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Displayed below are some selected recent viaLibri matches for books published in 1480
2020-02-25 20:54:14
VORAGINE Jacques de.
Venise. Antonio de Strata et Marco Catanello. 1480. 1 volume in-folio, plein veau brun, dos ˆ nerfs ornŽ, pice de titre en maroquin rouge. Petits frottements. [183] ff. (sur 184, manque le premier feuillet blanc), a2-10, b-p8, q-r6, r6, s-u8, x6, y8, 6. Edition vŽnitienne incunable de la LŽgende dorŽe de Jacques de Voragine. La LŽgende dorŽe fut rŽdigŽe entre 1261 et 1266 par Jacques de Voragine, Archevque de Gnes, constituant une "mythologie chrŽtienne" composŽe de la vie de 150 Saints. Best seller du Moyen-Age, la LŽgende dorŽe est le reflet du combat du Bien contre le Mal.Belle impression gothique ˆ larges marges de 58 lignes sur 2 colonnes. La premire lettrine de lÕincipit est enluminŽe ˆ lÕor et ornŽe de motifs vŽgŽtaux en partie effacŽs, les autres lettrines et pieds-de-mouches sont alternativement rubriquŽs de rouge ou de bleu dans la tradition vŽnitienne, les majuscules ont ŽtŽ rehaussŽes de jaune. Certaines lettrines bleues ont dŽchargŽes. Bel exemple de la collaboration des imprimeurs Antonio de Strata et Marco Catanello qui nÕa laissŽ que deux ouvrages, cette LŽgende dorŽe Žtant le plus ancien.Exemplaire ˆ belles marges. Petites salissures en marge, a5 petit manque angulaire, a9, restauration de papier en marge, f3 et y3, dŽfaut de papier au bord de la feuille, petite tache sur les derniers feuillets, dernier feuillet doublŽ avec notes manuscrites anciennes effacŽes. Livres [Attributes: Hard Cover]
Bookseller: Librairie Pierre PREVOST [PARIS, France]
2020-02-21 19:15:09
Autun, 1480. 95 feuillets sur vélin. In-4, pleine basane brune, reliure du XVIIe siècle, (22 x 15,5 cm). Ecriture en lettres gothique, lettres dorées rubriquées en rouge ou bleu, initiales à l’or liquide sur fond rouge et bleues, ornés de fleurettes à l’or. Bouts de lignes aux gouaches et à l’or. Description Composition : ff. 1 à 12 : calendrier f. 13 à 18 : extraits des Evangiles Heures de la Vierge ff 19 à 47 : f 50 : Psaumes ff 61 à 85 : Heures alternées de la croix et du saint esprit f 86 : Psaumes pénitentiaux f 90 : Litanies des Saints O’bsecro te PEINTUIRES : Grandes miniatures : f. 13 : S. Jean dans l’île de Patmos f. 62 : Crucifixion f. 66 : Epiphanie f. 77 : Job sur son fumier f. détaché : Déposition de la Croix Petites miniatures : f. 22 : Visitation f. 33 : Nativité f. 37 verso : Annonce faite aux bergers f. 39 verso : Adoration des rois mages f. 43 : Présentation au temple f. 47 : Fuite en Egypte f. 82 verso : Job f. 85 : Couronnement de la Vierge f. 92 verso : Saint Laurent et son grill f. 93 : Saint Antoine entouré de flammes et son cochon f. 94 : Sainte Marie Madeleine sur un fond de rinceau d’or f. 94 verso : Sainte Catherine et sa roue f. 95 : Sainte Barbe et sa tour Tous les feuillets comportent une bordure extérieure composée de rinceaux acanthes fleurs au naturel et un bestiaire d’animaux fantastiques à chaque fois différents. Les marges étant chargées en leur centre d’un animal : oiseau de paradis, paon, perroquet, papillons et escargots, ou d’un grotesque, personnage ou chimère, rehaussés d’un fin treillis d’or. Les peintures sont l’œuvre de deux arti … [Click Below for Full Description]
Bookseller: L'Oeil de Mercure [Paris, France]
2020-02-18 12:26:04
1480. Bound in 3 large folio volumes size - 19 1/2" by 13 1/2" 241 copies exist of this Bible complete- this one is complete Total weight = 71 pounds Adolf Rusch of Strassburg for the Nuremberg Printer A. Koberger The publication of this Bible was the most ambitious printing project of the time. The 1st reference study Bible Requiring cooperation of 3 of the greatest printers of the 15th Century ! Containing the glosses of: Rusch of France carried out the printing on 7 presses, Amerbach of Switzerland provided 1. "Glossa ordinaria" Waldafridus Strabo from the 9th Century the Fonts, and Koberger of Germany saw to its distribution. 2. "Interlinear gloss" from Anselmus Anselm of Laon c.1100 1st Edition printing of a Bible with the Glossa Ordinaria the Church- Sanctioned Commentary on the Bible The paper has the watermark of Rusch Contemporary pigskin leather over wooden boards. 71st Bible evern printed Highest Quality paper ! The 45th Latin Bible printed Metal corners and bosses. Darlow and Moule Reference - Latin Bibles - Bottom of page 911 A HIGHLY IMPORTANT 1st EDITIION and a TYPOGRAPHIC MASTERPIECE ! Red and Blue rubricated throughout with wide margins Metal corners and bosses Contemporary Pigskin leather binding over Wooden Boards Formal appraisal - of $95,000.00 from John Stroud Bookseller upon request.
Bookseller: rarebiblesandmore [Lynchburg, Virginia, US]
2020-02-16 23:08:09
Renaut de Montauban - Eugène, Grasset - Charles Gillot
1480. 4, 8 Bl., 224 S., 8 Bl., Privat-Ldr. mit beigebundene Deckel und Rücken, Etwas berieben, min. angeschmutzt, innen sauber Text franz. Illustré de compositions en couleur par Eugène Grasset. Gravure et impression par Charles Gillot. - Es ist eine wirkungsmächtige Erzählung von den Abenteuern der vier Haimonskinder aus dem Bereich der Geschichten um Karl den Großen. Die Erzählung hat eine internationale Verbreitung gefunden, bei der Texte aus Frankreich, den Niederlanden, England, Skandinavien, Italien, Spanien, Flandern und Portugal in vielen Varianten und Sprachen entstanden, und die den jeweiligen Umständen, besonders auch in der Renaissance bis weit in das 19. Jahrhundert, angepasst wurden. Diese Literatur des Hochmittelalters wurde entscheidend durch die Erfindung des Buchdruckes gefördert und ihre ritterlichen Helden sind vergleichbar mit jenen aus der Artustradition. Zu Beginn dieser lange überlieferten Tradition steht der altfranzösische Versroman (Heldenlied) Renaut de Montauban aus dem späten 12. Jahrhundert, bzw. einer der wenigen identifizierten französischen Chanson de geste (La Chanson de Quatre Fils Aymons im 15. Jahrhundert entstanden Prosafassungen erste frz. Drucke: Lyon um 1480 Paris 1506). Geschildert wird mit epischen Motiven des Mittelalters eine Auseinandersetzung zwischen dem Kaiser und seinem Vasall, der Widerstand mächtiger Adelsgeschlechter des Karolingerreiches - hier Haimon von Dordogne und seiner Familie, die dem König Karl Vasallentreue geschworen haben - gegen die Zentralisierungsbestrebungen Karls des Großen, der die karolingische Reichsb … [Click Below for Full Description]
Bookseller: antiquariat peter petrej [Switzerland]
2020-02-16 11:08:17
1480. Very fine paper quality over 100 GOLD ILLUMINATED Initials throughout. Dated colophon (1480) in a very fine Boxed Binding velvet lined Binding By Derome a very famous French binder only 25 years after the Gutenburg Bible of 1456 4to Incredible Illuminated front page some wear to areas of this page some slight rubbing see pics as best way to describe this Bible from the cradle of printing! 1480 ILLUMINATED RUBRICATED GOLD INCUNABLE BIBLIA BIBLIA SACRA BEAUTIFUL GOLD ILLUMINATION PINK - PURPLES FLOWERS FINE RUBRICATION TABLE AT THE END BINDING BY DEROME A FAMOUS FRENCH BINDER FULL RED MOROCCO FINE GOLD TOOLED SPINE WONDERFUL ENDPAPERS EACH GOLD ILLUMINATED INITIAL HAS VARIOUS DESIGNS, FLOWERS, PEN TRAILS VERY FINELY RUBRICATED AS WELL THE GOLD INITIALS HAVE SOME CRACKING WITHIN THE GOLD, THERE ARE A FEW SCATTERED STAINS NOT MUCH SOILING EXTREMELY FINE PAPER VERY THICK WITH GOLD GILT PAGE EDGES! HAS A FABULOUS HISTORY OF OTHER HIGH-END BOOK COLLECTORS: BRIAN DOUGLAS STILWELL THOMAS PHILIP EARL DE GREY QUITE RARE AND STUNNINGLY BEAUTIFUL THIS IS A 4to QUARTO PRINTED ONLY 24 YEARS AFTER THE GUTENBURG BIBLE! WINNING BIDDER PAYS 39.80 SHIPPING PLUS ACTUAL INSURANCE - OVERNIGHT FEDEX HAPPY BIDDING!
