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Displayed below are some selected recent viaLibri matches for books published in 1982

        Encyclopedia of Statistical Sciences, Complete in Ten Volumes, Includes Supplemental Volume

      John Wiley and Sons, New York 1982 - Planned as an 8 volume set. Red cloth with gilt lettering on the covers and spines. The owner's stamp is on the front paste down and the page extremities and his small circular stamp is on the title page. Otherwise all nine volumes are fine in near fine dustjackets. Dustjackets are in mylar. The texts and illustrations are flawless. 1. Circular Probable Error. 2. Classification-Eye Estimate. 3. Faa di Bruno's Formula-Hypothesis Testing. 4. Icing the Tails-Limit Theorems. 5.Lindberg Condition-Multitrait -Multimethod Matrices. 6. Mutlvariate Analysis-Plackett and Burman Designs. 7. Plackett Family of Distributions-Regression, Wrong. Volume 8. Regressogram-St. Petersburg Paradox, 9. Supplement Volume. [Attributes: First Edition; Hard Cover]

      [Bookseller: Oracle Junction Bookshop]
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        Sweeney and the Saint. From the Middle Irish.

      Loughcrew: Privately Printed by Peter Fallon for the author, 1982 - Octavo, pp. 4. Original red wrappers, titles to front cover in black, two sheets sewn in with black thread. A fine copy. First edition, one of 125 copies. Presentation copy, inscribed by the author to the manuscript collector and dealer Roy Davids on the title page: "To Roy, with love and happy memories at Christmas, Seamus & Marie & the boys & Catherine Ann." The poem was privately printed for use by the author as his Christmas card for 1982. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        "A" is for Alibi

      Holt Rinehart and Winston, 1982. First Edition (first printing). The first novel in the alphabetical KINSEY MILLHONE series set in the picturesque Southern Calfornia town of Santa Teresa. Fine/Fine but for incidental toning to the rear dust jacket panel. . 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bill Leone, Bookseller ABAA]
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        Magician ---with Silverthorn ---with A Darkness at Sethanon: Book 1, 2 and 3 of The Riftwar Saga ---by Raymond E Feist ( Volume One, Two, Three )

      N.Y.: Doubleday, 1982, 1985, 1986, 1st Edition, 1st Printing for All , 1982. ----------3 volumes, hardcovers, all are 1st edition and 1st printing, SILVERTHORN and SETHANON are Near Fine copies in very lightly rubbed Very Good+ dustjackets, a bit of tip wear but bright clean examples of the Kinuko Craft artwork dustjackets, jacket on SETHANON is price clipped, ---MAGICIAN is a Very Good to Very Good+ copy with some light marks and rubbing to the boards and edges,rear upper corner is bumped, in an attractive Good dustjacket with some rub marks and some small chips and closed tears but overall looks quite nice, a bit of fading to the red lettering on the spine, SILVERTHORN and SETHANON are about 5.75 x 8.5 inches, MAGICIAN is about 6.25 x 9.5 inches (as it should be as it is a true 1st edition, 1st printing ), MAGICIAN is really quite rare !, all jackets are in hi-quality mylar protectors, any image directly beside this listing is the actual book and not a generic photo. First Edition. Hard Cover. Near Fine/Very Good+. Illus. by David Gatti and Kinuko Craft Cover Art.

      [Bookseller: Leonard Shoup ]
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        Lee Friedlander: Factory Valleys: Ohio and Pennsylvania (Special Limited Edition with One Vintage Gelatin Silver Print)

      Callaway Editions IV and Haywire Press, New York and New City, New York 1982 - Price is net to all; promotional discounts do not apply.Special limited edition of 70 signed and numbered copies, plus 5 artist's copies, with one vintage gelatin silver print "Pittsburgh, PA, 1979" (pl. 2 in the trade edition). Mounted and bound in before the book's last leaf. Signed and numbered in pencil on recto of mount. Image 6-1/8 x 9-1/8 inches; mount 10-3/4 x 10-1/2 inches. ABOUT THE BOOK: First edition, first printing. Signed in black ink on the first page by Friedlander. Hardcover. Moss-green cloth-covered boards (for the special edition), with title stamped in gilt on cover and quarter black leather spine (no dust jacket as issued for the special edition). Photographs by Friedlander. Afterword by Leslie George Katz. Includes a list of plates. Designed by Nicholas Callaway and Anne Kennedy. Typography by Leslie Miller and Crosby Typographers. Unpaginated (82 pp. including bound-in print), with 62 plates exquisitely printed in 300-line offset lithography on fine matte art paper by the Meriden Gravure Company, Connecticut, from halftone negatives made by Richard Benson. 11-1/4 x 11-1/4 inches. This regular cloth edition was limited to 1,000 unnumbered, signed copies. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #18.]. As New (from Friedlander's personal archive). Considered by many (including the artist), to be Friedlander's best book! From the publisher: "In 1979, Friedlander was commissioned by the Akron Art Museum to document the industrial area of the Ohio River Valley. Over the course of the following year, he traveled in Ohio and Pennsylvania, photographing the towns, cities, factories, and workers. The result is not only a stunning reportage of the industrial heartland of America, but also an insightful portrait of the contemporary American social landscape, seen with Friedlander's unique blend of formal brilliance, elliptical wit, and acute perception. As Leslie Katz states in the afterword, 'Not since the Great Depression has a series of images shown the factory world with the clarity that this book does.'" Signed by the Artist. As New (from Friedlander's personal archive) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        Sweeney and the Saint

      Loughcrew: Privately Printed by Peter Fallon for the author, , 1982. From the Middle Irish. Octavo, pp. 4. Original red wrappers, titles to front cover in black, two sheets sewn in with black thread. A fine copy. First edition, one of 125 copies. Presentation copy, inscribed by the author to the manuscript collector and dealer Roy Davids on the title page: "To Roy, with love and happy memories at Christmas, Seamus & Marie & the boys & Catherine Ann." The poem was privately printed for use by the author as his Christmas card for 1982.

