; la più celebre delle marche tipografiche della storia, che venne ultimata durante la stampa del volume. Bellissimo esemplare, abilmente rinfrescato all'epoca della rilegatura, con tre antiche provenienze nobiliari non ancora identificate, una con timbro e due manoscritte, sulla sguardia anteriore, sul primo e sul secondo foglio. In questo esemplare, di pregio particolare, ognuno dei 33 canti dell'Inferno ha nel margine bianco inferiore di una sua pagina una dotta nota manoscritta coeva di commento al canto stesso, vergata in chiaro minuto carattere, in una lingua italo-spagnuola, su tre o più righe, assai interessante. Inoltre tra i fogli i7 e i8 è inserito un foglio con numerazione 72 che contien … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2018-10-03 19:45:55
BAPTISTA MANTUANUS, GIOVANNI
Argentinae [Strassburg]: Johann Schott, 1502, 1501, 1500. This sammelband combines two works by humanist poet and Carmelite reformer Baptista Mantuanus with a treatise on Roman law, in a binding by an Esslingen binder who flourished between 1480 and 1524. Baptista Spagnuoli of Mantua (1447-1516) was one of the most prolific poets of the Renaissance and someone whose verse became enormously popular and influential in the early modern period, particularly after his eclogues were translated into English. Shakespeare referenced some of his poetry in "Love's Labour's Lost," and both Milton and Spenser also found inspiration in his work. The first work here, on various calamities of classical and contemporary times, was quite popular in the 16th century; it includes an attack on papal corruption that Luther included in his "Against the Roman Papacy." The second work, containing verses in praise of the Virgin Mary and Saint Catherine of Alexandria, introduced a form of epic poetry on religious subjects that would influence writers from Sannazaro to Milton, and led Erasmus to dub the Mantuan a "Christian Virgil." The final work in our volume is an influential manual on Roman law dating from the 12th century known as the "Exceptiones Petri." The binding here is from an Esslingen workshop dubbed by Kyriss "Kinder spielend" ["Children playing"] for the stamp which appears on the lower cover. Kyriss examined 61 volumes from German libraries in Esslingen, Stuttgart, Tubingen, and other cities that may be traced to this atelier. More than 90 percent of the bindings are on white pigskin, … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA) [McMinnville, OR, U.S.A.]
2018-10-02 14:51:21
BARTOLUS DE SAXOFERRATO et ANDREAS (Johannes).
2 ouvrages en 1 petit in-12. 1). XXIIIIff. chiffrés. + 31ff. (il manque peut-être un feuillet blanc à la fin). + 17pp. non chiffrées + 6ff. + 19pp. non chiffrées + 8ff. + 8ff. + 11ff. (1f.blanc). 2). 8ff. Plein maroquin rouge, dos à nerfs orné, double filet d'encadrement et roulette dorés sur les plats avec des fleurons aux angles, tranches dorées (reliure du début du 18e siècle). 1). Précieux recueil d'opuscules juridiques, imprimés en caractères gothiques à Cologne dans les premières années du 16e siècle et réunis sous un même titre à la faveur du projet éditorial désigné par Stintzing sous le nom de "Kölner Sammelwerke" ("le recueil de Cologne"). Ce projet, peut-être unique en son genre, avait mobilisé plusieurs imprimeurs et libraires de la ville pour produire et assembler différents opuscules de droit très prisés des étudiants et des juristes. Publiés aussi bien séparément que sous la forme de recueils plus ou moins complets, ces opuscules ne portaient ni date ni adresse d'impression, et ils présentaient la particularité extraordinaire de paraître issus de la même imprimerie et de ne constituer qu'un seul et même volume, quand en réalité leur élaboration et leur réunion sous forme de recueil était le fruit d'une collaboration complexe entre plusieurs imprimeurs et libraires. Le typographe Cornelius von Zierickzee est le seul dont le nom apparaisse fugacement dans l'une des variantes du recueil, mais parmi les imprimeurs ayant vraisemblablement participé au projet figurent Heinrich Quentell et ses héritiers, Martin von Werden, Johann von Landen et Hermann von Bongart. L … [Click Below for Full Description]
Bookseller: Librería Comellas [Barcelona, Spain]
2018-09-21 16:42:11
Ovidio (Publius Ovidius Naso)