Bookseller: Marcs Rare Bibles (mc-one) [Coweta, Oklahoma, US]
2020-02-11 07:07:27
Dionysius Halicarnassensis
Bernardinus Celerius, 24 or 25 February, 1480. Folio (272 x 192 mm), unsigned: [110 2-78 8-96 10-378 386]; 300 leaves, unnumbered, first leaf blank; leaf 333 with tear in the middle of the text, but no loss; leaves 19-2 and 19-7 in facsimile; occasional contemporary manuscript annotations in ink in the margins; printed catchwords on versos of leaves 12, 14 and 110r; thereafter the same basic pattern, in each quire, of a catchword on versos of the first 3 (in 6's, 2) leaves (sheet catchwords), and the final verso (quire catchword); type 113R, 37 lines, with printed shoulder notes; capital spaces, with guide letters; 17th century full parchment, later maroon morocco label lettered in gilt on spine. In this copy leaf 386r, reads,(all caps): "Lappus Biragus Flor / Impressum Taruisii per Bernardinum Celerium de Luere. Anno chr. Nati. / M. CCCC. LXXX. Bissexto kl. Martias / Ioanne Mocenigo Veneto / rum duce inclyto." "Known in at least 6 issues, frequently mixed: see GW" (ISTC). The translator, Lampugnino Birago, has been variously referred to as Lampo, Lappo or Lapo, and as a result is often confused with Lapo da Castiglionchio il Giovane - thus the attribution of the translation to "Lappus Biragus Florentinus" in editions of this work; see M. Miglio, "Birago, Lampugnino", in Dizionario Biografico degli Italiani. Dionysius of Halicarnassensis (ca. 60 BC to after 7 BC) was a Greek historian and teacher of rhetoric. This history of Rome was his most important work. He also wrote several books on rhetoric and style. GW 8423; Goff D-250; HC 6239; BM-XV Century VI, 895.
Bookseller: Rulon-Miller Books (rulonmillerbooks) [Saint Paul, Minnesota, US]
2020-02-09 10:56:15
1480. Very fine paper quality over 100 GOLD ILLUMINATED Initials throughout. Dated colophon (1480) in a very fine Boxed Binding velvet lined Binding By Derome a very famous French binder only 25 years after the Gutenburg Bible of 1456 4to Incredible Illuminated front page some wear to areas of this page some slight rubbing see pics as best way to describe this Bible from the cradle of printing! 1480 ILLUMINATED RUBRICATED GOLD INCUNABLE BIBLIA BIBLIA SACRA BEAUTIFUL GOLD ILLUMINATION PINK - PURPLES FLOWERS FINE RUBRICATION TABLE AT THE END BINDING BY DEROME A FAMOUS FRENCH BINDER FULL RED MOROCCO FINE GOLD TOOLED SPINE WONDERFUL ENDPAPERS EACH GOLD ILLUMINATED INITIAL HAS VARIOUS DESIGNS, FLOWERS, PEN TRAILS VERY FINELY RUBRICATED AS WELL THE GOLD INITIALS HAVE SOME CRACKING WITHIN THE GOLD, THERE ARE A FEW SCATTERED STAINS NOT MUCH SOILING EXTREMELY FINE PAPER VERY THICK WITH GOLD GILT PAGE EDGES! HAS A FABULOUS HISTORY OF OTHER HIGH-END BOOK COLLECTORS: BRIAN DOUGLAS STILWELL THOMAS PHILIP EARL DE GREY QUITE RARE AND STUNNINGLY BEAUTIFUL THIS IS A 4to QUARTO PRINTED ONLY 24 YEARS AFTER THE GUTENBURG BIBLE! WINNING BIDDER PAYS 39.80 SHIPPING PLUS ACTUAL INSURANCE - OVERNIGHT FEDEX HAPPY BIDDING!
Bookseller: Marcs Rare Bibles (mc-one) [Coweta, Oklahoma, US]
2020-01-27 12:56:08
Anonimo
Niello, 1470-1480 circa, nel nastro svolazzante l’iscrizione "SOL IN DEO SPERO". L’iscrizione consente di identificare il soggetto come un’allegoria della Speranza. La rappresentazione della figura femminile e lo stile molto delicato possono confrontarsi con altri nielli comunemente attribuiti a a Francesco Francia (Hind, Nielli, n. 242 e n. 247). Bella impressione, su carta vergata, due lievi ossidazioni e una piccola piega di carta nella parte inferiore dell’immagine, nel complesso in ottimo stato di conservazione. Niello-print, 1470-1480 circa, inscribed in the flattering banner "SOL IN DEO SPERO". The inscription (Only in God I Hope) identifies the woman as an allegory of Hope. The feautures of the woman and the very delicate, but regular technique compare well with nielli usually attribued to Francesco Francia as: Hind, Nielli, n. 242 and n. 247. Fine impression, printed on laid paper, two small stains and a little paper fold lower in the image, otherwise in very good condition. Bartsch, XIII, p. 61 n. 134; Durazzo, n. 2831; Early Italian Engravings from the National Gallery of Art, p. 536 15 62mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2020-01-25 16:42:08
DURANDUS GUILLELMUS (DURANTI - DURANTE)
Vicenza: Hermanus Lichtenstein, 1480. Vicenza: Hermanus Lichtenstein. [400 incunabolo Vicenza](cm. 28.5 x 20.2) Ottima piena pergamena XVIII secolo, titolo manoscritto al dorso. -cc. 220 non numerate (di 224), carattere gotico, 58 linee 2 colonne, spazi per capitali con letterina guida. mancano solo le prime 2 carte di testo, non segnate, la successiva bianca A1, e l'ultima O6 anch'essa bianca. Seconda edizione stampata a Vicenza (prima 1478) di questa opera che ebbe uno straordinario successo, solo nel 400 si conoscono più di 30 edizioni!!! Descrive con cura la liturgia del tempo, il rito romano, spiega i vari significati allegorici ed è considerata una pietra miliare della liturgia del tardo medioevo; simbolismo, riti, paramenti ecc... L'"editio princeps" è uno dei libri più famosi al mondo, stampato nel 1459 a Magonza dal fust e Schoeffer, e considerato daH. P. Kraus, nella sua autobiografia, uno dei libri più belli e perfetti che esistono. Una copia straordinaria è apparsa in vendita nel 2012 a 750.000 euro, nel catalogo di una nota libreria antiquaria di londra che propone 75 incunaboli da sogno. Complessivamente alla nostra copia mancano 2 carte di testo e 2 carte bianche. Inizia con carta A2 presente, con 2 note manoscritte coeve al margine alto, e termina con la carta 223 che contiene il colophon; questa carta è stata rimessa, presenta bruniture e lievi fioriture. Il margine in alto, con alone a scomparire sulle prime carte, altrimenti esemplare molto bello, nitido e con buoni margini alcune note coeve a carta 213 e 214. provenienza: Asta Sotheby's Firenze 1982, lot … [Click Below for Full Description]
Bookseller: Libri Antichi e Rari Francesco & Claudia di Massai Cl [Italy]
2020-01-23 01:57:47
1480. Condition: Ottime condizioni. Il cofanetto è stato acquistato nel 2000. Da allora è sempre stato riposto in biblioteca ed aperto pochissime, pochissime volte. Non ci sono strappi, macchie, segni, piegature. Scritto probabilmente a Urbino, alla corte di Federico da Montefeltro, attorno al 1480, il trattato del celebre architetto, pittore e scultore senese Francesco di Giorgio Martini (1439- 1502) è un classico della storia dell'architettura rinascimentale italiana. Sulla scia di due filoni principali, l'architettura e l'arte militare, l'opera raccoglie nozioni e disegni che tanto interesse avrebbero suscitato in Leonardo da Vinci. Non a caso il manoscritto, conosciuto come Codice Ashburnham 361, fu di sua proprietà: con ogni probabilità egli lo ricevette direttamente dall'autore a Milano, verso il 1490. Si tratta dell'unico libro giunto fino a noi certamente appartenuto alla biblioteca di Leonardo, che attorno al 1506 lo annotò e impreziosì con disegni e appunti. Proposto per la prima volta in facsimile, il volume è arricchito da quattro fogli inediti, illustrati con 44 disegni a penna di macchine militari antiche e moderne, ritrovati da pochi anni e conservati presso la Biblioteca Municipale di Reggio Emilia. Nota: è possibile richiedere foto aggiuntive o un contatto telefonico per ulteriori informazioni. Cofanetto 268 x 395 x 70 mm con tre volumi rilegati a mano con impressioni in oro: il facsimile del codice, il volume con le trascrizioni ed i commenti di XXVIII-136 pagine ed il volume con la riproduzione in facsimile dei 4 Fogli Reggiani con la relativa trascrizion … [Click Below for Full Description]
Bookseller: avventurosamente_04 [Cisterna di Latina, IT]
2020-01-11 21:08:15
Eusebius Caesariensis
Michael Manzolinus parmensis exactissima impressit diligentia, Tarvisii. 1480 pridie Idus Ianuarias. In-folio (274x175 mm.), carte 108. Segnatura: a10 b-n8/6 o6 p8. Mancanti la prima e ultima carta (bianche). Carattere romano. Bella legatura moderna in stile retrospettivo, piatti su assicelle, dorso in pelle con titolo inciso, fermagli metallici. Strappetti riparati e fori di tarlo alla prima carta, molto buono per il resto. Edizione voltata dal greco al latino da Giorgio di Trebisonda e curata dal poeta e storico Girolamo Bologni (Bononio). E' una raccolta di fatti e citazioni degli antichi scrittori mediante le quali si tende a supporre che il loro spirito fosse già preparato a ricevere la Rivelazione del Cristianesimo. La sua importanza risiede nel fatto di riportare saggi di opere, ora perdute, di celebri filosofi antichi. Bibliografia: Hain-Copinger, 6702. Goff E-121. Proctor, 6474. IGI, 3757. Polain (B) 1432. BMC, VI 888. GW, 9443. Ageno, 28. Olschki, "Monumenta typografica", 664. [Attributes: Hard Cover]
Bookseller: AU SOLEIL D'OR Studio Bibliografico [ACQUI TERME, AL, Italy]
2020-01-05 02:00:39
1480. Very fine paper quality over 100 GOLD ILLUMINATED Initials throughout. Dated colophon (1480) in a very fine Boxed Binding velvet lined Binding By Derome a very famous French binder only 25 years after the Gutenburg Bible of 1456 4to Incredible Illuminated front page some wear to areas of this page some slight rubbing see pics as best way to describe this Bible from the cradle of printing! 1480 ILLUMINATED RUBRICATED GOLD INCUNABLE BIBLIA BIBLIA SACRA BEAUTIFUL GOLD ILLUMINATION PINK - PURPLES FLOWERS FINE RUBRICATION TABLE AT THE END BINDING BY DEROME A FAMOUS FRENCH BINDER FULL RED MOROCCO FINE GOLD TOOLED SPINE WONDERFUL ENDPAPERS EACH GOLD ILLUMINATED INITIAL HAS VARIOUS DESIGNS, FLOWERS, PEN TRAILS VERY FINELY RUBRICATED AS WELL THE GOLD INITIALS HAVE SOME CRACKING WITHIN THE GOLD, THERE ARE A FEW SCATTERED STAINS NOT MUCH SOILING EXTREMELY FINE PAPER VERY THICK WITH GOLD GILT PAGE EDGES! HAS A FABULOUS HISTORY OF OTHER HIGH-END BOOK COLLECTORS: BRIAN DOUGLAS STILWELL THOMAS PHILIP EARL DE GREY QUITE RARE AND STUNNINGLY BEAUTIFUL THIS IS A 4to QUARTO PRINTED ONLY 24 YEARS AFTER THE GUTENBURG BIBLE! WINNING BIDDER PAYS 39.80 SHIPPING PLUS ACTUAL INSURANCE - OVERNIGHT FEDEX HAPPY BIDDING!
