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Displayed below are some selected recent viaLibri matches for books published in 1480
2018-02-24 07:25:39
Illuminated manuscript leaf on vellum.
Bruges, c. 1480. Single leaf, 155 x 115 mm, 15 lines of gothic batarde, ruled and rubricated in red to the recto, 4-line initial “S” of branch and leaf design curling inwards on gold ground (recto), two 2-line initials in gold on a mauve-red ground (recto and verso), full trompe l’oeuil scatter border of mauve filled with large flowers, butterflies, and a pigeon (recto). Some faint rubbing, otherwise very good. A typical Bruges border.
Bookseller: John Windle Antiquarian Bookseller [U.S.A.]
2018-02-18 19:12:28
Nürnberg, Anton Koberger 14. April 1480. 33 x 26 cm. [1] nicht num., CCCCLXI [=461] num., [6] nicht num. Bl. Gotische Type, 2 Spalten, 49-53 Zeilen. Alternierend in Rot und Blau rubriziert. Die Anfangsinitiale mit einer fünfzehnzeiligen Ausmalung in roter Federzeichnung. Marmoriertes Ganzleder des 18. Jhs. mit rotem Lederrückenschild und reicher Rückenvergoldung. Einband gering berieben und bestossen. Buchblock bei der Bindung im 18. Jh. beschnitten, bei den gedruckten Marginalien im NT teilweise mit Textberührung. Erstes Blatt auf der weißen Recto-Seite dupliert, kleiner Eckabriß ergänzt (auch ein Buchstabe). Vor allem zu Beginn und am Ende in unteren Innensteg braunfleckig, dort alt mit Papier verstärkt. Stellenweise mit alten Anmerkungen. Mit zwei farbigen Zeichnungen an freien Stellen zu Beginn und am Ende, zahlreiche Spatien der altkolorierten Initialen im 18. Jh. (oft figürlich) ausgemalt. Die erste Lage teils stärker wasserrandig und mit kl. Restaurierungen. Drei Blätter aus einem anderen Exemplar ergänzt. Die beiden letzten Blätter der vorletzten Lage (CCCCLX f.) mit restaurierten Papierfehlstellen (nach Tintenfraß ?, etwas Textverlust). Einige Bl. mit alten Anmerkungen zur Kollation. GW 4243. ISTC ib00568000. Goff B568. Polain (B) 655 (nur Brüssel, Bibl. Royale). Pr 1995. BMC II 418 (incompl.). BSB-Ink B-439. Kobergers sechste lateinische Bibel, mit denselben Type gedruckt wie die zweite bis fünfte (1477-1479), jedoch jeweils mit abweichendem, neuem Satz. Anton Koberger (um 1440/45 -1513) stammte aus einer Nürnberger Bäckerfamilie, die seit 1349 urkundlich nachweis … [Click Below for Full Description]
Bookseller: Antiquariat Peter Fritzen [Trier, Germany]
2018-02-08 13:09:18
Nürnberg, Anton Koberger 14. April 1480. 33 x 26 cm. [1] nicht num., CCCCLXI [=461] num., [6] nicht num. Bl. Gotische Type, 2 Spalten, 49-53 Zeilen. Alternierend in Rot und Blau rubriziert. Die Anfangsinitiale mit einer fünfzehnzeiligen Ausmalung in roter Federzeichnung. Marmoriertes Ganzleder des 18. Jhs. mit rotem Lederrückenschild und reicher Rückenvergoldung. Einband gering berieben und bestossen. Buchblock bei der Bindung im 18. Jh. beschnitten, bei den gedruckten Marginalien im NT teilweise mit Textberührung. Erstes Blatt auf der weißen Recto-Seite dupliert, kleiner Eckabriß ergänzt (auch ein Buchstabe). Vor allem zu Beginn und am Ende in unteren Innensteg braunfleckig, dort alt mit Papier verstärkt. Stellenweise mit alten Anmerkungen. Mit zwei farbigen Zeichnungen an freien Stellen zu Beginn und am Ende, zahlreiche Spatien der altkolorierten Initialen im 18. Jh. (oft figürlich) ausgemalt. Die erste Lage teils stärker wasserrandig und mit kl. Restaurierungen. Die beiden letzten Blätter der vorletzten Lage (CCCCLX f.) mit restaurierten Papierfehlstellen (nach Tintenfraß ?, etwas Textverlust). Einige Bl. mit alten Anmerkungen zur Kollation. GW 4243. ISTC ib00568000. Goff B568. Polain (B) 655 (nur Brüssel, Bibl. Royale). Pr 1995. BMC II 418 (incompl.). BSB-Ink B-439. Kobergers sechste lateinische Bibel, mit denselben Type gedruckt wie die zweite bis fünfte (1477-1479), jedoch jeweils mit abweichendem, neuem Satz. Anton Koberger (um 1440/45 -1513) stammte aus einer Nürnberger Bäckerfamilie, die seit 1349 urkundlich nachweisbar ist. 1470 heiratete er Ursula Ingram und nach … [Click Below for Full Description]
Bookseller: Antiquariat Peter Fritzen [Trier, Germany]
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2018-02-01 00:34:20
Durandus Guillelmus (Duranti - Durante)
