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Displayed below are some selected recent viaLibri matches for books published in 1480
2018-04-25 00:29:47
[Miniature Painting, Illuminated Manuscript] Monza Antonio da
Near Milan: Antonio da Monza, Illuminator, ca. 1480-1505. With a very fine miniature painting of a Pentecostal scene featuring the Virgin and a dove, set within a large "S" (Spiritus Domini): A notable element is the variety of the faces of the Apostles. The miniature is framed within the elaborate initial. The left side is enriched by two quadrilobated compartments that include a splendid half-length image of God at the top and a dove symbolizing the Holy Spirit at the bottom. The entire grandiose sheet is framed by an elaborate border on four sides with candelabras, cherubs and plant elements. All with bright colours and burnished in vivid gold. The verso bears musical notation and large initials with a brush in blue and red ink with filigree motifs in contrasting colours that mark the incipits of the various parts sung by the Mass, rubricated in red. 660x460mm, on vellum. A beautiful survivor, bright and fresh and vivid. AN ILLUMINATED MANUSCRIPT LEAF OF EXCEPTIONAL BEAUTY. WITH VERY FINE AND LARGE MINIATURE PAINTING AND EXTENSIVE OTHER DECORATIVE ELEMENTS. "The illuminator, Antonio da Monza (active ca. 1480/1505), brought a Renaissance fascination with antiquity to the art of manuscript illumination at the end of the 15th and early 16th century. Identified through his signature on a miniature from a liturgical book made for Pope Alexander VI and now in Vienna, he was a native of Monza, outside of Milan, and a member of the Franciscan Order. Antonio's artistic style was influenced by Leonardo. Scholars have attributed to him several liturgical bo … [Click Below for Full Description]
Bookseller: Buddenbrooks, Inc. [U.S.A.]
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2018-04-23 06:36:43
CAXTON, William
[Westminster] [Printed by William Caxton]. A Leaf from "The Chronicles of England" Printed by William Caxton CAXTON, William. LEAF. [A leaf from The Chronicles of England]. [Westminster]: [Printed by William Caxton, 1480]. [housed within] An Original Leaf from the Chronicle of England Printed by William Caxton at Westminster in 1480. London; William H. Robinson Limited, 1933. A descriptive folio booklet. 8pp. Signed on colophon by Lionel Robinson. Uncut in original printed wrappers. One quarto leaf (11 3/16 x 8 3/16 inches; 284 x 210 mm), from The Chronicles of England. Forty lines, printed on recto and verso in Caxton's fourth fount (the first state with the short comma and the first to use justification and signatures). With nine rubrication in recto and ten on verso. With four corners lightly reinforced. Some light foxing and edges a bit chipped. Overall a very good example of early printing. Leaf is housed within the booklet printed by Robinson. This is all housed within a large green cloth folio, lined in suede with silk ties and a printed paper label. "Mr. Seymore de Ricci, in his Census of Caxtons, records the existence of thirteen copies and four fragments of this book. The enclosed leaf is from a hitherto unknown fragment, which fortunately contained the leaf necessary to complete the copy at St. John's College, Oxford." (From the Robinson booklet). A Caxton leaf from The Chronicles of England, often said to be the most popular secular work of the fifteenth century, is far more rare than a leaf from The Polychronicon, which come up quite often. The contents of this … [Click Below for Full Description]
Bookseller: Heritage Book Shop, ABAA [Tarzana, CA, U.S.A.]
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2018-04-20 20:25:20
Barbatre, [Pierre], Norman priest (b. 1525).
4to (209 x 165 mm). Middle French decorated manuscript on paper (watermark "licorne sanglée", pointing to Normandy: similar to Briquet 10387 & 10390 - Coutances 1497 and Frene d'Archeveque, 1499). 116 pp., collation: i1, ii8, iii8, iv8, v8, vi8, vii8, viii10; complete save for loss to the lower corner of the final leaf, concerning 9 lines of text on the last page but one. Incipit: "In nomine domini Amen. 1480. L'an de grace mil quatre cens octante, le mardi IIIIe jour d'apvril apres pasques, je, Pierre Barbatre, prebstre, aagé de LV ans ou environ, me party de la ville de Vernon pour et intencion d'aler en Hierusalem visiter le sainct sepulchre Nostresegneur Jesuschrist et les aultres sainctz lieulx de la terre saincte"; explicit: "et la feusme attendans passer a Ravennes, pour tirer a Ancone a cause que avions loué une barque a Venize pour nous passer la mer jusques audit Ancone. Et nous coutoit le passage de maistre Nicole, de Sainct Omer, mon frere et moy .x. marcelins". Bound in a parchment leaf from an 11th c. codex, containing fragments of the "Passio Pauli" attributed to Pseudo-Lin and a fragment of the "Life of St Ethbin", both in Latin (lower cover poorly legible). Rare document containing a first-hand vernacular account of a pilgrimage to the Holy Land in 1480, the only expedition allowed to leave Venice for the Palestine in that year. - The priest Pierre Barbatre relates the story of his journey, which he begins at the age of ca. 55 years at the Norman town of Vernon on the Seine. He travels south via Chartres and Orléans, Savoy, Turin, Leghorn, Milan (where he r … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris [AT]
2018-04-20 02:19:03
CAXTON, William
[Westminster] [Printed by William Caxton]. A Leaf from "The Chronicles of England" Printed by William Caxton CAXTON, William. LEAF. [A leaf from The Chronicles of England]. [Westminster]: [Printed by William Caxton, 1480]. [housed within] An Original Leaf from the Chronicle of England Printed by William Caxton at Westminster in 1480. London; William H. Robinson Limited, 1933. A descriptive folio booklet. 8pp. Signed on colophon by Lionel Robinson. Uncut in original printed wrappers. One quarto leaf (11 3/16 x 8 3/16 inches; 284 x 210 mm), from The Chronicles of England. Forty lines, printed on recto and verso in Caxton's fourth fount (the first state with the short comma and the first to use justification and signatures). With nine rubrication in recto and ten on verso. With four corners lightly reinforced. Some light foxing and edges a bit chipped. Overall a very good example of early printing. Leaf is housed within the booklet printed by Robinson. This is all housed within a large green cloth folio, lined in suede with silk ties and a printed paper label. "Mr. Seymore de Ricci, in his Census of Caxtons, records the existence of thirteen copies and four fragments of this book. The enclosed leaf is from a hitherto unknown fragment, which fortunately contained the leaf necessary to complete the copy at St. John's College, Oxford." (From the Robinson booklet). A Caxton leaf from The Chronicles of England, often said to be the most popular secular work of the fifteenth century, is far more rare than a leaf from The Polychronicon, which come up quite often. The contents of this … [Click Below for Full Description]
Bookseller: Heritage Book Shop, ABAA [Tarzana, CA, U.S.A.]
