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Displayed below are some selected recent viaLibri matches for books published in 1493
2013-05-19 20:03:02
VEGETIUS RENATUS, FLAVIUS, et al.
Rome: Eucharius Silber, 1494; Bologna: Bazalerius de Bazaleriis, 1493. FIRST EDITION of the first work. Offered in an unrestored contemporary binding of considerable appeal, this is the first printing of a famous collection of works on the Roman military system and methods, usually listed under "Vegetius," the 4th century imperial bureaucrat whose "De re Militari" is the chief treatise in the group. The text also includes the "Strategemata" of Sextus Julius Frontinus (30-104 A.D.), Roman magistrate and governor of Britain from 74-78; "De Instruendis," a work on tactics by Aelianus (2nd century A.D. Greek); the "De Vocabulis rei Militaris" of Julius Modestus, a Roman grammarian in the time of Augustus; and "De Optimo Imperatore," the Latin translation of "Strategikos," a comprehensive guide to being a good general by the Greek Platonic philosopher Onosander (1st century A.D.). This collection was bound by the original owner of our volume with the third edition of a Roman history by the Greek historian Herodian of Antioch (ca. 170-240). Written about events during the author's own lifetime, this colorful history in eight books covers the period from the death of Marcus Aurelius in 180 to the beginning of the reign of Gordianus III in 238. The author apparently used Thucydides to some extent as a model, both in the outline of the work and in its style, which Photius compliments as being "clear, vigorous, and agreeable." Our edition comprises the first printing of the graceful and fluent Latin translation of the text done by the preeminent 15th century Italian classicist and p … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2013-02-12 16:31:50
MORTIER Pierre (1661-1711)
Magnifica veduta, incisa in rame e colorata d?epoca (mm. 405 x 550) di ?Pouzol ville du Royaume de Naples?. Bell?esemplare marginoso. Cfr. Cremonini, ?L?Italia nelle vedute e carte geografiche dal 1493 al 1894?, n. 206, p. 88.
Bookseller: Libreria Antiquaria Malavasi
2013-01-05 03:40:04
[Schedel, Hartmann]
[10], 287 Blätter. Mit über 1800 teils blattgroßen Illustrationen (teilweise wiederholt) und 2 doppelblattgroßen Karten in Holzschnitt von Wohlgemuth und Pleydenwurff. Die ersten 65 Blätter altkoloriert. Imp.-2°. Aufwendig restaurierter und teils erneuerter dunkelbrauner Halblederband auf fünf Bünden über alten, teilweise unbezogenen Holzdeckeln unter Verwendung überwiegend originaler Beschläge. Zwei Hakenschließen mit Lederscharnieren. Pergamentverstärkte Innengelenke. Erste deutsche Ausgabe, 6 Monate nach der lateinischen Edition erschienen und seltener als diese. - Reichhaltigst illustrierte, kunst- und druckgeschichtlich überaus bedeutende und wohl bekannteste Inkunabel überhaupt; "größtes Buchunternehmen der Dürerzeit" (Rücker). Mit zahlreichen, erstmals individualisierten Stadtansichten, u.a. von Konstantinopel, Straßburg, Florenz, Rom, Venedig, Köln, Mainz, Regensburg, Wien, Nürnberg, Salzburg, Bamberg, Prag, Breslau, Konstanz, Basel, Lübeck. - Zur Editionsgeschichte vgl. ausführlich Chr. Reske, Die Produktion der Schedelschen Weltchronik in Nürnberg (Wiesbaden 2000). - Aufwendig und fachgerecht restauriertes Exemplar: Diverse Ergänzungen und Anfaserungen an den Blatträndern, einige hinterlegte Einrisse. Ein Dutzend Blätter mit leichtem Text- bzw. Bildverlust. Teils etwas fleckig und gebräunt, leicht fingerfleckig. - Kein makelloses, aber insgesamt gutes, überwiegend sauberes Exemplar. Reizvoll durch den Kontrast der kräftigen Altkolorierung zum nichtkolorierten Teil der Holzschnitte; diese alle in guten Abdrucken. - Hain 14510 - Polain 3471 - Goff S309 - BMC II, 437 … [Click Below for Full Description]
Bookseller: Antiquariat Kretzer - www.bibliotheca-th
2013-01-04 01:13:35
Schedel, Hartmann
Nuremberg, Germany: Kobergerger, 1493. The leaf is approximately 12"x17". Strong print with attractive hand-coloring. The Chronicle, one of the best examples of early printing, is an illustrated history of the world from the beginning of time until its publication in 1493. Its format generally follows a Biblical history of mankind with inclusions of natural catastrophes, royal genealogies, and important cities. This leaf contains eight hand-colored woodcuts: 1) St. Thomas Aquinas, 2) Two heretical flagellants, 3) Charles of Sicily, 4) Philip, son of St. Louis, 5) Pope Gregory the Tenth, 6) Pope Innocent the Fifth, 7) Pope Adrian the Fifth, and 8) the Second Council of Lyons in 1274. An English translation of the leaf (with some historical notes) is included. . Unbound. Very Good. Illus. by Wohlgemut, Michael and Wilhelm Pleydenwurff.
