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Displayed below are some selected recent viaLibri matches for books published in 1493
2014-02-09 07:12:05
. Holzschnitt, Nürnberg bei Anton Koberger, 1493. Ca. 36 x 22,5 cm (Blattgröße ca. 42 x 27,5 cm). Kurzer hinterlegter Einriß im Fußsteg.. Holzschnitt aus der lateinischen Ausgabe der berühmten Weltchronik von Hartmann Schedel, welche am 12. Juli 1493 erschien. Blatt CI (=101) mit gedrucktem Text auf der Rückseite. Der blattgroße Holzschnitt zeigt Jesus im Kreise seiner Jünger, die Figuren sind mit reicher Bandwerksstaffage mit Texten ausgestattet, in den Ecken finden sich die Symbole der vier Evangelisten.
Bookseller: Antiquariat Peter Fritzen
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2014-02-09 07:12:05
. Holzschnitt von M. Wolgemut aus Schedel, "Weltchronik", 1493, 36 x 22 cm.. Inkunabeldruck der lateinischen Ausgabe. - Auf der ganzen Buchseite, Blatt CI. Verso lateinischer Text mit Lob auf die Stadt Nürnberg, am Ende sechs Zeilen in Hexametern: "O decus eximium norici Nuremberga serena" usw.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-02-09 07:12:05
. Holzschnitt aus Schedel, "Weltchronik", 1493, 19 x 22 cm.. Auf der vollen Buchseite der lateinischen Ausgabe. - Kräftiger Druck.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-02-09 07:12:05
. Altkol. Holzschnitt von M. Wolgemut aus Schedel, "Weltchronik", 1493, 12,5 x 22,5 cm.. Inkunabeldruck der lateinischen Ausgabe. - Auf der ganzen Buchseite. Unten ein zweiter Holschnitt: Aaron und seine vier Söhne, darunter Eleazar, ein Rauchfaß schwingend. Verso weitere Holzschnitte, darunter Hiob, der vom Teufel versucht wird. - Nur in den Rändern etwas gebräunt bzw. fleckig.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-02-09 07:12:05
Schedel Hartmann, 1440-1514
Köln, ,493,. Köln, anno 1493, Hartmann Schedel, Holzschnitt Woodcut, edited anno 1493 in Harmann Schedel, Nuremberg Chroncikle, latin edition, size: 42 x 57 and 19 x 53 cm., good condition. Angeboten wird ein originaler Holzschnitt aus Hartmann Schedels berühmten Weltchronik, dem grössten Buchunternehmen der Dürerzeit. Hartmann Schedels berühmte Weltchronik von 1493, deren Inhalt biblische Themen mit Geschichtsschreibung seit der klassischen Antike bis zum Zeitgeschehen des Autors vereint, war ein Buchunternehmen der Superlative: Mit ihren über 1800 Holzschnitten ist sie das bilderreichste Werk aus der Frühzeit des Buchdrucks. Die an ihr beteiligten Persönlichkeiten repräsentieren frühhumanistisches Geistesleben in Nürnberg, der Metropole nördlich der Alpen: der Autor und Arzt Hartmann Schedel, der Maler Michael Wolgemut, der Mäzen Sebald Schreyer, der Dichter Conrad Celtis und der Drucker Anton Koberger. Ihre Entstehungsgeschichte kann dank vieler erhaltener Dokumente heute nachvollzogen werden, denn juristische Unterlagen, einige Vorzeichnungen und die vollständigen Layout-Bände, sowohl für die lateinische wie auch für die deutsche Ausgabe, sind erhalten geblieben. Der Holzschnitt von Köln vermittelt uns eine der ältesten erhaltene gedruckte Ansicht der Stadt Gedruckt auf dem vollen Doppelblatt, Blattmass: 42 x 57cm, Bild: 19x53 cm...
Bookseller: Hammelburger Antiquariat
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2014-02-09 07:12:05
. Altkol. Holzschnitt aus Schedel, "Weltchronik", 1493, 32 x 52 cm.. Die älteste gedruckte Ansicht der Stadt in einem altkolorierten Exemplar aus einer lateinischen Ausgabe. Rückseitig mit der Ansicht von Ferrara (diese unten beschnitten). Rechts knapprandig. - Schönes, kräftiges Altkolorit.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-02-09 07:12:05
SCHEDEL, H.
