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Displayed below are some selected recent viaLibri matches for books published in 1490
2020-05-16 09:42:25
FREYDANCK
[Leipzig: Konrad Kachelofen], 1490. Gilt-ruled crushed brown morocco with a blind inner frame and gilt corner fleurons (Bedford, c. 1870), gilt spine and title, all edges gilt. FIRST EDITION, A CORNERSTONE OF MEDIEVAL GERMAN LITERATURE. Originally composed about 1230 and reworked in the 1380s for school use, these Latin and German proverbs, moral maxims and satiric observations are sharp, short and skilled. They are the world of Everyman - farmer and knight, laity and clergy - and guide his conduct with prudence the primary virtue. In homely, pithy language, they wield popular imagery and traditional wisdom against the ecclesiastic and secular hierarchies' lust for power and money, while acknowledging the unalterable fate of the humble.  This is the only antiquarian printing of the 14th-century text. The market quickly turned to Sebastian Brant's humanist version (1508, etc.), then to the explicitly Protestant revision (1538, etc.). I have not traced another example of this edition for sale in the past fifty years. In good condition, offsetting from an oval leather bookplate. ¶Montandon, Bibliographie des traités de savoir-vivre I: 283; Moll, Sprichwörterbibliographie 3655; Gratet-Duplessis, Bibliographie parémiologique 533; Bernstein, Catalogue des livres parémiologiques 1189 "of the greatest rarity" (tr.); ISTC if00310000; Goff F-310.
Bookseller: Bruce McKittrick Rare Books [United States]
Check availability:
2020-05-11 03:47:06
COPERNICUS, Nicolaus.
, . . Very well produced facsimile of the first edition of the seminal work on the heliocentric theory of the Renaissance astronomer Nicolaus Copernicus. It's a facsimile of the copy, now in the collection of the Copernicus University Library in Torun, which originally formed part of the Königsberg (Kaliningrad) Castle Library of Duke Albrecht of Prussia (1490-1568). The copy in Torun is "unannotated except for corrections from the errata leaf" and includes Gaius Julius Hyginus' Poeticon Astronomicon and Ptolemaeus's Almagest. Copy 76 of 100.Fine copy.l The original copy: Gingerich, pp. 167-168 (I.141).
Bookseller: ASHER Rare Books [t Goy Houten, Netherlands]
2020-04-25 07:44:07
(DELLA BELLA, MACANEO, DOMENICO), COTTA LAZZARO AGOSTINO.
Milano, Ghisulphianus, 1699, 1490. In-4°; 4 cc., 96 pp., al verso dell'ultima carta preliminare grande stemma a piena pagina inciso in legno, finalini, testatine e iniziali xilografiche. Legatura ottocentesca in mezzo marocchino rosso con titolo e fregi in oro al dorso. Leggero alone al margine inferiore delle prime carte ma bell'esemplare. Edizione originale curata ed integrata da Lazzaro Agostino Cotta (1645-1719), della ristampa del più antico testo dedicato alla descrizione del lago Maggiore e dei suoi paesi. La "Chorographia Verbani lacus", opera di Domenico Macaneo, alias Domenico della Bella (Maccagno, 1466-1520), era uscita per la prima volta a Milano per Uldericus Scinzenzeler, 1 Apr. 1490, ma già al tempo del Cotta era divenuta rarissima. Predari, p. 591. Coleti p. 91 e Bocca p. 136 (entrambi sotto Catalaunus).
Bookseller: Mediolanum [Italy]
2020-02-25 06:01:02
Diogenes Laertius.
o. O. / o.J. [Venedig? Ioannes Rubeus Vercellensis?], 1490 (?). 62 v. 64 nn Bll. (A 2-8 [Bl A1 fehlt]; B -G 1-8, H 1-7 [Bl H8 fehlt] zweispaltiger Druck in 30 Zeilen mit 42 Holzschnittporträts zu Beginn einiger Abschnitte. Nicht bei ISTV; GW, Edit 16; Hoffmann etc.; unbekannter, nicht nachweisbarer Druck, der im Text der ersten italienischen Ausgabe von 1480 folgt (GW 08385; ISTC id00229000; Diogenes Laertius: Vitae et sententiae philosophorum, Bernardinus Celerius, 9.XII.1480.) auf Blatt A2 identisch "INCOMINCIA EL LIBRO DELA VITA DE. PHILOSOPHI. ET. DELLE. LORO ELEGANTISSIME. SENTENTIE. EXTRACTO DA. D. LAHERTIO. ET. DA ALTRI: ANTIQVISSIMI. AVCTORI. THALES. und auf dem vorletzten Blatt "Et ueder puoi quanto inifuna cafa tal filicita rara (.) . Diese textkomplette Ausgabe davon abweichend zweispaltig gedruckt und mit 42 Holzschnitt-Porträts am Beginn jedoch Kapitels. Erstes (hier fehlendes Blatt vermutlich weiss, das letzte (ebenfalls fehlende Blatt möglichweise mit Tabula und oder Kolophon). Es gibt zwei Exemplare mit ähnlicher Kollation in amerikanischen Bibliotheken, bei denen ebenfalls die beschriebenen Blätter fehlen. Minimaler und ergänzter Ausriss im ersten Blatt eins in der, Vorsätze mit Betitelung und Besitzeintrag von alter Hand. Sprache: Italienisch Gewicht in Gramm: 1200 8° Neuer Ganzlederband mit Rückenschild im Stil des 15. Jahrhunderts. [Attributes: Hard Cover]
Bookseller: Antiquariat Michael Solder [Münster, NRW, Germany]
2020-02-25 02:18:03
Ambrosius (S.)
1490. [Incunabolo-Milano] (cm. 28) solida piena pergamena sec. XVII, nervi e titolo su tassello. Dorso danneggiato, con abrasioni.- cc. 185 nn. (di 188) carattere rotondo, 56 linee, spazi per lettere capitali. Editio Princeps di queste importanti epistole di grande valore storico, politico e autobiografico che ci danno il vero volto di S. Ambrogio Vescovo di Milano e una delle figure più brillanti del cristianesimo. Notevoli anche le addizioni di Georgius Cribellus. non comune impressione, manca ad Harvard, Oates in Cambridge, Cat. Rosenthal di Monaco 1900 e a vari cataloghi consultati come Baer, Maggs, Quaritch. Sander "Prices" riporta due sole vendite e Goff registra solo 7 copie in America. Mancano 3 carte: la prima a1, bianca al verso, la c1, e l' ultima (188) anch' essa bianca al verso. Alcune macchiette alle ultime carte di cui le ultime tre con vecchoio restauro per foro centrale con perdita di testo. Altrimenti bell' esemplare nitido e ben marginoso. * Hain-Copinger 898; * I.G.I. 424; * Goff. A 552; * GW 1600; * Proctor 5989; * Pellechet 582; * Polain 4130; * BMC VI 779. Vedi anche Cat. Olschki "Monumenta" 1903 n° 299; * Harper 1930 n° 216; * olschki "Incunabula" 1915 n° 15; * Olschki Cat. Henry Walters 1906 p. 18.
Bookseller: LibriAntichiArezzo-FC Edizioni (studio.bibliografico.libri.antichi.arezzo) [ Arezzo, IT]
2020-02-14 18:47:09
1490. Magnifico foglio miniato libro delle Ore rinascimentale Stupendo foglio originale da Libro delle Ore scritto in latino con inchiostro di galla su finissima pergamena, con iniziali e miniature in oro ed elaborate decorazioni floreali. La fattura e lo stile risalgono alla scuola francese (Rouen) tra il 1490 e il 1510. Dimensioni del foglio: cm 9 x 12 Dimensione della cornice: cm 17 x 21 La proposta comprende anche la cornice double face museale (vedi foto) vetrificata che permette di ammirare sia fronte che retro. Spedizione gratuita tramite corriere 24h tracciabile su Internet. I libri d'ore sono libri di preghiere personali di una società devota e attenta allo status e non sono solo opere d'arte, ma documenti culturali del loro tempo. Rivelano una combinazione unica di immagini sacre e profane, realizzate con i migliori materiali, dai migliori artigiani, per un pubblico ristretto che può apprezzarle e mostrarle con orgoglio. Per acquisti fuori dall'Italia chiedere le tariffe di spedizione specificando il Paese di destinazione For purchases outside Italy, ask for shipping rates specifying the destination country. Para compras fuera de Italia, solicite tarifas de envío que especifiquen el país de destino. Para compras fuera de Italia, solicite tarifas de envío que especifiquen el país de destino. Pour les achats hors d'Italie, demandez les tarifs d'expédition en spécifiant le pays de destination. Bei Einkäufen außerhalb Italiens können Sie die Versandpreise mit Angabe des Bestimmungslandes erfragen.