Hermanus Lichtenstein, 1480. [400 incunabolo Vicenza](cm. 28.5 x 20.2) Ottima piena pergamena XVIII secolo, titolo manoscritto al dorso. -cc. 220 non numerate (di 224), carattere gotico, 58 linee 2 colonne, spazi per capitali con letterina guida. mancano solo le prime 2 carte di testo, non segnate, la successiva bianca A1, e l'ultima O6 anch'essa bianca. Seconda edizione stampata a Vicenza (prima 1478) di questa opera che ebbe uno straordinario successo, solo nel 400 si conoscono più di 30 edizioni!!! Descrive con cura la liturgia del tempo, il rito romano, spiega i vari significati allegorici ed è considerata una pietra miliare della liturgia del tardo medioevo; simbolismo, riti, paramenti ecc... L'"editio princeps" è uno dei libri più famosi al mondo, stampato nel 1459 a Magonza dal fust e Schoeffer, e considerato daH. P. Kraus, nella sua autobiografia, uno dei libri più belli e perfetti che esistono. Una copia straordinaria è apparsa in vendita nel 2012 a 750.000 euro, nel catalogo di una nota libreria antiquaria di londra che propone 75 incunaboli da sogno. Complessivamente alla nostra copia mancano 2 carte di testo e 2 carte bianche. Inizia con carta A2 presente, con 2 note manoscritte coeve al margine alto, e termina con la carta 223 che contiene il colophon; questa carta è stata rimessa, presenta bruniture e lievi fioriture. Il margine in alto, con alone a scomparire sulle prime carte, altrimenti esemplare molto bello, nitido e con buoni margini alcune note coeve a carta 213 e 214. provenienza: Asta Sotheby's Firenze 1982, lotto 34. * H.C. 6482; *IGI 3629; * Goff D 4 … [Click Below for Full Description]
Bookseller: Libri Antichi e Rari Francesco&Claudia
2018-01-28 17:37:09
- Holzschnitt, um 1480, 6 x 9 cm (Darstellung); 8 x 9 cm (Blattgröße). Vgl. Schmauderer, Der Chemiker im Wandel der Zeiten, 1973, S.22. - Illustration aus: Der Antichrist und die Fünfzehn Zeichen vor dem Jüngsten Gericht. - Sehr frühe Darstellung einer chemischen Werkstatt. - Bis an die Einfasslinie beschnitten.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2018-01-28 17:37:09
Holzschnitt, um 1480, 6 x 9 cm (Darstellung); 8 x 9 cm (Blattgröße). Vgl. Schmauderer, Der Chemiker im Wandel der Zeiten, 1973, S.22. - Illustration aus: Der Antichrist und die Fünfzehn Zeichen vor dem Jüngsten Gericht. - Sehr frühe Darstellung einer chemischen Werkstatt. - Bis an die Einfasslinie beschnitten. Versand D: 6,00 EUR Berufe, Alchemie, Chemiker, Gold, Waagen
Bookseller: Antiquariat Bierl
2018-01-24 11:06:37
Holzschnitt, um 1480, 6 x 9 cm (Darstellung) 8 x 9 cm (Blattgröße). Vgl. Schmauderer, Der Chemiker im Wandel der Zeiten, 1973, S.22. - Illustration aus: Der Antichrist und die Fünfzehn Zeichen vor dem Jüngsten Gericht. - Sehr frühe Darstellung einer chemischen Werkstatt. - Bis an die Einfasslinie beschnitten. Berufe, Alchemie, Chemiker, Gold, Waagen
Bookseller: Buch- und Kunstantiquariat
2018-01-13 15:43:28
Grabador: Anónimo, Dibujante:de Sancio, Rafael
Italia. ANÓNIMO; copia de MARCANTONIO RAIMONDI (ca. 1480 - ca. 1534) (grabado); RAFAEL DI SANZIO (1483-1520) (dibujo) Buen estado de conservación. Falta en margen inferior de la imagen. Cortado cerca de la huella. Siglo: XVI.Buril. Papel verjurado con filigrana. Grabador: Anónimo. Dibujante: de Sancio, Rafael. Primer cuarto siglo XVI. Altura papelt: 214. Anchura papel: 106. Altura plancha:. Anchura plancha:
Bookseller: Palau Antiguitats [Barcelona, Spain]
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2017-12-15 16:26:00
Renaut de Montauban - Eugène, Grasset - Charles Gillot
1480. 4, 8 Bl., 224 S., 8 Bl., Privat-Ldr. mit beigebundene Deckel und Rücken, Etwas berieben, min. angeschmutzt, innen sauber Text franz. Illustré de compositions en couleur par Eugène Grasset. Gravure et impression par Charles Gillot. - Es ist eine wirkungsmächtige Erzählung von den Abenteuern der vier Haimonskinder aus dem Bereich der Geschichten um Karl den Großen. Die Erzählung hat eine internationale Verbreitung gefunden, bei der Texte aus Frankreich, den Niederlanden, England, Skandinavien, Italien, Spanien, Flandern und Portugal in vielen Varianten und Sprachen entstanden, und die den jeweiligen Umständen, besonders auch in der Renaissance bis weit in das 19. Jahrhundert, angepasst wurden. Diese Literatur des Hochmittelalters wurde entscheidend durch die Erfindung des Buchdruckes gefördert und ihre ritterlichen Helden sind vergleichbar mit jenen aus der Artustradition. Zu Beginn dieser lange überlieferten Tradition steht der altfranzösische Versroman (Heldenlied) Renaut de Montauban aus dem späten 12. Jahrhundert, bzw. einer der wenigen identifizierten französischen Chanson de geste (La Chanson de Quatre Fils Aymons im 15. Jahrhundert entstanden Prosafassungen erste frz. Drucke: Lyon um 1480 Paris 1506). Geschildert wird mit epischen Motiven des Mittelalters eine Auseinandersetzung zwischen dem Kaiser und seinem Vasall, der Widerstand mächtiger Adelsgeschlechter des Karolingerreiches - hier Haimon von Dordogne und seiner Familie, die dem König Karl Vasallentreue geschworen haben - gegen die Zentralisierungsbestrebungen Karls des Großen, der die karolingische Reichsb … [Click Below for Full Description]