Bookseller: Marcs Rare Bibles (mc-one) [Coweta, Oklahoma, US]
2020-01-01 10:02:03
Von Alessandro Ballarin. Padua 1995.
1480. Eine umfangreiche, hervorragend bebilderte Prachtdarstellung der ferraresischen Malerei der Spätrenaissance, deren bedeutendster Vertreter Dosso Dossi (1480-1592) ist. Die Epoche brachte unzählige herausragende Werke hervor, die heute in alle Welt verstreut sind. Die exzellent konzipierte Publikation präsentiert in ihrem umfassenden Anspruch dabei nicht nur Werke von Dosso Dossi und Battista Dossi, sondern darüber hinaus von weiteren bedeutenden Künstlern der Zeit wie Boccaccio Boccaccino, Lorenzo Costa, Ercole de« Roberti, Niccolo Pisano oder Girolamo da Carpi. Die zweibändige Publikation beinhaltet eine umfassende, chronologisch von 1409 bis in die Gegenwart reichende Bibliografie aus. Mit detailliertem Personen - sowie Standortverzeichnis der Werke. (Text ital.) 25 x 34 cm, 2 Bände zus. 858 S., 1264 Abb., davon 205 in Farbe, Ln. im Schmuckschuber.
Bookseller: Frölich und Kaufmann [Berlin, Germany]
2019-12-31 02:41:14
SOLINUS, C Julius
Parma, Italy: Andreas Portilia, 20 December 1480. 1480 Solinus Polyhistor Geography + Tale of Two Lovers Piccolomini Incunable 2in1Two separate incunabula works bound as one!Gaius Julius Solinus was a 3rd-century historian who is best remembered for his landmark work of geography - 'Polyhistor'. This work, which was originally known as 'Wonders of the World', is a description of mysteries in the ancient world, commentary on social customs and religion, and notable historical events. However, much of Solinus's work comes directly from Pliny's 'Natural History'. And while Pliny's work is much more well-known and popular today, Solinus's 'Polyhistor' proved to be one of the fundamental works of cartography and navigation throughout the earliest ages of printing.Notes on printing: According to the British Museum Catalogue, "The true date of this book is perhaps rather about the turn of 1480 than late in 1480." _______________'De Duobus Amantibus', or 'Tale of Two Lovers' was one of the most popular and well-known books of the 15th-century. Written by Aeneas Piccolomini, it was one of the earliest examples of an erotic novel, and perhaps the only that would be written by a future pope (Piccolomini eventually become Pope Pius II).Item number: #9823Price: $3500SOLINUS, C Julius[Polyhistor] Cai Iulii Solini reru[m] memorabilium collectaneæ. Solin[us] Aue[n]tino salute[m].[Parma, Italy]: [Andreas Portilia], [20 December 1480]Details: · Collation: o 'Polyhistor' - a⁴ b-i⁸ K⁸ l-m⁸ n¹° Lacking: a1-4, b4-5, c6-d2 [includes manuscript title page]o 'Amantibus' - 8 leaves presen … [Click Below for Full Description]
Bookseller: Schilb Antiquarian Rare Books [United States]
Check availability:
2019-12-30 22:31:29
SOLINUS, C Julius
Andreas Portilia. 1480 Solinus Polyhistor Geography + Tale of Two Lovers Piccolomini Incunable 2in1 Two separate incunabula works bound as one! Gaius Julius Solinus was a 3rd-century historian who is best remembered for his landmark work of geography Polyhistor . This work, which was originally known as Wonders of the World , is a description of mysteries in the ancient world, commentary on social customs and religion, and notable historical events. However, much of Solinus s work comes directly from Pliny s Natural History . And while Pliny s work is much more well-known and popular today, Solinus s Polyhistor proved to be one of the fundamental works of cartography and navigation throughout the earliest ages of printing. Notes on printing: According to the British Museum Catalogue, The true date of this book is perhaps rather about the turn of 1480 than late in 1480. _______________ De Duobus Amantibus , or Tale of Two Lovers was one of the most popular and well-known books of the 15th-century. Written by Aeneas Piccolomini, it was one of the earliest examples of an erotic novel, and perhaps the only that would be written by a future pope (Piccolomini eventually become Pope Pius II). Item number: #9823 Price: $3500 SOLINUS, C Julius [Polyhistor] Cai Iulii Solini reru[m] memorabilium collectaneæ. Solin[us] Aue[n]tino salute[m]. [Parma, Italy]: [Andreas Portilia], [20 December 1480] Details: Collation: Polyhistor a b-i K l-m n¹° Lacking: a1-4, b4-5, c6-d2 [includes manuscript title page] Amantibus 8 leaves present Imprint: [Rome: Johannes Bulle, about 1480] Lacking 12 of 20 … [Click Below for Full Description]
Bookseller: Schilb Antiquarian [Columbia, MO, U.S.A.]
2019-12-18 10:30:18
Pope Gregory
Very Good to Excellent for age. 1480, Gregorio I. Moralia, sive Expositio in JobVERY RARE !!!!1480 Gregorio I. Moralia, sive Expositio in Job. Venezia, Reynaldus de Novimagio 1480 St. Gregory's exposition on the Book of Job. His longest work, he begins with its literal meaning before moving on to mystical and allegorical interpretations. It became summa of moral ascetism and mysticism of the Middle Ages and beyond.38 initials in blue, red and purple, one with the letter "R" on 16 lines, miniate emblem on the back on the front of the page c2, specimen completely red and blue, text printed on 2 columns, 55 lines for page,Back binding in parchment with claw, gold title on smooth back gusset. Partially annotated copy by ancient hand of this important treatise edited by Bartolomeo da Cremona.As already the edition of 1475 contains the indication on the edition, "Placuit ... deo his nostris temporis novam artem docere homines, ut perimpressionem caracterum facillima esset scriptio librorum, adeo ut a tribus hominibus solum tres menses laborantibus for impressionem forma sint horum moralium trecenta voluminaCondition Report 1480. In 2° 12.9 x 8.7 (324 x 223 mm); [348] pages. 38 iniziali rubricate in blu, rosso e viola di cui uno con la lettera "R" su 16 righe, stemma miniato di data posteriore sul recto della carta c2, esemplare completamente rubricato in rosso e blu, testo stampato su 2 colonne, 55 righe per pagina (restauro al margine superiore della prima carta con perdita di qualche lettera, restauro al margine bianco Any Questions Contact us at: Go to Contact and look under s … [Click Below for Full Description]
Bookseller: myfavorites (smartbuydiscounts) [Richmond, Virginia, US]
2019-12-16 21:11:02
MONTE, Petrus de
Padua: Johannes Herbort, de Seligenstadt, 16 Nov. 1480. 1480 HUGE FOLIO INCUNABLE Pietro Monte LAW Dictionary Repertorium Padua Venice Pietro del Monte was a 15th-century Venetian jurist who is best remembered for his massive law dictionary. This book was without question a culmination of his expertise on Canonic and Roman Law. In it, Monte covered ecclesiastical law interspersed with his commentary on the influence of Roman Law on Europe, specifically Italy. He defended the papacy and, in his dictionary, leaned heavily on supporting the Pope - perhaps because he was the papal collector in the mid-1400s.Item number: #9894Price: $7500MONTE, Petrus deRepertorium utriusque iuris. Ed: Comes de AlvarotisPadua: Johannes Herbort, de Seligenstadt, 16 Nov. 1480.Details: · Foliation - collated entirely complete with all pageso 282 leaveso Signatures: (mn)8 n-y8 z10 [et]8 A-L8 N-Z8 Final blank present· References: ISTC im00844000; Goff M844; HC 11589; Proctor 6802; GW M 25372; · Provenance: Bookplateo Western Reserve Historical Society - Charles O. Scott· Language: English · Binding: Vellum; tight & secure· Size: ~17in X 11.5in (43.5cm x 29cm)Our Guarantee:Very Fast. Very Safe. Free Shipping Worldwide.Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation!9894Photos available upon request.