Bookseller: artorientale [Torino, IT]
2020-01-20 19:43:07
SCUOLA TEDESCA
1490. Xilografia, ultimo quarto del XV secolo, finemente colorata ad acquarello. Bellissima prova, impressa su carta vergata priva di filigrana, con margini, pieghe di carta e piccoli restauri, perfettamente eseguiti, visibili al verso, per il resto in ottimo stato di conservazione. La composizione presenta al centro la figura di Cristo seduto su una pietra, con i polsi legati e il capo coronato di spine e circondato dall'aureola. Intorno, 7 episodi della vita di Cristo, disposti su 3 lati, così che, rispettando la forte simbologia cristiana legata al numero 3, le illustrazioni sono 3 per ogni lato. Gli episodi, ad eccezione di uno raffigurante la Circoncisione di Gesù, sono tutti ispirati al ciclo della Passione di Cristo: Gesù nel giardino degli Ulivi; Gesù alla colonna; Gesù deriso dai soldati; Gesù spogliato delle vesti; Gesù inchiodato alla croce; e infine Gesù morente. La disposizione delle scene non segue un ordine cronologico, secondo un uso riscontrabile anche nell'iconografia cristiana più antica. L'opera non è censita dalle bibliografie consultate. Woodcut and watercolour, last quarter of the fifteenth century. A beautiful impression, printed on laid paper without watermark, with margins, paper folds and small repairs perfectly executed, otherwise in excellent condition. The composition has a central figure of Christ sitting on a rock, with his wrists tied and his head crowned with thorns and surrounded by the halo. Around 7 episodes from the life of Christ, arranged on 3 sides, so that, respecting the strong Christian symbolism linked to the number 3, the illust … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-19 15:51:02
Commentarii Rerum Gestarum Francisci Sfortiae. 1490. (Incunabolo in facsimile) di Giovanni Simonetta, Scripta Maneunt (1490). Incunaboli e cinquecentine. Numero volumi: 1. Copertina rigida. Copertina: in piena pelle con due fibbie in pelle e metallo a chiudere. Con segni d'usura ai margini. Grande formato. Edizione di gran pregio. Capilettera e miniature in quadricromia ed oro. Esemplare numerato, nervato. Molto raro. Un originale aggiudicato a 12.500 Euro Per altre informazioni e per altri libri venite a trovarci nel nostro negozio eBay: www.ebay.it/str/librisaggi.
Bookseller: librisaggi (librisaggi2017) [Roma, Italy]
2020-01-16 23:37:04
Anonimo Maestro Milanese (attivo tra il1480 ed il 1492)
1490. Bulino, databile all'ultimo quarto del '400. Buona prova, ben impressa, in tiratura ottocentesca, con margini, in eccellente stato di conservazione. Non sono conosciuti esemplari di tiratura coeva. Opera molto rara, conosciamo solamente gli esemplari conservati al KC di Berlino; Florence (Galleria degli Uffizi), Milano (Castello Sforzesco), Minneapolis Institute of Arts e ZB di Zurigo. Virgin and Child enthroned, between St Catherine and St Francis; the Virgin sitting on a decorated throne and holding Christ Child on her lap, flanked on the left by Saint Catherine carrying a wheel and a palm, and on the right by Saint Francis holding a book and a cross; a 19thC re-strike. c.1490 This engraving, catalogued by Hind among a group of miscellaneous north Italian prints from about 1460-1500, is a modern one, deriving from a worn plate. Characterised by a double border and horizontal striations on the ground, it seems a product of the late fifteenth-century Milanese school. Other impressions (all modern) are in Berlin; Florence (Galleria degli Uffizi), Milan (Castello Sforzesco), in the Minneapolis Institute of Arts; Zürich. A good XIX century impression, with margins, in very good condition. No contemporary impressions are known. TIB 24.2411.015; Hind 1938-48 E.III.70.
Bookseller: Libreria Antiquarius [Italy]
2020-01-16 23:36:06
Ambrosius (S.)
1490. [Incunabolo-Milano] (cm. 28) solida piena pergamena sec. XVII, nervi e titolo su tassello. Dorso danneggiato, con abrasioni.- cc. 185 nn. (di 188) carattere rotondo, 56 linee, spazi per lettere capitali. Editio Princeps di queste importanti epistole di grande valore storico, politico e autobiografico che ci danno il vero volto di S. Ambrogio Vescovo di Milano e una delle figure più brillanti del cristianesimo. Notevoli anche le addizioni di Georgius Cribellus. non comune impressione, manca ad Harvard, Oates in Cambridge, Cat. Rosenthal di Monaco 1900 e a vari cataloghi consultati come Baer, Maggs, Quaritch. Sander "Prices" riporta due sole vendite e Goff registra solo 7 copie in America. Mancano 3 carte: la prima a1, bianca al verso, la c1, e l' ultima (188) anch' essa bianca al verso. Alcune macchiette alle ultime carte di cui le ultime tre con vecchoio restauro per foro centrale con perdita di testo. Altrimenti bell' esemplare nitido e ben marginoso. * Hain-Copinger 898; * I.G.I. 424; * Goff. A 552; * GW 1600; * Proctor 5989; * Pellechet 582; * Polain 4130; * BMC VI 779. Vedi anche Cat. Olschki "Monumenta" 1903 n° 299; * Harper 1930 n° 216; * olschki "Incunabula" 1915 n° 15; * Olschki Cat. Henry Walters 1906 p. 18.
Bookseller: LibriAntichiArezzo-FC Edizioni (studio.bibliografico.libri.antichi.arezzo) [ Arezzo, IT]
2020-01-04 01:00:08
AUGUSTINUS, Aurelius; Saint Augustine of Hippo
Basel: Johann Amerbach, 1490. Two volumes in one, folio. 12 3/4 x 9 inches. [De Civitate Dei:] 268 leaves, gothic letter in two colums, rubricated throughout. Illustrated with large woodcut depicting the Saint at work on verso of title. [De Trinitate:] 86 leaves, gothic letter in two columns, rubricated throughout. Contemporary full blind-tooled calf over wooden boards by the monks at the Benedictine Abbey of Saints Peter and Paul in Abdinghof at Paderborn in Westphalia, rebacked, with leaves from a 15th century large-format liturgical manuscript on parchment used as a pastedown inside the front board, and a full leaf (pastedown and fly-leaf) inside the back board, catches present, lacking clasps, five circular brass bosses on back board; ornate blind tooling distinctive of the abbey bindery used on both boards, including their Madonna and Child tool, IHS stamps, lamb and griffin stamps, and their signature eponymous tool depicting Saints Peter and Paul, cloth slipcase. Provenance: Monastery of Saints Peter and Paul at Abdinghoff; Sotheby's 16 December 1964, lot 275; Maggs Bros.; Eric Sexton (morocco booklabel); his sale, Christies New York, 8 April 1981, lot 20 Incunable editions of two of St. Augustine's most important theological works: the Sexton copy, in a noted monastic binding. This remarkable copy sold for $3520 in the Sexton sale in 1981. Goff A1244 and A1345; HC 2066 and 2039*; Schreiber 3394 and 3396; BMC III ,752 and 753. On the monastic binding, see Goldschmidt, Gothic and Renaissance Bookbindings, no. 85.
Bookseller: Donald Heald Rare Books [United States]
2019-12-20 23:36:03
Voragine, Jacobus de
Argentinae (Strassburg, Georg Husner), August 16, 1490. In folio (28,5x19.5 cm) 14 leaves (including title page with printed title & a hw. cont. inscription of 4 lines, verso with 7 lines of music) + 245 leaves (without last blank), Rubricated throughout, Contemporary full sheep-skin over wooden boards. Tooled front, free flyleaves renewed. (First binding, rubbed and traces of its 525 years of existence). some waterstains in the beginning - some marginal hw. remarks - music on title-verso early 17th c.: Surrexit Christus hodie Alleluia/ Humano pro solamine. Est attesté dès le 14e s. Il s'agit d'un canon ad repetendum à cinq voix avec cinq voix avec basse continue, le tenor commence et la fin est écrite. Musique d'un auteur inconnu, pièce dans le style de Scheidt, Buxtehude, probablement du début 17e s. Text in 6 and 8 alternating: a-z; A-R, without last blank. Gatherings F and L have 6 when expected to have 8, but complete with 264 leaves in all. Original condition with minor damage due to water. Strong imprint on sturdy paper. Selon WorldCat: Verlag: [Strasbourg] : [Printer of the 1483 Jordanus de Quedlinburg (Georg Husner)], [16 August 1490]. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Goff J124; Reichling Cop. 6454); Panzer 1, 44, N° 195. [5 Warenabbildungen bei antiquariat.de]
Bookseller: Harteveld Rare Books Ltd. [Fribourg, Switzerland]
2019-12-16 02:25:04
[ILLUMINATED MANUSCRIPT]
Rouen, France: np, 1490. First edition. Framed. Fine. AN UNUSUALLY LARGE LEAF FROM A LATE 15TH-CENTURY FRENCH BOOK OF HOURS WITH A MINIATURE OF THE CORONATION OF THE VIRGIN WITH SUPERB COLOR AND IN PARTICULARLY FINE CONDITION. An unusually large (7.25 x 4.75 inches; 185 x 120 mm) leaf from a late 15th-century French Book of Hours with superb color and in particularly fine condition depicting the Coronation of the Virgin. The recto features a miniature of a kneeling Mary, dressed in a blue robe with gold highlights, receiving the crown of heaven from an angel with blue wings. Before her is Christ in a light-colored gilt-decorated robe holding a cross and blessing Mary. The background features rich colors with gold highlights and the miniature itself is surrounded by a detailed foliate border over a base of gold with a winged butterfly-like creature on the right border. The text at the base of the miniature begins with a large three-line illuminated "C" containing white flowers on a gold background introducing the text: "Converte nos deus salutaris noster. Et averte iram tuam a nobis." ["Convert us, O God our Savior. And turn away Thy wrath from us."] The text also features a one-line illuminated "E" as well as an illuminated end-spacer. The verso contains 21 lines of text (the first four verses of Psalm 128) with two two-line illuminated initials, six one-line illuminated initials, and additional illuminated spacers with a wide floral border on the left. Stylistically, the leaf appears to be from Rouen, France, c.1490. Size: 7.25 x 4.75 inches / 185 x 12 … [Click Below for Full Description]
Bookseller: The Manhattan Rare Book Company [United States]
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2019-12-08 22:01:08
Anonimo Maestro Milanese
1490. Bulino, databile all'ultimo quarto del '400. Buona prova, ben impressa, in tiratura ottocentesca, con margini, in eccellente stato di conservazione. Non sono conosciuti esemplari di tiratura coeva. Opera molto rara, conosciamo solamente gli esemplari conservati al KC di Berlino; Florence (Galleria degli Uffizi), Milano (Castello Sforzesco), Minneapolis Institute of Arts e ZB di Zurigo. Virgin and Child enthroned, between St Catherine and St Francis; the Virgin sitting on a decorated throne and holding Christ Child on her lap, flanked on the left by Saint Catherine carrying a wheel and a palm, and on the right by Saint Francis holding a book and a cross; a 19thC re-strike. c.1490 This engraving, catalogued by Hind among a group of miscellaneous north Italian prints from about 1460-1500, is a modern one, deriving from a worn plate. Characterised by a double border and horizontal striations on the ground, it seems a product of the late fifteenth-century Milanese school. Other impressions (all modern) are in Berlin; Florence (Galleria degli Uffizi), Milan (Castello Sforzesco), in the Minneapolis Institute of Arts; Zürich. A good XIX century impression, with margins, in very good condition. No contemporary impressions are known. TIB 24.2411.015; Hind 1938-48 E.III.70. 135 190mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2019-11-24 22:51:10
COPERNICUS, Nicolaus.
