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Displayed below are some selected recent viaLibri matches for books published in 1995

        JOURNALS MID-FIFTIES 1954 - 1958

      [New York]: HarperCollins, [1995].. Cloth and gilt boards. Soft crease in front free endsheet, else about fine in slightly spine-sunned dust jacket. First edition. Edited by Gordon Ball. Inscribed and signed by Ginsberg on the title-page: "Allen Ginsberg 5/28/95 for Lucien Carr steadfast Affection Decade after Decade." The top portion of the title page is framed by Ginsberg's drawing of a "Tyger!" Laid in is publisher's compliments card, noting the copy was sent on Ginsberg's behalf. Ginsberg met Carr at Columbia University in 1943, and through Carr met Jack Kerouac, Neal Cassady and William Burroughs. In the NYT Obituary for Carr (30 January 2005), Ginsberg's earlier comment about Carr's role in the circle of friendships that gave birth to the literary arm of the Beat generation was quoted: "Lou was the glue." Carr went to work for United Press International in 1946 and was promoted to night news editor in 1956, coincident with the preparations for press of the first public edition of HOWL. Carr was included, with Kerouac, Burroughs and Cassady, in the printed dedication, and when he received his copy, wrote Ginsberg expressing "one small gripe" about his inclusion there, and requesting, out of deference to his privacy, that Ginsberg avoid such mention in future books. At Ginsberg's expense, Carr's name was deleted from the dedication page of the second impression (then already printed), and from subsequent printings. Nonetheless, in 1982, Ginsberg dedicated PLUTONIAN ODE to Carr, "... for friendship all these years...." Carr, of course, figures in the text and index.

      [Bookseller: William Reese Company - Literature ABAA-]
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        60 First Day Covers, Closing of Israeli Post Offices in Occupied Territories

      Israel, 1995. Near Fine. (STAMPS/POSTAL HISTORY) Sixty (60) First Day Covers, commemorating the closing of Israeli Post Offices in the Occupied Territories. “Last day of Israeli Postmark under Military Administration” November 2, 1995. Near Fine condition.& & Within 2 months of the signing of the Oslo Accords, control of the Occupied Territories was turned over to the newly created Palestine Authority. The last day of Israeli postmark under military administration became a symbol of the new transition in accordance with Israel’s efforts to make peace with its Arab neighbors.&

      [Bookseller: Historicana]
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        ARNALDO POMODORO

      (POMODORO, ARNALDO). Hunter, Sam. ARNALDO POMODORO. Milano, ITALY: Fabri Editori, 1995. First Edition. Stout 4to. Cloth in Dust Jacket. Artist Monograph. Fine/Fine. 384pp, profusely illustrated in color and b&w. Text in English. Designed by Massimo Vignelli. With a biography, exhibition history and bibliography. This massive, elegantly appointed tome is the most comprehensive monograph to date on the noted Italian monumental sculptor Arnaldo Pomodoro. It combines Sam Hunter's incisive text with statements by the artist and hundreds of vivid reproductions of Pomodoro's sculpture, architecture and theatrical designs. A pristine copy of the uncommon English language edition. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 88-450-5798-4 Inventory Number: 014054&

      [Bookseller: Arcana: Books on the Arts]
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        MAPPING THE TRANS-MISSISSIPPI WEST [LTD ED FACSIMILE CT IN 6 VOLS]

      Mansfield Centre, CT: Martino. Fine with no dust jacket. 1995. Hardcover. B&W Illustrations; 4to 11" - 13" tall; Carl Wheat's monumental work on western cartography. Reprint, limited to 350 copies. 1302 maps listed and fully annotated with 376 illustrated. This being Martino's brilliant reprint in a size that is much more useful than the original. Illustrated throughout with facsimile maps, many folding. Considered the definitive work detailing the mapping of the American West. Hardbound in green cloth, five volumes in six books with Volume Five in Part I and Part II. Not numbered. Size: 9.3 x 12.3 inches. .

      [Bookseller: poor mans books]
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        TEXT FROM THE OPENING OF MATINS FOR THE FEAST OF THE ASCENSION

      Italy, probably Emilia, ca, 1320. A Very Impressive Historiated Initial, Along with Instructions to the Illuminator. 546 x 375 mm (21 1/2 x 14 3/4"). Single column, six four-line staves of music on each side with text underneath in a very clean, rounded book hand. Attractively matted. Rubrics in red, some notes in blue, first two words of the text in large capitals with yellow wash and elaborated with many fanciful curling flourishes, two large maiblumen initials in red and blue, and WITH A HUGE HISTORIATED "P" SHOWING THE ASCENSION OF CHRIST (the main part of the initial, not counting the marginal flourishes, measuring about 107 mm. wide and 254 mm. long, including the thick descender). An early 2 1/2 x 5 1/2" vellum patch in the lower margin of recto, slight smudge in the cloud supporting Christ and on the face of the angel to the left, some wrinkling to the vellum, especially in bottom margin, the illuminated side with vellum grain lending a grayish cast, very small losses in the gold, but still a very desirable leaf, the memorable initial without any significant damage, the vellum clean and fresh, and the margins very ample. The striking illumination here is in the style of Neri da Rimini (about whom, see Margaret M. Manion and Vera F. Vines, "Medieval and Renaissance Illuminated Manuscripts in Australian Collections," cat. item 8, figs. 32-39 and plate 8). Manion and Vines describe Neri as "a miniaturist active ca. 1300-22 who was a major contributor to the new developments towards gothic naturalism which took place in Italian illumination during the first two decades of the 'trecento,' paralleling and interacting with the innovations in fresco and panel painting associated with the influence of Giotto and painters at Assisi and Rimini." At the same time, it is easy to see the influence of Byzantine models here. Our initial may have been done by an associate of Rimini's, someone who has been identified as the so-called Master of the Fulget, whose work has been distinguished by an inclination for brighter and more varied colors (see R. Gibbs, "Neri da Rimini," 1995, pp. 80-81). The initial here is exceptionally large and deserves the focus of attention it receives. But a less noticeable feature in the upper left margin should not be overlooked. It is there that we can find instructions to the illuminator--a readily apparent "p" to indicate the letter needed and a faintly visible "ascensione d'iesu" to indicate the subject matter. For a discussion of written (and visual) directions to the illuminator, see "Medieval Illuminators and their Methods of Work" by Jonathan J. G. Alexander. One other feature to mention here is the uncommon use of blue neumes in the first two lines of the Responsory.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        A Further Adventure of Sherlock Holmes: The Adventure of the Dorset Street Lodger, by John H. Watson M.D

