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2020-11-21 15:39:03
KEINSPECK, Michael.
Lilium musice plane.
Augsburg, per Johannem Froschawer, 1498. [UNRECORDED IN THE US] Small 4to. 15 unnumbered ll., lacking final blank. Gothic letter. Handsome half-page woodcut vignette to title with Pythagoras and Lady Musica holding scrolls, printed music notation, decorated initials. Faint water stain to upper or outer blank margin of last gathering, tiny worm trail to lower edge of three ll., lower outer blank corner of b 6 minimally torn. An excellent, remarkably clean but unwashed copy in C19 navy blue crushed morocco by Zaehnsdorf, double gilt ruled, raised bands, spine gilt-lettered, bookplate of pianist Alfred Cortot to front pastedown, his small stamped monogram on lower outer blank corner of t-p and b 1 . An excellent, fresh copy of the rare third edition—not in Goff, Hain or BMC—of this handsome music incunabulum. It was first published in Basel in 1496, and reprinted in Ulm the following year. Michael Keinspeck (c.1451-c.1516), from Nuremberg, studied under Josquin de Près and was later professor at Basel. In the introduction to ‘Lilium’, he provides a short account of his early career. ‘Lilium’—a plainchant manual—was conceived for the use of students. It was only the second such manual published in Germany, after Hugo von Reutlingen’s (1488). Plainchant (‘cantus planus’), of which Gregorian is a subcategory, refers to the monophonic chant, with a single melodic line, used in Catholic liturgy. After a definition of music, the work proceeds to discuss types of music (choralis, mensurata, rigmica), scales, cantus (durus, mollis, naturalis), single and double clefs, toni, modi and k … [Click Below for Full Description]
Bookseller: Sokol Books Ltd. ABA ILAB [London, United Kingdom]
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