Nürnberg, Koberger, 1493. Altkolorierter Holzschnitt von Wilhelm Pleydenwurff und Michael Wohlgemut aus Hartmann Schedel: "Buch der Choniken", deutsche Ausgabe. Bildausschnitt 19,5 x 52,5 cm., Blattgr. 41,5 x 55,5 cm.. Nebehay-Wagner 628/1, Eisler Nr. 2, Paulusch, Ikonografie Österreichs, W 5212. Die älteste im Druck erschiene Ansicht Wiens, Stephansdom und Maria am Gestade sind gut erkennbar, lediglich die Berge sind der Fantasie entsprungen. Wie immer aus 2 Blättern zusammengesetzt; wie oft gespaltenes Blatt, die rückseitige halbe Ansicht von Regensburg fehlt, mit Blatt 38 (Beschreibung von Sardiien, Korsika und Kreta) ergänzt; in Summe in sehr gutem Zustand, schönes Altkolorit.
Bookseller: Antiquariat Clemens Paulusch GmbH
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2014-02-09 07:12:05
. Altkol. Holzschnitt aus Schedel, "Weltchronik", 1493, 24,5 x 49,5 cm.. Fauser 3923. - Aus der lateinischen Ausgabe und auf der vollen Doppelseite. Im Bugbereich professionell restauriert. Sehr schönes Altkolorit.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-02-09 07:12:05
. Altkol. Holzschnitt aus Schedel, "Weltchronik", 1493, 19,5 x 51,5 cm.. Fauser 14418. - Aus der lateinischen Ausgabe und auf der vollen Doppelseite. - Schönes Exemplar. Gerahmt, auch die Rückseite mit den kolorierten Porträts und Ansichten verglast.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-02-09 07:12:05
. Altkol. Holzschnitt aus Schedel, "Weltchronik", 1493, 23,5 x 52 cm.. Auf der vollen Doppelseite der lateinischen Ausgabe. Auf der Rückseite mehrere altkolorierte Porträt - Holzschnitte. - Schönes Exemplar.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-02-09 07:12:05
. Altkol. Holzschnitt aus Schedel, "Weltchronik", 1493, 25 x 52 cm.. Auf der vollen Doppelseite einer deutschen Ausgabe. Rückseitig altkolorierte Porträts. - Breitrandig. Bugfalte hinterlegt, die Ansicht schön und farbfrisch.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2014-01-01 23:24:53
PTOLEMAEUS, Claudius
Eighteen woodcut diagrams in the text, numerous woodcut initials, & a woodcut printer's device on recto of final leaf. Rubricated throughout in red. Gothic type, 66 lines & headlines. Two columns. 2 p.l., 152 numbered leaves. Folio (310 x 210 mm.), cont. blindstamped pigskin-backed wooden boards (spine a little rubbed, some unimportant worming at front & back), orig. or early clasps & catches. Venice: Bonetus Locatellus for O. Scotus, 20 Dec. 1493. Second edition, enlarged with the addition of other important astrological texts, of Ptolemy's Quadripartitum, a textbook of astrology more usually known today under its Greek title, the Tetrabiblos. "Ptolemy's Quadripartitium ranks as the Bible of Astrology, but the attribution of the Centiloquium is considered spurious."-Stillwell, The Awakening Interest in Science during the First Century of Printing 1450-1550, 96-(describing the first edition of 1484). "To modern eyes it may seem strange that the same man who wrote a textbook of astronomy on strictly scientific principles should also compose a textbook of astrology...Ptolemy, however, regards the Tetrabiblos as the natural complement to the Almagest: as the latter enables one to predict the positions of the heavenly bodies, so the former expounds the theory of their influences on terrestrial things...Ptolemy regards the influence of heavenly bodies as purely physical...By careful observation of the terrestrial manifestations accompanying the various recurring combinations of celestial bodies, he believes it possible to erect a system which, although not mathematic … [Click Below for Full Description]
Bookseller: Jonathan A. Hill, Bookseller, Inc.
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2013-09-26 03:38:41
SCHEDEL, Hartmann
Bookseller: Argosy Book Store, ABAA, ILAB [New York, NY, U.S.A.]
