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Displayed below are some selected recent viaLibri matches for books published in 1983

        "Entre chien et chat".

      1983Aquarelle, mine de plomb, 1983, signée en bas à droite, 18 x 25.5 cm., encadrée. Jean-Pierre Desclozeaux (né à Sernhac en 1938) est un affichiste, auteur d'albums ("L'oiseau Moqueur", "Entre chien et chat", "Mine de rien"...) et illustrateur à l'humour incisif. Il collabore à Télérama, Le Nouvel Observateur, Le Monde dans la rubrique "La Table"... Il fut l'élève de Paul Colin (de 1957 à 1960). Il a reçu le prix Grandville de l'Humour Noir (1967) et le prix Honoré Daumier (1982). Il expose dans de nombreuses galeries (à Paris, Munich, Londres, Avignon, L'Ile aux Moines...). Président de l'Association des Amis de Ronald Searle et Fondateur de la Société Protectrice de l'Humour, il est un fervent défenseur de la cause des illustrateurs. L'artiste, dans ses dessins, aime passer en revue les différents aspects de la vie quotidienne sans indulgence mais sans aucune méchanceté. Il aime à croquer ses contemporains, leurs moeurs et leurs travers. Ce dessin plein de fraicheur croque un chien, type basset, suivi d'un chat, tigré, baluchons à l'épaule partant en vacances. Cette oeuvre originale illustre la page 55 du livre "Entre chien et chat" sur un texte de Louis Nucéra et l'illustration de Jean-Pierre Desclozeaux parue dans la Collection Humour chez Denoël en 1983.

      [Bookseller: Librairie Chrétien]
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        Eternal Chaotic Inflation" in Modern Physics Letters A, Volume 1, Number 2, May 1986, pp. 81-85

      FIRST EDITION IN ORIGINAL WRAPS OF THE FIRST INCLUSION OF ETERNAL INFLATION IN THE CHAOTIC INFLATION THEORY. In this paper, the Russian-American theoretical physicist, Andrei Linde shows that his 'Chaotic Inflation' theory models quantum fluctuations in the rate of inflation, thus demonstrating "that any inflationary theory with an unbounded potential is eternal" (Anderson, Cosmic Compendium, 35). Eternal chaotic inflation "remains the "standard model" of inflation more than 20 years after its conception" (Wenner Collection). Evidence for this model continues and is persuasive. Linde shows "that the evolution of the universe in the chaotic inflation scenario has no end and may have no beginning. According to this scenario, the universe consists of an exponentially large number of different mini-universes inside which all possible metastable vacuum states and all possible types of compactifications are realized" (Linde, "Eternal Chaotic Inflation", 81). "Those regions with a higher rate of inflation expand faster and dominate the universe, despite the natural tendency of inflation to end in other regions. This allows inflation to continue forever, to produce future-eternal inflation" (Anderson). "In 1983, Andrei Linde demonstrated that quantum fluctuations could begin inflation without the highly unlikely condition of a high plateau in the energy potential hill, and he named the result "chaotic inflation." In 1986 [and in this paper], Linde extended his theory to include the notion of eternal inflation. When begun, "eternal chaotic inflation" would continue to grow in random (chaotic) ways through other quantum fluctuations, and thus be eternal-hence the term "eternal chaotic inflation." An outgrowth of the Big Bang theory, 'eternal inflation' is a model of the universe in which "the inflationary phase of the Universe's expansion lasts forever in at least some regions of the Universe. Because these regions expand exponentially rapidly, most of the volume of the Universe at any given time is inflating. All models of eternal inflation produce an infinite multiverse" (Anderson, Cosmic Compendium, 35). CONDITION & DETAILS: Original wraps, complete issue. [9.75 x 6.5 inches]. Ex-libris bearing a stamp, etc. on the front wrap, otherwise clean, bright, and tight. No other library marks within whatsoever. Pristine within. Very good ++.

      [Bookseller: Atticus Rare Books]
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        Haida Monumental Art - Villages of the Queen Charlotte Islands

      University of British Columbia Press, 1983. 218 pages. From limited edition of 1600 copies. "Concerned entirely with the Haidas of the Queen Charlotte Islands of the last century, the intricacies of the kinship patterns of the great families, and how they saw themselves as part of a fantastic, but in its own terms, logical, cosmos, and most of all how this was all expressed in their remarkable architecture with its perfectly integrated massive carved and painted embellishments, the great totem poles of the Haidas." - from Foreward. "The documentary photographs that survive are among the few remaining records which illustrate the richness and variety of Haida monumental art. Of the more than five hundred carved poles which appear in the plates, only about fifty were removed to museums for safekeeping. The remainder have perished entirely or survive at the village sites as decayed fragments overgrown with the lush vegetation of the islands." - from Preface. Light external wear and soiling to cream-coloured cloth-covered boards. No external markings. Discreet bookplate and bit of writing inside front board. Blindstamp to lower corner of title page. Bit of writing in upper left corner of title page. Remnant of card pocket inside back board. Binding tight. A quality copy of this magnificent work. Former Library Copy

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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        Gli anni delle immagini perdute. Introduzione di Vasco Pratolini. Cinque acqueforti di Renato Guttuso.

      Prandi, 1983. 4°;(cm.34x24), pp.512 su carta a mano Magnani. Ril. m.pelle con angoli e tela, titoli in oro al dorso e cinque nervi, taglio superiore dorato, con astuccio tela editoriale. Magistralmente composto e stampato a Verona dalla Valdonega di M.Mardersteig. Le cinque acqueforti di Guttuso, eseguite espressamente per l'amico Zurlini, rappresentano tutte delle rose, sono num. e firmate a matita dal Maestro e sono inserite sciolte in fine volume in apposita cartelletta. Edizione tirata a 200 esempl. num.. Bella ed importante opera di grande interesse del celebre regista, scomparso mentre il volume era in stampa. Contiene un interessantissimo diario: i primi passi nel mondo dello spettacolo, i suoi films, gli incontri con artisti e personaggi importanti della cultura nonchè il soggetto del film:"La Zattera della Medusa" e due sceneggiature di films che non ebbero realizzazione, "Verso Damasco" e "Il sole nero". (Vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Plate XI Mother & Child (C. 681)

      - Etching and aquatint and roulette printed in colours, 1983, signed in pencil, inscribed with the plate number, numbered 4/65 (there were also 15 hors de commerce proofs) on Arches wove paper, with the printer's blindstamp, James Collyer and John Crossley, London. published by Raymond Specer Company Ltd for the Henry Moore foundation, Much Hadham, Plate: 34.6 x 26.4cm Sheet: 62 x 52.1 [Attributes: Signed Copy]

