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Displayed below are some selected recent viaLibri matches for books published in 1980

        Vingt-quatre murmures en novembre

      Éditions du Noroît, Saint-Lambert /Québec 1980 - Non paginé. Traces de mouillures au boîtier. Petites taches à la chemise. Complet des 24 gravures en eau-forte et taille douce. L'un des 24 exemplaires avec un cuivre percé après tirage, ex. no. 3/24/60. Signé au colophon par l'auteur et l'artiste. Boîtier de Pierre Ouvrard. [Hould, 34]. [Attributes: Soft Cover]

      [Bookseller: Librairie Bonheur d'occasion (LILA/ILAB)]
 1.   Check availability:     AbeBooks     Link/Print  


        Waiting for the Barbarians

      Johannesburg: Raven Press, 1980.. First South African edition of the author's masterpiece. Octavo, original black cloth with titles to the spine in gilt. Signed by Coetzee on the title page. Fine in the usual spine faded dust jacket.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Cosmos

      New York: Random House, 1980.. First edition. Octavo, original cloth. Signed by Carl Sagan on the title page. Fine in a fine dust jacket. Rare signed.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Josef Sudek. Profily z praci mistru ceskoslovenske fotografie.

      Prague: Panorama 1980 - Quarto 29.7 x 20.7 cm, folio wrappers, 28pp., with 18 full page bromograph prints and a additional sheet. Josef Sudek (1896-1976) is the most renowned Czech photographer of the 20th century. An overview of his work is presented here, along with an important illustrated essay by the historian Petr Tausk. This is the first of a series Profiles of Master Photographers of Czechoslovakia, printed in five languages. This copy fine. [Attributes: First Edition; Soft Cover]

      [Bookseller: Michael Fagan Fine Art & Rare Books]
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        Two Holographic Poems. Metaphor: Like: = I [&] II

      1980. A two-part poem penned by Gregory Corso for his friend Fred Martin, Managing Editor at New Directions. Apocryphally at least, Corso "writ out" the poem for Martin at a bibulous evening at one of New York';s watering holes. In his time at New Directions, Martin worked with Corso, as well as Allen Ginsberg, Tennessee Williams, William Carlos Williams, and Lawrence Ferlinghetti. "Metaphor" is a variation on Corso';s poem "Piffle", published in 1980 -- the same year the poem was "writ out for Fred Martin." Shortly thereafter, following the assassination of John Lennon, the poem was reworked and retitled "For John Lennon." Corso';s practice seems to have been constantly to re-write, revise, and recycle his poems, perhaps to fit the occasion.

      [Bookseller: Black Swan Books, Inc.]
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        Book of the New Sun: Shadow of the Torturer ---with Claw of the Conciliator ---with Sword of the Lictor ---with Citadel of the Autarch ---with Castle of the Otter ---5 Volumes, Signed By Gene Wolfe

      N.Y.: Simon and Schuster and Timescape Books, 1980, 1981, 1981, 1983, 1st edition, 1st Printing for All ---with Willimantic, CT.: Ziesing Brothers, 1982, Book Club Edition -----------5 volumes, hardcover, all are Near Fine / Fine copies, all are in Very Good+ / Near Fine price clipped dustjackets, SHADOW, CLAW, SWORD and CITADEL are 1st edition, 1st printing copies, CASTLE is a Book Club Edition, all are signed and inscribed by WOLFE, CASTLE has had a name written and crossed out by WOLFE (apparently GW was flustered by a VERY luscious redhead who was having her books signed and so GW signed this copy with her name even tho' she had walked away ---he was likely still watching her out of the corner of his eye and thus the error ---signed to the former owner with apologies), any image directly beside this listing is the actual book and not a generic photo. Signed. First Edition. Hard Cover. Near Fine/Very Good+ price Clipped. Illus. by Don Maitz and Stephen Fabian Cover Art .

      [Bookseller: Leonard Shoup]
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        The Restaurant at the End of the Universe. Sequel to ‘The Hitch Hiker’s Guide to the Galaxy’

      London: Arthur Baker, 1980.. First edition. Octavo, original green boards. Fine in a near fine dust jacket that shows just light toning to the inner front flap. Signed by the author on the title page.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Frank Lloyd Wright: Wallcoverings (title from cover) (Wright). Trade Catalogue

      Newark, DE/ Scottsdale, AZ: Schumacher Co./ Frank Lloyd Wright Foundation. Frank Lloyd Wright: Wallcoverings (title from cover) (Wright). Trade catalogue.- Newark, DE/ Scottsdale, AZ. Schumacher Co./ Frank Lloyd Wright Foundation. There are seventy pages that are numbered corresponding to listed samples. There are 17 unpaged samples which are borders that go along with the wallpaper samples. Then there are six interior scenes showing of the wallpaper and other Wright inspired designs. Then there are another eleven pages of textile designs for sheers, panels, prints, wovens, and rugs. Extremely rare to find a wright Catalog with actual samples. We did not find a date but it appears based on research that this is from the 1980's. Wright catalogs are EXTREMELY RARE. Condition:The book is in Very Good + condition. It measures 9 inches by 12 inches. The covers have minor edge wear. The contents are tightly bound and secured with two metal bolts as issued. The contents are almost Like New. There is a very strong paint and wallpaper odor associated with this book when it is opened. There is no mold. The buyer would do well to let the book sit open. Please write with questions.. First Edition. Hard Cover. Near Fine. Folio - over 12" - 15" tall.

