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Displayed below are some selected recent viaLibri matches for books published in 1980

        Organization of International Joint Ventures

      Conference Board 1980 - Ancien livre de bibliothèque. Traces de pliures sur la couverture. Traces d'usure sur la couverture. Couverture légèrement déchirée. Salissures sur la tranche. Edition 1980. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Traces of creases on the cover. Signs of wear on the cover. Slightly torn cover. Soiling on the side. Edition 1980. Ammareal gives back up to 15% of this book's net price to charity organizations. [Attributes: Soft Cover]

      [Bookseller: Ammareal]
 1.   Check availability:     AbeBooks     Link/Print  


        Altenbourg, Gerhard. - "Braune Berglandschaft. Atem und Schweigen und die Fühler des blauen Dämmerns".

      - Farbholzschnitt, in 5 Farben, auf hellem Hahnemühle-Bütten, 1980. Von Gerhard Altenbourg. Auflage Exemplar Nr. 38/60. 29,5 x 41,2 cm (Darstellung / Druckstock) / 35,5 x 47,5 cm (Blatt). Janda H 236 B 3. Rechts unten in Feder und grauer Tusche signiert und datiert. Links Titel. Unterhalb Prägestempel des Künstlers mit dem Signum A im Kreis. Rechts neben der Darstellung eigenhändige Auflagenbezeichnung. - Heiter gestimmtes, zart leuchtendes Kolorit in den Farben Rosabraun, Steingrüngrau, Dunkelbraun, Gelbgrün und Blau. - Tadellos erhalten. Sehr guter Zustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        John van Hamersveld-Design Support-1980 Lithograph

      1980 - "Design Support" by John van Hamersveld, Unsigned Lithograph printed in 1980. The overall size of the Lithograph is 40.25 x 27.25 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling.

      [Bookseller: Art Wise]
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        PROBLèMES PROBLEMES DE LA THéORIE DE L'éLASTICITé ELASTICITE

      EDITIONS éDITIONS MIR MOSCOU 1980 263 PP. FONDO DI MAGAZZINO: SEGNI DEL TEMPO, QUALCHE ABRASIONE E MANCANZA ALLA SOVRACCOPERTA, VOLUME INTONSO, MAI SFOGLIATO

      [Bookseller: Libreria Paola]
 4.   Check availability:     maremagnum.com     Link/Print  


        Music for chameleons: new writing.

      New York Random House 1980 - First edition, first impression (with Random House's standard number line commencing with '2'), signed by Capote and the dedicatee Tennessee Williams, 8vo, with promotional photograph of the author loosely inserted, original cloth, fine, dust-jacket, slightly sunned at spine, otherwise very good. An exceptional copy, signed by both the author (on the title page) and the dedicatee Tennessee Williams (on the dedication page). The photograph included was issued by Random House for review copies and similar. "Music for Chameleons is a continuation of Mr. Capote's concern with developing the artistic possibilities of journalism." [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        FREE TO CHOOSE: A Personal Statement

      New York: Harcourt Brace Jovanovich, 1980. First Edition. Hardcover. Very good/Very good. States "First edition" on the copyright page, with "BCDE" below. The classic inquiry into the relationship between freedom and economics. This book and its companion ten-part television series had an enormous influence on the way not just highly educated policy makers but also the general public viewed a wide range of issues. Milton Friedman (1912-2006) was a Nobel Prize-winning economist, while Rose Friedman (1910-2009) was an influential theorist who advised American presidents and world leaders on the formation of their economic policies. Inscribed and signed by Milton and Rose Friedman on the title page. Octavo. Original red paper-covered boards over a black cloth spine, with gilt titles. Very light soiling along the edges. Some mild shelfwear to the dust jacket ($9.95), with a bit of fading to the extremities; otherwise about very good.