      [Bookseller: Shapero Rare Books]
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        Donald Fagen - The Nightfly: Songbook for Piano and Voice with Guitar Chords

      Cherry Lane Music Co. Inc, 1983. 64 pages. Several black and white photos. Features the incomparable stylings of Donald Fagan, best - known for his work as part of Steely Dan. The arrangements are challenging, even for seasoned keyboard artists, but well worth the effort, for they will produce honey for your ears, and soul. Songs include: I.G.Y. (What a Beautiful World); Green Flower Street; Ruby Baby; Maxine; New Frontier; The Nightfly; The Goodbye Look ;Walk Between the Raindrops. Unmarked. Average wear. Minor bits of faint biege moisture exposure to fore - edge of some pages. Binding intact. A sound copy of this truly outstanding work.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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        MEMOIRES ET CAMPAGNE DU BARON LARREY - 5 TOMES EN 5 VOLUMES

      1983. ISBN : 2904380027 .REMANENCES. 1983 - 84. In - 8.Carré. Relié. Très bon état. Couv. remarquable. Dos impeccable. Intérieur frais. 402+ 518+ 502+ 542+ 470 pages - frontispice en noir et blanc - quelques illustrations et fac - similés en noir et blanc hors texte - nombreuses pages dépliantes dans le texte - contreplats jaspés - ornements dorés sur les plats et le dos - tranches en tête dorées - 4 photos disponibles Préface du Dr André Soubiran

      [Bookseller: Le-Livre.Com]
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        Negre + Blau... Revista d'art i poesia. n°0-19

      Barcelona, Edicions del Cotal, 1983-1987. 18 volumes in-4 sous 3 emboîtages. 18 numéros de la luxueuse revue d'avant-garde catalane negre+blau, tirée à 298 exemplaires. Manquent les numéros 13 et 14. Eaux-fortes originales signées et numérotées de Salvador Juanpere, Antoni Nomen, Gerard Sala, Josep Vernis, Josep Guinovart, Victor Perez Pallares, Molleret, Antoni Clavé, Albret Rafols-Casamada, Rosa Codina, Perecoll, Victor Mira, Francesc Todo, etc., et une photographie originale d'un portrait de Duchamps par Xavier Miserachs. * Voir photographie(s) / See picture(s).* Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *

      [Bookseller: Chez les Libraires Associés]
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        Christine

      U.S.A.: Viking Press, 1983 A near fine first edition in a near fine dust jacket inscribed by King on the half-title page.

      [Bookseller: Bookbid Rare Books]
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        "Les Turlutins fêtent Noël ".

      1983Plume sépia et aquarelle sur papier fort signée, 1983, 11 x 14.5 cm, signée du monogramme en haut à droite. Original pour un projet de couverture non retenu, pour l'album "Les Turlutins fêtent Noël". Annotations manuscrites de l'illustratrice. "Avec Anne-Marie Chapouton, elle met en scène une foule de minuscules personnages plus remuants et plus sympathiques les uns que les autres". (in "Gerda Muller ou la poésie de la réalité" Centre de l'illustration, Moulins).

      [Bookseller: Librairie Chrétien]
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        The Neverending Story.

      New York: Doubleday & Company, 1983. First edition in English. Octavo, original cloth. Signed by Michael Ende on the half title page. Fine in a near fine price-clipped dust jacket with the lightest of wear. Translated by Ralph Manheim. Illustrated by Roswitha Quadflieg. The Neverending Story was originally published in German as "Die unendliche Geschichte" in 1979 and later translated by Ralph Mainheim. It was later adapted to film in 1984 and directed by Wolfgang Petersen.

      [Bookseller: Raptis Rare Books]
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        Storia Arte e Costume nell'industria tessile. Immagini della lavorazione del tessuto nei secoli, raccontate da quarantatre grandi Artisti italiani.

      Omar Aprile Ronda - Dialoghi Club, 1983. In folio; breve testo del Vercellotti, seguono, sciolte racchiuse in singole cartelle con testi di autori vari, quarantatre grafiche originali di grandi Artisti italiani su carta a mano Fabriano e Magnani, tutte numerate e firmate a matita. Gli Artisti che hanno partecipato a quest'opera sono: Valerio Adami, Fabrizio Clerici; Remo Brindisi, Giuseppe Zigania, Bruno Cassinari, Floriano Bodini, Federica Galli, Valeriano Trubbiani, Enrico Paulucci, Ernesto Treccani, Luciano Minguzzi, Antonio Possenti, Lucio Del Pezzo, Vanni Viviani, Emilio Greco, Pietro Annigoni, Giuseppe Ajmone, Antonio Bueno, Domenico Purificato, Bruno Caruso, Arnaldo Pomodoro, Tono Zancanaro, G.Battista De Andreis, Giovanni Cappelli, Giuseppe Giannini, Francesco Tabusso, Enzo Bellini, Mario Calandri, Renzo Biasion, Giuseppe Migneco, Concetto Pozzati, Arturo Carmassi, Giancarlo Cazzaniga, Robert Carroll, Enrico Baj, Franco Rognoni, Francesco Casorati, Orfeo Tamburi, Ugo Nespolo, Ennio Morlotti, Emilio Tadini, Giuseppe Guerreschi, Gianni Dova. Il tutto racchiuso in cartella t.tela e cuoio edit. con titoli e fregio in piombo in rilievo al piatto. Edizione tirata a soli 150 esemplari numerati. Esemplare perfetto (n.°93/150), eccezionale raccolta di grafica. (Vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Léo Malet - Portrait 1

      1983. S.n., S.l. [Paris] 1983, 24x30,5cm, une feuille. - S.n., S.l. [Paris] 1983, 24x30,5cm, une feuille. - Photographie originale. Tirage gélatino-argentique d'époque en noir et blanc. Epreuve d'artiste signée au verso.  Portrait de l'écrivain Léo Malet. En 1983 débute pour Bruno de Monès une collaboration régulière avec Le Magazine littéraire qui va perdurer jusqu'au milieu des années quatre-vingt-dix.   [FRENCH VERSION FOLLOWS] Photographie originale. Tirage gélatino-argentique d'époque en noir et blanc. Epreuve d'artiste signée au verso.  Portrait de l'écrivain Léo Malet. En 1983 débute pour Bruno de Monès une collaboration régulière avec Le Magazine littéraire qui va perdurer jusqu'au milieu des années quatre-vingt-dix.  