      [Bookseller: Peter Harrington]
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        Lee Friedlander: Factory Valleys, Ohio and Pennsylvania [SIGNED]

      Callaway Editions, Inc, New York 1982 - First edition, first printing. Signed in black ink on the first page by Friedlander. Moss-green cloth-covered boards, with photographically illustrated dust jacket. Photographs by Friedlander. Afterword by Leslie George Katz. Includes a list of plates. Designed by Nicholas Callaway and Anne Kennedy. Typography by Leslie Miller and Crosby Typographers. Unpaginated (82 pp. including bound-in print), with 62 plates exquisitely printed in 300-line offset lithography on fine matte art paper by the Meriden Gravure Company, Connecticut, from halftone negatives made by Richard Benson. 11-1/4 x 11-1/4 inches. The cloth edition was limited to 1,000 unnumbered signed hardbound copies. Out of print. Scarce in the hardbound signed edition. [Cited in Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #17.]. Fine in Near Fine dust jacket (1-inch faint stain to the upper spine area, 1-mm chips to crown of spine, scratch to rear panel, light toning to spine, else Fine). Considered by many (including the artist), to be Friedlander's best book. From the publisher: "In 1979, Friedlander was commissioned by the Akron Art Museum to document the industrial area of the Ohio River Valley. Over the course of the following year, he traveled in Ohio and Pennsylvania, photographing the towns, cities, factories, and workers. The result is not only a stunning reportage of the industrial heartland of America, but also an insightful portrait of the contemporary American social landscape, seen with Friedlander's unique blend of formal brilliance, elliptical wit, and acute perception. As Leslie Katz states in the afterword, 'Not since the Great Depression has a series of images shown the factory world with the clarity that this book does'." Signed by Author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        Rebels and Rulers, 1500 - 1660. [I: Society, States and Early Modern Revolution. Agrarian and Urban Rebellions. II: Provincial Rebellion. Revolutionary Civil Wars]

      Cambridge, Cambridge University Press, 1982. Dos volúmenes en 4to.; VIII-280 pp. + VII-231 pp. Encuadernación original en tela.

      [Bookseller: Hesperia Libros]
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        Storia di Roma dalla sua fondazione. Con saggio di Ronald Syme, introduzione e note di Claudio Moreschini. Traduzione di Mario Scandola. Testo latino a fronte. Volume primo: Libri I-II

      Milano, Biblioteca Universale Rizzoli, 1982. 4to.; 585 pp., 3 hs. Cubiertas originales.

      [Bookseller: Hesperia Libros]
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        Claves para un dia de Febrero. La novela que describe unos hechos decisivo. 23 de enero - 23 de febrero de 1981

      Barcelona, Editorial Planeta, 1982 [Colección «Fábula»]. 4to.; 187 pp. Cubiertas originales.

      [Bookseller: Hesperia Libros]
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        Catálogo de la Exposición Arte Historico Militar, celebrado en el Centro de Exposiciones de CAZAR, con motivo del Dia de las Fuerzas Armadas

      Zaragoza, 1982. Folio, 44 pp., con 12 ilustraciones. Cubiertas originales.

      [Bookseller: Hesperia Libros]
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        The Dark Tower Series [comprising] The Dary Tower, The Drawing of the Three, The Waste Lands, Wizard and Glass, Wolves of the Calla, The Song of Susannah, The Dark Tower [with] Wind Through the Keyhole and Little Sisters of Eluria

      US: Grant. West Kingston, RI and Hampton Falls, NH, Grant, 1982-2012. Nine volumes. Seven volumes of the original series in three custom cases. Books V, VI, VII, Eluria and Keyhole are the artist signed editions. Near fine to fine copies. Volume II is bumped to the spine tips on book and jacket. Volume I has a little wear / rubbing to the corners and spine tips. 1982-2004 . Near Fine. Hardback. 1st Edition. 1982.

      [Bookseller: Hyraxia]
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        THE GUNSLINGER

      New York: Donald M. Grant, Publisher, Inc.. 1982. First Edition; First Printing. Hardcover. 093798650X . Very Good+ in a Very Good+ dust jacket. Stated First Edition both pricesof 20.00 and 60.00 intact on the front flap. A stunning copy. ; The Dark Tower, Book 1; ; 9 X 6.20 X 1.10 inches; 224 pages .

      [Bookseller: Rare Book Cellar]
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        The Dark Tower: The Gunslinger

      Donald M. Grant, West Kingston, RI 1982 - 224 pp., 8vo. Cloth hardcover in dj. Beautiful full-color illustrations by Michael Whelan. Very light scuffing, flexing & shelfwear to boards. Some shelfwear, cocking & shaking to spine but binding very sturdy. Veyr light soiling to textblock edges. Pgs clean & crisp. Dj in immaculate condition; very faint edgewear to spine ends, otherwise no flaws. [Attributes: Hard Cover]

      [Bookseller: Cellar Stories Bookstore]
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        A Is for Alibi

      Holt, Rinehart, and Winston, New York 1982 - 1982 Holt, Rinehart Winston TRUE FIRST EDITION, FIRST Printing **SIGNED** directly on the front page. Though ex-library a very sold copy but with the usual wear including a very faded stamp at the top page edges. It is in VG/VG condition. The gray boards are very clean with very minor edge wear. a crease in the spine enad just a bit of a lean. Inside there has been reinforcement fo the endpages and a bit of wrinkling on the ffep. There is a white tape covering what was probably a library stamp not affecting any print. The text is clean and tight. The unclipped DJ shows very minor wear at the edges, corners and spine ends. Still an very rare true first!! **Brenbooks specializes in first edition mysteries, many signed! **BONUS** Receive the 1950 Rinehart First Edition of her father's 4th novel Beyond a Reasonable Doubt in Vg/Vg condition. It is beautifully **SIGNED & INSCRIBED** by Sue Grafton ont he title page. An extremely RARE copy! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bren-Books]
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        A is for Alibi

      New York; (1982): Holt, Rinehart and Winston. First Edition. Hard Cover. Octavo. Signed by the author on the title page. A Kinsey Millhone Mystery. 274(1)pp., bound in gray paper covered boards, spine lettering red foil. A fine bright copy in nearly fine unclipped pictorial dust jacket.