2018-04-15 22:24:41
[Miniature Painting, Illuminated Manuscript] Monza Antonio da
Near Milan: Antonio da Monza, Illuminator, ca. 1480-1505. With a very fine miniature painting of a Pentecostal scene featuring the Virgin and a dove, set within a large "S" (Spiritus Domini): A notable element is the variety of the faces of the Apostles. The miniature is framed within the elaborate initial. The left side is enriched by two quadrilobated compartments that include a splendid half-length image of God at the top and a dove symbolizing the Holy Spirit at the bottom. The entire grandiose sheet is framed by an elaborate border on four sides with candelabras, cherubs and plant elements. All with bright colours and burnished in vivid gold. The verso bears musical notation and large initials with a brush in blue and red ink with filigree motifs in contrasting colours that mark the incipits of the various parts sung by the Mass, rubricated in red. 660x460mm, on vellum. A beautiful survivor, bright and fresh and vivid. AN ILLUMINATED MANUSCRIPT LEAF OF EXCEPTIONAL BEAUTY. WITH VERY FINE AND LARGE MINIATURE PAINTING AND EXTENSIVE OTHER DECORATIVE ELEMENTS. "The illuminator, Antonio da Monza (active ca. 1480/1505), brought a Renaissance fascination with antiquity to the art of manuscript illumination at the end of the 15th and early 16th century. Identified through his signature on a miniature from a liturgical book made for Pope Alexander VI and now in Vienna, he was a native of Monza, outside of Milan, and a member of the Franciscan Order. Antonio's artistic style was influenced by Leonardo. Scholars have attributed to him several liturgical bo … [Click Below for Full Description]
Bookseller: Buddenbrooks, Inc. [U.S.A.]
2018-04-15 22:24:41
[Miniature, Illuminated Manuscript] Monza Antonio da
Antonio da Monza, Illuminator. With a very fine miniature painting with the Father protecting Christ on the cross, set within a large initial "B" (Benedicta) framed within the elaborate initial and also including a side panel painting with angels, all are very lavish with rich, bright colours and burnished in vivid gold. 660x460mm, on vellum. A very beautiful survivor, bright and fresh and vivid. AN ILLUMINATED MANUSCRIPT LEAF OF EXCEPTIONAL BEAUTY. WITH VERY FINE AND LARGE MINIATURE PAINTING AND EXTENSIVE OTHER DECORATIVE ELEMENTS. "The illuminator, Antonio da Monza (active ca. 1480/1505), brought a Renaissance fascination with antiquity to the art of manuscript illumination at the end of the 15th and early 16th century. Identified through his signature on a miniature from a liturgical book made for Pope Alexander VI and now in Vienna, he was a native of Monza, outside of Milan, and a member of the Franciscan Order. Antonio's artistic style was influenced by Leonardo. Scholars have attributed to him several liturgical books, as well as some miniatures in the Sforza Hours and in Antonio Minuti's 'Life of Muzio Attendolo'. The recent discovery of villa of the Golden House of Nero and its Fourth Style wall paintings influenced Antonio's work, supplying him with a rich visual vocabulary of ancient motifs." - Getty Museum.
Bookseller: Antiquarian Bookshop Buddenbrooks, Inc. [US]
2018-03-27 22:19:02
MASS OF ST. GREGORY
1480. Gregory, the papal saint, kneels celebrating Mass with an attendant as the naked figure of Christ appears to him on the altar surrounded by the Instruments of the Passion. 108 mm. X 60 mm, sixteen lines of text in brown ink in a lettre batarde on the verso. From the collection of the Marquess of Bute, formerly loosely enclosed in Marquess of Bute MS. 96 (G. 22). ?According to legend, the sixth-century Pope Gregory the Great was celebrating Mass when one of his assistants doubted the real presence of Christ in the Eucharist. During the service, the Saviour himself miraculously appeared at the altar, allaying any doubts as to the true nature of the Communion wafer. This miniature accompanies a prayer to the Eucharist said at the Elevation; this picture translates the prayer's message into visual form. Christ is shown as the Man of Sorrows, bleeding and exhausted, nearly dead; he is surrounded by the Instruments of the Passion.? Roger S. Wieck, Painted Prayers, the Book of Hours in Medieval and Renaissance Art (1997), p. 104. Provenance: John Crichton-Stuart, Sixth Marquess of Bute (1933-93) sold as lot 31, Sotheby's 13 June 1983, The Bute Collection of Forty-Two Illuminated Manuscripts and Miniatures, sold by Order of The Most Honourable The Marquess of Bute, J.P., LL.D.
Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA [London, United Kingdom]
2018-03-24 12:33:30
PLATINA BARTHOLOMEO.
CIVIDALE DEL FRIULI, GERARDO DI FIANDRA, 1480. "In-4; 94 cc. (l'ultima carta e' bianca); buona legatura ottocentesca in tutta pergamena, doppio tassello con titolo e fregi in oro al dorso, tagli rossi. Bell'esemplare (restauro ad un sottile segno di tarlo lungi dal testo su 5 cc. centrali)." "Primo lib
Bookseller: Libreria Antiquaria Mediolanum [IT]
2018-03-15 17:22:39
VARRO, M Terentius
Jerome, Epistolae, Parma, 1480. Folio, ff. (iv) 46. Roman letter, a little Greek, guide letters, spaces blank. Extensive early marginalia in at least two early hands (one contemp) throughout, final blank page filled with annotations in Italian (c.1600); uniform light age browning, waterstains to edges of some ll., mostly marginal but slightly affecting the text in places, ancient marginal ink splashes to a couple of ll. A very interesting, not unattractive and well margined copy, if well used at an early date. In modern vellum over boards. A rare edition from an almost equally rare press; the identity of the printer is unknown, the style of his Greek type may indicate he came from Venice; the total known output of the press is only six titles, however the layout and typeface are handsome and accomplished. An early edition of Varro’s pioneering work on Latin grammar (including inflexion and syntax) or more accurately of books V to X (of 25) which are all that have come down to us. It was regarded as a work of considerable importance by no lesser authorities than Cicero (the dedicatee), Quintilian and St Augustine, who wonders at the author’s learning in the De Civ. Dei, book VI; the text was edited for the press by Pompinius Laetus and Francisus Rolandellus and first printed in that form by an unknown press in Venice in 1478. It has a comprehensive index. "Varro’s treatise is the earliest extant Roman work on grammar. This great work, which was finished before Cicero’s death in 43 BC, owes much to the stoic teaching of Aelius Stilo, and also to that of a later grammarian who … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
2018-03-10 06:51:39
Augustine of Hippo, Saint Bernard, Saint Augustine
WORKS OF SAINT AUGUSTINE & SAINT BERNARD N.D. Circa 1480-1482 (Acquired from an Estate in Australia, no other info.); Augustine of Hippo, Bernard of Clairvaux; Milan?, Joannes Antonius/Beninus de Honate?; Unbound; Latin Text; 256 Pages including 1st blank, blank in the middle (publisher's error?); w4.6"xh6.7"; Extremely Rare! Researched this for hours, text seems to correspond with the year above from what I've found; Seems to be saved from what appears to be a fire! ATTRIBUTES: •Very Rare incunable of Saint Augustine and Saint Bernard, •Hand colored red initials throughout, and some Legendary Selections! SUMMARY: •Believe its a complete works of Saint Augustine, many selections; And the works of Saint Bernard. BACKGROUND: •Augustine of Hippo (13 November 354 – 28 August 430) was an early Christian theologian and philosopher whose writings influenced the development of Western Christianity and Western philosophy. He was the bishop of Hippo Regius in north Africa and is viewed as one of the most important Church Fathers in Western Christianity for his writings in the Patristic Era. Among his most important works are The City of God and Confessions. •Bernard of Clairvaux, O.Cist (1090 – 20 August 1153) was a French abbot and the primary reformer of the Cistercian order. In the year 1128, Bernard attended the Council of Troyes, at which he traced the outlines of the Rule of the Knights Templar, which soon became the ideal of Christian nobility. After the Christian defeat at the Siege of Edessa, the pope commissioned Bernard to preach the Second Crusade. The last years of Berna … [Click Below for Full Description]
Bookseller: Roga Books [Boca Raton, FL, U.S.A.]
