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Displayed below are some selected recent viaLibri matches for books published in 1493
2017-09-15 14:06:38
1493 - Two tiny tears and two small repairs to the edges. Old Latin inscription at margin and one paragraph canceled with three lines in ink. Very good.
Bookseller: Lyrical Ballad Bookstore ABAA/ILAB
2017-09-08 21:33:40
Hartmann SCHEDEL
Norimberga 1493 - Tratta dalla monumentale opera di Schedel, il Liber Cronicarum, che rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest’opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell’Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Taken from the monumental work of Schedel, Liber Cronicarum, which is one of the "most extraordinary works ever made" by publishing the fifteenth century. The engravers were Michael Wolgemut, famous teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wolgemut was Albrecht Dürer's tutor between 1486 and 1490, recent studies have shown that Durer has collaborated on this work, because some of the traits drugs have similarities with those of the Apocalypse, and some works are in fact attributed to the master Nuremberg. The printing was supervised by the great printer Anton Koberger, whose works were famous throughout Europe. Woodcut, in good condition. Dimensioni 230 145mm
Bookseller: Libreria Antiquarius
2017-09-08 21:33:40
Hartmann SCHEDEL
Norimberga 1493 - Tratta dalla monumentale opera di Schedel, il Liber Cronicarum, che rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest’opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell’Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Taken from the monumental work of Schedel, Liber Cronicarum, which is one of the "most extraordinary works ever made" by publishing the fifteenth century. The engravers were Michael Wolgemut, famous teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wolgemut was Albrecht Dürer's tutor between 1486 and 1490, recent studies have shown that Durer has collaborated on this work, because some of the traits drugs have similarities with those of the Apocalypse, and some works are in fact attributed to the master Nuremberg. The printing was supervised by the great printer Anton Koberger, whose works were famous throughout Europe. Woodcut, in good condition. Dimensioni 230 240mm
Bookseller: Libreria Antiquarius
2017-09-08 21:33:40
SCHEDEL Hartmann.
[Norimberga, Antonio Koberger, 1493], veduta prospettica in xilografia, mm. 199x222 (l'immagine), mm. 416x291 (il foglio): testo descrittivo della città in lingua latina impresso sopra all'immagine. Proveniente dall'edizione in latino del "Liber Chronicarum" di Hartmann Schedel. Mancanza lungo il margine bianco destro. Lievi gore marginali. Sebbene di fantasia, si tratta d'una delle più antiche rappresentazioni a stampa della città. Al verso testo stampato, con piccole xilografie.
Bookseller: Libreria Oreste Gozzini snc [Firenze, FI, Italy]
2017-09-05 14:33:14
Carl, Ernst Ludwig
CCX/1493 S., Original-Leinen / original hardcover sehr gutes und sauberes Exemplar, Text in Französisch / very fine and clean, text in French
Bookseller: Antiquariat Hagena & Schulte GbR [Germany]
2017-08-26 18:17:59
Hartmann Schedel
Anton Koberger, Nuremberg. 12" x 17" [30cm x 43cm] incunabulum folio leaf, museum framed. Highly desirable leaf from the 1493 Latin 'Liber Chronicarum', featuring a half-page woodcut of Paris [Parisium], in Near Fine condition. Deaccessioned from the Andrew Dickson White Museum of Art, Cornell University. In a handsome ruby red and gilt wood frame [13.25" x 18"] with museum notes taped to the back. Leaf appears to be laid on, unmounted (frame is sealed at back). Wonderfully preserved with just a bit of age-toning to the extreme edges and minor waviness to the surface (unmounted). Woodcut by Pleydenwurff and Wohlgemut, Latin text by Hartmann Schedel. Recto is half-page woodcut of Mainz [Megundio] with Latin text above. The Liber Chronicarum, bound, fetches $150,000 or more at auction; the Paris leaf, with its stylized view of the city, the Seine, and a 1400s caravel ship in the foreground, is a particularly sought-after leaf. Note: There are artists specializing in applying period-style watercolor to such woodcuts, greatly enhancing their visual appeal. I have included a sample of a colored version for reference. *Photos may show distortions (lens curvature, angled view, reflections, etc.) as the item is under glass.
Bookseller: Seacoast Books [Portsmouth, NH, U.S.A.]
2017-08-26 18:15:26
SCHEDEL HARTMANN
Silografia, mm 225x220 (foglio 287x440). Foglio II. Testo latino. Colorata, raffigura la mano di Dio che crea gli angeli. Sullo stesso foglio al verso compare una grande silografia (mm 225x220) raffigurante La Creazione della Luce. Tratta da "Liber Chronicarum" comunemente chiamato appunto "Cronaca di Norimberga": fu la prima opera con raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica. Fu stampato in due edizioni, la prima latina nel luglio 1493 in circa 1500 copie, la seconda, tedesca, in dicembre dello stesso anno, in circa 800 esemplari. Le incisioni sono opera di Michael Wohlgemuth, maestro di Albrecht Duerer, del figliastro Wilhelm Pleydenwurff e del giovane Duerer stesso. Bell'esemplare in piacevole coloritura. € 800 Woodcut, mm 225x220 (sheet 287x440), leaf II. Latin text. Coloured. Shows God's hand creating angels; on verso another large woodcut with creation of light. A good example.From "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. The engravings are all by Michael Wohlgemuth, teacher of Albrecht Duerer. his stepson Wilhelm Pleydenwurff and some are attributed to Duerer when he was young.The views from "Liber Chronicarum" or "Nuremberg Chronicle" as it is commonly referred to, are among the earliest realistic obtainable views in the market.