      London: Number Two Dorset Street. Near Fine. [1995]. First Edition. Hardcover. NOISBN . (no dust jacket, presumably as issued) [extremely light handling wear, spine cloth a bit faded; gift inscription from a "David" on the front pastedown, with a somewhat cryptic inscription, possibly to himself: "The perfect guest. A momento from him be this."]. (B&W illustrations) One of the rarest items of modern-day Sherlockiana, this anonymous "further adventure" was written by Michael Moorcock, by his account, "for some friends who had started a hotel in Dorset Street, as a special give-away for their first guests." Its conceit is that it was written by Dr. Watson in 1895, but at the behest of Sherlock Holmes, who wished the tale only to "be published, if published at all, one hundred years after the date of the last record, when those involved will be long dead and events so remote as no longer to embarrass living descendants," Watson placed the manuscript in the strongbox of his "good friend, Sir Arthur Moorcock of the Tower House, near Dent," there to be held safely until the requisite century had passed. (This is the only place that the name "Moorcock" appears in the book.) It's unknown how many copies of the original edition were printed -- I've seen the figure 200, although that seems to be total speculation -- but in any event there couldn't have been many. (For one thing, some of the original recipients most certainly would have regarded it as little more than a promotional giveaway-cum-throwaway.) .

      [Bookseller: ReadInk]
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        Meta Mor for the Moon. Illustrated by Susan Weil

      New York: Vincent FitzGerald & Company. 1995. One of 25 copies each signed by the artist, on various papers. Page size: 8 x 8 inches. Bound by Zahra Partovi: blue silk in Coptic-style binding with two paintings by the artist on the inside flyleaves, housed in matching blue silk box by Book Lab. Illustrated with etchings and paintings by Susan Weil and Vincent FitzGerald, the work is printed on mylar, apta royal and Richard de Bas papers. The book is 72 pages with text identifying various geographical locations of the moon, i.e. Sea of Tranquility etc. The moon -- and the book -- is divided into quadrants; the title is a pun, referring to Joyce. Each quadrant of the moon is introduced by subtitles on mylar. Weil has executed two blueprints for this book -- the first she has done since those with Robert Rauschenberg some years ago. The letterpress is by Kelly/Winterton Press. The screenprints are by Color Girls. Susan Weil&#39;s continuing fascination with, and exploration of, the works of James Joyce has produced another masterpiece. <br>See an <A HREF= http://www.bookrouter.com/im/juvelisbks/4649.jpg >Image.</A><br>

      [Bookseller: Priscilla Juvelis, Inc.]
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        Adult Comedy

      Zürich: Scalo Verlag, 1995.. First edition. Quarto, original blue cloth. Signed by Richard Prince on the title page. Fine in a fine dust jacket.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Arabian Nights & Days [Signed, Murray Gell-Man&#39;s copy]

      New York: Doubleday, 1995. First edition. Hardcover. Fine/near fine. A Fine, Superior, copy of the first American edition, first printing, in a Near Fine dust jacket, SIGNED AND INSCRIBED BY NAGUIB MAHFOUZ on the half-title. Originally published in Arabic in 1979, the novel&#39;s title was inspired by the classic "A Thousand and One Nights". Naguib Mahfouz "who, through works rich in nuance - now clear-sightedly realistic, now evocatively ambiguous - has formed an Arabian narrative art that applies to all mankind", won the 1988 Nobel Prize in Literature, making him the only Egyptian, and the only author writing in Arabic, ever to win the Prize. In 1994 Mahfouz survived an assassination attempt perpetrated by religious extremists. The attack damaged nerves in his right hand, rendering Mahfouz unable to write for more than a few minutes each day, and seriously affecting his handwriting as seen in his inscription and signature to this book. (The inscription is in Arabic.) Having a wonderful Provenance, this copy belonged to Murray Gell-Man, the American physicist and linguist who himself won the 1969 Nobel Prize in Physics for his work on the theory of elementary particles and for his discovery of the quark, and carries his bookplate on the front free endpaper. Signed copies of this Nobel Prize winner&#39;s books are scarce. A Fine, Superior, copy, of this this Nobel Laureate&#39;s work from the library of another important Nobel Laureate. SIGNED AND INSCRIBED BY NAGUIB MAHFOUZ. RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Dreams of a Butterfly

      Poestenkill, NY: Kaldewey Press, 1995. Quarto. (20)ff. One of forty copies on Chinese paper. Bound by Thomas Zwang of Hamburg in sculptural form. English translation and Chinese calligraphy by Bun-Ching Lam. With hand-colored etchings by Gunnar Kaldewey and signed by the artist/publisher. Kaldewey brings together subject and form in this book which, when opened, takes on the shape of the butterfly. Extremely fine in black paper over boards, with silver printing on panels, housed in a chemise and slipcase.

      [Bookseller: Bromer Booksellers]
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        MOTORCYCLE DIARIES A Journey around South America

      London: Verso. 1995. First Edition; First Printing. Hardcover. 1859849717 . Near Fine in a Near Fine dust jacket, closed tear to top rear panel. Translated by Ann Wright. Che&#39;s own account of a motorcycle tour he took with a close friend, and which along with his friend&#39;s memoir was the basis for the 2004 film directed by Walter Salles, and featuring Gael Garcia Bernal and Rodrigo De la Serna. ; 0.8 x 7.4 x 5.7 Inches; 176 pages .