      [Bookseller: The Book Shop, LLC]
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        Autobiography

      Multiples, Inc., New York 1980 - First edition in bound wrappers of the artist's most sought after book. Briefly INSCRIBED and dated in 2000 by the artist. A fine copy in photographic glossy wrapper which is ever so lightly toned at edges. A superb copy. Signed by Author [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Derringer Books, Member ABAA]
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        Lexikon des Mittelalters. 9 Bde + Reg.-Bd. in 10 Bdn.

      München u Zürich Artemis später Lexma -1999 1980 - Gr.-8°. Ca. 9000 S. OLn. mit OU (nur Bd.1 ohne OU). Bde. 7-8 erschienen im LexMa-Verlag, der Registerband im Metzler-Verlag. - Tadellos erhaltenes Standardwerk. [Attributes: Hard Cover]

      [Bookseller: Daniel Osthoff]
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        Final Terror (Original screenplay for the 1983 film)

      Comworld Pictures, Los Angeles 1980 - Draft script for the 1983 film. Seen here under the title "Bump in the Night." A low-budget slasher in which a group of friends go camping in the woods only to find that someone has begun picking them off (spoiler alert: it's one of the camper's mothers). Originally shot in 1981, the film would be held up for two years while seeking a distributor, which it eventually found due to the increasing fame of actors Rachel Ward, Darryl Hannah, and Adrian Zmed. Believing that the reason the film wasn't getting picked up for distribution due to the fact that it only had a three person body count, producer Joe Roth filmed an opening scene in which two unrelated characters are also killed in the woods.Shot on location in Crescent City, California. Lacking wrappers, presumably as issued. Title page present, dated September 9, 1980, with credits for screenwriters Jon George, Neill Hicks, and Ronald Shusett and story writers Jon George and Neill Hicks. 93 leaves, with last leaf of text numbered 91. Photographically reproduced. Pages Very Good plus to Near Fine, bound with two gold brads.Weldon 1996. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Arbre et texte manuscrit. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1980 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Selected Poems 1965-1975

      London: Faber and Faber, 1980. First Edition. Paperback. Fine/fine. Signed by Heaney on the title page. Proof copy in the oversized proof jacket, bumped at the top overhang. Fine in plain white wraps under the jacket, square and firmly bound. A selection of Heaney's poetry, selected by himself. Includes work taken from Death of a Naturalist, Door into the Dark, Wintering Out, and North.

      [Bookseller: Carpetbagger Books]
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        A CONFEDERACY OF DUNCES

      Baton Rouge and London: Louisiana State University Press, 1980. First Edition, First Printing, First State Dust Jacket. 8vo., 338 pages; VG/VG; spine black with white lettering; dust jacket protected with a mylar covering, price uncut '$12.95'; dust jacket has a small amount of wear to upper front hinge, smaller amount to lower front hinge; first printing in a first issue jacket with Walker Percy blurb on the back panel and $12.95 price; interior clean; binding tight; in excellent condition; first printing limited to ~2500 copies; LP consignment; shelved case 3, Dupont. Full-priced Rockville.

      [Bookseller: Second Story Books]
 12.   Check availability:     Biblio     Link/Print  


        Giza Mastabas: I. The Mastaba of Queen Mersyankh III.; II. The Mastabas of Qar and Idu; III. The Mastabas of Kawab, Khafkhufu I. and II.; IV. The Mastabas of the Western Cemetery: Part I. 4 Vols