Bookseller: Libreria Antiquaria Perini s.a.s. [IT]
2017-08-26 18:12:29
[Incunabula; Nuremberg Chronicle; Venice; Venezia; Schedel Hartmann]
[Nuremberg: Anton Koberger, for Sebald Screyer and Sebastian Kammermeister, 1493]. First Edition with the Latin text, the bifolium with fine hand-colouring to the Venice view. This is one of the large, double-page city-view woodcuts from the workshop of Mighael Wolgemut and Wilhelm Pleydenwurff beneith 24 lines of text. The view of Venice was adapted from the 1486 woodcut by Erhard Reuwich in the Sanctae Perigrinationes. It is handsomely and finely handcoloured in blues, greens, yellows, reds, grays, etc. Double-page folio ( ca. 540 x 364 mm ), handsomely mounted, framed and glazed. Leaves XLIII and XLIIII. In fine condition and very well preserved and presented. FROM THE FIRST EDITION OF THE NUREMBERG CHRONICLE, ARGUABLY THE GREATEST ILLUSTRATED BOOK OF THE 15TH CENTURY. The artists, Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson, Wilhelm Pleydenwurff have been praised and admired for over five-hundred years for their contributions to one of the monuments of early printing. David Bland calls it "a marvelous book, and a landmark in the history of illustration," and through the ages it has more than fulfilled Koberger's prophecy that it would be "the delight of the men of learning and of everyone who had any education at all." HIGHLY IMPORTANT INCUNABLE, the "Nuremberg Chronicle" is the most extensively illustrated book of the fifteenth century, and after the Gutenberg Bible the most celebrated book printed in the fifteenth century. Its 1,809 woodcut illustrations (1,164 excluding repeats) depict popes, saints, and other relig … [Click Below for Full Description]
Bookseller: Buddenbrooks, Inc. [U.S.A.]
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2017-08-26 15:34:40
SCHEDEL HARTMANN.
1493. Silografia in fascinosa coloritura. Mm 190x530 (l'immagine), 410x550 (il foglio col testo). Questa celebre veduta di Venezia deriva, adattata, dalla lunga incisione di Erhardt Reuwich, inserita in "Peregrinatio ad Terram Sanctam" di Breidenbach, pubblicata alcuni anni prima. Il "Liber Chronicarum" comunemente chiamato "Cronaca di Norimberga" dalla città in cui venne pubblicata, fu la prima opera con raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica. Fu stampato in due edizioni, la prima latina nel luglio 1493 in circa 1500 copie, la seconda, tedesca, in dicembre dello stesso anno, in circa 800 esemplari. Le incisioni sono opera di Michael Wohlgemuth, maestro di Albrecht Duerer., e del figliastro Wilhelm Pleydenwurff. Buon esemplare con qualche restauro al centro soprattutto nel margine inf. e sopra alla veduta.Woodcut, coloured, mm 190x530 (view) with text above, mm 410x550 (leaf), large margins. Very important incunable view. From the latin edition of "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. The views from "Liber Chronicarum" or "Nuremberg Chronicle" as it is commonly referred to, are among the earliest realistic obtainable views in the market. The engravings are all by Michael Wohlgemuth, teacher of Albrecht Duerer., and his stepson Wilhelm Pleydenwurff.Some restorations at centerfold as usual, mainly above and under the view.
Bookseller: Libreria Antiquaria Perini s.a.s. [IT]
2017-08-26 15:34:09
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
1493. Veduta panoramica della città di Venezia tratta dalla celebre Cronaca di Norimberga - edizione tedesca, con sopra il testo realtivo alle origini della città. Al verso, testo e veduta della città di Padova; testo con la genealogia dei re Latini, con i ritratti del Re Latino, Enea e Ascanio e,a inzio del testo, ritratto di Omero. La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest'opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell'Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, qualche sporadica ossidazione, nel complesso in ottimo stato di conservazione. Panormic view of Venice, in a page with text about the history of the city. On the verso: texts with portraits of Homer and the genealogy of the Welsh kings,; unilateral view of Padua with text to the city. From Liber Cronicarum, German edition. Schedel's monumental Liber Cronicarum was "one of the most extraordinary works ever produced" The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor b … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2017-08-26 15:33:08
SCHEDEL, HARTMANN - WOLGEMUT, MICHAEL - ANTON KOBERGER.
Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,5 x 62,4 circa (il foglio), al verso del foglio riquadro con la città di "Padua" (Padova) e volti di re, filosofi e pontefici, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Esemplare ben restaurato al margine bianco superiore, un poco rifilato su tutti i margini, nell'insieme molto ben conservato.
