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Displayed below are some selected recent viaLibri matches for books published in 1973


      New York: Phoenix Book Shop. 1973. First. Uncorrected proof. 12mo. Oblong sheets, stapled in upper left corner, as issued. Printed on wove paper (Warren Old Style, as watermarked), in contrast to the laid paper of the published book. Fine. One of only six copies produced. A sentence of acknowledgment that was added to the copyright page of the book does not appear in these proofs. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 1.   Check availability:     Biblio     Link/Print  

        No Beast So Fierce. A Novel.

      New York: W. W. Norton & Company, 1973 - Octavo. Original grey cloth, titles to spine in red and black. With the dust jacket. Ownership inscription to front free endpaper. An excellent copy in the price-clipped jacket that is very slightly rubbed at the extremities. First edition, first printing of the first published novel by the then prison inmate who would go on to have a successful career as a novelist and screenwriter. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Das Buch der Bilder., Titelmotiv nach e. Zeichn. von Heinrich Vogeler

      [Frankfurt (Main)] : Insel-Verlag, 1973 - 116 S. : 1 Ill.; ; 18 cm Gut erhaltenes Exemplar. Seiten alters- und papierbedingt leicht gebräunt K16327 ISBN 3458017267 Sprache: de Gewicht in Gramm: 110 [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Buchhandel Daniel Viertel]
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        No Beast So Fierce

      New York: Norton. (1973). First. First edition. Fine in near fine dustwrapper with three modest tears. Advance Review Copy with slip and two promotional photos of the author from the book (one a pair of mug shots; the other a montage of photos of Bunker in prison). A brutal, hardboiled novel by an ex-con about criminals and violent crime. The author's first book, filmed as cult favorite Straight Time with Dustin Hoffman, Teresa Wright, Gary Busey, Harry Dean Stanton, M. Emmet Walsh, and Kathy Bates. Bunker played a bit part in the film, and later continued to surface as an actor in small, hip roles (most notably as Mr. Blue in Reservoir Dogs). Bunker also co-wrote the screenplay for another cult prison film, Runaway Train, and he also wrote and appeared in the film made from his novel Animal Factory, directed by Steve Buscemi. A fresh and bright copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Merian, 1973.. 95 S. Gr.-8°, Broschiert Gut erhaltenes Exemplar. K2035 ISBN 9783455273083.

      [Bookseller: Antiquariat Buchhandel Daniel Viertel Ei]
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        Sitting Bull

      Northampton, Massachusetts: Leonard Baskin , 1973 Sitting Bull, a full color lithograph in a frame with glass. This is number 34 of 50 copies printed. 23.5 x 20 inches. Signed the artist, in pencil, lower right. Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. He founded Gehenna Press, a small private press specializing in fine letter press book production. From 1953 -l 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. He later taught at Hampshire College in Amherst, Massachusetts. *** Due to the size and fragile nature of this piece, shipping charges will be more than our standard $3.95 fee. Please inquire as to exact cost for shipping via FEDEX Ground or UPS Ground, insured.

      [Bookseller: Boomerang Booksellers]
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        Historia Eclesiastica Indiana. Estudio preliminar y Edicion de Francisco Solano y Perez-Lila. [Two Volumes in One]

      Madrid: Ediciones Atlas, 1973. First edition thus. Modern red cloth with gilt titles. A fine copy. Sm. 4to. Volume 260 and 261 of the Biblioteca de autores españoles series. "[The work] had slumbered in MS. for two hundred and fifty years, when the eminent Mexican scholar and archæologist Señor Icazbalceta brought it to light. Its importance can scarcely be overestimated. Mendieta was sent to Mexico in 1554, and remained there till 1571, having spent much of his time in the study of the Mexican languages. Torquenada evidently had access to the MS., for he has reproduced a large portion of it without giving credit to Mendieta," Sabin.

      [Bookseller: Kaaterskill Books, ABAA/ILAB]
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        Fabulas. Con cincuenta y siete grabados en colores originales de Henry Lemaire

      Ediciones Velázquez, Madrid 1973 - cartoné tela mur bien conservado, estuche, en rama edición numerada de 245 ejemplares. . 249 págs.