Bookseller: Schilb Antiquarian Rare Books [United States]
2019-12-16 07:03:52
1480. Very fine paper quality over 100 GOLD ILLUMINATED Initials throughout. Dated colophon (1480) in a very fine Boxed Binding velvet lined Binding By Derome a very famous French binder only 25 years after the Gutenburg Bible of 1456 4to Incredible Illuminated front page some wear to areas of this page some slight rubbing see pics as best way to describe this Bible from the cradle of printing! 1480 ILLUMINATED RUBRICATED GOLD INCUNABLE BIBLIA BIBLIA SACRA BEAUTIFUL GOLD ILLUMINATION PINK - PURPLES FLOWERS FINE RUBRICATION TABLE AT THE END BINDING BY DEROME A FAMOUS FRENCH BINDER FULL RED MOROCCO FINE GOLD TOOLED SPINE WONDERFUL ENDPAPERS EACH GOLD ILLUMINATED INITIAL HAS VARIOUS DESIGNS, FLOWERS, PEN TRAILS VERY FINELY RUBRICATED AS WELL THE GOLD INITIALS HAVE SOME CRACKING WITHIN THE GOLD, THERE ARE A FEW SCATTERED STAINS NOT MUCH SOILING EXTREMELY FINE PAPER VERY THICK WITH GOLD GILT PAGE EDGES! HAS A FABULOUS HISTORY OF OTHER HIGH-END BOOK COLLECTORS: BRIAN DOUGLAS STILWELL THOMAS PHILIP EARL DE GREY QUITE RARE AND STUNNINGLY BEAUTIFUL THIS IS A 4to QUARTO PRINTED ONLY 24 YEARS AFTER THE GUTENBURG BIBLE! WINNING BIDDER PAYS 39.80 SHIPPING PLUS ACTUAL INSURANCE - OVERNIGHT FEDEX HAPPY BIDDING!
Bookseller: Marcs Rare Bibles (mc-one) [Coweta, Oklahoma, US]
2019-11-08 03:11:23
1480. Der Arzt aus dem "Glöckner von Notre-Dame" The royal physician from "The Hunchback of Notre Dame" COITIER, Jacques (1430-1506), französischer Mediziner, Leibarzt von König Ludwig IX. Brief m. eigh. U., Paris, 14. Juli 1480. Französische Handschrift auf Papier, 1 S. auf 1 Bl., c. 21,5 x 18 cm, Ränder beschnitten, hinterlegt, leicht angefleckt. An die Pariser Rechnungskammer, der er mitteilt, dass ihm der König als Entschädigung für die 500 Livres tournois, die ihm der Schatzmeister von Carcassonne, Arnoult Lullier noch schulde, die Hälfte der Schulden von Antoine Riboteau übertragen habe. Dieser war zur Zahlung des Soldes der Franc-archers der Chamapgne nach Langres geschickt worden, um die Zahlung des Halbjahressoldes für 1479 unter der Aufsicht des Franc-archers-Generals, Marschall Jean de Baudricourt (1435-1499) vorzunehmen, hatte das Geld jedoch veruntreut und war nun flüchtig. Coitier fordert die Rechnungskammer auf, das schuldige Geld einzutreiben, damit der König und er zu ihren Rechten kämen. Die Franc-archers waren die erste stehende Infanterie in Frankreich, die in Anbetracht der französischen Niederlagen gegen leichte englische Schützen (Crécy und Azincourt) 1448 aufgestellt, aber nach dem Schlachtdebakel bei Guinegate bereits 1479 wieder aufgelöst wurden. Coitier war nicht nur Leibarzt, sondern auch ein enger Vertrauter von König Ludwig IX. Die im vorliegenden Dokument bezeugte Schenkung einer solch beträchtlichen Summe - die Hälfte des Halbjahressolds für mehrere Tausend Soldaten - zeigt deutlich, wie groß die königliche Gunst war, die Coitier genoss. Coit … [Click Below for Full Description]
Bookseller: manuscryptum [Berlin, DE]
2019-10-27 02:02:37
1480. Very fine paper quality over 100 GOLD ILLUMINATED Initials throughout. Dated colophon (1480) in a very fine Boxed Binding velvet lined Binding By Derome a very famous French binder only 25 years after the Gutenburg Bible of 1456 4to Incredible Illuminated front page some wear to areas of this page some slight rubbing see pics as best way to describe this Bible from the cradle of printing! 1480 ILLUMINATED RUBRICATED GOLD INCUNABLE BIBLIA BIBLIA SACRA BEAUTIFUL GOLD ILLUMINATION PINK - PURPLES FLOWERS FINE RUBRICATION TABLE AT THE END BINDING BY DEROME A FAMOUS FRENCH BINDER FULL RED MOROCCO FINE GOLD TOOLED SPINE WONDERFUL ENDPAPERS EACH GOLD ILLUMINATED INITIAL HAS VARIOUS DESIGNS, FLOWERS, PEN TRAILS VERY FINELY RUBRICATED AS WELL THE GOLD INITIALS HAVE SOME CRACKING WITHIN THE GOLD, THERE ARE A FEW SCATTERED STAINS NOT MUCH SOILING EXTREMELY FINE PAPER VERY THICK WITH GOLD GILT PAGE EDGES! HAS A FABULOUS HISTORY OF OTHER HIGH-END BOOK COLLECTORS: BRIAN DOUGLAS STILWELL THOMAS PHILIP EARL DE GREY QUITE RARE AND STUNNINGLY BEAUTIFUL THIS IS A 4to QUARTO PRINTED ONLY 24 YEARS AFTER THE GUTENBURG BIBLE! WINNING BIDDER PAYS 39.80 SHIPPING PLUS ACTUAL INSURANCE - OVERNIGHT FEDEX HAPPY BIDDING!
Bookseller: Marcs Rare Bibles (mc-one) [Coweta, Oklahoma, US]
2019-10-02 06:33:15
AN ILLUMINATED VELLUM MANUSCRIPT LEAF FROM A BOOK OF HOURS IN LATIN, WITH AN HISTORIATED INITIAL OF KING DAVID PLAYING THE HARP
Italy: , mid-15th century, 1480. Italy, mid-15th century. This exceedingly beautiful Italian leaf, blooming with burnished gold and vibrant color, features an unusually large historiated initial by Ser Ricciardo di Nanni, a particularly skilled illuminator patronized by the Medicis and known to have worked on several notable illuminated manuscripts from the middle of the 15th century to about 1480. Favored by Piero and Giovanni de' Medici, for whom he supplied illuminations of mostly classical texts, di Nanni also worked for their father Cosimo, contributing his brush to some of the most stunning choir books ever produced. The quality of di Nanni's output positions him among the best manuscript artists of the period, and his illuminations appear in some of the world's finest collections, including the Getty, the Morgan Library, and the Fitzwilliam Museum. According to Christie's, "His style is supremely confident, fluid and appealing." His figures are "subtly modelled with washes of varying opacity and tone. People of all ages and sexes have large, heavily lidded eyes, sombre expressions--even the putti--and make tender, expressive gestures." The present leaf is an excellent example of this style: David's solemn expression is accentuated by his heavy eyes, sunken cheekbones, and long, downturned mouth--the personification of penitence. This portrait-like historiation puts the focus entirely on David's visage, asking the viewer to enter into direct dialogue with a figure begging for forgiveness. Besides being obviously beautiful to look at and encouraging the examination of … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [US]
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2019-10-01 18:34:05
AN ILLUMINATED VELLUM MANUSCRIPT LEAF FROM A BOOK OF HOURS IN LATIN, WITH AN HISTORIATED INITIAL OF KING DAVID PLAYING THE HARP
1480. Italy, mid-15th century. This exceedingly beautiful Italian leaf, blooming with burnished gold and vibrant color, features an unusually large historiated initial by Ser Ricciardo di Nanni, a particularly skilled illuminator patronized by the Medicis and known to have worked on several notable illuminated manuscripts from the middle of the 15th century to about 1480. Favored by Piero and Giovanni de' Medici, for whom he supplied illuminations of mostly classical texts, di Nanni also worked for their father Cosimo, contributing his brush to some of the most stunning choir books ever produced. The quality of di Nanni's output positions him among the best manuscript artists of the period, and his illuminations appear in some of the world's finest collections, including the Getty, the Morgan Library, and the Fitzwilliam Museum. According to Christie's, "His style is supremely confident, fluid and appealing." His figures are "subtly modelled with washes of varying opacity and tone. People of all ages and sexes have large, heavily lidded eyes, sombre expressions--even the putti--and make tender, expressive gestures." The present leaf is an excellent example of this style: David's solemn expression is accentuated by his heavy eyes, sunken cheekbones, and long, downturned mouth--the personification of penitence. This portrait-like historiation puts the focus entirely on David's visage, asking the viewer to enter into direct dialogue with a figure begging for forgiveness. Besides being obviously beautiful to look at and encouraging the examination of one's own transgressions, … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2019-09-30 22:40:16
AN ILLUMINATED VELLUM MANUSCRIPT LEAF FROM A BOOK OF HOURS IN LATIN, WITH AN HISTORIATED INITIAL OF KING DAVID PLAYING THE HARP
mid-15th century, Italy, 1480. 134 x 93 mm. (5 1/4 x 3 5/8"). Single column, verso with 14 lines in an elegant gothic rotunda. Rubrics in red, one-line initials in red and blue, A NINE-LINE HISTORIATED INITIAL OF DAVID PLAYING THE HARP, the initial painted blue, green, pink, and burnished gold on gilt ground, with luscious extenders connecting to a FULL BORDER of similarly painted acanthus leaves, flowers, and gold bezants. A short, expertly repaired tear to fore-edge border, a hint of residue along the gutter where it once was bound, a breath of rubbing to burnished gold, but IN OVERALL BEAUTIFUL CONDITION, the paint fresh and vibrant, and THE FIGURE OF DAVID PERFECTLY PRESERVED. This exceedingly beautiful Italian leaf, blooming with burnished gold and vibrant color, features an unusually large historiated initial by Ser Ricciardo di Nanni, a particularly skilled illuminator patronized by the Medicis and known to have worked on several notable illuminated manuscripts from the middle of the 15th century to about 1480. Favored by Piero and Giovanni de' Medici, for whom he supplied illuminations of mostly classical texts, di Nanni also worked for their father Cosimo, contributing his brush to some of the most stunning choir books ever produced. The quality of di Nanni's output positions him among the best manuscript artists of the period, and his illuminations appear in some of the world's finest collections, including the Getty, the Morgan Library, and the Fitzwilliam Museum. According to Christie's, "His style is supremely confident, fluid and appealing." His figures are "s … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA) [McMinnville, OR, U.S.A.]
