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Displayed below are some selected recent viaLibri matches for books published in 1495
2018-02-20 18:05:18
SAVONAROLA, Girolamo.
Florence Bartolommeo de Libri circa. INCUNABULA, circa 1495, ITALIAN TEXT, bound in eights, approximately 200 x 135 mm, 7¾ x 5¼ inches, 24 leaves without pagination, as issued (48 pages), a1-c8, 34 lines, the last 2 words are "senza spirito", then "Finis", capital spaces. Fo.a1: WOODCUT of Christ praying on the Mount of Olives with title above, bound in early 19th century limp vellum, bookplate of Holland House on pastedown. Vellum dusty and crinkled, lower inner margins slightly wormed throughout to varying degrees, not affecting text, some pale browning and pale soiling to margins, occasional brown spot, pale ink numbers to top corners, otherwise a very good copy. See: Italian library ICCU, record number 2; BLC page 720, col.832, No. IA 27555; Max Sanders, Le Livre A Figures Italien 1476-1530, No. 6780: Henry Huth, Catalogue of the Famous Library, Seventh Portion, page 1844, No VIII; Paul Kristeller, Early Florentine Woodcuts, With an Annotated List of Florentine Illustrated Books, pages 155-156, No 384B, and page ix, "The original editions of the "Rappresentazioni" of the Savonarola tracts, or of popular poems, have rarely more than one cut, that on title page." and pages 155-156, No 384B. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST. [Attributes: Hard Cover]
Bookseller: Roger Middleton P.B.F.A. [Oxford, United Kingdom]
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2018-02-19 17:20:49
SAVONAROLA, Girolamo.:
(Florence, Bartolommeo de Libri), circa 1495. INCUNABULA, circa 1495, ITALIAN TEXT, bound in eights, approximately 200 x 135 mm, 7¾ x 5¼ inches, 24 leaves without pagination, as issued (48 pages), a1-c8, 34 lines, the last 2 words are "senza spirito", then "Finis", capital spaces. Fo.a1: WOODCUT of Christ praying on the Mount of Olives with title above, bound in early 19th century limp vellum, bookplate of Holland House on pastedown. Vellum dusty and crinkled, lower inner margins slightly wormed throughout to varying degrees, not affecting text, some pale browning and pale soiling to margins, occasional brown spot, pale ink numbers to top corners, otherwise a very good copy. See: Italian library ICCU, record number 2; BLC page 720, col.832; Max Sanders, Le Livre A Figures Italien 1476-1530, No. 6780: Henry Huth, Catalogue of the Famous Library, Seventh Portion, page 1844, No VIII; Paul Kristeller, Early Florentine Woodcuts, With an Annotated List of Florentine Illustrated Books, pages 155-156, No 384B, and page ix, "The original editions of the "Rappresentazioni" of the Savonarola tracts, or of popular poems, have rarely more than one cut, that on title page." and pages 155-156, No 384B. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.
Bookseller: Roger Middleton P.B.F.A. [GB]
2018-02-17 07:42:48
THEOCRITUS, HESIOD, and others.
Essling 888; Hoffmann III, 473-474; IDL 4302; IGI 9497; Renouard, p. 1495, no. 3 ("éd. très rare"); Sander 7235; UCLA 7. Rare first issue of the first and only edition of a collection of Greek works, many of the individual works appearing here in their first editions: one of the first books produced by the famous printer-publisher Aldus Manutius, published less than a year after his first book. In fact Aldus printed only one complete book before the present edition though he also issued the first parts of two others (all in Greek), and published Bembo's Latin De Aetna in the same month.The first editions in the present collection include 12 of the Ecloques of Theocritus, Hesiod's Theogonia (or De generatione deorum) and selections from the Greek gnomic poets. It is the most interesting of all Aldine Greek editions, containing a wide variety of linguistic forms and packed with mythological or moralizing passages, and as such highly interesting for the history of education and of humanism in general and the beginning of the study of Greek language and literature in particular. There are two issues of the present edition, and the present first issue is the rarer. With armorial bookplate on the last leaf, below the colophon. In very good condition and with large margins, with the first 2 and last 2 leaves somewhat foxed, a few leaves with small marginal worm holes along the foot edge or very faint marginal water stains, none approaching the text. One of the most important books, and nearly the first, printed by Aldus Manutius, in the rare first issue.
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
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2018-02-16 17:32:31
THEOCRITUS, HESIOD, and others.
Essling 888; Hoffmann III, 473-474; IDL 4302; IGI 9497; Renouard, p. 1495, no. 3 ("éd. très rare"); Sander 7235; UCLA 7. Rare first issue of the first and only edition of a collection of Greek works, many of the individual works appearing here in their first editions: one of the first books produced by the famous printer-publisher Aldus Manutius, published less than a year after his first book. In fact Aldus printed only one complete book before the present edition though he also issued the first parts of two others (all in Greek), and published Bembo's Latin De Aetna in the same month.The first editions in the present collection include 12 of the Ecloques of Theocritus, Hesiod's Theogonia (or De generatione deorum) and selections from the Greek gnomic poets. It is the most interesting of all Aldine Greek editions, containing a wide variety of linguistic forms and packed with mythological or moralizing passages, and as such highly interesting for the history of education and of humanism in general and the beginning of the study of Greek language and literature in particular. There are two issues of the present edition, and the present first issue is the rarer. With armorial bookplate on the last leaf, below the colophon. In very good condition and with large margins, with the first 2 and last 2 leaves somewhat foxed, a few leaves with small marginal worm holes along the foot edge or very faint marginal water stains, none approaching the text. One of the most important books, and nearly the first, printed by Aldus Manutius, in the rare first issue. [Attributes: First Edition … [Click Below for Full Description]
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2018-02-01 00:34:20
Aegidius (Columna) Romanus.
