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Displayed below are some selected recent viaLibri matches for books published in 1493

        Libro della Vita Viduale.

      F. a2: Comincia el libro della vita Viduale. Composto da frate Hieronymo da Ferrara dellordine de frati predicatori ad instantia di molte deuote Vedoue e Vedoui.- Senza note tipogr. (Firenze, Bartolomeo de' Libri, 1493) - in-4 (mm200x135), 21 ff.nn., segn. a-b8, c5 (manca l'ultimo foglio bianco), caratt. rom., titolo adorno di una stupenda grande silografia raffig. monaci e suore (Savonarola che parla ad un gruppo di Murate). F. a2: "Comincia el libro della vita Viduale. Composto da frate Hieronymo da Ferrara dellordine de frati predicatori ad instantia di molte deuote Vedoue e Vedoui". Leg. moderna in cartoncino rosso con fine decorazione Seconda edizione del primo libro pubblicato dal Savonarola (Firenze, Bonaccorsi 1491). Cfr. Immagini e azione riformatrice, Alinari, 1985: "Il Savonarola ben comprese l'importanza della propaganda sollecita e capillare e ho anche l'impressione che influisse sul mercato riuscendo in parte a bloccare la stampa di libelli a lui contrari mentre di contro le sue opere furono considerate vere e proprie reliquie. Nei legni savonaroliani ad immagini delineate con semplici e pure linee di contorno si alternano particolari di un nero compatto: finestrelle, vani, mantelli, copricapi, losanghe negli impiantiti.". Perfetta conservazione. Cfr. Eisenbichler, Savonarola and the Question of Widows p. 29. KRISTELLER 396b. SANDER 6886. AUDIN 46. IGI 8747 (solo 7 esempl.). BMC VI, 659. IGI 8745. Goff S-285 /soli tre esempl.). [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
 1.   Check availability:     IberLibro     Link/Print  


        Liber Chronicarum cum figuris et imaginibus ab inicio mundi.

      Nuremberg, Anton Koberger, 12 july 1493. Imperial Folio. (44,5 x 30,5 cm). First edition. (20) + 299 (including 3 blanks, CCLVIIII-CCLXI) + (1) + (5) + 2 blanks (only without first blank leave). The "Sarmacia" is bound at end. 1809 woodcuts by Pleydenwurff and Wohlgemuth from 645 woodblocks, many town views and 2 maps, the Ptolemaic world map and the map of northern and central Europe. Contemporary blind-tooled full calf over wooden boards with six raised bands. With two clasps. Xylographic title-page skilfully re-margined and cut until text, and 1 extra title-page inserted before the xylographic title. Some dampstaining in the register. Occasional browning. A few leaves with minor tears and repairs. The world map with small repaired tear in lower margin.. A complete and fine copy in contemporary binding

      [Bookseller: Ruuds Antikvariat]
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        Liber Chronicarum cum figuris et imaginibus ab Inicio Mundi.