Bookseller: Studio Bibliografico Botteghina D'arte Galleria Kú [IT]
2017-08-23 08:20:15
SCHEDEL HARTMANN
Silografia, mm 134x130 (foglio 287x440). Foglio CIX. Testo latino. Colorata, raffigura San Giovanni Evangelista mentre compone il Vangelo. Sullo stesso foglio tre altre figure di religiosi; verso con vignette silografiche con ritratti degli imperatori Tito, Domiziano, Nerva e Traiano. Tratta da "Liber Chronicarum" comunemente chiamato appunto "Cronaca di Norimberga": fu la prima opera con raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica. Fu stampato in due edizioni, la prima latina nel luglio 1493 in circa 1500 copie, la seconda, tedesca, in dicembre dello stesso anno, in circa 800 esemplari. Le incisioni sono opera di Michael Wohlgemuth, maestro di Albrecht Duerer, del figliastro Wilhelm Pleydenwurff e del giovane Duerer stesso.Bell'esemplare in bella coloritura. € 450Woodcut, mm 134x130 (sheet 287x440), leaf CIX. Latin text. Coloured. Shows St. Johannes writing with three other woodcuts; on verso other four little woodcuts with the portraits of Titus, Domicianus, Nerva and Traianus. A good example.From "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. The engravings are all by Michael Wohlgemuth, teacher of Albrecht Duerer. his stepson Wilhelm Pleydenwurff and some are attributed to Duerer when he was young.The views from "Liber Chronicarum" or "Nuremberg Chronicle" as it is commonly referred to, are among the earliest realistic obtainable views in the market.
Bookseller: Libreria Antiquaria Perini s.a.s. [IT]
2017-08-15 19:59:46
WÜRZBURG:
Bookseller: Antiquariat Norbert Haas [Bedburg-Hau, Germany]
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2017-08-15 19:59:46
WÜRZBURG:
- kolorierter Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 32 x 52 Brod-Mälzer; Würzburg, Bilder einer alten Stadt, K 1. - Ganze Buchseite - Lateinische Ausgabe! - Perfekter Zustand, beidseitig koloriert!
Bookseller: Antiquariat Norbert Haas
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2017-08-14 16:25:14
BÖHMEN
Holzschnitt aus Schedel, "Weltchronik", 1493, 23 x 23 cm. Auf der vollen Buchseite der lateinischen Ausgabe.
Bookseller: Buch- und Kunstantiquariat [Germany]
2017-08-14 12:30:29
Schedel, Hartmann
Nürnberg, Anton Koberger,, 1493. Kreuer, W., Imago Civitatis, pp. 176-180. - Aus "Liber chronicarum". - Sehr große Holzschnittansicht von Venedig aus der lateinischen Ausgabe von Hartmann Schedels berühmter Nürnberger Weltchronik, gedruckt 1493, dem Jahr als Kolumbus nach Europa zurückkehrte nachdem er Amerika entdeckt hatte. Blattnummer XLIIII. Rückseitig die Ansicht von Padua. Die Ansicht basiert auf dem Plan von E. Reuwich aus Peregrinatio bei Bernhard von Breydenbach, Mainz 1486. Der hier angebotene Holzschnitt stellt eine der ältesten authentischen Ansichten von Venedig dar und ist realistischerweise die einzige große Ansicht des 15. Jahrhunderts, welche für Sammler verfügbar ist. Die Holzschneider der Illustrationen zur Schedelschen Weltchronik waren Michael Wolgemut und sein Stiefsohn Wilhelm Pleydenwurff. Albrecht Dürer war zwischen 1486 und 1490 in Wohlgemuts Werkstatt zur Lehre, womit der damals noch junge Dürer höchstwahrscheinlich an den Holzschneidearbeiten beteiligt war, da einige seiner Illustrationen zur Apocalypse eine bemerkenswerte Ähnlichkeit aufweisen. - Bugfalte hinterlegt, zwei kleine Einrisse in Rand hinterlegt, zwei Wurmspuren im unteren Rand gerade bis zu den unteren Ecken des Bildes reichend hinterlegt, winziges Loch im Mittelfalz hinterlegt und nachgezeichnet. Nicht geteilt und mit Verlust zusammengesetzt wie dieses Blatt oft zu finden ist. Sehr gutes Exemplar. - Decorative incunable double-leaf in folio showing Venice (Venezia) by Hartmann Schedel. From the famous Liber chronicarum or Nuremberg Chronicle in Latin edition published in 1493, the y … [Click Below for Full Description]
Bookseller: Götzfried Antique Maps [Tettnang, Germany]
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2017-08-13 10:14:47
NOAH. - Winzer. - Nachkommen