      [Bookseller: Rare Book Cellar]
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        ANDREAS GURSKY: MONTPARNASSE

      (GURSKY, ANDREAS) (DUBUISSON, JEAN). Gursky, Andreas, Hans Irrek & Ursula Trubenbach. ANDREAS GURSKY: MONTPARNASSE. Frankfurt am Main & Stuttgart, GERMANY: Portikus & Oktagon Verlag, 1995. First Edition. Oblong Folio. Wrappers in Printed Box. Photography Monograph. Near Fine/No Jacket - As Issued. np (40 + 32 + 6pp), 20 color and 10 b&w illustrations. Text in German. Designed by Kuhle und Mozer. Published in conjunction with a 1995 exhibition at Portikus Frankfurt am Main, this elegant, ambitiously designed, oversized publication is devoted to Andreas Gursky&#39;s monumental photograph of architect Jean Dubuisson&#39;s quarter-mile long Montparnasse housing block. A single 10 1/4 x 18 3/4" color reproduction on heavy stock is laid into a silver folder that bears the names of the more than seven hundred and fifty families inhabiting the massive housing project. This is accompanied by two booklets in silver wrappers: "Texte" - which contains an essay by Hans Irrek as well as interviews with Dubuisson and three Montparnasse dwellers, and "Images" - which reproduces grainy full page voyeuristic blown-up details of interiors of the individual apartments. These three printed components are housed in a shallow printed cardboard box. The interior contents are all in Near Fine condition with no notable flaws. The matte black paper-covered lower portion of the box along with the silver lid show some light overall wear, scuffs and minor abrasions, but no splits or tears to the corners as one typically sees. Due to its silver paper and fragile construction "Montparnasse" (cited on page 275 of Martin Parr and Gerry Badger&#39;s "The Photobook: A History Volume II") rarely turns up in beautiful condition, but this is truly a most handsome example of this uncommon item that looks far nicer in hand than it describes. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-89611-003-9 Inventory Number: 020400&

      [Bookseller: Arcana: Books on the Arts]
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        Marceau at the Kaye, April 25-30, 1995

      (Marceau, Marcel.) Marceau at the Kaye, April 25-30, 1995. [Poster printed in colors]. New York: Hunter College, 1995. (15" x 22".) For Marceau performance at the Hunter College Kaye theatre. Nicely inscribed by Marceau in gold ink to Anna Sosensko, the Broadway producer and composer. Depicts the great mimist in a balletic pose. Framed.

      [Bookseller: Golden Legend, Inc. ]
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        Fluxus Codex (Hardcover, signed by La Monte Young and Gilbert Silverman)

      The Gilbert and Lila Silverman Fluxus Collection / Harry N. Abrams Detroit and New York: The Gilbert and Lila Silverman Fluxus Collection / Harry N. Abrams, 1995. Second printing. Oblong octavo. INSCRIBED by La Monte Young and Gilbert Silverman (in Silverman's hand) on the half-title page: "Tim / Best from / La Monte Young / and Gil Silverman / Nov. 2004." The codex traces the development of the Fluxus art movement, from its beginning in 1961 to founder George Maciunas' death in 1978. This volume was compiled by the recognized authority in the field, Hendricks, and the majority of images are from the preeminent collection of Fluxus material, including several La Monte Young items, owned by Gilbert and Lila Silverman. The movement developed an 'anti-art' aesthetic under the leadership of George Maciunas. The collective staged several festivals throughout Europe and New York, with avant-garde performances often spilling out into the street. Some of the artists involved in the success of the art collective were Joseph Beuys, Yoko Ono and John Lennon, and Robert Watts. Today the movement still plays an important role in the defining of artists and the limits of art, as well as expanding the idea of what art can ultimately represent. La Monte Young is one of the most influential avant garde composers of the modernist era, primarily as one of the originators of minimalist drone music. Several of Young's "compositions" were collected in various Fluxus editions, beginning in the early 1960s, including "Trio for Strings," a piece missing (but not always) from the "FLUXUS 1" anthology. Over 800 illustrations, with 68 plates in full color. Near Fine in a Very Good plus or better dust jacket. Jacket spine, folds and extremities moderately faded, with light rubbing overall.

      [Bookseller: Royal Books, Inc. ]
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        Fear and Loathing in Las Vegas

      Signed by Hunter S. Thompson on the FFE. Also signed by Ralph Steadman and inscribed "3 May 1995 Lawrence Kansas." Fear and Loathing in Las Vegas. Thompson, Hunter S., Random House, 1971. First Edition.

      [Bookseller: S. Bernstein & Co. ]
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        Nedkoges til passende konsistens. En kogebog om havets glæder og livets lyksalighed. Med 40 grafiske arbejder af Erik A. Frandsen, Michael Kvium, Christian Lemmerz & Lars Nørgaard.

      - Lindhardt og Ringhof, København 1995. 4°. 1. udgave. 171 sider. Orig. kardusomslag. Frisk eksemplar. * Nr. 92 af 200 nummerede eksemplarer.** Signeret af kunstnerne.

      [Bookseller: Vangsgaards Antikvariat]
 16.   Check availability:     AbeBooks     Link/Print  


        A Further Adventure of Sherlock Holmes: The Adventure of the Dorset Street Lodger, by John H. Watson M.D

      London: Number Two Dorset Street. Near Fine. [1995]. First Edition. Hardcover. NOISBN . (no dust jacket, presumably as issued) [extremely light handling wear, spine cloth a bit faded; gift inscription from a "David" on the front pastedown, with a somewhat cryptic inscription, possibly to himself: "The perfect guest. A momento from him be this."]. (B&W illustrations) One of the rarest items of modern-day Sherlockiana, this anonymous "further adventure" was written by Michael Moorcock, by his account, "for some friends who had started a hotel in Dorset Street, as a special give-away for their first guests." Its conceit is that it was written by Dr. Watson in 1895, but at the behest of Sherlock Holmes, who wished the tale only to "be published, if published at all, one hundred years after the date of the last record, when those involved will be long dead and events so remote as no longer to embarrass living descendants," Watson placed the manuscript in the strongbox of his "good friend, Sir Arthur Moorcock of the Tower House, near Dent," there to be held safely until the requisite century had passed. (This is the only place that the name "Moorcock" appears in the book.) It&#39;s unknown how many copies of the original edition were printed -- I&#39;ve seen the figure 200, although that seems to be total speculation -- but in any event there couldn&#39;t have been many. (For one thing, some of the original recipients most certainly would have regarded it as little more than a promotional giveaway-cum-throwaway.) .

