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Displayed below are some selected recent viaLibri matches for books published in 1975

        Codex Manesse. Die große Heidelberger Liederhandschrift (Codex Palatinus Germanicus 848 der Universitätsbibliothek Heidelberg). Faksimile und Kommentar. Herausgegeben von Walter Koschorreck und Wilfried Werner. Kommentar und 12 Lieferungskassetten.

      426 farbig faksimilierte Bl. 194 S., 5 Bl. Mit 137 farbigen Miniaturen im Faksimile und einigen Abbildungen im Kommentar. Fol. (37 x 27 cm für die Lieferungsmappen). Lose Bogen in 12 Original-Pappkassetten (Faksimile) und Original-Leinwand in Original-Pappschuber (Kommentar). Nummer 13 von 750 Exemplaren. - Das komplette Faksimile der berühmtesten Handschrift der mittelhochdeutschen Literatur. - Im Lieferungszustand, die ungebundenen Faksimile-Bogen wurden in zwölf Teillieferungen lose in Pappkassetten mit Deckelschild (darauf die handschriftliche Exemplar-Nummer) 1975-1979 ausgegeben. Nach Abschluß der Ausgabe wurde vom Verlag noch ein Einband oder eine Leinenkassette angeboten. Für wissenschaftliche Zwecke ist die vorliegende ungebundene Fassung sicher vorzuziehen. - Die Seidenschutzpapiere der Einzellieferungen geöffnet und bei der ersten Lieferung mit größerem Ausriß, die Faksimileblätter vereinzelt minimal bestoßen, die letzten Blätter im Kommentar mit geringen Knitterspuren. Die Lieferungsmappen etwas bestoßen und an den Kapitalen teils leicht eingerissen, Vordergelenk der ersten Lieferung rissig (aber stabil).

      [Bookseller: Antiquariat Christian Strobel]
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        American Indian Art Magazine. Ed. By Tobo Taylor. This is a complete run from Volume 1, Number 1, (autumn 1975) through Volume 29, Number 4, (winter 2004), 115 issues total bound in 17 books.

      Standort: SkanUeb 4to. Private excellent bindung in half red leather with illustration on front and gilden titles and signetes on back. Very good condition. ONLY NUMBER 2, 1975 winter is missing! We will give the original stamps for the signetes on back (Horse-Raiders) too! Some issues on a special topic - Autumn 1978: Plains / Autumn 1979: Basketry / Winter 1981: Textile / Winter 1982: Northwest Coast / Spring 1985: Graphic.... Prehistoric, historic, and contemporary American visual art. Very heavy - please ask for shipping costs! Indians

      [Bookseller: Antiquariat Carl Wegner]
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        Rolf-Gunter Dienst - 10 farbige Original-Zeichnungen als Serie auf Karton, 21,5x30,3 cm, alle rückseitig handschr. betitelt, mit einer Widmung versehen und signiert + Malstrom - Wasserwerk - Bleistiftgebiet - Gemälde, Aquarelle, Zeichnungen - Katalog

      10 farb. Original-Zeichnungen von Rolf-Gunter Dienst auf Karton, Format 21,5x30,3 cm, alle rückseitig handschr. betitelt, mit einer Widmung versehen und signiert: "Rolf-Gunter Dienst 'Immer an einem anderen Ort oder wie man die Welt bekrizelt: Melbourne 3.9.1975' für Ernst Brücher". Weitere Datierungen: 4.9.1975, 5.9.1975, 6.9.1975, 7.9.1975, 8.9.1975, 9.9.1975, 14.9.1975, 17.9.1975, 25.9.1975 (Magnetic Island). Alle Zeichnungen sind in gutem Zustand, die Blätter sind sehr leicht lichtrandig, kaum angeschmutzt, unbeschädigt. (Rolf-Gunter Dienst (1942 in Kiel -2016 in Baden-Baden), Deutscher Maler, Grafiker und Kunstkritiker. 1960-65 Mitherausgeber der Revue RhinoZeros, 1965-91 Redakteur der Zeitschrift "Das Kunstwerk". Preisträger "Hans-Thoma-Preis") Ernst Brücher (1925 in Berlin 2006 bei München) war ein deutscher Verleger von Kunstbüchern. Er hat in 1956 mit Karl Gutbrod (Schwiegersohn des Künstlers Willi Baumeister) den DuMont Buchverlag gegründet. Er spielte eine besondere Rolle bei der Vermittlung von moderner Musik (Mauricio Kagel, John Cage, Nam June Paik, Karl-Heinz Stockhausen etc.) + Rolf-Gunter Dienst - Malstrom - Wasserwerk - Bleistiftgebiet - Gemälde, Aquarelle, Zeichnungen - Katalog der gleichnamigen Ausstellung im Von der Heydt-Museum, Wuppertal 11. Januar bis 22. Februar 1998. Vorwort von Sabine Fehlemann. Robert Kudielka: R-G. Diensts Bilder der Jahre 1993-1997. Erich Franz: Realismus und Fremdheit inden Bildern "Hommage an Seamus Heaney" von R-G. Dienst. 143 S. Mit zahlreichen farb. Abbildungen. Einband und Rücken kaum angeschmutzt, etwas berieben, Schnitt gering angebräunt, kaum angeschmutzt, Seiten kaum angebräunt, sauber, Gesamtzustand gut.

      [Bookseller: Verlag IL]
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        THE IMAGE CONTINUUM.; JOURNAL 2

      n.p., 1975. First edition. Mann, Sally. 4to., unpaginated, with 8 original b&w silver gelatin photographs mounted or tipped-in, including the mounted photograph on front wrapper. Moderate staining and toning to the wrappers. Very good to near fine. "The Journal you have received is distributed free (no copies are sold) to artists whose images and ideas we value. The Image Continuum Journal 2 is published in an edition of 100 copies, 20 of which include a portfolio of mounted photographs." The contributors to this issue are: David Bayles, Ted Organ, Sally Mann, Chris Johnson, Rosamond Purcell, Steve Szabo, David Adams Pond-Smith, Ansel Adams, Wynn Bullock, Roger Minick, Moreley Baer, et al. Edited by David Bayles. The original photos in this issue are by Sally Mann (cover), Ted Orland (signed), David Bayles, Boone Morrison, Robert Langham, Chris Johnson (signed), David Adams Pond-Smith, and Wendy Hill (signed). This short-lived journal of only 4 issues, ceased publication in 1979. WorldCat locates incomplete sets at, MoMa, SUNY Buffalo, University of Arizona, University of California-Riverside, Stephens College, and Santa Fe University of Art & Design.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        Surreale Originalzeichnung in Mischtechnik ( Bleistift, Kohle, Aquarell )