      (In fine, colophon:) Antonius Koberger Nuremberge impressit. duodecima mensis Julii. Anno salutis 1493 (Norimberga, Koberger,1493), - in-folio gr. (448x305 mm), ff. 326 (su 328, mancano 2 fogli bianchi in fine presenti il f. CCLXI bianco con la sola indicazione del numero di pagina in alto a destra, e il f. bianco n.n. corrispondente al 326); così disposti: ff. (20), CCLXVI, (5), CCLXVII-CCXCIX, (1). Sontuosa legatura del XVIII secolo in marocchino granata, ricca bordura ai piatti e dentelle interna, il tutto impresso in oro; al piatto anteriore armi reali di Francia sormontate da corona e circondate da rami d'alloro, al dorso gigli di Francia e ricchi fregi, (conservata entro elegante astuccio e scatola). Testo su due colonne in car. gotico, iniziali a pennello in inchiostro rosso e blu nella "Tabula operis", grande iniziale filigranata al foglio I. Prima edizione (una seconda, con il testo tedesco, uscì nell'Ottobre dello stesso anno) della celebre Cronaca di Norimberga, il più grande figurato del Quattrocento: la sua straordinaria illustrazione si compone di ben 1809 silografie di vari formati (molte a piena pagina ed alcune su doppio foglio, alcune ripetute) opera di Michael Wohlgemuth, il noto maestro di Dürer e di Wil. Pleydenwurff. Studi recenti confermano che il giovane Albrecht Dürer lavorò ad alcune delle illustrazioni dell'opera. Soggetti sono tratti dal Vecchio e Nuovo Testamento, dalla storia classica e medioevale, nonché, in gran numero, da vedute topografiche delle città europee (molte di fantasia e varie reali nel XV sec., stupende). Comprende pure due carte geografiche su doppio foglio: un planisfero tolemaico e un'Europa centrale. L'illustrazione parte dalle varie fasi della creazione dell'universo, alla costruzione dell'Arca di Noé, a quella della Torre di Babele, ritratti di profeti e personaggi storici, vedute di città, raffigurazioni di cataclismi divini o naturali, fenomeni vari e mostri, comete ed eclissi di sole e di luna, torture varie, l'Anticristo e la Danza della Morte. Il testo dello Schedel descrive, in ordine cronologico, la storia degli avvenimenti del mondo dalla creazione all'anno 1493, ivi compreso un discusso passaggio sulla scoperta dell'America al f. 290 v. Si tratta senza dubbio del più bel libro di ogni epoca. Esemplare di illustre provenienza: al contropiatto anteriore ex libris del Conte Sergei Grigor'evich Stroganov (1794-1882), membro di una delle storiche famiglie della Russia; si distinse per la diffusione della cultura ricoprendo importanti incarichi nell'Amministrazione di Mosca. Magnifico esemplare con ampi margini. (Un ininfluente forellino di tarlo nel margine inferiore bianco dei primi 60 fogli). Timbro della "Imperial Tomsk University Library" nel margine del primo f. e al verso del medesimo. (breeee/bbteee) HC 14508. Goff S-307. BMC II, 437. Fairfax Murray Collection, n. 394, pp.628-633. IGI 8828. Proctor 2084. Vaticana S-133. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        ?The Dance of the Deat? (La danza della morte, Imago Mortis).

      Norimberga, 1493. Dal ?Liber Chronicarum Nurembergensi?, xilografia in b/n, cm 31 x 47,5 (il foglio), testo in latino. La monumentale opera dello Schedel, il "Liber Cronicarum", rappresenta uno ?dei più straordinari lavori mai realizzati? dall'editoria del XV secolo. Gli incisori erano Michael Wolgemut, famoso maestro di Albrecht Dürer, e il figliastro Wilhelm Pleydenwurff. Wolgemut fu il tutore di Albrecht Dürer tra il 1486 e il 1490; recenti studi hanno dimostrato come Durer abbia collaborato alla realizzazione di quest'opera, poiché alcuni dei tratti hanno somiglianze stupefacenti con quelli dell'Apocalisse; alcune opere sono infatti attribuite al maestro di Norimberga e l' ?Imago Mortis?, è una tra queste. La stampa venne supervisionata dal grande stampatore Anton Koberger, le cui opere erano famose in tutta Europa. La prima edizione, in latino, fu stampata a Norimberga il 12 luglio del 1493, la seconda edizione, con testo in tedesco, fu stampata sempre a Norimberga nel dicembre dello stesso anno. Un'altra versione, in edizione ridotta, fu pubblicata in Augsburg nel 1496 da Johann Schonsperger. Mentre nelle edizioni veneziane della cronaca del Foresti il rapporto tra editore e illustratore, e tra testo e immagine configura la dominanza del primo termine, nella cronaca di Norimberga i ruoli tendono a rovesciarsi. È Michael Wolgemut, designatore, pittore e incisore, erede della bottega di Hans Pleydenwurff e maestro di disegno silografico del giovane Durer, che in società col figliastro Wilhem Pleydenwurff si procura i finanziamenti, coopta l'importante tipografo Anton Koberger, e alla testa di un buon gruppo di collaboratori produce circa seicentocinquanta silografie, per un totale di milleottocentonove illustrazioni che costituiscono il fondamento editoriale dell'opera. Il testo è affidato al dotto medico e umanista norimberghese Hartamann Schedel, già studente a Padova, il cui nome non compare né in incipit né in colophon. L'ingente corpus grafico è assai disomogeneo per stile del disegno e peripezia d'intaglio, ma nel suo complesso fornisce ?una nuova espressione delle possibilità espressive e rappresentative della tecnica silografica? (E. Panofsky). Se le silografie veneziane che illustrano il Foresti sono di piccolo formato, di stile squisitamente grafico e tendenti alla stilizzazione decorativa, le vedute disegnate dal Wolgemut sono al contrario di stile pittorico, di dimensioni medio - grandi, ricche di modellato e complicate di arditi scorci prospettici. Di circa centotrentaquattro scenari urbani solo una trentina è più o meno verosimile, e di quelle italiane solo Roma, Firenze, Venezia e Genova; i restanti tre quarti sono figure arbitrarie, come Pisa, Ravenna, o l'inglese Towered Town, ?metafisico? assemblaggio di moduli architettonico - urbanistici e paesaggistici estratti dal formulario di un tedesco; strutture fortificate a sezione prevalentemente cilindrica, con torrini a sbalzo, caditoie e casematte, edifici con facciata a dentelli, tetti spioventi con abbaini, multipli addossati a schiera, una visione iconografica del tutto scollata dal testo dello Schedel che invece si attiene diligentemente alla cronaca del Foresti. Rara rappresentazione tardo quattrocentesca della morte, una delle più rare e curiose di questo tema, per assurdo ?viva? espressione di una danza divertita: tre scheletri danzanti, accompagnati da uno sulla sinistra del foglio che suona una sorta di flauto, mentre in basso, un quinto sbuca da una tomba; curioso il particolare dello scheletro sulla destra, l'unico con i capelli lunghi, i quali discendono lungo la schiena e sembrano risbucare dal ventre. Esemplare abilmente restaurato per abrasioni e visibili tracce di umido, leggermente rifilato ai margini laterali, nell'insieme discretamente conservato.