      [Bookseller: Librairie Le Feu Follet]
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        Portrait photographique de André Dhôtel par Bruno de Monès (tirage baryté numéroté et signé)

      en feuilles 50,5 x 40,5 cm marges comprises. Sujet : 46 x 35 cm. Tirage gélatino-argentique sur papier baryté, justifié au dos épreuve d'artiste, numéroté (1/30), légendé et signé par l'artiste. Portrait saisissant d'un André Dhotel alors atteint d'un cancer de la peau qui touchait son oeil gauche. Cette photographie a paru pour la première fois dans le "Magazine littéraire" de septembre 1983. Très bon ////// ATTENTION : La librairie sera fermée jusqu'au 22 septembre 2016. Jusqu'à cette date nous ne pourrons que prendre note de vos réservations d'ouvrages par e-mail. //////

      [Bookseller: Julien Mannoni livres anciens]
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        Chansons pour Elle. Vingt-cinq poèmes de Paul Verlaine. Illustrés d'eaux-fortes de Hans Erni.

      Lausanne, André et Pierre Gonin 1983, 356x304mm,80 p. en feuilles dans un étui sous emboîtage.En feuilles de couleur rouge sous couverture en bistrol rouge recouvert d'une feuille de papier rouge avec une reproduction sur le front.Chemise en demi-parchemin imprimé sur le dos et en tissu rouge.Etui recouvert de tissu rouge de parchemin sur les tranches.L'emboîtage a été réalisé par les reliures Burkhardt et Stemmle à Zurich.Imprimé par l'imprimerie Kundig. Les 11 eaux-fortes originales ont été tirées sur les presses à bras de l'Atelier de taille-douce à Saint-Prex, sous la direction de Pietro Sarto.1 des 122 exemplaires sur vélin à la main, teinté en rouge, papeteries de la Barcelone à Mirecourt, numérotés 26 à 147, numéros 26.

      [Bookseller: Bouquinerie du Varis]
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        Der Zauberflöte zweiter Teil. Fragment. Mit 10 Bildern von Roswitha Quadflieg.

      Hamburg, Raamin-Presse, 1983. 4°. 30,5 cm. 44 Seiten. Hellgrauer Original-Ganzlederband im Original-Pappschuber. (= 14. Druck der Raamin-Presse Hamburg). Nummer 56 von 150 nummerierten und von Roswitha Quadflieg im Impessum signierten Exemplaren. Der Text wurde aus der Romulus 16 Punkt gesetzt, in Metallplatten negativ geätzt und von diesen gedruckt. Die Regieanweisungen wurden aus der Cancelleresca Bastarda 16 Punkt gesetzt. Acht der zehn Bilder entstanden durch den kombinierten Druck von je zwei Stichen in Kunstharz und einer Radierung in zwei Farben, zwei durch den Druck der Radierung auf eine getönte Fläche. Gestaltung, Handsatz und Druck der Textseiten und der Stiche Roswitha Quadflieg. Der Druck der Radierungen von den Originalplatten wurde durch die Werkstätten für Kupferdruck H. Kätelhön in Möhnesee-Wamel ausgeführt. Papier: Blaues, handgeschöpftes Japanpapier \"Mingei\". Den Einband in eingefärbtes Kalbsleder besorgte Christian Zwang, Hamburg. Rücken wenig gedunkelt. Sehr gutes Exemplar. Versand D: 4,90 EUR Pressendruck / fine press; Vorzugsausgabe / limited edition

      [Bookseller: Antiquariat Lenzen GbR]
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        ARS MEDICORUM

      Boquince, Caesaraugusta 1983 - 5 + 8 láminas 61x51 cm Tapa dura, caja zonas oscurecidas por etiqueta explicativa guarda Estuche con 8 láminas de 50x60 cm reproduciendo originales primitivos y realizados en especial impresión serigráfica de 30x40 cm. El papel de tirada especial Archis. Las láminas reproducen distintos procesos y técnicas médicas medievales y primitivas: Escena de estirpación de Testículos (Chirurgia Rolando de Parma, XIV) ; Escena de sangría (Canon Maior del Maestro Avicena); Extracción punta de flecha clavada en el cullo (Cirugia del Maestro Ruggero); Representación del esqueleto humano (M S Ashmole); Postura Podálica con un solo pié (Codice Ashmole); Anathomia indicada por figuras de Guido de Vigevano; Escena de Sangria (Chirugia Magistre Roger II); Introducción de un sedal en el conjunto lagrimal para tratar la Catarata (Chirugia Magistri Roger II)

      [Bookseller: Librería Maestro Gozalbo]
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        TORTOISES. SIX POEMS BY D. H. LAWRENCE

      Cheloniidae Press, Williamsburg, MA 1983 - No. 63 of 90 copies signed by Alan Robinson (total edition of 300). Quarto. Unpaged. Illustrated with wood engravings by Alan James Robinson, portrait frontispiece and seven images of tortoises. Printed on Fabriano Perusia paper at the Hampshire Typothetae Press. Hand-bound at the Gray Parrot Press in quarter vellum over paper-covered boards with gilt spine title. This with an extra suite of the tortoise illustrations each signed in pencil by the artist and an original pencil drawing also signed by Robinson. The extra suite in a linen portfolio. All housed in vellum backed linen solander box. No. 63 of 90 copies signed by Alan Robinson (total edition of 300). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: First Folio A.B.A.A.]
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        LA MIA VITA SEGRETA CON 58 LETTERE AUTOGRAFE ORIGINALI E INEDITE SCRITTE DAL DUCE DEL FASCISMO SU QUESTIONI RIGUARDANDI LA SUA VITA PRIVATA NELL'ARCO DI TEMPO INTERCORRENTE FRA IL 1913 E IL FATALE 1945

      DINO EDITORI, 1983. BASSORILIEVI ORIGINALI DI ANTONIO COCCHIONI RAFFIGURANTI DA UN LATO BENITO MUSSOLINI CON I SIMBOLI DELLE SUE GRANDIOSE REALIZZAZIONI IN FAVORE DELL'ITALIA E, DALL'ALTRO, L'ESALTAZIONE DEL GENIO E DEL LAVORO ITALIANI.INCISIONI ORIGINALI DI DANTE RICCI.SGUARDIE IN SETA MAREZZATA, TESTO INQUADRATO, NUMEROSE TAVOLE E UN GRANDE RITRATTO DI MUSSOLINI IN ANTIPORTA. EDIZIONE SPECIALE AD PERSONAM IRRIPETIBILI SERIE "ORO" E FIRMATA DALL'EDITORE. 222

      [Bookseller: Libreria Antiquaria Pagine Scolpite]
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        Unpublished Typescript about George Orwell and Nineteen Eighty-Four