      Surreale Originalzeichnung in Mischtechnik ( Bleistift, Kohle, Graphit, Aquarell ) auf stärkerem Papier. . Rechts unten mit *A. Rainer* signiert und etwas undeutlich wohl mit *1975*? datiert. Bildmaß: 69,5 x 49 cm ( Höhe x Breite ). Gezeigt wird in surrealistischer Verfremdung eine nackte Frau die von einer männlichen Faust gehalten wird. Weitere Fäuste, Krallen und Klauen bedrängen sie - rote Blutstropfen fließen. Das Blatt verso von alter Hand mit *Spiegelbild* bezeichnet, möglicherweise durch A.Rainer selbst. Das Blatt mit deutlichen Erhaltungsmängeln, etwas fleckig, berieben, mit 1 großem Einriß über 10 cm mittig am oberen Blattrand ( unfachmännisch verso mit Tesafilm geklebt - hier am oberen Blattrand eine kleine Fehlstelle - wohl restaurierbar ). Das Blatt mit Knickspuren, die Blattecken teils etwas angeknickt sowie mit stecknadelkopfgrossen Löchern aufgrund alter Montierung. Die rechte untere Ecke etwas stärker löchrig und knittrig. Das Blatt verso mit Resten alter Montierung. Laut freundlicher telefonischer Auskunft des Arnuf-Rainer-Archivs keine Originalarbeit Arnulf Rainers - wahrscheinlilch eine Arbeit in Nachahmung im Stil Arnulf Rainers. ( Pic erhältlich // webimage available // weitere Pics auf Anfrage )

      [Bookseller: Antiquariat Friederichsen]
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        Mondameisen. Mit radiertem Titel und 12 sign. und num. Orig.-Radierungen von R. Stöckl.

      Galerie Haas . -, Vaduz 1975 - 1 Textblatt und lose Radierungen in OPp.-Kassette. 54 : 42 cm. - 1 von 90 Exemplaren, sämtliche Radierungen signiert und numeriert. - Druck auf kräftigem Velin. - Mit einem Textblatt mit "Populärwissenschaftlichen Erläuterungen" von Oliver Hassenkamp über die von Rupert Stöckl entdeckte Mondameise: "Mondameisen leben in plastischer, greifbarer Versenkung und werfen, obwohl ihre Imaginationen Realitäten sind, keine Schatten. Gesellschaftspolitisch leben sie - jede Mondameise ist eine Gesellschaft für sich - in legerem Antiautoritéte á téte mit der Autorität. Durch ihre trilogische Intellektualität kennen sie keine Komplexe, sind total aneurotisch und unfrustrierbar." 2200 g. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
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        Le apparizioni di Lourdes narrate da Bernardetta a J. B. Estrade

      EDIZIONI PAOLINE, 1975. ITALIANO 0,28 Introduzione, note critiche e traduzione di G. Giacometti; brossura editoriale illustrata; con segni di usura in copertina, nel dorso distaccato dal volume, separato in tre parti distaccate tra loro USATO

      [Bookseller: Biblioteca di Babele]
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        Konvolut aus 7 maschinenschriftlichen teils illustrierten Karten/Briefen aus den Jahren 1961 - 1977 an den Enkel Anselm, alle eigenhändig unterzeichnet u. meist mit handschriftlichen Berichtigungen u. Ergänzungen.

       Dazu gehören eine farbige Aquarellzeichnung und zwei aquarellierte Tusche-Zeichnungen (7 x 10,5 cm, 12,5 x 24 cm u. 7 x 17 cm), eine Skizze (Fineliner oder Kugelschreiber) u. eine rückseitig von Schwimmer beschriebene Original-Fotografie. Neben Persönlichem geht Schwimmer immer wieder auf die gesellschaftliche Bedeutung der Kunst ein und erklärt im Mai 1975: \"Max (Schwimmer) war ein wundervoller Kunstkamerad. Neidlos und nobel und wissend. Kein dämlicher Quatscher\". Beiliegend eine Original-Fotografie von Eva Schwimmer aus dem Jahr 1940, rückseitig mit ihrem eigenhändigen Namenszug. - Die Berliner Künstlerin, 1901 in Ostpreußen geboren, geht um 1920 nach Leipzig an die Akademie für Buchgewerbe, zuletzt als Meisterschülerin bei Professor Soltmann. Sie heiratet 1922 Max Schwimmer und geht nach der Trennung 1933 wieder nach Königsberg, später Berlin. Unter den Nazis hat sie Malverbot und bekommt 1946 eine Professur an der Hochschule für angewandte Kunst in Berlin-Weißensee. Vier Jahre später wird sie wieder entlassen und zieht nach West-Berlin um. Versand D: 4,50 EUR Kunst

      [Bookseller: Antiquariat Eckert & Kaun]
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        Maria Schneider at the 1975 Cannes Film Festival (Collection of 35 original photographs)

      N.p.: N.p., 1975. Archive of 15 and 20 double weight vintage press photographs of Maria Schneider at the 1975 Cannes Film Festival, there to promote Michelango Antonioni's Palme d'Or nominated "The Passenger," in which she starred opposite Jack Nicholson. Eight photographs with stamps of photographers Leo Mirkine, Prisco de Majo, and Daniel Angeli (four, two, and two photographs respectively) on the verso. The archive shows three distinct events during the festival, as well as other candid and posed images of Schneider. These include the premiere of the film, a press conference, and a party on a boat. Numerous photographs also feature Antonioni and co-star Jenny Runacre. Sadly, Nicholson is nowhere to be found, we assume because he was too busy hanging out with Ken Russell and The Who, as "Tommy" was screening out of competition. Other photographs show Schneider with Bernardo Bertolucci, who had directed her to instant stardom three years earlier in "Last Tango in Paris," as well as a single photograph of Schneider with Dustin Hoffman, starring in the also Palme d'Or nominated "Lenny," directed by Bob Fosse. Also included in the archive are four large negatives of photographs from the archive, a strip of five negatives of a beach, and two strips of color negatives, containing four and five images respectively, as well as three large negative of what appears to be a photoshoot of Schneider at the beach. These images are distinct from the photographs in the archive, and we can find no corresponding images online. Photograph sizes vary between 9.5 x 7.25 (24 x 18 cm) and 8 x 12 inches (20 x 30 cm), with most being 10 x 8 (25 x 20 cm) inches. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Nieder-Sächsisches Koch-Buch oder sieben hundert und zehn Anweisungs-Regeln: wornach alle und jede , sowol kostbare als ordinäre Speisen Präpariret

      11. Verbesserte Ausgabe Hartkarton Sehr gut und noch Titel: "auch einige Garten-Früchte getrocknet und eingemacht werden können, nebst 52 Regeln von den nöthigsten Confituren. Für die Liebhaber mit aller Aufrichtigkeit verfertiget durch Marcus Loofft, Stadt-Koch in Itzehoe." Eilfte verbesserte Ausgabe. ORIGINALAUSGABE.Marmorierter Hartkartoneinband mit montierten goldgeprägten Titelschildchen, geschmackvoll neugebunden 1975. Buchschnitt minimal stockfleckig. Besitzereintragung von 1781 auf innerem Buchdeckel, weitere handschriftliche Besitzereintragung (zur Provenienz des Buches) auf Vorsatzblatt. 557 Seiten inkl. umfangreiches Register, sanft stockfleckig, ein sehr schönes altes Kochbuch in exzellentem Zustand, das den hohen Stand der Kochkunst zur damaligen Zeit zeigt.+++ 11 x 18,5 Cm, 0,4 kg. +++ Stichwörter: Markus Niedersachsen Rarität Rara Kochbuch Gastronomie Essen Konfitüre