      [Bookseller: Libreria Vittadello Rita]
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        MÜNCHEN. "Monacum". Gesamtansicht.

      - Altkol. Holzschnitt aus Schedel, "Weltchronik", 1493, 20 x 52 cm. Lentner 1023; Maillinger I, 1; Pfister II, 1; Slg. Proebst 71. - Die früheste gedruckte Ansicht Münchens aus einer lateinischen Ausgabe auf der vollen Buchseite (38 x 52 cm). "Sehr selten! Schönes und interessantes Blatt" (Lentner) in feinem alten Kolorit. - Nur minimal und nicht störend etwas stockfleckig. Breitrandig und wohl erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Johannes Apl'us evangelista.

      Norimberga 1493 - Silografia, mm 134x130 (foglio 287x440). Foglio CIX. Testo latino. Colorata, raffigura San Giovanni Evangelista mentre compone il Vangelo. Sullo stesso foglio tre altre figure di religiosi; verso con vignette silografiche con ritratti degli imperatori Tito, Domiziano, Nerva e Traiano. Tratta da "Liber Chronicarum" comunemente chiamato appunto "Cronaca di Norimberga": fu la prima opera con raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica. Fu stampato in due edizioni, la prima latina nel luglio 1493 in circa 1500 copie, la seconda, tedesca, in dicembre dello stesso anno, in circa 800 esemplari. Le incisioni sono opera di Michael Wohlgemuth, maestro di Albrecht Duerer, del figliastro Wilhelm Pleydenwurff e del giovane Duerer stesso.Bell'esemplare in bella coloritura. € 450Woodcut, mm 134x130 (sheet 287x440), leaf CIX. Latin text. Coloured. Shows St. Johannes writing with three other woodcuts; on verso other four little woodcuts with the portraits of Titus, Domicianus, Nerva and Traianus. A good example.From "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. The engravings are all by Michael Wohlgemuth, teacher of Albrecht Duerer. his stepson Wilhelm Pleydenwurff and some are attributed to Duerer when he was young.The views from "Liber Chronicarum" or "Nuremberg Chronicle" as it is commonly referred to, are among the earliest realistic obtainable views in the market.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Magdeburg

      Koberger, Nurnberg 1493 - Original woodcut from the famous ,Nurnberg Chronicle’, printed in Nürnberg in December 1493. This plate was exactly published and printed in December 1493 in Nurnberg at Anton Koberger. A good impression. On the full sheet as published. Minor mended stitch wholes, as usual, at the centerfold else in good condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
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        (Skandinavia).