      (n.p.) [ca. 1983], (n.p) - In 1983, Robert Stone, National Book Award-winning novelist, was commissioned to write a piece on George Orwell and his dystopian novel Nineteen Eighty-Four, as that calendar year approached. In the piece, Stone made an effort to reclaim Orwell from the conservative right wing, which had taken his most famous, anti-totalitarian novels -- Nineteen Eighty-Four and Animal Farm -- to be explicit condemnations of the Soviet Union and Communism, and by implication all leftist thought itself. Instead, Stone argues that Orwell's writing in Homage to Catalonia -- not to mention his fighting on the Republican side in the Spanish Civil War -- identifies Orwell as someone with both a socialist sympathy and "a certain affinity with what I believe is best about the United States," a kind of Puritanism that is characterized by "rectitude.conscience and common sense." He goes on to point out that Orwell "was the sort of radical who makes enemies on both sides of epic struggles," owing to his "originality and intelligence, [and] above all his thoroughgoing honesty, [which] always got him in trouble. A writer and man more predictable and dull, less infernally scrupulous would have had a better time of it." Stone adds that Orwell was idealistic but non-ideological -- as Stone was himself -- and deeply committed to the kind of "pragmatism that has characterized American moral thinkers from Jefferson to James to Neibuhr." He concludes that "We may never produce a greater political novel than Nineteen Eighty-Four" and that "it has done its work for us" in shaping our fears and cautions sufficiently for us to have avoided the totalitarian dystopia that was latent in the post-War years of the Cold War. The confluence of writer and subject here was, in many ways, a near-perfect one but the piece seems never to have been published; we can find no record of it; a cover letter from Stone's wife, Janice, indicates this was done for Thames Television, but whether it was produced or used remains unknown to us. One of Stone's novels includes an allusion to a critical moment in Nineteen Eighty-Four: Stone's character explains that one has "to look the gray rat in the eye" -- an allusion to the torture by rats that Winston Smith, in Nineteen Eighty-Four, is faced with, which causes him to "break" and betray himself and his loved ones. 18 pages, ribbon copy typescript, with Janice Stone's cover letter, laid into an agent's folder. Fine. An unknown Robert Stone piece, on a subject that touches close to many of the central and pervasive themes of his own writings. Unique. [Attributes: First Edition]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        Le Chant de la Terre - Das Lied von der Erde

      Les Francs Bibliophiles, 1983. In - 4 en feuille sous couverture rempliée et emboitage toilé marron. 12 gravures pleine page en taille douce. accompagnant le texte de G. Malher. 27° ouvrage publié par les Francs Bibliophiles. Tirage nominatif limité à 170 ex. sur vélin d'Arches. Bel exemplaire.

      [Bookseller: Librairie Christian Chaboud]
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        Gemälde der Rembrandt-Schüler. 6 Bände - (komplett)

      Landau. Edition PVA 1983. 6 Bände. Band 1: J. A. Backer - A. van Dijck, 711 Seiten, ISBN: 3876290163; Band 2: G. van den Eeckhout - I. de Joudreville, Seite 719 - 1452, ISBN: 3876290171; Band 3: B. Keil - J. Ovens, Seite 1459 - 2306, ISBN: 387629018x; Band 4: Ch. Paudiss - Anonyme, Seite 2313 - 3056, ISBN: 3876290198; Band 5: Nachträge - Ortsregister. Ikonographisches Register - Bibliographie, Seite 3057 - 3516, ISBN:3876291720; Band 6: Einleitung und Schlußwort. Corrigenda und Addenda. Nachträge 2 - Ortsregister. Ikonographisches Register - Bibliographie. Künstlerverzeichnis I - VI, Seite 3517 - 4185, ISBN: 3876293006. mit Schutzumschlag Gewebe, gebundene Ausgabe, Leinen, 4 Bände mit Schuber, Exemplar in gutem Erhaltungszustand Ein Standardwerk, auf das die Kunstgeschichte bisher gewartet hat. Es gibt erstmals einen Überblick über die Malerei des Rembrandt-Kreises, mit den direkten Schülern und mit den Nachfolgern. Mit ca 700 ganzseitigen Farbtafeln und ca. 1500 ganzseitigen Schwarzweißtafeln. Kunst R 3876290163 Versand D: 4,50 EUR Werksverzeichnis / Oeuvrekatalog / Künstlermonographie / Malerei /, , Künstlermonographie / Künstler-Monografie / Malerei / Künstler / Maler / Kunst /

      [Bookseller: Wiesbadener Antiquariat Christmann]
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        Weapons Systems and Political Stability - A History

      University Press of America, Inc. / The Edmund A. Walsh School of Foreign Service, 1983. 1043 pages. Bibliography. List of books and articles by the author. "Carroll Quigley, historian and teacher at Georgetown University, died January 5, 1977, leaving unfinished this manuscript upon which he had been working for the preceding twelve years. His colleagues and friends, upon reviewing the manuscript, decided to press forward with its publication. Although the manuscript is frustratingly incomplete in time sequence - it ends its narrative in the fifteenth century - it carries further toward completion the uniquely anthropological holistic analysis of history which is the theme of his earlier works... Quigley is incredibly successful in abstracting essence from reality - in analyzing mankind's experience in socializing. He describes weaponry as not an end in itself. It is part of a whole in which by far the greater part of persuasion and cooperation is accomplished by institutionalization of ideologies. This book is one of those human efforts which shapes the mind." - from Foreword by Harry J. Hogan. Moderate external wear. Some rubbing to large silver lettering upon front board. Light pencil underlining and marginal lines. Binding tight.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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        A collection of Alice B. Toklas Lesbian/Gay Democratic Club materials

      San Francisco Alice B. Toklas Lesbian/Gay Democratic Club 1970s-1990s A collection of Alice B. Toklas Lesbian/Gay Democratic Club materials including Alice Reports, Issues reports, tabloids, newsletters and handbills, some wear, toning and ink marks otherwise very good condition: Included are: four small leaflets/cards/brochures stating endorsements and/or describing the Club; Seven 8.5x11 inch handbills offering membership, announcing events, one is a two-sided announcement in facsimile script handwriting about the McGovern campaign; Two Awards dinner program booklets, 1983 #38; 1985; A democratic Voter Alert folded tabloid for June 1982; SF Voter Alert folded tabloid for November 2nd, 1982; Four Alice reports daily folded tabloids, July 15-17 #38; 19, 1984; Nine Alice reports Community Edition folded tabloids, vol. 1, #1-4, March - June, 1983, #38; November 1983, June #38; November 1984, June 1986 #38; Summer 1991; Five Alice Reports Club Edition folded tabloids, December 1983 #38; Jan-April, 1984; Newsletter vol. 1, #1. 2 #38; 4, vol. 2, #1 #38; 4 (8.5x11 inches, varied pagination); Ten Issues reports, June-November 1983, February, May #38; July 1984 #38; October 1985, all but the 1985 single color 8.5x11 inch sheets; Alice Reports newsletter format (most 8.5x11 inches, many 5.5x8.5 inch booklets, includes vol.:issue # 3:1, 4:1-5, 5:2, May-Oct 1976, Feb-Dec 1977, Jan-Dec 1978, Jan, Feb, April, July, Aug, Nov #38; dec 1979, Jan-Dec 1980, Jan-Dec 1981, Feb, May, July-Dec 1982, Jan, Feb, April, May, July, Sept, Oct 1983, May, July, Sept, Dec 1984, March-May #38; Aug-Dec 1985, Jan-May #38; Aug-Nov 1986, Jan-Dec 1987, Jan-Aug 1988, Jan-Oct 1989, Jan-Dec 1990, Jan-April #38; June 1991, Jan-March 1992