      [Bookseller: ReadInk]
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        Popoli di Puglia

      Editalia 1995 Con circa 200 incisioni e disegni, 3 antiche stampe fuori testo Folio (cm 32x42) pp. 280 ril pelle (leather binding) Perfetto (Mint) 8870602958

      [Bookseller: Studio Bibliografico Marini]
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        Shakespeare's Ovid. Signed Limited Edition

      London Enitharmon Press/Stephen Stuart-Smith 1995. VG : in very good condition without dust jacket as issued and gold cloth slipcase Limited Edition [39/50] Gold hardback cloth cover 330mm x 260mm (13" x 10"). 34pp. Illustrated with full page plates by Christopher le brun. Signed by Ted Hughes and Christopher le Brun on the colophon page. Special deluxe edition limited to 50 copies numbered and signed by both the author and artist. This deluxe edition is accompanied by an etching by Christopher le Brun which is separately encased in card wraps and slipcased with the book. Regular editions of this book continue with numbers 51 - 200.

      [Bookseller: Barter Books]
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        1995 International Festival of Authors Promotional Poster

      1995. Promotional poster for the annual Toronto literary festival, which each year since 1980 brought together the best writers of contemporary world literature. The poster was designed by a leading artist of the day and is one of only a handful of copies signed by all or most of the year&#39;s participants. From the collection of the promoter of the festival himself, Greg Gatenby. Designed by Joanne Tod. Approximately 61 signatures. Signed by: Bret Easton Ellis, Richard Ford, Joanna Trollope, Mordecai Richler, James Hoffman, Alina Reyes, Sunetra Gupta, Peter Fallon, Janice Galloway, Thomas Kenneally, Kaye Gibbons, Karen Connelly, Joyce Carol Oates, Mary Lee Settle, James Mackay, Thom Jones, Grace Paley, Barbara Gowdy, Deirdre Bair, Orhan Pamuk, Mariko Hayashi, Victoria Glendinning, Ann Beattie, Jim Crace, Rohinton Mistry, Arthur Hailey, Kate Pullinger, George Fletcher, Dennis Brutus, Hanan al-Shaykah, Michel Deguy, Dorothy Parker, and others. 18" x 24". .

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Da Le città del silenzio

      Cento amici del libro 1995 Ventuno poesie di D'Annunzio e 12 litografie in nero a piena pagina di Ercole e Luca Pignatelli (cm 35x26) Carta Hahnemuhle. Litografie tirate sui torchi di Giorgio Upiglio. Stampa a cura dell' Officina Tipografica Ruggero Olivieri. Legatoria Dolinar Ottimo (Fine)

      [Bookseller: Studio Bibliografico Marini]
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        Les vacances à Berck-Plage (Août 1975). 1/500 signé par l'artiste.

      Hans-Ulrich Obrist 1995 Reliure toilée éditeur 23 photos contrecollées.

      [Bookseller: Librairie Christian Chaboud]
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        Arithmeticorum libri sex, et de numeris multangulis liber unus. Cum commentariis C.G. Bacheti V.C. & observationibus D.P. de Fermat senatoris Tolosani.Toulouse: Bernard Bosc, 1670.

      First edition of Fermat's discoveries in number theory and first printing of his celebrated 'last theorem', one of the most famous problems in mathematics and unsolved for over 325 years until its solution in 1995. Norman 777. <br/><br/> A Toulouse parlementaire with a passion for numbers, Fermat was one of the most brilliant mathematicians of his or any time. He made important discoveries in analytic geometry and algebra, and was the first European to make extensive contributions to the theory of numbers, which he restricted in principle to the domain of integers, establishing it as an independent branch of mathematics. Since most of his work in the realm of number theory remained unpublished in his lifetime and of limited circulation later, "it was neither understood nor appreciated until Euler revived it and initiated the line of continuous research that culminated in the work of Gauss and Kummer in the early nineteenth century. Indeed, many of Fermat's results are basic elements of number theory today... The importance of Fermat's work in the theory of numbers lay less in any contribution to contemporary developments in mathematics than in their stimulative effect on later generations" (DSB). His work paved the way notably for the development of the differential calculus.<br/><br/> Fermat showed not the slightest interest in publishing his work, which remained confined to his correspondence, personal notes, and to marginal jottings in a copy of the 1621 <i>editio princeps</i>, edited by Claude Bachet, of Diophantus' <i>Arithmetica</i>. Fermat's marginalia included not only arguments against some of Bachet's conclusions, but also new problems inspired by Diophantus. After his death, Fermat's eldest son Clement-Samuel published in 1670 his father's marginalia in this new edition. Most famous of the 48 observations by Fermat included here is the tantalizing note that appears on fol. H3r; stating one of the most famous problems in mathematics; the impossibility of finding a positive integer </i>n > 2</i> for which the equation <i>x<sup>n</sup> + y<sup>n</sup> = z<sup>n</sup></i> holds true for the positive integers <i>x</i>, <i>y</i>, and <i>z</i>. Fermat noted that he had discovered a 'truly marvelous demonstration' of this proposition, but that the margin was too narrow to transcribe it. The proposition, so simple in form, became known as the single most difficult problem in mathematics, and for over 325 years no mathematician succeeded either in disproving it or in finding Fermat's mysterious proof. In 1995 Andrew Wiles, professor of mathematics at Princeton, who had been obsessed with Fermat's proposition since the age of 10, completed a 130-page proof of the theorem (first presented in 1993, with a flaw that required revision), using the most advanced techniques of modern mathematics. His achievement was described by fellow mathematicians as the mathematical equivalent 'of splitting the atom or finding the structure of DNA' (Simon Singh). Nonetheless, Wiles had had to resort to sophisticated 20th-century techniques not available to Fermat. The exact form of Fermat's proof, if indeed he had a genuine one, thus remains one of the great unsolved puzzles of mathematics.. Folio (333 x 225 mm), contemporary sheepskin with richly gilt spine, pp [12] 64; 341 [i.e., 343, pp 337-343 mispaginated 335-341]; 48. Capitals and corners with some chipping and wear, boards with some scratches, spine lightly rubbed, but a fine and entirely untouched copy in its original state, internally fresh and clean

      [Bookseller: Sophia Rare Books]
 23.   Check availability:     Antikvariat     Link/Print  


        Arnaldo Pomodoro

      Milano: Fabbri Editori, 1995. ISBN 88-450-5798-4 Folio (12.25 in. by 12.25 in.); 382pp.; very good hardcover; fine dust jacket; lightly bumped book edge; crisp; clean; bright..