2018-03-09 03:07:34
Curia Romana
1480. Basel: Michael Wenssler, Not after 1480]. The Proper Forms for Pleading in the Curia Romana [Curia Romana]. [Formularium Instrumentorum ad Usum Curiae Romanae. Constitutio 19 November 1317 'Exsecrabilis Quorundam' Contra Pluralitatem Beneficiorum; Paulus II, Bulla 23 November 1464 `Cum Detestabile Scelus' Contra Simoniacos; Paulus II, Bulla 1 March 1467 'Ambitiose Cupiditati' de Rebus Ecclesiae non Alienandis]. [Basel: Michael Wenssler, Not after 1480]. [126] ff. Collation: q6, a11, b-k8, l6, m-o8, p6. Leaf a1, a blank, lacking. Signature q, the table of contents, with blank q1, is bound at front as in the British Library copy. Folio 12" x 8-1/2" (30 x 21.5 cm). Contemporary blind-stamped red-dyed doeskin, rebacked in period style, central cross and linear frame on covers with 15 repeat stamps, including man of sorrows, 'Maria' in a banner, paschal lamb, a deer, rosette and palmette, apparently not in Einbanddatenbank, raised bands and decorative blind tooling and stamps to spine, period-style replica clasps. Light rubbing and a few minor stains to boards, heavier rubbing to extremities with wear to spine ends and corners, partial crack through spine, scattered wormholes to exterior, pastedowns and leaves at front and rear of text block, minor worming to other leaves. 55-line text in single column. Light toning, slightly heavier in places, wrinkling from moisture to margins in a few places, inkspots to a few leaves, brief early annotation to verso of front leaf, 1646 owner inscription of Burghausen, Jesuit college at head of first text leaf. $17,000. * First appearing … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd. [USA]
2018-02-26 08:41:16
Illuminated manuscript leaf on vellum.
Bruges, c. 1480. Single leaf, 155 x 115 mm, 15 lines of gothic batarde, ruled and rubricated in red to the recto, 4-line initial “S” of branch and leaf design curling inwards on gold ground (recto), two 2-line initials in gold on a mauve-red ground (recto and verso), full trompe l’oeuil scatter border of mauve filled with large flowers, butterflies, and a pigeon (recto). Some faint rubbing, otherwise very good. A typical Bruges border.
Bookseller: John Windle Antiquarian Bookseller [US]
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2018-02-26 08:41:15
THOMAS AQUINAS.
Cologne: Heinrich Quentell, 2 February 1480. Royal folio (390 x 287 mm). Collation: [a12-1 [b8 c-d8 e8] f8 g-m10 n-z8 A-L8 M6 N8 O8 P-Y8 Z8 (numerous missignings, last leaf blank (lacking). 388 (of 389)] leaves, unfoliated. Double column. 53 lines and headlines. Types: 2:150 (headlines and headings), 1:102 (text). First page with a four-part historiated woodcut border. Initial spaces; mostly unrubricated, except in the sections with annotations (including the final table of questions), in which paragraph marks, small initials and underlinings are supplied in red by the annotator. Contemporary manuscript foliation I-CCCXC: a duplicate of sheet L2.7 bound between fols. L7 and L8, included in the ms. foliation. Deckle edges throughout. Watermarks: anchor (cf. Briquet 393, Paris 1479), shield with fleurs-de-lis (cf. Briquet 1742, Cologne 1489), gothic letter p, crown. Blind impressions of bearer blocks or strips, apparently including pieces of type at fixed points, in fore-margins of several leaves in quires A, B, I, etc. Fol. s8 with printing flaw from creased paper during printing, affecting end of the last 3 lines in second column on recto. Noticeable worming to first and last few quires, a few single wormholes elsewhere, dampstaining to upper margins of sheet x3.6. Binding: contemporary German alum-tawed pigskin over wooden boards, covers tooled simply with double fillets forming a panel in four compartments formed by two diagonally crossed pairs of fillets, contemporary paper title label on upper cover, later paper labels on spine, two chased brass fore-edge attaches on up … [Click Below for Full Description]
Bookseller: Musinsky Rare Books [USA]
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2018-02-25 15:53:38
THOMAS AQUINAS
Cologne: Heinrich Quentell, 1480. Royal folio (390 x 287 mm). Collation: [a12-1 [b8 c-d8 e8] f8 g-m10 n-z8 A-L8 M6 N8 O8 P-Y8 Z8 (numerous missignings, last leaf blank (lacking). 388 (of 389)] leaves, unfoliated. Double column. 53 lines and headlines. Types: 2:150 (headlines and headings), 1:102 (text). First page with a four-part historiated woodcut border. Initial spaces; mostly unrubricated, except in the sections with annotations (including the final table of questions), in which paragraph marks, small initials and underlinings are supplied in red by the annotator. Contemporary manuscript foliation I-CCCXC: a duplicate of sheet L2.7 bound between fols. L7 and L8, included in the ms. foliation. Deckle edges throughout. Watermarks: anchor (cf. Briquet 393, Paris 1479), shield with fleurs-de-lis (cf. Briquet 1742, Cologne 1489), gothic letter p, crown. Blind impressions of bearer blocks or strips, apparently including pieces of type at fixed points, in fore-margins of several leaves in quires A, B, I, etc. Fol. s8 with printing flaw from creased paper during printing, affecting end of the last 3 lines in second column on recto. Noticeable worming to first and last few quires, a few single wormholes elsewhere, dampstaining to upper margins of sheet x3.6. Binding: contemporary German alum-tawed pigskin over wooden boards, covers tooled simply with double fillets forming a panel in four compartments formed by two diagonally crossed pairs of fillets, contemporary paper title label on upper cover, later paper labels on spine, two chased brass fore-edge attaches on upper cove … [Click Below for Full Description]
Bookseller: Musinsky Rare Books, Inc. [U.S.A.]