      [Bookseller: Mikandra Books]
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        Satan Says

      Pittsburgh: University of Pittsburgh, 1980. First edition, first printing. Hardcover. Hardcover. First edition, first printing. A fine book in a near fine dust jacket. This is a higly collectable first edition of the author's first book. Signed and inscribed by the author on the title page. Also laid into the book is a note written by Olds in which she thanks a correspondent their nice note. Signed by the author on the title page. This book is from the library of well known Oklahoma book collector Larry Owens.

      [Bookseller: Sawtooth Books]
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        THE INVISIBLE MAN (Franklin leatherbound, plus Notes from the Editor)

      Franklin Center, PA : Franklin Library 1980 - SIGNED in dark blue ink by author JOHN CHEEVER on third free endpaper (bound in, not tipped in); tissue guard laid in. 1980 Franklin Library Signed Limited Edition leatherbound collector's edition. Includes a special message by the author, plus original booklet Notes from the Editor included. Condition: fine; as new; unread. Rich cranberry red hand-cut full leather boards with ornate gilt design. Hubbed spine. red silk moire endpapers; matching bound-in ribbon. Textblock clean, tight, square, unmarked, unread. All edges gilt; very slight speckling to the gilt. Illustrations by Will Harmuth. No marks, bookplates, or signs of prior ownership. A gorgeous book that feels wonderful in the hand. Packaged with care and shipped in a box to arrive in best condition. Complete satisfaction guarantee; no sale is final until you are satisfied. [Attributes: Hard Cover]

      [Bookseller: Bookshelves-USA (IOBA)]
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        John Bewick A Selection of Wood Engravings. Being Impressions from Original Wood-blocks

      Newcastle upon Tyne: David Esslemont. Fine condition with red slipcase. 1980. Limited Edition [40/140]. Red quarter-leather cover with marbled boards and gilt titles. 250mm x 190mm (10" x 7"). 24pp. Wood-block engravings. Scotch Roman Type. BFK Rives Velin Cuve paper. Printed on a Columbian Press by hand on dampened paper. .

      [Bookseller: Barter Books Ltd]
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        FLATLAND: A Romance of Many Dimensions [With the Introduction “Flatland Revisited” by Ray Bradbury]

      San Francisco: Arion Press, 1980. LIMITED EDITION, one of only 275 numbered copies signed by Andrew Hoyem and Ray Bradbury. Printed on T.H. Saundrs hot-press finish, mould-made paper. Illustrated with fourteen line drawings and ten die-cuts by Andrew Hoyem, colours and gray backgrounds done by hand, in Univers, composed of Monotype then reset, initials in Gil Shadow. Folio, accordion style with aluminum covers impressed with black lettering, in a hinged aluminum container with metal clasp, prospectus laid-in. Fifty-six folded panels. A very fine copy, pristine and as mint, with just a bit of the completely inevitable evidence of movement where the aluminum covers slip into the aluminum case. NOW VERY SCARCE, A UNIQUELY DESIGNED AND PRINTED ENTRY FROM THE ARION PRESS. This was the seventh book produced by the press while under the direction of Andrew Hoyem. It was one of the press’ most commercially successful productions, and certainly one of its most aesthetically unusual. "The best introduction one can find into the manner of perceiving dimensions." - Isaac Asimov. Edwin Abbott Abbott (1838-1926) has been ranked as one of the leading scholars and theologians of the Victorian era. He received highest honors in mathematics, classics, and theology at St. John's College, Cambridge, and in 1862 began a brilliant career, during which he served as schoolmaster of some of England's outstanding schools. At the same time he distinguished himself as a scholar, and in 1889 he retired to his studies. One of his few works of fiction, Flatland, has given pleasure to thousands of readers over many generations Unless you're a mathematician, the chance of you reading a novel about geometry is probably near zero. But this work is a classic and would be considered a great read by most anyone. FLATLAND imagines a two-dimensional world inhabited by sentient geometric shapes who think their planar world is all there is. But one Flatlander, A. Square, discovers the existence of a third dimension and thus the limits of his world's assumptions about reality. And, in the spirit of GULLIVER’S TRAVELS, FLATLAND comes across as quite a humourous satire on society and the class distinctions of Victorian England. If you've ever wondered what a 4th dimension would look like, FLATLAND provides a lens through which you can imagine that extension out of our 3D world. Abbot accomplishes this by describing the eye-opening extension of his narrator's 2D world when visited by a 3D apparition, a "sphere". His framing of the foundational issues through the experiences of what you'd expect to be the most "two dimensional” character in fiction are really quite engaging. The story line is as interesting as the mathematics and the mathematics are beyond fascinating. Predating Einstein and the Quantum Theory by decades, FLATLAND may have helped to open the minds of people to the entirely new ways of viewing our reality. The changes which would soon be coming could hardly have been envisioned in Victorian England. The book is a classic of theoretical physics rendered for accessible for layman’s use and it is a classic of science fiction which lays the groundwork for countless such literary explorations in the 20th century and beyond.