      [Bookseller: Bolerium Books]
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        Unpublished Typescript about George Orwell and Nineteen Eighty-Four

      (n.p): (n.p.). [ca. 1983]. In 1983, Robert Stone, National Book Award-winning novelist, was commissioned to write a piece on George Orwell and his dystopian novel Nineteen Eighty-Four, as that calendar year approached. In the piece, Stone made an effort to reclaim Orwell from the conservative right wing, which had taken his most famous, anti-totalitarian novels -- Nineteen Eighty-Four and Animal Farm -- to be explicit condemnations of the Soviet Union and Communism, and by implication all leftist thought itself. Instead, Stone argues that Orwell's writing in Homage to Catalonia -- not to mention his fighting on the Republican side in the Spanish Civil War -- identifies Orwell as someone with both a socialist sympathy and "a certain affinity with what I believe is best about the United States," a kind of Puritanism that is characterized by "rectitude...conscience and common sense." He goes on to point out that Orwell "was the sort of radical who makes enemies on both sides of epic struggles," owing to his "originality and intelligence, [and] above all his thoroughgoing honesty, [which] always got him in trouble. A writer and man more predictable and dull, less infernally scrupulous would have had a better time of it." Stone adds that Orwell was idealistic but non-ideological -- as Stone was himself -- and deeply committed to the kind of "pragmatism that has characterized American moral thinkers from Jefferson to James to Neibuhr." He concludes that "We may never produce a greater political novel than Nineteen Eighty-Four" and that "it has done its work for us" in shaping our fears and cautions sufficiently for us to have avoided the totalitarian dystopia that was latent in the post-War years of the Cold War. The confluence of writer and subject here was, in many ways, a near-perfect one but the piece seems never to have been published; we can find no record of it; a cover letter from Stone's wife, Janice, indicates this was done for Thames Television, but whether it was produced or used remains unknown to us. One of Stone's novels includes an allusion to a critical moment in Nineteen Eighty-Four: Stone's character explains that one has "to look the gray rat in the eye" -- an allusion to the torture by rats that Winston Smith, in Nineteen Eighty-Four, is faced with, which causes him to "break" and betray himself and his loved ones. 18 pages, ribbon copy typescript, with Janice Stone's cover letter, laid into an agent's folder. Fine. An unknown Robert Stone piece, on a subject that touches close to many of the central and pervasive themes of his own writings. Unique. First Edition. No Binding. Near Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Flugträume. Holzschnitte von Jürgen Wölbing. Nachwort von Gerd Hemmerich.

      The Bear Press, Bayreuth 1983 - Bayreuth, The Bear Press, 1983. 4°. 29 cm. 83 (3) Seiten. Hellblauer Original-Halblederband im Original-Pappschuber. (= 4. Druck der Bear Press, Wolfram Benda). Nummer 128 von 175 (gesamt 210) nummerierten und von Ernst Jünger und Jürgen Wölbing im Impressum signierten Exemplaren. Mit 5 Holzschnitten von Jürgen Wölbing. Gedruckt von H. O. Schulkze, Lichtenfels, in der Trajanus-Antiqua auf Torinoko Kozu-Japanpapier-Bütten. Ausstattung und Typografie entwarf Wolfram Benda. Die Buchbindearbeiten wurden vom Buchrestaurator Erwin Lehr, Bayreuth vorgenommen. Erstausgabe (für Ernst Jünger). WG 137 / Des Coudres/Mühleisen B 188. Spindler 73.4. Rücken wenig aufgehellt. Sehr gutes Exemplar. Hellblauer Original-Halblederband im Original-Pappschuber. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Lenzen GbR]
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        La communauté inavouable

      1983. Les éditions de minuit, Paris 1983, 14,5x19cm, broché. - Les éditions de minuit, Paris 1983, 14,5x19cm, broché. - Prima edizione, uno dei 57 esemplari numerati su Arches, il nostro uno dei sette trade off con il # 1. Prezioso autografo firmato dall'autore a sua sorella Margherita:. "Per te, mia cara sorella, con mio profondo affetto" Marguerite Blanchot, celebre organista Cattedrale di Chalon, è rimasto tutta la sua vita nella casa di famiglia con la madre e la zia. "E diventerà gradualmente, per la famiglia, come la memoria delle origini." Molto vicino a Maurice, che corrispondeva regolarmente con lo scrittore che lo riflette un grande riconoscimento per la sua dedizione alla loro madre impotente. Se intenso affetto Blanchot per sua madre e sua sorella brilla in dediche di essa, non sappiamo quasi nulla delle loro relazioni. Nel solo saggio biografico su Blanchot, Christophe Bident rivela, però: "Marguerite Maurice Blanchot adorato fratello molto orgoglioso di lui, (...) che annette grande importanza alle sue idee politiche (...) Ha letto un sacco (.... .) hanno telefonato corrispondeva. Una distanza, hanno condiviso la stessa autorità naturale, la stessa preoccupazione di discrezione ". Blanchot lo affronta infatti molti libri dalla sua biblioteca, ora con il suo continuo legame intellettuale. Coltivare assoluta discrezione, Blanchot ha spinto l'arte di cancellare nelle sue dediche manoscritte generalmente brevi e quasi sempre scritte su schede allegate ai libri rari offrì i suoi amici più stretti. Al contrario, in questi preziosi elementi a sua madre e sua sorella, Blanchot offre in tutta la sua fragilità e rivela un'intimità finora sconosciuta. Bella copia con una sorgente in movimento. [FRENCH VERSION FOLLOWS] Edition originale, un des 57 exemplaires numérotés sur vélin d'Arches, le nôtre un des 7 hors commerce portant le N°1. Précieux envoi autographe signé de Maurice Blanchot à sa soeur Marguerite : "Pour toi, ma très chère soeur, avec ma profonde affection". Marguerite Blanchot, organiste de renom à la cathédrale de Chalon, demeura toute sa vie dans la maison familiale, avec sa mère et sa tante. "Elle deviendra peu à peu, pour la famille, comme la mémoire des origines." Très proche de Maurice, elle correspond régulièrement avec l'écrivain qui lui témoigne une grande reconnaissance pour son dévouement envers leur mère impotente. Si l'intense affection de Blanchot pour sa mère et sa soeur transparait dans les dédicaces de celui-ci, on ne sait presque rien de leur relations. Dans l'unique essai biographique sur Blanchot, Christophe Bident nous révèle cependant : "Marguerite Blanchot vénérait son frère Maurice. Très fière de lui, (...) elle attachait une grande importance à ses idées politiques (...). Elle lisait beaucoup (...) Ils se téléphonaient, correspondaient. A distance, ils partageaient la même autorité naturelle, le même souci de discrétion." Blanchot lui adresse en effet de nombreux ouvrages provenant de sa bibliothèque, maintenant avec elle un lien intellectuel continu. Cultivant une discrétion absolue, Blanchot poussait l'art de l'effacement jusque dans ses dédicaces manuscrites généralement succinctes et rédigées presque systématiquement sur des cartes jointes aux rares ouvrages qu'il offrait à ses proches amis. A l'opposé, dans ces précieux envois à sa mère et sa soeur, Blanchot s'offre dans toute sa fragilité et dévoile une intimité jusqu'alors inconnue. Bel exemplaire avec une émouvante provenance.