      [Bookseller: Antiquariat Clement]
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        Konvolut wie abgebildet: 1. Goldenes Buch des Kuratoriums Deutsches Schiffahrtsmuseum + 2. Zur Einweihung des Deutschen Schiffahrtsmuseums in Bremerhaven am 5. September 1975, signiert v. Walter Scheel + 3. Zehn Jahre Deutsches Schiffahrtsmuseum 1975-1985

      KONVOLUT WIE ABGEBILDET, BESTEHEND AUS DEN POSITIONEN 1.-3.: 1. KURATORIUMS "DEUTSCHES SCHIFFAHRTSMUSEUM" (Hg.) - GOLDENES BUCH DES KURATORIUMS DEUTSCHES SCHIFFAHRTSMUSEUM ZUR EINWEIHUNG DES DEUTSCHEN SCHIFFAHRTSMUSEUMS IN BREMERHAVEN AM 5. SEPTEMBER 1975 - (Anmerkung: Es handelt sich nicht um das Original des Goldenen Buches, dieses wurde vom Kuratorium verwahrt) - unpag./ca. 77 SEITEN (NUR JEWEILS AUF DER VORDERSEITE BEDRUCKT) - FORMAT ca. 27 x 24 cm - EXEMPLAR WIE ABGEBILDET MIT EHER GERINGFÜGIGEN LAGER- UND GEBRAUCHSSPUREN - UMSCHLAG/PAPIER ETWAS NACHGEDUNKELT/ VORN MIT UNTERSCHIEDLICHER LICHTHELLUNG - ANSONSTEN WIE UNBENUTZT - KEINE HANDSCHRIFTLICHEN EINTRÄGE, MARKIERUNGEN ODER BESITZVERMERKE - Laut Inhaltsverzeichnis mit folgenden Abschnitten: - Der Dreizack Poseidons - Zeichnung des Museumsgebäudes - Einweihung des DSM - Mäzenatentum - Barspenden Dienstleistungen - Sachspenden durch Werften, Reedereien, Herrichtung der Museumsschiffe, Einrichtung der Schiffsbrücke, weitere Stifter, Behörden - Lob für Stifter und öffentliche Hände - Wer sind die Stifter? - Hans Scharoun - Zur Entstehung des Kuratoriums und des DSM - Künftige Aufgaben: Nachbau der Kogge, Ausbau des Bereichs Marine, Darstellung der Rohstoffgewinnung aus dem Meere - Auftrag und Erfüllung ANM.: Die vertrauliche Liste der von den einzelnen Spendern geleisteten Beiträge ist nur dem Original des Goldenen Buches beigefügt. 2. BEIBLATT: ZUR EINWEIHUNG DES DEUTSCHEN SCHIFFAHRTSMUSEUMS IN BREMERHAVEN AM 5. SEPTEMBER 1975, SIGNIERT am 5.9.1975 vom ehemaligen BUNDESPRÄSIDENTEN WALTER SCHEEL mit den Worten: "Eine vorbildliche Bürgerinitiative. Dieses Museum ist es wert, gefördert zu werden." - 1 BLATT - FORMAT ca. 27 x 23,5 cm - RÄNDER ETWAS KNICKSPURIG 3. ZEHN JAHRE DEUTSCHES SCHIFFAHRTSMUSEUM 1975-1985 - Broschüre - Bremerhaven 1985 - 36 SEITEN - mit s/w-Abb. - EXEMPLAR WIE ABGEBILDET MIT EHER GERINGFÜGIGEN LAGER- UND GEBRAUCHSSPUREN - UMSCHLAG/ PAPIER ETWAS NACHGEDUNKELT - VORN EINE ABRIEBSTELLE - INNEN GUT - KEINE HANDSCHRIFTLICHEN EINTRÄGE, MARKIERUNGEN ODER BESITZVERMERKE - s/w-Abb./ Fotos zeigen u.a.: - Museumseröffnung am 5.9.1975 - Erstes Plakat des DSM 1970 - Technikdenkmal: Alter Leuchtturm "Dicke Berta" in Altenbruch - Werftanlage und ehemalige Arbeiterwohnung in Papenburg - Hansekogge: Fund 1962, Wiederaufbau Stand 1974 - Holzkonservierung - Bergungsschlepper Seefalke 1928 mit dem Wrack des Schlachtkreuzers Moltke - U-Boot Wilhelm Bauer - Museumshafen um 1970 SORGFÄLTIGER VERSAND - LIEFERZEIT/ BRD ca. 7 TAGE nach Zahlungseingang (manchmal schneller) - BITTE BEACHTEN: KEIN VERSAND AN PACKSTATIONEN - ANFRAGEN WERDEN GERN BEANTWORTET! (u5)

      [Bookseller: astoria2000blue]
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        Diaries. [Complete set of first editions in dustwrappers; first volume SIGNED BY THE AUTHOR]. THE CELEBRATED DIARIES COMPLETE IN DUSTWRAPPERS; FIRST VOLUME SIGNED BY AUTHOR

      [Chatto & Windus, Faber, Murray, 1975-2005] - 12 vols., 8vo., First Editions, with portrait frontispieces, the first three volumes with pictorial endpapers; cloth, gilt backs, a near fine set in dustwrapper. With their titles borrowed cheekily from Coleridge's 'Kubla Khan', Lees-Milne's diaries are widely recognised as one of the foremost continuous chronicles of England in the twentieth century. The twelve volumes cover the years 1942 to 1997, terminating only shortly before his death. The series as a whole passed through three publishers, the first three volumes by Chatto & Windus, the fourth by Faber (with characteristically non-uniform dustwrapper) and subsequent volumes (unsurprisingly) by John Murray. From 2001 onwards the diaries are edited by Michael Bloch. The series comprises 'Ancestral Voices. [Diaries 1942-1943]' (1975); 'Prophesying Peace: [Diaries 1944-1945]' (1977); 'Caves of Ice. [Diaries 1946-1947]' (1983); 'Midway on the Waves. [Diaries 1948-49]' (1985); 'A Mingled Measure. Diaries 1953-1972' (1994); 'Ancient as the Hills. Diaries 1973-1974' (1997); 'Through Wood and Dale. Diaries 1975-1978' (1998); 'Deep Romantic Chasm. Dairies 1979-1981' (2000); 'Holy Dread. Diaries 1982-1984' (2001); 'Beneath a Waning Moon. Diaries 1985-1987' (2003); 'Ceaseless Turnoil. Diaries 1988-1992 (2004); 'The Milk of Paradise. Diaries 1993-1997' (2005). A SPLENDID SET, RARE IN THIS CONDITION, AND WITH THE MOST ELUSIVE VOLUME SIGNED BY THE AUTHOR. The earlier volumes are very scarce and all are becoming difficult. It will be hard to rebuild a similar set at this price level. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Island Books]
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        [Diaries]. Ancestral Voices. Prophesying Peace. Caves of Ice. Midway on the Waves. A Mingled Measure. Ancient as The Hills. Through Wood and Dale. Deep Romantic Chasm. Holy Dread. Beneath a Waning Moon. Ceaseless Turmoil. The Milk of Paradise

      London: [I-III] Chatto & Windus; [IV] Faber & Faber; [V-XII] John Murray, (1975-2005). Twelve volumes. All first editions, first impressions. Publisher's cloth, dust jackets. Slight fading to the jacket spines of a few volumes, volume I with some mild wear to the corners, an excellent set overall.