2013-09-26 03:38:41
SCHEDEL, Hartmann
Nuremberg: Koberger, Anton, 1493. unbound. Wolgemut, Michael. Town Plan. Woodcut with hand coloring. Image measures 7.5 x 8.75", image plus text measures 14.75 x 8.75". Matted with acid-free matting and archival corners. This town plan of Jerusalem is an imaginary representation of the Temple "Templum Salomois" in the midst of the walled-in city. The view also includes the city walls and David's Gate. The plan is from the German edition of the "Liber cronicarum," otherwise known as the Nuremberg Chronicle, and is one of two plans of Jerusalem in the incunabulum. Scarce.
Bookseller: Argosy Book Store
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2013-09-18 07:25:27
AL-FARGHANI, Ahmad ibn Muhammad ibn Kathir.
A rare and early edition of Al-Farghani's best-known and most influential work, the <i>Jawami ilm al-najum wal harakat al-samawiyya</i>, or <i>Elements</i> as it usually known in the West, which was largely responsible for the dissemination of Ptolemaic astronomy in mediaeval Europe.<br/><br/> "The influence of the <i>Elements</i> on mediaeval Europe is clearly attested by the existence of numerous Latin manuscripts in European libraries. References to it in mediaeval writers are many, and there is no doubt that it was generally responsible for spreading knowledge of Ptolemaic astronomy, at least until this role was taken over by Sacrobosco's <i>Sphere</i>. But even then, the <i>Elements</i> of al-Farghani continued to be used, and Sacrobosco's <i>Sphere</i> was clearly indebted to it. It was from the <i>Elements</i> that Dante derived the astronomical knowledge displayed in the <i>Vita nuova</i> and in the <i>Convivio</i>" (DSB). <br/><br/> The <i>Elements</i> has thirty chapters, of which the first describes the Egyptian, Greek, Roman, Russian and Arab calendars and their differences. The remainder of the book covers the principal topics of the <i>Almagest</i>: the inclination of the ecliptic (Al-Farghani finds 23°33' for 829 AD at Baghdad compared with Ptolemy's 23°51'); the circumference and the diameter of the earth as measured by al-Mamun's astronomers (approximately 20,400 miles and 6,500 miles); the ascension of the signs of the zodiac in the direct and oblique spheres and equal and unequal hours; description of the planets, their motions and distances from the eart … [Click Below for Full Description]
Bookseller: Sophia Rare Books
2013-08-30 15:40:50
Holzschnitt von Michael Wolgemut und W. Pleydenwurff aus der deutschen Ausgabe von Hartmann Schedel: Das buch der Chroniken (Schedelsche Weltchronik) 1493. 20.5x51.8 cm. auf Doppelfolioblatt. - Duvigneau 1971 10 - Wohl die früheste graphische Darstellung Münchens. "Alles, was für die Stadt wichtig war - die Isarbrücke, die Flößerei - und ihr heutiges Antlitz noch bestimmt - das Isartor, die Frauen- und Peterskirche -, ist bereits festgehalten.
Bookseller: Wenner Antiquariat
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2013-08-30 15:40:50
Holzschnitt von Michael Wolgemut und W. Pleydenwurff aus der deutschen Ausgabe von Hartmann Schedel: Das buch der Chroniken (Schedelsche Weltchronik) 1493. 20x52.5 cm. auf Doppelfolioblatt. - Timann / Kott 329 - Jarczyk I, 34 - Früheste graphische Darstellung der Stadt. "Selbst im Vergleich mit Darstellungen späterer Jahrhunderte kann die Zuverlässigkeit des Schedel'schen Neisse-Bildes nicht hoch genug eingeschätzt werden." (Jarczyk). Wenige kleine Wurmlöcher in der Darstellung, Mittelfalte geglättet, kleine Fehlstellen restauriert. Die linke Bildhälfte (Rückseite des Blattes 266) ist auf das Blatt 260 (Vorderseite) der Chronik mit dem Text "Von dem Anticrist" aufgezogen.