      [Bookseller: The Chisholm Trail Bookstore]
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        His Mistress's Voice

      The Press of Appletree Alley Lewisburg: The Press of Appletree Alley. 1995. First edition thus. Hardcover. Fine. First edition thus, SIGNED and numbered, 1995. Leather-backed cloth in cloth slipcase, gilt title on spine, 58 pp., clean unmarked text, Fine copy in Fine slipcase. Number 7 of 195 signed and numbered.

      [Bookseller: Caliban Books ABAA-ILAB ]
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        The Capitol Of Texas. A Legend Is Reborn.

      Longstreet Press, Inc., Atlanta. 1995.. Limited Edition, leather bound, and slip cased, signed by 6 Texas Governors including George W. Bush. At the time of the publication of this book George W. Bush was Governor of Texas. This exclusive all leather edition is signed by the then Governor Bush and his 5 predecessors. Signed in order from top to bottom of page, Ann Richards, Mark White, Dolph Briscoe, Preston Smith, W. P. Clements, and George W. Bush. The signatures are on a translucent limitation page in the front of the book. This special edition was limited to 1000 copies of which this is no. 662. The Austin American Statesman newspaper issued this book shortly after the restoration of the Capitol in 1995. Part of the proceeds from the sale went to the restoration fund. A news article appeared in the Austin American Statesman newspaper on April 20, 1995 notifying the public that these "special limited editions, leather bound and signed by Gov. George Bush and his five predecessors.." were available. The books sold out quickly and are now quite rare and sought after since Bush was elected as U.S. President. A copy of this article as it appeared in the Austin American Statesman will be included with the book to validate its source. Illustrated with full color of the completed restoration of the Capitol. 178 pages including index. 9 1/4 in x 12 1/4 in. Dark tan leather with blind stamp of Capitol dome on front. Gold titles on spine. Gilded edges. Book is housed in a matching cloth slip case with a gold imprint of the Capitol Dome. Illustrations and text are clean - no writing. Slip case and Book are in Fine condition. First Limited Edition. ISBN: 1563521962. Book condition: Fine (F). Book was issued without a jacket. Binding is: Full-Leather. 9 1/4 in. x 12 1/4 in. Signed by George W. Bush and 4 previous Texas Governors.

      [Bookseller: Quinn & Davis Booksellers]
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        Tangible Visions: Northwest Coast Indian Shamanism And Its Art

      New York, Monacelli Press with the Corvus Press, [1995]. First Edition ISBN: 1885254164. Bound in the publisher's original black cloth with the front cover stamped in blind and the spine stamped in red. Dust jacket. Book condition: Book fine, Dust jacket fine.

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
 27.   Check availability:     TomFolio     Link/Print  


        Northern Lights

      7-9 Pratt Street Point Scholatic Children's Books 1995. 0590541781 19 to 25 cm tall, Octavo, (8vo) First Edition. His Dark Material, First book Northern Lights 1995 First edition, First printing. Jacket has 'POINT Scholastic Children's Books, 7-9 Pratt Street London NW1 0AE' on inside back flap. Carnegie Medal sticker (some 1st 1st have these, some do not). No inscription, bookplate or signature. Back of title page has 1995 edition. No additional printings are shown. No number line. There are the tiniest spots of foxing on the top edges, and some yellowing to the page margins. The jacket is price clipped. Some scratch marks on the jacket back, and two creases to the front consistent with being read through. Otherwise average shelf wear to edges. Further photographs on request. Robust packaging. 1st class post to the UK, Airmail worldwide Hardcover Very Good. Dust Jacket Very Good

      [Bookseller: M Godding Ltd]
 28.   Check availability:     TomFolio     Link/Print  


        60 First Day Covers, Closing of Israeli Post Offices in Occupied Territories

      Israel, 1995. Near Fine. (STAMPS/POSTAL HISTORY) Sixty (60) First Day Covers, commemorating the closing of Israeli Post Offices in the Occupied Territories. &#147;Last day of Israeli Postmark under Military Administration&#148; November 2, 1995. Near Fine condition. Within 2 months of the signing of the Oslo Accords, control of the Occupied Territories was turned over to the newly created Palestine Authority. The last day of Israeli postmark under military administration became a symbol of the new transition in accordance with Israel&#146;s efforts to make peace with its Arab neighbors.

      [Bookseller: Historicana ]
 29.   Check availability:     ABAA     Link/Print  


        Tangible Visions: Northwest Coast Indian Shamanism And Its Art

      First Edition ISBN: 1885254164. Bound in the publisher's original black cloth with the front cover stamped in blind and the spine stamped in red. Dust jacket. Book condition: Book fine, Dust jacket fine.

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
 30.   Check availability:     TomFolio     Link/Print  


        17 Original-Aquarelle+ 1 Original-Aquarell, montiert auf Kartonschachtel. 15,5x21,5 cm.

      Lose in Originalkartonschachten. Das Original-Aquarell auf dem Schachteldeckel mit einem Text in Schreibmaschinenschrift: "ROLLEN DEM POL ENTGEGEN. Am nächsten Montage die nächste & übernächste zu früh beieinander gegenseitig rollen dem Pol Entgegen."

      [Bookseller: Daniel Thierstein Buchantiquariat]
 31.   Check availability:     antiquariat.de     Link/Print  


        My World - 1st Edition/1st Printing

      New York: Crown Publishers. Fine in Fine dust jacket. c1995. First Edition; First Printing; Signed by Author. 1/4 Cloth. 0517700271 . A handsome First Edition/First Printing, corners lightly bumped, else in unread Fine condition in Fine dust-jacket. SIGNED and dated "95" by author and singer Luciano Pavarotti directly on the title page ; Pavarotti introduces the key venues in his life, his work with other singers like Placido Domingo, José Carreras, his collaboration with conductor Zubin Mehta, his world tours and countless endeavours .

      [Bookseller: Books Tell You Why ]
 32.   Check availability:     ABAA     Link/Print  


        Of Love And Other Demons [del Amor Y Otros Demonios] - 1st US Edition/1st Printing

      New York: Alfred A. Knopf. Fine in Fine dust jacket. 1995. First Edition; First Printing; Signed by Author. Hardcover. 067943853X . A beautiful First US Edition/First Printing in unread Fine condition in alike dust jacket. Signed by Nobel Prize winner Gabriel García Márquez directly on the title page; In an 18th century South American seaport, twelve year old Sierva Maria is bitten by a rabid dog. Thought to be possessed, she is cared for at the convent by Father Cayetano Delaura who had premonitions of her arrival. It is not long before the two of them find themselves in the fevered misery of love. An evocative tale of the most universal experiences known to woman and man. Basis for the upcoming movie .