      Museum of Fine Arts, Boston 1980 - Folio. v, 26pp., (4) xx plates, 17 figures; viii, 31pp., xxxiv plates, 43 figures; ix, 34pp., xlvii plates, 72 figures; vii, 37, lxi plates, 52 figures. Original variant colors of cloth with black, respectively gilt lettering on spines with original photo-illustrated cream colored dustjackets. Frontispieces, three in color. "In 1902 the Egyptian Antiquities Service (now called the Supreme Council of Antiquities) granted permits for scientific excavations at the royal pyramids and private mastaba tombs of Giza. The American team under George A. Reisner (1867-1942), eventually became the Joint Egyptian Expedition of Harvard University and the Museum of Fine Arts, Boston, in 1905, and continued almost uninterrupted until Reisner's death in 1942. The Expedition formally closed in 1947. Despite the publication of his monumental History of the Giza Necropolis I-II, Reisner was unable to see through the press an additional 5,000 pages of unpublished manuscript (Giza Necropolis II, III, IV), or begin the tomb-by-tomb publication series he originally envisioned. This task was initiated by William Kelly Simpson in the early 1970s in the form of the Giza Mastabas Series. The goal of the project is to continue and complete the publication of Reisner's excavations at Giza, fully documenting the mastaba tombs with descriptive text, hieroglyphic translations, facsimile line drawings, plans, sections, and photographs." (Museum of Fine Arts Boston). Monumental undertaking producing an exceptional publication with fascinating b/w photographs, plans and line drawings throughout, many of the figurative plates fold out. Previous owner's name inked to inside front cover of first, exlibris' in second and third volume. Light musty odor to first volume. DJs, bindings and interior in overall very good+ condition. [Attributes: Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Portrait de Graham Greene. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1980 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 14.   Check availability:     Direct From Seller     Link/Print  


        Portrait de Paul Delvaux. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1980 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 15.   Check availability:     Direct From Seller     Link/Print  


        Portrait de Peter Handke. Photographie originale tirée par l'artiste.

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Small spot in the upper margin of the Warhol photography.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1980 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Breviari d'amor. Manuscrit valencià del segle XV (Biblioteca Nacional de Madrid)

      Vicent García editores, Valencia 1980 - Edición Bilingüe Español / Catalán. Introducció, transcripció i traducció per Antoni Ferrando i Francés. Tomo con introducción, transcripción y traducción en tela. 412pp + taula + colofón . Folio mayor. Aprox. 300 h. que reproducen pergamino con facsímil del manuscrito custodiado en la Biblioteca Nacional de Madrid. Faccimil Encuadernado en plena piel gofrada con cantos metálicos. Edición numerada limitada a 3.000 ejemplares con acta notarial. EXCELENTES ejemplates. [Attributes: Hard Cover]

      [Bookseller: 101PoE]
 17.   Check availability:     IberLibro     Link/Print  


        Four Friends (Original screenplay for the 1981 film)

      New York: Filmways Pictures, 1980. Revised draft script for the 1981 film. Included is a second script, a revised draft in wrappers containing the latest revisions, and two shooting schedules, one detailing shooting dates beginning Week Three, and one detailing dates beginning about Week Nine. Notations throughout both scripts in holograph ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo (Wason), Georgia (Thelen), David (Huddleston), and Tom (Metzler) are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo, the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana, Illinois, and Pennsylvania. One of director Penn's final and lesser known films, after "The Missouri Breaks" (1976) and before "Target" (1985).First script without wrappers or title page, a rainbow copy with several sets of revision pages (pink, yellow, goldenrod, blue, gray, green), dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers, with no title page, a revised draft dated 8/29/80 throughout. Shooting schedules corner-stitched. All items Very Good plus overall. Complete collation details available upon request.

      [Bookseller: Royal Books, Inc. ]
 18.   Check availability:     ABAA     Link/Print  


        The Cardinal Sins: A Bestiary; Seven Ottava Rimas by Paul Smyth, Seven Wood Engravings by Barry Moser