Holzschnitt von M. Wolgemut aus Schedel, "Weltchronik", 1493, 14 x 22 (Darstellung) bzw. 37 x 22 cm (Textseite). Inkunabeldruck der lateinischen Ausgabe, Blatt XV. - Noe gilt als der erste Ackerbauer und Winzer. Seine drei Söhne sind die Stammväter der Hamiten, Semiten und Japhetiten. Mit dem vollständigen Text, dazu der Stammbaum der Nachkommen des Sem. Auf der Rückseite und dem beiliegenden Blatt XIV ist die Nachkommenschaft des Noah über seinen Sohn Ham als Stammbaum dargestellt, insgesamt 34 Personen, der Patriarch Noah selbst als Ganzfigur links oben. Ein vierter Sohn Noahs, Ionichus, trägt eine Armillarsphäre in Händen. Er wurde nach der Sintflut geboren und gilt als Erfinder der Astronomie. - Gering fleckig. Versand D: 6,00 EUR Dekorative Graphik, Astronomie, Genealogie, Judaica, Landwirtschaft, Wein
Bookseller: Peter Bierl Buch- & Kunstantiquariat [Eurasburg, Germany]
2017-08-12 21:33:51
Mayronis, Franciscus de:
Venedig, Peregrinus de Pasqualibus, 11. Februar 1493. 2 Spalten mit je 48 Zeilen. Ohne die 10 Bll. am Anfang. 247 (sehr fehlerhaft) numm. Bll. mit Druckermarke, des letztes weiße Blatt fehlt. Blindgeprägter brauner Lederband über Holzdeckel. 22 x 15 cm. Erste Ausgabe. - Hain 10531; BMC V, 392; BSB F-246; Pellechet 4909; Polain (B) 1514; Goff M93. - Franciscus de Mayronis (ca. 1280-1328) war ein bedeutender Schüler des Duns Scotus. An der Sorbonne, wo er den Großteil seines Lebens lehrte, wurde er wegen seiner großen Geschicklichkeit in philosophischen Diskussionen auch Doctor Illuminatus oder Magister Acutus genannt. Er nahm regen Anteil am Universalienstreit und vertrat wie sein Lehrer Duns Scotus einen gemäßigten Realismus. - Mit der schönen Druckermarke des Peregrino Pasquale (Husung 185, Nr. V). - Fehlen die Schließen. Rücken und Ecken sehr unauffällig restauriert, Vorderdeckel mit kl. Kratzspuren. Tls. etwas fleckig. Blatt 25 und 26 mit kl. Brandfleck und kl. Loch. Zum Schluss eine dreizeilige handschriftl. Anmerkung. Versandkostenfreie Lieferung
Bookseller: Antiquariat Uwe Turszynski
2017-08-03 08:12:23
Schedel, Hartmann:
Nürnberg Druck: Anton Koberger 1493 ganze Buchseite, Einzelblatt, Leaf, Format ca.: 41x29 cm original Holzschnitt, original Woodcut, Deutsche Ausgabe, German edition, Liber chronicarum Nürnbergische Chronik Das Buch der Chroniken, Schedelsche Weltchronik, Michael Wolgemut, Wilhelm Pleydenwurff, Hartmann Schedel, Ikunabelblatt , Icunable leaf Versand D: 9,00 EUR Liber chronicarum Nürnberische Chronik Das Buch der Chroniken, Weltchronik, Schedelsche
Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints- Fl
2017-08-03 08:12:23
Schedel, Hartmann:
Nürnberg Druck: Anton Koberger 1493 ganze Buchseite, Einzelblatt, Leaf, Format ca.: 41x29 cm original Holzschnitt, original Woodcut, Deutsche Ausgabe, German edition, Liber chronicarum Nürnbergische Chronik Das Buch der Chroniken, Schedelsche Weltchronik, Michael Wolgemut, Wilhelm Pleydenwurff, Hartmann Schedel, Ikunabelblatt , Icunable leaf Versand D: 9,00 EUR Liber chronicarum Nürnberische Chronik Das Buch der Chroniken, Weltchronik, Schedelsche
Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints- Fl
2017-08-03 08:12:23
Schedel, Hartmann
Nürnberg Druck: Anton Koberger 1493 ganze Buchseite, Einzelblatt, Leaf, Format ca.: 41x29 cm original Holzschnitt, original Woodcut, Deutsche Ausgabe, German edition, Liber chronicarum Nürnbergische Chronik Das Buch der Chroniken, Schedelsche Weltchronik, Michael Wolgemut, Wilhelm Pleydenwurff, Hartmann Schedel, Ikunabelblatt , Icunable leaf Versand D: 9,00 EUR Liber chronicarum Nürnberische Chronik Das Buch der Chroniken, Weltchronik, Schedelsche
Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints- Florian Bernd [Austria]
2017-08-03 08:12:23
Schedel, Hartmann:
Nürnberg Druck: Anton Koberger 1493 ganze Buchseite, Einzelblatt, Leaf, Format ca.: 41x29 cm original Holzschnitt, original Woodcut, Deutsche Ausgabe, German edition, Liber chronicarum Nürnbergische Chronik Das Buch der Chroniken, Schedelsche Weltchronik, Michael Wolgemut, Wilhelm Pleydenwurff, Hartmann Schedel, Ikunabelblatt , Icunable leaf Versand D: 9,00 EUR Liber chronicarum Nürnberische Chronik Das Buch der Chroniken, Weltchronik, Schedelsche
Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints [Wien, Austria]
2017-07-29 15:47:34
Altkol. Holzschnitt aus Schedel, \"Weltchronik\", 1493, 32 x 52 cm. Die älteste gedruckte Ansicht der Stadt in einem altkolorierten Exemplar aus einer lateinischen Ausgabe. Rückseitig mit der Ansicht von Ferrara (diese unten beschnitten). - Schönes, kräftiges Altkolorit. Versand D: 6,00 EUR BAYERN, Franken
Bookseller: Antiquariat Bierl
2017-07-27 17:15:38
SCHEDEL, HARTMANN - WOLGEMUT, MICHAEL - ANTON KOBERGER.
Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,3 x 61 circa (il foglio); al verso del foglio piccolo riquadro rettangolare con la città di "Genua" (Genova), testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Esemplare ben restaurato al margine bianco superiore, un poco rifilato su tutti i margini, nell'insieme molto ben conservato.
Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS [Rosignano Solvay, LI, Italy]
2017-07-22 04:05:59
SCHEDEL, HARTMANN
Nuremberg: Anton Koberger, for Sebald Schreyer and Sebastian Kammermeister, 12 July 1493. FIRST EDITION. This is a very handsome copy, with royal provenance, of the most extensively illustrated book of the 15th century, issued by the most successful German printer of the era. A history of the world from the biblical creation to the late 15th century, the "Chronicle" was written in Latin by physician, humanist scholar, and book collector Hartmann Schedel (1440-1514), who drew heavily on works of ancient and Medieval history from his extensive personal collection. (Schedel's library in 1498 contained 370 manuscripts and 670 printed books.) His chronicle was by far the most richly illustrated and technically demanding work to be printed in the 15th century. Its planning took five years and the printing took 20 months. The "Chronicle" is also one of the best-documented incunables, as the contracts between the printer, his financial backers, and the artists have survived in the Nuremberg city archive. Merchants Sebald Schreyer and Sebastian Kammermeister funded the project, advancing 1,000 gulden for the production and distribution of the book; artists Wolgemut and Pleydenwurff agreed to do the woodcuts and layout; and Koberger contracted to print and distribute it. Koberger (ca. 1440-1513) established the first printing shop in Nuremberg in 1470, and steadily grew and expanded the business, eventually operating 24 presses and employing 100 workers. Koberger was the godfather of Albrecht Dürer, who was apprenticed to the illustrator Wolgemut at the time production on the "Chr … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2017-07-21 19:55:14
SCHEDEL, HARTMANN
Bookseller: Phillip J. Pirages Rare Books (ABAA) [McMinnville, OR, U.S.A.]
2017-07-19 09:40:56
Hartmann SCHEDEL
Norimberga 1493 - Veduta fantastica raffigurante una sorta di rappresentazione allegorica dell'Italia tratta dalla monumentale opera di Schedel, il Liber Cronicarum, che rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest’opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell’Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was "one of the most extraordinary works ever produced" The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut, in good condition. Dimensioni 230 230mm
Bookseller: Libreria Antiquarius
2017-07-19 09:40:56
Hartmann SCHEDEL
Norimberga 1493 - Tratta dalla monumentale opera di Schedel, il Liber Cronicarum, che rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest’opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell’Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was "one of the most extraordinary works ever produced" The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and, as recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut, in good condition. Dimensioni 230 200mm
Bookseller: Libreria Antiquarius
2017-07-19 09:40:56
Hartmann SCHEDEL
Norimberga 1493 - La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest’opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell’Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, inserita in una pagina di testo, in ottimo stato di conservazione. Schedel's monumental Liber Cronicarum was "one of the most extraordinary works ever produced" The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe . Woodcut, in good condition. Dimensioni 225 192mm
Bookseller: Libreria Antiquarius
2017-07-19 09:40:56
Hartmann SCHEDEL
Norimberga, 1493. Tratta dalla monumentale opera di Schedel, il Liber Cronicarum, che rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest’opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell’Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was "one of the most extraordinary works ever produced" The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and, as recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut, in good condition. E. Pellegrini, "L'iconografia di Siena nelle opere a stampa", 27-28 230 200mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-07-18 17:07:10
SCHEDEL, HARTMANN - WOLGEMUT, MICHAEL - ANTON KOBERGER.
Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,5 x 62,4 circa (il foglio), al verso del foglio riquadro con la città di "Padua" (Padova) e volti di re, filosofi e pontefici, testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Esemplare ben restaurato al margine bianco superiore, un poco rifilato su tutti i margini, nell'insieme molto ben conservato.
Bookseller: Studio Bibliografico Botteghina D'arte G
2017-07-18 17:07:10
SCHEDEL, HARTMANN - WOLGEMUT, MICHAEL - ANTON KOBERGER.
Norimberga, 1493. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,3 x 61 circa (il foglio); al verso del foglio piccolo riquadro rettangolare con la città di "Genua" (Genova), testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Esemplare ben restaurato al margine bianco superiore, un poco rifilato su tutti i margini, nell'insieme molto ben conservato.