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2018-02-24 20:08:09
THOMAS AQUINAS.
Cologne: Heinrich Quentell, 2 February 1480. Royal folio (390 x 287 mm). Collation: [a12-1 [b8 c-d8 e8] f8 g-m10 n-z8 A-L8 M6 N8 O8 P-Y8 Z8 (numerous missignings, last leaf blank (lacking). 388 (of 389)] leaves, unfoliated. Double column. 53 lines and headlines. Types: 2:150 (headlines and headings), 1:102 (text). First page with a four-part historiated woodcut border. Initial spaces; mostly unrubricated, except in the sections with annotations (including the final table of questions), in which paragraph marks, small initials and underlinings are supplied in red by the annotator. Contemporary manuscript foliation I-CCCXC: a duplicate of sheet L2.7 bound between fols. L7 and L8, included in the ms. foliation. Deckle edges throughout. Watermarks: anchor (cf. Briquet 393, Paris 1479), shield with fleurs-de-lis (cf. Briquet 1742, Cologne 1489), gothic letter p, crown. Blind impressions of bearer blocks or strips, apparently including pieces of type at fixed points, in fore-margins of several leaves in quires A, B, I, etc. Fol. s8 with printing flaw from creased paper during printing, affecting end of the last 3 lines in second column on recto. Noticeable worming to first and last few quires, a few single wormholes elsewhere, dampstaining to upper margins of sheet x3.6. Binding: contemporary German alum-tawed pigskin over wooden boards, covers tooled simply with double fillets forming a panel in four compartments formed by two diagonally crossed pairs of fillets, contemporary paper title label on upper cover, later paper labels on spine, two chased brass fore-edge attaches on up … [Click Below for Full Description]
Bookseller: Musinsky Rare Books [USA]
2018-02-24 07:25:39
Illuminated manuscript leaf on vellum.
Bruges, c. 1480. Single leaf, 155 x 115 mm, 15 lines of gothic batarde, ruled and rubricated in red to the recto, 4-line initial “S” of branch and leaf design curling inwards on gold ground (recto), two 2-line initials in gold on a mauve-red ground (recto and verso), full trompe l’oeuil scatter border of mauve filled with large flowers, butterflies, and a pigeon (recto). Some faint rubbing, otherwise very good. A typical Bruges border.
Bookseller: John Windle Antiquarian Bookseller [U.S.A.]
2018-02-18 19:12:28
Nürnberg, Anton Koberger 14. April 1480. 33 x 26 cm. [1] nicht num., CCCCLXI [=461] num., [6] nicht num. Bl. Gotische Type, 2 Spalten, 49-53 Zeilen. Alternierend in Rot und Blau rubriziert. Die Anfangsinitiale mit einer fünfzehnzeiligen Ausmalung in roter Federzeichnung. Marmoriertes Ganzleder des 18. Jhs. mit rotem Lederrückenschild und reicher Rückenvergoldung. Einband gering berieben und bestossen. Buchblock bei der Bindung im 18. Jh. beschnitten, bei den gedruckten Marginalien im NT teilweise mit Textberührung. Erstes Blatt auf der weißen Recto-Seite dupliert, kleiner Eckabriß ergänzt (auch ein Buchstabe). Vor allem zu Beginn und am Ende in unteren Innensteg braunfleckig, dort alt mit Papier verstärkt. Stellenweise mit alten Anmerkungen. Mit zwei farbigen Zeichnungen an freien Stellen zu Beginn und am Ende, zahlreiche Spatien der altkolorierten Initialen im 18. Jh. (oft figürlich) ausgemalt. Die erste Lage teils stärker wasserrandig und mit kl. Restaurierungen. Drei Blätter aus einem anderen Exemplar ergänzt. Die beiden letzten Blätter der vorletzten Lage (CCCCLX f.) mit restaurierten Papierfehlstellen (nach Tintenfraß ?, etwas Textverlust). Einige Bl. mit alten Anmerkungen zur Kollation. GW 4243. ISTC ib00568000. Goff B568. Polain (B) 655 (nur Brüssel, Bibl. Royale). Pr 1995. BMC II 418 (incompl.). BSB-Ink B-439. Kobergers sechste lateinische Bibel, mit denselben Type gedruckt wie die zweite bis fünfte (1477-1479), jedoch jeweils mit abweichendem, neuem Satz. Anton Koberger (um 1440/45 -1513) stammte aus einer Nürnberger Bäckerfamilie, die seit 1349 urkundlich nachweis … [Click Below for Full Description]
Bookseller: Antiquariat Peter Fritzen [Trier, Germany]
2018-02-08 13:09:18
Nürnberg, Anton Koberger 14. April 1480. 33 x 26 cm. [1] nicht num., CCCCLXI [=461] num., [6] nicht num. Bl. Gotische Type, 2 Spalten, 49-53 Zeilen. Alternierend in Rot und Blau rubriziert. Die Anfangsinitiale mit einer fünfzehnzeiligen Ausmalung in roter Federzeichnung. Marmoriertes Ganzleder des 18. Jhs. mit rotem Lederrückenschild und reicher Rückenvergoldung. Einband gering berieben und bestossen. Buchblock bei der Bindung im 18. Jh. beschnitten, bei den gedruckten Marginalien im NT teilweise mit Textberührung. Erstes Blatt auf der weißen Recto-Seite dupliert, kleiner Eckabriß ergänzt (auch ein Buchstabe). Vor allem zu Beginn und am Ende in unteren Innensteg braunfleckig, dort alt mit Papier verstärkt. Stellenweise mit alten Anmerkungen. Mit zwei farbigen Zeichnungen an freien Stellen zu Beginn und am Ende, zahlreiche Spatien der altkolorierten Initialen im 18. Jh. (oft figürlich) ausgemalt. Die erste Lage teils stärker wasserrandig und mit kl. Restaurierungen. Die beiden letzten Blätter der vorletzten Lage (CCCCLX f.) mit restaurierten Papierfehlstellen (nach Tintenfraß ?, etwas Textverlust). Einige Bl. mit alten Anmerkungen zur Kollation. GW 4243. ISTC ib00568000. Goff B568. Polain (B) 655 (nur Brüssel, Bibl. Royale). Pr 1995. BMC II 418 (incompl.). BSB-Ink B-439. Kobergers sechste lateinische Bibel, mit denselben Type gedruckt wie die zweite bis fünfte (1477-1479), jedoch jeweils mit abweichendem, neuem Satz. Anton Koberger (um 1440/45 -1513) stammte aus einer Nürnberger Bäckerfamilie, die seit 1349 urkundlich nachweisbar ist. 1470 heiratete er Ursula Ingram und nach … [Click Below for Full Description]
Bookseller: Antiquariat Peter Fritzen [Trier, Germany]
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2018-02-01 00:34:20
Durandus Guillelmus (Duranti - Durante)