      [Bookseller: Books Tell You Why ]
 33.   Check availability:     ABAA     Link/Print  


        Al Aaraaf

      Livre d'Art by D'Ambrosio [Sherman Oaks:] Livre d'Art by D'Ambrosio, 1995 One of fifty copies printed letterpress on Lana Royal Classic paper. Signed on the title-page by D'Ambrosio. Trapezoidal shape binding in quarter blue morocco and mirrored panel boards, housed with the original trapezoidal two-part display stand and cover with further mirrored paneling. . Octavo. Printed letterpress in black and purple with woodcut backgrounds in various colors, several pages with embossed margins. A fine copy. Based on the Danish astronomer Tycho Brahe's discovery of what later would be termed a supernovaâ??Al Aaraaf (a star that arose upon the night in a brilliant flash, stayed for a short while, and then disappeared), Edgar Allan Poe created this metaphysical communication of fleeting beauty. In it he juggles time and space between reality and fantasy. I had no recourse but to do the same. However, I did start with a basic premise, which is that when one passes a mirror, one can see one's image and the surrounding scene. Once past the mirror, one disappears from the view but the reflection of the surrounding scene continues: a visual presentation of the term 'evanescence.' During the period of the Danish astronomer Tycho Brahe (1546-1601), all heavenly bodies were given Arabic names. The structure of the book, therefore, had to evoke that background, along with the spirit of a beautiful thing arising and then passing forever from view. Hence, I created a mirrored polybhedron with unintellible but real script that evokes Arabic writing (but not Arabic) banding its throatâ?¦" (Joseph D'Ambrosio in A Memoir of Book Design 1969-2000).

      [Bookseller: Michael R. Thompson, Booksellers, ABAA/I]
 34.   Check availability:     ABAA     Link/Print  


        Faksimile - Das Buch der Wunder . Bibliothèque nationale, Paris, Ms. Français 2810.

      Faksimile: 2°, 192 S. , m. 84 farb. Illustr.; Kommentarbd.: 506 S., zahlr Abb., Faksimile: Braunes Kalbsleder mit 8 echten Bünden, handvergoldetete Stehkanten in mit tiefblauer Chinaseide bezogene Original-Schmuckkassette. Kommentarbd: Kalbs-HLdr. in Kart.-Schuber, Tadell. VERGRIFFEN. Nr. 688 der 980 arab. num. Auflage (zusätzl. 80 röm. num. Ex., diese nicht im Handel). Inklusive Acrylglas-Lesepult und Schutzglas. Die Bilderhandschrift über Marco Polos phantastische Abenteuerreisen gehört zu den berühmtesten Handschriften des Mittelalters. Die Künstler: Die größten Buchmaler ihrer Zeit schmückten die Handschrift mit bezaubernden Miniaturen die in 2 Künstlergruppen einzuteilen sind. Eine davon wird dem berühmten Boucicaut-Meister zugezählt, der einer der größten Neuerer unter den Künstlern Nordeuropas vor den Brüdern van Eyck war. Ihm stand der sogenannte Mazarine-Meister zur Seite. Beiden können 37 der Miniaturen zugeordnet werden. Auch die zweite Gruppe besticht durch ihre Qualität und die Sorgfalt der Künstler, deren Zusammenarbeit sehr eng gewesen sein muß. Zu nennen wären hier der Egerton-Meister und der Bedford-Meister. Diese beiden führten 44 Miniaturen aus. Die Reise: Marco Polos Vater und Onkel waren bereits 1261 bis 1269 in Asien gewesen. 1271 brachen sie erneut dorthin auf und nahmen den jungen Marco mit. Der Weg führte in mühevollen dreieinhalb Jahren über eine Riesendistanz: von Palästina über Persien und den Persischen Golf, Pakistan und Pamir nach Nordchina. Dort erreichten die drei den sagenumwobenen Hof des Mongolenherrschers Kublai Khan. Marco Polo gelang es, das Vertrauen des Großkhans zu gewinnen, er beherrschte mehrere Sprachen und auch die mongolischen Schriftzeichen. Kublai Khan betraute ihn mehrmals mit vertraulichen Missionen, die ihn durch weite Teile Ostasiens, aber auch in die Gebiete Südostasiens führten. Erst 1292 begab sich Marco Polo auf die Rückreise, die ihn, diesmal über den Seeweg den Küsten des Indischen Ozeans entlang, über Bagdad nach Venedig führte. Hier ließ er sich nieder und gründete eine Familie. Im Krieg Venedigs gegen Genua befehligte der Weitgereiste eine Galeere, wurde aber gefangengenommen und mußte drei Jahre lang in Haft verbringen. Hier teilte er eine Zelle mit einem Literaten namens Rusticello, der seine phantastischen Erlebnisse niederschrieb. Dieses Werk, das sich nur über Abschriften erhalten hat, ist die erste präzise geographische und ethnologische Dokumentation von Ländern und Völkern des Orients. Sie beeinflußte sogar Kolumbus, der ein persönliches Exemplar der Handschrift gehabt haben soll. Marco Polo hatte sich während der Reisen Notizen gemacht, um Kublai Khan alles genau erzählen zu können. In seinen Berichten erwähnt er aber auch Regionen, die er mit hoher Wahrscheinlichkeit nie selbst bereist hat. Das Einzigartige an dieser Handschrift ist die Tatsache, daß es sich um ein Buch handelt, in dem Wirklichkeit und Phantasie aufeinandertreffen, wo mittelalterliche Vorstellungswelten mit europäischen Traditionen, Sagen und Geschichten verwoben sind. Das Buch: Ursprünglicher Besitzer der Handschrift war vermutlich Johann Ohnefurcht, Herzog von Burgund. Sicher ist nur, daß sie in den Inventaren des Herzogs von Berry auftaucht, die das Prachtwerk als Geschenk des Burgunderherzogs verzeichnen. Auch viele persönliche Symbole und Hinweise deuten auf Johann als Auftraggeber hin. Nach dem Tod des Herzogs von Berry ging das Werk an die Familie Armagnac über. Danach verschwindet die Handschrift im Dunkel der Geschichte, woraus sie erst in der Bibliothek König Franz' I. Anfang des 16. Jahrhunderts wieder auftaucht. Ende des 17. Jahrhunderts erhielt die Handschrift ihren heutigen Einband, geschmückt mit dem königlichen Wappen. Der Kommentarband: Ein umfangreicher zweisprachiger Kommentarband (deutsch/franz.) vereinigt Beiträge folgender Experten: Jean Richard, Professor für mittelalterliche Geschichte an der Universität Dijon und Mitglied des Institut de France; François Avril, Chefkonservator der Handschriftenabteilung der Bibliothèque nationale in Paris; Jacques Monfrin, Professor für romanische Philologie und Ehrendirektor der Ecole des Chartes (Paris); Marie-Thérèse Gousset, Konservatorin in der Handschriftenabteilung der Bibliothèque nationale, und Marie-Hélène Tesnière, Konservatorin an der Handschriftenabteilung der Bibliothèque nationale.