Bookseller: Wenner Antiquariat
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2013-08-15 19:49:25
Schedel, Hartmann:
1493 - Blatt 255 der lateinischen Ausgabe der "Schedel'schen Weltchronik" auch bekannt als "Nürnberger Chronik". Herausgeben in Nürnberg im Jahre 1493 mit Holzschnitten von Michael Wolgemut und Wilhelm Pleydenwurff. Mit einem aufwendig gestalteten schönen alten Holzrahmen. Auch das Passpartout aufwendig gestaltet und mit eigenem Holzrahmen. Blatt von uns nicht geöffnet. Druck bis auf einige kleine Flecken am oberen Rand in gutem Zustand. Siehe Photo! Holzschnitte im Text.
Bookseller: BerlinAntiquariat. Inh.: Karl-Heinz Than
2013-07-26 20:34:06
BUSTI, Bernardinus de, O.F.M
Milan: Leonardus Pachel, 1493 21 May 1493. Modern blindruled calf over original wood (rubbed, catch & clasp gone), spine on 3 raised bands, [388] ff., 58 ll. (single line letterpress title cut out and mounted, marg. staining). Good complete copy. First complete edition of a collection of 63 sermons on the Immaculate Conception of the Holy Virgin by the Franciscan preacher B. de Busti (d. 1513), a pupil of Michael de Carcano. Small woodcut ills (often repeated). Decorative woodcut initials. Woodcut printer's mark at end. Printed in gothic type in 2 cols. Ownership entry on A2r. Some ms. notes. Ref. ISTC ib01333000. GW 5804. Goff B-1333. Polain 2613 (1). IDL 1089 (1). Not in BSB München.
Bookseller: Louis Caron
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2013-07-25 00:28:10
[Incunabula; Nuremberg Chronicle; Rome; Roma; Schedel Hartmann]
[Nuremberg: Anton Koberger, for Sebald Screyer and Sebastian Kammermeister, 1493]. First Edition with the German text. The bi-folium with fine hand-colouring to the Rome view. This is one of the large, double-page city-view woodcuts from the workshop of Mighael Wolgemut and Wilhelm Pleydenwurff beneath 22 lines of text. It is handsomely and finely handcoloured in blues, greens, yellows, reds, grays, etc. Double-page folio ( ca. 540 x 380 mm ), handsomely mounted, framed and glazed. Leaves LVII and LVIII. In fine condition and very well preserved and presented. FROM THE FIRST EDITION OF THE NUREMBERG CHRONICLE, ARGUABLY THE GREATEST ILLUSTRATED BOOK OF THE 15TH CENTURY. The artists, Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson, Wilhelm Pleydenwurff have been praised and admired for over five-hundred years for their contributions to one of the monuments of early printing. David Bland calls it "a marvelous book, and a landmark in the history of illustration," and through the ages it has more than fulfilled Koberger's prophecy that it would be "the delight of the men of learning and of everyone who had any education at all." A HIGHLY IMPORTANT INCUNABLE, the "Nuremberg Chronicle" is the most extensively illustrated book of the fifteenth century, and after the Gutenberg Bible the most celebrated book printed in the fifteenth century. Its 1,809 woodcut illustrations (1,164 excluding repeats) depict popes, saints, and other religious figures, kings and emperors, historical and biblical genealogies, mythological and fanciful creatur … [Click Below for Full Description]
Bookseller: Buddenbrooks, Inc. [U.S.A.]
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2013-07-25 00:28:10
Incunabula; Nuremberg Chronicle; Rome; Roma; Schedel Hartmann]
Bookseller: Buddenbrooks, Inc. ABAA [Newburyport, MA, U.S.A.]
2013-07-21 20:51:25
VEGETIUS RENATUS, FLAVIUS, et al.
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2013-07-15 18:50:42
SCHEDEL, Hartmann
Bookseller: Argosy Book Store, ABAA, ILAB [New York, NY, U.S.A.]
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2013-07-15 10:46:08
Isidorus Hispalensis (d.636)
Venice: Bonetus Locatellus, for Octavianus Scotus, 1493 11 December 1493. Small 2° (280 x 200mm). 100 leaves, 66 lines and headline, types 130 G., 74 G., and 80 Gk., double columns, full-page woodcut of the consanguinity on ff35v, small woodcut diagrams and symbols, woodcut initials, mostly ornamental, a few historiated, printer's device at end (full-page woodcut shaved at margins, lower margin of title repaired, worming in inner margin and gutter throughout, mostly repaired, light, mainly marginal waterstaining, a few stains). Later vellum (new endpapers, lightly soiled and rubbed). Provenance: old marginal annotations (some shaved). BMC V 442; Hain *9280; Sander 3527; Goff I186. Photos available upon request.