      Nürnberg. 1493. Originalt tresnitt. Arkets størrelse : 62 cm X 42,8 cm.. Rent eksemplar.Fra Hartmann Schedel : Liber Chronicarum. Utgitt av Anton Koberger i Nürnberg i 1493."It is one of the best-documented early printed books-an incunabulum -and one of the first to successfully integrate illustrations and text." (Wikipedia).The publisher and printer was Anton Koberger, the godfather of Albrecht Dürer, who in the year of Dürer's birth in 1471 ceased goldsmithing to become a printer and publisher. He quickly became the most successful publisher in Germany, eventually owning 24 printing presses and having many offices in Germany and abroad, from Lyon to Budapest. (Wikipedia).The large workshop of Michael Wolgemut, then Nuremberg's leading artist in various media, provided the unprecedented 1,809 woodcut illustrations. (Wikipedia).Liten slitasje ved nedre høyre marg.Et av de tidligste kart som viser Skandinavia.Kartets opphavsmann skal være Hieronymus Munzer (1437-1508)

      [Bookseller: Damms Antikvariat]
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        Schedel, Hartmann - Noah's Ark.

      DE EERSTE AFBEELDING OOIT VAN DE ARK VAN NOACH IN AANBOUWHoutsnede uit de zgn. Neurenbergse Kroniek, uitgegeven door Hartmann Schedel in 1493. In de tijd met de hand gekleurd en in de 17de-eeuw door een lezer met pen van commentaar voorzien. Eerste druk, in het Latijn. Afm. (blad): ca. 43 x 30 cm.Hartmann Schedel (1440-1514) was een arts en humanist, die had gestudeerd in Leipzig en Padua. Vanaf 1484 was hij "Stadtphysikus" te Neurenberg.Schedels Liber Chronicorum verhaalt over de geschiedenis van de wereld, vanaf de Schepping van Adam tot aan de Apocalyps. Het is daarbij eerste keer in de geschiedenis dat De Ark in aanbouw wordt afgebeeld.De Kroniek geeft een schitterend beeld van de kennis van geografie en geschiedenis aan het einde van de 15e eeuw, de tijd dat men begon met transatlantische ontdekkingsreizen. Met 1809 houtsnedes bevat de Neurenbergse Kroniek de meeste illustraties dan elk ander tot die tijd gedrukt boek.De ontwerpen voor de houtsnedes werden gemaakt door Michael Wolgemut (1434-1519) en zijn stiefzoon Wilhelm Pleydenwurff (overleden in 1494). Men neemt aan dat ook de nog jonge Albrecht Dürer een aantal van houtsnedes heeft gemaakt. Dürer was op dat moment leerling bij het atelier van Wolgemut.De Ark van Noach is volgens het bijbelverhaal, het schip waarmee Noach en zijn gezin, en vele dieren met hen, de zondvloed overleefden. Noach bouwde dit vaartuig op nauwkeurige aanwijzingen van God. Toen de vloed aanstaande was liet God van alle diersoorten zeven mannetjes en zeven vrouwtjes naar De Ark komen. Ook moest er van al het eetbare voedsel een hoeveelheid worden meegenomen. Als laatsten gingen Noach, zijn vrouw, hun drie zoons en hun vrouwen, De Ark binnen. Toen begon het veertig dagen en nachten hevig te regenen en kwam de vloed. Honderdvijftig dagen gingen voorbij voordat het water zakte en de ark vastliep op het Araratgebergte. Toen een uitgestuurde duif met een twijg terugkeerde, was dat het teken dat de aarde droog was en konden Noach, zijn gezin en de dieren De Ark verlaten.Prijs: € 975,- (excl. BTW, incl lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Liber Chronicarum (Nuremberg Chronicles).

      Nuremberg: Anton Koberger, 1493. First edition. Tall folio, bound in full blind-tooled calf, metal clasps, raised bands. With the xylographic title and double-page map of Europe, and hundreds of city and town views and portraits. Text complete with leaves 1-299 each numbered and present. Minor wear and contemporary marginal notes and a few small repairs. A very attractive near fine example of this monumental achievement in printing. Hartmann Schedel was a medical doctor, humanist and book collector. He earned a doctorate in medicine in Padua in 1466, then settled in Nuremberg to practice medicine and collect books. According to an inventory done in 1498, Schedel's personal library contained 370 manuscripts and 670 printed books. He compiled this elaborate history of the world from "the first day of creation" to his own time in an effort to correct what he felt was a slight to German history by other chroniclers. He divided his work into the usual six ages of the history of mankind, adding a seventh in which he foretold the coming of the Antichrist, the destruction of the world, and judgment day. The invention of printing is mentioned on verso of leaf CCLII: "born in Germany... in the city near the Rhine [i.e. Mainz]... in the year 1440"; on verso of leaf CCXC is a brief account (not appearing in the subsequent German edition of the same year) of the "Portuguese voyage of discovery along the coast of Africa in 1483 [1484], under the direction of Diego Cam and Martin Behaim of Nuremberg, which has been used as a basis for the unwarranted theory that the expedition reached America" (Sabin). The legacy of the volume rests on its illustrations. "There are 1809 woodcuts printed from 645 different blocks. They picture the major events of the Old and New Testaments, episodes in the lives of many saints, portraits of prophets, kings, popes, heroes, and great men of all centuries, freaks of nature, and panoramic views of cities. Nuremberg artists Michael Wolgemut and Wilhelm Pleydenwurff were responsible for the production of the book... The wood blocks were designed by the two masters and their assistants, including the young Albrecht D?rer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose illustrated books were famous throughout Europe" (Legacies of Genius 5).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Liber chronicarum.