Very well produced facsimile of the first edition of the seminal work on the heliocentric theory of the Renaissance astronomer Nicolaus Copernicus. It's a facsimile of the copy, now in the collection of the Copernicus University Library in Torun, which originally formed part of the Königsberg (Kaliningrad) Castle Library of Duke Albrecht of Prussia (1490-1568). The copy in Torun is "unannotated except for corrections from the errata leaf" and includes Gaius Julius Hyginus' Poeticon Astronomicon and Ptolemaeus's Almagest. Copy 76 of 100.Fine copy. The original copy: Gingerich, pp. 167-168 (I.141)..
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
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2019-11-16 10:33:07
Unbekannte, illustrierte Diogenes Vita-Inkunabel. - Diogenes Laertius
o, O, 1490. 62 v. 64 nn Bll. (A 2-8 [Bl A1 fehlt]; B -G 1-8, H 1-7 [Bl H8 fehlt] zweispaltiger Druck in 30 Zeilen mit 42 Holzschnittporträts zu Beginn einiger Abschnitte. 8° Neuer Ganzlederband mit Rückenschild im Stil des 15. Jahrhunderts. Nicht bei ISTV; GW, Edit 16; Hoffmann etc.; unbekannter, nicht nachweisbarer Druck, der im Text der ersten italienischen Ausgabe von 1480 folgt (GW 08385; ISTC id00229000; Diogenes Laertius: Vitae et sententiae philosophorum, Bernardinus Celerius, 9.XII.1480.) auf Blatt A2 identisch "INCOMINCIA EL LIBRO DELA VITA DE. PHILOSOPHI. ET. DELLE. LORO ELEGANTISSIME. SENTENTIE. EXTRACTO DA. D. LAHERTIO. ET. DA ALTRI: ANTIQVISSIMI. AVCTORI. THALES. und auf dem vorletzten Blatt "Et ueder puoi quanto inifuna cafa tal filicita rara (...) . Diese textkomplette Ausgabe davon abweichend zweispaltig gedruckt und mit 42 Holzschnitt-Porträts am Beginn jedoch Kapitels. Erstes (hier fehlendes Blatt vermutlich weiss, das letzte (ebenfalls fehlende Blatt möglichweise mit Tabula und oder Kolophon). Es gibt zwei Exemplare mit ähnlicher Kollation in amerikanischen Bibliotheken, bei denen ebenfalls die beschriebenen Blätter fehlen. Minimaler und ergänzter Ausriss im ersten Blatt eins in der, Vorsätze mit Betitelung und Besitzeintrag von alter Hand.
Bookseller: Antiquariat Michael Solder [Germany]
2019-11-08 02:12:10
[ILLUMINATED MANUSCRIPT]
Rouen, France: np, 1490. First edition. AN UNUSUALLY LARGE LEAF FROM A LATE 15TH-CENTURY FRENCH BOOK OF HOURS WITH A MINIATURE OF THE CORONATION OF THE VIRGIN WITH SUPERB COLOR AND IN PARTICULARLY FINE CONDITION. An unusually large (7.25 x 4.75 inches; 185 x 120 mm) leaf from a late 15th-century French Book of Hours with superb color and in particularly fine condition depicting the Coronation of the Virgin. The recto features a miniature of a kneeling Mary, dressed in a blue robe with gold highlights, receiving the crown of heaven from an angel with blue wings. Before her is Christ in a light-colored gilt-decorated robe holding a cross and blessing Mary. The background features rich colors with gold highlights and the miniature itself is surrounded by a detailed foliate border over a base of gold with a winged butterfly-like creature on the right border. The text at the base of the miniature begins with a large three-line illuminated "C" containing white flowers on a gold background introducing the text: "Converte nos deus salutaris noster. Et averte iram tuam a nobis." ["Convert us, O God our Savior. And turn away Thy wrath from us."] The text also features a one-line illuminated "E" as well as an illuminated end-spacer. The verso contains 21 lines of text (the first four verses of Psalm 128) with two two-line illuminated initials, six one-line illuminated initials, and additional illuminated spacers with a wide floral border on the left. Stylistically, the leaf appears to be from Rouen, France, c.1490. Size: 7.25 x 4.75 inches / 185 x 120 mm. Miniature: 4.5 x 2.75 in / 11 … [Click Below for Full Description]
Bookseller: The Manhattan Rare Book Company [USA]
2019-10-18 19:38:23
VIDA (Marcus Hieronymus).
1490. 2 ouvrages en 1 volume in-8. 1). 220pp. 2ff. 2). 155pp. Veau écaille, dos à nerfs orné, coiffes frottées et charnière supérieure endommagée (reliure du 18e siècle). La publication simultané à Lyon par Seb. Gryphe de ces deux ouvrages, constitue la première édition collective des oeuvres du poète italien Marcus Hieronimus Vida (1490-1566). C'est en même temps la première édition française de ces textes. L'année suivante ils furent réimprimés à Venise avec la mention sur le titre de: "Opera". La "Christiade" publiée pour la première fois à Cremone en 1535, est considérée comme le premier poème épique à caractère religieux. Le second ouvrage est un recueil de poèmes divers, paru à Rome en 1527, où figure notamment le "De Ludo Scacchorum", pièce sur le Jeu d'Echecs qui fut traduite et rééditée séparément par la suite. Exemplaire de François Garasse (Angoulème, 1585- Poitiers, 1631) auteur d'un ouvrage célèbre pour sa rareté et pour l'outrance bizarre de son style ("La Doctrine Curieuse des Beaux Esprits, 1624") dans lequel il entreprenait de dénonçer les libres penseurs (Vanini, Bruno, etc.). Sa signature figure sur le titre et le texte comporte des annotations autographes en marge et des soulignements. Mouillures claires, quelques taches. Reliure à l'état d'usage. [Attributes: Signed Copy]
Bookseller: Librería Comellas [Barcelona, Spain]
2019-10-10 21:18:06
Ptolemy/ Fries Claudius/ Laurent ( Lorenz) ( 1490 - 1531 ) Lyon
Artist: Ptolemy/ Fries Claudius/ Laurent ( Lorenz) ( - 1531 ) Lyon; issued in: Lyon; date: ca 1535, 1490. technic: Copper print; colorit: original colored; - condition: Very good; size (in cm): 18,5 x 46; - description: Map shows Tunesia, Algeria and Lybia
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2019-10-08 19:35:10
Faksimile Verlag Luzern 1995.
1490. Nur das feinste Pergament war gut genug für das Stundenbuch der mächtigen Familie Sforza. Das in lateinischer Sprache verfasste Gebetbuch beinhaltet neben den 64 ganzseitigen Miniaturen auch 139 reich ausgemalte Randleisten. Damit zählt diese illustrierte Handschrift zu den Monumentalwerken der europäischen Buchmalerei der Renaissance. Um 1490 ist das Manuskript von Bona von Savoyen (1449-1503), der Gattin des Herzogs Galeazzo Maria Sforza von Mailand (1444-1476), in Auftrag gegeben worden. Der Illustrator der Handschrift ist der unweit von Mailand geborene Meister Giovanni Pietro da Birago (um 1450 - um 1513), der führende Buchmaler am Hofe der Sforza. Das Original befindet sich in der British Library in London. 2 Bd., 9,3 x 13,1 cm, 696 S., 203 ganzs. Miniaturen, Schmuckkassette in 925er Sterlingsilber mit 30 Edelsteinen besetzt, lim., num. (95 Expl.)