      [Bookseller: Alcuin Books, ABAA-ILAB ]
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        The Hut Six Story: Breaking the Enigma Codes

      McGraw - Hill 1982 - the original dust jacket is included; there is wear, tears and chips on the corners and edges of dust jacket; the binding is in very good condition [Attributes: First Edition; Hard Cover]

      [Bookseller: Kota Books]
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        Heisig, Bernhard. - "Lichtbringer".

      - Lithografie / Pinsel- & Kreidelithografie, 1982. Von Bernhard Heisig. 45,0 x 36,0 cm (Darstellung) / 48 x 43 cm (Blatt). Sander 530/4. In der Darstellung in Bleistift signiert rechts unten. - Oft irrtümlich unter dem Titel "Lichtsucher". - Sehr guter Zustand. Bernhard Heisig (1925 Breslau - 2011 Strohdehne). Deutscher Maler und Grafiker. Einer der wichtigsten Repräsentanten der DDR-Kunst. Bildet mit Werner Tübke und Wolfgang Mattheuer die berühmte Trias der Leipziger Schule. Ab 1954-68 Dozent an der Hochschule für Grafik und Buchkunst in Leipzig. Dort 1961 zum Professor ernannt und als Rektor gewählt. Von 1956-59 Vorsitzender des Verbandes Bildender Künstler (VBK) im Bezirk Leipzig. 1976 Rückkehr an die Hochschule. Zu seinen Schülern gehören u.a. Hubertus Giebe, Arno Rink und Neo Rauch. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Shiloh and Other Stories: An Archive

      NY: Harper & Row. (1982). A small archive of publishing materials for Mason's third book and first work of fiction, including: * The "Author's Galleys." 247 typeset pages, reproducing copyeditor's corrections and with Mason's holograph corrections, mostly in the later stories. Many of her changes correct errors, but some show small rewrites. Loose sheets; near fine. * "Author's notes to Copyeditors," a two-page computer printout of nearly two dozen justifications for changes Mason does not want made (defending "goosebumps," "St. Louis," "youngun," "golly-bill," etc., with such explanations as: "Tears don't really fall, they run down the face and neck onto the breasts. This is perfectly possible while lying down." Also present are a handful of small handwritten notes (by editors) that appear to be tracking such things as proper names, trademarks, contractions, and copyrights. * A typed letter signed by Mason to Ted Solotaroff at Harper & Row, dated April 8, 1982, apologizing for sounding snippy and impersonal in her notes to the copyeditors and for being "a little fussy" about a few of her preferences. There is also a paragraph defending "Bombay chicken" as a recipe, as opposed to "Bombay duck." She also, apparently referring to proposed jacket copy, changes K-Mart managers to clerks; says she's not sure the collection has any college-educated divorcees; and says, "I don't recall any story about two bored housewives on a joyride to Nashville." Fine, on personal stationery. * The uncorrected proof copy. In two of the stories, small textual differences exist between this proof and the published book. (In all but one instance that we found, Mason attempted to correct these "errors" in her page proofs.) Fine in wrappers. * Folded and gathered sheets, i.e. unbound page signatures of the finished book. Mild foxing to half title; else fine. * The first edition. Inscribed by the author in the month prior to publication: "To Dorian/ With appreciation, Bobbie Ann Mason/ Oct. 5-82." Near fine in a very good dust jacket with some ink added to cover the rubbing to the spine. ¶ A nice archive, documenting some of the work that went into Mason's ground-breaking Kentucky K-Mart fiction, with an added bit of foreshadowing: the last line of Mason's letter to Solotaroff reads: "I'm reading too many books on Vietnam -- it's depressing!" Mason's Vietnam-themed novel In Country would be published in 1984. First Edition. No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        A Poem by Emily Dickinson ("Under the Light, yet under")

      New York: The Sarabande Press, 1982. Number 9 of 20 copies. The paper designed by Karen Miles, and made, with the assistance of Beverly Van Ness, at the Russell-Fleming Papermill. Designed by Marc Freedman and printed at the Sarabande Press. 1 vols. Linen folding panels. Poem on one panel and 3 panels of paper construction. Mint. Number 9 of 20 copies. The paper designed by Karen Miles, and made, with the assistance of Beverly Van Ness, at the Russell-Fleming Papermill. Designed by Marc Freedman and printed at the Sarabande Press. 1 vols. One of 20 Copies.

      [Bookseller: James Cummins Bookseller]
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        The Birds of Africa: Volumes I-VIII (1-8)

      Academic Press/Princeton University Press, 1982-01-01. Hardcover. Used: Like New/Near Fine. 1982-2013. Fine hardcovers in dust jackets, light shelf wear and tears to a few dust jackets. The complete set in eight volumes (I-VIII). Illustrated by Martin Woodcock, Peter Hayman, and Ian Willis. Color plates, range maps. Considered the highest quality and most comprehensive coverage of African birds available.Quarto. Volumes I-VI published by Academic Press, Volume VII published by Princeton University Press, and Volume VIII (8) covering the Malagasy region published by Christopher Helm.. Most volumes are out of print. Additional shipping may be required.

      [Bookseller: Buteo Books]
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        For Special Services. James Bond 007

      London: Jonathan Cape and Hodder and Stoughton 1982, 1982. FIRST EDITION, with original artwork. Octavo, pp254, + 1 (afterword). Publisher's cloth in pictorial dustjacket. Near fine in like dust-wrapper, housed in a leather-spined clamshell box. This remarkable copy embellished with an original painting from the dustwrapper artist Bill Botten, who illustrated the jacket for this and other Gardner Bond novels, as well as both Christopher Wood 007 titles. Artwork signed by Botten, who has added the letter 'M'. We understand that a limited run of copies numbered 001-010 was produced plus a couple out-of-series, appropriately lettered 'M' and 'Q'. John Gardner's second 007 novel as official successor to Ian Fleming; "Bond is back and he's better than ever. . . but the 1980's have reached the department as well. Political restraints are squeezing in on the Service. The elite Double-O status, for example, conveying its authority to kill, is being abolished. . ." Haining; Crime Fiction p208. Benson, Raymond; Bond Companion (1984). BMC No.1 [1984] p.4-13 'James Bond Revivals'. Hubin; Crime Fiction IV.

