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Displayed below are some selected recent viaLibri matches for books published in 1493
2013-01-01 21:37:41
HIERONYMUS MÜNZER (1437 - 1508)
Woodcut map, 39x58cm Nuremberg July 12th , 1493 This copy has a Latin colophon text on the back. It was reissued in German half a year later. As one of two maps (see our entry 34) it was included in Hartmann Schedel's "Nuremberg Chronicle". Cartographically the Scandinavia map is based on the "Ulm map" (see entry 34) and a map of Europe by N. Cusanus.. The map was bound at the end of a thick volume and most surviving copies have condition issues. Our copy has new margins skillfully restored, the upper and lower left corners of the map with areas filled in. Some restorations along the centerfold. W. B. Ginsberg "Printed Maps of Scandinavia and the Arctic 1482 - 1601" Entry 2, fig. 2,0 and 1, Hoem "Norge på gamle kart" no.9, Campbell 220, I, Benedicte Gamborg Briså "Northward Bound At The Far Edge Of The World" Nordkappmuseet 2010, page 15 illustrated
Bookseller: Kunstantikvariat PAMA AS
2012-12-29 18:49:44
HARTMANN SCHEDEL
Woodcut map, ca. 37x51cm, the full sheet 46x60,5cm Nuremberg NUREMBERG, July 12th, 1493 From the first edition in Latin, published six month before the German language issue. Three corners illustrated with Noah's sons and surrounding the map there are 12 windheads. On the left hand-side and verso, there are figure panels representing the outlandish creatures and human beings that were thought to inhabit the furthermost part of the earth.. A very fine and wide-margin copy. R. Shirley "The Mapping of the World" entry 19, Benedicte Gamborg Briså "Northward Bound At The Far Edge Of The World" Nordkappmuseet 2010, page 8 illustrated
Bookseller: Kunstantikvariat PAMA AS
2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 16:00:17
[SCHEDEL, Hartmann.]
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2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little finger dirt to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kaiser Lumrat der dritt and König Ludwig zu franckreich. The wood cuts at the verso depict Hildergardis, Petrus Lombardus, Gracianus, Petrus comestos and Gwilhelmus ein find. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some staining and browning to the outer margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Ancienna ein arzt, (?) ein arzt, Auerrois ein arzt, Sant Thomas erzbischoff zu Lanthuaria The wood cuts at the verso depict Adriannus der viert and Alexander der dritt. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning to the outer margins and a couple of spots. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cut depicts Linea der kaiser frederich der erst. The wood cuts at the verso depict Orden der aynsidler sant Augustinus, Johannes (?) ein arzt, Johannes ein bischoff and two other cuts depicting the sun. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Slight finger dirt and browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cut depict Bruder Niclas, The wood cuts at the verso depict Antonius rosellus ein inrist and Machomet der Türcken kayser. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some finger dirt, stains and a litlle browning to the margins. A couple of short repaired tears.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kayser Titus, Domicianus, Kerna and Traianus. The wood cuts at the verso depict Thimotheus, Dictosinus, Johannes der appostel und evangelist and Dyonisius. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins A litlle browning, a couple of stains and some finger dirt to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depict a rainy cloud and a priest. The wood cuts at the verso depict Das funft councili zu Constatinopel, Johannes der acht, Martinus der ander, Hadrianus der dritt and Stephanus der funft. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning, finger dirt and a few of stains to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kaiser Otto der ander, Bruno ein bischof, Eduardus könig, Ludwig könig, Odilo abbi, Alpharabius ein philosophus and Theoalbus ein graf. The wood cuts at the verso depict Linea der (?) Johannes der XVI, Gregorius der funft, Johannes der XVII, Silvester der ander and Johannes der XVIII. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some browning. Some finger dirt and and spots to the margins. A few minor tears and a small repair in the lower margin.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Seneca, Persius, Philippus der appostel getting stoned and Lucanus. The wood cuts at the verso depict Bartholomeus der appostel, Linus, Cletus and Appollinaris. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. Some finger dirt, stains and a litlle browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der Kayser Balba, Otho, Ditellius and Despasianus. The wood cuts at the verso depict Andreas der appostel, Thomas der Appostel and Quintilianus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel]