Hermanus Lichtenstein, 1480. [400 incunabolo Vicenza](cm. 28.5 x 20.2) Ottima piena pergamena XVIII secolo, titolo manoscritto al dorso. -cc. 220 non numerate (di 224), carattere gotico, 58 linee 2 colonne, spazi per capitali con letterina guida. mancano solo le prime 2 carte di testo, non segnate, la successiva bianca A1, e l'ultima O6 anch'essa bianca. Seconda edizione stampata a Vicenza (prima 1478) di questa opera che ebbe uno straordinario successo, solo nel 400 si conoscono più di 30 edizioni!!! Descrive con cura la liturgia del tempo, il rito romano, spiega i vari significati allegorici ed è considerata una pietra miliare della liturgia del tardo medioevo; simbolismo, riti, paramenti ecc... L'"editio princeps" è uno dei libri più famosi al mondo, stampato nel 1459 a Magonza dal fust e Schoeffer, e considerato daH. P. Kraus, nella sua autobiografia, uno dei libri più belli e perfetti che esistono. Una copia straordinaria è apparsa in vendita nel 2012 a 750.000 euro, nel catalogo di una nota libreria antiquaria di londra che propone 75 incunaboli da sogno. Complessivamente alla nostra copia mancano 2 carte di testo e 2 carte bianche. Inizia con carta A2 presente, con 2 note manoscritte coeve al margine alto, e termina con la carta 223 che contiene il colophon; questa carta è stata rimessa, presenta bruniture e lievi fioriture. Il margine in alto, con alone a scomparire sulle prime carte, altrimenti esemplare molto bello, nitido e con buoni margini alcune note coeve a carta 213 e 214. provenienza: Asta Sotheby's Firenze 1982, lotto 34. * H.C. 6482; *IGI 3629; * Goff D 4 … [Click Below for Full Description]
Bookseller: Libri Antichi e Rari Francesco&Claudia
2018-01-28 17:37:09
Holzschnitt, um 1480, 6 x 9 cm (Darstellung); 8 x 9 cm (Blattgröße). Vgl. Schmauderer, Der Chemiker im Wandel der Zeiten, 1973, S.22. - Illustration aus: Der Antichrist und die Fünfzehn Zeichen vor dem Jüngsten Gericht. - Sehr frühe Darstellung einer chemischen Werkstatt. - Bis an die Einfasslinie beschnitten. Versand D: 6,00 EUR Berufe, Alchemie, Chemiker, Gold, Waagen
Bookseller: Antiquariat Bierl
2018-01-28 17:37:09
- Holzschnitt, um 1480, 6 x 9 cm (Darstellung); 8 x 9 cm (Blattgröße). Vgl. Schmauderer, Der Chemiker im Wandel der Zeiten, 1973, S.22. - Illustration aus: Der Antichrist und die Fünfzehn Zeichen vor dem Jüngsten Gericht. - Sehr frühe Darstellung einer chemischen Werkstatt. - Bis an die Einfasslinie beschnitten.
Bookseller: Peter Bierl Buch- & Kunstantiquariat
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2018-01-24 11:06:37
Holzschnitt, um 1480, 6 x 9 cm (Darstellung) 8 x 9 cm (Blattgröße). Vgl. Schmauderer, Der Chemiker im Wandel der Zeiten, 1973, S.22. - Illustration aus: Der Antichrist und die Fünfzehn Zeichen vor dem Jüngsten Gericht. - Sehr frühe Darstellung einer chemischen Werkstatt. - Bis an die Einfasslinie beschnitten. Berufe, Alchemie, Chemiker, Gold, Waagen
Bookseller: Buch- und Kunstantiquariat
2018-01-13 15:43:28
Grabador: Anónimo, Dibujante:de Sancio, Rafael
Italia. ANÓNIMO; copia de MARCANTONIO RAIMONDI (ca. 1480 - ca. 1534) (grabado); RAFAEL DI SANZIO (1483-1520) (dibujo) Buen estado de conservación. Falta en margen inferior de la imagen. Cortado cerca de la huella. Siglo: XVI.Buril. Papel verjurado con filigrana. Grabador: Anónimo. Dibujante: de Sancio, Rafael. Primer cuarto siglo XVI. Altura papelt: 214. Anchura papel: 106. Altura plancha:. Anchura plancha:
Bookseller: Palau Antiguitats [Barcelona, Spain]
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2017-12-15 16:26:00
Renaut de Montauban - Eugène, Grasset - Charles Gillot
1480. 4, 8 Bl., 224 S., 8 Bl., Privat-Ldr. mit beigebundene Deckel und Rücken, Etwas berieben, min. angeschmutzt, innen sauber Text franz. Illustré de compositions en couleur par Eugène Grasset. Gravure et impression par Charles Gillot. - Es ist eine wirkungsmächtige Erzählung von den Abenteuern der vier Haimonskinder aus dem Bereich der Geschichten um Karl den Großen. Die Erzählung hat eine internationale Verbreitung gefunden, bei der Texte aus Frankreich, den Niederlanden, England, Skandinavien, Italien, Spanien, Flandern und Portugal in vielen Varianten und Sprachen entstanden, und die den jeweiligen Umständen, besonders auch in der Renaissance bis weit in das 19. Jahrhundert, angepasst wurden. Diese Literatur des Hochmittelalters wurde entscheidend durch die Erfindung des Buchdruckes gefördert und ihre ritterlichen Helden sind vergleichbar mit jenen aus der Artustradition. Zu Beginn dieser lange überlieferten Tradition steht der altfranzösische Versroman (Heldenlied) Renaut de Montauban aus dem späten 12. Jahrhundert, bzw. einer der wenigen identifizierten französischen Chanson de geste (La Chanson de Quatre Fils Aymons im 15. Jahrhundert entstanden Prosafassungen erste frz. Drucke: Lyon um 1480 Paris 1506). Geschildert wird mit epischen Motiven des Mittelalters eine Auseinandersetzung zwischen dem Kaiser und seinem Vasall, der Widerstand mächtiger Adelsgeschlechter des Karolingerreiches - hier Haimon von Dordogne und seiner Familie, die dem König Karl Vasallentreue geschworen haben - gegen die Zentralisierungsbestrebungen Karls des Großen, der die karolingische Reichsb … [Click Below for Full Description]
Bookseller: antiquariat peter petrej [Switzerland]
2017-12-04 00:18:15
Guevara, Antonio de
...erlä utert [...]. - Des spanischen Schriftstellers und Historikers Antonio de Guevaras (1480-1545) mehrfach aufgelegtes und vielfach übersetztes Werk, hier eine Mischauflage vorliegend, VD17 824:723262W, VD17 39:134620 G. - Der zweite Teil mit dem Titel "Deß Bergs Calvariae, Ander Theil. Darinn die Sieben letzte Wort welche der sohn Gottes geredt hat am Stammen deß Creutzes Mit sambt vilen Figuren der H. Schrifft erklert auch allerhandt andechtige contemplationes und schöne exclamationes eingefürt werden." - Berieben und bestoßen sowie etwas fleckig, das Pergament an Ecken und Kanten teils aufgeplatzt, innen sauber, insgesamt recht gutes Exemplar.