      [Bookseller: Antiquariat Peter Petrej]
 35.   Check availability:     antiquariat.de     Link/Print  


        Infanta

      Takarajima Books (New York): Takarajima Books. (1995). First. First American edition, publisher's maquette. Introduction by Alexandra Anderson-Spivy. Afterword by Mary Gaitskill. Folio. Publisher's maquette, that is, a pre-publication handmade example of the book prepared by the publisher's design staff, consisting of unprinted pages bound in cloth, with both the text and offset linescreen examples of the Gibson images affixed to the blank pages with paste, with a handmade mockup of the dustwrapper with image, cover and flap text all affixed with paste (and which differs slightly from the published version). Most notable is that this version includes six images that were not included in the final published version of the book. One block of text (the title on the title page) has detached but is present, else very near fine in near fine dustwrapper, with plastic affixed over the jacket, presumably by the publisher. Offered with a first American edition of the final book. Almost certainly a unique publisher's maquette for the book. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 36.   Check availability:     ABAA     Link/Print  


        La Corona ferrea nell'Europa degli imperi. Società di studi monzesi. Vol.1, La corona, il regno e l'impero: un millennio di storia. Vol. 2, Alla scoperta del prezioso oggetto, Tomo I, Arte e culto, Tomo II, Scienza e tecnica.

      Giorgio Mondadori 1995-98 In 4, pp. XXXVI+427, XXXII+204, 383, + un cofanetto contente l?indice delle tavole e 22 tavole ill. Legat. edit. t. tela blu, titoli in oro al piatto e al dorso, fogli di guardia ill. Sovracop. ill. con alette e cofanetto edit. Numerose tavv. e ill. a colori a piena pag. e alcune ripieg. Saggi di Ambrosioni Annamaria, Burke Peter, Paganini Carlo, Elze Reinhard, Cassanelli Roberto, Ruiz Martin Felipe, Tenenti Alberto, Pillepich Alain, Mraz Henrike, Rumi Giorgio, Roberto Conti, Enrico Mazza ed altri ancora. L?opera, di per sé maestosa, si presenta in ottimo stato.

      [Bookseller: Nuovi Quaderni di Capestrano]
 37.   Check availability:     maremagnum.com     Link/Print  


        Le Regard du Temps, Le Regard d'Enfant, Le Regard d'Amour (3 Volumes) (First Edition)

      New Art Seibu Tokyo: New Art Seibu, 1995. First Edition. First Editions, first printings. Published in Japan with text in Japanese. All 3 volumes Fine in Near Fine dust jackets with light soiling to the white jackets. Several hundred plates in 3 volumes. Two volumes have original publisher's belly bands.

      [Bookseller: Royal Books, Inc. ]
 38.   Check availability:     ABAA     Link/Print  


        A Further Adventure of Sherlock Holmes: The Adventure of the Dorset Street Lodger, by John H. Watson M.D

      Number Two Dorset Street London: Number Two Dorset Street. Near Fine. [1995]. First Edition. Hardcover. NOISBN . (no dust jacket, presumably as issued) [extremely light handling wear, spine cloth a bit faded; gift inscription from a "David" on the front pastedown, with a somewhat cryptic inscription, possibly to himself: "The perfect guest. A momento from him be this."]. (B&W illustrations) One of the rarest items of modern-day Sherlockiana, this anonymous "further adventure" was written by Michael Moorcock, by his account, "for some friends who had started a hotel in Dorset Street, as a special give-away for their first guests." Its conceit is that it was written by Dr. Watson in 1895, but at the behest of Sherlock Holmes, who wished the tale only to "be published, if published at all, one hundred years after the date of the last record, when those involved will be long dead and events so remote as no longer to embarrass living descendants," Watson placed the manuscript in the strongbox of his "good friend, Sir Arthur Moorcock of the Tower House, near Dent," there to be held safely until the requisite century had passed. (This is the only place that the name "Moorcock" appears in the book.) It's unknown how many copies of the original edition were printed -- I've seen the figure 200, although that seems to be total speculation -- but in any event there couldn't have been many.(For one thing, some of the original recipients most certainly would have regarded it as little more than a promotional giveaway-cum-throwaway.) .

      [Bookseller: ReadInk ]
 39.   Check availability:     ABAA     Link/Print  


        Stur.

      Folio, 18 Bll. mit von vier Stöcken gedruckten Orig.-Farbholzschnitten, Orig.-Halblederband. Erste Ausgabe.- Eines von 30 (gesamt 50 + 20) nummerierten und vom Künstler im Impressum signierten Exemplaren der Ausgabe B.- Druck der Holzschnitte von Winfried Henkel, Handeinband von Ludwig Vater.- Schönes Exemplar.

      [Bookseller: Antiquariat Eckert & Kaun GbR]
 40.   Check availability:     antiquariat.de     Link/Print  


        Tax Court Reports of the United States. Vols. 1 to 105 (1942-1995)

      1995. Tax Court Reports of the U.S. United States Tax Court. Washington: U.S. Government Printing Office. Original cloth. Vols. 1 to 105 (1942-1995). Ex-private law library with stamps, else very good condition. See digital image. Reprint Price * Reports of an independent executive agency created by the Revenue Acts and continued by the Revenue Codes. The Reports continued the Board of Tax Appeals Reports. Updated as released by the GPO. Standing order service available for future bound volumes as published. All individual volumes are also available. Most recent volumes published: Vol. 110 USD 30; Vol. 111 USD 21; Vol. 112 USD 24; Vol. 113 USD 35; Vol. 114 USD 49; Vol. 115 USD 49; Vol. 116 USD 44; Vol. 117 USD 33; Vol. 118 USD 53.50; Vol. 119 USD 34; Vol. 120 USD 66; Vol. 121 USD 34; Vol. 122 USD 40; Vol. 123 USD 40; Vol. 124 USD 31.