      [Bookseller: Buddenbrooks, Inc.]
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        BARN BLIND.

      Harper & Row, New York 1980 - First edition of the author's first book, signed by Smiley on the title page. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ed Smith Books]
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        The Day After Superman Died

      Northridge, California: Lord John Press 1980, 1st edition, limited 39/50. (Hardcover) 48 [1]. Near fine. Octavo. Navy blue cloth with gilt lettering on spine (some light discolouration from dust to spine). Green and blue decorative marbled paper covered boards. Green endpapers. Clean, tight text block. A lovely copy. A limited first edition printing with 300 numbered copies and 50 deluxe copies specially bound, all signed by the author on the colophon page in blue ink. Kenneth Elton "Ken" Kesey was an American author, best known for his novel One Flew Over the Cuckoo's Nest (1962), and as a counter-cultural figure who considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s. This short story is a fictional account of the death of Neal Leon Cassady (February 8, 1926 – February 4, 1968) who was also a major figure of the Beat Generation of the 1950s and the psychedelic movement of the 1960s. He also served as the model for the character Dean Moriarty in Jack Kerouac's novel on the Road..

      [Bookseller: Aquila Books]
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        Barn Blind [Signed]

      New York: Harper & Row, 1980. First edition. Hardcover. Near Fine/fine. A Very Good + to Near Fine copy of the first edition, first printing (spine ends pushed, light corner bumping), in a Fine dust jacket (tiny closed tear to bottom of rear panel), SIGNED BY JANE SMILEY on the half-title and there inscribed and dated by her as follows: "To 'Aunt' Ginny - / With best wishes, / Jane Smiley / Apr 19, 1981"; Jane Smiley's debut book centered around a mother who has all elements of her life in order until her children begin to act strangely and her husband -- who she barely tolerates -- begins to act madly in love with her. (Smiley later won the 1992 Pulitzer Prize in Literature for "A Thousand Acres", 1991.) Copies in as good a condition are are this book and dust jacket are not at all common. Altogether a Very Good + to Near Fine copy of an important debut book, SIGNED BY JANE SMILEY.

      [Bookseller: Allington Antiquarian Books, LLC]
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        ROBERT RAUSCHENBERG: WERKE 1950-1980 ("ROBERT RAUSCHENBERG: WORKS 1950-1980")

      Berlin, Germany: Staatliche Kunsthalle Berlin, 1980. First Edition. First Printing.. Softcover. Fine/No Dust Jacket, As Issued.. Berlin, Germany: Staatliche Kunsthalle Berlin, 1980. Softcover. Fine/None, As Issued. First Edition/First Printing. 397 pages. Retrospective exhibition monograph. One of the most beautiful and important books on the art of Robert Rauschenberg. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The book is now rare. A brilliant production by Robert Rauschenberg and Staatliche Kunsthalle Berlin: Oversize-volume format. Pictorial softcovers with titles on the cover and spine, as issued. Art by Robert Rauschenberg. Curated with an Introduction by Dieter Ruckhaberle. Essays by various contributors. The pieces are in both the original German and felicitous English translations. Printed on thick coated stock paper in Berlin, Germany to the highest standards. The reproduction quality is stunning while the photographs of the actual installations, which give us an idea of the exhibition itself, cannot be improved upon. Without DJ, as issued. Published on the occasion of the travelling exhibition of the same name which commenced at the Staatliche Kunsthalle Berlin from March 23 through May 4, 1980. The show travelled on to Dusseldorf, Copenhagen, Frankfurt, and Munich in 1980 and 1981. Presents the finest and most representative works by the American artist. Among the notable beauties is the inclusion of Rauschenberg&#39;s "Inferno" in its entirety. This German publication will always be among the best monographs on his work, according to Rauschenberg himself, who was extremely pleased with the care, meticulousness, and dedication that were put into it. "A protean genius who showed America that all of life could be open to art. Rauschenberg didn&#39;t give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "My fear is that something interesting will happen, and I&#39;ll miss it" (Robert Rauschenberg). A "must-have" title for Robert Rauschenberg collectors. <b><i> This copy is very prominently and beautifully signed in purple marker by Robert Rauschenberg. This is an Import title, was not distributed outside Germany, and is now highly collectible. As far as we know, this is the only copy available online and is in especially fine condition: Clean, crisp, and bright, a beauty. According to dealers who knew him, Rauschenberg basically stopped signing books in the 1990&#39;s. A rare signed copy thus. </b></i> 238 plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG).