Bookseller: Studio Bibliografico Botteghina D'arte G
2017-07-18 17:07:10
SCHEDEL, HARTMANN - WOLGEMUT, MICHAEL - ANTON KOBERGER.
Norimberga, 1493 circa. Dal "Liber Chronicarum Nurembergensi", xilografia in b/n, cm 47,5 x 65,5 circa (il foglio), testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Foglio ottimamente restaurato al margine superiore, buono lo stato di conservazione.
Bookseller: Studio Bibliografico Botteghina D'arte G
2017-07-16 22:41:57
Holzschnitt aus Schedel, \"Weltchronik\", 1493, 23 x 22,5 cm. Auf der vollen Buchseite der lateinischen Ausgabe. Kräftiger Druck. Versand D: 6,00 EUR Europa, Südosteuropa - Ungarn
Bookseller: Antiquariat Bierl
2017-07-16 22:41:57
Holzschnitt aus Schedel, "Weltchronik", 1493, 23 x 22,5 cm. Auf der vollen Buchseite der lateinischen Ausgabe. Kräftiger Druck.
Bookseller: Peter Bierl Buch- & Kunstantiquariat [Eurasburg, Germany]
2017-07-13 22:12:38
SCHEDEL Hartmann.
Bookseller: Libreria Oreste Gozzini snc [Firenze, Italy]
2017-07-11 07:50:03
MARIA. - Marienleben
Holzschnitte von M. Wolgemut aus Schedel, "Weltchronik", 1493, je 8 x 7 cm (Darstellungen) bzw. 38 x 22 cm (Textseite). Inkunabeldruck der lateinischen Ausgabe. - Auf der ganzen Buchseite. Recto drei weitere Holzschnitte: Halbfigur des hl. Joseph (8 x 7 cm); das abgeschlagene Haupt Johannes d.T. in einer Schüssel, diese stehend auf dem Tisch eines Gastmahls mit Herodes, Salome, Herodias usw. (14 x 15 cm); die Familie Johannes des Täufers mit insgesamt sechs Personen, darunter der Täufer selbst und seine Eltern Zacharias und Elisabeth (12 x 15 cm). Verso vier weitere Holzschnitte: Joachim und Anna, Zacharias und Elisabeth, die Jungfrau Maria, oben rechts der Geograph Strabo. - Im Rand gering fleckig. Versand D: 6,00 EUR Heiligenbilder, Frauen, Inkunabel, Religiöse Graphik
Bookseller: Peter Bierl Buch- & Kunstantiquariat [Eurasburg, Germany]
2017-07-11 06:28:08
SCHEDEL Hartmann.
[Norimberga, Antonio Koberger, 1493], veduta prospettica in xilografia, mm. 199x222 (l'immagine), mm. 416x291 (il foglio): testo descrittivo della città in lingua latina impresso sopra all'immagine. Proveniente dall'edizione in latino del "Liber Chronicarum" di Hartmann Schedel. Mancanza lungo il margine bianco destro. Lievi gore marginali. Sebbene di fantasia, si tratta d'una delle più antiche rappresentazioni a stampa della città. Al verso testo stampato, con piccole xilografie.
Bookseller: Libreria Antiquaria Gozzini
2017-07-11 06:28:08
SCHEDEL Hartmann.
[Norimberga, Antonio Koberger, 1493], veduta prospettica in xilografia, mm. 191x222 (l'immagine), mm. 428x297 (il foglio): testo descrittivo della città in lingua latina impresso sotto all'immagine. Proveniente dall'edizione in latino del "Liber Chronicarum" di Hartmann Schedel. Traccia d'una piegatura centrale. Lievi difetti marginali. Sebbene di fantasia, si tratta d'una delle più antiche rappresentazioni a stampa della città. Al verso testo stampato, con ritratti xilografici. E. Pellegrini, "L'iconografia di Siena nelle opere a stampa", pp. 27 - 28.
Bookseller: Libreria Antiquaria Gozzini
2017-07-06 19:24:23
SCHEDEL, D. Hartmann.
1493 - Nuremberg, 1493, German text edition. Woodcut, image 200 x 230mm, set in a page of text. An imaginary view of Bologna from the famous 'Nuremberg Chronicle'. On the verso are woodcuts of Byzantium and three Persian kings.
Bookseller: Altea Antique Maps
2017-07-04 07:34:54
SCHEDEL, D. Hartmann.
1493 - Nuremberg, Anton Koberger, 1493, German text edition. Woodcut, image 195 x 220mm, set in a page of text. An imaginary view of Pisa from the famous 'Nuremberg Chronicle'.