      

      [Bookseller: Peter Harrington]
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        Ulm - Ulma

      Koberger, Nurnberg 1493 - Original Holzschnitt, handkoloriert im Stil der Zeit. Breitrandiges Exemplar, im tadellosen Erhaltungszustand.

      [Bookseller: Antiquariat Reinhold Berg eK]
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        Destruccio Iherosolime.

      Nuremberg, 1493 - Woodcut, coloured, mm 255x540 (view) with text above, large margins. Very important incunable view. From the latin edition of "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. The views from "Liber Chronicarum" or "Nuremberg Chronicle" as it is commonly referred to, are among the earliest realistic obtainable views in the market. The engravings are all by Michael Wohlgemuth, teacher of Albrecht Duerer., and his stepson Wilhelm Pleydenwurff.Some restorations at centerfold as usual, mainly above and under the view.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Patavia

      Koberger, Nurnberg 1493 - Original woodcut from the famous 'Nurnberg Chronicle', printed in Nürnberg, in December 1493. Fully hand colored city view. Verso illustrated as well with four smaller hand colored woodcuts of saints. German text edition. This view of Passau is one of the earliest obtainable authentic city views, published only a few years before 1500. This plate was exactly published and printed in December 1493 in Nurnberg at Koberger. In excellent condition.

      [Bookseller: Antiquariat Reinhold Berg eK]
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        Schedel, Hartmann - Noah's Arch.

      DE EERSTE AFBEELDING OOIT VAN DE ARK VAN NOACH IN AANBOUWHoutsnede uit de zgn. Neurenbergse Kroniek, uitgegeven door Hartmann Schedel in 1493. In de tijd met de hand gekleurd en in de 17de-eeuw door een lezer met pen van commentaar voorzien. Eerste druk, in het Latijn. Afm. (blad): ca. 43 x 30 cm.Hartmann Schedel (1440-1514) was een arts en humanist, die had gestudeerd in Leipzig en Padua. Vanaf 1484 was hij "Stadtphysikus" te Neurenberg.Schedels Liber Chronicorum verhaalt over de geschiedenis van de wereld, vanaf de Schepping van Adam tot aan de Apocalyps. Het is daarbij eerste keer in de geschiedenis dat De Ark in aanbouw wordt afgebeeld.De Kroniek geeft een schitterend beeld van de kennis van geografie en geschiedenis aan het einde van de 15e eeuw, de tijd dat men begon met transatlantische ontdekkingsreizen. Met 1809 houtsnedes bevat de Neurenbergse Kroniek de meeste illustraties dan elk ander tot die tijd gedrukt boek.De ontwerpen voor de houtsnedes werden gemaakt door Michael Wolgemut (1434-1519) en zijn stiefzoon Wilhelm Pleydenwurff (overleden in 1494). Men neemt aan dat ook de nog jonge Albrecht Dürer een aantal van houtsnedes heeft gemaakt. Dürer was op dat moment leerling bij het atelier van Wolgemut.De Ark van Noach is volgens het bijbelverhaal, het schip waarmee Noach en zijn gezin, en vele dieren met hen, de zondvloed overleefden. Noach bouwde dit vaartuig op nauwkeurige aanwijzingen van God. Toen de vloed aanstaande was liet God van alle diersoorten zeven mannetjes en zeven vrouwtjes naar De Ark komen. Ook moest er van al het eetbare voedsel een hoeveelheid worden meegenomen. Als laatsten gingen Noach, zijn vrouw, hun drie zoons en hun vrouwen, De Ark binnen. Toen begon het veertig dagen en nachten hevig te regenen en kwam de vloed. Honderdvijftig dagen gingen voorbij voordat het water zakte en de ark vastliep op het Araratgebergte. Toen een uitgestuurde duif met een twijg terugkeerde, was dat het teken dat de aarde droog was en konden Noach, zijn gezin en de dieren De Ark verlaten.Prijs: € 975,- (excl. BTW, incl lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Magdeburga.