In aedibus Aldi mense Octobri 1502 (al colophon), Venetiis. Buone legature inizi 700 in piena pelle maculata con nervi, ricchi fregi e titolo oro su tassello rosso al ds. Qualche traccia di usura e tassello del primo vol. di colore difforme (bruno). Tagli rossi. Belle carte di guardia marmorizzate. Timbretto al frontis. dei primi due volumi ed annotazioni di antica di mano sulla prima carta delle Metamorfosi. Minuscoli percorsi di tarlo al margine interno per circa metà del secondo vol. e forellino di tarlo sulle ultime 4 cc. del terzo. Antica numerazione ms. di gran parte delle pagine del primo vol. Tenui e piccole macchie su pochissime carte. Complessivamente esemplare fresco ed in ottimo stato di conservazione. Rarissima prima edizione aldina dell opera di Ovidio. Renouard, p. 37; Brunet IV, 269. 8vo (cm. 14,8), 3 Voll.; 64 cc.nn. (di cui l ultima bianca), 204 cc.nn. (si unisce) Heroidum Epistolae. Auli Sabini. Epistolae tres. P.O.N. Elegiarum. Libri tres. De Arte amandi. Libri tres. De Remedio amoris. Libri duo. In Ibin. Liber unus. Ad Liviam Epistola de morte Drusi. De Nuce. De Medicamine faciei, ibidem, in aedibus Aldi Romani, mense Decembri 1502 (al colophon), 202 cc.nn. (si unisce) Quae hoc in libello continentur. Fastorum. Libri VI., ibidem, in Aldi Romani Academeia, mense Ianuario 1502 (al colophon), 85 cc.nn., 1 c. bianca (segue) De Tristibus. Libri V. De Ponto. Libri IIII, ibidem, in Academia Aldi, Mense Febr. 1503 (al colophon), 118 cc.nn. Ancora aldina ai frontis. e ai colophon. [Attributes: First Edition; Hard Cover]
Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member [Roma, Italy]
2018-09-20 22:31:16
NICOLAS DE LYRE, or HENRICUS DE FRIMARIA.
retro fratres Minores Anno dominice geniture, 1502. The printer's name is not mentioned, but it is likely the work of Martin von Werden. The Retro Minores press operated from 31 July 1497 to 1504. Proctor attributed the work of this press to Martin Von Werden. BMC, however, suggests that, as the Retro Minores used three of Heinrich Quentell's types and 2 of the same woodcuts, it might have been a branch of Quentell's business. However, following the custom of the time, Quentell and Zel each gave the location of their shop as retro fratres, behind the friars, and identified themselves as the printer. Books printed by von Werden between 1498 and 1506 do not bear his name. However, they do indicate they were produced at the same location as that used by Quentell and Zel, or, as is the case with this book, retro fratres Minores, behind the friars minor. After 1506, von Werden indicated both the location and his name. Von Werden used the same typed as Quentell and Zel, and reprinted woodcuts which originally appeared in their books. The book has been attributed to Nicolas of Lyra (1270-1349). In modern times it has been assigned it to Henry of Friemar, circa 1245-1340 (Cf. Buchberger. Lexicon f. Theol. u. Kirche. 2nd ed.). Nicolas of Lyra had the greater reputation and is known as one of the great Biblical exegetes. He emphasized the literal meaning of scripture and his work was a strong influence on Luther. Nicholas was a Franciscan.Henry of Friemar belonged to the same order as Luther, the Order of Hermits of St. Augustine. He was master in theology at the Univ. o … [Click Below for Full Description]
Bookseller: John Nathan Stroud [Williamsburg, West Virginia, US]
2018-09-09 09:06:57
London: Printed & published by T. Crabb ... Sold also by J. Bysh ... , R. Hill, & Lingley & Belch ... & all other Bookse, [1818–21?], 1502. London: Printed & published by T. Crabb ... Sold also by J. Bysh ... , R. Hill, & Lingley & Belch ... & all other Booksellers, [1818–21?]. 24mo (15 cm, 5.5"). 82, [2] pp.; illus. Crabb lists 54 trades, arranged alphabetically — beginning with apothecary and ending with wheelwright — and including such uncommon entries as auctioneer, calico printer, printer, and gold beater. The volume is illustrated with => 12 fine full-page wood engravings (counted in the pagination); while the publisher's advertisement at the back lays claim to 13 engravings, other known copies are also described as having 12 illustrations, and the pagination here is uninterrupted.    The approximate date of publication is based on the address of J. Bysh in the imprint. There are two pages of publisher's advertisements and a table of contents present.    Provenance: 1841 gift inscription on front free endpaper, "James Dow Sainter from his mother." Bookseller's label of G. Harrison of Barnsley on front pastedown; most recently in the children's book collection of Albert A. Howard, small booklabel ("AHA") at rear.    This informative guide is => now scarce: Searches of NUC and WorldCat find only the copy at UCLA, and a search of COPAC finds no copies at all.         Brown, London Publishers and Printers. Red leather shelfback and marbled paper–covered boards, rebacked skillfully with portions of original spine reattached; binding showing wear and fading. Pages lightly a … [Click Below for Full Description]