      [Bookseller: Bow Windows Bookshop]
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        "Champagne Tour Eiffel".

      1975Gouache sur carton, signée a gauche, titrée au dos, (1975), 80,4 x 50,8 cm. . D'un sol enneigé du Champ de Mars, sur fond des Invalides, s'élève la Tour Eiffel, qui se transforme son sommet en une bouteille de champagne dont le bouchon vient juste d'exploser. Des bulles effervescentes s'échappent de cette bouteille-Eiffel. Sur deux niveaux de la tour, un ensemble de représentants internationaux de tous pays lèvent leurs flûtes de champagne dans un joyeux toast. Cachet au verso de l'agence La Vasselais, et titre manuscrit. Petits accrocs et traces de colle.

      [Bookseller: Librairie Chrétien]
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        Women are Beautiful

      New York: Farrar, Strauss & Giroux,, 1975. With an essay by Helen Gary Bishop. Oblong octavo. Original grey cloth, spine and front cover lettered in gilt. With the dust jacket. Full-page half-tone photographs throughout. A fine copy in the bright dust jacket. First edition, first printing. The scarcer cloth issue of this classic collection of street scenes with women (Women are Beautiful was also issued in wrappers).

      [Bookseller: Peter Harrington]
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        Numéro deux [Number Two] (Collection of 10 original photographs from the 1975 film)

      Paris: Anne-age-Bela, 1975. Collection of ten vintage borderless photographs (five black-and-white and five in color) from the 1975 film. Generally considered the peak of the collaborative work on video done by Godard and Miéville, presenting scenes from the everyday interactions of a working class family, with a special focus on children. The film was shot on video, then played back on monitors and filmed in 35mm. In the final edit, many of the 35mm shots are shown in split screen. 8 x 10 inches (20.5 x 25.5 cm). Fine.

      [Bookseller: Royal Books, Inc.]
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        PUNK Magazine Complete Run 1-17 with D.O.A. Filmbook (1975-1979)

      New York: Punk Publications, 1975-1979. First Edition. Paperback. Very Good. Complete in 15 issues total, numbered 1-17 (issues 9 and 13 were never printed) with Punk supplement (inside High Times February 1977) and D.O.A. Official Filmbook. Variously folio folded tabloid and quarto, pictorial wrappers. Very Good overall. Light staining to bottom of #1's wraps. #2 has small tear in spine but no blue spray on edges, which is rare. Small stain on a few pages inside #5. Small tear to foot of front cover of #6 with a faint red stamp to back cover. Mailing label on covers of #8 and #4. #10 has faint stain to bottom edge. Bottom corner front cover of #14 creased. #15 back cover lightly wrinkled at corner. Small light stain to front cover of Filmbook. Thin closed tear along spine of High Times issue. The Sex Pistols, The Ramones, Television, Lou Reed, Patti Smith, Blondie, The Dictators, Destroy All Monsters, Iggy Pop, James Chance, The Clash and all sorts of early punk celebrities were profiled and lampooned in the pages of Holmstrom's now-classic Punk.

      [Bookseller: Burnside Rare Books]
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        Toits sur ciel bleu.

      1975 - S. l. [probablement Paris], s. n., s. d. [circa 1975]. Deux extrémités de toit avec paratonnerre en regards sur un ciel bleu en clair en fond, couleurs bleue et dégradés de bleu, rose et dégradés de rose, gris et dégradés de gris. Peinture à l’huile sur toile entourée de tasseaux en bois de chêne avec un cadre en bois de chêne, format du tableau 768 mm. x 246 mm., format de l’œuvre 711 mm. x 186 mm., largeur du cadre 11 mm., bon et bel exemplaire.

      [Bookseller: Librairie Scritti]
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        North. Poems. (INSCRIBED UNCORRECTED PROOF COPY, WITH ALs)

      Faber, London, 1975. An uncorrected proof copy of the first edition, inscribed by the author thus: "Jeremy [Hooker] - / We men of the north had a word to say / and we said it then in our own dour way / And we spoke as we thought best . / Seamus / June 1977 in Aberystwyth". 8vo. 73pp. Original publisher's card wrappers, faded at spine, and just a little spotted, chafed and handled, rubbed at spine ends with a single short tear to the base of the lower wrapper. Internally in virtually fine state, with the occasional pencilled tick and margin note in the hand of Jeremy Hooker who reviewed the collection for the periodical 'Poetry Wales'. Twenty-nine poems, the author'?s fourth major collection, and probably his masterpiece. Heaney's inked inscription is an extract from the ballad 'The Man From God-Knows Where' [i.e. Thomas Russell] by Florence Mary Wilson, included in her 1918 collection 'The Coming of the Earls'. Laid-in are two hand-written letters and one typed signed card from Heaney to poet and critic Jeremy Hooker. The first letter is dated January 1975 and thanks Hooker for forwarding a copy of his verse collection 'Soliloquies' ['of a Chalk Giant'] and goes on to make several direct comparisons between that collection and his own forthcoming collection 'North' ("The poems cannot help but come through to me, as you will see when 'North' appears in the summer. There are "Bone Dreams' . including "a chalk giant" in one line - and 'Trial Pieces' from Dublin, which could be "found objects". It's great to be tunnelling and find that you're connecting with another digger"). The second letter is undated but written in circa autumn 1981 on Harvard University headed notepaper and sees Heaney regretfully declining an invitation to speak at a verse and landscape conference, proffering time constraints and existing commitments before speaking briefly about the good things he has heard about Hooker's recent verse collection. The final correspondence, typed on the author's headed card, dated August 1991 and signed 'Seamus', again regretfully declines a number of professional invitations before making brief mention of the forthcoming Radio 3 interview the two have scheduled. All three letters remain within their original mailing envelopes.. Inscribed by Author(s). 1st Edition. Soft cover. Very Good.