Bookseller: Antiquariat Tautenhahn [Germany]
2017-11-22 18:59:41
BOOKS OF HOURS, USE OF TOURNAI
Bookseller: Sokol Books Limited [GB]
2017-11-13 05:12:45
LI YANG
paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback Pages Number: 1480 Language: Chinese. English in the English translation of the first set of pro forma textbooks. Translation is the most profound and thorough understanding! This is the first set with a recording pro forma materials! Listen to the best language sense! It is also a best spoken textbook! Familiar with this set of teaching materials to the United States to study at a foreign company to work! Familiar with this set of materials can also help you pass the entrance exami... Satisfaction guaranteed,or money back.
Bookseller: cninternationalseller [China]
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2017-11-12 10:17:58
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
c. 1480, France - 150 x 105 mm. (6 x 4 1/8"). Attractively matted and framed. Three-line initial "D" inhabited by the image of a skull, A FULL-PAGE MINIATURE depicting Job sitting on a dung heap in front of a ruined house, talking with three men, and with an emaciated body at the foot of the scene, framed by two gold columns See: Avril and Reynaud, "Les Manuscrits a Peintures en France," pp. 326-7. Significant rubbing to the paint in the bottom portion of the leaf on the right and beneath the text (including the corpse), a few small smudges and chips of paint here and there (mostly negligible), otherwise a well-preserved specimen, the paint in the main scene thick and rich. This miniature, attributed to a prolific artist with ties to the famed "Très Riches Heures" of the Duc de Berry, displays a complex array of imagery. Unlike the other sections of a Book of Hours, which were often truncated and simplified for a lay audience, the Office of the Dead contains the exact same cycle of prayers found in the liturgy of the Church. The nine lessons found therein all come from the book of Job, making illustrations of his story a particularly apt choice to accompany this section. This particular scene shows Job at his lowest point, having lost his family and riches, emaciated, covered in nothing but a loincloth, and sitting upon a dung heap. Although the artist chose not to show the boils and sores that he would have been suffering at this moment, the direness of his situation is clear. At the right stand three men, the richness of their attire a stark contrast to Job's nakedness, w … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA)
2017-11-11 19:39:33
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
France: , c. 1480. France, c. 1480. This miniature, attributed to a prolific artist with ties to the famed "Très Riches Heures" of the Duc de Berry, displays a complex array of imagery. Unlike the other sections of a Book of Hours, which were often truncated and simplified for a lay audience, the Office of the Dead contains the exact same cycle of prayers found in the liturgy of the Church. The nine lessons found therein all come from the book of Job, making illustrations of his story a particularly apt choice to accompany this section. This particular scene shows Job at his lowest point, having lost his family and riches, emaciated, covered in nothing but a loincloth, and sitting upon a dung heap. Although the artist chose not to show the boils and sores that he would have been suffering at this moment, the direness of his situation is clear. At the right stand three men, the richness of their attire a stark contrast to Job's nakedness, who have come to counsel and comfort their friend. Interestingly, beneath the opening line of text that appears in this miniature are the skeletal remains of a body along with a second skull. While images of corpses frequently occur in miniatures depicting funeral rites and burials, it is unusual to find such imagery in a miniature devoted to quite another subject altogether (let alone one with a prescribed Biblical text on which to draw). With the additional skull in the initial, one will notice that there are three in total; might they, along with the three friends depicted above, be an allusion to the Three Living and Three Dead? … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [US]
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2017-11-11 19:39:33
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [US]
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2017-11-08 16:03:19
AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF JOB ON THE DUNG HEAP, FROM A BOOK OF HOURS IN LATIN
France, c. 1480. This miniature, attributed to a prolific artist with ties to the famed "Très Riches Heures" of the Duc de Berry, displays a complex array of imagery. Unlike the other sections of a Book of Hours, which were often truncated and simplified for a lay audience, the Office of the Dead contains the exact same cycle of prayers found in the liturgy of the Church. The nine lessons found therein all come from the book of Job, making illustrations of his story a particularly apt choice to accompany this section. This particular scene shows Job at his lowest point, having lost his family and riches, emaciated, covered in nothing but a loincloth, and sitting upon a dung heap. Although the artist chose not to show the boils and sores that he would have been suffering at this moment, the direness of his situation is clear. At the right stand three men, the richness of their attire a stark contrast to Job's nakedness, who have come to counsel and comfort their friend. Interestingly, beneath the opening line of text that appears in this miniature are the skeletal remains of a body along with a second skull. While images of corpses frequently occur in miniatures depicting funeral rites and burials, it is unusual to find such imagery in a miniature devoted to quite another subject altogether (let alone one with a prescribed Biblical text on which to draw). With the additional skull in the initial, one will notice that there are three in total; might they, along with the three friends depicted above, be an allusion to the Three Living and Three Dead? The miniature can be attr … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2017-11-02 13:32:43
Sauermost, Rolf [Projektleitung] Freudig, Doris [Redaktion]
Saubere Exemplare mit nur sehr geringen Lese-/Lagerspuren. Lieferumfang: Alle 15 Einzelbände (14 Bände und der Registerband) der Gesamtausgabe Buch. Band 1: ISBN 382740326X, 452 Seiten, 1480 Gramm, von 1999 / Band 2: ISBN 3827403278, 497 Seiten, 1556 Gramm, von 1999 / Band 3: ISBN 3827403286, 490 Seiten, 1576 Gramm, von 2000 / Band 4: ISBN 3827403292, 490 Seiten, 1564 Gramm, von 2000 / Band 5: ISBN 3827403308, 488 Seiten, 1568 Gramm, von 2000 / Band 6: ISBN 3827403316, 497 Seiten, 1601 Gramm, von 2001 / Band 7: ISBN 3827403324, 506 Seiten, 1598 Gramm, von 2001 / Band 8: ISBN 3827403332, 506 Seiten, 1611 Gramm, von 2002 / Band 9: ISBN 3827403324, 514 Seiten, 1633 Gramm, von 2002 / Band 10: ISBN 3827403359, 506 Seiten, 1595 Gramm, von 2002 / Band 11: ISBN 3827403367, 506 Seiten, 1627 Gramm, von 2003 / Band 12: ISBN 3827403375, 505 Seiten, 1628 Gramm, von 2003 / Band 13: ISBN 3827403383, 506 Seiten, 1636 Gramm, von 2004 / Band 14: ISBN 3827403391, 513 Seiten, 1657 Gramm, von 2004 / Band 15: (Register) ISBN 3827403405, 499 Seiten, 1576 Gramm, von 2004. Jeweils im einfachen Pappschuber. Mit zahlreichen zumeist schwarzweißen Abbildungen im Text und mit zumeist farbigen Abbildungen auf Bildseiten. ISBN-10: 3827403200. EAN/ISBN-13: 9783827403209. Kostenloser und schneller Versand als DHL Paket mit Sendungsverfolgung!