Bookseller: Louis Caron
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2013-06-10 08:50:28
QUINTILLIANO MARCO FABIO.
per Bonetum Locatellum mandato, Octaviani Scoti 1493 XVI Kalendas Sextiles. In-folio (307x210mm), ff. (206) [inclusa la carta bianca finale, sovente mancante], legatura cinquecentesca in piena pergamena molle con titolo e fregio manoscritto in antico al dorso. Alcuni capilettera xilografici elegantemente ornati su fondo nero e spaziguida per i capilettera. Il testo di commento di Raffaele Regio, su 61 linee, circonda il testo di Quintiliano, impresso in corpo tipografico più grande e disposto su 41 linee. In principio ed in fine il legatore antico ha inserito due fogli pergamenacei con notazione musicale neumatica rubricata in rosso ed in bistro ed il testo latino di un inno sacro. Alcune figure di diagrammi n.t. Explicit tipografico al verso della penultima carta di testo; al verso della carta finale di testo, registro e impresa tipografica su fondo nero, di straordinaria modernità grafica, dell'editore Ottaviano Scoto, con cerchio con croce doppia e iniziali "O. S. M.". Alcune glosse manoscritte coeve al margine delle cc. Alcune bruniture lievi, qualche sporadico lavoretto di tarlo marginale di minima entità. Qualche alone lieve alla pergamena. Esemplare eccezionalmente fresco. Raro incunabolo veneziano, probabilmente il primo col commento del Regio (umanista nato a Bergamo e morto a Venezia nel 1520, professore di lettere a Padova e a Venezia), del più grande trattato di retorica dell'antichità romana, ripartito in 12 libri (l'Hain-Copinger cita un incunabolo milanese del 1491 col commento del Regio ma di esso non è mai stato trovato riscontro e nella stessa bibliografi … [Click Below for Full Description]
Bookseller: Studio Bibliografico Benacense
2013-06-10 08:34:47
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
Veduta panoramica della città tratta dalla celebre Cronaca di Norimberga. La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, finemente colorata a mano, consuete tracce di restauro alla piega centrale, nel complesso in ottimo stato di conservazione. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe . Woodcut, fine hand colouring, in good condition. Norimberga Nurnberg 540 380
Bookseller: Libreria Yelets
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and like recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Norimberga Nurnberg 255 395
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
Tratta dalla monumentale opera di Schedel, il Liber Cronicarum, che rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and like recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Norimberga Nurnberg 225 200
Bookseller: Libreria Yelets
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, finemente colorata a mano, in buone condizioni. Dimensioni del foglio 305x405. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and, as recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut, in good condition. Norimberga Nurnberg
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and like recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Norimberga Nurnberg 225 195
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografie, con fine coloritura (coeva?), in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut with fine (original ?) colour, in good condition. Norimberga Nurnberg
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografie, con fine coloritura (coeva?), in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and like recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut with fine (original ?) colour, in good condition. Norimberga Nurnberg
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografie, con fine coloritura (coeva?), in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut with fine (original ?) colour, in good condition. Norimberga Nurnberg 570 440
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
Veduta panoramica della città tratta dalla celebre Cronaca di Norimberga. La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, consuete tracce di restauro alla piega centrale, nel complesso in ottimo stato di conservazione. Dimensioni, il foglio, 590x420. Panoramic view of the city, taken from the famous Nuremberg Chronicle. Schedel?s monumental work, the Liber Cronicarum, represents one of ?the most extraodinary works ever realized? by the XV century publishing. The engravers were Michael Wolgemut, the famous master of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wolgemut tutored Albrecht Dürer between 1486 and 1490; recent studies showed that Durer himself worked at this very view because there are many similarities with his Apocalypse. Some works are actually ascribed to the Master of Nuremberg. The printing was overseen by Anton Koberger, whose works very already famous along Europe. Woodcut, with typical signs of repairs on central fold, in ge … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
Veduta panoramica della città tratta dalla celebre Cronaca di Norimberga. La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, consuete tracce di restauro alla piega centrale, nel complesso in ottimo stato di conservazione. Bibliografia: Moretto, Piante e vedute prospettiche della città di Venezia dal 1479 al 179, 6; Cassini 4. Dimensioni 530x350 circa. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe . Woodcut, in good condition. Nor … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
SCHEDEL HARTMANN.