2019-09-08 02:14:19
BIBLIA LATINA
Nürnberg: Anton Koberger, 1480. 6th Edition. Hardcover. Folio - over 12 - 15" tall. April 14, 1480. Royal folio (370 x 263 mm). 462 (of 468) leaves only, lacking first unfoliated leaf (1)1 plus foliated leaves j-iii, xi and ccclxvi. Gothic type 3:110G, 4:160G; text in double column, 49-53 lines, headline, initial spaces, shoulder notes to Gospels. Collation (unsigned): [112 2-2210 23-246; 25-3610 37-386; 39-4110 42-438; 44-4810; 496]. Colophon on (48)10v: Anno incarnationis dominice. Millesimo quadringentesimo octuagesimo. Mai vero kalen-das. octuaodecimo ... In oppido Nurnbergensis. per Antonius Coburger prefati oppidi incolam industria cuius quam diligentissime fabrefactum... Initials supplied in alternating red and blue ink (a few double-colored and with additional penwork filling), red capital strokes. Bound in 18th-century half pigskin, spine with 5 raised bands and with 2 gilt-lettered labels, boards with some blind ruling, original brass clasps, catches and pigskin latches (light rubbing, upper hinge with partial split towards head of spine). Pasted to inner front-board is a handwritten description in German of this copy and its defects probably dating back to the time it was rebound (early 18th-c). The book received additional thick endpapers at a later stage for reinforecement with the front pastedown excised to show the manuscript text and an old shelf mark ("no. 799"). The text is slightly browned throughout, old damp with some pink mildew has stained several pages towards gutter of the lower margin, some watertaining (stronger on first pages) and lamp-oil smudgi … [Click Below for Full Description]
Bookseller: Milestones of Science Books [Germany]
2019-09-05 14:33:25
Renaut de Montauban - Eugène, Grasset - Charles Gillot
1480. 4, 8 Bl., 224 S., 8 Bl., Privat-Ldr. mit beigebundene Deckel und Rücken, Etwas berieben, min. angeschmutzt, innen sauber Text franz. Illustré de compositions en couleur par Eugène Grasset. Gravure et impression par Charles Gillot. - Es ist eine wirkungsmächtige Erzählung von den Abenteuern der vier Haimonskinder aus dem Bereich der Geschichten um Karl den Großen. Die Erzählung hat eine internationale Verbreitung gefunden, bei der Texte aus Frankreich, den Niederlanden, England, Skandinavien, Italien, Spanien, Flandern und Portugal in vielen Varianten und Sprachen entstanden, und die den jeweiligen Umständen, besonders auch in der Renaissance bis weit in das 19. Jahrhundert, angepasst wurden. Diese Literatur des Hochmittelalters wurde entscheidend durch die Erfindung des Buchdruckes gefördert und ihre ritterlichen Helden sind vergleichbar mit jenen aus der Artustradition. Zu Beginn dieser lange überlieferten Tradition steht der altfranzösische Versroman (Heldenlied) Renaut de Montauban aus dem späten 12. Jahrhundert, bzw. einer der wenigen identifizierten französischen Chanson de geste (La Chanson de Quatre Fils Aymons im 15. Jahrhundert entstanden Prosafassungen erste frz. Drucke: Lyon um 1480 Paris 1506). Geschildert wird mit epischen Motiven des Mittelalters eine Auseinandersetzung zwischen dem Kaiser und seinem Vasall, der Widerstand mächtiger Adelsgeschlechter des Karolingerreiches - hier Haimon von Dordogne und seiner Familie, die dem König Karl Vasallentreue geschworen haben - gegen die Zentralisierungsbestrebungen Karls des Großen, der die karolingische Reichsb … [Click Below for Full Description]
Bookseller: antiquariat peter petrej [Switzerland]
2019-09-03 17:37:02
1480. . . . 1 Vol. . 40 Hojas pp. Cuarto. Pergamino. . Manuscrito sobre papel que recoge los decretos de Pío II y Pablo II concernientes a la Corona de Aragón sobre temas eclesiásticos, políticos, diplomáticos y militares. Es un recopilador muy interesante que ilustra las relaciones entre la Santa Sede y el reino de Aragón. Está enriquecido con numeros ladillos que explican distintas partes del texto. Unas 6 páginas del manuscrito presentan signos de oxidación en las tintas férricas, pero han sido restauradas. El manuscrito está encuadernado con un pergamino datado en el año 1461 que contiene una carta apostólica del Cardenal Roderico, emitida en la Chancillería Pontificia. Además, en las hojas de respeto se observan algunas anotaciones musicales de época y notas de sus antiguos propietarios. Importante pieza para la historia de Aragón. .
Bookseller: Librería Anticuaria Astarloa [Bilbao, Spain]
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2019-08-28 10:38:07
Paris Frankreich: 1480. guter altersgemäßer Zustand, mehr als 500 Jahre alt! Beschreibung / Description Mittelalterliches Manuskriptblatt aus einem reich verzierten Stundenbuch mit 2 prächtigen Miniaturmalereien! Paris, Frankreich, ca. 1480 A.D. Sehr Schönes Unikat aus einem mittelalterlichen Skriptorium! BESCHREIBUNG: - 2 kleine Miniaturmalereien in Gold und Farben - 2 dekorative florale Bordüren - 17-zeiliger Text in brauner und roter Tinte - 1 zweizeilige Initiale in Gold und Farben Größe Pergament: 14,9 x 10,9 cm Miniaturen : 2,8 x 2,3 cm ZUSTAND: - in gutem Zustand - gebräunt, etwas fleckig - Bitte sehen Sie sich die Bilder an! Bitte beachten Sie, dass bei einem Versand außerhalb der EU eine kostenpflichtige (ca. 100,- EUR zusätzlich zum Kaufpreis) Genehmigung nach dem Kulturgutschutzgesetz bei den Staatlichen Kunstsammlungen in Dresden eingeholt werden muss. Verzögerungen beim Versand sind daher nicht vom Verkäufer zu vertreten! Illuminated medieval manuscript folium out of a Book of Hours with two small splendid miniatures! Made in France, Paris, ca. 1480 A.D. DESCRIPTION: - 2 small miniature paintings in gold and colours - decorative floral border - 17 lines text in brown and ink - 1 2-lined initial in gold and colours Size of leaf app.: 14.9 x 10.9 cm Miniatures app.: 2.8 x 2.3 cm CONDITION: - in good condition - browned, some stains - Please have a look at the pictures! - Please note: for shipping to NON-EU-Countries a license (about 100,- EUR fees additional to selling price) of "Staatliche Kunstsammlungen" in Dresden is necessary. This may cause a delay which is … [Click Below for Full Description]
Bookseller: antiquariat-kunsthandel [Markkleeberg, DE]
2019-08-23 18:42:30
Dionysius Halicarnassensis
Bernardinus Celerius, 24 or 25 February, Treviso, 1480. Folio (272 x 192 mm), unsigned: [110 2-78 8-96 10-378 386]; 300 leaves, unnumbered, first leaf blank; leaf 333 with tear in the middle of the text, but no loss; leaves 19-2 and 19-7 in facsimile; occasional contemporary manuscript annotations in ink in the margins; printed catchwords on versos of leaves 12, 14 and 110r; thereafter the same basic pattern, in each quire, of a catchword on versos of the first 3 (in 6's, 2) leaves (sheet catchwords), and the final verso (quire catchword); type 113R, 37 lines, with printed shoulder notes; capital spaces, with guide letters; 17th century full parchment, later maroon morocco label lettered in gilt on spine. In this copy leaf 386r, reads,(all caps): "Lappus Biragus Flor / Impressum Taruisii per Bernardinum Celerium de Luere. Anno chr. Nati. / M. CCCC. LXXX. Bissexto kl. Martias / Ioanne Mocenigo Veneto / rum duce inclyto." "Known in at least 6 issues, frequently mixed: see GW" (ISTC). The translator, Lampugnino Birago, has been variously referred to as Lampo, Lappo or Lapo, and as a result is often confused with Lapo da Castiglionchio il Giovane - thus the attribution of the translation to "Lappus Biragus Florentinus" in editions of this work; see M. Miglio, "Birago, Lampugnino", in Dizionario Biografico degli Italiani. Dionysius of Halicarnassensis (ca. 60 BC to after 7 BC) was a Greek historian and teacher of rhetoric. This history of Rome was his most important work. He also wrote several books on rhetoric and style. GW 8423; Goff D-250; HC 6239; BM-XV Century VI, 895. [Att … [Click Below for Full Description]
Bookseller: Rulon-Miller Books (ABAA / ILAB) [St. Paul, MN, U.S.A.]