      [Bookseller: Modern Rare]
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        BIRDS OF PREY OF SOUTHERN AFRICA

      Johannesburg: Winchester Press, 1980. First Edition, Limited to 1500 copies only. Beautifully illustrated with a coloured frontispiece and 140 colour-plates by C.G. Finch-Davies 4to, publisher&#146;s brown polished cloth, the spine lettered in gilt, housed in the original pictorial dustjacket and slipcase. 339 pp. An extremely fine, as mint copy, unopened, dustjacket pristine, in original cardboard slipcase. FIRST EDITION, SUBSCRIBERS&#146; ISSUE, LIMITED AND BEAUTIFULLY ILLUSTRATED. A MINT COPY. &#147;The Birds of Prey of Southern Africa is the showcase for the wonderful paintings of birds of prey by the late Claude Gibney Finch-Davis. It is sixty years since this talented artist, or world standard, died tragically. His life and the circumstances surrounding his death are described in a brief biography contained in the book. He illustrated all the birds of prey, including, owls, known in southern Africa at the beginning of the twentieth century - and only eight other species have been discovered since that time. He depicted the various plummages as they occur with great accuracy and detail so that this collection provides a fine reference source. The text, by Dr. Alan Kemp of the Travel Museum in Pretoria, is a narrative account of each species known in southern Africa, extracting the essence of their biology and of birds of prey in general. It relies on the masterly illustrations to document details of colour and structure, the functions and adaptations of which are discussed in the text. Superb artwork and readable text combine to provide and enjoyable reference work abut this impressive group of birds, many of which are suffering a the hand of man.&#148;

      [Bookseller: Buddenbrooks, Inc.]
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        Bauhaus - 2. Generation.

      Verlag der Zeitschrift Symbol., Köln. 1980 - 1. Auflage. Köln. Verlag der Zeitschrift Symbol. 1980. 30,5 x 21,5 cm. 112 S. OLeinen mit OUmschlag; IKarton-Mape in leinenkaschiertem OKarton-Schuber. Sehr gutes Exemplar. Vorzugsausgabe, Nummer 47 / 50 Exemplaren, von Wolfgang Wangler auf der beigegebenen Mappe signiert und nummeriert. Enthält 9 lose in Mappe einliegende Arbeiten: Eugen Batz. Stilleben. Foto 1976/1980; Heinrich Siegfried Bormann. Pilz. Entwurf für eine Lampe. Lithographie nach einer Zeichnung 1930/1980; Heinrich Brocksieper. Einzelbild aus einem perpelleristischen Film. Foto 1927/1980, aus dem Nachlass, signiert von der Witwe des Künstlers; Paul Citroen. Selbstportrait mit Kamera. Foto 1932/1980; Hans Haffenrichter. Ohne Titel. Lithographie nach einem Linolschnitt 1923/1980; Martin Jahn. Figürliche Bewegung. Lithographie nach einer Zeichnung 1924/1980; Karl Klode. Rund und spitz. Vierfarbenlithographie nach einer Collage 1931/1980; Herbert Schürmann. Ohne Titel. Foto 1932/1980; Fritz Tschaschnig. Selbstporträt. Foto 1980. Alle Arbeiten sind handschriftlich von den Künstlern nummeriert und signiert. OLeinen mit OUmschlag; IKarton-Mape in leinenkaschiertem OKarton-Schuber. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Querido - Inh. Frank Hermann]
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        Fiorucci The Book

      New York: Harlin Quist, 1980. First Edition. Softcover.. VG+. 4to, Unpaginated. Spiral bound. Mad fluro colour ilustrations and photographs. First and only edition. Notoriously fragile. A little rubbing to cover and edges, in a much better condition than usually seen. More images available on request. Mental book about the &#39;Daytime Studio 54&#39;. Filled full of the famous Fiorucci graphics and anecdotes from its heyday. Popular with everybody from Warhol, Farah Fawcett, Marc Jacobs, Madonna, Lauren Bacall, Haring, Maripol, Jackie O, Gloria Vanderbilt, Calvin Klein etc. to the Paninaro kids in Milan. "A celebration of Fiorucci fashion and flash. More than a store, more than a line of clothes, Fiorucci is a whole point of view. Fiorucci invented junky chic and the whole world is buying it". A true pop phenomenon. Amazing.

      [Bookseller: november-books]
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        RACING WITH DAVID BROWN ASTON MARTINS. Volumes I and II. Signed copy

      Isleworth, Transport Bookman Ltd, 1980.. 2 volumes, complete set, Volume II compiled and edited by Chris Nixon, SIGNED BY 14 MEMBERS OF THE RACING FRATERNITY AND BY THE TWO AUTHORS. FIRST EDITIONS 1980, 4to, approximately 280 x 215 mm, 11 x 8½ inches, dark green boards, gilt lettered spine, illustrated profusely with black and white photographs, pages: xiii, 250 including index; x, 249 including index. No owner inscriptions, both volumes very good in very good dustwrappers. On the front endpapers of Volume II are the original signatures in various inks of Stirling Moss, Roy Salvadori, Tony Brooks, Eric Thompson, B. Bira, Prof. Eberan-Eberhorst, Gillian Harris, Carroll Shelby, Geoff Duke, Innes Ireland, Jack Fairman, the two authors and Louis Klemantaski who took many of the photographs. MORE IMAGES ATTACHED TO THIS LISTING. POSTAGE AT COST. A heavy item which may require extra postage.

      [Bookseller: Roger Middleton]
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        The Scarlet Ruse (First Edition, inscribed in the year of publication)

      New York: J.B. Lippincott and Thomas Y. Crowell, 1980. First American hardcover edition. Very nicely INSCRIBED by MacDonald in the year of publication on the front endpaper: "For Louise and Joe / Best regards from yr ol&#39; friend / John D. MacD / 15 May 1980 / Forgot to bring this to your party. We had a fine time. We left on that train that went through." Near Fine in a Near Fine dust jacket. From the library of noted collector Duke Collier, with his bookplate on the front pastedown. A Travis McGee thriller.