[Leipzig, Martin Landsberg, um 1495]. - Aegidius, bedeutender Scholastiker, Schüler des Thomas von Aquin und Erzieher Philipps des Schönen, wurde früher für ein Mitglied der römischen Adelsfamilie Colonna gehalten. - Lt. ISTC weltweit nur 18 Exemplare in öffentlichen Einrichtungen nachweisbar (der GW listet 16 Exemplare/Fragmente auf). - Leicht stockfleckig. Letzte Seite mit winzigem Kleberest (Siegelwachs) in der unteren Innenecke. - Insgesamt schönes und vollständiges Exemplar dieser seltenen Inkunabel. - GW 7212; Hain/C. 119; BSB-Ink A-60; BMC III, 638; Proctor 2958; IA 11923; ISTC ia00079500. la Gewicht in Gramm: 350 4° (18,4 x 13,1 cm). 12 nn. Bll. (Got. Typ., 33 Zeilen), Mod. Ppbd. m. Inkunabelpapierbezug. [Attributes: Hard Cover]
Bookseller: Antiquariat Wolfgang Friebes
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2018-02-01 00:34:19
DIOMEDES
In-4 p., mz. pelle settecentesca, dorso a cordoni con fregi e tit. oro su tassello, 84 cc.nn. Al verso del front.: "In hoc volumine continentur: DIOMEDES (...) - PHOCAS "De nomine et verbo. Epitoma Prisciani" - CAPER: "De latinitate" - AGRAETIUS: "De orthographia et proprietate et differentia sermonis" - DONATUS: "De barbarismo et octo partibus orationis" - SERVIUS: "In secundam Donati editionem interpretatio" - SERGIUS: "In secundam Donati editionem commentarius". Al recto della c. 84: "Impressum Venetiis per Theodor De Ragazonibus de Asula. Anno Domini nostri Iesu Christi. MCCCCLXXXXV. Die vero.XII.mensis Iuni" e il registro. Cfr.Hain,II,6219 - Goff "Incunabula in American Libraries",214 - Incunabuli della Biblioteca di Bergamo,453 - The British Library,216 - Essling,II,563 e 564 cita solo le ediz. del 1491 e 1494 con frontesp. illustrato. Manca all'Adams. Solo piccolissimi fori di tarlo e lievi aloni marginali su alc. carte; antiche annotazioni marginali, altrimenti bell'esemplare. "Diomede, grammatico latino della seconda meta' del IV secolo D.C., autore di un'Ars Grammatica in tre libri (1°: le parti del discorso - 2°: gli elementi della grammatica - 3°: (il piu' importante) poetica e metrica), utilissimi anche per la storia dei generi letterari". Cosi' Dizionario Treccani,IV, p. 71. .
Bookseller: Libreria Antiquaria Malavasi
2018-02-01 00:34:17
Baptista Trovamala [Baptista de Salis]
Venice [Venetijs]: Georgius Arrivabenus, 1495. Second Edition. Leather. Very Good. 8vo - over 7¾" - 9¾" 558 leaves [8 + 1104]pp. Text printed double column in black Initials supplied by hand throughout, mainly in red, a few in blue, some in blue and red, some with considerable elaboration, and two fine decorative floral borders exhibiting some detailed penwork, with extensive rubrication throughout in red. There is a moderate amount of contemporary marking and marginalia to text, some of which is of interest, the originall marginal tabs are present, as is the printer''s woodcut device at rear. Bound in period paneled calf over wood boards, with what appears to be a 19th-century rebacking, printed paper spine label, complete with leather and tooled brass clasps (one of which appears to be a later copy). The covers each feature large (4 x 2 5/8 inch), elaborate contemporary blind-tooled panels combing figures (possibly Jesus carrying the cross next to the cowled figure of a monk), other symbols and text, surmounted by what appear to be arbors or stone window tracery. These central panels are surrounded by a dozen other stamped devices ("IHS" in a sun; fleur-de-lis, rosettes, etc.) on each cover, some reaching nearly an inch in size. The pastedowns are made of older vellum manuscript leaves in Latin. The front pastedown features a fine early hand-colored woodcut of Saint Francis of Assisi, complete with stigmata, surrounded by a frieze of birds, flowers, woodland strawberries (Fragaria vesca), and butterflies. To date, we have not been able to locate any other existing ex … [Click Below for Full Description]
Bookseller: Arundel Books of Seattle [U.S.A.]
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2018-02-01 00:34:16
Rolewinck, Werner.