      [Bookseller: Clearwater Books]
 19.   Check availability:     Biblio     Link/Print  


        Diaries. [Complete set of first editions in dustwrappers; first volume SIGNED BY THE AUTHOR].. THE CELEBRATED DIARIES COMPLETE IN DUSTWRAPPERS; FIRST VOLUME SIGNED BY AUTHOR

      [Chatto & Windus, Faber, Murray, 1975-2005]. 12 vols., 8vo., First Editions, with portrait frontispieces, the first three volumes with pictorial endpapers; cloth, gilt backs, a near fine set in dustwrapper. With their titles borrowed cheekily from Coleridge's 'Kubla Khan', Lees-Milne's diaries are widely recognised as one of the foremost continuous chronicles of England in the twentieth century. The twelve volumes cover the years 1942 to 1997, terminating only shortly before his death. The series as a whole passed through three publishers, the first three volumes by Chatto & Windus, the fourth by Faber (with characteristically non-uniform dustwrapper) and subsequent volumes (unsurprisingly) by John Murray. From 2001 onwards the diaries are edited by Michael Bloch. The series comprises 'Ancestral Voices. [Diaries 1942-1943]' (1975); 'Prophesying Peace: [Diaries 1944-1945]' (1977); 'Caves of Ice. [Diaries 1946-1947]' (1983); 'Midway on the Waves. [Diaries 1948-49]' (1985); 'A Mingled Measure. Diaries 1953-1972' (1994); 'Ancient as the Hills. Diaries 1973-1974' (1997); 'Through Wood and Dale. Diaries 1975-1978' (1998); 'Deep Romantic Chasm. Dairies 1979-1981' (2000); 'Holy Dread. Diaries 1982-1984' (2001); 'Beneath a Waning Moon. Diaries 1985-1987' (2003); 'Ceaseless Turnoil. Diaries 1988-1992 (2004); 'The Milk of Paradise. Diaries 1993-1997' (2005). A SPLENDID SET, RARE IN THIS CONDITION, AND WITH THE MOST ELUSIVE VOLUME SIGNED BY THE AUTHOR. The earlier volumes are very scarce and all are becoming difficult. It will be hard to rebuild a similar set at this price level.

      [Bookseller: antiquarian bookshop Island Books]
 20.   Check availability:     maremagnum.com     Link/Print  


        IL CAPPOTTO. Dai Racconti di Pietroburgo.

      Verona, Officina Bodoni, 1975. In-4 p., legatura edit. in mz. pergamena, piatti in carta Roma marroncina con sigla in oro sul piatto anter., astuccio, pp. 122, titolo del frontespizio in verde. Racconto in lingua originale russa con una nuova traduzione di Nerina Martini Bernardi Carrescia e una nota di Giovanni Mardersteig; entrambe le lingue sono state poste sulla stessa pagina (il russo in carattere Puskin e l?italiano in carattere Dante); ?un prezioso arricchimento per il testo sono le 6 acqueforti di Pietro Annigoni, che ricordano nella loro forza e intensità l?arte delle incisioni di Goya?. Così Cat. Mardersteig,192. Tiratura di 160 esempl. numerati, su carta a mano Magnani, firmati dall'artista nel colophon. Il ns., 85, è in perfetto stato.

      [Bookseller: Libreria Malavasi sas]
 21.   Check availability:     Biblio     Link/Print  


        The Man in the High Castle

      Gollancz, 1975. First British Hardcover Edition (first printing). The ninth novel by the author of DO ANROIDS DREAM OF ELECTRIC SHEEP and MINORITY REPORT, the story of a novelist who lives in a world where World War II was not won by the Allies buy by the Axis powers. Winner of the Hugo Award and basis for the television mini-series. Fine/Fine but for incidental dustiness to the top edge of the pages.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bill Leone, Bookseller ABAA]
 22.   Check availability:     Biblio     Link/Print  


        The Missing Piece

      Harper and Row, 1975. Hardbound. Old paperclip mark and crease to lower corner, else a very good set folded into thirds [slightly misfolded]. Perhaps the only set to survive.. Four long sheets of the text only. 24 x 9 inches. Dated 11-13-75. The long uncut galley sheets issued in advance of the finished book.

      [Bookseller: Riverrun Books & Manuscripts]
 23.   Check availability:     Biblio     Link/Print  


        Fernando Botero-Child on Horse-1975 Poster

      1975 - "Child on Horse" by Fernando Botero, Unsigned Offset Lithograph printed in 1975. The overall size of the Offset Lithograph is 45 x 29.5 inches. The condition of this piece has been graded as B: Very Good Condition, with signs of handling or age. Here is some supplemental information about the Offset Lithograph: Marlborough Gallery, New York, 1975

      [Bookseller: Rare Posters]
 24.   Check availability:     AbeBooks     Link/Print  


        North. Poems. (INSCRIBED UNCORRECTED PROOF COPY, WITH ALs)

      Faber, London, 1975, Soft cover, Book Condition: Very Good, 1st Edition, Inscribed by Author(s). An uncorrected proof copy of the first edition, inscribed by the author thus: "Jeremy [Hooker] - / We men of the north had a word to say / and we said it then in our own dour way / And we spoke as we thought best . / Seamus / June 1977 in Aberystwyth". 8vo. 73pp. Original publisher's card wrappers, faded at spine, and just a little spotted, chafed and handled, rubbed at spine ends with a single short tear to the base of the lower wrapper. Internally in virtually fine state, with the occasional pencilled tick and margin note in the hand of Jeremy Hooker who reviewed the collection for the periodical 'Poetry Wales'. Twenty-nine poems, the author''s fourth major collection, and probably his masterpiece. Heaney's inked inscription is an extract from the ballad 'The Man From God-Knows Where' [i.e. Thomas Russell] by Florence Mary Wilson, included in her 1918 collection 'The Coming of the Earls'. Laid-in are two hand-written letters and one typed signed card from Heaney to poet and critic Jeremy Hooker. The first letter is dated January 1975 and thanks Hooker for forwarding a copy of his verse collection 'Soliloquies' ['of a Chalk Giant'] and goes on to make several direct comparisons between that collection and his own forthcoming collection 'North' ("The poems cannot help but come through to me, as you will see when 'North' appears in the summer. There are "Bone Dreams' . including "a chalk giant" in one line - and 'Trial Pieces' from Dublin, which could be "found objects". It's great to be tunnelling and find that you're connecting with another digger"). The second letter is undated but written in circa autumn 1981 on Harvard University headed notepaper and sees Heaney regretfully declining an invitation to speak at a verse and landscape conference, proffering time constraints and existing commitments before speaking briefly about the good things he has heard about Hooker's recent verse collection. The final correspondence, typed on the author's headed card, dated August 1991 and signed 'Seamus', again regretfully declines a number of professional invitations before making brief mention of the forthcoming Radio 3 interview the two have scheduled. All three letters remain within their original mailing envelopes.