Bookseller: antiquariat peter petrej [Switzerland]
2017-12-04 00:18:15
Guevara, Antonio de
...erlä utert [...]. - Des spanischen Schriftstellers und Historikers Antonio de Guevaras (1480-1545) mehrfach aufgelegtes und vielfach übersetztes Werk, hier eine Mischauflage vorliegend, VD17 824:723262W, VD17 39:134620 G. - Der zweite Teil mit dem Titel "Deß Bergs Calvariae, Ander Theil. Darinn die Sieben letzte Wort welche der sohn Gottes geredt hat am Stammen deß Creutzes Mit sambt vilen Figuren der H. Schrifft erklert auch allerhandt andechtige contemplationes und schöne exclamationes eingefürt werden." - Berieben und bestoßen sowie etwas fleckig, das Pergament an Ecken und Kanten teils aufgeplatzt, innen sauber, insgesamt recht gutes Exemplar.
Bookseller: Antiquariat Tautenhahn [Germany]
2017-11-22 18:59:41
BOOKS OF HOURS, USE OF TOURNAI
Bookseller: Sokol Books Limited [GB]
2017-11-13 05:12:45
LI YANG
paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback Pages Number: 1480 Language: Chinese. English in the English translation of the first set of pro forma textbooks. Translation is the most profound and thorough understanding! This is the first set with a recording pro forma materials! Listen to the best language sense! It is also a best spoken textbook! Familiar with this set of teaching materials to the United States to study at a foreign company to work! Familiar with this set of materials can also help you pass the entrance exami... Satisfaction guaranteed,or money back.
Bookseller: cninternationalseller [China]
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2017-11-12 10:17:58
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
c. 1480, France - 150 x 105 mm. (6 x 4 1/8"). Attractively matted and framed. Three-line initial "D" inhabited by the image of a skull, A FULL-PAGE MINIATURE depicting Job sitting on a dung heap in front of a ruined house, talking with three men, and with an emaciated body at the foot of the scene, framed by two gold columns See: Avril and Reynaud, "Les Manuscrits a Peintures en France," pp. 326-7. Significant rubbing to the paint in the bottom portion of the leaf on the right and beneath the text (including the corpse), a few small smudges and chips of paint here and there (mostly negligible), otherwise a well-preserved specimen, the paint in the main scene thick and rich. This miniature, attributed to a prolific artist with ties to the famed "Très Riches Heures" of the Duc de Berry, displays a complex array of imagery. Unlike the other sections of a Book of Hours, which were often truncated and simplified for a lay audience, the Office of the Dead contains the exact same cycle of prayers found in the liturgy of the Church. The nine lessons found therein all come from the book of Job, making illustrations of his story a particularly apt choice to accompany this section. This particular scene shows Job at his lowest point, having lost his family and riches, emaciated, covered in nothing but a loincloth, and sitting upon a dung heap. Although the artist chose not to show the boils and sores that he would have been suffering at this moment, the direness of his situation is clear. At the right stand three men, the richness of their attire a stark contrast to Job's nakedness, w … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA)
2017-11-11 19:39:33
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [US]
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2017-11-11 19:39:33
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