[Straßburg, Johann Prüss, nach dem 6. April 1490 und vor 1495]. - Eine von fünf bei Prüss in Straßburg gedruckten Ausgaben des Faszikulus, der seit seinem Erscheinen 1474 in Köln mehr als 30 Ausgaben erlebte und „den größten und ganz ungewöhnlichen Erfolg" (ADB XXIX, 73) gehabt hat. - Werner Rolewinck (1425-1502) lebte seit 1447 als Kartäusermönch in Köln und verfaßte zahlr. theologische und historische Arbeiten, unter denen das vorliegende Werk, ein geschichtlicher Abriß von der Erschaffung der Welt bis zum Ende des 15. Jahrhunderts, die bei weitem größte Verbreitung gefunden hat. Die vorliegende Ausgabe verzeichnet als letztes Datum den Tod des ungarischen Königs und großen Bibliophilen Matthias Corvinus im Jahre 1490. Auf Bl. LXXXIX verso befindet sich ein ausführlicher Hinweis auf die Erfindung des Buchdrucks. - Neben mehrfach verwendeten Stadtansichten zeigen die Textholzschnitte die Arche Noah, den Turm zu Babel, Salvator mit Weltkugel sowie einige Mißgeburten. - Titel u. das erste Registerblatt m. alten, tlw. gestrichenen Besitzvermerken. Vereinzelte alte Marginalien bzw. kl. Randläsuren. Tlw., bes. am Kopfsteg, etw. wasserrandig. Leicht gebräunt bzw. (stock-) fleckig. - GW M38727; Hain/C. 6915; Goff R 275; BSB R-250; Schramm XX, 27; Schreiber 5120; ISTC ir00275000. la Gewicht in Gramm: 2000 Fol. Mit einem ganzs. Holzschnitt am Titel verso, 15 tlw. wiederh. Textholzschnitten u. zahlr. schematischen Textholzschnitten. 6 nn., 90 röm. num., 2 weiße Bll. (Got. Type, 2-3 Spalten), Mod. Schweinsldr.-Bd. im Stil d. Zt. a. 4 Bünden m. Streicheisen-Blindprägung.
Bookseller: Antiquariat Wolfgang Friebes
2018-02-01 00:34:09
[Polycronicon; English Incunabula]; Higden Ranulf; [Music]
A very substantial fragment, being 220 (of 398) leaves, of only the second edition of Higden's great universal chronicle in English, printed by William Caxton's successor at Westminster, Wynkyn de Worde. Duffs type 4 throughout, woodcut initials, printed music to leaf n5 recto, Higden's discussion of the work of Pythagoras provides the occasion for the printing of a musical example in the present edition, making this also the first English book to contain printed music. Chancery folio (256 x 178 mm.), in later full red calf, the panelled spine lettered in gilt between tall raised bands, bookplate of the family of Edward Norris. 220 (of 398) leaves, wanting those before fl, leaves gl and g8, and all after K1. A rare survival and substantial fragment, the leaves of gatherings f and g mounted at inner margin, with some additional small repairs, affecting small portions of text on 10 leaves, numerous other leaves (gatherings A1-1-18) neatly mounted at inner edges, a few minor tears and repairs elsewhere, light dampstaining and thumbing, heaviest to early leaves, the word 'Pope' and its contractions deleted throughout in sixteenth-century manuscript. Numerous early annotations, including the inscription (in two places) of Robert Crystyn. AN IMPORTANT EDITION OF THE POLYCRONICON, the most influential universal chronicle distributed in Britain during the 14th and 15th centuries AND The first English book to contain printed music. This is the second edition of the Polycronicon in English and was printed by Wynkyn de Worde. Caxton had died in 1491, at which time his workshop, types … [Click Below for Full Description]
Bookseller: Antiquarian Bookshop Buddenbrooks, Inc. [US]
2018-01-27 21:57:46
Baptista Trovamala [Baptista de Salis]
Venice [Venetijs]: Georgius Arrivabenus, 1495. Second Edition. Leather. Very Good. 8vo - over 7¾" - 9¾" 558 leaves [8 + 1104]pp. Text printed double column in black Initials supplied by hand throughout, mainly in red, a few in blue, some in blue and red, some with considerable elaboration, and two fine decorative floral borders exhibiting some detailed penwork, with extensive rubrication throughout in red. There is a moderate amount of contemporary marking and marginalia to text, some of which is of interest, the originall marginal tabs are present, as is the printer''s woodcut device at rear. Bound in period paneled calf over wood boards, with what appears to be a 19th-century rebacking, printed paper spine label, complete with leather and tooled brass clasps (one of which appears to be a later copy). The covers each feature large (4 x 2 5/8 inch), elaborate contemporary blind-tooled panels combing figures (possibly Jesus carrying the cross next to the cowled figure of a monk), other symbols and text, surmounted by what appear to be arbors or stone window tracery. These central panels are surrounded by a dozen other stamped devices ("IHS" in a sun; fleur-de-lis, rosettes, etc.) on each cover, some reaching nearly an inch in size. The pastedowns are made of older vellum manuscript leaves in Latin. The front pastedown features a fine early hand-colored woodcut of Saint Francis of Assisi, complete with stigmata, surrounded by a frieze of birds, flowers, woodland strawberries (Fragaria vesca), and butterflies. To date, we have not been able to locate any other existing ex … [Click Below for Full Description]
Bookseller: Arundel Books [Seattle, WA, U.S.A.]