      [Bookseller: Clearwater Books]
 25.   Check availability:     Bookzangle     Link/Print  


        FRANS FLORIS ( 1519/20 - 1570 ). LEVEN EN WERKEN. I. TEKST EN II. AFBEELDINGEN,

      Brussel, Paleis der Academiën, 1975 - Twee delen, samen Gebonden in 1 kunstlederen band, ++ geïllustreerde omslagwikkels, originele titelpagina's met vignet, 180 x 270mm., 556pp. + 342 z/w afbeeldingen. Verhandelingen van de Koninklijke Vlaamse Aademie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten. Jaargang XXXVII Nr. 30. Zeldzaam! In goede staat./ very fine condition ! 777 g.

      [Bookseller: BOOKSELLER - ERIK TONEN BOOKS]
 26.   Check availability:     ZVAB     Link/Print  


        Un sac de billes. Lithographies originales de Lucien Ph. Moretti.

      Manoir du Mad, 1975. In-folio, ff. libres sous couverture et emboîtage. Tirage limité à 270 exemplaires, ici un des 160 sur vélin, ENVOI autographe signé et DESSIN ORIGINAL au crayon (un petit garçon ailé) de Moretti. * Voir lers 7 photographie(s) / See the 7 picture(s).* Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *

      [Bookseller: Chez les Libraires Associés]
 27.   Check availability:     Livre-rare-book     Link/Print  


        North. Poems. (INSCRIBED UNCORRECTED PROOF COPY, WITH ALs)

      Faber, London, 1975. An uncorrected proof copy of the first edition, inscribed by the author thus: "Jeremy [Hooker] - / We men of the north had a word to say / and we said it then in our own dour way / And we spoke as we thought best . / Seamus / June 1977 in Aberystwyth". 8vo. 73pp. Original publisher's card wrappers, faded at spine, and just a little spotted, chafed and handled, rubbed at spine ends with a single short tear to the base of the lower wrapper. Internally in virtually fine state, with the occasional pencilled tick and margin note in the hand of Jeremy Hooker who reviewed the collection for the periodical 'Poetry Wales'. Twenty-nine poems, the author'’s fourth major collection, and probably his masterpiece. Heaney's inked inscription is an extract from the ballad 'The Man From God-Knows Where' [i.e. Thomas Russell] by Florence Mary Wilson, included in her 1918 collection 'The Coming of the Earls'. Laid-in are two hand-written letters and one typed signed card from Heaney to poet and critic Jeremy Hooker. The first letter is dated January 1975 and thanks Hooker for forwarding a copy of his verse collection 'Soliloquies' ['of a Chalk Giant'] and goes on to make several direct comparisons between that collection and his own forthcoming collection 'North' ("The poems cannot help but come through to me, as you will see when 'North' appears in the summer. There are "Bone Dreams' . including "a chalk giant" in one line - and 'Trial Pieces' from Dublin, which could be "found objects". It's great to be tunnelling and find that you're connecting with another digger"). The second letter is undated but written in circa autumn 1981 on Harvard University headed notepaper and sees Heaney regretfully declining an invitation to speak at a verse and landscape conference, proffering time constraints and existing commitments before speaking briefly about the good things he has heard about Hooker's recent verse collection. The final correspondence, typed on the author's headed card, dated August 1991 and signed 'Seamus', again regretfully declines a number of professional invitations before making brief mention of the forthcoming Radio 3 interview the two have scheduled. All three letters remain within their original mailing envelopes.. Inscribed by Author(s). 1st Edition. Soft cover. Very Good.

      [Bookseller: Clearwater Books]
 28.   Check availability:     IOBABooks     Link/Print  


        Three original pages for 1975 Rupert Annual

      Three original pages for 1975 Rupert Annual, pgs. 87-9, Rupert and the Blue Star. They consist of a black ink drawing on an acetate sheet mounted over the water-coloured paintings. They are then on printers' boards. Three as collection or willing to split.From 1940 onwards Bestall only coloured the cover paintings for the annuals. In order to produce full colour illustrations for the annuals the initial black and white drawings were photographed as pale blue keylines which were then hand coloured with watercolour usually by principal artist Doris Campbell. An overlay of the original drawing in black line were then applied over the top of the hand-painted colour. The overlays were produced by tracing the originals onto glass (later acetate film) and the underlay onto Whatman board.

      [Bookseller: David B Jarvis]
 29.   Check availability:     PBFA     Link/Print  


        THE GREATEST: My Own Story.

      New York: Random House, (1975.) dj : , 1975. SIGNED hardcover first edition - A meaningful and significant autobiography - far more than just a sport story, this is the result of 6 years of Ali working, traveling and talking with Richard Durham. SIGNED on the title page by Ali. Edited by Toni Morrison. 415 pp. Very near fine in a very good dustjacket - a hint of fading to the edges of the boards, dust jacket is price-clipped, has a short closed tear on front cover, 2 small chips and a bit of sunning to the spine. .

      [Bookseller: Bookfever]
 30.   Check availability:     Bookfever     Link/Print  


        S.p.A. 12. 5. 1972 - 15. 5. 1975

      S.p.A. c/o C. Prudente (via Torino, 122), 1975. Brossura buono Italiano unico ed. s.d. (>= 1975) "dello S.p.A. inteso come registrazione autogestita di esperienze (azioni cfr. titolo) singole e/o collettive, documentate e sollecitate mediante spedizione preventiva e/o successiva, attuate al di fuori di qualunque controllo reale codificato e codificante, prevaricante la matrice stessa (azionista)". Testi in italiano e inglese. Hanno autonomamente collaborato: C.M. Benvenuti / T. Catalano / P. Mangogna / F. Falasca / G. Croce /M. Diacono / J. Ruddy / F. Mauri / L. Triunfo / R. Barry /R. Filliou / V. Agnetti / C. Romeo / L. Pascucci / C. Prudente / V. Zini / / R. Albanese / F. Clemente / C. Costa / F. Loriot / C. Cintoli / L. Piffero / M.V. Carelli / D. Esposito / J. Gerz / D. Palamara / A. Fiorentino / J. Calabrò / T. Johnson / M. Shaffer / I. Scanga / B. Ceccobelli / L. Trina / G. Chiari / W. Vostell / D. Bocchini /Ma. Nannucci / Mas. Nannucci / I. Soskic / S. Lombardo / P. Hutchinson / Arcelli & Comini / A. Davis / T. Smith / A. Boetti / A. Fajetti / W. Guidobaldi / G. Matti / C. Fayer / N. De Maria / A. Altamira / A. Guatti / Diodato / F. Valentini / F. Caldura / Th. Woodruff / T. Luppino / T. Binga / L. Marzot / D. Cortez / D. Rabinowitch / M.sa Merz / A. Caronna / A. Spinelli / G. Attalai / T. Shafrazy / Ben / DeCa /P. Downsborough / D. Verni / Christo / L. Weiner / S. Hoppferwisier / M. Stuprò / G. / A. Faggiano / Ufficio Immaginazione Preventiva. IV/(426) anche ripiegate/ brossura: "Lo S.p.A. è (...) un libro privo di menabò, che afferma una capacità politica ed editoriale in assoluta estraneità con qualunque processo di determinazione quantitativa (pagine - capitoli - paragrafi) che inevitabilmente ne ridurrebbe la capacità di autodeterminarsi dialetticamente con lo strumento di capienza di una teoricamente pressoché infinita disponibilità d'incidenza, di volta in volta inerzialmente adottata mediante una prassi sistematica consequenziale di valutazione esente da giudizio". Con illustrazioni a due/tre colori (prevalentemente in b/n, ma anche in bianco/ rosso, b/n/blu etc.. Stato buono (lieve stato d'uso della copertina).