Bookseller: Frölich und Kaufmann [Berlin, Germany]
2019-09-10 00:11:36
SENECA
Full title: [Opera philosophica. Epistolae.] Colophon: Impressum Venetiis per Bernadinum de Cremona et Simonem de Lucero. Die.v.octobris. MCCCCXC. Contents (from ISTC): De remediis fortuitorum, De clementia, De beneficiis, De ira, De mundi gubernatione, De beata vita, De consolatione, De tranquillitate vitae, Quomodo in sapientem non cadit iniuria, De brevitate vitae, Epistolae ad Lucilium. De moribus. Pseudo- Seneca [Martinus Dumiensis, Archbishop of Braga (Bracara)]: De quattuor virtutibus cardinalibus. Lucius Annaeus Seneca (the Elder): Declamationes, Suasoriae, Controversiae. Proverbia Senecae. Epistolae Pauli et Senecae. Folio. 8.5 x 12 inches. Separate pagination and register for the Epistles. Register at end. 62 line text except n4-5 which are 66 line. Capital spaces with guide letters. Final blank leaf not present. Text in Latin. Outer side margins of first four leaves restored. Loss of lower corners of H6-9 with some words replaced in facsimile ink and paper restored. Occasional margin stains and some early attractive marginalia in Latin and some worming, largely confined to margins with no significant loss of text.
Bookseller: Marrin's Bookshop [UK]
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2019-08-06 22:33:07
[Illuminated manuscript leaf on vellum].
1490. Naples: late 15th century. A cutting, 173 mm x 182 mm, with historiated initial 'E' (doubtless the introit 'Ecce advenit... for Mass at Epiphany), 147 mm x 152 mm. Slight spots of rubbing. In an elaborate gold frame. § The Virgin and Child seated on the right with Joseph behind, set among green and yellow hills, painted in full colors and liquid gold, the initial itself in elaborate leafy design in dark red with pink and white heightening entwined with green leaves at the top and bottom, set on a burnished gold ground with colored trefoils in each corner, flecked blue surround, traces of text and music to the right of the initial, verso with parts of 2 lines each of text and of music on a 4-line red stave. Large miniature in the style of the Neapolitan illuminator Cristoforo Majorana, documented in Naples from 1480 until 1492 (cf. F. Avril, Dix siecles d'enluminure italienne, 1984, pp. 176-7, no. 156). The standing kinds are painted with splendid robes, fringed with pearls. The blue flecked border, giving the effect of the whole initial hovering above the vellum, derived from the classicising illumination of Mantua and Padua, and became a feature of Neapolitan manuscripts of the late fifteenth century.
Bookseller: John Windle Antiquarian Bookseller [U.S.A.]
2019-07-30 02:33:12
Anonimo Maestro Milanese (attivo tra il1480 ed il 1492)
1490. Bulino, databile all'ultimo quarto del '400. Buona prova, ben impressa, in tiratura ottocentesca, con margini, in eccellente stato di conservazione. Non sono conosciuti esemplari di tiratura coeva. Opera molto rara, conosciamo solamente gli esemplari conservati al KC di Berlino; Florence (Galleria degli Uffizi), Milano (Castello Sforzesco), Minneapolis Institute of Arts e ZB di Zurigo. Virgin and Child enthroned, between St Catherine and St Francis; the Virgin sitting on a decorated throne and holding Christ Child on her lap, flanked on the left by Saint Catherine carrying a wheel and a palm, and on the right by Saint Francis holding a book and a cross; a 19thC re-strike. c.1490 This engraving, catalogued by Hind among a group of miscellaneous north Italian prints from about 1460-1500, is a modern one, deriving from a worn plate. Characterised by a double border and horizontal striations on the ground, it seems a product of the late fifteenth-century Milanese school. Other impressions (all modern) are in Berlin; Florence (Galleria degli Uffizi), Milan (Castello Sforzesco), in the Minneapolis Institute of Arts; Zürich. A good XIX century impression, with margins, in very good condition. No contemporary impressions are known. TIB 24.2411.015; Hind 1938-48 E.III.70.
Bookseller: Libreria Antiquarius [IT]
2019-07-30 02:33:12
SCUOLA TEDESCA
1490. Xilografia, ultimo quarto del XV secolo, finemente colorata ad acquarello. Bellissima prova, impressa su carta vergata priva di filigrana, con margini, pieghe di carta e piccoli restauri, perfettamente eseguiti, visibili al verso, per il resto in ottimo stato di conservazione. La composizione presenta al centro la figura di Cristo seduto su una pietra, con i polsi legati e il capo coronato di spine e circondato dall'aureola. Intorno, 7 episodi della vita di Cristo, disposti su 3 lati, così che, rispettando la forte simbologia cristiana legata al numero 3, le illustrazioni sono 3 per ogni lato. Gli episodi, ad eccezione di uno raffigurante la Circoncisione di Gesù, sono tutti ispirati al ciclo della Passione di Cristo: Gesù nel giardino degli Ulivi; Gesù alla colonna; Gesù deriso dai soldati; Gesù spogliato delle vesti; Gesù inchiodato alla croce; e infine Gesù morente. La disposizione delle scene non segue un ordine cronologico, secondo un uso riscontrabile anche nell'iconografia cristiana più antica. L'opera non è censita dalle bibliografie consultate. Woodcut and watercolour, last quarter of the fifteenth century. A beautiful impression, printed on laid paper without watermark, with margins, paper folds and small repairs perfectly executed, otherwise in excellent condition. The composition has a central figure of Christ sitting on a rock, with his wrists tied and his head crowned with thorns and surrounded by the halo. Around 7 episodes from the life of Christ, arranged on 3 sides, so that, respecting the strong Christian symbolism linked to the number 3, the illust … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-01 18:44:52
Prayer Book; illuminated manuscript on parchment in Latin. ILLUMINATED LATIN PRAYER BOOK FROM THE MIDDLE AGES, France, Lyon, c. 1490-1510. Dimensions, 180 x 125 mm., 58 folios on parchment, complete, written in brown ink in a cursive bookhand on 23 lines, capitals highlighted in yellow throughout, 1-line initials in gold, fine 2-line foliate initials, two fine 4-line foliate initials, ONE SMALL WOODCUT illustration pasted into the book, TWENTY-SIX 7- to 9-line FINELY EXECUTED MINIATURES depicting saints flanked by Renaissance architectural frames. BINDING: Bound in the 18thcentury for Michel de la Cour d'Amonville in brown calf, gilt ex-libris on the front cover, gilt title on the spine, marbled endpapers and edges. TEXT: Delightful Prayer Book illustrated with an extensive cycle of miniatures of saints illustrating the Suffrages the Master of Keble 7, as well as a pasted-in woodcut. As interesting as its origin is its continued active use in the eighteenth-century, witnessed by the binding and elegant title page. Lyon was an important center for illumination at this time and has traditionally been neglected in the scholarly literature. PROVENANCE: The manuscript was written and illuminated in Lyon, c. 1490-1510, as indicated by the style of the script and illumination. Later, it belonged to Michel de la Cour d'Amonville (1690-1756), parliamentary jurist and poet, as per armorial bookplate, inside cover, coat of arms, and gold-tooled name on cover. The manuscript later belonged to Augustus Frederick, Duke of Sussex (1773-1843). There is evidence of a book plate, now removed … [Click Below for Full Description]
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2019-06-21 14:12:04
Dietert, Janice / Dietert, Rodney.