2018-01-27 21:57:46
Baptista Trovamala [Baptista de Salis]
Venice [Venetijs]: Georgius Arrivabenus, 1495. Second Edition. Leather. Very Good. 8vo - over 7¾" - 9¾" 558 leaves [8 + 1104]pp. Text printed double column in black Initials supplied by hand throughout, mainly in red, a few in blue, some in blue and red, some with considerable elaboration, and two fine decorative floral borders exhibiting some detailed penwork, with extensive rubrication throughout in red. There is a moderate amount of contemporary marking and marginalia to text, some of which is of interest, the originall marginal tabs are present, as is the printer''s woodcut device at rear. Bound in period paneled calf over wood boards, with what appears to be a 19th-century rebacking, printed paper spine label, complete with leather and tooled brass clasps (one of which appears to be a later copy). The covers each feature large (4 x 2 5/8 inch), elaborate contemporary blind-tooled panels combing figures (possibly Jesus carrying the cross next to the cowled figure of a monk), other symbols and text, surmounted by what appear to be arbors or stone window tracery. These central panels are surrounded by a dozen other stamped devices ("IHS" in a sun; fleur-de-lis, rosettes, etc.) on each cover, some reaching nearly an inch in size. The pastedowns are made of older vellum manuscript leaves in Latin. The front pastedown features a fine early hand-colored woodcut of Saint Francis of Assisi, complete with stigmata, surrounded by a frieze of birds, flowers, woodland strawberries (Fragaria vesca), and butterflies. To date, we have not been able to locate any other existing ex … [Click Below for Full Description]
Bookseller: Arundel Books [Seattle, WA, U.S.A.]
2018-01-25 12:48:34
ANGELUS DE CLAVASIO (1411-1495)
Rouen: Jean Le Bourgeois, 1495. Chancery 4to (199 x 138 mm). Collation: pi8 [Maltese cross]12 a-r8 [r rotunda]8 [long s]8 s t u v x-z8 [et]8 [con]8 A-X8 2A-M8 (k2 missigned k4, n2 missigned n4, both corrected in ms). 508 leaves, foliated [20], 488. Double column (Tornielli's letter in single column, first table in 3 columns). 46 lines and foliation. Gothic types 3**:120, title and headings, 3*:63, text. Large woodcut printer's device with arms of Rouen on final verso. Opening 6-line initial supplied in red, capital strokes in yellow throughout. Dampstaining at foot of last few leaves, some narrow marginal dampstains elsewhere. Contemporary calf over wooden boards, covers simply decorated with double fillets forming a panel and central saltire pattern, covers with several scrapes and gouges, spine very worn showing portions of the sewing supports (5 double cords and 2 single cords) and the endbands, nail and nailhole evidence of two fore-edge clasps, lower cover with two larger holes from bosses; a large copy with several deckle edges. Provenance: contemporary ownership inscription on title from an unidentified Benedictine monastery of St. Martin: Mon[aste]rii Sancti Mart. [?]ag. ordinis Sancti Bened. cata[logo] inscriptus; Mesnager, signature at end of tables; early inscription (faded) on back flyleaf noting a passage from the text.*** A scarce Rouen edition, published a few months before the author's death, of the authoritative compendium of canon law by the Franciscan Vicar-General Angelo Carletti, a native of Chivasso (near Turin). The first edition, published in Chivas … [Click Below for Full Description]
Bookseller: Musinsky Rare Books, Inc.
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2018-01-22 14:56:47
ANGELUS DE CLAVASIO (1411-1495).
Rouen: Jean Le Bourgeois, 30 January 1495. Chancery 4to (199 x 138 mm). Collation: 8 [Maltese cross]12 a-r8 [r rotunda]8 [long s]8 s t u v x-z8 [et]8 [con]8 A-X8 2A-M8 (k2 missigned k4, n2 missigned n4, both corrected in ms). 508 leaves, foliated [20], 488. Double column (Tornielli's letter in single column, first table in 3 columns). 46 lines and foliation. Gothic types 3**:120, title and headings, 3*:63, text. Large woodcut printer's device with arms of Rouen on final verso. Opening 6-line initial supplied in red, capital strokes in yellow throughout. Dampstaining at foot of last few leaves, some narrow marginal dampstains elsewhere. Contemporary calf over wooden boards, covers simply decorated with double fillets forming a panel and central saltire pattern, covers with several scrapes and gouges, spine very worn showing portions of the sewing supports (5 double cords and 2 single cords) and the endbands, nail and nailhole evidence of two fore-edge clasps, lower cover with two larger holes from bosses; a large copy with several deckle edges. Provenance: contemporary ownership inscription on title from an unidentified Benedictine monastery of St. Martin: Mon[aste]rii Sancti Mart. [?]ag. ordinis Sancti Bened. cata[logo] inscriptus; Mesnager, signature at end of tables; early inscription (faded) on back flyleaf noting a passage from the text.*** A scarce Rouen edition, published a few months before the author's death, of the authoritative compendium of canon law by the Franciscan Vicar-General Angelo Carletti, a native of Chivasso (near Turin). The first edition, published i … [Click Below for Full Description]
Bookseller: Musinsky Rare Books [USA]
2018-01-20 06:40:54
[Polycronicon; English Incunabula]; Higden Ranulf; [Music]
A very substantial fragment, being 220 (of 398) leaves, of only the second edition of Higden's great universal chronicle in English, printed by William Caxton's successor at Westminster, Wynkyn de Worde. Duffs type 4 throughout, woodcut initials, printed music to leaf n5 recto, Higden's discussion of the work of Pythagoras provides the occasion for the printing of a musical example in the present edition, making this also the first English book to contain printed music. Chancery folio (256 x 178 mm.), in later full red calf, the panelled spine lettered in gilt between tall raised bands, bookplate of the family of Edward Norris. 220 (of 398) leaves, wanting those before fl, leaves gl and g8, and all after K1. A rare survival and substantial fragment, the leaves of gatherings f and g mounted at inner margin, with some additional small repairs, affecting small portions of text on 10 leaves, numerous other leaves (gatherings A1-1-18) neatly mounted at inner edges, a few minor tears and repairs elsewhere, light dampstaining and thumbing, heaviest to early leaves, the word 'Pope' and its contractions deleted throughout in sixteenth-century manuscript. Numerous early annotations, including the inscription (in two places) of Robert Crystyn. AN IMPORTANT EDITION OF THE POLYCRONICON, the most influential universal chronicle distributed in Britain during the 14th and 15th centuries AND The first English book to contain printed music. This is the second edition of the Polycronicon in English and was printed by Wynkyn de Worde. Caxton had died in 1491, at which time his workshop, types … [Click Below for Full Description]
Bookseller: Antiquarian Bookshop Buddenbrooks, Inc. [US]
2018-01-09 10:53:42