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        The Development of Bertrand Russell's Philosophy

      London: George Allen & Uwin, . First Edition.. Near fine copy in publisher's cloth covered boards in like dust jacket. Inscribed by Jager on the front free endpaper :"For W.V. Quine with Best Wishes. Ron Jager March 1973." . First Edition. London, George Allen & Uwin, 1972. 8°. 519 pages. Original Hardcover with original dustjacket in protective Mylar. Near fine copy in publisher's cloth covered boards in like dust jacket. Inscribed by Jager on the front free endpaper :"For W.V. Quine with Best Wishes. Ron Jager March 1973." [Muirhead Library of Philosophy - Edited by H.D.Lewis].

      [Bookseller: The Time Traveller's Bookshop]
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        Child of God

      New York: Random House, 1973. First edition. Very good or better in a very good or better price-clipped dust jacket. Spine ever-so-slightly cocked. Jacket showing a modicum of edgewear, rubbing, tiny snag to the jacket spine at crown, but overall very sharp, bright, and clean. Bookseller's ticket to the lower front pastedown. This copy without the disfiguring remainder mark. A significantly above-average copy of the author's third novel, generally considered as one of his toughest to find in collectible condition. Nice copy of a genuinely scarce book.

      [Bookseller: John Kehoe, Bookseller ABAA]
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        Child Of God.

      Random House, New York 1973 - First edition of this novel, the story of a homeless, retarded necrophiliac killer, basis for the 2013 film directed by James Franco, starring Scott Haze, octavo, 197 pages, fine copy in near fine dust jacket, with minimal wear at top of spine and top front corner. [Attributes: First Edition; Hard Cover]

      [Bookseller: alain marchet]
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        Child of God

      New York: Random House,, 1973. Octavo. Original blue cloth-backed red boards, titles to spine gilt, author's initials to front board in blind. With the dust jacket. Small faint white stain to front joint, edges of text block and endpapers faintly spotted. An excellent copy in a price-clipped jacket with mild toning and rubbing and one tiny split to front panel. First edition, first printing.

      [Bookseller: Peter Harrington]
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        Drache, Heinz. - "Tierschädel".

      . Zeichnung / Tempera, 1973. Von Heinz Drache. 41,8 x 56,6 cm (Darstellung / Blatt). Rechts unten signiert und datiert. Verso in Bleistift betitelt. - Nachlass Nr. 9234. - Verso etwas fingerspurig. Gut erhalten. Heinz Drache (1929 Dresden - 1989 Radebeul). Deutscher Maler und Grafiker. 1948-53 Studium an der Hochschule für Bildende Künste Dresden (HfBK) bei Hans Theo Richter, Josef Hegenbarth, Fritz Dähn und Max Erich Nicola. Danach Aspirantur bei Heinz Lohmar. Ab 1953 freischaffend tätig. Mitglied des Verbandes Bildender Künstler der DDR. 1960-80 Gestalter beim DEFA-Trickfilmstudio in Dresden. Ab 1981 wieder freischaffend in Radebeul-Oberlößnitz. Neben Grafik und Malerei schuf er Wandgemälde u.a. für die Lagerhalle des VEB Kaffee und Tee, die Mittelschule Oberlößnitz und den Dresdner Kulturpalast. 1956 Kunstpreis der Stadt Dresden. 1973 und 1979 Goldene Lorbeer des Fernsehens der DDR. 1983 Kunstpreis der Stadt Radebeul..

      [Bookseller: Galerie Himmel]
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        Tengo. Original Cuban Edition with booklet and three (3) records in original slipcase