France: , c. 1480. France, c. 1480. This miniature, attributed to a prolific artist with ties to the famed "Très Riches Heures" of the Duc de Berry, displays a complex array of imagery. Unlike the other sections of a Book of Hours, which were often truncated and simplified for a lay audience, the Office of the Dead contains the exact same cycle of prayers found in the liturgy of the Church. The nine lessons found therein all come from the book of Job, making illustrations of his story a particularly apt choice to accompany this section. This particular scene shows Job at his lowest point, having lost his family and riches, emaciated, covered in nothing but a loincloth, and sitting upon a dung heap. Although the artist chose not to show the boils and sores that he would have been suffering at this moment, the direness of his situation is clear. At the right stand three men, the richness of their attire a stark contrast to Job's nakedness, who have come to counsel and comfort their friend. Interestingly, beneath the opening line of text that appears in this miniature are the skeletal remains of a body along with a second skull. While images of corpses frequently occur in miniatures depicting funeral rites and burials, it is unusual to find such imagery in a miniature devoted to quite another subject altogether (let alone one with a prescribed Biblical text on which to draw). With the additional skull in the initial, one will notice that there are three in total; might they, along with the three friends depicted above, be an allusion to the Three Living and Three Dead? … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [United States]
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2017-11-08 16:03:19
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
France, c. 1480. This miniature, attributed to a prolific artist with ties to the famed "Très Riches Heures" of the Duc de Berry, displays a complex array of imagery. Unlike the other sections of a Book of Hours, which were often truncated and simplified for a lay audience, the Office of the Dead contains the exact same cycle of prayers found in the liturgy of the Church. The nine lessons found therein all come from the book of Job, making illustrations of his story a particularly apt choice to accompany this section. This particular scene shows Job at his lowest point, having lost his family and riches, emaciated, covered in nothing but a loincloth, and sitting upon a dung heap. Although the artist chose not to show the boils and sores that he would have been suffering at this moment, the direness of his situation is clear. At the right stand three men, the richness of their attire a stark contrast to Job's nakedness, who have come to counsel and comfort their friend. Interestingly, beneath the opening line of text that appears in this miniature are the skeletal remains of a body along with a second skull. While images of corpses frequently occur in miniatures depicting funeral rites and burials, it is unusual to find such imagery in a miniature devoted to quite another subject altogether (let alone one with a prescribed Biblical text on which to draw). With the additional skull in the initial, one will notice that there are three in total; might they, along with the three friends depicted above, be an allusion to the Three Living and Three Dead? The miniature can be attr … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2017-11-02 13:32:43
Sauermost, Rolf [Projektleitung] Freudig, Doris [Redaktion]
Saubere Exemplare mit nur sehr geringen Lese-/Lagerspuren. Lieferumfang: Alle 15 Einzelbände (14 Bände und der Registerband) der Gesamtausgabe Buch. Band 1: ISBN 382740326X, 452 Seiten, 1480 Gramm, von 1999 / Band 2: ISBN 3827403278, 497 Seiten, 1556 Gramm, von 1999 / Band 3: ISBN 3827403286, 490 Seiten, 1576 Gramm, von 2000 / Band 4: ISBN 3827403292, 490 Seiten, 1564 Gramm, von 2000 / Band 5: ISBN 3827403308, 488 Seiten, 1568 Gramm, von 2000 / Band 6: ISBN 3827403316, 497 Seiten, 1601 Gramm, von 2001 / Band 7: ISBN 3827403324, 506 Seiten, 1598 Gramm, von 2001 / Band 8: ISBN 3827403332, 506 Seiten, 1611 Gramm, von 2002 / Band 9: ISBN 3827403324, 514 Seiten, 1633 Gramm, von 2002 / Band 10: ISBN 3827403359, 506 Seiten, 1595 Gramm, von 2002 / Band 11: ISBN 3827403367, 506 Seiten, 1627 Gramm, von 2003 / Band 12: ISBN 3827403375, 505 Seiten, 1628 Gramm, von 2003 / Band 13: ISBN 3827403383, 506 Seiten, 1636 Gramm, von 2004 / Band 14: ISBN 3827403391, 513 Seiten, 1657 Gramm, von 2004 / Band 15: (Register) ISBN 3827403405, 499 Seiten, 1576 Gramm, von 2004. Jeweils im einfachen Pappschuber. Mit zahlreichen zumeist schwarzweißen Abbildungen im Text und mit zumeist farbigen Abbildungen auf Bildseiten. ISBN-10: 3827403200. EAN/ISBN-13: 9783827403209. Kostenloser und schneller Versand als DHL Paket mit Sendungsverfolgung!