1495. Plate: 'John Schorel. From an original picture by his scholar Sr. Ant. More, in the possession of Mr. Lombe of Cambridge.' Portrait of Jan van Scorel (1495 - 1562), an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. Stipple engraving on a vellin type paper. Description: This old antique master print originateswas published by I. Robinson in London, 1796. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.Artists and Engravers: This plate by Facius sculp after T. Kerrich del. Engraver(s): the brothers Johann Gottlieb Facius (Ratisbon, Germany, c. 1750 - London, 1802) and Georg Sigmund Facius (Ratisbon, c. 1750 - London, 1814). After a drawing by Thomas Kerrich (1748-1828) who was a clergyman, principal Cambridge University librarian (Protobibliothecarius), antiquary, draughtsman and gifted amateur artist. He created one of the first catalogue raisonnees (for the works of artist Marten van Heemskerck). After a painting by Sir Antonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro (c. 1517 - 1577) was a Dutch portrait painter, much in demand by the courts of Europe. Condition: Good. General age-related toning. Light staining. Rear with remains of paper from previous attachment to carrier. Please study scan carefully. Storage location: C247-44 The overall size is ca. 6.9 x 9.1 inch. The image si … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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2018-01-04 05:25:30
Astesanus de Ast.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2018-01-04 05:25:18
Astesanus de Ast.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
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2018-01-03 20:18:36
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Tear on upper margin perfectly restored; - size (in cm): 34 x 22,5; - description: Map shows the city of Alexandria, on reverse representation 11 philosophs and kings; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures sim … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
2018-01-03 20:18:36
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 33 x 52; - description: Map shows the city of Pavia, on double page reverse representation of 13 philosophs and kings; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three son … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
2017-12-24 14:12:27
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 37 x 22,5; - description: Map shows the city of Ravenna, onrevers 4 kings; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of Noah's: Sem, Ham and Jafet. The world m … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
2017-12-06 13:34:06
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495. - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 38 x 22,5; - description: Representation of the Salomon Temple in Jerusalem, on reverse the city of Perugia; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of Noah's … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-12-06 13:34:06
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495. - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 39 x 22,5; - description: Representation of the genealogical tree of Heinrich, duke of Bavaria, on reverse Heinrich and Conradus, sun and moon, Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with t … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-12-06 13:34:06
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495. - technic: Woodcut; - colorit: original colored; - condition: Missing part in the text restored; - size (in cm): 20 x 22; - description: Map shows a city in Austria; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of Noah's: Sem, Ham and Jafet. The world … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-12-06 13:34:06
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 32 x 22,5; - description: Representation of the joint reign of Pope Pius II (reigned 1458-1464) and Emperor Frederick III (reigned 1440-1493), Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with t … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-12-06 13:34:06
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 35 x 22,5; - description: Representation of the city of Treviso/ on reverse the city of Aquileia near Udine/ Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three s … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
2017-12-06 13:34:06
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Perfect condition; - size (in cm): 35 x 23; - description: Nice view of the city Trevisio near Venice, on reverse the city of Aquileia in the province Udine.; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
2017-12-06 13:34:06
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495. - technic: Woodcut; - colorit: original colored; - condition: Missing upper letters; - size (in cm): 19,50 x 51; - description: View of the city of Ulm with the river Danube; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of Noah's: Sem, Ham and Jafet. T … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2017-12-02 16:29:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 38 x 22,5; - description: Representations of differnet kings / on reverse different saints, Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of Noah's: Se … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
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2017-12-02 16:29:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Wood engraving; - colorit: original colored; - condition: Very good; - size (in cm): 35,5 x 23; - description: Representation of differnent saints/ on reverse the same, Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of Noah's: Sem … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
Check availability:
2017-12-02 16:29:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 38 x 23; - description: Representation od Syrian kings and the genealogy of Matathias, on reverse the genealogy of Apius Claudius, Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures s … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
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2017-12-02 16:29:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Copper print; - colorit: original colored; - condition: Very good; - size (in cm): 38 x 23; - description: Incunabula, printed letter sheet from the famouns Schedel world chronicle shows the popes arround 300 AD with description in latin text, also on reverse; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:Hi … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
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2017-12-02 16:29:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Perfect condition; - size (in cm): 38 x 22,5; - description: Representation of different kings and the pope with his bishops/ Reverse shows differnet saints, Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures s … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG
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2017-11-29 06:51:19
Anonimo
1495 - Xilografia, fine XV secolo. Buona prova di questa rarissima opera, impressa su carta vergata priva di filigrana, rifilata alla linea marginale, in ottimo stato di conservazione. Alcuni segni della matrice, mancanti, sono corretti ad inchiostro antico. Apparentemente sconosciuta alle bibliografie. Timbro di collezione al verso. Dimensioni 125x170. Woodcut, end on the XV century. Good example of a very rare work, printed on laid paper without watermark, trimmed to the marginal line, in excellent condition. Some lacking signs of the plate have been added with ancient ink. Apparently unknown to the main bibliographies. Collection stamp on verso. Dimensioni
Bookseller: Libreria Antiquarius
2017-11-25 22:49:14
CAMPANO GIOVANNI ANTONIO.