Lansing, New York, Dietert Publications, S.d. Paperback, 292pp., 21x28cm., as new. ISBN 9780615260266. This book provides Scottish genealogical information for families connected to the freemen Edinburgh goldsmiths. Entries span a period of more than 500 yrs from c. 1490 to the present and are organized into a series of 214 family trees. Significant ancestral locales are displayed in maps, diagrams and photos. Indexes of goldsmiths are provided by surname, chronology of freedom dates and family tree. Versand D: 12,00 EUR 9780615260266 Dietert, Janice Dietert, Rodney Scotland's Families and the Edinburgh Goldsmiths Dietert Publications
Bookseller: ERIK TONEN BOOKS [Belgien]
2019-06-17 13:55:50
BOOK OF HOURS (USE OF ROME); illuminated manuscript on parchment in Latin with some French, 1490. CHARMING BOOK OF HOURS WITH CLEAN MARGINS, A SOFT PALETTE, AND A LOVELY ARMORIAL BINDING. Illuminated manuscript on parchment, in Latin, calendar and some rubrics in French, France, Loire Valley or Central France (?), c. 1490-1510. Dimensions 143 x 84 mm., ii (modern paper) + 214 + ii (modern paper) folios, lacking 2 leaves, written in brown ink in a cursive bookhand, on 18 lines, ruled in red ink, thirteen 3-6-line blue initials with white highlights, FIVE SMALL MINIATURES, FIVE FULL-PAGE MINIATURES in architectural frames. BINDING: bound in eighteenth-century red morocco, spine with five raised bands gold-tooled with filets, fleurons and crowns; gold-tooled covers with double-fillets and corner fleurons stamped with the arms of Charles de Baschi, binding restored in the nineteenth or early twentieth century, with a box covered with marbled paper. ILLUMINATION: an interesting and hitherto unknown French artist who deserves attention painted this Book of Hours. His miniatures exhibit a certain freedom with traditional iconography and formal arrangements similar to that of artists in Central France and the Loire Valley. Notable are his softly painted landscape vistas, varied architectural frames, and an especially engaging use of detail in the Annunciation. PROVENANCE: It is challenging to localize the production of this French Book of Hours. Certain material aspects suggest Loire Valley or Central France (Tours, Bourges or Angers). However, since motifs and artists frequently m … [Click Below for Full Description]
Bookseller: Les Enluminures [United States]
2019-06-05 15:15:09
Northeastern France, Metz, c. 1490. ILLUMINATED LATIN PSALTER FROM THE MIDDLE AGES. Dimensions 133 x 95 mm., 190 folios on parchment, lacking four leaves, catchwords, written in brown ink, calendar in cursive bookhand and the remainder of the text in a gothic textualis bookhand, 1- to 2-line initials alternating in blue and red throughout, NINETEEN ILLUMINATED INITIALS, 9- to 3-line in raspberry red, blue or liquid gold, decorated with flowers, acanthus and strawberries. BINDING: sewn on four bands, but unbound (spine bare, lacking front and back covers). TEXT: Small-format illuminated Celestine Psalter likely from the Celestine monastery of Notre-Dame in Metz. Celestine manuscripts have not survived well, and this book thus provides rare insight into Celestine manuscript production and liturgy, a study that remains to be written. The Psalms were essential to the prayer life of all Christians, lay and religious, in the Middle Ages. PROVENANCE: Written and illuminated in Northeastern France very likely at the Celestine convent of Notre-Dame in Metz c. 1490 as indicated by the liturgical contents and the style of the decoration. The calendar and the Office of the Dead indicate that the manuscript was prepared for use in the Celestine Order. The manuscript was later in a private European Collection. CONDITION: ff. 104 and 118 excised vertically in half with loss of text, first and last leaves very stained and darkened, first quire detached from the uppermost sewing, some original defects of parchment in the outer margins, some stains and thumbing, otherwise in good condition. … [Click Below for Full Description]
Bookseller: Les Enluminures [United States]
2019-05-18 17:58:29
Rolevinck (Rolewinck), Werner.
(Straßburg, Johann Prüss, nach dem 6. April 1490). Fol. Mit einem ganzs. Holzschnitt am Titel verso, 17 tlw. wiederh. Textholzschnitten u. zahlr. schematischen Textholzschnitten. 6 nn., 90 röm. num. Bll., Marmor. Ldr. d. 18. Jhds. a. 5 Bünden m. floraler Rückenverg., 2 goldgepr. Rückenschildern u. dreiseitigem Rotschnitt in mod. HLdr.-Kassette. Eine von fünf bei Prüss in Straßburg gedruckten Ausgaben des Faszikulus, der seit seinem Erscheinen 1474 in Köln mehr als 30 Ausgaben erlebte und „den größten und ganz ungewöhnlichen Erfolg“ (ADB XXIX, 73) gehabt hat. - Werner Rolevinck (1425-1502) lebte seit 1447 als Kartäusermönch in Köln und verfaßte zahlr. theologische und historische Arbeiten, unter denen das vorliegende Werk, ein geschichtlicher Abriß von der Erschaffung der Welt bis zum Ende des 15. Jahrhunderts, die bei weitem größte Verbreitung gefunden hat. Die vorliegende Ausgabe verzeichnet als letztes Datum den Tod des ungarischen Königs und großen Bibliophilen Matthias Corvinus im Jahre 1490. Auf Bl. LXXXIX verso befindet sich ein ausführlicher Hinweis auf die Erfindung des Buchdrucks. - Neben mehrfach verwendeten Stadtansichten zeigen die Textholzschnitte die Arche Noah, den Turm zu Babel, Salvator mit Weltkugel sowie einige Mißgeburten. Am Schluss wird der (am 6. April 1490 erfolgte) Tod des ungarischen Königs Mathias erwähnt. - Mit zahlr., tlw. ausführlichen Marginalien versch. Hände (wohl des frühen 16. Jahrhunderts) in Rot u. Schwarz; so z.B. ein 1518 datiertes Horoskop (Bl. LXXr), eine Notiz Martin Luther betreffend (Bl. LXXr) oder, auf der letzten Seite, eine E … [Click Below for Full Description]
Bookseller: Antiquariat Wolfgang Friebes [Graz, Austria]
2019-05-08 19:55:50
1490. sehr selten, Wiegendruck, sehr guter Zustand, phantastische Karte. Sehr seltene historische Hozschnitt- Karte von Nordafrika nach Claudius Ptolemäus, Wiegendruck, Rom, 1478 oder 1490 A.D. HERAUSGEBER unbekannt, Karte nach Claudius Ptolemäus ( um 90 n.Chr.- um 168 n.Chr.) BESCHREIBUNG Wir bieten Ihnen hier eine seltene und sehr ansprechend kolorierte Holzschnitt-Karte nach Claudius Ptolemäus, herausgegeben in Rom um 1478 oder 1490. Ptolemäus beschrieb in seiner Geographike Hyphegesis die bekannte Welt im 2. Jhd. n. Chr. mit etwa 8000 Ordinationsangaben durch ein Koordinatensystem. Die Geographike Hyphegesis ist der erste bekannte Versuch in der Geschichte, Teile der als Kugel erkannten Erde in einer Kartenprojektion richtig abzuzeichnen. Auch wenn die Angaben auf den Karten heute z.T. als falsch angesehen werden, ist die hier angebotene Holzschnitt-Ansicht ein Spiegel des damals geltenden Weltbildes. Die Herausgeberschaft dieser Karte um 1478 oder 1490 zeugt ebenfalls davon, dass es sich hier um eine Ansicht des frühen modernen Buchdrucks handelt. Die Karte zeigt den östlichen Teil Nordafrikas mit dem Roten Meer, Ägypten mit dem Flusslauf des Nils, Libyen und das Mittelmeer bis hin zur Sinai-Halbinsel. Die Ansicht ist mit Koordinaten und entsprechenden Bezeichnungen versehen und bildet zudem die in der damaligen Zeit bekannten Flussläufe, Gebirgszüge, Inseln und Städte ab. GRÖSSE DER KARTE ca. B 55,2 cm x H 41,4 cm ZUSTAND Die Karte befindet sich in Anbetracht des Alters in einem sehr guten Zustand mit schönem Kolorit. Sehr gute Druck- und Bütten bzw. Papierqualität, B … [Click Below for Full Description]
Bookseller: ANTIQUA GLOBAL ART (antiqua.rare.books) [Markkleeberg, Germany]
2019-04-27 21:56:42
Robertus Caracciolus
Augsburg: Anton Sorg, 1490. Good until very good condition. Complete. Mainly clean and wide rimmed work. Strong print and strong handmade paper. WE SELL ORIGINAL, DECORATIVE AND RARE MAPS, VIEWS, INCUNABLES, OLD PRINTINGS & GRAPHICS NICE COMPLETE INCUNABLE ROBERTUS CARACCIOLUS: "Sermones de laudibus sanctorum." MANY HANDPAINTED INITIALS ANNO 1490 AUGSBURG, ANTON SORG ATTRACTIVE GOTHIC BINDING COMPLETE INCUNABLE IN LATE GOTHIC BINDING - PRINTED IN AUGSBURG - ANNO 1490 - FROM THE PRINCELY LIBRARY IN DONAUESCHINGEN ____________________________________ TITLE "Sermones de laudibus sanctorum." AUTHOR Robertus Caracciolus de Lecce (1425-1495) Caracciolus was Franciscan and from 1475 until his death Bishop of Aquino. He was one of the greatest preachers of his time and one of the first living authors whose works became popular during the development of the letterpress printings. PRINTER Anton Sorg, Augsburg, 23. February 1490 DESCRIPTION Complete incunable with the sermons in praise of the saints, contains also the preaching of Bernard of Clairvaux. It is the sixth edition of this work, only one year after its first edition. LAYOUT Nice double column. Gothic Type. 53 lines. Woodcut on leaf d3 verso with the fortress of Jerusalem and description „Jerusalem, Oriens, Persida". Many handpainted initials in red. Title, the beginning of Tabula and text rubricated in red. Size of the leaf: 26,3 x 19 cm; Layout: 21 x 13,5 cm. COLLATION 10 nn. leaves Tabula; 219 nn. leaves. Altogether 219 (from 220) leaves. Without the last blank leaf. Text complete absolutely. Gatering: 1-10; a-z8; #8; *8; … [Click Below for Full Description]
Bookseller: ARTFINDING (schnellkauf69) [Saxony, Germany]
2019-04-16 15:34:02
France, Rouen. Miniature from an illuminated manuscript Book of Hours on vellum. - Rouen, ca. 1490. Size: 15.5 x 11cm (6 x 4.2 inches) Verso text: Latin Condition: Some slight rubbing, top margin trimmed. Christ bearing the cross surrounded by soldiers.