Bookseller: exlibris24 Versandantiquariat Inhaber:
2017-10-30 18:59:13
1480. Antique print, titled: 'Violante, Figlia di Jacopo Palma il Vecchio.' - A portrait of Violante, daughter of Jacopo Palma il Vecchio. Palma il Vecchio (ca. 1480-1528), born Jacopo Palma and also known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. Engraving on hand laid paper. Description: Published in Venice, 1835.Artists and Engravers: Made by 'Galgano Cipriani' after 'Teodore Malteini after Paris Bordone'. Galgano Cipriani (1775-ca. 1857) was an Italian engraver from Siena. He was a pupil of Raphael Morghen. He became a professor at the Naples and Venice Academies. He was the brotehr of Giovanni Battista and Barbato. Paris Bordon (or Paris Paschalinus Bordone; 1500-1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of mannerist complexity and provincial vigor. Condition: Very good, given age. Margin cropped to or over the plate mark. Vague horizontal fold in middle, vidible on rear. Rear blank. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LATPC-B4-08 The overall size is ca. 12.6 x 19.4 inch. The image size is ca. 10.5 x 16.6 inch. The overall size is ca. 32 x 49.3 cm. The image size is ca. 26.6 x 42.1 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-25 12:51:28
Bookseller: Libreria Antiquaria Mediolanum [IT]
2017-10-24 05:29:51
BOOK OF HOURS (USE OF GEERT GROTE)
1480. A COLLABORATION BETWEEN THE ASSUMPTION MASTER AND THE RARE MONKEY MASTER, WITH COLORFUL, HIGHLY CONTRASTED ILLUSTRATION AND RICH MARGINAL DETAIL. Illuminated manuscript on parchment, in Dutch, The Netherlands, South Holland, c. 1480-90. Dimensions 130 x 100 mm. 327 ff., written in Dutch in a GOTHIC BOOKHAND by several scribes, 2- TO 3-LINE INITIALS in brown touched with gold, 3- TO 6-LINE INITIALS in gold set on red, 7-LINE INITIALS in gold, blue, red, orange, green, and violet paint, touched with white, FULL PAGE MINIATURES on inserted singletons with arched compartments painted in blue, red, green, purple, and orange, with burnished gold, set on PAINTED BORDERS. BINDING: Bound in a near-contemporary (16th century) blind-tooled paneled calf binding with six raised bands, both clasps and front hardware lost. ILLUSTRATION It includes seven miniatures by the Assumption Master and charming borders by an exceedingly rare artist, the so-called Monkey Master (or Master of the Anecdotal Monkeys). He takes his name from the monkeys that cavort in many of his borders. His style is further characterized by the presence of many other drolleries in his densely filled borders – foxes and dogs with cowls, peacocks, etc. – as well as the bulbous eggplant-like ("aubergine") forms. His richly colored palette is strong and highly contrasted, and his style of drawing is sharp and linear. This is a key work by an artist, the Monkey Master, known in a small group of manuscripts of which only two contain miniatures. The seven miniatures in the present manuscript more than double th … [Click Below for Full Description]
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
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2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
1480. A COLLABORATION BETWEEN THE ASSUMPTION MASTER AND THE RARE MONKEY MASTER, WITH COLORFUL, HIGHLY CONTRASTED ILLUSTRATION AND RICH MARGINAL DETAIL. Illuminated manuscript on parchment, in Dutch, The Netherlands, South Holland, c. 1480-90. Dimensions 130 x 100 mm. 327 ff., written in Dutch in a GOTHIC BOOKHAND by several scribes, 2- TO 3-LINE INITIALS in brown touched with gold, 3- TO 6-LINE INITIALS in gold set on red, 7-LINE INITIALS in gold, blue, red, orange, green, and violet paint, touched with white, FULL PAGE MINIATURES on inserted singletons with arched compartments painted in blue, red, green, purple, and orange, with burnished gold, set on PAINTED BORDERS. BINDING: Bound in a near-contemporary (16th century) blind-tooled paneled calf binding with six raised bands, both clasps and front hardware lost. ILLUSTRATION It includes seven miniatures by the Assumption Master and charming borders by an exceedingly rare artist, the so-called Monkey Master (or Master of the Anecdotal Monkeys). He takes his name from the monkeys that cavort in many of his borders. His style is further characterized by the presence of many other drolleries in his densely filled borders – foxes and dogs with cowls, peacocks, etc. – as well as the bulbous eggplant-like ("aubergine") forms. His richly colored palette is strong and highly contrasted, and his style of drawing is sharp and linear. This is a key work by an artist, the Monkey Master, known in a small group of manuscripts of which only two contain miniatures. The seven miniatures in the present manuscript more than double th … [Click Below for Full Description]
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