      La Habana: Empressa de Grabaciones y Ediciones Musicales. Original edition with only few signs of use. Original slipcase - slightly rubbed. Inscribed by Nicols Guillén on frontcover. Absolutely Scarce !. La Habana, Empressa de Grabaciones y Ediciones Musicales, 1973. 4°. Booklet with unnumbered 48 pages containing Poems and illustrations of the Revolution. Original, illustrated Hardcover Box. Original edition with only few signs of use. Original slipcase - slightly rubbed. Inscribed by Nicols Guillén on frontcover. Absolutely Scarce ! Nicolás Guillén (Camagüey, Cuba, 10 de julio de 1902 - La Habana, Cuba, 16 de julio de 1989) fue un poeta cubano. Su producción poética gira alrededor de dos grandes temas: la exaltación del negro y la situación social. Gracias al valor intrínseco de su obra, así como al de la de Emilio Ballagas y Luis Palés Matos, los problemas de la raza negra han adquirido relieve y categoría dentro del ámbito de la literatura de la lengua española. En Guillén esos temas cobran aliento superior. Junto a composiciones que imitan el ritmo de las danzas negras están las de intención social, en las que se mezcla una especie de mesianismo racial. Su militancia comunista, que data de 1937, le valió prisiones y persecuciones. En 1954 fue galardonado con el Premio Lenin de la Paz. Al advenimiento del régimen revolucionario de 1959, fue uno de sus más destacados defensores. Tras la Revolución compuso poemarios como Tengo (1964) o El diario que a diario (1972). En 1961 fue elegido presidente de la Unión Nacional de Escritores y Artistas de Cuba. (Wikipedia) Nicolás Cristóbal Guillén Batista (10 July 1902 ?- 16 July 1989) was an Afro-Cuban journalist, political activist, and writer. He is best remembered as the national poet of Cuba. Guillén was born in Camagüey, Cuba. He studied law at the University of Havana, but he soon abandoned a legal career and worked as a typographer and journalist. His poetry was published in various magazines from the early 1920s and his first collection, Motivos de son, appeared in 1930. West Indies, Ltd., published in 1934, was Guillén's first collection of poetry with political implications.[2] Cuba's dictatorial Machado regime had been overthrown in 1933, but political repression in the following years intensified. In 1936, with other editors of Mediodía, Guillén was arrested on trumped-up charges, and spent some time in jail. In 1937 he joined the Communist Party[2] and made his first trip abroad ?- to attend a Congress of Writers and Artists in Spain. During his travels in the country he covered Spain's Civil War as a magazine reporter. Guillén returned to Cuba via Guadeloupe. He stood as a Communist in the local elections of 1940. The following year he was refused a visa to enter the United States, but he travelled widely over the next twenty years ?- in South America, China and Europe. Guillén's poetry was increasingly becoming imbued with issues of cross-cultural Marxist dialectic.[3] He was prevented by the Batista government from entering Cuba in 1953[1], but was welcomed back by Fidel Castro after the revolution, becoming appointed president of the Unión Nacional de Escritores de Cuba ?- the National Cuban Writers' Union ?- in 1961.[4] He also wrote some evocative and poignant poetry highlighting social conditions, such as "Problemas de Subdesarrollo" and "Dos Niños". He was awarded the Lenin Peace Prize in 1954. Guillén is probably the best-known representative of the "poesía negra" ("black poetry") that tried to create a synthesis between black and white cultural elements, a "poetic mestizaje". Characteristic for his poems is the use of onomatopoetic words ("Sóngoro Cosongo", "Mayombe-bombe") that try to imitate the sound of drums or the rhythm of the son. Silvestre Revueltas's symphonic composition Sensemayá was based on Guillén's poem of the same name, and became that composer's best known work. Nicolás Guillén died in 1989 at age 87 and was buried in the Colon Cemetery, Havana. His nephew was experimental Cuban filmmaker Nicolás Guillén Landrián (1938?-2003). (Wikipedia) Nicolás Guillén (* 10. Juli 1902 in Camagüey in Kuba; † 16. Juli 1989 in Havanna in Kuba) war ein kubanischer Dichter und Schriftsteller, dessen Werke die lange vernachlässigte nichtsprachliche afrokubanische Tradition Kubas in die Literatur brachten. Guillén sah die kubanische Kultur als Mulattokultur und wollte dies in seinem Werk durch die Verschmelzung spanischer Metrik mit afrikanischen Elementen zum Ausdruck bringen. Diese Mischung von Elementen schwarzer und weißer Kulturtraditionen Kubas ist Teil der Mulataje. Durch die Verwendung onomatopoetischer Wörter (Sóngoro Cosongo, Mayombe-bombe) versucht er den Klang und den Rhythmus des Son nachzubilden. Die Symphonie Sensamayá des Komponisten Silvestre Revueltas basiert auf einem Gedicht von Guillén. Nicolás Guillén war Mulatte und wurde 1902 als Sohn des Journalisten Nicolás Guillén und seiner Frau Argelia Batista Arrieta geboren. Sein Vater wurde 1917 bei einem politischen Aufstand von Soldaten erschossen. Nicolás Guillén begann ein Jura-Studium, wechselte aber bald zum Journalismus. 1920 veröffentlichte Guillén seine ersten Gedichte in lokalen Zeitungen in Camagüey und Manzanillo. 1922 begann er ein Jurastudium an der Universität von Havanna, brach das Studium aber kurze Zeit später ab. Nach einem längeren Aufenthalt in seiner Heimatstadt ging Guillén wieder nach Havanna, wo er Federico Garcia Lorca kennenlernte, der auf Einladung von Fernando Ortíz zu einer Lesereise nach Kuba gekommen war. 1937 schloss sich Nicolás Guillén der Kommunistischen Partei Kubas an. 1937 reist Guillén zum Zweiten Internationalen Schriftstellerkongress zur Verteidigung der Kultur in das vom Bürgerkrieg geschüttelte Spanien. Er kandidiert 1940 für die Partido Unión Revolucionaria Comunista (Kommunistische Partei der Revolutionären Einheit) bei den Bürgermeisterwahlen in Camagüey. 1953 muss er Kuba verlassen und geht nach Paris. Erst nach dem Sieg der kubanischen Revolution von 1959 kommt er wieder nach Kuba zurück. 1961 wird Guillén zum ersten Vorsitzenden der UNEAC, des kubanischen Schriftsteller- und Künstlerverbandes, gewählt. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Cheyenne Woman in the Robes of a Secret Society