      Nürnberg Koberger 1493 - Kolorierter Holzschnitt von Wilhelm Pleydenwurff und Michael Wohlgemut, Bildausschnitt 19 x 51,5 cm., Blattgr. 42,5 x 60 cm. Erste Ansicht von Magdeburg in der Druckkgraphik, wohl zumindest teilweise nach der Natur dargestellt: im Vordergrund die Elbe mit Mühlen und Schiffsanleger, dahinter die Stadt, rechts wohl die Sankt-Jakobi-Kirche mit dem fertigen Südturm und dem Nordturm noch ohne Helm, mittig möglicherweise die St.-Johannis-Kirche und ganz links Magdeburger Dom. Aus der lateinischen Ausgabe von Hartmann Schedels "Liber Chronicarum"; mit knapp 2000 Holzschnitten ist die Schedelsche Weltchronik das am umfangreichsten illustrierte Werk der Inkunabelzeit. Michael Wolgemut begann 1487 zusammen mit Wilhelm Pleydenwurff, seinem Schwiegersohn, mit den Entwurfsarbeiten zu den Holzschnitten. Auch Beiträge des jungen Albrecht Dürer sind wahrscheinlich, der bis 1490 bei Wolgemut in die Lehre ging; wie immer in der Blattmitte restauriert, ansprechendes Kolorit, von guter Erhaltung.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Erfordia

      Nuremberg 1493 - Woodcut, mm 227x518 (sheet 440x596), verso with latin text and nine little woodcuts including popes and kings. A good example with usual restorations at center.From "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. The engravings are all by Michael Wohlgemuth, teacher of Albrecht Duerer. his stepson Wilhelm Pleydenwurff and some are attributed to Duerer when he was young.The views from "Liber Chronicarum" or "Nuremberg Chronicle" as it is commonly referred to, are among the earliest realistic obtainable views in the market.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Gesamtansicht ('Nicea').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 19,5 x 23 Ganze Buchseite. - Deutsche Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Jenff').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 15 x 23 Ganze Buchseite. - Deutsche Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Lyon').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 20,5 x 22,5 Ganze Buchseite. - Deutsche Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Jericho').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 13,5 x 23 Ganze Buchseite. - Deutsche Ausgabe! - Unter der Ansicht von Jericho Elija, wie er durch einen feurigen Wagen mit feurigen Rossen von seinem Nachfolger Elischa getrennt und in einem Sturmwind zum Himmel entrückt wird. (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Troya').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 20,5 x 22,5 Ganze Buchseite. - Deutsche Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Corinthus').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 15 x 23 Ganze Buchseite - deutsche seltene Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Von den Turcken.':.

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 24 x 23 Ganze Buchseite. - Deutsche seltene Ausgabe! - Rückseite Phantasiedarstellung von ('Tracia') Thrakien (Thrazien / Thracia / Thrake / Thrace). (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Nuremberga.

      schedel, Norimberga 1493 - Silografia. Mm 345x530 (l'immagine), 410x550 (il foglio col testo). Questa celebre veduta di Norimberga è la veduta di maggior formato del libro, dedicata alla città in cui fu pubblicato il "Liber Chronicarum" comunemente chiamato appunto "Cronaca di Norimberga": fu la prima opera con raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica. Fu stampato in due edizioni, la prima latina nel luglio 1493 in circa 1500 copie, la seconda, tedesca, in dicembre dello stesso anno, in circa 800 esemplari. Le incisioni sono opera di Michael Wohlgemuth, maestro di Albrecht Duerer, e del figliastro Wilhelm Pleydenwurff.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Von polnischem land.':.

      - Altkolorierter Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik b. Anton Koberger in Nürnberg, 1493, 15 x 22,5 (39,5 x 28) Phantasiedarstellung der Landschaft Polens. - Ganze Buchseite. - Deutsche Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
 26.   Check availability:     ZVAB     Link/Print  


        Lituania':.