      Northampton: Printed at Pennyroyal, bound at Gray Parrot, 1980. Limited Edition. Hardcover. Near fine. Moser, Barry. Number 28 of 100 copies, oblong quarto, [40] pp., signed by Paul Smyth and Barry Moser. Barry Moser (b. 1940) is an artist, illustrator, printer, painter, printmaker, designer, author, essayist, and teacher, as well as the owner, operator, and proprietor of the Pennyroyal Press. During his education he studied with George Cress, Leonard Baskin, Fred Becker, and Jack Coughlin. His works are represented in numerous collections, museums, and libraries around the world including the National Gallery of Art, The Metropolitan Museum, The British Museum, The Library of Congress, The London College of Printing, The Vatican Library, Harvard, Yale, Dartmouth, and Cambridge to name a few (N. B., info from Pennyroyal Press website). This work pairs seven of his illustrations with rhymes by Paul Smyth, each on one of the seven deadly sins: Wrath, Sloth, Pride, Avarice, Lust, Envy, and Gluttony, with each poem followed by its matching illustration.___DESCRIPTION: Bound in black and red marbled paper with a vivid red leather spine with gilt lettering, red leather tipped corners, fore-edge uncut, title page in red and black, name of each sin in red on the right margins of the page with the poem in black, the following page with the "beast" depicting each; oblong quarto (7.75" tall by 11.25" wide), [40] pp., type Georg Trump's Medieval and John Peter's Castellar on Arches paper, printed at Pennyroyal by Harold McGrath and bound at the workshop of Gray Parrot; limited edition, this number 28 of 100 copies, signed by both the illustrator and the author.___CONDITION: Near fine overall with clean binding, the leather spine is smooth and supple, a strong text block with solid hinges, and the interior is clean and bright. The only prior owner marking is an unobtrusive blind-stamp on the front free endpaper; some minor edgewear, particularly to the upper left corner, else fine.___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details.___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

      [Bookseller: Swan's Fine Books ]
 19.   Check availability:     ABAA     Link/Print  


        Oscar Wilde: A Memoir (Limited Edition)

      Privately Printed for Sir John Betjeman and G. Krishnamurti 1980 - Limited edition of 26 lettered copies, this being: Y. Printed on Barcham Green 'Charter Oak' hand-made paper. Signed by Sir John Betjeman & G. Krishnamurti. Octavo. 21pp. Foreword by Sir John Betjeman. Intro and notes by Karl Beckson. Original quarter polished green calf,with green suede (reverse calf) sides and decorative blind ruling and gilt title. T.E.G. others uncut. Marbled end papers. Illustrated. Clean and bright. Housed in original green buckram and suede(reverse calf)slipcase. Some light surface wear, otherwise a fine copy. The superior deluxe limited edition. Very Scarce. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Kerr & Sons Booksellers ABA ILAB]
 20.   Check availability:     AbeBooks     Link/Print  


        Video Poems

      Long Beach: Applezaba Press, 1980. First edition of the author's rare second book. Original white pictorial wraps printed in black. Spine is tight and square, colors are as issued (very slight bumping to upper corners; very slight wear). A superb copy. Description:. First Edition. Paperback. Very Good. 8vo - over 7¾" - 9¾". Collectible.

      [Bookseller: Arundel Books of Seattle]
 21.   Check availability:     Biblio     Link/Print  


        THE GREAT GATSBY

      Franklin Center, Pennsylvania: Franklin Library. 1980. First Edition; First Printing. Hardcover. Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. A Limited Edition.; 100 Greatest Masterpieces of American Literature.; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        British Textile Design in the Victoria and Albert Museum Volume II Rococo to Victorian (1750-1850)

      (Tokyo): Gakken Company, 1980. Fine. First edition. Fine in blue silk cloth housed in a fine slipcase contained in the original shopping box. 400 plus illustrations, most in color. Text is in English and Japanese.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 23.   Check availability:     Biblio     Link/Print  


        Mörstedt, Alfred Traugott. - "Exotische Stätte der Ausgrabung".