A COLLABORATION BETWEEN THE ASSUMPTION MASTER AND THE RARE MONKEY MASTER, WITH COLORFUL, HIGHLY CONTRASTED ILLUSTRATION AND RICH MARGINAL DETAIL. Illuminated manuscript on parchment, in Dutch, The Netherlands, South Holland, c. 1480-90. Dimensions 130 x 100 mm. 327 ff., written in Dutch in a GOTHIC BOOKHAND by several scribes, 2- TO 3-LINE INITIALS in brown touched with gold, 3- TO 6-LINE INITIALS in gold set on red, 7-LINE INITIALS in gold, blue, red, orange, green, and violet paint, touched with white, FULL PAGE MINIATURES on inserted singletons with arched compartments painted in blue, red, green, purple, and orange, with burnished gold, set on PAINTED BORDERS. BINDING: Bound in a near-contemporary (16th century) blind-tooled paneled calf binding with six raised bands, both clasps and front hardware lost. ILLUSTRATION It includes seven miniatures by the Assumption Master and charming borders by an exceedingly rare artist, the so-called Monkey Master (or Master of the Anecdotal Monkeys). He takes his name from the monkeys that cavort in many of his borders. His style is further characterized by the presence of many other drolleries in his densely filled borders – foxes and dogs with cowls, peacocks, etc. – as well as the bulbous eggplant-like ("aubergine") forms. His richly colored palette is strong and highly contrasted, and his style of drawing is sharp and linear. This is a key work by an artist, the Monkey Master, known in a small group of manuscripts of which only two contain miniatures. The seven miniatures in the present manuscript more than double the arti … [Click Below for Full Description]
Bookseller: Les Enluminures [US]
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2017-10-16 14:35:58
Inkunabeln
Augsburg, Anton Sorg, An der mitwochen vor Mathie des zwelffboten (23. 2.) 1480. Mit zus 301 Bll.: 1 unnum. Bl., 138 num. Bll., 162 num. Bll. - Das unnum. erste Blatt mit blattgr. Holzschnitt (Kreuzigungsszene) recto, 56 Textholzschnitte (jeweils 8 x 8 cm) und 55 gr. Maiblumeninitialen. - Durchgehend Text, Holzschnitte und Initialen in rot rubriziert. Das unnum. Bl. verso mit in rot gedrucktem Text. Manuskriptprgt. des 16. Jhdts. - Blattgr.: 24,9 x 17,3 cm. GW M34102; Goff E78; Schramm IV Abb. 328?335. 337?375; Ce³ E-78; VB 115.5; Sack: Freiburg 2918; ISTC ie00078000 (weist 3 kompl. Exemplare nach: Prag, Seitenstetten, Freiburg i. B. und 2 Fragmente in Berlin und Stuttgart; GW nennt auch ein kompl. Expl. in Berlin). - Zweite Ausgabe des Plenariums, die bei dem produktiven Augsburger Drucker Sorg zwischen 1478 und 1483 erschienen; Plenarien sind Vorläufer der Postillen, die in volkssprachlicher Weise die vollständigen Perikopen des Kirchenjahres wiedergeben. - Ohne die Bindebänder. Das erste Bl. mit dem Holzschnitt im Falz und an der unteren Ecke mit alter Reparatur, recto gebräunt und fleckig. Bll. LXXII-LXXVII im 2. Tl. mit kurzem Wurmgang am oberen weißen Rand, Bl. LXXV dort mit alter Reparatur am Falz und ca. 5 cm Einriss. Nur gelegentlich etwas fleckig, meist recht sauber. Bei der Neubindung im wohl 18. Jhdt. sind einige der wenigen Marginalien leicht beschnitten worden. Insgesamt recht gutes Exemplar der nicht häufigen und schön illustrierten Inkunabel! [7 Warenabbildungen bei antiquariat.de]
Bookseller: Antiquariat Turszynski [Germany]
2017-10-16 14:35:56
Augsburg, Anton Sorg, An der mitwochen vor Mathie des zwelffboten (23. 2.) 1480. Mit zus 301 Bll.: 1 unnum. Bl., 138 num. Bll., 162 num. Bll. - Das unnum. erste Blatt mit blattgr. Holzschnitt (Kreuzigungsszene) recto, 56 Textholzschnitte (jeweils 8 x 8 cm) und 55 gr. Maiblumeninitialen. - Durchgehend Text, Holzschnitte und Initialen in rot rubriziert. Das unnum. Bl. verso mit in rot gedrucktem Text. Manuskriptprgt. des 16. Jhdts. - Blattgr.: 24,9 x 17,3 cm. GW M34102; Goff E78; Schramm IV Abb. 328-335. 337-375; Ce³ E-78; VB 115.5; Sack: Freiburg 2918; ISTC ie00078000 (weist 3 kompl. Exemplare nach: Prag, Seitenstetten, Freiburg i. B. und 2 Fragmente in Berlin und Stuttgart; GW nennt auch ein kompl. Expl. in Berlin). - Zweite Ausgabe des Plenariums, die bei dem produktiven Augsburger Drucker Sorg zwischen 1478 und 1483 erschienen; Plenarien sind Vorläufer der Postillen, die in volkssprachlicher Weise die vollständigen Perikopen des Kirchenjahres wiedergeben. - Ohne die Bindebänder. Das erste Bl. mit dem Holzschnitt im Falz und an der unteren Ecke mit alter Reparatur, recto gebräunt und fleckig. Bll. LXXII-LXXVII im 2. Tl. mit kurzem Wurmgang am oberen weißen Rand, Bl. LXXV dort mit alter Reparatur am Falz und ca. 5 cm Einriss. Nur gelegentlich etwas fleckig, meist recht sauber. Bei der Neubindung im wohl 18. Jhdt. sind einige der wenigen Marginalien leicht beschnitten worden. Insgesamt recht gutes Exemplar der nicht häufigen und schön illustrierten Inkunabel! - - - BITTE UM BEACHTUNG: AUSLIEFERUNG BESTELLTER BÜCHER KANN BETRIEBSBEDINGT ERST AB 14.02.2018 GESCHEHEN!!! - - - P … [Click Below for Full Description]
Bookseller: Antiquariat Turszynski [DE]
2017-10-16 14:35:56
Bookseller: Antiquariat Uwe Turszynski [München, Germany]
2017-10-16 12:37:17
Rolewinck Werner
Bookseller: Buddenbrooks, Inc. ABAA [Newburyport, MA, U.S.A.]
2017-10-16 12:06:50
JUVENALIS Decimus Junius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-10-16 12:06:50
JUVENALIS Decimus Junius
Bookseller: Libreria Antiquaria Pregliasco [Torino, Italy]
2017-10-16 11:38:00
ILLUMINATED MANUSCRIPT]
Bookseller: Manhattan Rare Book Company, ABAA, ILAB [New York, NY, U.S.A.]
2017-10-16 11:37:58
Platina, Bartolomaeus.