2019-08-23 16:11:21
Dionysius Halicarnassensis
Treviso: Bernardinus Celerius, 24 or 25 February, 1480. Folio (272 x 192 mm), unsigned: [110 2-78 8-96 10-378 386]; 300 leaves, unnumbered, first leaf blank; leaf 333 with tear in the middle of the text, but no loss; leaves 19-2 and 19-7 in facsimile; occasional contemporary manuscript annotations in ink in the margins; printed catchwords on versos of leaves 12, 14 and 110r; thereafter the same basic pattern, in each quire, of a catchword on versos of the first 3 (in 6's, 2) leaves (sheet catchwords), and the final verso (quire catchword); type 113R, 37 lines, with printed shoulder notes; capital spaces, with guide letters; 17th century full parchment, later maroon morocco label lettered in gilt on spine. In this copy leaf 386r, reads,(all caps): "Lappus Biragus Flor / Impressum Taruisii per Bernardinum Celerium de Luere. Anno chr. Nati. / M. CCCC. LXXX. Bissexto kl. Martias / Ioanne Mocenigo Veneto / rum duce inclyto." "Known in at least 6 issues, frequently mixed: see GW" (ISTC). The translator, Lampugnino Birago, has been variously referred to as Lampo, Lappo or Lapo, and as a result is often confused with Lapo da Castiglionchio il Giovane - thus the attribution of the translation to "Lappus Biragus Florentinus" in editions of this work; see M. Miglio, "Birago, Lampugnino", in Dizionario Biografico degli Italiani. Dionysius of Halicarnassensis (ca. 60 BC to after 7 BC) was a Greek historian and teacher of rhetoric. This history of Rome was his most important work. He also wrote several books on rhetoric and style. GW 8423; Goff D-250; HC 6239; BM-XV Century VI, 895.
Bookseller: Rulon-Miller Books [United States]
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2019-08-21 09:00:29
[Illuminated manuscript leaf on vellum].
France (possibly Maine or Anjou): c. 1480. Single leaf, 162 mm x 110 mm. Slight fading, in an old frame with metal fittings. A finely painted miniature with the use of gold modeling and the cloud of cherubim in the tradition pioneered by Jean Fouquet. § The Virgin and God seated on separate stools in a paneled room, God placing a crown on her head, a host of blue seraphim behind, miniature in an arched compartment above the large initial and three lines of text (opening of Compline) within a full border of colored flowers and acanthus leaves in little rectangles with ground of liquid gold or pale blue or plain vellum.
Bookseller: John Windle Antiquarian Bookseller [US]
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2019-08-21 09:00:29
[Illuminated manuscript leaf on vellum]. Master of Jacques de Besancon.
Paris: c. 1480. 150 cm x 98 cm. Slight wear to inner margin, small hole in text portion. In an elaborate gold frame. § Arch-toped miniature showing the Virgin in blue holding the Child and a fruit, seated on a donkey, Joseph in front with a staff, a maidservant with basket behind, set in a landscape with city, an idol toppling from a column, and a full-page border with sprays of swirling blue and gold acanthus, red, blue and white flowers, on a paneled liquid gold and white ground, inhabited by a duck-faced Grotesque, with four lines of text in gothic bookhand with three-line opening initial with blue and mauve staves against a ground of burnished gold. Though not showing his trademark architectural frames, the subtle drapery folds, porcelain complexions, fine features and especially the fur-like, horizontally banded long runs of hair, in dark gold or gray, as well as the balanced composition, betray the influence, if not the hand, of the Master de Jacques de Besancon, whose dated works range from 1485 to 1498 and who took over both the style and the patrons of his predecessor Maitre Francois, active by 1473. The miniature includes the apocryphal detail from Pseudo-Matthew associated with the Flight into Egypt, showing an idol toppling from its column. On another miniature that survives from the same book, showing the Adoration of the Magi, there is a manger which derives from a model also used by the Master of Jean Rolin in a Nativity around 1450. Jean Rolin was probably the master of Maitre Francois, an artist with whom the Master de Jacques de Besancon has ofte … [Click Below for Full Description]
Bookseller: John Windle Antiquarian Bookseller [US]
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2019-08-21 09:00:29
[Illuminated manuscript leaf on vellum].
Naples: late 15th century. A cutting, 173 mm x 182 mm, with historiated initial 'E' (doubtless the introit 'Ecce advenit... for Mass at Epiphany), 147 mm x 152 mm. Slight spots of rubbing. In an elaborate gold frame. § The Virgin and Child seated on the right with Joseph behind, set among green and yellow hills, painted in full colors and liquid gold, the initial itself in elaborate leafy design in dark red with pink and white heightening entwined with green leaves at the top and bottom, set on a burnished gold ground with colored trefoils in each corner, flecked blue surround, traces of text and music to the right of the initial, verso with parts of 2 lines each of text and of music on a 4-line red stave. Large miniature in the style of the Neapolitan illuminator Cristoforo Majorana, documented in Naples from 1480 until 1492 (cf. F. Avril, Dix siecles d'enluminure italienne, 1984, pp. 176-7, no. 156). The standing kinds are painted with splendid robes, fringed with pearls. The blue flecked border, giving the effect of the whole initial hovering above the vellum, derived from the classicising illumination of Mantua and Padua, and became a feature of Neapolitan manuscripts of the late fifteenth century.
Bookseller: John Windle Antiquarian Bookseller [US]
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2019-08-08 08:37:12
Illuminated manuscript leaf on vellum].
France (possibly Maine or Anjou): c. 1480. Single leaf, 162 mm x 110 mm. Slight fading, in an old frame with metal fittings. A finely painted miniature with the use of gold modeling and the cloud of cherubim in the tradition pioneered by Jean Fouquet. § The Virgin and God seated on separate stools in a paneled room, God placing a crown on her head, a host of blue seraphim behind, miniature in an arched compartment above the large initial and three lines of text (opening of Compline) within a full border of colored flowers and acanthus leaves in little rectangles with ground of liquid gold or pale blue or plain vellum.
Bookseller: John Windle Antiquarian Bookseller, ABAA [San Francisco, CA, U.S.A.]
2019-08-08 08:37:11
[Illuminated manuscript leaf on vellum].
1480. Naples: late 15th century. A cutting, 173 mm x 182 mm, with historiated initial 'E' (doubtless the introit 'Ecce advenit... for Mass at Epiphany), 147 mm x 152 mm. Slight spots of rubbing. In an elaborate gold frame. § The Virgin and Child seated on the right with Joseph behind, set among green and yellow hills, painted in full colors and liquid gold, the initial itself in elaborate leafy design in dark red with pink and white heightening entwined with green leaves at the top and bottom, set on a burnished gold ground with colored trefoils in each corner, flecked blue surround, traces of text and music to the right of the initial, verso with parts of 2 lines each of text and of music on a 4-line red stave. Large miniature in the style of the Neapolitan illuminator Cristoforo Majorana, documented in Naples from 1480 until 1492 (cf. F. Avril, Dix siecles d'enluminure italienne, 1984, pp. 176-7, no. 156). The standing kinds are painted with splendid robes, fringed with pearls. The blue flecked border, giving the effect of the whole initial hovering above the vellum, derived from the classicising illumination of Mantua and Padua, and became a feature of Neapolitan manuscripts of the late fifteenth century.
Bookseller: John Windle Antiquarian Bookseller [U.S.A.]
2019-08-06 22:33:07
[Illuminated manuscript leaf on vellum].
1480. France (possibly Maine or Anjou): c. 1480. Single leaf, 162 mm x 110 mm. Slight fading, in an old frame with metal fittings. A finely painted miniature with the use of gold modeling and the cloud of cherubim in the tradition pioneered by Jean Fouquet. § The Virgin and God seated on separate stools in a paneled room, God placing a crown on her head, a host of blue seraphim behind, miniature in an arched compartment above the large initial and three lines of text (opening of Compline) within a full border of colored flowers and acanthus leaves in little rectangles with ground of liquid gold or pale blue or plain vellum.
Bookseller: John Windle Antiquarian Bookseller [U.S.A.]
2019-08-06 22:33:07
[Illuminated manuscript leaf on vellum]. Master of Jacques de Besancon.
1480. Paris: c. 1480. 150 cm x 98 cm. Slight wear to inner margin, small hole in text portion. In an elaborate gold frame. § Arch-toped miniature showing the Virgin in blue holding the Child and a fruit, seated on a donkey, Joseph in front with a staff, a maidservant with basket behind, set in a landscape with city, an idol toppling from a column, and a full-page border with sprays of swirling blue and gold acanthus, red, blue and white flowers, on a paneled liquid gold and white ground, inhabited by a duck-faced Grotesque, with four lines of text in gothic bookhand with three-line opening initial with blue and mauve staves against a ground of burnished gold. Though not showing his trademark architectural frames, the subtle drapery folds, porcelain complexions, fine features and especially the fur-like, horizontally banded long runs of hair, in dark gold or gray, as well as the balanced composition, betray the influence, if not the hand, of the Master de Jacques de Besancon, whose dated works range from 1485 to 1498 and who took over both the style and the patrons of his predecessor Maitre Francois, active by 1473. The miniature includes the apocryphal detail from Pseudo-Matthew associated with the Flight into Egypt, showing an idol toppling from its column. On another miniature that survives from the same book, showing the Adoration of the Magi, there is a manger which derives from a model also used by the Master of Jean Rolin in a Nativity around 1450. Jean Rolin was probably the master of Maitre Francois, an artist with whom the Master de Jacques de Besancon has often be … [Click Below for Full Description]
Bookseller: John Windle Antiquarian Bookseller [U.S.A.]