      - Zeichnung / Feder, Aquarell & Gouache, auf Karton, 1980. Von Alfred Traugott Mörstedt. 12,0 x 19,5 cm (Darstellung) / 15,5 x 23 cm (Blatt). WVZ 917. Rechts unter der Darstellung in schwarzer Feder monogrammiert und datiert "ATM 80". Dazu links eigenhändige Werknummer: "917". - Charakteristisches Blatt - Unikat. - Originalrandiges Blatt ohne Mängel. Verso leichte Papierreste einer Montierung. Sehr guter Zustand. Alfred Traugott Mörstedt (1925 Erfurt - 2005 Weimar). Nach seinem Monogramm oft auch ATM. Deutscher Zeichner und Grafiker. 1943-45 als Soldat im zweiten Weltkrieg schwer verwundet. 1947/48 Meisterschule für angewandte Kunst Erfurt. 1948-52 Studium an der Hochschule für Baukunst und Bildende Kunst Weimar bei Hoffmann-Lederer und Kirchberger. Studium an der Hochschule für Bildende und Angewandte Kunst in Berlin-Weißensee. 1952-54 Tätigkeit als Gebrauchswerber. 1954-60 als Designer in der vogtländischen Textilindustrie Beschäftigung mit Batik und Druckgrafik. Seit 1960 freischaffend als Maler und Grafiker in Erfurt. Gehörte mit seinen spröden Abstraktionen zu den namhaften Künstlern Thüringens während der DDR-Zeit. Sprache: Deutsch [Attributes: Soft Cover]

      [Bookseller: GALERIE HIMMEL]
 24.   Check availability:     ZVAB     Link/Print  


        "FIND THE CHANGELING" [Novel]. TYPED MANUSCRIPT (TMs), ribbon copy with extensive revisions and corrections

      250-plus leaves, double-spaced, typed on rectos only, with added pages (lettered 223a, 223b, 223c, 223d, etc.). Published as a paperback original by Dell in 1980. The second novel by this writing team. An early part of of the first novel, IF THE STARS ARE GODS, won the 1975 Nebula award. A few leaves wrinkled, but overall fine. (#103451)

      [Bookseller: L. W. Currey, Inc. ]
 25.   Check availability:     ABAA     Link/Print  


        The Twits.

      London: Jonathan Cape,, 1980. Illustrations by Quentin Blake. Octavo. Original red boards, titles to spine gilt. With the pictorial dust jacket. Illustrated by Quentin Blake. Spine slightly faded, very minor creasing to spine ends, very superficial rubbing to top and bottom board edges, slight discolouration on final 8 pp. A very good copy. First edition, first impression.

      [Bookseller: Peter Harrington]
 26.   Check availability:     Biblio     Link/Print  


        The Oak and The Calf: A Memoir. A Sketch of a Literary Life in the Soviet Union

      Franklin Library, Franklin, PA, 1980. 1st edition. Hardcover. Fine/Fine. Signed. ""In this autobiographical work, Solzhenitsyn tells of his ten-year war to outwit Russia's rulers and get his works published in his own country."" [Pub. Info] ""This book records his works published in the west and [provides] details of literary life and the process of works."" [Pub. Info] STATED 1ST EDITION.

      [Bookseller: civilizingbooks]
 27.   Check availability:     Biblio     Link/Print  


        FINDING A GIRL IN AMERICA

      Boston: David R. Godine((1980)). First Edition, His fourth book, a wonderful collection of stories including "Killings," the basis for the critically acclaimed film IN THE BEDROOM. The title novella was also one of three stories that formed the basis for the film, WE DON'T LIVE HERE ANYMORE. SIGNED by the author on the title page., Hardcover, Fine in a Fine dustwrapper

      [Bookseller: Charles Agvent, ABAA]
 28.   Check availability:     Bibliophile     Link/Print  


        The Cardinal Sins: A Bestiary; Seven Ottava Rimas by Paul Smyth, Seven Wood Engravings by Barry Moser