Bookseller: Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) [US]
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2018-09-05 11:39:14
HERODOTUS
Venice, in domo Aldi, mense Septembri, 1502. EDITIO PRINCEPS. Folio. Ff [cxv]. 2ΑA-2ΡR⁸, 2ΣS⁴ Greek letter. Aldus' anchor and dolphin device on t-p and on verso of last, capital spaces with guide letters at beginning of each book, beautiful woodblock printed paper endleaves in purple and yellow, almost certainly venetian, bookplate of the Italian statesman Giacomo Manzoni (1816-89) on pastedown, Douglas Maxwell Moffat’s at side, (purchased from Davis & Orioli in 1932, with their letter confirming the sale loosely inserted). T-p very fractionally spotted, last leaf a little yellowed in margins, small hole restored in lower margins of penultimate two leaves, occasional very minor marginal waterstain to a few leaves. A very good copy, crisp and clean, on beautiful thick paper, with excellent margins, in handsome eighteenth century Italian dark calf, covers bordered with a double gilt rule and gilt leaf roll, arms of Marco Foscarini gilt at centres, (Guigard II p. 221), spine with gilt ruled raised bands, title and printer gilt lettered direct, head and tail of spine with minor restoration, joints and extremities a little cracked or rubbed, all edges sprinkled red and blue. The superb Editio Princeps of the works of Herodotus, 'The Father of History,' published and edited by Aldus Manutius, on the basis of numerous manuscripts as he stresses in his dedication to Giovanni Calfurnio da Brescia, and one of his finest and most important productions. This copy was bound for Marco Foscarini (1696 - 1763) (with his arms gilt on the covers) Venetian poet, sch … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2018-08-21 10:50:09
Ovidius Naso (Publius) - Ovid
Venice: Aldus Manutius, 1502. First Edition. Hardcover (Vellum). Very Good Condition. Full 18th century vellum, morocco spine label - slight wear, edges sprinkled blue, old armorial bookplate on front added blank. Slight scattered foxing, first and last leaf browned, calligraphic initials supplied in an early hand, some (mostly the blue) faded, some offsetting to others. aaa-kkk8, lll6; mmm-sss8, ttt6, uuu-zzz8, AAA-CCC8, with blank between the Fastorum and De Tristibus (lll6) present. Ahmanson-Murphy 68. The first Aldine edition of the third volume of Ovid's works. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 046663.
Bookseller: Pazzo Books (ABAA-ILAB) [Boston, MA, U.S.A.]
2018-08-19 06:54:14
HERODOTUS
in domo Aldi, mense Septembri, 1502. EDITIO PRINCEPS. Folio. Ff [cxv]. 2ΑA-2ΡR⁸, 2ΣS⁴. Greek letter. Aldus' anchor and dolphin device on t-p and on verso of last, capital spaces with guide letters at beginning of each book, beautiful woodblock printed paper endleaves in purple and yellow, almost certainly venetian, bookplate of the Italian statesman Giacomo Manzoni (1816-89) on pastedown, Douglas Maxwell Moffat's at side, (purchased from Davis & Orioli in 1932, with their letter confirming the sale loosely inserted). T-p very fractionally spotted, last leaf a little yellowed in margins, small hole restored in lower margins of penultimate two leaves, occasional very minor marginal waterstain to a few leaves. A very good copy, crisp and clean, on beautiful thick paper, with excellent margins, in handsome eighteenth century Italian dark calf, covers bordered with a double gilt rule and gilt leaf roll, arms of Marco Foscarini gilt at centres, (Guigard II p. 221), spine with gilt ruled raised bands, title and printer gilt lettered direct, head and tail of spine with minor restoration, joints and extremities a little cracked or rubbed, all edges sprinkled red and blue. The superb Editio Princeps of the works of Herodotus, 'The Father of History,' published and edited by Aldus Manutius, on the basis of numerous manuscripts as he stresses in his dedication to Giovanni Calfurnio da Brescia, and one of his finest and most important productions. This copy was bound for Marco Foscarini (1696 - 1763) (with his arms gilt on the covers) Venetian poet, scholar, writer and statesman who ser … [Click Below for Full Description]