2019-08-01 22:47:41
THOMAS A KEMPIS; MARCUS OF REGENSBURG; HENRICUS SALTERIENSIS; IOHANNES GOBI; PS-BEDE; BONAVENTURE; LUDOLF VON SUDHEIM; PS-ANSELM
Netherlands (Southeastern?) or Western Germany, c. 1460-1480. MISCELLANY WITH ELEVEN IMPORTANT TEXTS REFLECTING THE SPIRITUALITY OF THE MODERN DEVOTION. In Latin, Low German, and Dutch, decorated manuscript on paper, Netherlands (Southeastern?) or West Germany, c. 1460-1480. Dimensions 244 x 143, 222 folios on paper, apparently complete, written by at least four scribes in expert cursive gothic bookhands in 28-30 long lines, seven ORIGINAL TABS or place-markers made from white leather strips, blank spaces for 2-line initials, guide notes for rubricator, majuscules stroked with red, 6- to 2-line red initials. BINDING:modern half-tawed leather and exposed wood, two brass clasp-and-catch fastenings, straps missing, fastening back to front, spine with four raised bands. TEXT:A carefully thought-out miscellany that reflects the spirituality of the Modern Devotion (religious movement) and includes the Imitation of Christ , five visionary texts describing journeys to Heaven and Hell (one copied twice), and six texts on the Passion of Christ. PROVENANCE: Written in the Netherlands, probably in the Southeastern region, or in neighboring Western Germany, c. 1460-80, as indicated by the languages in the manuscript and the watermarks. Later, the manuscript belonged to Rev. A. d. Wagner (1824-1902) of Brighton, a noted collector with a library of more than 12,000 volumes (his ink stamp on f. 4). The manuscript was later owned by Rev. Cecil Deedes (1843-1921), prebendary and librarian of Chichester Cathedral (his note glued inside front cover). Later, Edward Croft-Murray (1907-80), forme … [Click Below for Full Description]
Bookseller: Les Enluminures (ABAA & ILAB) [Chicago, IL, U.S.A.]
2019-07-30 02:33:12
Anonimo
Niello, 1470-1480 circa, nel nastro svolazzante l'iscrizione "SOL IN DEO SPERO". L'iscrizione consente di identificare il soggetto come un'allegoria della Speranza. La rappresentazione della figura femminile e lo stile molto delicato possono confrontarsi con altri nielli comunemente attribuiti a a Francesco Francia (Hind, Nielli, n. 242 e n. 247). Bella impressione, su carta vergata, due lievi ossidazioni e una piccola piega di carta nella parte inferiore dell'immagine, nel complesso in ottimo stato di conservazione. Niello-print, 1470-1480 circa, inscribed in the flattering banner "SOL IN DEO SPERO". The inscription (Only in God I Hope) identifies the woman as an allegory of Hope. The feautures of the woman and the very delicate, but regular technique compare well with nielli usually attribued to Francesco Francia as: Hind, Nielli, n. 242 and n. 247. Fine impression, printed on laid paper, two small stains and a little paper fold lower in the image, otherwise in very good condition. Bartsch, XIII, p. 61 n. 134; Durazzo, n. 2831; Early Italian Engravings from the National Gallery of Art, p. 536
Bookseller: Libreria Antiquarius [IT]
2019-07-14 15:45:19
1480. . . . 1 Vol. . 12 h. + 2 blancas pp. . Otras. Terciopelo. . Magnífica letra capitular iluminada en oro, azul y rojo con motivos florales y orla en fol; iniciales en los mismos colores; calderones en oro. Escudo de armas en color de Rúiz de la Peña. Firmas autógrafas de dos alcaldes de hidalgos, de un notario de Castilla y de un escribano de hidalgos por por los Reyes Fernando e Isabel. Encuadernado en terciopelo verde y con bridas en tela del mismo color. Las ejecutorias conservadas de los Reyes Católicos son todas de gran rareza y la presente sobresale por su cuidada caligrafía y excelente decoración. Buen estado de conservación.
Bookseller: Librería Anticuaria Astarloa [Bilbao, Spain]
2019-06-28 15:13:34
[Bible medieval casket; book case]
Circa 1480-1500. (5 x 10 ¼ x 7 inches; or 128 x 260 x 180 mm). Wrought-iron casket; with old but presumably later red velvet interior. Probably French, although production was also heavy in parts of Spain. General minor dents, cracks, scratches and wear consistent with age and handling; a few pins lacking and a very minor lifting to two sections on one side.
Bookseller: HS Rare Books [Argentina]
2019-06-20 19:12:57
ANTONINUS (Arzobispo Florentino).-
Officina Nicolai Lefon Gallico Olympiadibus Dominicis 1480. Quartas Calendas Julias., (Venetiis). 322hh. Se trata del 2º volumen (de un total de 4).Brunet,T.1.Nº 1193.Impresión gótica a 56 columnas.
Bookseller: Llibreria Antiquària Els Gnoms [Sedó, Spain]
2019-06-15 08:12:15
BOOK OF HOURS OF CONSIDERABLE CHARM AND MODEST PROPORTIONS REFLECTING THE EVERYDAY PIETY PRACTICED IN A FLEMISH HOUSEHOLD. Illuminated manuscript on parchment, in Latin, Southern Netherlands, Ghent or Bruges, c. 1480. Dimensions 168 x 124 mm., 105 folios, lacking one calendar leaf, written in a gothic book hand in a single column of 18 lines, rubrics in red, many one-line initials in burnished gold or blue, a number of two-line (and a handful of four- and five-line) initials, 21 LARGE INITIALS ACCOMPANIED BY BORDERS of acanthus, fruit, and burnished gold ivy leaves, EIGHT CHARMING HISTORIATED INITIALS, and FOUR FULL-PAGE MINIATURES. BINDING: Bound in modern red velvet, signed S. Wiklander (?) on rear pastedown, in a fine red morocco folding box with gilt lettering.ILLUSTRATION:This Netherlandish Book of Hours is characterized by its charm and homespun realism. It was painted by three artists: a Dutch-influenced artist painted one miniature and a historiated initial, a Flemish artist contributed the other full-page pictures, and the animated and charming historiated initials are by a third hand. PROVENANCE: The appearance in the Calendar of saints venerated in Bruges and the style of the miniatures suggests the Southern Netherlands as the origin. The border decoration can be related to Ghent manuscripts by the Master of the Flemish Boethius. The very specific initials with foliage in liquid gold on red fields are found in the same group, but also in an Antwerp Book of Hours recently sold at Christie's (12 July 2017, lot 17). For these observations we thank Dominique van Wi … [Click Below for Full Description]
Bookseller: Les Enluminures [US]
2019-05-09 10:45:32
1480. Fourth Generation Antiques A beautifully made Folio Society Limited Edition pressing of the Luttrell Psalter. Number 652 of only 1480 numbered volumes. Bound in Nigerian goat leather with a raised spine and blocked with a gold, silver, and colored foils design by David Eccles. It measures 10" x 14 1/2" x 3" and weighs about 11 1/2 lbs. It comes in its original large Buckram Solander box with a small hardbound edition of The Luttrell Psalter Commentary. Overall condition is very good. The volumes are in like new condition with practically no signs of use. Only the exterior of the box has some normal shelf wear. Please refer to the photos and ask any questions prior to bidding. A monumental publication of a historic text with fascinating commentary. An excellent addition to any collection. More pictures available upon request. Policies Quality is assured. We are happy to combine shipping (make sure all items are in your cart before checking out). Most items are shipped USPS Priority, typically within 1-2 business days of receiving payment. Your item will be securely packaged and will arrive within a reasonable time. International buyers - your items will ship through the Global Shipping Program. Please direct your customs inquiries to eBay. Thank you.