      [Bookseller: Adrian Harrington Rare Books]
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        The Etchings of James Fowler Cooper

      Columbia: University of South Carolina Press, 1982. Hardcover. Very good. xxiii,196pp. Out of series unnumbered copy from an edition of 500. Page edges lightly foxed, corner of front free endpaper clipped, else a very good copy in a lightly soiled and edgeworn jacket that has a few small closed tears and an external tape repair to the head of the spine. The definitive book on this South Carolina artist.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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        THE WORKS OF EDWARD RUSCHA - SIGNED BY THE ARTIST

      San Francisco Museum of Modern Art & Hudson Hills Press, Inc., San Francisco & New York 1982 - 182pp, profusely illustrated in color and b&w. With a bibliography and exhibition history. This is the comprehensive, beautifully illustrated catalogue published in conjunction with a 1982 touring retrospective of work by Edward Ruscha organized by the San Francisco Museum of Modern Art. A brand new, most handsome example of the hardbound edition BOLDLY SIGNED "Ed Ruscha" in blue ink on the front pastedown with a copy of the exhibition brochure laid in. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Arcana: Books on the Arts]
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        A Gehenna Alphabet. The Drawings by Leonard Baskin with Aphorisms & Poems by Sidney Kaplan

      Lurley, Devon, UK: The Gehenna Press, 1982. First edition, one of 89 copies, all on either white, cream or green handmade papers, made in Maidstone, Kent, from a total issue of 110 copies, all signed by the artist, Leonard Baskin, and the author, Sidney Kaplan. Page size: 9 x 6-1/4 inches; 38 leaves including colophon, errata, and hand-colored wood engraved owl and pomegranate press mark. Bound by Grey Parrot: cream smooth paper resembling vellum, gilt-stamped owl in oval by Leonard Baskin on front cover below title, also stamped in gold gilt, title in gilt on spine, housed in blue marbled paper over boards publisher's slipcase. With 26 drawings printed from line cuts, set in Caslon and printed letterpress, the text for each letter is brief, i.e. "R / What doth the Rat / Prescribe for the Cat?" and the drawings take the letter form. See "F / The Fable of the Fox..." A large part of the edition was thought to have disappeared; but the Baskin Estate recently discovered some copies now made available. Gehenna Press The Work of Fifty Years, #81.

      [Bookseller: Priscilla Juvelis, Inc.]
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        Michel Foucault - Abattoir Photographies Originales EDITION ORIGINALE

      S.l.: Par l'auteur, 1982. Fine. Par l'auteur, S.l. 1982-1984, 22x22cm sur papier Ilford 30x40cm, 2 planches photographiques. - Diptych original photographic portraits in black and white made and drawn by Marc Trivier. The two photographs, taken facing are: - An original photographic portrait of Michel Foucault in Paris in 1984 - An original photograph taken viscera cow in a slaughterhouse in 1982 Portrait artist, anonymous, crazy,.. slaughterhouse or tree: Marc Trivier photographed each subject with the same interrogative intensity. All made in the same square, elementary and closed without editing or cropping format photographs seem less staging a subject - famous or unknown, elected or deposed, living or dead - interrogate a presence. "What interested me was not just photographing a body or face, but this particular situation is someone doing the photo of someone else." By comparing portraits artists in their corresponding altered Trivier undresses the work of its effects and reveals the enigmatic photographic nude body. "In his cosmogony, every thing, every being, plant, animal or human, deserves the same respect for they are all facing the same iron law. Solitude." (Luke Desbenoit in Télérama, 05/03/2011 on the occasion of the retrospective Marc Trivier at the Maison Européenne de la Photographie). Silver prints unsigned, like most works of Trivier. Unique tests taken by the artist. Tear one centimeter in top margin, small marginal stains without damage to photograph two imperceptible scratches on the photo of Foucault, some scratches and small spots on the photo of viscera. Rare diptych of one of the greatest contemporary photographers. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Diptyque de portraits photographiques originaux en noir et blanc réalisés et tirés par Marc Trivier. Les deux photographies, mises en regard, sont: - Un portrait photographique original de Michel Foucault à Paris en 1984. - Une photographie originale de viscères de vache prise dans un abattoir en 1982. Portrait d'artiste, d'anonyme, de fou, d'abattoir ou d'arbre : Marc Trivier a photographié chaque sujet avec la même intensité interrogative. Toutes réalisées dans le même format carré, élémentaire et clos, sans retouche ni recadrage, les photographies semblent moins mettre en scène un sujet - célèbre ou inconnu, élu ou déchu, vivant ou mort - qu'interroger une présence. «Ce qui m'intéressait, ce n'était pas de photographier simplement un corps ou un visage, mais cette situation particulière qui est quelqu'un en train de faire la photo de quelqu'un d'autre.» En confrontant les portraits d'artistes à leur correspondant altéré, Trivier dévêt l'oeuvre de ses effets et dévoile l'énigmatique nudité du corps photographique. "Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. " (Luc Desbenoit in Télérama, le 05/03/2011 à l'occasion de la rétrospective Marc Trivier à la Maison Européenne de la Photographie). Tirages argentiques non signés, comme la plupart des oeuvres de Trivier. Epreuves uniques tirées par l'artiste. Une déchirure d'un centimètre en marge supérieure, petites taches marginales sans atteinte à la photographie, deux rayures imperceptibles sur la photo de Foucault, quelques rayures et petites taches sur la photo de viscères. Rarissime diptyque d'un des grands photographes contemporains.