Bookseller: Sanderus Antiquariaat [Gent, Belgium]
2019-04-04 18:58:31
Lyon Drucker von Guido Casus longi Type 4 (70G Haebler M16) Type NN (86/7G Haebler M99) um, 1490. O-Inkunabeldruckbogen aus einer Makulatur-Auslösung mit 4 gedruckten Inkunabelblättern. Inkunabelblätter mit jeweils zweispaltigem 33- und 41-42-zeiligem Text. Druckbogen verschmutzt, mit Resten der ehemaligen Klebung und mit einigen Fehlstellen. Größe des Druckbogens: 28,6 x 39,5 cm. - - - Bis in die Mitte der 70er Jahre des 15. Jahrhunderts wurde doppelblattweise gedruckt. Um den Druckvorgang zu beschleunigen, begann man zunehmend bogenweise zu drucken. Vollständige Druckbögen haben sich äußerst selten erhalten. Die Type Haebler M16 tritt hauptsächlich in Lyon auf. Die Type 4 des unbekannten "Drucker von Guido, Casus longus" entspricht genau der bei diesem Druck verwendeten Type Haebler M16.
Bookseller: Versandantiquariat Christine Laist [Seeheim-Jugenheim, Germany]
2019-03-12 06:35:31
Robertus Caracciolus
Augsburg: Anton Sorg, 1490. Good until very good condition. Complete. Mainly clean and wide rimmed work. Strong print and strong handmade paper. WE SELL ORIGINAL, DECORATIVE AND RARE MAPS, VIEWS, INCUNABLES, OLD PRINTINGS & GRAPHICS NICE COMPLETE INCUNABLE ROBERTUS CARACCIOLUS: "Sermones de laudibus sanctorum." MANY HANDPAINTED INITIALS ANNO 1490 AUGSBURG, ANTON SORG ATTRACTIVE GOTHIC BINDING COMPLETE INCUNABLE IN LATE GOTHIC BINDING - PRINTED IN AUGSBURG - ANNO 1490 - FROM THE PRINCELY LIBRARY IN DONAUESCHINGEN ____________________________________ TITLE "Sermones de laudibus sanctorum." AUTHOR Robertus Caracciolus de Lecce (1425-1495) Caracciolus was Franciscan and from 1475 until his death Bishop of Aquino. He was one of the greatest preachers of his time and one of the first living authors whose works became popular during the development of the letterpress printings. PRINTER Anton Sorg, Augsburg, 23. February 1490 DESCRIPTION Complete incunable with the sermons in praise of the saints, contains also the preaching of Bernard of Clairvaux. It is the sixth edition of this work, only one year after its first edition. LAYOUT Nice double column. Gothic Type. 53 lines. Woodcut on leaf d3 verso with the fortress of Jerusalem and description „Jerusalem, Oriens, Persida". Many handpainted initials in red. Title, the beginning of Tabula and text rubricated in red. Size of the leaf: 26,3 x 19 cm; Layout: 21 x 13,5 cm. COLLATION 10 nn. leaves Tabula; 219 nn. leaves. Altogether 219 (from 220) leaves. Without the last blank leaf. Text complete absolutely. Gatering: 1-10; a-z8; #8; *8; … [Click Below for Full Description]
Bookseller: ARTFINDING (schnellkauf69) [Saxony, DE]
2019-03-06 15:12:13
JACOPONE da TODI
(In fine colophon:) In Firenze, per Ser Francesco Bonaccorsi, a di ventiotto delo mese di septembre M CCCC L XXXX (1490). in-4 (mm 189x129), ff. n.n. 135 su 142 (privo di A8 con incisione a piena pagina, inserita in facsimile, e 6 fogli con glossario in fine; n2 e n8 invertite nella fascicolazione), bella legatura d'amatore (firmata Capé) in marocchino bruno, triplice filetto, fleuron ed impressioni vegetali angolari a secco ai piatti; titolo ed anno in oro al dorso.  Prima edizione  rimasta punto di riferimento per le ristampe successive fino agli anni trenta del XX secolo, quando venne soppiantata dalle prime edizioni critiche che espunsero alcune Laudi riducendo a 92 il corpus attribuito a Iacopone.  Precedono il testo un Proemio e indici delle 100 Laudi; composte in settenari ed ottonari sono il riflesso della poesia diascalica che tanto successo ebbe tra Toscana ed Umbria nel XII e XIII secolo.  Testo di fondamentale importanza per la predicazione in volgare italiano. Esemplare accuratamente rinfrescatro; di illustre provenienza: Thomas Gaisford, celebre filologo e gracista inglese della prima metà del XIX secolo.   HC(+Add) 9355; BMC VI, 673; Sander 3549; ISTC ij00214000. seymour ricci p. 164 [Attributes: First Edition; Hard Cover]
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2019-03-01 00:34:20
WOODCUTS - INCUNABULAR). (SAMMELBAND). BERTHOLDUS
[Basel: Johann Amerbach not after 1490]; Cologne: Heinrich Quentel, 1505; [Basel: Johann Amerbach and Johann Petri. [Basel: Johann Amerbach not after 1490]; Cologne: Heinrich Quentel, 1505; [Basel: Johann Amerbach and Johann Petri, not after 1490]. Only Separate Edition of "Speculum Divini Amoris.. 150 x 100 mm. (5 7/8 x 4"). Bertholdus: [65] leaves (lacking final blank); single column, 30 lines in gothic type. Bernardus: [80] leaves; single column, 26 lines in roman type. Gerardus: [68] leaves; single column, 29 lines in gothic type. Three separately published works in one volume. Only Separate Edition of "Speculum Divini Amoris." Pleasing period pigskin, upper cover with lighter rectangle (where label once was) and beneath this an etched circle containing a geometrically generated six-petalled flower, raised bands, ink titling and shelf marking to head and tail spine panels, original brass fore-edge clasp, top and bottom edges with faded red and yellow designs. Bertholdus and Gerardus rubricated in red, Gerardus with three-line initials in red, Bertholdus WITH 36 WOODCUTS BY THE "MEISTER DES HAINTZ NARR," ATTRACTIVELY COLORED BY A CONTEMPORARY HAND. First title page with ink inscription of the Carthusian monastery in Gaming, Austria; A5r with faint ink stamp in tail margin. Bertholdus: Goff B-506; BMC III, 753; ISTC ib00506000; for the woodcuts: BSB-Ink B-398. Bernardus: VD 16 B 1963; USTC 694246. Gerardus: Goff G-177; BMC III, 752; ISTC ig00177000. Pigskin lightly soiled and with perhaps a score of tiny wormholes to boards, rear pastedown and free endpaper with one a … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA) [McMinnville, OR, U.S.A.]