Bookseller: Fourth Generation Antiques (fourthgenerationantiques) [Sacramento, California, US]
2019-05-03 07:54:10
Bologna: 1480. WIR VERKAUFEN ORIGINELLE ORIGINALE - WE SELL EXTRAORDINARY ORIGINALS LATEINISCHE HANDSCHRIFT AUF PERGAMENT DOPPELBLATT MEISTERLICHE MINIATUR: CHRISTI GEBURT UM 1480 BOLOGNA BREVIARIUM PRUNKVOLLES DOPPELBLATT EINES BREVIARIUM - BOLOGNA - UM 1480 MIT MEISTERLICHER MINIATUR-INITIALE: DIE GEBURT CHRISTI _____________________________________________________________________________ Großformatige Pergament-Handschrift mit Lombarden, Fabelwesen, Gesichtern & Grotesken _____________________________________________________________________________ LATEINISCHE HANDSCHRIFT AUF PERGAMENT - BOLOGNA - UM 1480 ENTSTEHUNG Italien, Bologna, um 1480 BESCHREIBUNG Prunkvolles Doppelblatt einer lateinischen Handschrift auf Pergament. Dieses stammt aus einem spätmittelalterlichen Gebetbuch, einem sogenannten Breviarium. Das Brevier, Breviarium, enthält die Texte für die Feier der Stundengebete der römisch-katholischen Kirche. In dieser Ausstattung äußerst rares und kostbares Zeugnis spätmittelalterlicher Buchmalerei. Handschriften vor 1200 sind weltweit so gut wie nicht zu finden. Zu gering war bis dahin die Bedeutung des geschriebenen Wortes. Das frühe 13. Jahrhundert brachte viele Veränderungen für das mittelalterliche Europa. So entstanden in dieser Zeit viele gotische Kathedralen (z.B. Chartres, Rheims, Canterbury) und klerikale Großzentren. Eine Konsequenz dessen war die Gründung von Orden und wandernde Prediger (Franziskaner - 1209 oder Dominikaner - 1220). Diese zogen von Ort zu Ort, lasen und predigten die Bibel und verbreiteten so die Lehre des Klerus. In dieser Zeit entsta … [Click Below for Full Description]
Bookseller: ARTFINDING (schnellkauf69) [Weidenhain, DE]
2019-04-19 09:53:38
AN ILLUMINATED MANUSCRIPT LEAF FROM A BOOK OF HOURS IN LATIN, WITH A SMALL MINIATURE OF ST. CHRISTOPHER
France: , ca. 1480. France, ca. 1480. This charming and attractively priced leaf features a petite miniature of the patron of travelers, gardeners, and bookbinders, St. Christopher. The story of how this holy helper carried the Christ child across a river gained wider traction in the later Middle Ages, and was included in Jacob de Voraigne's "Golden Legend." Its smaller size is typical for this section of the Book of Hours, the Suffrages, which would have contained portraits of and prayers to numerous saints. The detail work here, especially in the faces, is quite good, and the gold border adds an element of richness and warmth to the page.. 176 x 114 mm. (7 x 4 1/2"). Single column, 27 lines in an elegant batarde hand. Rubrics in pink, one one-line initial in gold on blue ground, one two-line initial painted blue and white on gold and pink ground, A SEVEN-LINE MINIATURE OF ST. CHRISTOPHER, three-quarter border of acanthus leaves flowers, and bezants on gold ground.Border a little rubbed in one corner, upper and lower margins trimmed quite close, a touch of general mild soiling, otherwise a lovely leaf, the miniature particularly well preserved and with a good amount of detail.This charming and attractively priced leaf features a petite miniature of the patron of travelers, gardeners, and bookbinders, St. Christopher. The story of how this holy helper carried the Christ child across a river gained wider traction in the later Middle Ages, and was included in Jacob de Voraigne's "Golden Legend." Its smaller size is typical for this section of the Book of Hours, the Suffrage … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [US]
Check availability:
2019-04-19 00:04:58
AN ILLUMINATED MANUSCRIPT LEAF FROM A BOOK OF HOURS IN LATIN, WITH A SMALL MINIATURE OF ST. CHRISTOPHER
ca. 1480, France. 176 x 114 mm. (7 x 4 1/2"). Single column, 27 lines in an elegant batarde hand. Rubrics in pink, one one-line initial in gold on blue ground, one two-line initial painted blue and white on gold and pink ground, A SEVEN-LINE MINIATURE OF ST. CHRISTOPHER, three-quarter border of acanthus leaves flowers, and bezants on gold ground. Border a little rubbed in one corner, upper and lower margins trimmed quite close, a touch of general mild soiling, otherwise a lovely leaf, the miniature particularly well preserved and with a good amount of detail. This charming and attractively priced leaf features a petite miniature of the patron of travelers, gardeners, and bookbinders, St. Christopher. The story of how this holy helper carried the Christ child across a river gained wider traction in the later Middle Ages, and was included in Jacob de Voraigne's "Golden Legend." Its smaller size is typical for this section of the Book of Hours, the Suffrages, which would have contained portraits of and prayers to numerous saints. The detail work here, especially in the faces, is quite good, and the gold border adds an element of richness and warmth to the page. This charming and attractively priced leaf features a petite miniature of the patron of travelers, gardeners, and bookbinders, St. Christopher. The story of how this holy helper carried the Christ child across a river gained wider traction in the later Middle Ages, and was included in Jacob de Voraigne's "Golden Legend." Its smaller size is typical for this section of the Book of Hours, the Suffrages, which would have c … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA) [McMinnville, OR, U.S.A.]
2019-04-04 16:16:51
Bologna: 1480. WIR VERKAUFEN ORIGINELLE ORIGINALE - WE SELL EXTRAORDINARY ORIGINALS LATEINISCHE HANDSCHRIFT AUF PERGAMENT DOPPELBLATT MEISTERLICHE MINIATUR: CHRISTI GEBURT UM 1480 BOLOGNA BREVIARIUM PRUNKVOLLES DOPPELBLATT EINES BREVIARIUM - BOLOGNA - UM 1480 MIT MEISTERLICHER MINIATUR-INITIALE: DIE GEBURT CHRISTI _____________________________________________________________________________ Großformatige Pergament-Handschrift mit Lombarden, Fabelwesen, Gesichtern & Grotesken _____________________________________________________________________________ LATEINISCHE HANDSCHRIFT AUF PERGAMENT - BOLOGNA - UM 1480 ENTSTEHUNG Italien, Bologna, um 1480 BESCHREIBUNG Prunkvolles Doppelblatt einer lateinischen Handschrift auf Pergament. Dieses stammt aus einem spätmittelalterlichen Gebetbuch, einem sogenannten Breviarium. Das Brevier, Breviarium, enthält die Texte für die Feier der Stundengebete der römisch-katholischen Kirche. In dieser Ausstattung äußerst rares und kostbares Zeugnis spätmittelalterlicher Buchmalerei. Handschriften vor 1200 sind weltweit so gut wie nicht zu finden. Zu gering war bis dahin die Bedeutung des geschriebenen Wortes. Das frühe 13. Jahrhundert brachte viele Veränderungen für das mittelalterliche Europa. So entstanden in dieser Zeit viele gotische Kathedralen (z.B. Chartres, Rheims, Canterbury) und klerikale Großzentren. Eine Konsequenz dessen war die Gründung von Orden und wandernde Prediger (Franziskaner - 1209 oder Dominikaner - 1220). Diese zogen von Ort zu Ort, lasen und predigten die Bibel und verbreiteten so die Lehre des Klerus. In dieser Zeit entsta … [Click Below for Full Description]
Bookseller: ARTFINDING (schnellkauf69) [Weidenhain, DE]
2019-02-25 12:46:11
Kulmbach, Hans Suess
Kulmbach, Hans Suess von (um 1480-1522), späte Nachfolge. Kirchliche Würdenträger in ihren Ornaten. 2 Bll. farb. Tuschen, je zwei Figuren, am Unterrand bezeichnet: Der Pabst, Ein Cardinal, Ein Patriarch, Ein Bischof. Wz. Reichscanzlei (1 Blatt) u. Schiff 1 Blatt). 17./18. Jh. 22 : 17 u. 22 : 16,5 cm. - Auf dünnes Papier geheftet. – Kanzleipapier hat sich spätestens im ersten Viertel des 17. Jhs. eingeführt, vgl. Weiss, S. 42 f., mit Nachweis für 1623 anhand der Sächsischen Taxordnung.
Bookseller: Antiquariat Dietrich Schneider-Henn [Seefeld bei München, Germany]
Check availability:
2019-02-11 16:34:40
Augsburg, Anton Sorg, 23. Februar 1480. Type 2. Einspaltiges, 34-zeiliges O-Inkunabelblatt mit einem kolorierten Holzschnitt (8 x 8 cm) und einer Maiblumeninitale "B" (5,1 x 5,5 cm) auf festem sauberen Papier. Blattgröße: 19,6 x 26,7 cm. Incunabula text woodcut leaf. Rar. Seltene Sorg-Ausgabe. Breitrandiges schönes Exemplar! Der Holzschnitt zeigt die Begegnung Jesu mit der heidnischen Frau (Mt 15,21-28), die Jesus bittet ihr Kind zu heilen.
Bookseller: Versandantiquariat Christine Laist [Germany]
2019-02-10 19:01:41
Original in sehr guter Erhaltung, prachtvolle Bordüre und Initialen. ORIGINALES BLATT MISSALE-HANDSCHRIFT "Gaudeamus omnes in domino diem festum celebrantes ..." MIT PRACHTVOLLER BORDÜRE UND INITIALEN MIT GOLDHÖHUNG ALLERHEILIGEN - LITURGIE FRANKREICH PARIS UM 1480 MITTELALTERLICHE HANDSCHRIFT AUF PERGAMENT ORIGINALES MISSALE-BLATT AUF PERGAMENT Handschrift in Latein - um 1480 __________________________________________________________________________________ BESCHREIBUNG Originales Einzelblatt einer Missale-Handschrift auf Pergament in Latein. Geschrieben in roter und dunkelbrauner Tinte mit einer großen, 4-zeiligen Blütenornament-Initiale mit filigraner Goldornamentik, 6 weiteren, jeweils 2-zeiligen goldgehöhten Initialen mit farbiger Ornamentik in Blau und Mauve sowie prachtvoller Bordüre mit reichhaltiger Blütenornamentik und goldgehöhten Dornblattranken, den halbseitigen Satzspiegel dreiseitig eingrenzend. Es handelt sich hierbei um einen Text aus der Allerheiligen-Liturgie, einleitend mit: "Gaudeamus omnes in domino diem festum celebrantes sub honore omnium sanctorum de quorum solemnitate gaudent Angeli, et collaudant ..." Entstanden in Frankreich, um 1480. AUSSTATTUNG Zweispaltige, 28-zeilige Handschrift auf Pergament. In rot und dunkelbrauner Tinte geschrieben. Blattgröße: 34,5 x 26 cm, Schriftspiegel: 29,5 x 20,5 cm incl. Bordüre. ZUSTAND In sehr guter Erhaltung. Schrift in sehr gutem Zustand und kaum berieben. Kleiner Tintenfleck rechts. Verso mit Kapitelvermerk. UNBEDENKLICHKEITSERKLÄRUNG Hiermit wird die einwandfreie Herkunft des vorliegenden Blattes bestätigt. D … [Click Below for Full Description]
Bookseller: ARTFINDING [Weidenhain, DE]
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