      [Bookseller: The Lawbook Exchange, Ltd. ]
 41.   Check availability:     ABAA     Link/Print  


        PHILIPS: TIJDENS DE BEZETTING [PHILIPS: DURING THE OCCUPATION]

      1995. Paperback. 1. WORLD WAR II. PHILIPS: TIJDENS DE BEZETTING [PHILIPS: DURING THE OCCUPATION]. Eindhoven, Philips Corp. 1945. 8vo (5 3/4 x 8"), pictorial wraps, near Fine. Printed on one side of the paper, each page has a full color illustration depicting events leading to the takeover of the Phillips Corporation by the Nazi occupation of Holland. It presents events during the occupation including one page of concentration camp members at work in the factory. On 9 May 1940, the Philips directors learned that the German invasion of the Netherlands was to take place the following day. Having prepared for this, Anton Philips and his son in law Frans Otten, as well as other Philips family members, fled to the United States. Frits Philips, the son of Anton, was the only Philips family member to stay in the Netherlands and run the factory. He saved the lives of 382 Jews by convincing the Nazis that they were indispensable for the production process at Philips. In 1943 he was sent to a concentration camp for 4 months because a strike at his factory reduced production. For his actions in saving the hundreds of Jews, he was recognized by Yad Vashem in 1995 as a "Righteous Among the Nations". Frits Philips has written the foreward with W.F. Otten.

      [Bookseller: Aleph-Bet Books, Inc. ]
 42.   Check availability:     ABAA     Link/Print  


        Instrument of Darkness (First UK Edition, signed)

      HarperCollins Harper Collins London: HarperCollins [Harper Collins], 1995. First Edition. First Edition. SIGNED by the author on the title page. The author's first novel, introducing '"fixer" Bruce Medway, with jacket art by Peter Sutton. Spine ends lightly bumped, and the usual uneven tanning to the page edges, with light shelfwear to the jacket extremities, else Near Fine and unread in a Near Fine dust jacket. Scarce signed.

      [Bookseller: Royal Books, Inc. ]
 43.   Check availability:     ABAA     Link/Print  


        His Dark Materials: Northern Lights

      Scholastic London, et al: Scholastic, 1995. First Edition. Hardcover. Good+/Very Good. Cloth; quite worn and wrinkled, scuffed along the edges. Dust jacket wrinkled along the edges; VG+ in mylar. Signed by Pullman, on his personal bookplate (illustrated with an image of a crow), affixed to the copyright page.

      [Bookseller: Sanctuary Books ]
 44.   Check availability:     ABAA     Link/Print  


        SACRI - Photographs as Lithographs - Opus 29 - SIGNED COPY.

      Helsinki - Odense - Museet for Fotokunst, 1995. Tall 8vo portfolio (30,5 × 15,5 cm) in stiff wraps. 8 black and white photographs and 9 sample pictures illustrating the tone separation, the method and the effect of the printing paper. Text by the artist in English. Quattrotone offset print. Edition: 300 numbered copies. This copy has all 8 photos SIGNED IN HAND BY Pentti Sammallahti. Light wear to edges. Clean, very well preserved copy.. First edition of this very rare portfolio by Sammalahthi including eight panorama images from holy places around the world - 8 plates SIGNED in hand

      [Bookseller: Kirkegaards Antikvariat]
 45.   Check availability:     Antikvariat     Link/Print  


        FINDING MOON. Signed and limited edition

      HarperCollins New York,: HarperCollins, 1995. American novel; 319 pages; 24cm; copy B of 26, signed; slipcase; condition as new.. Signed. First edition. Hardcover. Near fine condition. Octavo (8vo).

      [Bookseller: Kurt Gippert Bookseller (ABAA) ]
 46.   Check availability:     ABAA     Link/Print  


        Bartleby the Scrivener, A Story of Wall-Street. Calligraphy by Suzanne Moore

      Indulgence Press [Minneapolis, MN]: Indulgence Press. 1995. One of 100 copies, all on Arches MBM mould made paper, each hand-number and signed in pencil by Wilber Schilling, who designed, printed, and bound this book, the first letterpress edition by Indulgence Press. Page size: 12 x 6 inches; 56pp. Bound by the printer: "sew-boards" structure learned from Daniel Kelm at his Wide Awake Garage, debossed grey paper from deep etched plate (taken from an enlarged section of the frontice piece image of the bricked in window); then attached to a 20pt museum board, using an etching press. The 20pt board allows the paper to retain the debossment after it is glued down to the cover of the book. The binding used on this book is a sewn board structure originally devised by Gary Frost. grey stamped paper over boards, red cloth spine and tips, title printed in black on spine, handmade ochre colored end sheets by MacGregor & Vinzani. Illustrated with frontispiece photograph reproduced as a Kallitype print on Kitakata paper editioned by Mr. Shilling. In addition, noted book artist, Suzanne Moore, has lettered the phrase, "I would prefer not to". It is printed in ochre from polymer plates in an increasingly large size and in an increasingly unreadable page position starting on page 16 and ending with a faint ochre outline on the colophon page. The text of the colophon is shaped to fit within the "p" of prefer. The text was composed in 12 point Bulmer, using the Monotype System, with the assistance of Kent Kasuboske at the Clearing Press. It was printed at the Janus Press by Mr. Schilling. Originally published anonymously in two parts in 1853, Melville's story is not simply reprinted here. Rather the aching phrase, "I would prefer not to" is beautifully rendered in Ms. Moore's extraordinary ochre lettering, superimposed on the black type, the letters increasingly large and illegible as they slip off the page - as Bartleby slips from life. Mr. Schilling's vision of Melville's story is lovely to look at and hold and read, but more tellingly is an unobtrusive but challenging interpretation of a classic. See an Image.

      [Bookseller: Priscilla Juvelis, Inc. ]
 47.   Check availability:     ABAA     Link/Print  

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