[1493] Visible sheet area 39 x 54 cm. Passe partout 52 x 66 cm. Contemporary hand colouring. Green passe partout. Repaired tears. The leaf is browned. Stains and spots. A few very small losses and holes.. The leaf has a double passe partout making both sides of the leaf visible. Page (Blat) XCI depicts the city of Cologne in Germany as well as Domponius, Leoneus and Agrippa, Page (XC) depicts the city of Augsburg as well as Kleopatra, Mathara, Marianne, Antipater and others. This is the german edition, which differ somewhat from the latin edition
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [Published by Anton Koberger] 47 x 33 cm. Large margins. Some stains, browning and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Tecla iunctfraw, Diascosides, Mathheus der appostel, Processus (?) Martimnianus and Judas tadeus der appostell. The wood cuts at the verso depict Simon der appostel, Mathias der appostel, Petronella and Lazarus.The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A repaired tear to the lower margin. Some spotting, staining and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. A large wood cut depict Maria Magdalena. The others are San Lucas der evangelist and Enar der Konig, Johannes im öle, Linea (..) Clemenes, Anacletus and Euaristus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which can be seen on its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little finger dirt and browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depict Policarpus, Felicitas mit de. VII sune, Aulus gellius, Praredis, Ptolomeus and two other figures. The verso depicts Linea der (..) Anicetus, Sother, Leutherius, Dictos, Zeperinus and Calixtus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der kaiser zeno, Anastasius, Odoacer ein könig and Theodoricus ein könig. The wood cuts at the verso depict Boecius, Hennandus, S. Michels offenbarug, Symachus, Fulgentius and another wood cut. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning, finger dirt and a couple of stains to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Adaurus, Herculanus der bischoff, S. Leonhardus, S. Columbanus, Simeon (?) and two other wood cuts. The wood cuts at the verso depict Linea der (?), Johannes der drit, Benedictus and Pelagius der ander. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little finger dirt and browning to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Fortunatus der bischoff, Sampson bischoff, Gregorius (?) turonensisch erzbischoff, Germanus (?) bischoff, Amandus bischoff, Radegudis konigin zu frankreich, Gregorius der Gross, The wood cuts at the verso depict Linea der (?) Gregorius der erst, Sabinianus, Bonifacius der drit and Bonifacisus der viert. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A little browning and finger dirt to the margins.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Archiphilas, Marcus valerius (?), Lucius papirius, Linea der römische rathern Tosquatus Decius, Emilius, Emilius Marcus curius, and Benucius Sempsonius. The wood cuts at the verso depict Linea der konig Sirie Seleucus ceraunos, Antiochus der gross, Sleucus iners, Linea der bischoff Symon (?), Onyas, Symon, Onyas pius, Linea (?) and Machabei. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-12-22 14:02:10
[Schedel, Hartman]
[Nürnberg] [Published by Anton Koberger] [1493] 47 x 33 cm. Large margins. A couple of short tears and some browning and staining to the margins. Nice condition.. A beautiful incunable leaf from the german edition of the famous Nuremberg Chronicle. The wood cuts depicts Linea der konig Egypti ptplomeus energetes, Ptolomeus phiston (?), Ptolomeus alexander, Ptolomeus (?) and Hanibal. The wood cuts at the verso depict Lolossus, Panecius, Possidonius, Strato philosophus, Crates philosophus, Silphon philosophus, Licon philosophus. The Nuremberg Chronicle was first published in the summer of 1493 in latin. The german edition appeared in december of the same year. With its 1809 wood cuts the Chronicle have more illustrations than any other book of the 15th century. The work describes the history of the world from creation upp to the publishing year of 1493, The work was published in a transition age between medieval times and the renaissance which is shown by its form as an medieval chronicle but at the same time its use of classical sources, in a modern way. The images are executed by the artists Michael Wolgemut and Willhelm Pleydenwurff. Wollgemutt was the instructor of Albrecht Dürer. The chronicle is a high point of the wood cut technique
Bookseller: Hammarlunds Antikvariat
2012-11-01 02:37:44
[SCHEDEL, Hartmann.]