      [Bookseller: Royal Books, Inc.]
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        Codice Tudela

      Ediciones Cultura Hispanica, Madrid 1980 - 2 volumes in slipcase. Volume 1 Text: 315 pages with tables, figures and bibliography. Volume 2 accordion facsimile codex. Folio (12" x 9") bound in original cloth beige cloth with brown lettering to spine and cover. Prolog by Donald Robertson. Epilog by Wigberto Jimenez Moreno. Correlation of the codex by Ferdinand Anders and S Jeffrey K Wilkerson. First edition. Museo de America, Codice del. Codex Tudela. Costumbres, Fiestas, Enterramientos y diversas Formas de Proceder de los Inidos de la Nueva Espana. Museo de America, Madrid. Ritual-calendrical and ethnographic. Valley of Mexico c 1553(?). European paper. 119 leaves. The discovery of this major manuscript was announced at the 28th International Congress of Americanists in Paris in 1947 by Tudela. Part of its pictorial content is a version of material in other manuscripts of the Magliabecchiano Group. The first four leaves have six full-figure portraits of various Indian types (Mexican woman, Tarascan Indian, Yope Indian, etc) and a drawing of a maguey plant. Five or six missing leaves had similar drawings, to judge from copied captions in the Escorial copy of the text. The next four parts of the codex contain: (1) drawings and Spanish texts illustrative of the gods and ceremonies of the 18 months of the 365 day year; (2) drawings and texts of other ceremonies, gods, sacrifices and customs; (3) year symbols for a 52-year period; and (4) drawings of ritual symbols on blankets. The drawings of the four parts parallel those in Codex Magliabecchiano, but the Spanish texts in the two manuscripts are different and each manuscript has drawings not in the other. Five pages from the sections cognate with Codex Magliabecciano have been previously published. The final section of the codex contains: (1) a Spanish text describing the native calendar in terms of the 20-day periods subdivided into periods of 13 and 7 days and (2) drawings and Spanish texts depicting and describing the 260-day divinatory almanac. The highly detailed latter section contains almost unique data relating to a four-way division of the tonalpohualli (four direction trees), pairs of gods for 13-eay periods, as well as data on the 13 birds and the Nine Lords of the Night. The final page has a drawing of a spread deerskin with day signs attributed to different parts of the body. This drawing, which has been published, was at that time the only part of this section of the codex that had been published. Condition: Text and codex in fine condition. Slipcase good with title "Tudela" written on the spine, some tear to edges and tape repair to spine foot. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Collector]
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        Barn Blind

      NY: Harper & Row, Publishers, 1980. hardcover. F-/F 1st edition, 1st printing. Author&#39;s first book. INSCRIBED by author on half-title page. Book has light foxing on edges and minor shelf wear. We offer a LIFETIME GUARANTEE. See KHBOOKS for details.

      [Bookseller: Ken Hebenstreit, Bookseller]
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        S.T.E. Lawrence. Boxwood blockmaker. Wood engravings collected in honour of his eightieth birthday

      Wakefield: Simon Lawrence - printed at the Whittington Press. F. 1980. Limited Edition. Quarter brown buckram over marbled boards with gilt titles on spine, 16pp + 37 full page wood engravings printed on rectos only and with a wood engraved frontis by Leo Wyatt and an appreciation written by George Mackley, internally clean and bright, a fine copy in a slipcase which is bumped on a couple of corners. , Stanley Lawrence worked in the family business, which made woodblocks for wood engravers, from 1917 until 1986. He became the sole proprietor in 1941 and was an acknowledged expert on wood engraving materials and handmade papers. This book was conceived in 1979, when Stanley Lawrence&#39;s grandson, Simon, asked John Randle at the Whittington Press to print, in secrecy, a book of wood engravings by leading engravers to celebrate his grandfather&#39;s 80th birthday. The list of engravers who contributed their work is impressive and includes Simon Brett, Joan Hassall, Agnes Miller Parker, George Mackley and Reynolds Stone, to name just a few. A more significant consequence of the book was Simon Lawrence&#39;s decision to set up the Fleece Press, a decision that he associates with moment he first walked through the door at the Whittington Press. , tall 8vo 9" - 10" tall, Unpaginated pp .

      [Bookseller: double B books]
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        The Second Coming

      New York: Farrar Straus & Giroux, 1980 First Edition. 443 xerox sheets of the complete manuscript of this novel, with corrections. Loose 8 1/2 x 11 sheets. Inscribed on the top sheet by the author to a publishers rep. Near fine in a fine custom clamshell case.. Signed by Author.