Bookseller: exlibris24 Versandantiquariat Inhaber:
2017-10-30 18:59:13
1480. Antique print, titled: 'Violante, Figlia di Jacopo Palma il Vecchio.' - A portrait of Violante, daughter of Jacopo Palma il Vecchio. Palma il Vecchio (ca. 1480-1528), born Jacopo Palma and also known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. Engraving on hand laid paper. Description: Published in Venice, 1835.Artists and Engravers: Made by 'Galgano Cipriani' after 'Teodore Malteini after Paris Bordone'. Galgano Cipriani (1775-ca. 1857) was an Italian engraver from Siena. He was a pupil of Raphael Morghen. He became a professor at the Naples and Venice Academies. He was the brotehr of Giovanni Battista and Barbato. Paris Bordon (or Paris Paschalinus Bordone; 1500-1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of mannerist complexity and provincial vigor. Condition: Very good, given age. Margin cropped to or over the plate mark. Vague horizontal fold in middle, vidible on rear. Rear blank. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LATPC-B4-08 The overall size is ca. 12.6 x 19.4 inch. The image size is ca. 10.5 x 16.6 inch. The overall size is ca. 32 x 49.3 cm. The image size is ca. 26.6 x 42.1 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-26 22:57:37
Durandus Guillelmus (Duranti - Durante)
Vicenza: Hermanus Lichtenstein, 1480. Vicenza: Hermanus Lichtenstein. [400 incunabolo Vicenza](cm. 28.5 x 20.2) Ottima piena pergamena XVIII secolo, titolo manoscritto al dorso. -cc. 220 non numerate (di 224), carattere gotico, 58 linee 2 colonne, spazi per capitali con letterina guida. mancano solo le prime 2 carte di testo, non segnate, la successiva bianca A1, e l'ultima O6 anch'essa bianca. Seconda edizione stampata a Vicenza (prima 1478) di questa opera che ebbe uno straordinario successo, solo nel 400 si conoscono più di 30 edizioni!!! Descrive con cura la liturgia del tempo, il rito romano, spiega i vari significati allegorici ed è considerata una pietra miliare della liturgia del tardo medioevo; simbolismo, riti, paramenti ecc... L'"editio princeps" è uno dei libri più famosi al mondo, stampato nel 1459 a Magonza dal fust e Schoeffer, e considerato daH. P. Kraus, nella sua autobiografia, uno dei libri più belli e perfetti che esistono. Una copia straordinaria è apparsa in vendita nel 2012 a 750.000 euro, nel catalogo di una nota libreria antiquaria di londra che propone 75 incunaboli da sogno. Complessivamente alla nostra copia mancano 2 carte di testo e 2 carte bianche. Inizia con carta A2 presente, con 2 note manoscritte coeve al margine alto, e termina con la carta 223 che contiene il colophon; questa carta è stata rimessa, presenta bruniture e lievi fioriture. Il margine in alto, con alone a scomparire sulle prime carte, altrimenti esemplare molto bello, nitido e con buoni margini alcune note coeve a carta 213 e 214. provenienza: Asta Sotheby's Firenze 1982, lot … [Click Below for Full Description]
Bookseller: Libri antichi e rari Francesco e Claudia [Italy]
Check availability:
2017-10-25 12:51:28
Bookseller: Libreria Antiquaria Mediolanum [IT]
2017-10-24 05:29:51
BOOK OF HOURS (USE OF GEERT GROTE)
1480. A COLLABORATION BETWEEN THE ASSUMPTION MASTER AND THE RARE MONKEY MASTER, WITH COLORFUL, HIGHLY CONTRASTED ILLUSTRATION AND RICH MARGINAL DETAIL. Illuminated manuscript on parchment, in Dutch, The Netherlands, South Holland, c. 1480-90. Dimensions 130 x 100 mm. 327 ff., written in Dutch in a GOTHIC BOOKHAND by several scribes, 2- TO 3-LINE INITIALS in brown touched with gold, 3- TO 6-LINE INITIALS in gold set on red, 7-LINE INITIALS in gold, blue, red, orange, green, and violet paint, touched with white, FULL PAGE MINIATURES on inserted singletons with arched compartments painted in blue, red, green, purple, and orange, with burnished gold, set on PAINTED BORDERS. BINDING: Bound in a near-contemporary (16th century) blind-tooled paneled calf binding with six raised bands, both clasps and front hardware lost. ILLUSTRATION It includes seven miniatures by the Assumption Master and charming borders by an exceedingly rare artist, the so-called Monkey Master (or Master of the Anecdotal Monkeys). He takes his name from the monkeys that cavort in many of his borders. His style is further characterized by the presence of many other drolleries in his densely filled borders – foxes and dogs with cowls, peacocks, etc. – as well as the bulbous eggplant-like ("aubergine") forms. His richly colored palette is strong and highly contrasted, and his style of drawing is sharp and linear. This is a key work by an artist, the Monkey Master, known in a small group of manuscripts of which only two contain miniatures. The seven miniatures in the present manuscript more than double th … [Click Below for Full Description]
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
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2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
A COLLABORATION BETWEEN THE ASSUMPTION MASTER AND THE RARE MONKEY MASTER, WITH COLORFUL, HIGHLY CONTRASTED ILLUSTRATION AND RICH MARGINAL DETAIL. Illuminated manuscript on parchment, in Dutch, The Netherlands, South Holland, c. 1480-90. Dimensions 130 x 100 mm. 327 ff., written in Dutch in a GOTHIC BOOKHAND by several scribes, 2- TO 3-LINE INITIALS in brown touched with gold, 3- TO 6-LINE INITIALS in gold set on red, 7-LINE INITIALS in gold, blue, red, orange, green, and violet paint, touched with white, FULL PAGE MINIATURES on inserted singletons with arched compartments painted in blue, red, green, purple, and orange, with burnished gold, set on PAINTED BORDERS. BINDING: Bound in a near-contemporary (16th century) blind-tooled paneled calf binding with six raised bands, both clasps and front hardware lost. ILLUSTRATION It includes seven miniatures by the Assumption Master and charming borders by an exceedingly rare artist, the so-called Monkey Master (or Master of the Anecdotal Monkeys). He takes his name from the monkeys that cavort in many of his borders. His style is further characterized by the presence of many other drolleries in his densely filled borders – foxes and dogs with cowls, peacocks, etc. – as well as the bulbous eggplant-like ("aubergine") forms. His richly colored palette is strong and highly contrasted, and his style of drawing is sharp and linear. This is a key work by an artist, the Monkey Master, known in a small group of manuscripts of which only two contain miniatures. The seven miniatures in the present manuscript more than double the arti … [Click Below for Full Description]