Roma, Euchario Silber alias Franck, 31 ott. 1495. In-folio; 304 cc.; sulla prima carta, grande incisione in legno rappresentante una campana, allusione al nome dell'autore; al verso della carta 302 impresa raffigurante un castello a due torri (impresa del Ferno). Decine di iniziali grandi e piccole decorate su fondo nero. Bella legatura coeva in tutta pelle, significativo esempio di manufatto italiano della fine del '400. Bordure, fregi e rosone centrale impressi a secco ai piatti (dorso anticamente rifatto, qualche restauro agli angoli e ai piatti, risguardi rinnovati con carta antica). Lieve gora a tre carte, 9 bifogli presentano gli stessi margini sui 3 lati, mentre quello inferiore appare un poco pi-- corto ed Š in barbe. Questo particolare non sembra frutto di un inserimento recente ma una caratteristica differente di qualche bifoglio al momento della legatura. Buon esemplare su carta forte, bianchissima e a grandi margini (21,5 x 32 cm). Prima edizione della quasi totalit... delle opere del Campano qui contenute. Ricordiamo tra le pi-- significative la Vita di Pio II, La vita e le gesta del condottiero Braccio da Montone, Il discorso preparato per la Dieta di Ratisbona per spingere i principi tedeschi alla guerra contro i Turchi, la Descrizione del Lago Trasimeno ed inoltre Le elegie, Gli epigrammi e I nove libri di Lettere. Riportiamo dalla scheda di Giuseppe Martini: "La parte pi-- importante di questa raccolta consiste nei nove Libri delle Lettere, che sono di grande interesse per la storia, la letteratura, la corografia e i costumi d'Italia in quel tempo. Queste e … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Mediolanum [IT]
2017-11-20 11:58:42
Mirandola, Faksimile des Stundenbuchs des Pico Della
Der Buchschmuck besteht u.a. aus einem Kalender mit Monats- und Tierkreiszeichenbildern, 4 ganzseitigen Miniaturen und 7 kleine Miniaturen, ausgeführt in 23 1/2 Karat-Echtvergoldung, 6 Initialen mit szenischen Darstellungen, 85 Initialienbuchstaben vor Landschaften, 37 Initialbuchstaben mit großflächigen Ornamenten. Orginalsamteinband(einem Stundenbuch der Medici nachempfunden) auf drei Bünden mit dreiseitigem Goldschnitt, sowie reich ornamentierten vergoldeten Beschlägen und Schließen, sowie eingelegten Opalen und einem Mittelfeldrhombus mit einem ovalen Lapislazuli geschmückt. siehe Fotos. Eins von 1495 Expl. Für den, der es mag, sicherlich ein schönes Buchobjekt.
Bookseller: Antiquariat Siegfried Unverzagt
2017-11-03 08:04:59
Coron Verlag. Sammelkassette aus Samt - wie neu Limitierte Auflage von 1495 Exemplaren Nummer 1164 Kassette in Schutzhülle Kommentarband ist dabei.
Bookseller: Zeller [Germany]
2017-10-31 20:35:53
Grosjean, Georges u. Madlena Cavelti (Hg.)
2, Textheft (55 S., zahlreiche Abb.), 29 (in 30) teils mehrfach gefalt. und teilw. farb. farb. Karten, Lose Bl. in Mappe in Schuber, Textheft broschiert., Mappe minimal stockfleckig, sonst tadellos. Inhalt: Faksimilierte Karten von Konrad Türst (1495/97), Strassburger Ptolomäus (1513 und 1520), Johannes Stumpf (1547), Antonio Salamance (1555), Abraham Ortelius (1570), Sebastian Münster (Helvetia ohne Westschweiz 1540), Jacques Goulart und J.B. Vrintius (Genfersee 1507), Fortunat Sprecher von Bernegg und Philipp Clüver (Graubünden 1617), Gerhard Mercator (Wiflisburgergau 1585), Willem Blaeu (Aargau 1634), Johannes Janssonius (Zürichgau um 1638), Jodocus Hondius (um 1620), Nicolas Sanson d'Abbeville (Nordostschweiz 1660), Johann Leopold Cysat (Vierwaldstättersee 1645), Hans Konrad Gyger (1657), Nicolas Sanson d'Abbeville und Hubert Alexis Jaillot (1696), Heinrich Ludwig Muoss (1698), Hans Konrad Gyger (Stadtquartier Zürich 1660), derselbe (Kt. Zürich 1685), Johann Jakob Scheuchzer (Schweizerkarte, Nachstich bei Covens und Mortier um 1720), Samuel Loup (Westliches Berner Oberland (1754), Johann Rudolf Meyer und Heinrich Weiss (Atals, Baltt Vierwaldstättersee 1796 und Blatt Kt. Zürich um 1800), Heinrich Keller (Kt. Zürich 1828), Johann Wild (Zürich und Umgebung 1851), Xaver Imfeld (Probeblatt zur Schulwandkarte der Schweiz 1896, Ausschnitt), Hermann Kümmerly (dito), Fridolin Becker (dito), Eduard Imhof (dito 1969), Landeskarte der Schweiz (1:25000, Blatt 1347, Matterhorn 1969).