2019-02-24 19:34:01
Giovanni Simonetta
Scripta Maneunt, 1490. Copertina: in piena pelle con due fibbie in pelle e metallo a chiudere. Con segni d’usura ai margini. Grande formato. Edizione di gran pregio. Capilettera e miniature in quadricromia ed oro. Esemplare numerato, nervato. Molto raro. Un originale aggiudicato a 12.500 Euro [Attributes: Hard Cover]
Bookseller: librisaggi [SAN VITO ROMANO, Italy]
2019-02-10 06:28:58
Robertus Caracciolus
Augsburg: Anton Sorg, 1490. Good until very good condition. Complete. Mainly clean and wide rimmed work. Strong print and strong handmade paper. WE SELL ORIGINAL, DECORATIVE AND RARE MAPS, VIEWS, INCUNABLES, OLD PRINTINGS & GRAPHICS NICE COMPLETE INCUNABLE ROBERTUS CARACCIOLUS: "Sermones de laudibus sanctorum." MANY HANDPAINTED INITIALS ANNO 1490 AUGSBURG, ANTON SORG ATTRACTIVE GOTHIC BINDING COMPLETE INCUNABLE IN LATE GOTHIC BINDING - PRINTED IN AUGSBURG - ANNO 1490 - FROM THE PRINCELY LIBRARY IN DONAUESCHINGEN ____________________________________ TITLE "Sermones de laudibus sanctorum." AUTHOR Robertus Caracciolus de Lecce (1425-1495) Caracciolus was Franciscan and from 1475 until his death Bishop of Aquino. He was one of the greatest preachers of his time and one of the first living authors whose works became popular during the development of the letterpress printings. PRINTER Anton Sorg, Augsburg, 23. February 1490 DESCRIPTION Complete incunable with the sermons in praise of the saints, contains also the preaching of Bernard of Clairvaux. It is the sixth edition of this work, only one year after its first edition. LAYOUT Nice double column. Gothic Type. 53 lines. Woodcut on leaf d3 verso with the fortress of Jerusalem and description „Jerusalem, Oriens, Persida". Many handpainted initials in red. Title, the beginning of Tabula and text rubricated in red. Size of the leaf: 26,3 x 19 cm; Layout: 21 x 13,5 cm. COLLATION 10 nn. leaves Tabula; 219 nn. leaves. Altogether 219 (from 220) leaves. Without the last blank leaf. Text complete absolutely. Gatering: 1-10; a-z8; #8; *8; … [Click Below for Full Description]
Bookseller: ARTFINDING [Saxony, DE]
2019-01-29 23:49:21
Bernhard von Breidenbach (Breydenbach)
Speyer, Peter Drach, 29. Juli, 1490. Einspaltiges, 52-zeiliges Original-Inkunabelblatt mit zwei klaren Holzschnitten ( etwa 11,7 x 8 cm) auf festem Papier. Blatt wenig fingerfleckig. Blattmaße: 21 x 29,7 cm. Incunabula text woodcut leaf. Der Autor des Werkes Bernardus de Braitenbach auch Breitenbach oder Breydenbach, besaß nach seinem Studium den Titel eines Dr. iur.. Geboren wurde er 1440 und starb am 5. Mai 1497 in Mainz. 1450 war er Canonicus und 1484 Domdekan in Mainz. Er unternahm vom 25. 4. 1483 bis Ende Januar 1484 eine Reise nach Palästina, auf die Halbinsel Sinai und nach Alexandria. Er begleitete dabei den Ritter Philipp Bicken und den jungen Grafen Johann von Solms, der auf der Rückreise starb. Eine Grabplatte von Breidenbach befindet sich heute im Mainzer Dom. Der Dominikaner Martin Roth gab seinem Reisebericht die endgültige stilistische Fassung und erweiterte ihn durch historische und theologische Beigaben. Die Ansichten der wichtigsten auf der Reise berührten Städte und Sehenswürdigkeiten, die Holzschnittansichten verschiedener Völker deren Alphabete und die Stadtansichten gehen auf die Originale des Künstlers Erhard Reuwich zurück, der Breidenbach auf seiner Pilgerfahrt begleitete. Peter Drach verwendet in dieser Ausgabe von 1490 die originalen Mainzer Holzschnitte von 1486. Die O-Holzschnitte wurden in der Inkunabelzeit zuletzt nach Spanien verkauft und erschienen 1498 in einer Ausgabe des Werkes in Zaragoza. Die Holzschnitte nach Reuwich zeigen den frühesten Druck des hebräischen Alphabetes und die früheste, authentische Darstellung von Menschen griechisch … [Click Below for Full Description]
Bookseller: Versandantiquariat Christine Laist [Germany]
2019-01-29 20:05:53
[Bertholdus]
Basel, J. Amerbach, nicht nach, 1490. Gotische Type. 66 nn. Bll. (d. l. w.). Mit 36 kol. Textholzschnitten. (Beigebunden) II: Thomas von Aquin. Novum insigneq[ue] opusculu[m] pro Christi verbu[m] eva[n]geliza[n]tibus. Ubi plures et copiosi: et aurei sermones co[n]tinentt[ur]: de septe[m] peccatis mortalibus. Basel, M. Furter, 1514. 36 nn. Bll. (d. l. w.). Titel in rot und schwarz gedruckt. (Beigebunden) III: Johannes Chrysostomus. Libellus cui est titulus Neminem posse ledi nisi a semetipso. [Basel, A. Petri], 1509. 24 nn. Bll. Mit blattgr. kol. Holzschnitt am Titel verso. Schweinslederband des frühen 16. Jhs. über Holzdeckeln mit reicher floraler Blindprägung, 1 Mittelschließe. 8vo (165 x 105 mm). I: Erste Basler Ausgabe. "In seinen theologischen Schriften Vorläufer der grossen Mystiker; sein Erbauungsbuch - in Form eines Gespräches mit Christus - verfasst er zuerst deutsch (Zeitglöcklein), dann auf Wunsch für die gebildeten Leute auch lateinisch. Die Holzschnitte stammen teilweise vom Meister der Bereittung, die Flucht auf Bl. 13 ist sogar identisch, teilweise vom Meister des Moses und David dort, also vom Meister des Haintz Narr" (Hieronymus). Die Holzschnitte in kräftigem Kolorit der Zeit, überwiegend in Gelb, dazu Schwarzgrau und vereinzelt Blau. - Titel mit Besitzvermerken des 16. Jh. u. altem Stempel. - II: Seltene Ausgabe. Enthält die "Regulae quaedam perutiles, quae ad omnes religiosos pertinent" und "Tabula super totius quadragesimae evangeliis et epistolis" (Auszug aus der Summa theologica). - III: Sehr seltene Ausgabe. Der schöne Holzschnitt, altkoloriert in Gel … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH [Austria]
2019-01-29 16:27:15
PIETRO D'ABANO.
Eighth printing, but the fifth separate edition. The first printed book on toxicology, treating of poisons and their antidotes. "The topics considered in its six main chapters are: the classification of poisons, how they act upon the body, how to guard against them, the effects and cures of a long list of particular poisons, and finally the problem of a panacea or bezoar against all poisons" (Thorndike). The poisons considered are wide ranging, and include arsenic and hemlock, narcotics, and animal poisons. The author makes reference to the loadstone as a poison if taken internally, and to two kinds of magnet (see Mottelay, p. 501, referring to this edition).Pietro d'Abano was born near Padua in 1250, and wrote De venenis in about 1316. First printed with his Conciliator at Mantua in 1472, the same year as Bagellardo's book on paediatrics, it was one of the first books on a specific medical speciality to be printed.Klebs 774.8. BMC IV, 91. For a full account of this book, and of Pietro d'Abano's life and other works, see Thorndike, II, pp. 874-947, and for the more bizarre aspects of his life (and death), see the Biographie Générale.
Bookseller: Nigel Phillips [UK]
2019-01-24 08:50:37
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH TWO MINIATURES OF FEMALE SAINTS, FROM A BOOK OF HOURS IN LATIN
Southern Netherlands: , ca. 1490. Southern Netherlands, ca. 1490. This extremely well-preserved leaf features the images of St. Barbara and St. Margaret, two saints whose beautifully painted figures belie their memorably gruesome deaths. The historical existence of these saints is dubious, yet both were extremely popular in the Middle Ages and often appear together in Books of Hours. Barbara is said to have been shut away in a tower by her pagan father, during which time she became a Christian and was consequently condemned to death. Her father, meanwhile, died suddenly from a lightning bolt. For this reason, Barbara is known as the protector of those in danger of sudden death. Margaret of Antioch has one of the more unusual hagiographical stories. Because of her Christian beliefs, she was subjected to numerous tortures including, at one point, being swallowed by a dragon. She tore open the beast from within its stomach and survived (only to be beheaded later on by Diocletian). She is the patroness of childbirth, and, according to the "Oxford Dictionary of Saints," she promises an "unfading crown in heaven" to "those who invoke her on their deathbeds." In a society obsessed with death--sudden or otherwise--it is no wonder the two saints depicted here enjoyed such popularity and reverence in the Medieval imagination.. Visible leaf: 185 x 120 mm (7 3/8 x 4 3/4"); frame: 335 x 255 mm. (13 1/4 x 10"). Single column, 24 lines in a batarde book hand. Framed in gold and matted in red, both sides visible (recto in glass, verso in mylar). Rubrics in blue and red, several one- and … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [US]
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2019-01-23 05:33:42
AN ILLUMINATED MANUSCRIPT LEAF ON VELLUM WITH A MINIATURE OF THE AGONY IN THE GARDEN, FROM A BOOK OF HOURS IN LATIN AND FRENCH
Bruges, ca. 1490. This leaf--full of somber content but delightful aesthetic qualities--features a particularly exuberant border with tangles of flowers, fruit, acanthus leaves, several birds, and even a small snail. The central miniature depicts the Agony in the Garden, a scene from the life of Christ said to have occurred just after the Last Supper. In the foreground sit three sleeping apostles--Peter, James, and John--and slightly higher in the picture plane is a kneeling Christ, praying before the image of a chalice. The colors chosen by the artist are quite vibrant and feature an unusually bright yellow for the robes of one of the apostles and lilac for the robes of Christ. This leaf has some additional interest on the verso, with another bright border in the outer margin, painted an intense pink and filled with more flowers and a small bird. These kinds of borders, approaching an illusionistic style, were a specialty of Flemish artists of this period. The present leaf, with its teeming, richly gold border, is a particularly fine example of the excellent work coming out of this region at the end of the 15th century.. 104 x 99 mm. (5 3/4 x 3 7/8"). Verso with 14 lines in a gothic book hand. Rubrics in red, two two-line initials painted pink on blue ground with flowers, verso WITH A HALF-PAGE MINIATURE SHOWING CHRIST WITH THREE DISCIPLES SURROUNDED BY A FULL BORDER featuring a plethora of different flowers, berries, greenery, songbirds, two owls, and a snail, all ON A RICHLY PAINTED GOLD GROUND, recto with a border on one side, featuring intertwining flowers and a bird … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2019-01-23 05:33:42
AN ILLUMINATED MANUSCRIPT LEAF ON VELLUM WITH A MINIATURE OF A GROUP OF SAINTS, FROM A BOOK OF HOURS IN LATIN AND FRENCH