Silografia, 230x530 (l'immagine), 440x605 (il foglio completo testo). Molto ben conservata, minimi restauri alla piega centrale. Il "Liber Chronicarum" comunemente chiamato "Cronaca di Norimberga" dalla città di stampa, fu la prima opera con raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica.
Bookseller: Libreria Antiquaria Perini s.a.s.
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and, as recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut, in good condition. Norimberga Nurnberg
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Albrecht DURER (Norimberga 1471 - 1528)
Xilografia, 1493, priva della firma dell?artista. Bellissima prova, impressa su carta vergata coeva priva di filigrana, con margini, lievi restauri di carta al margine sinistro che non toccano l?incisione, per il resto in eccellente stato di conservazione. Tratta del celebre Liber Chronicarum meglio conosciuto come Cronaca di Norimberga. L?opera, stampata da Anton Koberger e scritta da Hartman Schedel, si compone di 645 xilografie, che la rendono il libro illustrato più importante dell?epoca. Le opere vennero realizzate, in diversi anni, dalla bottega del maestro di Durer Michael Wolgemut. Prima edizione latina. Woodcut, 1493, without signature. Magnificent work, printed on laid paper without watermark, with margins and slight repairs on the left margin which do not impair the image, in excellent condition. Part of the famous Liber Chronicarum, better known as the Chronicle of Nuremberg. The work was printed by Anton Koberger and wrote by Hartman Schledel. It contains 645 woodcuts and it is considered the most important illustrated book of the period. Every single work in it has been realized, along the years, in Wolgemut?s workshop. First Latin edition. The Illustrated Bartsch 509b. 225 255
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografie, con fine coloritura (coeva?), in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and, as recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut with later colouring, some foxing otherwise in good condition. Norimberga Nurnberg 580 400
Bookseller: Libreria Antiquarius
2013-06-09 20:06:46
WOLGEMUT, Michael - PLEYDENWURFF, Wilhelm.
A. Koberger, Norimberga. 1493 Xilografia di dimensioni 36,5x25 cm. Stampa quattrocentesca raffigurante il martirio del Simonino, tratta dalla celebre opera ?De temporibus mundi? di Hartman Schedel, meglio nota come le ?Cronache di Norimberga?. L?autore Michael Wolgemut (1434-1519) aveva acquisito la bottega di Hans Pleydenwurff sposandone la vedova e collaborava con il figliastro Wilhelm, ma è noto soprattutto in relazione al grande Dürer, che aveva studiato presso di lui. Il foglio comprende la stampa e il testo in latino. In cornice.
Bookseller: Studio Bibliografico Adige
2013-06-09 20:06:46
SCHEDEL HARTMANN
Silografia, 190x225 la sola incisione, 470x315 il foglio completo. Veduta fantastica tratta da una edizione latina di "Liber Chronicarum", una delle primissime opere illustrate pubblicate, che ebbe un enorme successo. La veduta è inserita nella parte sup. del foglio, il testo descrittivo in basso. Il testo è rubricato in rosso così come vi sono accenni di colore a contorno dei tetti. Ottimo esemplare assai marginoso con parziale mancanza all'angolo inf. sin.
Bookseller: Libreria Antiquaria Perini s.a.s.
2013-06-09 20:06:46
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
Veduta fantastica raffigurante una sorta di rappresentazione allegorica dell'Italia tratta dalla monumentale opera di Schedel, il Liber Cronicarum, che rappresenta uno ?dei più straordinari lavori mai realizzati? dall?editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest?opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell?Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was ?one of the most extraordinary works ever produced? The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut,,in good condition. Norimberga Nurnberg 230 230
Bookseller: Libreria Antiquarius
2013-06-07 16:37:22
SCHEDEL Hartmann.
[Norimberga, Antonio Koberger, 1493], grande veduta prospettica in xilografia, mm. 252x540 + margini bianchi. Proveniente dall'edizione in latino del "Liber Chronicarum" di Hartmann Schedel. Bell'esemplare. Mori-Boffito, p. 24, ill. n.t. a p. 25 e tavola f.t.