Bookseller: antiquariat peter petrej
2017-10-28 06:31:25
INCUNABLE DE 1495 // Guillaume d'OCKHAM (Ockham, Angleterre, v. 1285 ? - Munich, 1347) ; Augustin de Ratisbonne ; Josse Bade
1495. (impressi per M. Iohannem Trechsel alemanu(m) Lugduni, Anno d(omi)ni M. cccc.xcv. die vero nono novembris. ) (adresse bibliographique extraite du colophon ‡ la fin) // Lyon, Johann Trechsel, 9, 10 novembre 1495. in-folio : 454 ff. non chiffrÈs (texte sur deux colonnes - quelques dÈfauts nÈanmoins sans gravitÈ, ‡ savoir : la premiËre page prÈsente un caviardage, des traces de papier collÈ, elle est roussie, avec cerne de mouillure ancienne, et petit accroc marginal sans affectation de texte, ce petit accroc se retrouvant sur les trois ff. suivants ; la derniËre page prÈsente un petit accroc avec lÈger manque de quelques lettres ; sinon, des feuillets prÈsentent des rousseurs ou sont roussis, et in-fine, on a un cerne de mouillure ancienne dans la pliure de quelques pp. - nonobstant ces dÈfauts signalÈs, le corps de l'ouvrage demeure en bel Ètat, avec en dÈbut de volume, des soulignements et de belles notes manuscrites de l'Èpoque marginales ‡ l'encre noire et rouge, ces notes ayant ÈtÈ un peu rognÈes ‡ la reliure). pleine basane brune (des dÈfauts d'usage, ‡ savoir : sans coiffe de tÍte, tissu collant brun en tÍte du dos, galeries de ver en queue du dos sur les mors, Èpidermures, coins ÈmoussÈs - bonne reliure postÈrieure 18Ëme). Tout ‡ fait bon exemplaire, le corps de l'ouvrage Ètant demeurÈ en TRES BEL ETAT GENERAL. Guillaume d'Occam, philosophe, logicien et thÈologien anglais de l'ordre des franciscains, excommuniÈ en 1330, est considÈrÈ comme le plus Èminent reprÈsentant de l'Ècole scolastique nominaliste, "il a fallu l'autoritÈ d'Arnauld et de Leibniz pour remettr … [Click Below for Full Description]
Bookseller: LIBRAIRIE MICHELE MASSON [France]
2017-10-23 02:50:49
ARISTOTELES (ARISTOTLE). - [ONE OF THE MOST IMPORTANT MOMENTS IN THE HISTORY OF THE BOOK]
Venice, Aldus Manutius, 1495. Small folio. Lovely contemporary full leather binding (presumably French) with blindtooled borders and ornamentation to boards. Magnificently rebacked, perfectly matching the boards, with 6 raised bands and blindstamped ornamentation. Leather ties to boards expertly renewed. Handwritten title to bottom edge. Some wear to boards, but all in all very nice indeed. Smudging to first two words of the first leaf and some occasional light minor soiling or browning, but otherwise a very nice, clean, and fresh copy, with large margins. A single, small marginal wormhole, far from affecting text. Contemporary marginal annotations in an elegant humanist hand, in both Greek and Latin. Final blank with neat annotations in Greek and Latin and a diagram. (234) ff. ¶ Editio princeps of Aristotle's logical works (as well as the editio princeps of Porphyrios' "Isagoge"), arguably the most important publication in the entire history of printing. When Aldus Manuzio, the first and most celebrated scholar-printer of the Renaissance, began publishing - for the first time in history - the works of Aristotle in the original Greek, he inaugurated a new era in the history of mankind, making the present volume one of the most important moments in the history of the book. The importance of his seminal Aristotle-edition can hardly be over-estimated. Constituting the first major Greek prose text (or collection of texts) to be printed in its original language, it epitomizes the role of printing in re-introducing the original classical Greek texts to the Western world after cen … [Click Below for Full Description]
Bookseller: Lynge & Søn ILAB-ABF [Copenhagen, Denmark]
2017-10-21 10:59:51
BERNARDUS CLARAVALLENSIS, Saint
Bookseller: Charles Agvent, est. 1987, ABAA, ILAB [Mertztown, PA, U.S.A.]
2017-10-19 18:40:55
44 x 32 cm. 13 Faksimiletafeln mit 23 1/2 Karat Echtgold jeweils unter Passepartout und ein 24 seitiges Begleitheft. Samtkassette mit Holzrahmen. *Eins von 1495 numerierten Exemplaren. (Der Kauppreis betrug 980 DM). - Tadellos erhalten, wie neu.
Bookseller: Antiquariat Bernd Braun
2017-10-16 12:27:31
BERNARDUS CLARAVALLENSIS, Saint
Bookseller: Charles Agvent, ABAA [U.S.A.]