      [Bookseller: MDS Books]
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        An Almanac Of Twelve-Sports and London Types

      Andoversford, Gloucestershire: Whittington Press, 1980. Reprint. Hardcover. Orig. basket weave maroon cloth fold down box with illustrated front cover paper label in color of the "Barmaid." Fine./No Dust Jacket. 40 x 29 cm. Thirty-nine wood-engraved plates hand-colored by Edward and Helen Craig from the original woodblocks including six plates from the "Unused Versions" of the originals published here for the first time. Limited edition, copy 10 of 12 of the hand-colored sets with 15 page booklet printed in red and black, "William NIcholson&#39;s An Almanac of twelve Sports and London Types An Introduction to the reprint from the original woodblocks" by Edward Craig and signed by him. Total edition of 225, 150 sets with booklet signed by Craig. Original publication price of hand-colored version, 400 pounds: printed on a Columbian hand-press on Camber Sand hand-made paper with the boxes made by Weatherby Woolnough. Each plate loose as issued with tissue guards. Fresh, very bright production.

      [Bookseller: Royoung bookseller, Inc.]
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        Books from the Library of Lois Mailou Jones

      An archive of 34 books from the library of the African-American artist Lois Mailou Jones. Each book includes her ownership Signature, her bookplate, or gift Inscriptions from authors and artists to her and/or her husband, the noted artist Vergniaud Pierre-Noel. The collection includes books on a variety of subjects all relevant to her work including art history, Haitian and African culture, typography, design, and instructional books. Notable books from the collection include an Inscribed Exhibition Catalogue from the artist Alice Neel and two art instructional books published in Paris, possibly purchased during her fellowship in Paris or her many subsequent return trips. Other books in the collection are inscribed to her from her peer art instructors or by Haitian intellectuals. Professor Jones was one of the premier African-American female visual artists. Book collectors may recognize her name from the numerous titles she illustrated for both adults and children. She was recognized by several universities with honorary degrees as both an exceptional artist and educator, and by President Jimmy Carter in 1980 for her outstanding achievement in the arts. Full details available upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Video Poems

      Long Beach, CA: Applezaba Press,1980.. First edition of the author&#39;s second book. Octavo, original illustrated wrappers. A near fine copy showing only light wear and a bookplate to the inside gutter. Signed by the author. A very nice copy of this uncommon collection.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 28.   Check availability:     Biblio     Link/Print  


        THE ART OF MAURICE SENDAK

      New York: Abrams, 1980. Fine, the glassine with minor wear. First edition Large, square 4to. Color-illustrated cloth with glassine wrapper with the titles in white. Fully illustrated including color fold-outs and a functioning pop-up The definitive work on Sendak.& This copy inscribed "For Herb - with affectionate greetings!" and SIGNED BY SENDAK AND SELMA LANES. With an 8X10 color photo of of Sendak characters laid in INSCRIBED "For Herb + Dolores and Jennifer - Mazol-Tov!" and SIGNED Maurice Sendak. Dec. 80.

      [Bookseller: First Folio]
 29.   Check availability:     Biblio     Link/Print  


        Il nome della rosa [Signed] [The Name of the Rose]

      Milano: Bompiani, 1980. First edition. Hardcover. Fine/fine. A Near Fine copy of the first edition, first printing (some of the common toning to the pages due to the type of paper used to produce the book, prior owner&#39;s neat gift presentation to the front free endpaper, some spotting to the rear board), in a virtually Fine dust jacket (quite light wear, short crease line to the rear flap&#39;s lower left corner), SIGNED BY UMBERTO ECO on the title page. The copyright page properly states "I edizione settembre 1980" and carries the &#147;SIAE 1 edizione sticker, numbered 0012974&#148;. The dust jacket&#39;s rear flap shows the correct price of &#147;L. 10.000 / IVA compresa&#148;. An historical murder mystery set in Italian monastery in the year 1327 and Eco&#39;s debut novel, the novel combines semiotics, biblical analysis, medieval studies, and literary theory. [Eco is a semiotician of the first order and a University Professor, essayist, philosopher, literary critic, and novelist.] In the story, a Franciscan friar, William of Baskerville, and his novice Adso of Melk -- who narrates the story, arrive at an Italian monastery to attend a theological disputation only to find the monastery disturbed by a recent suicide. A number of other monks then die under mysterious circumstances and William is asked to conduct an investigation. The novel provided the basis for the 1986 movie of the same name starring Sean Connery as William of Baskerville and Christian Slater as Adso of Melk. Signed copies of the work are quite scarce. A Fine copy, SIGNED BY UMBERTO ECO. SCARCE.

      [Bookseller: Allington Antiquarian Books, LLC]
 30.   Check availability:     Biblio     Link/Print  


        Techniques Of Problem Solving Problem Deck A

      Dale Seymour Publications, Pablo Alto, CA 1980 - Hard cover case with cards in near fine condition, with teacher's commentary. [Attributes: Hard Cover]

      [Bookseller: Jans Collectables]
 31.   Check availability:     AbeBooks     Link/Print  


        Crachefeu

      Nouveau Cercle Parisien du Livre, Paris, 1980. First Edition. Hardcover (Original Cloth). Near Fine Condition. Illustrator: Carlo Guarienti. Loose in an orange cloth clamshell box with light scattered soiling and surface marks. In original 4 color lithographic wraps, very slightly worn at the hinges, signed on the cover and with 5 aquatints, each signed by the artist. Number 70 of 140 signed by the author and artist on the limitation page. Size: Quarto (4to). Illustrator: Carlo Guarienti. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Inventory No: 040026. .