      Printed at Pennyroyal, bound at Gray Parrot, Northampton 1980 - Number 28 of 100 copies, oblong quarto, [40] pp., signed by Paul Smyth and Barry Moser. Barry Moser (b. 1940) is an artist, illustrator, printer, painter, printmaker, designer, author, essayist, and teacher, as well as the owner, operator, and proprietor of the Pennyroyal Press. During his education he studied with George Cress, Leonard Baskin, Fred Becker, and Jack Coughlin. His works are represented in numerous collections, museums, and libraries around the world including the National Gallery of Art, The Metropolitan Museum, The British Museum, The Library of Congress, The London College of Printing, The Vatican Library, Harvard, Yale, Dartmouth, and Cambridge to name a few (N. B., info from Pennyroyal Press website). This work pairs seven of his illustrations with rhymes by Paul Smyth, each on one of the seven deadly sins: Wrath, Sloth, Pride, Avarice, Lust, Envy, and Gluttony, with each poem followed by its matching illustration.___DESCRIPTION: Bound in black and red marbled paper with a vivid red leather spine with gilt lettering, red leather tipped corners, fore-edge uncut, title page in red and black, name of each sin in red on the right margins of the page with the poem in black, the following page with the "beast" depicting each; oblong quarto (7.75" tall by 11.25" wide), [40] pp., type Georg Trump's Medieval and John Peter's Castellar on Arches paper, printed at Pennyroyal by Harold McGrath and bound at the workshop of Gray Parrot; limited edition, this number 28 of 100 copies, signed by both the illustrator and the author.___CONDITION: Near fine overall with clean binding, the leather spine is smooth and supple, a strong text block with solid hinges, and the interior is clean and bright. The only prior owner marking is an unobtrusive blind-stamp on the front free endpaper; some minor edgewear, particularly to the upper left corner, else fine.___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details.___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Swan's Fine Books, ABAA, ILAB, IOBA]
 29.   Check availability:     AbeBooks     Link/Print  


        Gli scacchi per tutti

      MILANO: U. Mursia Editore, 1980. VED. Brossurato. BUONO. 11 18. I giochi USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 30.   Check availability:     Biblio     Link/Print  


        Le pain perdu eaux-fortes originales de Proszynska Publication

      1980. Paris, Aux dépens d'un Amateur, 1980. Copy #41 on Arches with etchings by Annie Proszynska numbered and signed : Entire edition 65 copies:1 special copy, 19 with two suites of the 20 engravings; 40 with a signed engraving, as this; 5 marked H.C. All copies signed by artist and author. Sm oblong quarto ( 9 1/4" x 6"). Original wrappers. Unbound, folded prints in accordion style with 20 engravings and text on adjacent pages some engravings printed in relief, some onlaid. Fine copy in original slipcase and box.

      [Bookseller: Golden Legend, Inc. ]
 31.   Check availability:     Biblio     Link/Print  


        Häuser und Schuppen mit Schrebergarten, Lattenzaun und Anzucht-Gewächshäusern. Links unten mit *Kohlhoff (19)80 signiert und datiert. Farbiges Aquarell und Faserstift auf Büttenpapier.

      Berlin 1980 - Blattmaß ca. 42 x 60 cm ( Höhe x Breite ) auf Büttenpapier. In Mischtechnik gemalt: Faserstift und Aquarell sowie wohl etwas Kreide ( Pastell )Gezeigt wird ein Schrebergarten wohl in Berlin oder Umland mit Wohnhaus, Schuppen, Anzuchtgewächshäusern, Lattenzaun und Büschen. Das Blatt von insgesamt guter Erhaltung, die weissen Außenränder teils etwas angeknickt und mit kleinen Randläsionen. Insgesamt aber guter Zustand. >>>Walter Kohlhoff ( *1906Berlin&#150; 1981 ebenda ). W. Kohlhoff war über 20 Jahre lang Vorstandsmitglied des Vereins Berliner Künstler. Maler urbaner Landschaften Berlins und seiner Umgebung. Kohlhoff zeigt seine Stadtbilder menschenleer und verleiht ihnen somit teils einen denkmalhaften Charakter. In seinen Arbeiten wendet er sich vor allem den ruhigen Orten der Großstadt wie auch Hinterhöfen, Großstadtdächern und abgelegenen Arealen wie Seitenstrassen, Kleingärten, Bahngleisen, Fabrikanlagen etc. Er malte im Rahmen einer späten Neusachlichkeit. Dies gilt auch für seine anderen Motive wie Bilder aus den Alpen, Landschaftsstudien, Stilleben. Ferner malte er Porträts, Selbstporträts und Aktzeichnungen.<<< ( Weitere Bilder auf Anfrage &#150; further pics at request ) ( Artikelnumer 15438 ) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
 32.   Check availability:     AbeBooks     Link/Print  