      New York: Kennedy Graphics, 1973. Distributed graphics by Alan Wofsy Fine Arts. Lithograph in four colors on Vélin d'Arches paper. Native American series. 62 x 87 cm. Edition of 100. Hand signed and numbered by the artist. Fern and O'Sullivan, 638.

      [Bookseller: Alan Wofsy Fine Arts]
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        The Princess Bride: S Morgenstern's Classic Tale of True Love and High Adventure

      Harcourt Brace Jovanovich, 1973. First Edition. Hardcover. Like New. Signed. New York: Harcourt Brace Jovanovich, 1973: Signed. First Edition, First Printing with "First Edition" stated on the copyright page, as well as the proper BCDE code denoting a first printing. Signed by the author, inscribed to a previous owner. Fine, in a Fine original dust jacket with price of $7.95 intact. Light foxing to top edge of page block. Faint edge wear to jacket. A lovely copy of this first printing; Signed by the author.

      [Bookseller: Burnside Rare Books]
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      Firenze, Sansoni, 1973. In-4, 2 volumi (1 di tavole), tela editoriale, custodia, pp. 505, con una ricchissima documentazione iconografica di oltre 600 illustrazioni a colori e in bianco e nero in 365 tavole. Importante opera per la conoscenza della storia della maiolica fiorentina. In ottimo stato (fine copy).

      [Bookseller: Libreria Malavasi sas]
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        Rat Jelly

      (Toronto): Coach House. 1973. The hardcover issue. Signed by the author. Fine in a fine dust jacket. Only a small number were issued in hardcover. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Living at the Movies: Poems

      New York:: Grossman,, 1973. 0670434493. A Very Good plus copy with slight discoloration to the edges of the orange cloth boards in Very Good unclipped dust jacket with a one-inch chip missing from the top edge of the rear panel. This copy is signed by Carroll. Very uncommon in the hardcover and signed..

      [Bookseller: Gregor Rare Books]
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        Brixen, Südtirol. Unterdrittelgasse. Acryl auf Platte.

      1973.. Bildmaß: 57 x 48 cm ( Höhe x Breite ), alter unter Passepartout gerahmt ( Künstlerrahmung: Rahmenmaß: 71 x 61 cm ). Gezeigt wird die Unterdrittelgasse in Brixen, Südtirol, im Bildhintergrund schneebedeckte Gipfel. Rechts unten eine verblasste Monogrammierung, das Bild verso vom Künstler signiert, bezeichnet und mit *16.5. 1973* datiert. Das Bild etwas fleckig, ansonsten von guter farbfrischer Erhaltung, das Passepartout etwas fleckig, der Rahmen leicht bestoßen und etwas fleckig. >>> Der 1908 in Hamburg geborene Künstler besuchte von 1922 - 1925 die Kunstgewerbeschule in Hamburg bei Hugo Baumann und war später als Maler in und um Hamburg tätig.<<< ( Literatur: Der Neue Rump: Lexikon der bildenden Künstler Hamburgs - Seite 45 ) ( Bitte beachten: Hier aufgrund der Größe kein Versand, hier nur Selbstabholung bzw. selbst organisierter Abtransport ) ( Pic erhältlich // webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
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        Cinque poesie inedite