Bookseller: Les Enluminures [US]
Check availability:
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-21 15:33:22
BOOK OF HOURS (USE OF GEERT GROTE)
1480. A COLLABORATION BETWEEN THE ASSUMPTION MASTER AND THE RARE MONKEY MASTER, WITH COLORFUL, HIGHLY CONTRASTED ILLUSTRATION AND RICH MARGINAL DETAIL. Illuminated manuscript on parchment, in Dutch, The Netherlands, South Holland, c. 1480-90. Dimensions 130 x 100 mm. 327 ff., written in Dutch in a GOTHIC BOOKHAND by several scribes, 2- TO 3-LINE INITIALS in brown touched with gold, 3- TO 6-LINE INITIALS in gold set on red, 7-LINE INITIALS in gold, blue, red, orange, green, and violet paint, touched with white, FULL PAGE MINIATURES on inserted singletons with arched compartments painted in blue, red, green, purple, and orange, with burnished gold, set on PAINTED BORDERS. BINDING: Bound in a near-contemporary (16th century) blind-tooled paneled calf binding with six raised bands, both clasps and front hardware lost. ILLUSTRATION It includes seven miniatures by the Assumption Master and charming borders by an exceedingly rare artist, the so-called Monkey Master (or Master of the Anecdotal Monkeys). He takes his name from the monkeys that cavort in many of his borders. His style is further characterized by the presence of many other drolleries in his densely filled borders – foxes and dogs with cowls, peacocks, etc. – as well as the bulbous eggplant-like ("aubergine") forms. His richly colored palette is strong and highly contrasted, and his style of drawing is sharp and linear. This is a key work by an artist, the Monkey Master, known in a small group of manuscripts of which only two contain miniatures. The seven miniatures in the present manuscript more than double th … [Click Below for Full Description]
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2017-10-16 14:35:58
Inkunabeln
Augsburg, Anton Sorg, An der mitwochen vor Mathie des zwelffboten (23. 2.) 1480. Mit zus 301 Bll.: 1 unnum. Bl., 138 num. Bll., 162 num. Bll. - Das unnum. erste Blatt mit blattgr. Holzschnitt (Kreuzigungsszene) recto, 56 Textholzschnitte (jeweils 8 x 8 cm) und 55 gr. Maiblumeninitialen. - Durchgehend Text, Holzschnitte und Initialen in rot rubriziert. Das unnum. Bl. verso mit in rot gedrucktem Text. Manuskriptprgt. des 16. Jhdts. - Blattgr.: 24,9 x 17,3 cm. GW M34102; Goff E78; Schramm IV Abb. 328?335. 337?375; Ce³ E-78; VB 115.5; Sack: Freiburg 2918; ISTC ie00078000 (weist 3 kompl. Exemplare nach: Prag, Seitenstetten, Freiburg i. B. und 2 Fragmente in Berlin und Stuttgart; GW nennt auch ein kompl. Expl. in Berlin). - Zweite Ausgabe des Plenariums, die bei dem produktiven Augsburger Drucker Sorg zwischen 1478 und 1483 erschienen; Plenarien sind Vorläufer der Postillen, die in volkssprachlicher Weise die vollständigen Perikopen des Kirchenjahres wiedergeben. - Ohne die Bindebänder. Das erste Bl. mit dem Holzschnitt im Falz und an der unteren Ecke mit alter Reparatur, recto gebräunt und fleckig. Bll. LXXII-LXXVII im 2. Tl. mit kurzem Wurmgang am oberen weißen Rand, Bl. LXXV dort mit alter Reparatur am Falz und ca. 5 cm Einriss. Nur gelegentlich etwas fleckig, meist recht sauber. Bei der Neubindung im wohl 18. Jhdt. sind einige der wenigen Marginalien leicht beschnitten worden. Insgesamt recht gutes Exemplar der nicht häufigen und schön illustrierten Inkunabel! [7 Warenabbildungen bei antiquariat.de]
Bookseller: Antiquariat Turszynski [Germany]
2017-10-16 14:35:56
Bookseller: Antiquariat Uwe Turszynski [München, Germany]
2017-10-16 14:35:56
Augsburg, Anton Sorg, An der mitwochen vor Mathie des zwelffboten (23. 2.) 1480. Mit zus 301 Bll.: 1 unnum. Bl., 138 num. Bll., 162 num. Bll. - Das unnum. erste Blatt mit blattgr. Holzschnitt (Kreuzigungsszene) recto, 56 Textholzschnitte (jeweils 8 x 8 cm) und 55 gr. Maiblumeninitialen. - Durchgehend Text, Holzschnitte und Initialen in rot rubriziert. Das unnum. Bl. verso mit in rot gedrucktem Text. Manuskriptprgt. des 16. Jhdts. - Blattgr.: 24,9 x 17,3 cm. GW M34102; Goff E78; Schramm IV Abb. 328-335. 337-375; Ce³ E-78; VB 115.5; Sack: Freiburg 2918; ISTC ie00078000 (weist 3 kompl. Exemplare nach: Prag, Seitenstetten, Freiburg i. B. und 2 Fragmente in Berlin und Stuttgart; GW nennt auch ein kompl. Expl. in Berlin). - Zweite Ausgabe des Plenariums, die bei dem produktiven Augsburger Drucker Sorg zwischen 1478 und 1483 erschienen; Plenarien sind Vorläufer der Postillen, die in volkssprachlicher Weise die vollständigen Perikopen des Kirchenjahres wiedergeben. - Ohne die Bindebänder. Das erste Bl. mit dem Holzschnitt im Falz und an der unteren Ecke mit alter Reparatur, recto gebräunt und fleckig. Bll. LXXII-LXXVII im 2. Tl. mit kurzem Wurmgang am oberen weißen Rand, Bl. LXXV dort mit alter Reparatur am Falz und ca. 5 cm Einriss. Nur gelegentlich etwas fleckig, meist recht sauber. Bei der Neubindung im wohl 18. Jhdt. sind einige der wenigen Marginalien leicht beschnitten worden. Insgesamt recht gutes Exemplar der nicht häufigen und schön illustrierten Inkunabel! - - - BITTE UM BEACHTUNG: AUSLIEFERUNG BESTELLTER BÜCHER KANN BETRIEBSBEDINGT ERST AB 14.02.2018 GESCHEHEN!!! - - - P … [Click Below for Full Description]
Bookseller: Antiquariat Turszynski [DE]
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