        L'ineffaçable. L'inaperçu. Le livre des ressemblances III

      First edition, one of 23 numbered copies on vélin d'Arches, the only large paper copies.A very good copy. Gallimard Paris 1980 15x22cm broché

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     Direct From Seller     Link/Print  


        La Bhagavad - Gita così com' è

      BHAKTIVEDANTA BOOK TRUST, 1980. ITALIANO 0,63 Brossura editoriale in cartoncino semi rigido, con copertina illustrata. Ritratto fotografico dell' Autore al piatto posteriore. Pagine in buono stato, con bruniture, come ai tagli. XIX ( 19 ) tavole illustrate a colori, fuori testo, con didascalie. USATO

      [Bookseller: Biblioteca di Babele]
 34.   Check availability:     maremagnum.com     Link/Print  


        [Photo Album]: Woman traveling in China 1980

      China, 1980. Very Good. Quarto measuring 9" x 11" A photo album with a thin basket weave design over the stiff paper boards. Contains 125 color photographs measuring 3.5" x 4.5" with very few captions. Slight waviness on the boards and edgewear thus very good with near fine photographs.A photo album kept by a woman while traveling in China for roughly nine months in 1980, between January and September. While there are almost no captions the verso of most of the photos have a month and day written on them. The photos are of usual tourist sights around Beijing including the Great Wall of China, Tiananmen Square, and the Temple of Heaven. These photos show the woman, who is a middle-aged blonde woman, posing by the landmarks with other members of a tour group as well as Chinese people. Also included in the album are two newspaper clippings about New York Mayor Koch's trip to China in 1980, whether there is any connection to that trip is unclear. She also photographed the local Chinese people. One of these photos shows a woman with a megaphone in Tiananmen Square who later poses with the compiler of the album. Other photos show children playing, people in a market, Chinese officials in uniform, and numerous people on bicycles (the bicycles in Beijing so impressed Mayor Koch that he implemented bike lanes in New York upon returning from his trip). The group also visited the waterways of the area and photographed numerous ships which included those with beautiful decorative sails. Additionally there are also photos of the group trying local cuisine as well as photos of the chef at a restaurant they frequented. Many of the billboards and advertisements photographed are in Chinese with one translated which reads, "the just struggles of the people of all countries support each other." By the end of her travels she was even sporting an Asian style blouse and had seemed to take to the culture she had immersed herself in for almost a year.An interesting collection of travel photography from a woman's nine month trip to China.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 35.   Check availability:     Biblio     Link/Print  


        Die Wilden Boys [The Wild Boys]

      Frankfurt: Zweitausendeins. 1980. A unique author's copy of the first German edition of The Wild Boys, bound in full leather with a snakeskin onlay, and inscribed by Burroughs to the illustrator, S. Clay Wilson. Also signed by Wilson, with a note about the binding. Embossed initials of W.S.B. on the rear cover, with samples of the materials used in the binding tipped-in at the rear endpaper. Several scratches to the leather on the rear cover, else fine, in a folding cloth chemise. First Edition. Hardcover. Near Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 36.   Check availability:     Biblio     Link/Print  


        The Twits

      First Edition, First Impression (Jonathan Cape, 1980). Signed by Roald Dahl to a bookplate and by Quentin Blake to a cut signature slip, which are both affixed to the title page. Slight fading to spine panel of original and unclipped dust jacket, with a small area of abrasion to bottom edge of front panel. A fine book in a near fine dust jacket.

      [Bookseller: Fine Book Cellar, IOBA]
 37.   Check availability:     Biblio     Link/Print  

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