      [Bookseller: Librairie Le Feu Follet]
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        Hans Hartung - Vache au bandeau Photographies Originales EDITION ORIGINALE

      S.l.: Par l'auteur, 1982. Fine. Par l'auteur, S.l. 1982-1984, 22x22cm sur papier Ilford 30x40cm, 2 planches photographiques. - Diptych original photographic portraits in black and white made and drawn by Marc Trivier. The two photographs, taken facing are: - An original photographic portrait of Hans Hartung in Antibes in 1982 - An original photograph taken in a cow slaughter in 1984 Artist Portrait, anonymous, crazy, d.. slaughterhouse or tree: Marc Trivier photographed each subject with the same interrogative intensity. All made in the same square, elementary and closed without editing or cropping format photographs seem less staging a subject - famous or unknown, elected or deposed, living or dead - interrogate a presence. "What interested me was not just photographing a body or face, but this particular situation is someone doing the photo of someone else." By comparing portraits artists in their corresponding altered Trivier undresses the work of its effects and reveals the enigmatic photographic nude body. "In his cosmogony, every thing, every being, plant, animal or human, deserves the same respect for they are all facing the same iron law. Solitude." (Luke Desbenoit in Télérama, 05/03/2011 on the occasion of the retrospective Marc Trivier at the Maison Européenne de la Photographie). Silver prints unsigned, like most works of Trivier. Unique tests taken by the artist. Two folds and a small stain in margin of photography Hartung. Rare diptych of one of the greatest contemporary photographers. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Diptyque de portraits photographiques originaux en noir et blanc réalisés et tirés par Marc Trivier. Les deux photographies, mises en regard, sont: - Un portrait photographique original de Hans Hartung à Antibes en 1982. - Une photographie originale de vache prise dans un abattoir en 1984. Portrait d'artiste, d'anonyme, de fou, d'abattoir ou d'arbre : Marc Trivier a photographié chaque sujet avec la même intensité interrogative. Toutes réalisées dans le même format carré, élémentaire et clos, sans retouche ni recadrage, les photographies semblent moins mettre en scène un sujet - célèbre ou inconnu, élu ou déchu, vivant ou mort - qu'interroger une présence. «Ce qui m'intéressait, ce n'était pas de photographier simplement un corps ou un visage, mais cette situation particulière qui est quelqu'un en train de faire la photo de quelqu'un d'autre.» En confrontant les portraits d'artistes à leur correspondant altéré, Trivier dévêt l'oeuvre de ses effets et dévoile l'énigmatique nudité du corps photographique. "Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. " (Luc Desbenoit in Télérama, le 05/03/2011 à l'occasion de la rétrospective Marc Trivier à la Maison Européenne de la Photographie). Tirages argentiques non signés, comme la plupart des oeuvres de Trivier. Epreuves uniques tirées par l'artiste. Deux pliures et une petite tache en marge de la photographie d'Hartung. Rarissime diptyque d'un des grands photographes contemporains.

      [Bookseller: Librairie Le Feu Follet]
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        Marilyn Monroe - The Complete Last Sitting. Text in Zusammenarbeit mit Annie Gottlieb.

      München. Schirmer/Mosel. 1982.. Einmalige Auflage von 2000 Exemplaren. 33 x 29 cm. 464 S. OLeinen mit OUmschlag in OPapp-Schuber. Schuber mit marginalen Gebrauchspuren. Sehr gutes Exemplar.. Erweiterte Ausgabe des Werkes "Bert Stern - The Last Sitting". Enthält alle Photographien (2586, davon 372 in Farbe) die während einer dreitägigen Sitzung die 1962 in Los Angeles entstanden. Die Photographien des Meisterphotographen Bert Stern und der berühmten Schauspielerin Marilyn Monroe stellen einen Höhepunkt in der Weltgeschichte der erotischen, der Mode- und Portraitphotographie dar. Ausserdem mit einem sehr persönlichen Text von Bert Stern, in dem Stern das Entstehen der Idee zu dieser Sitzung sowie die Umstände seiner Arbeit mit Marylin Monroe beschreibt. In der ersten Ausgabe selten.

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 28.   Check availability:     ZVAB     Link/Print  


        The Soul of a New Machine

      Little, Brown, New York 1982 - The very scarce uncorrected proof in mylar-protected pictorial wraps. Very minor edge wear to dj; book has small stains to fore-edges of pages, otherwise fine. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Greensprings Books]
 29.   Check availability:     AbeBooks     Link/Print  


        Hans Koetsier. Sequence (1962-1980): 25 Silkscreen Prints. SIGNED/MINT COPY.

      (Amsterdam), Vrij Nederland, 1982 - (Amsterdam), Vrij Nederland, 1982. Cardboard portfolio with 3 black ties, 56 x 56 cms., containing 25 interesting embossed screenprints in conceptual style approx. in the size of the portfolio, printed on special paper. Copy from an edition of only 40. Each screenprint signed 'Hans Koetsier', dated '1982' and numbered '39/40' in pencil, each sheet separately hand-numbered '1' to '25'. Koetsier was an important Dutch conceptual and FLUXUS artist. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Luiscius Books]
 30.   Check availability:     AbeBooks     Link/Print  


        Masquerade

      London: Jonathan Cape 1982, 1982. Famous childrens treasure hunt book, written and illustrated by Kit Williams. SIGNED LIMITED EDITION. Octavo, pp.[48]. Bound in original blue cloth hardcovers stamped in gilt with colour plate illustration laid down to upper, clear plastic jacket. Fine. Limited to 1000 numbered copies of which nos. 1 to 100 were not for sale; this is copy number 41, being one of those reserved for personal presentation or private distribution.

      [Bookseller: Adrian Harrington Rare Books]
 31.   Check availability:     IOBABooks     Link/Print  


        A Pale View of Hills

      London: Faber and Faber,, 1982. Octavo. Original light blue boards, complete with dust jacket. Inner front hinge cracked, in the mildly sunned dust jacket. A very good copy. First edition, first impression. Signed by the author on the title page.

      [Bookseller: Peter Harrington]
 32.   Check availability:     Biblio     Link/Print  


        The Birds Of Africa I-VI.