Bookseller: Antiquariat Inlibris [Vienna, A, Austria]
2017-10-16 11:37:58
Platina, Bartolomaeus.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
Check availability:
2017-10-16 11:06:48
Platina, Bartolomaeus.
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
Check availability:
2017-10-12 16:42:52
DURANDUS GUILLELMUS (DURANTI - DURANTE)
Vicenza: Hermanus Lichtenstein, 1480. Vicenza: Hermanus Lichtenstein. [400 incunabolo Vicenza](cm. 28.5 x 20.2) Ottima piena pergamena XVIII secolo, titolo manoscritto al dorso. -cc. 220 non numerate (di 224), carattere gotico, 58 linee 2 colonne, spazi per capitali con letterina guida. mancano solo le prime 2 carte di testo, non segnate, la successiva bianca A1, e l'ultima O6 anch'essa bianca. Seconda edizione stampata a Vicenza (prima 1478) di questa opera che ebbe uno straordinario successo, solo nel 400 si conoscono più di 30 edizioni!!! Descrive con cura la liturgia del tempo, il rito romano, spiega i vari significati allegorici ed è considerata una pietra miliare della liturgia del tardo medioevo; simbolismo, riti, paramenti ecc... L'"editio princeps" è uno dei libri più famosi al mondo, stampato nel 1459 a Magonza dal fust e Schoeffer, e considerato daH. P. Kraus, nella sua autobiografia, uno dei libri più belli e perfetti che esistono. Una copia straordinaria è apparsa in vendita nel 2012 a 750.000 euro, nel catalogo di una nota libreria antiquaria di londra che propone 75 incunaboli da sogno. Complessivamente alla nostra copia mancano 2 carte di testo e 2 carte bianche. Inizia con carta A2 presente, con 2 note manoscritte coeve al margine alto, e termina con la carta 223 che contiene il colophon; questa carta è stata rimessa, presenta bruniture e lievi fioriture. Il margine in alto, con alone a scomparire sulle prime carte, altrimenti esemplare molto bello, nitido e con buoni margini alcune note coeve a carta 213 e 214. provenienza: Asta Sotheby's Firenze 1982, lot … [Click Below for Full Description]
Bookseller: Libri Antichi e Rari Francesco & Claudia di Massai Cl [Italy]
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2017-10-06 16:40:53
[illuminated Manuscript]
Italy: np, 1480. Large Antiphonal Leaf with miniature of the Nativity Scene. Stunning leaf from a northern Italian antiphonal on parchment (late 15th century). 4 4-line staves with square notation in black with corresponding lines of lyrics on both sides. Large historiated initial "H" elaborately painted in pink, blue, green & purple on a rich gold background opens the chant. The painting within the initial depicts the nativity with Mary and Joseph kneeling in prayer over the baby Jesus who rests on his mother's mantle. The scene is painted on a landscape background where an ox and a donkey from the manger are clearly visible. Additional large initial "S" painted in red with green, white & gold floral decoration. The music is from "Hodie Nobis Caelorum Rex" (Today the King of Heaven), a chant sung on Christmas.Size: 574 x 414 mm (approx. 22.6 x 16.3inches)Initial: 144 x128 mmThe text in Latin:Hodie nobis caelorum Rex de virgine nasci dignatus est, ut hominem perditum ad regna caelestia revocaret, gaudet exercitus angelorum, quia salus eterna humano ...English translation:Today the King of heaven deigned to be born for us of a virgin, that he might call lost man back to the heavenly kingdom, the host of angels rejoices, because eternal salvation has appeared to the human race. Very Good.
Bookseller: The Manhattan Rare Book Company [USA]
2017-09-29 10:50:33
MATTOSO. (José)
- Direcção de. Volume I: Antes de Portugal. Coordenação: Prof. Doutor José Mattoso. Volume II: A Monarquia Feudal (1096-1480). Coordenação: Prof. Doutor José Mattoso. Volume III: No Alvorecer da Modernidade (1480-1620). Coordenação: Prof. Doutor Joaquim Romero Magalhães. Volume IV: O Antigo Regime (1620-1807). Coordenação: Prof. Doutor António Manuel Hespanha. Volume V: O Liberalismo (1807-1890). Coordenação: Prof. Doutor Luís Reis Torgal e Prof. Doutor João Lourenço Roque. Volume VI: Crise e Revolução (1890-1926). Coordenação: Dr. Rui Ramos. Volume VII: O Estado Novo (1926-1974). Coordenação Dr. Fernando Rosas. Volume VIII: Portugal em Transe. (1974-1985). Coordenação: Dr. José Medeiros Ferreira. Editorial Estampa. Junto com: Portugal Vinte Anos de Democracia. Coordenação António Reis. Lisboa. S/d. [1993-94]. 9 volumes de 28x21 cm. Com 565, 556, 607, 471, 712, 683, 589, 518 e 519 págs. Encadernação de editor. Exemplar com falta das sobrecapas de protecção. Ilustrado. Trabalho de divulgação historiográfica, em oito volumes, sobre o surgimento e evolução do Reino de Portugal até à contemporaneidade. Trata-se de um empreendimento de reconstituição histórica, dirigido pelo emérito José Mattoso, especialista em História Medieval, que pretendeu publicar uma obra em que não se verificassem os hiatos temporais e as insuficiências de investigação observadas em tentativas anteriores de sintetizar a história portuguesa (desde o século XVI). A obra conta com informação bibliográfica abundante e com a contribuição de eminentes especialistas, hierarquizando as matérias de acordo com uma … [Click Below for Full Description]