Nuremberg: Anton Koberger for Sebald Schreyer, 1493. First edition and an outstanding copy of the first illustrated encyclopedia published at the dawn of the discovery period. As a comprehensive contemporary picture of geographical and historical knowledge, the “Nuremberg Chronicle” as it is called, offers nothing less than a history of the world, and, in its own fashion, expanded the barriers of local cities and states just as the transatlantic voyages expanded the boundaries of the world. As a representative picture of 15th- century geographical and historical knowledge, the work is unsurpassed among incunables, in which books of a religious and liturgical nature predominate. A milestone in the history of printing as well, it contains more illustrations than had ever appeared in a printed book, and as a technical challenge of incunable book production, was superseded only by the first printed book, Gutenberg's Bible, also published in Nuremberg. The magnificent woodcut views (of which 31 are double-page) are in most cases the first printed views of the cities and towns they depict, and offer a representative view of how 15th- century readers pictured places they would most likely never visit. Many, such as the important double-page view of Jerusalem, were based on the most up-to-date reports of travellers (usually merchants). The colophon credits the artists Michael Wolgemut and Wilhelm Pleydenwurff for their contribution, a detail with fascinating implication, since Albrecht Dürer was at this time an apprentice in their workshop. The work's author, Hartmann Schedel (14 … [Click Below for Full Description]
Bookseller: Martayan Lan, Inc. [U.S.A.]
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2012-08-03 16:32:53
SCHEDEL, Hartmann
Folio CV only Folio (444 x 310 mm). printed in black in two columns on cream paper. Illustrated with seven woodblocks. The leaf shows Seneca in his bath, portraits of Lucanus and Persius, and Phillipus apostolus being cruicifed on the recto; Pope Linus and Lletus portraits as well as Apploinaris are on the verso, with Bartholomeus apostolus being tortured or martyred in a larger woodcut. Each illustration has the accompanying text, a short biography, next to it.The Nuremberg Chronicle is the most illustrated book of the fifteenth century and is a vast chronicle of world history from the time of creation to the time of publication, 1493. The work was in the planning stages for five years, and the printing took twenty months to accomplish. It was without doubt the most advanced and technically demanding work to be undertaken at the time. Interestingly the surprisingly complex lay-outs of both the Latin edition and the German translation edition which was published five months later, were actually planned simultaneously. They both use the same woodcuts, slightly differently placed in the text. It is believed that both were printed in a run of 1,500- 2,000 copies.The contract between Koberger and his financial partners, Sebald Schreyer and Sebastian Kammermeister, the contract between Koberger and the artists and two manuscript exemplaria (maquettes) survive in the NŸrnberg Stadtbibliothek (Nuremberg City Library) with some other documents relating to the book, and give us a publication history which is unequaled by any other fifteenth century book.The illustrations are woodcut … [Click Below for Full Description]
Bookseller: Randall House Rare Books (ABAA) [Santa Barbara, CA, U.S.A.]
2012-06-30 08:07:09
Schedel, Hartman
Wohlgemut & Pleydenwurff, Nuremberg, 1493. Schedel Hartmann Llber Chronicarumum Fol. CClXII & CCLIII from the Latin edition of the Nuremberg Chronicle. L'arrivée de l'Antéchrist ~ Très rares gravures pleine page in-fol sur bois de l'Apocalypse accompagnée d'une description, par Michael Wohlgemuth Maître de Dürer et son beau-fils Wilhelm Pleydenwurff dans le "Liber chronicarum cum figuris & ymaginibus ab inicio Mundi d'Hartman Schedel du 12 juillet 1493 ; La plus belle et extraordinaire planche de ce monument iconographique reprise dans tant dans l'esprit que dans la lettre par Dürer qui gravera à nouveau quelques années plus tard dans son " Apocalipsis cum figuris ", de 1496 à 1498, Dürer, qui n'a que 27 ans, traverse une phase mystique. Comme ses contemporains, le jeune artiste de Nuremberg est habité par la foi tourmentée qui précède et annonce la Réforme. Cette foi exaltée est encore accentuée par le fait que l'an 1500 est proche, et que certains croient en l'imminence de la fin du monde¿ [Attributes: First Edition; Soft Cover]
Bookseller: Incunable [LUXEMBOURG, Luxembourg]
2012-06-27 08:27:03
SCHEDEL HARTMANN
Norimberga 1493 - Silografia, 190x225 la sola incisione, 470x315 il foglio completo. Veduta fantastica tratta da una edizione latina di "Liber Chronicarum", una delle primissime opere illustrate pubblicate, che ebbe un enorme successo. La veduta Ë inserita nella parte sup. del foglio, il testo descrittivo in basso. Il testo Ë rubricato in rosso cosÏ come vi sono accenni di colore a contorno dei tetti. Ottimo esemplare assai marginoso con parziale mancanza all'angolo inf. sin.