      [Bookseller: Studio Bibliografico De Carlo]
 31.   Check availability:     maremagnum.com     Link/Print  


        DANNY THE CHAMPION OF THE WORLD

      Original Artwork. 1975 - The Jill Bennett archive of illustrations for the first edition of Roald Dahl’s Danny The Champion of The World. Including correspondence between the author, artist and the publishers Jonathan Cape, Alfred A. Knopf and Penguin (Puffin) Books. The illustrations begin with the three fine pencil character studies Jill Bennett sent to Dahl (who forwards them to his publisher) and includes the full colour dustjacket artwork and the 71 original pen and ink drawings (on 66 sheets) used to illustrate the story. Also present is the original photograph (believed to be Roald Dahl as a baby) used at the beginning of chapter one, and the "Sparky" lettering used at the conclusion of the final page. Correspondence includes two autograph letters from Roald Dahl to Jill Bennett, one confirming receipt of the trial drawings, the other confirming the commission and forwarding comments from Knopf’s "wizz-kid editor" Bob Gottlieb; two typed letters from Alfred Knopf to Roald Dahl, one returning Jill Bennett's illustrations, the other giving layout measurements and deadlines for the jacket illustration; three typed letters from Kaye Webb at Penguin to Jill, the first sending the manuscript of 'Roald's new book', the second asking for an alternative illustration to the photograph due to concerns about the quality of reproduction and the last enclosing two copies of Danny 'in its Puffin coat'; three typed letters from Robert (Bob) Gottlieb at Alfred Knopf to Jill confirming receipt of the jacket artwork 'which has been hailed a triumph', another enthusing about the Danny pictures and advising that 'our half of your payment was sent out to you some days ago. And I have written strongly to Tom Maschler, urging him to pay his share at once.'; two typed letters from Tom Maschler at Jonathan Cape to Jill, the first enclosing a cheque in payment 'I am delighted with the result and I hope the great British reading public will be equally delighted!', the other forwarding a couple of copies of the Cape first edition and apologising for the delay in doing so; an autograph copy in Jill's hand of a letter from Bob Gottlieb to Roald Dahl approving the trial drawings and setting out the deadlines, illustration requirements and fee amount, and a standard letter from Random House enclosing early reviews of the book. All the above is housed and beautifully presented in two purpose made quarter black morocco solander cases. The publication of Danny The Champion of the World marked a notable turning point for Roald Dahl and his books. Having been published in the UK by George Allen and Unwin, a muddle occurred over the contract for Danny, provoking Dahl to investigate alternative publishers, and, impressed by Tom Maschler's energy, he transferred to Jonathan Cape. For the first time both the UK and US editions were to have the same illustrations. Jill Bennett had just completed the illustrations for the first paperback edition of Fantastic Mr. Fox for Puffin Books, and, delighted with the result, Kaye Webb at Puffin sent her the manuscript for Roald Dahl's new book Danny The Champion of The World. The correspondence retained in the archive clearly shows that all three publishing houses worked together in order to bring the book to print and even though the Puffin edition would be the last to publish, it was Kaye Webb who, with the obvious approval of Roald Dahl, was instrumental in bringing Jill Bennett to the project. In chapter two of Danny we meet for the first time a character who would become one of Dahl's most famous and best loved creations: The BFG. Jill's illustration of the Big Friendly Giant who, "three times as tall as an ordinary man," with "hands as big as wheelbarrows," appears on page 20 of the Jonathan Cape first edition. Dahl's own manuscripts, notebooks and correspondence, including those for Danny, are held at the Roald Dahl Museum in Great Missenden, Buckinghamshire. Manuscript material pertaining to any of his major books is exceedingly rare. To h [Attributes: First Edition; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
 32.   Check availability:     AbeBooks     Link/Print  


        Dew in the Morning

      Robert Hale, 1975. Hardcover, large print. Used; Good. Hardcover, large print; English language; No jacket; good condition; pages are clean and binding tight. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 33.   Check availability:     Biblio     Link/Print  


        Five Fore-And-Afters (Ceramic Tile)

      Wild Hawthorn Press 1975 - Print. Five Fore-And-Afters (Ceramic Tile), Wild Hawthorn Press, 1975. 150mm square tile, edition 100. Five boat names (& places) green text on white ground. See "Ian Hamilton Finlay" Serpentine Gallery, 1977 p.87. Murray ref: 7.41 Will be sent by (adjusted) insured post.

      [Bookseller: William Allen Word & Image]
 34.   Check availability:     AbeBooks     Link/Print  


        Collection of Schlumberger Well Evaluation Conference records. [Paris], Societe de Prospection Electrique Schlumberger, 1967-1975.

      1975. 1) Well Evaluation Conference: Middle East (Nov. 1967). Vol. 1: Text. Vol. 2: Examples. 2) Well Evaluation Conference: Arabia (May 1975). Records of two successive Well Evaluation Conferences held by Schlumberger Ltd., one of the world's largest providers of oil well exploration technology, in 1967 and 1975. The former of these, held in Beirut, is dedicated to the entire Middle East, focusing on the regions of Iraq, Kuwait, Eastern Saudi Arabia, Qatar, Abu Dhabi, South-Western Iran, and the offshore Gulf area between these countries; the latter centers on the Arabian Pensinsula. - Well-preserved ex-library copies removed from the Research Center Library at the Marathon Oil Company in Littleton, Colorado. OCLC 150496606, 6093934.

      [Bookseller: Antiquariat Inlibris]
 35.   Check availability:     maremagnum.com     Link/Print  


        Photothèque Imaginaire de Shuji Terayama: Les Gens de la Famille Chien-Dieu

      Tokyo: Yomiuri Shimbunsha, 1975. Fine in a very close to fine jacket, publisher's printed cream obi. Nice copy.. First Edition. Quarto. Photography as performance art. Highly influential book from this long-term collaborator with Daido Moriyama.

      [Bookseller: Harper's Books, Inc.]
 36.   Check availability:     Biblio     Link/Print  


        Yokoo Tadanori & Renzaburo Shibata. UroTsuki Yata [Yata, the Vagabond]

      Shueisha, Tokyo 1975 - ISBN 00937800043041 Text: Shibata Renzaburo. cm 18x26; pp. 320; COL and BW; hardcover with dust jacket. [Attributes: Hard Cover]

      [Bookseller: A&M Bookstore / artecontemporanea]
 37.   Check availability:     AbeBooks     Link/Print  


        IL CAPPOTTO. Dai Racconti di Pietroburgo.