      Academic Press, 1982, 1986, 1988, 1992, 1997, 2000. Six volumes, xiii, 521; xvi, 552; xvi, 611; xvi, 609;xix, 669; xvii, 724 p. Hardcovers with dust jacket. 31,5 x 24 cm. As new.. Illustrated by Martin Woodcock and Ian Willis

      [Bookseller: Antikvariat Röda Rummet AB]
 33.   Check availability:     Antikvariat     Link/Print  


        An Odd Bestiary, or a compendium of instructive and entertaining descriptions of animals, culled from five centuries of travelers' accounts, natural histories, zoologies, &tc., by authors famous and obscure, arranged as an Abecedary. Designed and illustrated by Alan James Robinson text compiled and annotated by Laurie Block. 2 Volumes

      [Easthampton, MA: Cheloniidae Press, 1982. Hardcover. Fine. Hardcover. UNIQUE COPY WITH A SET OF THE 26 ORIGINAL PENCIL DRAWINGS BY ALAN JAMES ROBINSON. There were 300 copies of this book published; 200 were regular copies, 50 were deluxe copies with quarter leather binding and 50 others bound in full leather. The deluxe editions were issued with a set of proofs of the wood engravings and a set of proofs of the line-cut initials, with a large calligraphic manuscript initial beneath each image. The wood engraving proofs are lettered and signed by Robinson, and the line-cut proofs are signed both by Robinson and the calligrapher, Elizabeth Curtis. This copy shows some variation from the copies described in the prospectus. The colophon has been signed and numbered VI of L and internally seems to be a straightforward copy of the deluxe full leather edition. The binding varies somewhat from that pictured in the prospectus but uses many of the same elements. Also, the chemise is thicker that the regular chemise because it contains the 26 pencil drawings. This may have been a special copy prepared by Robinson for a particular subscriber/collector. This wonderful abecedary illustrates each letter of the alphabet with a masterful wood engraving by Robinson. Each animal is described at the bottom of its page in texts chosen primarily from the earliest first-hand accounts of the animal depicted. The descriptions are printed in red. The printed source of each text is identified, and at the end of the book there is a detailed and useful bibliography of these sources. A page with a small, different illustration of the animal precedes each animal's page, with the calligraphic letter written in red by Curtis. The animals depicted are often wondrous and strange, and some, such as the basilisk, may never have actually existed. This is a two volume folio (including a chemise containing an additional suite of illustrations, and the group of original pencil drawings). The bound volume is in full red morocco, done by David Bourbeau of the Thistle Bindery. The covers have a large central, slightly sunken panel, with the title in red and black and with a Sea Turtle device blocked in blind (Cheloniidae is the name for a species of sea turtles). The proofs contained in the chemise are unbound as issued within the original red morocco-backed, linen cloth covered boards. Both volumes are housed in a red morocco-backed cloth covered box, with the spine lettered and dated in gilt and a small Sea Turtle device in blind. "The blocks were cut by the artist at the Cheloniidae Press & printed by Harold P. McGrath in the summer of 1982.... Mackenzie-Harris set the types in monotype with some hand-setting by Arthur Larson. The text was compiled and annotated by Laurie Block. The hand calligraphy is by Betsy Curtis. The paper is Rives lightweight" (from the colophon). The 8-page prospectus is laid in. A remarkable production from this press. In fine condition. PRI/020112.

      [Bookseller: The Kelmscott Bookshop]
 34.   Check availability:     Biblio     Link/Print  


        Portrait of James Joyce

      New York An Artpress Book 1982 - Scarce Portrait of James Joyce Limited to 100 Copies Signed by the Photographer JOYCE, James, subject. ABBOTT, Bernice, photographer. O'NEAL, Hank. Portrait of James Joyce. [New York: 1982]. Gelatin silver print of James Joyce, signed in pencil on lower right corner ("Bernice Abbott") and numbered 7/100 on lower left. With her studio stamp on the verso which states: "Photograph / printed for / limited edition of / Bernice Abbott American Photographer / Bernice Abbott / Abbott, Maine 04406". (Measures 13 3/4 x 10 3/4 in; 26 1/2 x 22 in., framed). Iconic image of Joyce sitting in a wooden chair, holding his cane with one hand, dressed in a suit, striped tie, hat and glasses. Beautifully matted and framed. A scarce photograph in fine condition. Accompanied with: ABBOTT, Bernice. Bernice Abbott American Photographer. [New York], Artpress, 1982. Deluxe limited edition, limited to 420 copies of which this is copy number 53, signed by Abbott. Small folio. 256 pp. With black and white photographs throughout. Full red cloth, stamped in silver on front cover and spine. Slipcase. A fine copy. One hundred copies of the limited edition were issued with the Joyce portrait; the others in the run included different images by Abbott. "One of the most moving of her portraits is one reproduced here of James Joyce. The grey, strangely lifeless, enveloping light finds its way everywhere, describing without emphasis or favor the writer's stickpin, his hands, his right ear, his fine beaver hat, the deep tiredness of his elegant slouch. He seems the survivor of too difficult a battle, shell-shocked by the terrible labor of putting so many words in the precisely proper order." - "Looking at Photographs" by John Szarkowski. HBS 67524. $6,500 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
 35.   Check availability:     IberLibro     Link/Print  


        Derriere le miroir. No. 250. Hommage a Aime et Marguerite Maeght.

      Paris, Galerie Maeght, 1982.. Groß-4°. 38 x 28 cm. 111 Seiten. Original-Karton mit Original-Umschlag.. 1. Auflage. Enthält das Verzeichnis aller DLM-Ausgaben. Mit zahlreichen Abbildungen und 24 Original-Lithografien von Marc Chagall, Joan Miro, Bram van Velde, Tapies, Tal-Coat, Alechinsky, Klapheck, Arakawa, Riopelle, Takis, Garache, Fiedler u. a. Einband wenig fleckig, wenig bestoßen, ansonsten sehr gutes Exemplar. First edition. With the catalogue of all DLM-editions. With many illustrations and 24 original lithographs. Nearly fine copy.