Bookseller: Sokol Books Limited [GB]
2018-08-08 07:34:07
PETRARCA, Francesco
Lyon, Balthasard de Gabiano the Elder for Barthélemy TrotLyon, Balthasard de Gabiano the Elder for Barthélemy Trot, 1502. 8vo. (lxiiii), 114, (viii). Text in Italic letter, title and headlines in Roman, blank spaces with guide letters for initials. Light age yellowing, title page a little dusty and browned, occasional yellowing, lower right edges slightly ink stained between o 1 and r 1. In English calf, c.1700 covers double ruled in gilt with central gilt coronet and ‘P’, gilt title to spine tooled in gilt with floral motif and early case marks on black morocco labels, a.e. sprinkled red, marbled e. ps., joints a little rubbed. Bookplate of William O’Brien (1832-1899) and Milltown Park Library labels. The strawberry leaf coronet over the monogrammed ‘P’ demonstrates a Ducal provenance. During the period in which this binding could have been made, there were only two British Dukedoms, the Cavendish -Bentincks of Welbeck Abbey, supporters and favourites of William of Orange, created 1716 and Louise de Kérouaille, beloved mistress of Charles II, created Duchess in her own right in 1673 (age 24) and who lived another 60 years. Remarkably, she is an ancestress of Princess Diana, Camilla, Duchess of Cornwall and Sarah, Duchess of York. A good copy of the first of two Lyon counterfeit editions of 1501 Aldine Petrarch, and one of the earliest piracies of the Aldine octavo series. The Aldine edition of the “Canzoniere” and “Trionfi” was edited by the humanist scholar Pietro Bembo using Petrarch’s autograph (Codex Vaticanus Latinus 3197). It was one of the first vernacular text to b … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2018-08-06 22:16:03
PETRARCA, Francesco
Lyon, Balthasard de Gabiano the Elder for Barthélemy TrotLyon, Balthasard de Gabiano the Elder for Barthélemy Trot, 1502. 8vo. (lxiiii), 114, (viii). Text in Italic letter, title and headlines in Roman, blank spaces with guide letters for initials. Light age yellowing, title page a little dusty and browned, occasional yellowing, lower right edges slightly ink stained between o 1 and r 1. In English calf, c.1700 covers double ruled in gilt with central gilt coronet and ‘P’, gilt title to spine tooled in gilt with floral motif and early case marks on black morocco labels, a.e. sprinkled red, marbled e. ps., joints a little rubbed. Bookplate of William O’Brien (1832-1899) and Milltown Park Library labels. The strawberry leaf coronet over the monogrammed ‘P’ demonstrates a Ducal provenance. During the period in which this binding could have been made, there were only two British Dukedoms, the Cavendish -Bentincks of Welbeck Abbey, supporters and favourites of William of Orange, created 1716 and Louise de Kérouaille, beloved mistress of Charles II, created Duchess in her own right in 1673 (age 24) and who lived another 60 years. Remarkably, she is an ancestress of Princess Diana, Camilla, Duchess of Cornwall and Sarah, Duchess of York. A good copy of the first of two Lyon counterfeit editions of 1501 Aldine Petrarch, and one of the earliest piracies of the Aldine octavo series. The Aldine edition of the “Canzoniere” and “Trionfi” was edited by the humanist scholar Pietro Bembo using Petrarch’s autograph (Codex Vaticanus Latinus 3197). It was one of the first vernacular text to b … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2018-08-02 06:40:04
TUCHYDIDES
Excudebat Henricus Stephanus, illustris viri Huldr, Geneve. In Folio (mm 323x220); pagg. (16), 297, (3), 216, (8). Frontespizio in rosso e nero, marca tipografica di Estienne in silografia, testo greco nella prima parte, latino nella seconda. Legatura di fine Settecento in piena pergamena con decori neoclassici al dorso, tassello in marocchino rosso su cui Ë riportato il titolo con fregi neoclassici, tagli a spruzzo. Tre note di possesso al frontespizio che riporta anche la dicitura cancellata "Henricus Stephanus auctor damnatus, opus vero hoc permissum". In fondo all'Indice vi Ë la seguente nota manoscritta "Hic liber permittitur iuxta appendicem adnovum catalogum Sanctae Inquisitionis. Salmanticae Die quarta