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The works of Francis Rabelais, M.D. Now carefully revised, and compared throughout with the late new edition of M. Le du Chat, By Mr. Ozell. Who has likewise added at the bottom of the pages, a translation of the notes, historical, critical, and explanatory, of the said M. du Chat, and others: in which notes, never before printed in English, the text is not only explained, but, in multitudes of places, amended, and made conformable to the first and best Editions of this learned and facetious author. Adorn'd with 15 very neat copper-plates
London: printed by J. Hughs, near Lincoln’s-Inn-Fields, for J. Brindley, bookseller to his Royal Highness the Prince of Wales, at the King’s-Arms in New-Bond-Street; and C. Corbett, at Addison’s Head, against St. Dunstan’s Church, Fleet-street, , MDCCXXXVII [1737]. Full Calf. Fine. Complete in five volumes. 12mo: iii-xxii,iii-viii,cxxxiv,135-384; iii-x,11-251,[1]; xx,367[2 misnumbered 22],[5]; iii-xc,281,[13, including two final advertisement leaves]; lxiv,267,[5]pp, with 15 copper-engraved plates (11 of which are folding, one of which is a map), numerous head- and tailpieces, and a woodcut in the text. An excellent set, beautifully bound by Fitterer in period-style butterscotch cat's-paw calf, spines in six compartments between raised bands ruled in gilt, red morocco lettering pieces gilt, all edges gilt, marbled end papers, title pages (all five of which are cancels) printed in red and black. Lowndes 2033. ESTC Citation No. T13265. & & Principally the story of two giants, a father (Gargantua) and his son (Pantagruel), and their adventures, presented as a connected series of five novels written in the 16th century in an extravagant, satirical vein featuring much crudity, scatological humor, and violence (the censors of the Sorbonne stigmatized the novels as obscene). "Reading Rabelais is no easy matter. His language constitutes an initial obstacle. Replete with clerical, medical, legal, philosophical, scholastic terms and terminology, various classical, foreign, or invented tongues, provincial dialects and urban slang, poems, anagrams, abbreviations, sounds, names, and quotations, his writing displays one of the most varied and extensive lexical ranges of any world author. Intertextuality is rampant, usually displaced by willful distortion. And more is suggested than said, making every word even more polyvalent. Equally disturbing is his recounting the story of a family of giants in a learned, highly literary language. Ultimate meaning, frequently glimpsed but forever elusive, is another. So much so that there are almost as many readings of his works as readers, a positive sign of their successful resistance to any definitive interpretation and a sure criterion of their literariness." (Floyd Gray, "Reading the works of Rabelais," The Cambridge Companion to Rabelais.) Note: With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed.
      [Bookseller: Fine Editions Ltd]
Last Found On: 2013-01-04           Check availability:      Biblio    


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