Bookseller: Read'Em Again Books
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2013-01-04 01:10:44
Schedel, Hartmann
Nuremberg, Germany: Kobergerger, 1493. The leaf is approximately 12"x17". Strong print with attractive hand-coloring. The Chronicle, one of the best examples of early printing, is an illustrated history of the world from the beginning of time until its publication in 1493. Its format generally follows a Biblical history of mankind with inclusions of natural catastrophes, royal genealogies, and important cities. This leaf contains eight hand-colored woodcuts: 1) St. Thomas Aquinas, 2) Two heretical flagellants, 3) Charles of Sicily, 4) Philip, son of St. Louis, 5) Pope Gregory the Tenth, 6) Pope Innocent the Fifth, 7) Pope Adrian the Fifth, and 8) the Second Council of Lyons in 1274. An English translation of the leaf (with some historical notes) is included. . Unbound. Very Good. Illus. by Wohlgemut, Michael and Wilhelm Pleydenwurff.
Bookseller: Read'Em Again Books
2013-01-01 21:37:41
HIERONYMUS MÜNZER (1437 - 1508)
Woodcut map, 39x58cm Nuremberg July 12th , 1493 This copy has a Latin colophon text on the back. It was reissued in German half a year later. As one of two maps (see our entry 34) it was included in Hartmann Schedel's "Nuremberg Chronicle". Cartographically the Scandinavia map is based on the "Ulm map" (see entry 34) and a map of Europe by N. Cusanus.. The map was bound at the end of a thick volume and most surviving copies have condition issues. Our copy has new margins skillfully restored, the upper and lower left corners of the map with areas filled in. Some restorations along the centerfold. W. B. Ginsberg "Printed Maps of Scandinavia and the Arctic 1482 - 1601" Entry 2, fig. 2,0 and 1, Hoem "Norge på gamle kart" no.9, Campbell 220, I, Benedicte Gamborg Briså "Northward Bound At The Far Edge Of The World" Nordkappmuseet 2010, page 15 illustrated
Bookseller: Kunstantikvariat PAMA AS
2012-12-29 18:49:44
HARTMANN SCHEDEL
Woodcut map, ca. 37x51cm, the full sheet 46x60,5cm Nuremberg NUREMBERG, July 12th, 1493 From the first edition in Latin, published six month before the German language issue. Three corners illustrated with Noah's sons and surrounding the map there are 12 windheads. On the left hand-side and verso, there are figure panels representing the outlandish creatures and human beings that were thought to inhabit the furthermost part of the earth.. A very fine and wide-margin copy. R. Shirley "The Mapping of the World" entry 19, Benedicte Gamborg Briså "Northward Bound At The Far Edge Of The World" Nordkappmuseet 2010, page 8 illustrated
Bookseller: Kunstantikvariat PAMA AS
2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 14:02:10
[Schedel]
[1493] Visible sheet area 39 x 54 cm. Passe partout 52 x 66 cm. Contemporary hand colouring. Green passe partout. Repaired tears. The leaf is browned. Stains and spots. A few very small losses and holes.. The leaf has a double passe partout making both sides of the leaf visible. Page (Blat) XCI depicts the city of Cologne in Germany as well as Domponius, Leoneus and Agrippa, Page (XC) depicts the city of Augsburg as well as Kleopatra, Mathara, Marianne, Antipater and others. This is the german edition, which differ somewhat from the latin edition
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A couple of short tears and some browning and staining to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der konig Egypti ptplomeus energetes, Ptolomeus phiston (?), Ptolomeus alexander, Ptolomeus (?) and Hanibal. The wood cuts at the verso depict Lolossus, Panecius, Possidonius, Strato philosophus, Crates philosophus, Silphon philosophus, Licon philosophus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Archiphilas, Marcus valerius (?), Lucius papirius, Linea der römische rathern Tosquatus Decius, Emilius, Emilius Marcus curius, and Benucius Sempsonius. The wood cuts at the verso depict Linea der konig Sirie Seleucus ceraunos, Antiochus der gross, Sleucus iners, Linea der bischoff Symon (?), Onyas, Symon, Onyas pius, Linea (?) and Machabei. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little finger dirt and browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Fortunatus der bischoff, Sampson bischoff, Gregorius (?) turonensisch erzbischoff, Germanus (?) bischoff, Amandus bischoff, Radegudis konigin zu frankreich, Gregorius der Gross, The wood cuts at the verso depict Linea der (?) Gregorius der erst, Sabinianus, Bonifacius der drit and Bonifacisus der viert. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning, finger dirt and a couple of stains to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Adaurus, Herculanus der bischoff, S. Leonhardus, S. Columbanus, Simeon (?) and two other wood cuts. The wood cuts at the verso depict Linea der (?), Johannes der drit, Benedictus and Pelagius der ander. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kaiser zeno, Anastasius, Odoacer ein könig and Theodoricus ein könig. The wood cuts at the verso depict Boecius, Hennandus, S. Michels offenbarug, Symachus, Fulgentius and another wood cut. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little finger dirt and browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depict Policarpus, Felicitas mit de. VII sune, Aulus gellius, Praredis, Ptolomeus and two other figures. The verso depicts Linea der (..) Anicetus, Sother, Leutherius, Dictos, Zeperinus and Calixtus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A repaired tear to the lower margin. Some spotting, staining and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. A large wood cut depict Maria Magdalena. The others are San Lucas der evangelist and Enar der Konig, Johannes im öle, Linea (..) Clemenes, Anacletus and Euaristus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which can be seen on its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [Published by Anton Koberger] 47 x 33 cm. Large margins. Some stains, browning and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Tecla iunctfraw, Diascosides, Mathheus der appostel, Processus (?) Martimnianus and Judas tadeus der appostell. The wood cuts at the verso depict Simon der appostel, Mathias der appostel, Petronella and Lazarus.The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some finger dirt, stains and a litlle browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der Kayser Balba, Otho, Ditellius and Despasianus. The wood cuts at the verso depict Andreas der appostel, Thomas der Appostel and Quintilianus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some browning. Some finger dirt and and spots to the margins. A few minor tears and a small repair in the lower margin.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Seneca, Persius, Philippus der appostel getting stoned and Lucanus. The wood cuts at the verso depict Bartholomeus der appostel, Linus, Cletus and Appollinaris. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning, finger dirt and a few of stains to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kaiser Otto der ander, Bruno ein bischof, Eduardus könig, Ludwig könig, Odilo abbi, Alpharabius ein philosophus and Theoalbus ein graf. The wood cuts at the verso depict Linea der (?) Johannes der XVI, Gregorius der funft, Johannes der XVII, Silvester der ander and Johannes der XVIII. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins A litlle browning, a couple of stains and some finger dirt to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depict a rainy cloud and a priest. The wood cuts at the verso depict Das funft councili zu Constatinopel, Johannes der acht, Martinus der ander, Hadrianus der dritt and Stephanus der funft. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some finger dirt, stains and a litlle browning to the margins. A couple of short repaired tears.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kayser Titus, Domicianus, Kerna and Traianus. The wood cuts at the verso depict Thimotheus, Dictosinus, Johannes der appostel und evangelist and Dyonisius. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Slight finger dirt and browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cut depict Bruder Niclas, The wood cuts at the verso depict Antonius rosellus ein inrist and Machomet der Türcken kayser. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning to the outer margins and a couple of spots. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cut depicts Linea der kaiser frederich der erst. The wood cuts at the verso depict Orden der aynsidler sant Augustinus, Johannes (?) ein arzt, Johannes ein bischoff and two other cuts depicting the sun. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some staining and browning to the outer margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Ancienna ein arzt, (?) ein arzt, Auerrois ein arzt, Sant Thomas erzbischoff zu Lanthuaria The wood cuts at the verso depict Adriannus der viert and Alexander der dritt. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little finger dirt to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kaiser Lumrat der dritt and König Ludwig zu franckreich. The wood cuts at the verso depict Hildergardis, Petrus Lombardus, Gracianus, Petrus comestos and Gwilhelmus ein find. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-08-03 16:32:53
SCHEDEL, Hartmann
Folio CV only Folio (444 x 310 mm). printed in black in two columns on cream paper. Illustrated with seven woodblocks. The leaf shows Seneca in his bath, portraits of Lucanus and Persius, and Phillipus apostolus being cruicifed on the recto; Pope Linus and Lletus portraits as well as Apploinaris are on the verso, with Bartholomeus apostolus being tortured or martyred in a larger woodcut. Each illustration has the accompanying text, a short biography, next to it.The Nuremberg Chronicle is the most illustrated book of the fifteenth century and is a vast chronicle of world history from the time of creation to the time of publication, 1493. The work was in the planning stages for five years, and the printing took twenty months to accomplish. It was without doubt the most advanced and technically demanding work to be undertaken at the time. Interestingly the surprisingly complex lay-outs of both the Latin edition and the German translation edition which was published five months later, were actually planned simultaneously. They both use the same woodcuts, slightly differently placed in the text. It is believed that both were printed in a run of 1,500- 2,000 copies.The contract between Koberger and his financial partners, Sebald Schreyer and Sebastian Kammermeister, the contract between Koberger and the artists and two manuscript exemplaria (maquettes) survive in the N┬črnberg Stadtbibliothek (Nuremberg City Library) with some other documents relating to the book, and give us a publication history which is unequaled by any other fifteenth century book.The illustrations are woodcut … [Click Below for Full Description]
Bookseller: Randall House Rare Books (ABAA) [Santa Barbara, CA, U.S.A.]
2012-06-30 08:07:09
Schedel, Hartman
Wohlgemut & Pleydenwurff, Nuremberg, 1493. Schedel Hartmann Llber Chronicarumum Fol. CClXII & CCLIII from the Latin edition of the Nuremberg Chronicle. L'arrivée de l'Antéchrist ~ Très rares gravures pleine page in-fol sur bois de l'Apocalypse accompagnée d'une description, par Michael Wohlgemuth Maître de Dürer et son beau-fils Wilhelm Pleydenwurff dans le "Liber chronicarum cum figuris & ymaginibus ab inicio Mundi d'Hartman Schedel du 12 juillet 1493 ; La plus belle et extraordinaire planche de ce monument iconographique reprise dans tant dans l'esprit que dans la lettre par Dürer qui gravera à nouveau quelques années plus tard dans son " Apocalipsis cum figuris ", de 1496 à 1498, Dürer, qui n'a que 27 ans, traverse une phase mystique. Comme ses contemporains, le jeune artiste de Nuremberg est habité par la foi tourmentée qui précède et annonce la Réforme. Cette foi exaltée est encore accentuée par le fait que l'an 1500 est proche, et que certains croient en l'imminence de la fin du monde¿ [Attributes: First Edition; Soft Cover]
Bookseller: Incunable [LUXEMBOURG, Luxembourg]
2012-06-27 08:27:03
SCHEDEL HARTMANN
Norimberga 1493 - Silografia, 190x225 la sola incisione, 470x315 il foglio completo. Veduta fantastica tratta da una edizione latina di "Liber Chronicarum", una delle primissime opere illustrate pubblicate, che ebbe un enorme successo. La veduta Ë inserita nella parte sup. del foglio, il testo descrittivo in basso. Il testo Ë rubricato in rosso cosÏ come vi sono accenni di colore a contorno dei tetti. Ottimo esemplare assai marginoso con parziale mancanza all'angolo inf. sin.
Bookseller: libreria antiquaria perini Sas di Perini
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