Bookseller: Libreria Antiquaria Gozzini
2013-06-06 03:24:24
Sant' Agostino (Augustus Aurelius)
Basilieri, Iohanes de Amerbach, 1493. 1493 In 4°, mm 216 x 313; ff 328, testo di 52 linee in carattere romano tondo; ricco capolettera iniziale a due colori su 11 righe (mm 49) e capilettera rubricati in rosso e blu su 3 righe (mm 16) per tutto il testo, ampissimi margini. Legatura coeva in piena pelle bruna su assicelle originali con impressioni a secco, 3 nervi al dorso, mancanti come spesso accade gli antichi fermagli dei quali sono ancora presenti gli attacchi sui lati esterni dei piatti. Cerniere fragili, sbucciature abilmente riparate ai piatti mentre sono sani e originali sia le cuffie che i capitelli. Lo stampatore Jean de Amerbach (1444-1516), fu uno dei primi grandi tipografi di Basilea e fu considerato dallo Zwinger uno degli "Eroi della tipografia". Importanti le sue edizioni di testi dei Padri della Chiesa (tra cui Sant'Agostino). I suoi figli continuarono l'attività, imprimendo insieme a Froben le opere di Erasmo da Rotterdam e furono noti, oltre che come tipografi, anche come insigni giuristi. Assai bello questo esemplare con carta in magnifico stato di conservazione e solo una trascurabile gora ai margini delle prime 12 carte. Esemplare assolutamente completo in ogni sua parte. Terza edizione non comune, della quale si trovano 9 esemplari nelle Biblioteche Pubbliche Italiane. IGI, 995; BMC, III, 755; GOFF, A-1268.
Bookseller: Biggio Giuseppina
2013-05-19 20:03:02
VEGETIUS RENATUS, FLAVIUS, et al.
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2013-05-19 20:03:02
VEGETIUS RENATUS, FLAVIUS, et al.
Rome: Eucharius Silber, 1494; Bologna: Bazalerius de Bazaleriis, 1493. FIRST EDITION of the first work. Offered in an unrestored contemporary binding of considerable appeal, this is the first printing of a famous collection of works on the Roman military system and methods, usually listed under "Vegetius," the 4th century imperial bureaucrat whose "De re Militari" is the chief treatise in the group. The text also includes the "Strategemata" of Sextus Julius Frontinus (30-104 A.D.), Roman magistrate and governor of Britain from 74-78; "De Instruendis," a work on tactics by Aelianus (2nd c. Greek); the "De Vocabulis rei Militaris" of Julius Modestus, a Roman grammarian in the time of Augustus; and "De Optimo Imperatore," the Latin translation of "Strategikos," a comprehensive guide to being a good general by the Greek Platonic philosopher Onosander (1st century A.D.). This collection was bound by the original owner of our volume with the third edition of a Roman history by the Greek historian Herodian of Antioch (ca. 170-240). Written about events during the author's own lifetime, this colorful history in eight books covers the period from the death of Marcus Aurelius in 180 to the beginning of the reign of Gordianus III in 238. The author apparently used Thucydides to some extent as a model, both in the outline of the work and in its style, which Photius compliments as being "clear, vigorous, and agreeable." Our edition comprises the first printing of the graceful and fluent Latin translation of the text done by the preeminent 15th century Italian classicist and poet Angelo … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA) [McMinnville, OR, U.S.A.]
2013-05-19 20:03:02
VEGETIUS RENATUS, FLAVIUS, et al.