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 19,5 x 22,5 Phantasiekarte (-ansicht) von Litauen. - Ganze Buchseite. - Lateinische Ausgabe. LITHUANIA: "Lituania", oldcolored woodcut from Schedels Weltchronik, 1493, 19,5 x 22,5 cm (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Central and northern Europe).

      Nuremberg, 1493 - Woodcut in old colour, mm 392x580, good margins. From the latin edition of "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. This map has to be considered as the first modern map of this area; the author is Hieronymus Munzer. It has been engraved by Michael Wohlgemuth, teacher of Albrecht Duerer.Fascinating example beautifully coloured. Generally in good condition, the map bears a skilfull restored hole of c. mm 20x10 on both sides of the leaf, affecting Holland in the left half and Poland (Vistola) in the right. Ginsberg W.B. , 4.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Gesamtansicht ('Vlma').

      - Holzschnitt aus Schedels Weltchronik, 1493, 36 x 52 Ganze Buchseite - Die Ansicht 19,5 x 52 cm. (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Coeln').

      - Holzschnitt aus Schedels Weltchronik, 1493, 19,5 x 53 Seltene deutsche Ausgabe - nur die Ansicht, ohne den Text. (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Constancia - Costnitz').

      - kolorierter Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. ., 1493, 20,5 x 52 Ganze Buchseite - seltene deutsche Ausgabe! - Perfekter Zustand beidseitig koloriert! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Madeburga.

      Nuremberg, 1493 - Norimberga, 1493. Silografia. mm 193x518 (foglio 440x596). Colorata, verso con testo latino. Tratta da "Liber Chronicarum" comunemente chiamato appunto "Cronaca di Norimberga": fu la prima opera con raffigurazioni reali delle città del mondo ed ebbe un enorme successo, tale da essere considerata una pietra miliare nello sviluppo della conoscenza geografica. Fu stampato in due edizioni, la prima latina nel luglio 1493 in circa 1500 copie, la seconda, tedesca, in dicembre dello stesso anno, in circa 800 esemplari. Le incisioni sono opera di Michael Wohlgemuth, maestro di Albrecht Duerer, del figliastro Wilhelm Pleydenwurff e del giovane Duerer stesso.Bell'esemplare con i consueti restauri al centro. Woodcut, mm 193x518 (sheet 440x596), verso with latin text and nine little woodcuts including "Otto primus imperator". A good example with usual restorations at center.From "Liber Chronicarum", a milestone of illustrated travel-books and one of the most famous books of the 15th century. The engravings are all by Michael Wohlgemuth, teacher of Albrecht Duerer. his stepson Wilhelm Pleydenwurff and some are attributed to Duerer when he was young.The views from "Liber Chronicarum" or "Nuremberg Chronicle" as it is commonly referred to, are among the earliest realistic obtainable views in the market.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Von Prewßen':.

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik b. Anton Koberger in Nürnberg, 1493, 15 x 23 (36,5 x 29) Phantasiedarstellung der Landschaft Preußens. - Ganze Buchseite. - Deutsche Ausgabe! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht (Lubeca.').

      - kolorierter Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 20,5 x 53 Sahlmann, Die alte Reichs- u. Hansestadt Lübeck, Nr. 1.2. - Ganze Buchseite. - Lateinische Ausgabe, beidseitig koloriert! (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Margarita poetica