      [Bookseller: Librairie Le Feu Follet]
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        André Masson - Abattoir XI. Photographies Originales

      Par l'auteur, 1983. Par l'auteur, S.l. 1983, 22x22cm sur papier Ilford 30x40cm, 2 planches photographiques. Par l'auteur, S.l. 1983, 22x22cm sur papier Ilford 30x40cm, 2 planches photographiques. - Diptych original photographic portraits in black and white made and drawn by Marc Trivier. The two photographs, taken facing are: - An original photographic portrait of André Masson. - An original photograph taken in the slaughterhouse Brussels in 1983 Portrait artist, anonymous, crazy, slaughterhouse or tree. Marc Trivier photographed each subject with the same interrogative intensity. All made in the same square, elementary and closed without editing or cropping format photographs seem less staging a subject - famous or unknown, elected or deposed, living or dead - interrogate a presence. "What interested me was not just photographing a body or face, but this particular situation is someone doing the photo of someone else." By comparing portraits artists in their corresponding altered Trivier undresses the work of its effects and reveals the enigmatic photographic nude body. "In his cosmogony, every thing, every being, plant, animal or human, deserves the same respect for they are all facing the same iron law. Solitude." (Luke Desbenoit in Télérama, 05/03/2011 on the occasion of the retrospective Marc Trivier at the Maison Européenne de la Photographie). Silver prints unsigned, like most works of Trivier. Unique tests taken by the artist. Small spot without gravity on the margin of the slaughterhouse without damage to photograph. Rare diptych of one of the greatest contemporary photographers. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Diptyque de portraits photographiques originaux en noir et blanc réalisés et tirés par Marc Trivier. Les deux photographies, mises en regard, sont: - Un portrait photographique original de André Masson. - Une photographie originale prise dans l'abattoir de Bruxelles en 1983. Portrait d'artiste, d'anonyme, de fou, d'abattoir ou d'arbre : Marc Trivier a photographié chaque sujet avec la même intensité interrogative. Toutes réalisées dans le même format carré, élémentaire et clos, sans retouche ni recadrage, les photographies semblent moins mettre en scène un sujet - célèbre ou inconnu, élu ou déchu, vivant ou mort - qu'interroger une présence. «Ce qui m'intéressait, ce n'était pas de photographier simplement un corps ou un visage, mais cette situation particulière qui est quelqu'un en train de faire la photo de quelqu'un d'autre.» En confrontant les portraits d'artistes à leur correspondant altéré, Trivier dévêt l'oeuvre de ses effets et dévoile l'énigmatique nudité du corps photographique. "Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. " (Luc Desbenoit in Télérama, le 05/03/2011 à l'occasion de la rétrospective Marc Trivier à la Maison Européenne de la Photographie). Tirages argentiques non signés, comme la plupart des oeuvres de Trivier. Epreuves uniques tirées par l'artiste. Petite tache sans gravité sur la marge de l'abattoir sans atteinte à la photographie. Rarissime diptyque d'un des grands photographes contemporains. une feuille

      [Bookseller: Librairie Le Feu Follet]
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        William Hayter - Louis. Photographies Originales

      Par l'auteur, 1983. - Par l'auteur, S.l. 1983-1984, 22x22cm sur papier Ilford 30x40cm, 2 planches photographiques. - Dittico originali ritratti fotografici in bianco e nero realizzato e disegnato da Marc Trivier. Le due fotografie, scattate rivolte sono: - Un ritratto fotografico originale di William Hayter a Parigi nel 1983 - Un ritratto originale fotografica di Luigi prese a Liegi nel 1984 Ritratto dell'artista, anonimo, pazzo, d .. mattatoio o un albero: Marc Trivier fotografato ogni soggetto con la stessa intensità interrogativa. Il tutto realizzato nella stessa piazza, elementare e chiuso senza modifica o ritagliare le fotografie formato sembrano meno messa in scena di un soggetto - famosi o sconosciuti, eletti o deposto, vivi o morti - interrogare una presenza. "Quello che mi interessava non era solo fotografare un corpo o del viso, ma questa particolare situazione è qualcuno che fa la foto di qualcun altro." Confrontando ritratti artisti nella loro corrispondenti modificato Trivier sveste il lavoro dei suoi effetti e rivela il corpo nudo fotografico enigmatico. "Nella sua cosmogonia, ogni cosa, ogni essere, vegetale, animale o umana, merita lo stesso rispetto per esse si affacciano tutte la stessa legge di ferro. Solitude." (Luca Desbenoit in Télérama, 05/03/2011 in occasione della retrospettiva Marc Trivier alla Maison Européenne de la Photographie). Stampe d'argento firmato, come la maggior parte delle opere di Trivier. Prove uniche scattate dall'artista. Curva angolare, scratch intera, una macchia e un paio di pieghe a margine della fotografia Hayter. Dittico raro di uno dei più grandi fotografi contemporanei. - [FRENCH VERSION FOLLOWS] Diptyque de portraits photographiques originaux en noir et blanc réalisés et tirés par Marc Trivier. Les deux photographies, mises en regard, sont: - Un portrait photographique original de William Hayter à Paris en 1983. - Un portrait photographique original de Louis pris à Liège en 1984. Portrait d'artiste, d'anonyme, de fou, d'abattoir ou d'arbre : Marc Trivier a photographié chaque sujet avec la même intensité interrogative. Toutes réalisées dans le même format carré, élémentaire et clos, sans retouche ni recadrage, les photographies semblent moins mettre en scène un sujet - célèbre ou inconnu, élu ou déchu, vivant ou mort - qu'interroger une présence. «Ce qui m'intéressait, ce n'était pas de photographier simplement un corps ou un visage, mais cette situation particulière qui est quelqu'un en train de faire la photo de quelqu'un d'autre.» En confrontant les portraits d'artistes à leur correspondant altéré, Trivier dévêt l'oeuvre de ses effets et dévoile l'énigmatique nudité du corps photographique. "Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. " (Luc Desbenoit in Télérama, le 05/03/2011 à l'occasion de la rétrospective Marc Trivier à la Maison Européenne de la Photographie). Tirages argentiques non signés, comme la plupart des oeuvres de Trivier. Epreuves uniques tirées par l'artiste. Pliure angulaire, éraflure en pied, une tache et quelques pliures dans les marges de la photographie de Hayter. Rarissime diptyque d'un des grands photographes contemporains.