Rome: Eucharius Silber, 1494; Bologna: Bazalerius de Bazaleriis, 1493. FIRST EDITION of the first work. Offered in an unrestored contemporary binding of considerable appeal, this is the first printing of a famous collection of works on the Roman military system and methods, usually listed under "Vegetius," the 4th century imperial bureaucrat whose "De re Militari" is the chief treatise in the group. The text also includes the "Strategemata" of Sextus Julius Frontinus (30-104 A.D.), Roman magistrate and governor of Britain from 74-78; "De Instruendis," a work on tactics by Aelianus (2nd century A.D. Greek); the "De Vocabulis rei Militaris" of Julius Modestus, a Roman grammarian in the time of Augustus; and "De Optimo Imperatore," the Latin translation of "Strategikos," a comprehensive guide to being a good general by the Greek Platonic philosopher Onosander (1st century A.D.). This collection was bound by the original owner of our volume with the third edition of a Roman history by the Greek historian Herodian of Antioch (ca. 170-240). Written about events during the author's own lifetime, this colorful history in eight books covers the period from the death of Marcus Aurelius in 180 to the beginning of the reign of Gordianus III in 238. The author apparently used Thucydides to some extent as a model, both in the outline of the work and in its style, which Photius compliments as being "clear, vigorous, and agreeable." Our edition comprises the first printing of the graceful and fluent Latin translation of the text done by the preeminent 15th century Italian classicist and p … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2013-02-12 16:31:50
MORTIER Pierre (1661-1711)
Magnifica veduta, incisa in rame e colorata d?epoca (mm. 405 x 550) di ?Pouzol ville du Royaume de Naples?. Bell?esemplare marginoso. Cfr. Cremonini, ?L?Italia nelle vedute e carte geografiche dal 1493 al 1894?, n. 206, p. 88.
Bookseller: Libreria Antiquaria Malavasi
2013-01-05 03:40:04
[Schedel, Hartmann]
[10], 287 Blätter. Mit über 1800 teils blattgroßen Illustrationen (teilweise wiederholt) und 2 doppelblattgroßen Karten in Holzschnitt von Wohlgemuth und Pleydenwurff. Die ersten 65 Blätter altkoloriert. Imp.-2°. Aufwendig restaurierter und teils erneuerter dunkelbrauner Halblederband auf fünf Bünden über alten, teilweise unbezogenen Holzdeckeln unter Verwendung überwiegend originaler Beschläge. Zwei Hakenschließen mit Lederscharnieren. Pergamentverstärkte Innengelenke. Erste deutsche Ausgabe, 6 Monate nach der lateinischen Edition erschienen und seltener als diese. - Reichhaltigst illustrierte, kunst- und druckgeschichtlich überaus bedeutende und wohl bekannteste Inkunabel überhaupt; "größtes Buchunternehmen der Dürerzeit" (Rücker). Mit zahlreichen, erstmals individualisierten Stadtansichten, u.a. von Konstantinopel, Straßburg, Florenz, Rom, Venedig, Köln, Mainz, Regensburg, Wien, Nürnberg, Salzburg, Bamberg, Prag, Breslau, Konstanz, Basel, Lübeck. - Zur Editionsgeschichte vgl. ausführlich Chr. Reske, Die Produktion der Schedelschen Weltchronik in Nürnberg (Wiesbaden 2000). - Aufwendig und fachgerecht restauriertes Exemplar: Diverse Ergänzungen und Anfaserungen an den Blatträndern, einige hinterlegte Einrisse. Ein Dutzend Blätter mit leichtem Text- bzw. Bildverlust. Teils etwas fleckig und gebräunt, leicht fingerfleckig. - Kein makelloses, aber insgesamt gutes, überwiegend sauberes Exemplar. Reizvoll durch den Kontrast der kräftigen Altkolorierung zum nichtkolorierten Teil der Holzschnitte; diese alle in guten Abdrucken. - Hain 14510 - Polain 3471 - Goff S309 - BMC II, 437 … [Click Below for Full Description]
Bookseller: Antiquariat Kretzer - www.bibliotheca-th
2013-01-04 01:13:35
Schedel, Hartmann
Nuremberg, Germany: Kobergerger, 1493. The leaf is approximately 12"x17". Strong print with attractive hand-coloring. The Chronicle, one of the best examples of early printing, is an illustrated history of the world from the beginning of time until its publication in 1493. Its format generally follows a Biblical history of mankind with inclusions of natural catastrophes, royal genealogies, and important cities. This leaf contains eight hand-colored woodcuts: 1) St. Thomas Aquinas, 2) Two heretical flagellants, 3) Charles of Sicily, 4) Philip, son of St. Louis, 5) Pope Gregory the Tenth, 6) Pope Innocent the Fifth, 7) Pope Adrian the Fifth, and 8) the Second Council of Lyons in 1274. An English translation of the leaf (with some historical notes) is included. . Unbound. Very Good. Illus. by Wohlgemut, Michael and Wilhelm Pleydenwurff.
Bookseller: Read'Em Again Books
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