      Venice: Johannes Rubeus, 1493. Hardcover. Very Good. Venice: Johannes Rubeus, 1 January 1493. Folio (315 x 225mm). 174 leaves. Collation: a (7); b-x (8); tabula (7). 61 lines, Roman type, capital spaces unrubricated. Contemporary notation and hand-drawn manicules indicating the text throughout, many are whimsically flourished or holding objects. Final blank on watermarked paper of flying swan in pearled medallion. Content are in three parts, the first is a revised and augmented version with excerpts taken from classical authors and Italian humanists and formulas for letter-writing. The second part consists of an anthology of prose writers (including Cicero, Lactantius, Macrobuius, Plutarchus, etc.). The third part contains selections from Petrarch, dramatic poets (Terence, Seneca, Plautus), and a variety of humanist speeches by Renaissance copyists, letter-writers and philosophers, including Johannes Lamola, Poggius Florentinus, Galeatius Sforza and the author himself. Contents: Leaf [2a], title: Oratorum omnium Poetarum: Hystoricorum: ac Philosophor[um] elegantes dicta: per Clarissimum iurum Albertum de Eiib in unum collecta faeliciter incipiunt. Leaves [120a]-[123b] contain: Liber augustalis imperatorum Francisci Petrarchae (Benvenuto Rambaldi?'s continuation of Petrarch?'s Epitome vitarum virorum illustrium); Leaves [125a]-[129b]: Francisci Petrarchae de aduersa fortuna Remedia; Leaves [129b]- [132b]: Francisci Petrarchae: de prospera fortuna remedia. Leaf [168b] (Colophon): Su[m]ma Orator[um] omniu[m]: Poetaru[m]: Historicor[um]: ac Philosophor[um] Autoritates in unu[m] collectae per clarissimu[m] uirum Albertum de Eyb Vtriusq[ue] iuris doctor[a]e eximiu[m]: quae Margarita poetica dicitur: faeliciter fin[a]e adepta est. M.CCCCLXXXXIII. Kal[a]e. Ianuarii. Leaves [169a]-[175b]: Tabula. totius ... op[ro]is. 18th-century three-quarter sheep over marbled pasteboards, spine gilt with title, silk book mark; (wanting first and final original blank, a few wormholes at the beginning and end, some just affecting text; faint dampstaining in the upper margins, few creased corners, corner torn of m2 and marginal tear m8, very slightly spotted and soiled in places). From the Collection of Baron de Eyb (his heraldic, lithographed ex-libris, dated 1899, to front pastedown), an evident descendant of the author. Eyb is the name of an old Franconian noble family which is named after Eyb in Ansbach. It is likely this volume was owned by a contemporary with familial ties to the author and stayed within the family until the early 20th century. Eighth Edition of this important work of German Humanism. Albrecht von Eyb, one of the earliest German Humanists, was born in 1420 near Ansbach. Eyb went to Italy and devoted himself to humanistic study at the Universities of Pavia and Bologna. He returned to Germany in 1451, having been appointed Canon at Eichstätt and Bamberg. From 1452 to 1459 he was again a student at Bologna, gaining the degree of doctor in 1459. That same year, Eyb wrote Margarita poetica in honor of his mother, Margarete von Wolmershausen. It was first published in Nuremberg by Johann Senschschmidt in 1472 and reprinted at least 13 times by 1503. It remained a popular manual of classical rhetoric by its three distinct focuses: letter-writing, model orations and florilegia (compilation of excerpts). The work is known for its vivid expression found within selected passages from classical and contemporary authors, from Cicero to Petrarch. The Catholic Encyclopedia calls it, ?"a textbook of humanistic rhetoric, consisting of a collection of passages in prose and verse from Latin authors, to which are added specimens of humanistic eloquence.?" Of only about 40 in existence, OCLC locates 13 copies of this edition in US collections. BMC V 417; Goff E177; GW 9536; HC 6824*; Madsen 1547; Schmitt I 4233; Sheppard 4121; Proctor, 5132

      [Bookseller: Sanctuary Books]
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        Gesamtansicht ('Lion').

      - altkolorierter Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 20,5 x 22,5 Ganze Buchseite. - Lateinische Ausgabe. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Mayntz').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 20,5 x 23 Ganze Buchseite. - Deutsche Ausgabe! (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Tryer').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 19,5 x 23,5 Ganze Buchseite. - Deutsche Ausgabe! (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Gesamtansicht ('Parys').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 19,5 x 23 Ganze Buchseite. - Deutsche Ausgabe! (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        MOSES. Blick in eine felsige Landschaft mit Ganzfigur des Moses beim Herabsteigen vom Berge Sinai, vorne die Israelten beim Tanz ums goldene Kalb.

      - Altkol. Holzschnitt von M. Wolgemut aus Schedel, "Weltchronik", 1493, 26,5 x 22 cm. Inkunabeldruck der lateinischen Ausgabe. - Auf der ganzen Buchseite. Verso 3 altkol. Hozschnitte,davon 2 mit der Bundeslade un den Cherubim, ein Holzschnitt mit dem Tisch für die Schaubrote und die Weihrauchbecher. - Aufwändig gerahmt mit Glasscheibe auch auf der Rückseite.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Gesamtansicht ('Tolosa').

      - Holzschnitt v. Hartmann Schedel aus Schedels Weltchronik: Das buch der Croniken. . b. Michael Wolgemut, Hanns Pleydenwurff u. Anton Koberger in Nürnberg, 1493, 21,5 x 22,5 Ganze Buchseite. - Deutsche Ausgabe! (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
 41.   Check availability:     IberLibro     Link/Print  

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