      [Bookseller: Pazzo Books]
 32.   Check availability:     Biblio     Link/Print  


        The Vatican Frescoes of Michelangelo Abbeville Press

      Abbeville Press 1980. First Edition. Hardback. Fine/Fine. The Vatican Frescoes of Michelangelo, 1980, Abbeville Press, 4 vols. comprising; 2 large folio plate volumes of photographs by Takashi Okamura, numbered ltd. edition of 400 in the English language, quarter morocco with inlaid leatherette boards, [with] a smaller cloth bound text volume, the three housed in an inlaid leatherette solander box; [with] an extra suite of selected images, in large cloth folio. & The whole set is as new, with the sole exception that there is a split along part of the joint of the upper cover of the solander box (photo)& Although this truly exceptional work weighs c. 20kgs, There is no additional postage for worldwide insured carriag above the quoted amount.

      [Bookseller: finecopy]
 33.   Check availability:     Biblio     Link/Print  


        The Works of Joseph Conrad, 20 Vols

      New York: Johnson Reprint Company / Harcourt Brace Jovanovich. 1980. First edition thus. Hardcover. Fine. Twenty volume set. Limited reprint from 1980 (a reprint of the 20 vol. set published by Heinemann in 1921)--hand-numbered 29 (out of 780 printed thus). Deluxe binding, bound in blue Nigerian goatskin, gilt titles on spines, raised bands, clean unmarked text, all copies Fine. Printed at The Curwen Press in Plaistow, London on on one hundred percent rag paper mould made at St. Cuthbert&#39;s Mill, Wells, Somerset. This copy belonged to Matthew J. Bruccoli--we believe it was a gift from the Johnson Reprint Company, who Bruccoli had ties to. Matthew Joseph Bruccoli (1931-2008) was the foremost F. Scott Fitzgerald scholar and bibliographer of his time. Additionally, he wrote on, and edited critical editions of Hemingway, Hammett, Cozzens, Thomas Wolfe, John O&#39;Hara, and Vladimir Nabokov. He studied bibliography under the tutelage of Fredson Bowers and worked with Jacob Blanck on the Bibliography of American Literature. He was responsible for the republication and rediscovery of dozens of forgotten American novels, and went on to be the editor and publisher of the 400+ volume Dictionary of Literary Biography, and was the chief editor of the University of Pittsburgh Press bibliography series.

      [Bookseller: Caliban Books ABAA-ILAB]
 34.   Check availability:     Biblio     Link/Print  


        LA MUERTE DEL REY ARTUR. Con 56 dibujos realizados por Suzanne Grange [ Bibliofilia ]

      - Madrid, El conde de Siruela, 1980. Ilustrado con 56 dibujos realizados para esta edición por Suzanne Grange. Traducción de Mathilde de Nève y Jacob Fitz Janes Stuart. 164 p. 5 h. Folio mayor. Preciosa encuadernación en terciopelo realizada por Alfonso y Miguel Ramos. El motivo de las guardas y las tapas del libro se tomó del escudo de Siruela, que data de 1470. Esta edición edición consta de 515 ejemplares, el nuestro ejemplar 465. El papel, de 160 gramos, fue cortado a mano y fabricado especialmente por la Casa Guarro. Estuche de cartoné y terciopelo. Contiene una hoja suelta con el certificado del tiraje y la firma del editor. Excelente estado. 1ª edición. Primera edición. 1st edition. First edition. Según el profesor Martín de Riquer, «esta extensa y antigua novela que data aproximadamente del año 1100, surgió de una intención política cuando los bretones buscaron desesperadamente una figura que se opusiera a la del emperador Carlomagno. Y lo consiguieron, pues llegó un momento en que el rey Arturo conquistó y tuvo en su poder más tierras que Carlomagno. Le inventaron un origen dinástico y le dieron una gran fuerza física». Bibliofilia. Ilustración. Literatura francesa medieval. [Attributes: First Edition; Hard Cover]

      [Bookseller: Llibres del Mirall]
 35.   Check availability:     IberLibro     Link/Print  


        ROBERT MOTHERWELL: RECONCILIATION ELEGY - SIGNED BY THE ARTIST

      (MOTHERWELL, ROBERT). Carmean Jr., E.A, Scott Bigelow, John E. Scofield & Robert Motherwell. Introduction by Dore Ashton. ROBERT MOTHERWELL: RECONCILIATION ELEGY - SIGNED BY THE ARTIST. Signed by the Artist. Geneve, SWITZERLAND & New York: Editions d&#39;Art Albert Skira & Rizzoli International Publications, 1980. First Edition. 4to. Cloth in Pictorial Dust Jacket. Artist Monograph. Near Fine/Fine. 88pp, profusely illustrated in b&w and color. With a chronology. With text by the Robert Motherwell throughout, this is a lovely monograph that thoroughly documents the creation and installation in the National Gallery&#39;s East Building of the noted late American Abstract Expressionist artist&#39;s monumental painting "Reconciliation Elegy". A most handsome copy BOLDLY SIGNED by Robert Motherwell in green ink on the front free endpaper showing an unobtrusive adhesive label on the inside rear board. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-8478-0337-6 Inventory Number: 019496&