      [Bookseller: Librairie Le Feu Follet]
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        Original typescript for The Year of the Hot Jock, with 2 TLS from Faust to friend and publisher Matthew Bruccoli

      (Dutton), (New York) 1983 - Original typescript for Irvin Faust's collection of short stories. Unbound sheets. With 2 TLS from Faust to his friend and publisher Matthew Bruccoli, both dated 1983, two years before the book's publication by Dutton. Both letters express Faust's appreciation for Bruccoli's friendship, and ask him to promote the book and continue to show his stories to literary magazines. As Faust writes, 'I'm tired of the NY ratrace and want to deal with a mensch.' Printed on rectos only. 5 of the stories that had been previously published are presented here in facsimile from their original publication. Paper clip indent to first 40 pages. Sheets housed in 2 piece blue cloth slipcase. Acquired from the estate of Bruccoli. Digital images available upon request. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Nangsu Faberge

      Office of Her Majesty's Private Secretary, Bangkok, Thailand 1983 - In English and Thai. Apparent first of this bilingual edition (NAP). I really don't know the history of the book. I do know that this is a very, very rare book that turns up for sale once in a blue moon. If you try to find it you'll encounter only a description of the book with a "Not Available" message. With this listing it is available again. I recall seeing a listing for it a few years ago for quite a few thousands of dollars. There is one auction sale (Swann Galleries) that took place in 2004. The book was purchased for $1,840.00. That book was enclosed in a Malachite green and gold paper-lined cardboard folding box with a magnetic snap and gold colored metal corners. My book is lacking the folding box and I've lowered the price to account for that. In pricing the book I've also taken into account the wear that you should be able to see in the photographs of the dust jacket. There are several tears off the bottom edge of the front and several more off the top edge of the front adjacent to the spine. You can also see the two areas of small loss at and around the top of the spine. The back of the dust jacket has small tears along with several peeling scuff marks and some others scuffs that lighten the black color of the surface. The dust jacket flaps do not contain any writing or prices. They are Not clipped. The dust jacket is already fitted with a protective cover. The book itself is solidly bound, square and tight. There aren't any issues with webbing showing or anything like that. You may be able to see that there is a little bit of scuffing near the edges of the covers, also on the edges, bottom and top. There are also scuffs at the bottom of the spine with one small spot with a tiny tear. The back cover has a few light scuffs and several tiny circular impressions or indentations near the top edge and one at the middle. All of the pages are quite clean. I didn't see any soiling. There aren't any markings. No one has written their name or anything else on any page in the book. No attachments of any kind. Not an ex-library book. The page edges are also unsoiled. The corners of the pages are in excellent condition. All of the many color plates, as well as the b&w or half-tone historical photograph reproductions, are in excellent condition. The first section of the book is an examination of the historical events surrounding the Thai Royal visits and interactions with the Russian nobility (King Chulalongkorn & Tsar Nicholas II) and their craftsmen during the late 19th and early 20th century. That's followed by a second section illustrating the Faberge pieces either commissioned by the Thai Royals, or the pieces presented to them by the Tsar. The book is 228 pages. If you have any unanswered questions, feel free to contact me. I've scanned 15 photos and would be happy to e-mail the remaining ones. [Attributes: Hard Cover]

      [Bookseller: Rareeclectic]
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        Die Kaninchen von Berlin oder von den strengen Ordnungen.

      (Bln.,) Berliner Handpresse (1983), gr.4°, farbig illustr.Or.-Hln.22 nn.S., Bandillustr.u.10 farbige ganzs.Or.-Linolschnitte (1 doppels.) v.Ingrid Jörg.1.Ausg.(63.Druck d.Berliner Handpr.).Spindler 86,63.Druck in 85 num.Expl., Druckvermerk v.d.Künstlerin signiert.Schönes Expl.

      [Bookseller: Antiquariaat DIE SCHMIEDE]
 32.   Check availability:     NVvA     Link/Print  


        An elusive scarce copy of this Andy Warhol children's book, boldly signed in full by Andy Warhol in five locations, each page containing a stunning full color drawing by Warhol

      Zurich, 1983. 5.5" x 7". "Cardboard book, boldly signed 5 times in full signature using black felt tip by ""Andy Warhol"". (Galerie Bruno Bischo, Zurich, 1983), 5.5"" x 7"", 6 pages. A near fine unique heavy cardboard paper book, with each of the interior six stiff card leaves and the outer covers covered in full by spectacular Andy Warhol silkscreened artwork. Fully intact red clothed spine. Outer boards in near fine condition with only barely noticeable nicking to the very outer edges of several leaves.A spectacular example of Warhol's child themed based artwork, many with the classic Warhol outlines in bright hot colors. Total of twelve unique drawings including the front and rear panels, of an apple, a panda playing a drum, a parrot, a toy robot, a mechanical puppy, a puppet clown riding a scooter, a bi-propeller helicopter, a fish, a wind-up mouse, a steam engine, a space ship, and a monkey. The book is boldly signed in full signature by Warhol in black felt tip in five locations, inclusive of the front and back of the book.The book will come with a notarized letter of provenance from the original owner who was present to witness Warhol signing the book at the Newport Art Museum in Rhode Island.Perfect for the collector of unique Warhol pieces, scarce signed."

      [Bookseller: University Archives]
 33.   Check availability:     Biblio     Link/Print  


        Tübke, Werner. - "Figuren am Wolfgangsee".