      [Bookseller: Antiquariat Lenzen GbR]
 36.   Check availability:     ZVAB     Link/Print  


        Magician ---with Silverthorn ---with A Darkness at Sethanon: Book 1, 2 and 3 of The Riftwar Saga ---by Raymond E Feist ( Volume One, Two, Three )

      N.Y.: Doubleday, 1982, 1985, 1986, 1st Edition, 1st Printing for All, 1982, Hard Cover, Book Condition: Near Fine, Dust Jacket Condition: Very Good+, First Edition, Illustrated By: David Gatti and Kinuko Craft Cover Art. ----------3 volumes, hardcovers, all are 1st edition and 1st printing, SILVERTHORN and SETHANON are Near Fine copies in very lightly rubbed Very Good+ dustjackets, a bit of tip wear but bright clean examples of the Kinuko Craft artwork dustjackets, jacket on SETHANON is price clipped, ---MAGICIAN is a Very Good to Very Good+ copy with some light marks and rubbing to the boards and edges,rear upper corner is bumped, in an attractive Good dustjacket with some rub marks and some small chips and closed tears but overall looks quite nice, a bit of fading to the red lettering on the spine, SILVERTHORN and SETHANON are about 5.75 x 8.5 inches, MAGICIAN is about 6.25 x 9.5 inches (as it should be as it is a true 1st edition, 1st printing ), MAGICIAN is really quite rare !, all jackets are in hi-quality mylar protectors, any image directly beside this listing is the actual book and not a generic photo

      [Bookseller: Leonard Shoup]
 37.   Check availability:     Bookzangle     Link/Print  


        BRAKHAGE SCRAPBOOK: COLLECTED WRITINGS 1964-1980 - DELUXE SIGNED LIMITED EDITION

      (BRAKHAGE, STAN). Brakhage, Stan. Robert A. Haller, Editor. BRAKHAGE SCRAPBOOK: COLLECTED WRITINGS 1964-1980 - DELUXE SIGNED LIMITED EDITION. Signed by the Filmmaker. New Paltz, NY: Documentext, 1982. First Edition 1/200 Deluxe. 4to. Gilt-Debossed Cloth in Jacket. Film Monograph. Near Fine/Very Good. 262pp, 15 b&w and 1 color illustration. With a filmography and bibliography. Stan Brakhage is arguably the greatest single exponent of American experimental film. This collection publishes - mostly for the first time - notes, articles, essays, and most interestingly Brakhage's letters to the likes of Ed Dorn, James Broughton, Jonas Mekas, Michael McClure, Marie Menken, Bruce Baillie, P. Adams Sitney, and Donald Sutherland. As uncompromising as his cinematic work, these writings are insightful, intriguing, and frequently provocative. A most handsome example from the uncommon deluxe hardbound edition limited to two hundred copies NUMBERED (144/200) AND BOLDLY SIGNED "Stan Brakhage" on the copyright page, as issued, in the publisher's extremely fragile unprinted tissue dustwrapper and acetate dust jacket. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-914232-47-9 Inventory Number: 024267

      [Bookseller: Arcana: Books on the Arts]
 38.   Check availability:     Biblio     Link/Print  


        Derriere le Miroir, Hommage a Aime et Marguerite Maeght, No. 250, August 1982,

      Paris, Maeght Editeur 1982.. 1. Auflage mit zahlreichen teils farbien Abbildungen, 111 Seiten, 28x38, weißer farbig illustrierter O Karton,. SEHR SCHÖNES UND FRISCHES EXEMPLAR mit insgesamt 24 farbigen Original-Lithographien, bzw Original-Serigrafien, davon acht doppelblatt- und eine überblattgroß sowie dem Umschlag; drei einfarbigen Original-Lithographien, davon eine doppelblattgroß, und drei Original-Serigraphien, davon eine farbig und doppelblattgroß. Die farbigen Original-Lithographien von Chagall, Miro (doppelblattgroß), Bram van Velde (doppelblattgroß), Rebeyrolle, Tapies (doppelblattgroß), Tal-Coat, Alechinsky (doppelblattgroß), Ubac, Pol Bury (doppelblattgroß), Klapheck, Titus-Carmel (doppelblattgroß), Kelly (einfarbig), Bazaine (einfarbig), Adami, Arakawa (überblattgroß), Riopelle, Takis (doppelblattgroß), Garache (doppelblattgroß, einfarbig), Gardy-Artigas, Fiedler (doppelblattgroß), Steinberg (Umschlag); die Original-Serigraphien von Chillida, Palazuelo, Monory (doppelblattgroß und farbig)

      [Bookseller: Antiquariat Im Baldreit]
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        Selected Drawings Portfolio

      A.D.A. Edita, (1982), Tokyo - . Elephant Folio. Volume 3. Limited edition of 500 copies (A001-A500). The present copy is number A141. 50 mounted color plates on heavy card stock, all wrapped in original glassine wrapper and laid into its original printed folder, and set into a heavy terracotta cloth covered clamshell with paper label and ivory latches. Housed in the original numbered two part cardboard box, and held within its original publisher's shipping carton. This is the last volume produced in Tokyo of the three volume set. The first was published in 1977, the second in 1980. Each contains 50 color prints. A superb copy in pristine condition.

      [Bookseller: Alcuin Books, ABAA]
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        ROBERT MOTHERWELL (SECOND EDITION, NEW AND REVISED) - SIGNED ASSOCIATION COPY FROM THE ARTIST

      (MOTHERWELL, ROBERT). Arnason, H.H, Barbralee Diamondstein & Robert Motherwell. Introduction by Dore Ashton. ROBERT MOTHERWELL (SECOND EDITION, NEW AND REVISED) - SIGNED ASSOCIATION COPY FROM THE ARTIST. Signed Association Copy from the Artist. New York: Harry N. Abrams Incorporated, 1982. Second Revised and Updated Edition. Oblong Small Folio. Cloth in Illustrated Jacket. Artist Monograph. Near Fine/Near Fine. 250pp, 328 illustrations in color and b&w. With a chronology, bibliography and exhibition history. Published by Harry N. Abrams, this massive Robert Motherwell monograph is still the most comprehensive reference on the noted late American Abstract Expressionist artist and scholar. Copiously illustrated, it features an essay by H.H. Arnason as well as the transcript of a lengthy 1977 interview between the artist and Barbralee Diamondstein. A most handsome example of the preferred 1982 revised and enlarged second edition with a printed card stating "With the compliments of the artist" that is additionally BOLDLY SIGNED "Bob" in black ink tipped to the front pastedown accompanied by a business card for "Mr. and Mrs. Robert Motherwell / 173 East Ninety-Fourth Street / New York 28 N.Y." laid in. We acquired this along with several other items signed by Mr. Motherwell and Ms. Frankenthaler directly from the library of their close friend and fellow artist Emerson Woelffer - who has BOLDLY INSCRIBED "Received from Bob. / 4-29-82" in his inimitable handwriting in black ink above the card on the front pastedown. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-8190-1333-X Inventory Number: 024395