Bookseller: Altea Antique Maps
2017-07-04 07:34:54
Hartmann SCHEDEL
Norimberga 1493 - La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno "dei più straordinari lavori mai realizzati" dall’editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest’opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell’Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografia, in buone condizioni. Schedel's monumental Liber Cronicarum was "one of the most extraordinary works ever produced" The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and, as recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe. Woodcut, in good condition. Dimensioni 225 200mm
Bookseller: Libreria Antiquarius
2017-07-02 08:40:00
Mayronis, Franciscus de:
Venedig, Peregrinus de Pasqualibus, 11. Februar 1493. - 2 Spalten mit je 48 Zeilen. Ohne die 10 Bll. am Anfang. 247 (sehr fehlerhaft) numm. Bll. mit Druckermarke, des letztes weiße Blatt fehlt. Blindgeprägter brauner Lederband über Holzdeckel. 22 x 15 cm. Erste Ausgabe. - Hain 10531; BMC V, 392; BSB F-246; Pellechet 4909; Polain (B) 1514; Goff M93. - Franciscus de Mayronis (ca. 1280-1328) war ein bedeutender Schüler des Duns Scotus. An der Sorbonne, wo er den Großteil seines Lebens lehrte, wurde er wegen seiner großen Geschicklichkeit in philosophischen Diskussionen auch Doctor Illuminatus oder Magister Acutus genannt. Er nahm regen Anteil am Universalienstreit und vertrat wie sein Lehrer Duns Scotus einen gemäßigten Realismus. - Mit der schönen Druckermarke des Peregrino Pasquale (Husung 185, Nr. V). - Fehlen die Schließen. Rücken und Ecken sehr unauffällig restauriert, Vorderdeckel mit kl. Kratzspuren. Tls. etwas fleckig. Blatt 25 und 26 mit kl. Brandfleck und kl. Loch. Zum Schluss eine dreizeilige handschriftl. Anmerkung. [Attributes: First Edition; Hard Cover]
Bookseller: Antiquariat Uwe Turszynski [Germany]
Check availability:
2017-07-02 07:48:55
Mayronis, Franciscus de:
Venedig, Peregrinus de Pasqualibus, 11. Februar 1493.. 2 Spalten mit je 48 Zeilen. Ohne die 10 Bll. am Anfang. 247 (sehr fehlerhaft) numm. Bll. mit Druckermarke, des letztes weiße Blatt fehlt. Blindgeprägter brauner Lederband über Holzdeckel. 22 x 15 cm. Erste Ausgabe. - Hain 10531; BMC V, 392; BSB F-246; Pellechet 4909; Polain (B) 1514; Goff M93. - Franciscus de Mayronis (ca. 1280-1328) war ein bedeutender Schüler des Duns Scotus. An der Sorbonne, wo er den Großteil seines Lebens lehrte, wurde er wegen seiner großen Geschicklichkeit in philosophischen Diskussionen auch Doctor Illuminatus oder Magister Acutus genannt. Er nahm regen Anteil am Universalienstreit und vertrat wie sein Lehrer Duns Scotus einen gemäßigten Realismus. - Mit der schönen Druckermarke des Peregrino Pasquale (Husung 185, Nr. V). - Fehlen die Schließen. Rücken und Ecken sehr unauffällig restauriert, Vorderdeckel mit kl. Kratzspuren. Tls. etwas fleckig. Blatt 25 und 26 mit kl. Brandfleck und kl. Loch. Zum Schluss eine dreizeilige handschriftl. Anmerkung.
Bookseller: Antiquariat Turszynski
Check availability:
2017-06-30 14:30:48
EARLY BIBLE/LYRA, NICOLAUS DE
Nürnberg, Anton Koberger, 1493. 4 volumes, 424, 338, 317 (of 318), 350 (of 352) folia. Contemporary blind-stamped Vellum with 4 raised bands and clasps, Folio H. 34,5 x L. 23,5 x W. 6,5-9 cm. (The marigins of titlepage vol.1 are renewed, 3 pages of vol.1 in matching facsimile on contemporary paper, without the final blanco pages in vol. 3 and 4, waterstains at some places, some wormholes in both the wooden boards and the text blocks. With 44 woodcuts -some fullpage-, the capital letters in volume 2-4, and some in volume 1 are handcoloured with red and blue paint. With some old annotations in the margins. Incunable edition of the Latin Bible containing the Old and New Testament with the commentary of Nicolaus de Lyra. Besides De Lyra's Postillae the Additiones of the Spanish bishop Paul of Burgos c.1353-1435, followed by a reply on this Additiones the Defensarium or Responsiones from the Franciscan Matthias Döring c.1390-1469. Nicolaus de Lyra c.1270-1349, was a Franciscan teacher at the University of Paris. De Lyra was a very important biblical commentator who was known for his knowledge of Hebrew learning and the Latin (Church) Fathers. He gained his knowledge through studying the Hebrew language and other Jewish sources, among which the writings of Rabbi Solomon c.1040-1105. He studied with the Jewish rabbis of Évreux (North France), this city was one of the centres of Jewish learning during the Middle Ages. His knowledge was expressed in his massive Postillae, in which he commented extensively on the entire Bible according to mostly literal senses. This commentary was pr … [Click Below for Full Description]
Bookseller: Antiquariaat de Roo [Zwijndrecht, Netherlands]
Check availability:
2017-06-30 14:30:48
BIBLE | Lyra, Nicolaus de
Bookseller: Antiquariaat de Roo [Zwijndrecht, Netherlands]
Check availability:
2017-06-30 14:30:48
EARLY BIBLE/LYRA, NICOLAUS DE