Bookseller: Livraria Castro e Silva [Lisboa, Portugal]
2017-09-29 10:50:33
MATTOSO. (José)
- Direccção. Volume I: Antes de Portugal. Coordenação: Prof. Doutor José Mattoso. Volume II: A Monarquia Feudal (1096-1480). Coordenação: Prof. Doutor José Mattoso. Volume III: No Alvorecer da Modernidade (1480-1620). Coordenação: Prof. Doutor Joaquim Romero Magalhães. Volume IV: O Antigo Regime (1620-1807). Coordenação: Prof. Doutor António Manuel Hespanha. Volume V: O Liberalismo (1807-1890). Coordenação: Prof. Doutor Luís Reis Torgal e Prof. Doutor João Lourenço Roque. Volume VI: Crise e Revolução (1890-1926). Coordenação: Dr. Rui Ramos. Volume VII: O Estado Novo (1926-1974). Coordenação Dr. Fernando Rosas. Volume VIII: Portugal em Transe. Coordenação: Dr. José Medeiros Ferreira. Editorial Estampa. Lisboa. S/d. [1993-94]. Obra em 8 volumes. De 28x21 cm. Com 565, 556, 607, 471, 712, 683, 589 e 518 págs. Encadernação do editor com sobrecapas. Ilustrado. Trabalho de divulgação historiográfica, em oito volumes, sobre o surgimento e evolução do Reino de Portugal até à contemporaneidade. Trata-se de um empreendimento de reconstituição histórica, dirigido pelo emérito José Mattoso, especialista em História Medieval, que pretendeu publicar uma obra em que não se verificassem os hiatos temporais e as insuficiências de investigação observadas em tentativas anteriores de sintetizar a história portuguesa (desde o século XVI). A obra conta com informação bibliográfica abundante e com a contribuição de eminentes especialistas, hierarquizando as matérias de acordo com uma lógica em que a estrutura se sobrepõe à conjuntura. As grandes mutações que alteraram a fisionomia de cada época sã … [Click Below for Full Description]
Bookseller: Livraria Castro e Silva [Lisboa, Portugal]
2017-09-19 23:44:27
MEDIEVAL MANUSCRIPT PAGE
1480. This is a magnificent original medieval manuscript single-leaf from France, Paris about 1480 A.D.Description:19 lines in Latin on each side; Gothic type in red ink and brown ink; One two-line initials in gold leaf; 5 one-line initials in gold on red background; 5 one-line initials in gold on a blue background; 7 lines fillers in gold on red or blue background. There is a vertical crease down one margin and a tiny hole in lower margin, else in good condition.Sheet size16 x 10.5 cm
Bookseller: Roe and Moore [London, United Kingdom]
2017-09-17 23:56:09
SERVASANCTUS DE FAVENTIA
Paris, Ulrich Gering, Guillermus Maynyal, 16 août 1480. ______ Format : In-folio. [28,8 x 20 mm] Collation : 294 feuillets (sur 296, manquent premier et dernier feuillets blancs);[ a-z10, A-E10, FG8 - A1 et G blancs] Reliure : Basane brune, dos à nerfs orné de fleurons à froid, encadrement à froid sur les plats, tranches mouchetées rouges. (Reliure du XVIIIe.). ____ Bel incunable sorti des presses du premier atelier typographique parisien. Ulrich Gering est un trois typographes qui a introduit l'imprimerie en France. En 1470, Jean Heynlin (ou La Pierre), prieur de la Sorbonne, et Guillaume Fichet, son bibliothécaire, avaient fait appel à trois spécialistes allemands, Ulrich Gering, Martin Granz et Michel Friburger, afin d'ouvrir une imprimerie à Paris. Les trois typographes installèrent un atelier dans une maison du cloître Saint-Benoît, appartenant à la Sorbonne. Il ont créé de toute pièce un matériel d'imprimerie. C'était alors un art secret. Ces proto-typographes imprimèrent 22 ouvrages puis en 1473, déplacèrent l'atelier, non loin de là, rue Saint-Jacques, à l'enseigne du "Soleil d'or". Granz et Friburger, les deux associès de Gering retournèrent en 1477 en Allemagne. Gering poursuivit seul son travail d'imprimeur, puis s'associa en 1479 avec Guillaume Maynyal. Ils imprimèrent ensemble 5 ouvrages, dont celui-ci. Maynyal s'installa à son compte cette même année 1480. Ce texte est apparement un commentaire sur le livre III de Servasanctus de Faventia, De naturalibus exemplis. L'auteur de la table in-fine est Nicolaus de Castro. L'ouvrage est imprimé en caractère petit rom … [Click Below for Full Description]
Bookseller: Hugues de Latude [FRANCE]
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