      [Bookseller: Arcana: Books on the Arts]
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        Zuchtpraxis des Imkers in Frage und Antwort. Königinnenzucht, Drohnenzucht, Futtersaftgewinnung, Paarung, Verwendung, Körung, Zuchtbegriffe [Gebundene Ausgabe] von Karl Weiss (Autor) imkerliche Zuchttechnik Bienenzucht Zuchtarbeit Zuchtstoff Weiselpflege Königinnenfuttersaft Ernteerzeugnis Schlupf Paarung der Königinnen Drohnenaufzucht Parungserfolg Körung der Bienen Biene Imkerei Bienenkunde Bienenprodukte Bienenkrankheiten Zuchtpraxis des Imkers in Frage und Antwort Königinnenzucht Drohnenzucht Futtersaftgewinnung Paarung Verwendung Körung Zuchtbegriffe

      Graz: Ehrenwirth, 1982. 2 Ausgabe. Softcover. 20,4 x 15,2 x 1,4 cm. Die Zucht verbessert die erbliche Qualität der Biene und ist deshalb die unerläßliche Zukunftsarbeit des Imkers. Längst ist die Zuchttechnik kein Buch mit sieben Siegeln mehr - aber die Überwindung alter Traditionen ist auch hier nicht leicht. Deshalb wird in diesem Buch des bekannten Erlanger Wissenschaftlers die gesamte imkerliche Zuchttechnik neu aufbereitet. Die Frage-und-Antwort-Form dient der besonders raschen Information und der problemlosen Umsetzung in die praktische Zuchtarbeit des Imkers. Nur wissenschaftlich Stichhaltiges und praktisch Erprobtes wird behandelt. 125 Fragen und die dazugehörenden ausführlichen Erläuterungen mit 155 teils farbigen Abbildungen vermitteln dem Imker alles erforderliche Wissen über die natürliche Vermehrung, den Umgang mit dem Zuchtstoff, die Weiselpflege, Königinnenfuttersaft als Ernteerzeugnis, Schlupf und Paarung der Königinnen, Drohnenaufzucht, Parungserfolg, die Körung der Bienen. Königinnenzucht. Praxisanleitung für den Imker Gilles Fert Klaus Nowottnick Biene Bienenzucht Imkerei Stocker Leopold Verlag Bienenkunde Bienenprodukte Bienenkrankheiten imkerliche Zuchttechnik Bienenzucht Zuchtarbeit des Imkers Zuchtstoff Weiselpflege Königinnenfuttersaft Ernteerzeugnis Schlupf Paarung der Königinnen Drohnenaufzucht Parungserfolg Körung der Bienen Königinnenzucht Biene Imkerei Bienenkunde Bienenprodukte Bienenkrankheiten ISBN-10 3-431-02820-9 / 3431028209 ISBN-13 978-3-431-02820-1 / 9783431028201 Zuchtpraxis des Imkers in Frage und Antwort. Königinnenzucht, Drohnenzucht, Futtersaftgewinnung, Paarung, Verwendung, Körung, Zuchtbegriffe [Gebundene Ausgabe] von Karl Weiss (Autor) imkerliche Zuchttechnik Bienenzucht Zuchtarbeit Zuchtstoff Weiselpflege Königinnenfuttersaft Ernteerzeugnis Schlupf Paarung der Königinnen Drohnenaufzucht Parungserfolg Körung der Bienen Biene Imkerei Bienenkunde Bienenprodukte Bienenkrankheiten Zuchtpraxis des Imkers in Frage und Antwort Königinnenzucht Drohnenzucht Futtersaftgewinnung Paarung Verwendung Körung Zuchtbegriffe imkerliche Zuchttechnik Bienenzucht Zuchtarbeit des Imkers Zuchtstoff Weiselpflege Königinnenfuttersaft Ernteerzeugnis Schlupf Paarung der Königinnen Drohnenaufzucht Parungserfolg Körung der Bienen Königinnenzucht Biene Imkerei Bienenkunde Bienenprodukte Bienenkrankheiten Die Zucht verbessert die erbliche Qualität der Biene und ist deshalb die unerläßliche Zukunftsarbeit des Imkers. Längst ist die Zuchttechnik kein Buch mit sieben Siegeln mehr - aber die Überwindung alter Traditionen ist auch hier nicht leicht. Deshalb wird in diesem Buch des bekannten Erlanger Wissenschaftlers die gesamte imkerliche Zuchttechnik neu aufbereitet. Die Frage-und-Antwort-Form dient der besonders raschen Information und der problemlosen Umsetzung in die praktische Zuchtarbeit des Imkers. Nur wissenschaftlich Stichhaltiges und praktisch Erprobtes wird behandelt. 125 Fragen und die dazugehörenden ausführlichen Erläuterungen mit 155 teils farbigen Abbildungen vermitteln dem Imker alles erforderliche Wissen über die natürliche Vermehrung, den Umgang mit dem Zuchtstoff, die Weiselpflege, Königinnenfuttersaft als Ernteerzeugnis, Schlupf und Paarung der Königinnen, Drohnenaufzucht, Parungserfolg, die Körung der Bienen. Königinnenzucht. Praxisanleitung für den Imker Gilles Fert Klaus Nowottnick Biene Bienenzucht Imkerei Stocker Leopold Verlag Bienenkunde Bienenprodukte Bienenkrankheiten ISBN-10 3-431-02820-9 / 3431028209 ISBN-13 978-3-431-02820-1 / 9783431028201

      [Bookseller: Lars Lutzer]
 42.   Check availability:     Biblio     Link/Print  

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