mensis Julij Anno ibis" segue firma dell'Inquisitore. Prima edizione di Estienne con il testo greco accompagnato dalla traduzione latina, che, sebbene attribuita a Valla nel titolo, fu condotta principalmente da Estienne stesso, autore delle note. Henri, nipote di Henri il vecchio e figlio di Robert Estienne, fu uno dei maggiori umanisti francesi di tutto il secolo, autore della monumentale opera Thesaurus Graece Linguae. Ottimo esemplare con un foro causato dall'inchiostro al margine sup. del frontespizio, un lieve alone alle prime pagine, una traccia di tarlo restaurata al margine inf. fino a pag. 59, un altro camminamento da pag. 223 a 295 nel margine esterno e da pag. 153 della seconda parte fino alla fine nel marg. inf. (restaurato dapag. 201 alla fine). Lieve ossidazione generale della carta. Adams T-666; Renouard, Estienne, 152-153; Dibdin, 506; PMM 102: "The t … [Click Below for Full Description]
Bookseller: libreria antiquaria perini Sas di Perini [Verona, VR, Italy]
2018-07-29 06:19:23
Ovidius Naso (Publius) - Ovid
Venice: Aldus Manutius, 1502. First Edition. Hardcover (Vellum). Very Good Condition. Full 18th century vellum, morocco spine label - slight wear, edges sprinkled blue, old armorial bookplate on front added blank. Slight scattered foxing, first and last leaf browned, calligraphic initials supplied in an early hand, some (mostly the blue) faded, some offsetting to others. aaa-kkk8, lll6; mmm-sss8, ttt6, uuu-zzz8, AAA-CCC8, with blank between the Fastorum and De Tristibus (lll6) present. Ahmanson-Murphy 68. The first Aldine edition of the third volume of Ovid's works. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 046663.
Bookseller: Pazzo Books [US]
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2018-07-15 07:01:22
ALIGHIERI, Dante
1502-1527 Dante Alighieri Divine Comedy Inferno Purgatory Italian Aldine MAP “Abandon all hope, ye who enter here.” Dante Alighieri, The Divine Comedy Dante’s “Divine Comedy” is one of the most important and long-lasting works for literature. This extremely rare, early 16th-century edition is highly desirable – not only because it is an early printing of a famous piece of literature but also because it features utterly fascinating woodcuts. These full-page illustrations depict diagrams of each stage as well as a double-page map of Inferno with incredible detail! MUST See! Item number: #3953 Price: $2950 ALIGHIERI, Dante Lo'nferno e'l Purgatorio e'l Paradiso di Dante Alaghieri No imprint or date – see note [Venice, ca. 1502-1527] Details: • Collation: Complete with all leaves o 248 unnumbered leaves o Signatures: a-z, A-H (l2, H7-8 blank). • Note on dating and edition: o This edition is presumably a pirated, but identical printing to the one printed by Paganino in Toscolano of 1527, which was directly copied from the 1515 Aldine edition – the only difference being the absence of the frontispiece. Extremely rare. o Title page verso is blank - Aldine edition features title and Aldine device o This edition also lacks signature catchwords with was present in the original Aldine and in the Paganino edition. o Leaf gatherings are signed with the Roman type (iiii) as opposed to the Arabic type (iiij) used in the Aldine o Capital letters beginning each verse are less pronounced and separate from the text in this printing o Woodcuts are directly from the Aldine – three full-page diag … [Click Below for Full Description]
Bookseller: Schilb Antiquarian [Columbia, MO, U.S.A.]
2018-07-09 10:29:10
Statius, Publius Papinius,
(Venedig, Aldus Manutius 1502.) - . Weinroter Ldr. d. 19. Jhs. mit Rücken- und Deckelvergoldung, Steh- und Innenkantenverg. und GGoldschnitt. 8vo. 255 (st. 256), 40 nn. Bll. Erste Ausgabe bei Aldus. - Schöne Ausgabe der wichtigsten Texte des Statius; Exemplar mit der nachgebundenen Orthographia, die nicht allen Exemplaren beigegeben wurde (vgl. Dibdin). ""Edition dont on trouve difficilement des exemplaires bien conserves."" (Brunet) - Fehlt das letzte Bl. vor der Orthographia mit dem 2. Druckvermerk, hier durch ein w. Bl. ersetzt. - Stellenweise fleckig, letzte Bl. von Achilleidos duo mit kl. Fehlstelle. Einband stellenweise berieben u. etw. fleckig.Aldinen-Slg. Berlin 87. - Adams S 1670 und 1683. - BM STC, Italian Books S. 646. - Brunet V, 512. - Dibdin II, 423. - Schweiger II, 963."
Bookseller: Ketterer Kunst GmbH [Germany]
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