      - Lithografie / Kreidelithografie, in Indigo-Blau, auf kräftigem Büttenpapier, 1983. Von Werner Tübke. Auflage Exemplar Nr. 52/100. 31,2 x 37,8 cm (Darstellung / Einfassungslinie) / 36 x 49 cm (Blatt). Tübke-Schellenberger 131. Rechts unten in Bleistift signiert. Links eigenhändige Auflagenbezeichnung. Im Stein rechts unten nochmals Signatur und Jahr. - Blattrand marginal knickspurig. Insgesamt gut erhalten. Werner Tübke (1929 Schönebeck/Elbe - 2004 Leipzig). Deutscher Maler, Zeichner und Grafiker, neben Bernhard Heisig und Wolfgang Mattheuer einer der bedeutendsten Künstler in der DDR, Vertreter der ersten Generation der Leipziger Schule. 1935-45 privater Zeichenunterricht bei Karl Friedrich in Magdeburg. Studierte 1948/49 Malerei an der Hochschule für Grafik und Buchkunst in Leipzig (HGB), 1950-52 Kunsterziehung und Psychologie an der Universität Greifswald. 1955-57 Assistent an der HGB. 1961/62 Studienaufenthalt in der Sowjetunion. Ab 1962 Oberassistent, ab 1964 Dozent an der HGB, 1972 Professor und 1973-76 Rektor. 1971 erste Italienreise. 1976-87 Arbeit am Panoramagemälde zum Deutschen Bauernkrieg in Bad Frankenhausen in Thüringen. 1977 documenta in Kassel. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        SIEBMACHER - Niederösterreichischer Adel komplett in 2 Bänden 1. Band: Johann Evang. Kirnbauer von Erzstätt: A-R Nachdruck der Ausgabe von 1909 2. Band: Johann Baptist Witting: S - Z Nachdruck der Ausgabe von 1918 (= J. Siebmacher\'s grosses Wappenbuch, 26. Band 1. und 2. Teil)

      Neustadt an der Aisch Bauer & Raspe Verlag 1983 2 original Leinenbände, 4°, 399 Seiten Text ., 217 Seiten Tafeln : Falttaf // 705 Seiten Text , 320 Seiten Tafeln; Zustand: sehr gut ISBN: 387947026X 9783879470266 3879470367 9783879470365 Versand D: 9,00 EUR Wappen Adel Niederösterreich

      [Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints- Fl]
 35.   Check availability:     buchfreund.de     Link/Print  


        Jean Dubuffet. Photographie Originale

      Par l'auteur, 1983. Par l'auteur, S.l. 1983, 42x42cm sur papier Ilford 60x50cm, 1 planche photographique. Par l'auteur, S.l. 1983, 42x42cm sur papier Ilford 60x50cm, 1 planche photographique. - Great original photographic portrait in black and white Jean Dubuffet directed by Marc Trivier to Paris in 1983 Portrait artist, anonymous, crazy, slaughterhouse or tree. Marc Trivier photographed each subject with the same intensity interrogative. All made in the same square, elementary and closed without editing or cropping format photographs seem less staging a subject - famous or unknown, elected or deposed, living or dead - interrogate a presence. "What interested me was not just photographing a body or face, but this particular situation is someone doing the photo of someone else." Trivier undresses work its effects and reveals the enigmatic photographic nude body. "In his cosmogony, every thing, every being, plant, animal or human, deserves the same respect for they are all facing the same iron law. Solitude." (Luke Desbenoit in Télérama, 05/03/2011 on the occasion of the retrospective Marc Trivier at the Maison Européenne de la Photographie). Silver print unsigned, like most works of Trivier. Single Event drawn by the artist. A tear in the top and bottom, fold marginal traces, a trace of angular fold, without any damage to the photograph. Rare large format photograph of one of the most important contemporary photographers. - - - Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Grand portrait photographique original en noir et blanc de Jean Dubuffet réalisé par Marc Trivier à Paris en 1983. Portrait d'artiste, d'anonyme, de fou, d'abattoir ou d'arbre : Marc Trivier a photographié chaque sujet avec la même intensité interrogative. Toutes réalisées dans le même format carré, élémentaire et clos, sans retouche ni recadrage, les photographies semblent moins mettre en scène un sujet - célèbre ou inconnu, élu ou déchu, vivant ou mort - qu'interroger une présence. «Ce qui m'intéressait, ce n'était pas de photographier simplement un corps ou un visage, mais cette situation particulière qui est quelqu'un en train de faire la photo de quelqu'un d'autre.» Trivier dévêt l'oeuvre de ses effets et dévoile l'énigmatique nudité du corps photographique. "Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. " (Luc Desbenoit in Télérama, le 05/03/2011 à l'occasion de la rétrospective Marc Trivier à la Maison Européenne de la Photographie). Tirage argentique non signé, comme la plupart des oeuvres de Trivier. Epreuve unique tirée par l'artiste. Une déchirure en tête et en pied, traces de pliure marginale, une trace de pliure angulaire, toutes sans atteinte à la photographie. Rarissime photographie en très grand format d'un des photographes contemporains les plus importants. une feuille

      [Bookseller: Librairie Le Feu Follet]
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        THE RUSSIAN ICON

      Russia: Indrik. Fine. 1983. First Edition; First Printing. Paperback. PLEASE NOTE: TEXT IS IN RUSSIAN LANGUAGE A Fine set of six Folio paperbacks in a Near Fine slipcase. Books have bright gilt titles to each front cover and embossed publisher's mark to rear. Pages are crisp, clean and bright throughout. Slipcase has very minor rubbing to corners. A very nice example of a very rare set. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland. ; Color Illustrations; Folio 13" - 23" tall; 538 pages .

      [Bookseller: The Old Bookshelf]
 37.   Check availability:     Biblio     Link/Print  


        Tres novelas del siglo de oro. Lazarillo de Tormes / La vida del Buscà n / El diablo Cojuelo

      Editorial Planeta 1983 - 256 p. 20 x 13 cm. Usado.

      [Bookseller: La Leona LibreRía]
 38.   Check availability:     AbeBooks     Link/Print  


        Hors de la colline

      Paris, Berès, 1983. 48 ff couverture imprimée, en feuilles sous couverture et emboitage d'édition 1983, 1983, in - folio, 48 ff, couverture imprimée, en feuilles sous couverture et emboitage d'édition, Édition originale de ce recueil de poèmes traduit du russe par l'auteur. Édition originale de la postface de Maurice Blanchot, la parole ascendante, où celui - ci présente Kozovoi qui avait précédemment traduit en russe de grands poètes français, de Rimbaud à Char et à Michaux. Henri Michaux a orné le livre de 15 grandes lithographies originales. C'est la seule illustration qu'il accepta d'entreprendre en dehors de celles de ses propres œuvres. Tirage limité à 120 exemplaires, celui - ci un des 10 premiers sur papier vergé d'Arches, accompagné d'une suite des illustrations sur papier japon, toutes signées par l'artiste. Gouache originale manquante. Exemplaire signé à la justification par Vadim Kozovoi et Henri Michaux

      [Bookseller: Librairie Alain Brieux]
 39.   Check availability:     maremagnum.com     Link/Print  

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