Bookseller: libreria antiquaria perini Sas di Perini
2012-05-26 18:40:41
Martialis M.V.
[Venezia, Bartholomeo De Zanis 1493?], in-folio, leg. settecentesca in piena pergamena (qualche forellino di tarlo sul dorso), carte [1], da 2 a 150 (grafia: i50). Mancano la carta b1 e l'intero quaderno finale u (formato da 10 carte). Gore, pochi tarli al margine esterno delle prime carte, qualche macchia, alcune carte sciolte, mancanza con perdita di testo alla carta t4, restauro marginale alle prime due carte. Notazioni manoscritte antiche al recto di carta a1. Postille e manicule marginali. Non siamo riusciti da identificare con certezza l'edizione: la fascicolatura, la cartulazione e l'impronta non corrispondono a nessuna collazione presente in ICCU (o in edit16 per il primo '500); per quanto riguarda le edizioni del XV sec. fascicolatura e cartulazione corrispondono solo a quella data da BMC, V, 432 per l'edizione De Zanis 1493 (salvo che non è segnalata la particolarità della lettera minuscola i usata per cifra 1 nella cartulazione, particolarità che è sempre segnalata in quel catalogo). A causa dell'incertezza dell'edizione diamo anche fascicolatura e impronta dell'esemplare (quest'ultima presa considerando la prima carta - che reca quello che può essere considerato il titolo: "Martialis cum duobus commentis" - come un protofrontespizio; dall'impronta escludiamo il gruppo finale che si forma in base alla data di cui non siamo certi): fascicolazione: a6, b-t8, [-u10?]; impronta: m-uæ s:l. s:i. quci (3). [Attributes: Hard Cover]
Bookseller: Libreria Oreste Gozzini snc [Firenze, FI, Italy]
2012-04-16 04:20:51
Hartmann Schedel
1493. Holzschnitt, Blatt: 59,5 x 45,5 cm, Darstellung: 52 x 20 cm. Ansicht von Konstanz aus der lateinischen Ausgabe der 'Nürnberger Chronik' von Hartmann Schedel (1440-1514). In der Mitte zusammen gesetzt und hinterlegt. Schönes Exemplar. View of Konstanz form the Latin edition of the 'Nuremberg Chronicle' (in German also known as 'Schedelsche Weltchronik') by Hartmann Schedel (1440-1514). Woodcuts from this work are the first ever illustrations of many cities and countries. Two pages joined together in the middle and re-backed in the fold. In general in a good condition.
Bookseller: Antiquariat Dasa Pahor
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2012-02-21 11:25:44
Schedel, Hartman
GERMANY: ANTON KOBERGER, 1493 THIS EDITION ONLY PREDATED BY THE LATIN OF EARLIER 1493. HAND COLORED AFTER PUBLICATION. 400 LATIN AND 300 GERMAN EDITIONS SURVIVE TODAY. TRANSLATED INTO GERMAN BY GEORG ALT. THIS ILLUSTRATION OF FLORENCE WAS BASED ON A VIEW BY FRANCESCO ROSSELLI. POSTAGE TO BE DETERMINED.
Bookseller: Longed for Books
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2011-04-06 03:56:04
SCHEDEL HARTMANN.
Norimberga, 1493 - Silografia, di mm 226x200 (l'immagine), mm 420x300 (il foglio completo di testo in tedesco). Veduta fantastica della città. Esemplare in perfetto stato di conservazione. Il "Liber Chronicarum" comunemente chiamato "Cronaca di Norimberga" dalla città di stampa, fu la prima opera contenente anche raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica. vedutistica.
Bookseller: libreria antiquaria perini Sas di Perini
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