      [Bookseller: Arcana: Books on the Arts]
 36.   Check availability:     Biblio     Link/Print  


        AUBADE

      Salem, Oregon:: Charles Seluzicki, 1980 Larkin, Philip. AUBADE. Salem, Oregon: Charles Seluzicki, 1980. First edition. 12mo. Wrappers. "The good not done, the love not given, time Torn off unused". A five-stanza / fifty line poem. Printed and illustrated by Kathleen Gray Schallock at the Penstemon Press, Madison, Wisconsin. Printed on Fabriano, Richard de Bas & Japanese handmade paper. One black and white illustration by the printer. One of 250 numbered copies initialled by author & printer. A very fine example in the original custom silver-gilt envelope. A splendid copy.. Signed. First Edition.

      [Bookseller: TBCL The Book Collector's Library]
 37.   Check availability:     IOBABooks     Link/Print  


        The Twits

      London: Jonathan Cape,, 1980. Octavo. Original red boards, titles to spine gilt. With the dust jacket. Illustrated throughout by Quentin Blake. Tiny trivial mark to front board, an excellent copy in the jacket very slightly rubbed at the corners and faintly faded to the spine panel. First edition, first impression. Signed by the illustrated Quentin Blake on the title page.

      [Bookseller: Peter Harrington]
 38.   Check availability:     Biblio     Link/Print  


        Dogear Wryde Postcards: Neglected Murderesses Series (Signed Limited Edition)

      New York, 1980. First edition. Limited edition of 250 numbered copies with this copy being designated an out of series copy. A set of twelve illustrated postcards. A fine set of the cards in a near fine illustrated envelope that has a minuscule split at the bottom corner. Signed by Gorey on the limitation card. A lovely set.

      [Bookseller: Jeff Hirsch Books, ABAA]
 39.   Check availability:     Biblio     Link/Print  


        Easton Press Leather Bound 65 Volume Great Artists series

      Norwalk, CT: The Easton Press. 1980-1990s. Collector&#39;s Edition. Hardcover. Fine. 65 volume set (complete, as far as we can tell?), multi-colored leather bound quartos with bright gilt edges, about 100-150 pages each, 12 1/4 x 9", bindings are tight and feel unread, texts clean bright and unmarked. Fine condition. Full list of artists featured: Edward Hopper, Francisco Goya, Eugene Boudin, Odilon Redon, Gustave Courbet, Max Ernst, Auguste Rodin, Piet Mondrian, Wassily Kandinsky, Marc Chagall, Maurice de Vlaminck, Claude Monet, J.M.W. Turner, Edouard Manet, Pablo Picasso, Rene Magritte, Pierre Auguste Renoir, Friedensriech Hundertwasser, Georges Rohner, Marcel Duchamp, Amedeo Modigliani, Nicolas de Stael, Edouard Vuillard, Georges Seurat, Vincent Van Gogh, Julius Pascin, Henri Matisse, Gustav Klimt, Jean Carzou, Raoul Dufy, Edvard Munch, Winslow Homer, Paul Gauguin, Maurice Utrillo, Henri Rousseau, Aristide Maillol, Jean-Baptiste Corot, Suzanne Valadon, John Constable, Henri de Toulouse-Lautrec, Max Beckmann, Jean Helion, Honore Daumier, Victor Vasarely, Paul Klee, Salvador Dali, Edgar Degas, James Ensor, Dunoyer de Segonzac, Camille Pissarro, Gustave Moreau, Joan Miro, Robert Delaunay, Georges Mathieu, Fernand Leger, Chaim Soutine, Berthe Morisot, Georges Braque, Alfred Sisley, Georges Rouault, Pierre Bonnard, Mary Cassatt, Paul Cezanne, James McNeill Whistler, Pierre Soulages.

      [Bookseller: Caliban Books ABAA-ILAB]
 40.   Check availability:     Biblio     Link/Print  


        The Enigma of Stonehenge

      London, Jonathan Cape,, 1980. Square quarto. Original black morocco backed brown cloth, titles to spine in silver, pictorial endpapers. In the publisher&#39;s brown cloth slipcase. Colour and monochrome photographic illustrations. Fine in the minimally faded slipcase. First edition, first impression, limited issue. Being one of 100 numbered copies specially bound and signed Fowles. Each copy was issued with an original colour photographic print signed and numbered by Brukoff.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  


        The Enigma Of Stonehenge - Signed Numbered Edition

      London: Jonathan Cape. As New. 1980. Limited Edition; Signed by Author & Illustrator. Hardcover. 0224016180 . A most stunning First Edition, limited to 100 numbered copies (this one being #15) in unread As New condition in alike slipcase, signed by author John Fowles and Barry Brukoff with original signed and numbered Stonehenge photo. 16 color plates and over 50 black and white photographs by Barry Brukoff; John Fowles, who lived near Stonehenge himself, succeeded at underlining the mystery surrounding a monumental location. Barry Brukoff&#39;s photography only adds to the brilliance of this title .

      [Bookseller: Books Tell You Why]
 42.   Check availability:     Biblio     Link/Print  

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