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2017-10-16 11:43:54
RECVEIL DE CHOSES MEMORABLES.
Bookseller: Antiquariat Elvira Tasbach [Berlin, Germany]
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2017-10-16 11:29:21
THOMAS BECKET, Archbishop of Canterbury (1118-1170). -
Paris, J. Philippe, 27 March 1495. 4to. Later vellum. (98) ff., Gothic letter, double columns, 45 lines. Small repair in a2 slightly affecting a couple of words, and in the inner margin of title; without the pamphlet (18 ff.) written in 1329 by P. Bertrand in defence of the rights of the Church against the temporal monarchs, which is frequently bound with the present work. First edition of the first printed life of St. Thomas à Becket, written about 1199 by Henry, Abbot of Croyland (Lincolnshire), who used the writings of four contemporaries intimately associated with Becket and his cause against King Henry II. See the detailed description in Brunet V, 1319. Hain 15510. Goff T - 159. BL STC 421. Edizione originale della prima biografia del santo. A volte si trova con un'altra opera di 18 fogli sul potere temporale della chiesa. Alone nel margine int. del primo foglio e piccolo restauro nel secondo. P. pergamena antica.
Bookseller: Libreria Antiquaria Rappaport [IT]
2017-10-02 04:55:19
Anonimo
1495. Xilografia, fine XV secolo. Buona prova di questa rarissima opera, impressa su carta vergata priva di filigrana, rifilata alla linea marginale, in ottimo stato di conservazione. Alcuni segni della matrice, mancanti, sono corretti ad inchiostro antico. Apparentemente sconosciuta alle bibliografie. Timbro di collezione al verso. Dimensioni 125x170. Woodcut, end on the XV century. Good example of a very rare work, printed on laid paper without watermark, trimmed to the marginal line, in excellent condition. Some lacking signs of the plate have been added with ancient ink. Apparently unknown to the main bibliographies. Collection stamp on verso.
Bookseller: Libreria Antiquarius
2017-10-01 00:16:28
Kl.-8. 22 nn. Blatt Register, 372 Seiten. Grüner Pappband der Zeit mit rotem goldgeprägtem Rückenschild und Rotschnitt. Einband etwas bestossen und berieben, privater Stempel auf Vorsatz. Die Lands-Ordnung wurde erstmals 1495 von Eberhard I ( Eberhard im Barte) abgefasst und erschien seitdem in veränderter Form. Enthalten sind u.a. Kapitel zu : Bürgerrechte, Waffenrecht (Feuer-und Büchsenhalder), regelt das Verhältnis zwischen Gemeinden, zu Amtleuten, das Umbrechen von Acker- und Wiesen zu Weingärten wird untersagt und sogar der Obstschnitt wird behandelt: "Wie man zu der Ernd. und Herbst Zeit schneiden und lesen soll", desweiteren Bauvorschriften: "Wie es mit Bauung und Handhabung Weg und Steg gehalten werden soll" und auch die Anordnung bessere ordentliche Kleidung zu tragen: "Von unordentlicher und köstlicher Kleidung". - Die Köstlichkeit der Kleidung hat überhandgenommen und und eine ehrliche , leidenliche und gebührede Kleidung wurde angeordnet.
Bookseller: J.J. Heckenhauer e.K.
2017-09-24 11:41:07
Cicero, Marcus Tullius
Venice : Simon Bevilaqua, 26 June 1495 - Folio; first edition thus; 219 (of 232) leaves. BINDING: Fine recent full leather in period style over original wooden bevelled boards with contemporary Venetian blindstamped leather re-set to front board, three raised double-bands to spine and brass hasp and clasps to fore-edges. COLLATION: aa1-aa4, a-z8, &1-&8, >1->6,RA1-RA6, A1-D6, of which this copy lacks first two quires [aa1-aa4, a1-a8] and leaves b1, b8, c1, g8, l6, o3, u3 and y3-y6. TEXT: Single column, 44 lines per page, surrounded by extensive commentary, numerous woodcut decorative capitals and a few ink annotations in a contemporary renaissance hand. Facsimile title-page on antique paper loosely inserted. Unobtrusive spots and mostly marginal stains, expert marginal paper repairs to first two leaves, but overall a very pleasantly restored example of this attractive and rare incunabula. ISTC ic00532000, citing just 3xUS and 3xUK institutional holdings, of which the British Library example is also incomplete. [Attributes: Hard Cover]
Bookseller: Lyppard Books
2017-09-19 03:26:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 36 x 23; - description: Representation of the killing of Simon, on reverse a king, knight and the sun, Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
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2017-09-19 03:26:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 32 x 22,5; - description: Representation of the joint reign of Pope Pius II (reigned 1458-1464) and Emperor Frederick III (reigned 1440-1493), Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with t … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
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2017-09-19 03:26:54
Schedel Hartman (1440 - 1515) Nuremberg
Artist: Schedel Hartman ca ; issued in: Nuremberg; date: ca1495 - - technic: Woodcut; - colorit: original colored; - condition: Very good; - size (in cm): 37,5 x 22,5; - description: Beautiful representation of the fight against the devil, Latin text; - vita of the artist: Hartmann Schedel (1440 -1515)settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map:His Ptolemaic world map with the figures simbolizing the three sons of Noah's: Sem, Ham … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
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