      Officina Bodoni, 1975. In-4 p., legatura edit. in mz. pergamena, piatti in carta Roma marroncina con sigla in oro sul piatto anter., astuccio, pp. 122, titolo del frontespizio in verde. Racconto in lingua originale russa con una nuova traduzione di Nerina Martini Bernardi Carrescia e una nota di Giovanni Mardersteig; entrambe le lingue sono state poste sulla stessa pagina (il russo in carattere Puskin e l'italiano in carattere Dante); "un prezioso arricchimento per il testo sono le 6 acqueforti di Pietro Annigoni, che ricordano nella loro forza e intensità l'arte delle incisioni di Goya". Così Cat. Mardersteig,192. Tiratura di 160 esempl. numerati, su carta a mano Magnani, firmati dall'artista nel colophon. Il ns., 85, è in perfetto stato.

      [Bookseller: Libreria Antiquaria Malavasi]
 38.   Check availability:     maremagnum.com     Link/Print  


        Hard to Be a God (First UK Edition, review copy, signed)

      London: Methuen, 1975. First UK Edition. REVIEW COPY, with publisher's slip laid in. This copy is also SIGNED by Boris and Arkadi Strugatski on the front endpaper. An intense work of speculative science fiction, basis for the challenging and highly praised 2013 film by Aleksey German, which played festivals only for a few years and was not distributed until 2015. Some offsetting to the front endpaper from the placement of the review slip, else Near Fine in a Near Fine dust jacket.

      [Bookseller: Royal Books, Inc.]
 39.   Check availability:     Biblio     Link/Print  


        Diaries. [Complete set of first editions in dustwrappers; first volume SIGNED BY THE AUTHOR].. THE CELEBRATED DIARIES COMPLETE IN DUSTWRAPPERS; FIRST VOLUME SIGNED BY AUTHOR

      [Chatto & Windus, Faber, Murray,, 1975-2005]. 12 vols., 8vo., First Editions, with portrait frontispieces, the first three volumes with pictorial endpapers; cloth, gilt backs, a near fine set in dustwrapper. With their titles borrowed cheekily from Coleridge's 'Kubla Khan', Lees-Milne's diaries are widely recognised as one of the foremost continuous chronicles of England in the twentieth century. The twelve volumes cover the years 1942 to 1997, terminating only shortly before his death. The series as a whole passed through three publishers, the first three volumes by Chatto & Windus, the fourth by Faber (with characteristically non-uniform dustwrapper) and subsequent volumes (unsurprisingly) by John Murray. From 2001 onwards the diaries are edited by Michael Bloch. The series comprises 'Ancestral Voices. [Diaries 1942-1943]' (1975); 'Prophesying Peace: [Diaries 1944-1945]' (1977); 'Caves of Ice. [Diaries 1946-1947]' (1983); 'Midway on the Waves. [Diaries 1948-49]' (1985); 'A Mingled Measure. Diaries 1953-1972' (1994); 'Ancient as the Hills. Diaries 1973-1974' (1997); 'Through Wood and Dale. Diaries 1975-1978' (1998); 'Deep Romantic Chasm. Dairies 1979-1981' (2000); 'Holy Dread. Diaries 1982-1984' (2001); 'Beneath a Waning Moon. Diaries 1985-1987' (2003); 'Ceaseless Turnoil. Diaries 1988-1992 (2004); 'The Milk of Paradise. Diaries 1993-1997' (2005). A SPLENDID SET, RARE IN THIS CONDITION, AND WITH THE MOST ELUSIVE VOLUME SIGNED BY THE AUTHOR. The earlier volumes are very scarce and all are becoming difficult. It will be hard to rebuild a similar set at this price level.

      [Bookseller: Island Books]
 40.   Check availability:     Biblio     Link/Print  


        The Firework-Maker’s Daughter (Signed By The Author With The Theatre Production Flyer Also Signed By The Author)

      The First UK Printing published by Doubleday (UK) in 1975. The BOOK is in near Fine condition and appears unread. Laminated Boards are very clean and bright. Slight pushing at the spine ends with a little toning to he page edges. Otherwise in wonderful condition being free from inscriptions, erasures and markings. The book has been Signed by Philip Pullman on the title page. Wonderful B/W illustrations throughput by Nick Harris. No Jacket as issued. Accompanied by "The Oxford Playhouse' theatre production flyer which has also been Signed by Philip Pullman. One of the scarcest titles from the Carnegie Medal winning author. More images available on request. ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA PBFA]
 41.   Check availability:     Biblio     Link/Print  


        MUSICAL STAGES

      NY: Random House, 1975. First Edition. Hardcover. Very Good/Near Fine. CHOREOGRAPHER AGNES DE MILLE'S COPY INSCRIBED TO HER BY RICHARD RODGERS. The contributions of Richard Rodgers (most famously as composer with lyricists Lorenz Hart and later with Oscar Hammerstein) to musical theater are historic in themselves, as is Agnes de Mille's choreography to dance, but their collaboration in Oklahoma for which de mille choreographed the groundbreaking dream sequence is regarded by most as one of the landmark achievements in the performing arts of the 20th century. A rambling sort of memoir, with many anecdotes, including some about the inscribee herself. Inscribed simply "For Agnes with love from Dick" in ink on the ffe. A near fine copy in near fine dustjacket with a 1961 personal note to deMille from an unidentified friend addressed to her Monticello, NY residence laid-in.

      [Bookseller: Johnnycake Books ABAA, ILAB]
 42.   Check availability:     Biblio     Link/Print  


        Chevengur].

      YMCA Press Paris 1975 - 8vo. 375pp. Original wrappers; light rubbing to exteriors, spine a little slanted, unobtrusive name to front free endpaper. A fine copy of the first edition - made to smuggle into the USSR. Platonov's Chevengur tells of a disastrous attempt to bring about Communism in a small town in central Russia. Originally written in the late 1920s, it was not published in Russia until 1988. This version is printed on fine India paper for ease of smuggling into the Soviet Union - there was also another edition printed at the same time on regular paper. Platonov's extraordinary use of words, reflecting both his own inventiveness and the corruption of linguistic meaning in the Soviet Union, unsettles the reader, layering the text with multiple meanings. This, coupled with Platonov's authenticity of voice gives a spiritual profundity to the novel that stretches far beyond its immediate plot lines. For so many years lost amidst the onslaught of official literature, Platonov's reputation has grown exponentially since the fall of the Soviet Union. Once called 'scum' by Stalin, he has since been described by the translator Robert Chandler as the greatest Russian prose stylist of the twentieth century. [Attributes: First Edition; Soft Cover]

      [Bookseller: Shapero Rare Books]
 43.   Check availability:     ZVAB     Link/Print  

______________________________________________________________________________


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