Nürnberg, Anton Koberger, 1493. 4 volumes, 424, 338, 317 (of 318), 350 (of 352) folia. Contemporary blind-stamped Vellum with 4 raised bands and clasps, Folio H. 34,5 x L. 23,5 x W. 6,5-9 cm. (The marigins of titlepage vol.1 are renewed, 3 pages of vol.1 in matching facsimile on contemporary paper, without the final blanco pages in vol. 3 and 4, waterstains at some places, some wormholes in both the wooden boards and the text blocks. With 44 woodcuts -some fullpage-, the capital letters in volume 2-4, and some in volume 1 are handcoloured with red and blue paint. With some old annotations in the margins. Incunable edition of the Latin Bible containing the Old and New Testament with the commentary of Nicolaus de Lyra. Besides De Lyra's Postillae the Additiones of the Spanish bishop Paul of Burgos c.1353-1435, followed by a reply on this Additiones the Defensarium or Responsiones from the Franciscan Matthias Döring c.1390-1469. Nicolaus de Lyra c.1270-1349, was a Franciscan teacher at the University of Paris. De Lyra was a very important biblical commentator who was known for his knowledge of Hebrew learning and the Latin (Church) Fathers. He gained his knowledge through studying the Hebrew language and other Jewish sources, among which the writings of Rabbi Solomon c.1040-1105. He studied with the Jewish rabbis of Évreux (North France), this city was one of the centres of Jewish learning during the Middle Ages. His knowledge was expressed in his massive Postillae, in which he commented extensively on the entire Bible according to mostly literal senses. This commentary was pr … [Click Below for Full Description]
Bookseller: Antiquariaat de Roo [Zwijndrecht, Netherlands]
2017-06-27 22:12:39
Schedel, Hartmann.
1493 - Folio; a single leaf from the Nuremberg Chronicle of 1493. This leaf has a fine engraving of an English town, and on the verso a simiolar woodcut engraving of a Spanish town. A thumbnail sized chip to the toip margin, just missing the lettering, a couple of tears to the left hand margin. Some slight spots. Overall Good and the flaws be hidden by a frame and mount.
Bookseller: Neil Summersgill Ltd ABA,PBFA,ILAB. [United Kingdom]
2017-06-27 15:11:31
SENECA, Lucius Annaeus
150 leaves (incl. first leaf, a blank). 60 lines of commentary surrounding the text, Roman type, woodcut decorated initials. Two- to four-line initials supplied in red or blue, printed or manuscript guide-letters, rubricator's fingerprint in red ink on p1v. Small folio (320 x 213 mm.), cont. blind-stamped Italian goatskin over wooden boards by Belluno bindery A, with 4 (of 10) brass bosses & 1 (of 2) clasps (see below). Venice: Matteo Capcasa, 18 July 1493. Second Venetian edition of Seneca's Tragedies, third edition with the commentary of Gellio Bernardino Marmitta (fl. 1440), and the first with additional commentary of Daniel Caietanus (1461-1528). The tragedies are Hercules furens, Thyestes, Phoenissae, Phaedra, Oedipus, Troades, Medea, Agamemnon, and Hercules Oetaeus. Seneca's nine tragedies, full of violence and horror, exerted a profound influence on poets and playwrights of the Italian Renaissance as well as on their successors in Tudor England. Marmitta's Seneca has been regarded as a sort of "pre-Americanum," because of its remark on the verses in Medea: "Oceanus / Vincula rerum laxet et ingens / Pateat tellus" (Marmita wrote that the time would come when we would sail beyond Thule and find new worlds). In his copy of the Venice 1510 reprint, Fernando Columbus added a marginal note, "haec prophetia expleta est per patrem meum" (this prophecy was fulfilled by my father). The printer Matteo Capcasa, a native of Parma, worked at Venice for a decade from 1485, printing mostly vernacular works, including a number of finely illustrated editions. Vecellio Fore-edge Painti … [Click Below for Full Description]
Bookseller: Jonathan A. Hill, Bookseller, Inc.
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2017-06-24 18:29:04
Hartmann SCHEDEL (Norimberga 1440 - ivi 1514)
1493. Belissima veduta della città tratta dal Liber Cronicarum di Hartmann Schedel. La monumentale opera di Schedel, il Liber Cronicarum, rappresenta uno "dei più straordinari lavori mai realizzati" dall'editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest'opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell'Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. Xilografie, finemente colorata a mano, in ottimo stato di conservazione. Decorative example of Hartmann Schedel's incunable view of Constantinople from Schedel's Liber Chronicum, perhaps the single most influential secular illustrated book of the 15th Century and one of the landmark printed works of the 15th Century. Schedel's monumental Liber Cronicarum was "one of the most extraordinary works ever produced" The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer's tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations. The printing was carried out under the supervision of the great scholar-printer Anton … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
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