Bruges, ca. 1490. This appealing and unusual leaf features a particularly lovely border as well as a miniature opening the Litany, a section of the Book of Hours not typically illustrated. The central figure can be identified as St. Stephen, the proto-martyr of the Christian Church, stoned to death for blasphemy after denouncing Jewish authorities. He wears a pink robe with an unusually bright yellow overlay, the instruments of his martyrdom in one hand and an open tome in the other. The two other easily identifiable saints are Catherine, with her wheel worn around her neck, and Lawrence, who holds the gridiron upon which he was tortured over hot coals. The full border here is particularly delightful and exuberant, featuring a veritable garden of flowers and fruit, with no fewer than 12 birds perched within it. The present painting is almost never seen in anything except a Book of Hours with a very large program of miniatures.. 104 x 99 mm. (5 3/4 x 3 7/8"). Verso with 14 lines in a gothic book hand. Several one-line initials and line fillers in painted gold on blue or magenta ground, one two-line initial in green on blue ground, WITH A HALF-PAGE MINIATURE SHOWING NUMEROUS HALOED SAINTS SURROUNDED BY A FULL BORDER featuring a plethora of different flowers, berries, greenery, numerous songbirds and owls, all ON A RICHLY PAINTED GOLD GROUND. One face rather chipped (with features affected), border with a hint of darkening, otherwise a charming, bright, and colorful leaf with only trivial defects. This appealing and unusual leaf features a particularly lovely border as w … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2019-01-23 00:11:19
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH TWO MINIATURES OF FEMALE SAINTS, FROM A BOOK OF HOURS IN LATIN
Southern Netherlands, ca. 1490. This extremely well-preserved leaf features the images of St. Barbara and St. Margaret, two saints whose beautifully painted figures belie their memorably gruesome deaths. The historical existence of these saints is dubious, yet both were extremely popular in the Middle Ages and often appear together in Books of Hours. Barbara is said to have been shut away in a tower by her pagan father, during which time she became a Christian and was consequently condemned to death. Her father, meanwhile, died suddenly from a lightning bolt. For this reason, Barbara is known as the protector of those in danger of sudden death. Margaret of Antioch has one of the more unusual hagiographical stories. Because of her Christian beliefs, she was subjected to numerous tortures including, at one point, being swallowed by a dragon. She tore open the beast from within its stomach and survived (only to be beheaded later on by Diocletian). She is the patroness of childbirth, and, according to the "Oxford Dictionary of Saints," she promises an "unfading crown in heaven" to "those who invoke her on their deathbeds." In a society obsessed with death--sudden or otherwise--it is no wonder the two saints depicted here enjoyed such popularity and reverence in the Medieval imagination.. Visible leaf: 185 x 120 mm (7 3/8 x 4 3/4"); frame: 335 x 255 mm. (13 1/4 x 10"). Single column, 24 lines in a batarde book hand. Framed in gold and matted in red, both sides visible (recto in glass, verso in mylar). Rubrics in blue and red, several one- and two-line initials painted gold on … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
2019-01-23 00:11:19
AN ILLUMINATED MANUSCRIPT LEAF ON VELLUM WITH A MINIATURE OF THE AGONY IN THE GARDEN, FROM A BOOK OF HOURS IN LATIN AND FRENCH
Bruges: , ca. 1490. Bruges, ca. 1490. 104 x 99 mm. (5 3/4 x 3 7/8"). Verso with 14 lines in a gothic book hand. Rubrics in red, two two-line initials painted pink on blue ground with flowers, verso WITH A HALF-PAGE MINIATURE SHOWING CHRIST WITH THREE DISCIPLES SURROUNDED BY A FULL BORDER featuring a plethora of different flowers, berries, greenery, songbirds, two owls, and a snail, all ON A RICHLY PAINTED GOLD GROUND, recto with a border on one side, featuring intertwining flowers and a bird on a pink ground.Border with a few small areas of rubbing or fading, Christ's face as well as one of the disciple's slightly chipped (but the features intact), a few minor blemishes on the verso, but overall a fine leaf, colorful, bright, and very pleasing to the eye.This leaf--full of somber content but delightful aesthetic qualities--features a particularly exuberant border with tangles of flowers, fruit, acanthus leaves, several birds, and even a small snail. The central miniature depicts the Agony in the Garden, a scene from the life of Christ said to have occurred just after the Last Supper. In the foreground sit three sleeping apostles--Peter, James, and John--and slightly higher in the picture plane is a kneeling Christ, praying before the image of a chalice. The colors chosen by the artist are quite vibrant and feature an unusually bright yellow for the robes of one of the apostles and lilac for the robes of Christ. This leaf has some additional interest on the verso, with another bright border in the outer margin, painted an intense pink and filled with more flowers and a smal … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [United States]
2019-01-23 00:11:19
AN ILLUMINATED MANUSCRIPT LEAF ON VELLUM WITH A MINIATURE OF A GROUP OF SAINTS, FROM A BOOK OF HOURS IN LATIN AND FRENCH
Bruges: , ca. 1490. Bruges, ca. 1490. 104 x 99 mm. (5 3/4 x 3 7/8"). Verso with 14 lines in a gothic book hand. Several one-line initials and line fillers in painted gold on blue or magenta ground, one two-line initial in green on blue ground, WITH A HALF-PAGE MINIATURE SHOWING NUMEROUS HALOED SAINTS SURROUNDED BY A FULL BORDER featuring a plethora of different flowers, berries, greenery, numerous songbirds and owls, all ON A RICHLY PAINTED GOLD GROUND.One face rather chipped (with features affected), border with a hint of darkening, otherwise a charming, bright, and colorful leaf with only trivial defects.This appealing and unusual leaf features a particularly lovely border as well as a miniature opening the Litany, a section of the Book of Hours not typically illustrated. The central figure can be identified as St. Stephen, the proto-martyr of the Christian Church, stoned to death for blasphemy after denouncing Jewish authorities. He wears a pink robe with an unusually bright yellow overlay, the instruments of his martyrdom in one hand and an open tome in the other. The two other easily identifiable saints are Catherine, with her wheel worn around her neck, and Lawrence, who holds the gridiron upon which he was tortured over hot coals. The full border here is particularly delightful and exuberant, featuring a veritable garden of flowers and fruit, with no fewer than 12 birds perched within it. The present painting is almost never seen in anything except a Book of Hours with a very large program of miniatures.
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [United States]
2019-01-21 19:11:45
1490. PIERRE D' AILLY [PETRUS DE ALLIACO] Questiones magistri Petri de Ailliaco cardinalis camaracensis super libros sententiarum. Strasbourg, [Georg Husner], 1490, 15 avril Bel incunable, imprimé par " l'imprimeur du Jordanus de Quedlinburg de 1483", que l'on identifie aujourd'hui comme Georg Husner. Exemplaire rubriqué en bleu et rouge, toutes les grandes initiales ont été tracées au pinceau dans ces mêmes couleurs. Exemplaire complet plus de détails et de photos.
Bookseller: Hugues de Latude (robinier) [Paris, France]
2019-01-21 06:47:41
NONIUS, Marcellus
Venise: Bernardinum de Luero(IS) de Crémone & Simonem, 1490. Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1490 1ed Nonius Marcellus Metalship Incunable Greco-Romaine Literature Accius Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. 1 1490ed Nonius Marcellus encyclopédie Incunable littérature gréco-romaine Accius Une encyclopédie de Incunable Nonius extrêmement rare, complete ! Nonius Marcellus était un 5e-grammairien romain siècle connu pour son seul survivant des travaux, un dictionnaire de la littérature gréco-romaine latine variant entre Plaute et Apulée, les tragédies d'Accius et Pacuvius, travaille de Varro Cato et les satires de Lucilius. Nonius organisé le travail de telle manière que chaque entrée inclut une courte définition des mots trouvés dans les pièces suivie d'une citation à l'aide de la parole, peut-être à partir de la pièce elle-même. Le titre de l'ouvrage a varié depuis sa première impression, mais le titre plus communément accepté est « De proprietate latini sermonis ». Les termes de vocabulaire que Nonius a décidé de présenter comprennent des termes mythologiques, descriptions d'armes, en termes de nourriture, de théâtre et de littérature et bien plus encore. Cette première édition de 1490 publiée par Bernardino di Cuori et pour la première fois, en collaboration avec Simon de Lovere. (Proctor). Numéro d'articl … [Click Below for Full Description]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2019-01-19 16:35:44
Ptolemy/ Fries Claudius/ Laurent ( Lorenz) ( 1490 - 1531 ) Lyon
Artist: Ptolemy/ Fries Claudius/ Laurent ( Lorenz) ( - 1531 ) Lyon; issued in: Vienna; date: ca 1535. - technic: Woodcut; colorit: original colored; - condition: Perfect condition; - size (in cm): 30 x 45,5; - description : Map shows northern Africa in trapezoid projection with the Rivers and mountains are roughly shown. On reverse the description with splendour-fully columns and ornaments. The Ptolomey watermark on the left side.; - vita of the artist: Lorenz (Laurent) Fries was born in Alsace in 1490 or thereabouts, describing himself on one occasion as from Colmar, one of the towns of the region. He studied medicine at university, or rather at universities, as he seems to have had a peripatetic education, apparently spending time at the universities of Pavia, Piacenza, Montpellier and Vienna.Having successfully completed his education, Fries established himself as a physician, at a succession of places in the Alsace region, with a short spell in Switzerland, before settling in Strasbourg, in about 1519.By this time, he had established a reputation as a writer on medical topics, with several publications already to his credit. Indeed, it was thus that Fries met the Strasbourg printer and publisher Johann Gr ninger, an associate of the St. Die group of scholars formed by, among others, Walter Lud, Martin Ringmann and Martin Waldseemuller. Gruninger was responsible for printing several of the maps prepared by Waldseemuller, and for supervising the cutting of the maps for the 1513 edition of Ptolemy, edited by the group.This meeting was to introduce a important digression in … [Click Below for Full Description]
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
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