      Roma: L'Arco Edizioni d'Arte, 1973. Prima edizione di 50 + VI es. numerati. Fogli sciolti in cartella in tela (loose as issued in original cloth portfolio). Perfetto (Mint). Folio (cm 51x36). Cartella contenente cinque opere originali, numerate e firmate a matita: una incisione di Remo Brindisi, una incisione di Luigi Guerricchio, una serigrafia di Henry Goetz, una xilografia di Yannis Papadakis, una xilografia/acquatinta di Antonietta Raphael Mafai (cm 13x19; 29x20; 27x30; 16,5x25; 28x22). Con una nota di Giuseppe Appella Stampatori: Salvi, Roma; Serico, Macerata; tipografo Persi, Roma. Esemplare n. 5/50

      [Bookseller: Studio Bibliografico MArini]
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        Orandae-Imari Ware

      Tokyo, Japan: Gohachipuresu, 1973. No. 248 of a limited edition of 500 copies. So stated [in Japanese] on the limitation page. This is a bilingual edition in Japanese and English. The principal text is in Japanese and the secondary text is in English. Specifically, there is an introductory essay in English. Principal text, plate titles, and commentary on the plates is all in Japanese. Printed and bound in Japan. The book with a silk (or silk-like) spine, with crisp gilt-stamped Japanese calligraphy. Hardboards covered with decorative paper in beige, brown and red. 11.75 x 8.5 inches. With unnumbered pages throughout, and with 105 full-page and half-page plates, many in color, all on glossy photo stock. Unbumped spine head and tail, and sharp corners. The text block is firmly bound in. An immensely clean copy. Almost certainly unread. No remainder marks. Still tight. With clear plastic DJ, as issued. In the original heavy-duty slipcase of plain brown paper over cardboard, with dark brown lettering in English and characters in Japanese. The slipcase itself is contained within the original outer cardboard casing. A Near Fine copy in a Near Fine DJ in a Near Fine slipcase. Extremely scarce in any condition. There is no record of copies of this book ever coming onto the auction market. This remarkable reference book on Japanese porcelain focuses on Imari ware of the sort depicting westerners or things western, or those pieces specially made on order from abroad, or rare specimens known only to a few.. First Edition. Decorative Boards. Near Fine/Near Fine. 4to - over 9¾" - 12" tall. Limited Edition.

      [Bookseller: Marc Sena Carrel]
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        The Black Prince.

      . London: Chatto & Windus 1973. XVIII+363 pp. Publisher's wrappers. * First edition..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        [Broadside]: Mon vieux lucien

      [No place - New York?: no publisher]. 1973. First. First edition. Broadside poem. 12" x 8.5". Illustrated by the author. Some sunning at the extremities, else very good or better. This is copy number 5 Signed by the poet. Reportedly of a total edition of 300 copies, 50 were signed and numbered, the rest were unsigned. OCLC locates seven copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Handwritten Larry letter mentioning ?the 3 Stooges ? Curly and Shemp?

      [Woodland Hills, California] "Autograph Letter Signed ?Larry Fine,? 1p, 5.75"" x 8?. [Woodland Hills, California, August 10, 1973] Rubber stamped caricature of Larry in upper blank margin of lined paper. With original 9.5? x 4? postmarked envelope addressed by Fine to Keith Sunkin, Los Angeles, ?Larry Fine? printed by Fine in upper left, above return address label of the Motion Picture Country House, Woodland Hills. Fine condition.In part, ?Your letter received and am enclosing the only pictures I have. Since I have been at the Hospital here, I have received over 600 letter and requests for pictures ... I wrote a book while I was here. It is called ?A Stroke of Luck.? It is all about my Life as one of the 3 Stooges. In it I answer all the questions my fans have been asking me all these years. It also contains over 120 rare and collector item photos from our pictures, many with Curly and Shemp...?The Three Stooges comedy team began in 1925 with brothers Moe Howard and Shemp Howard and Larry Fine. In 1932, Shemp left the act and was replaced by brother Jerry (Curly) Howard. Shemp rejoined the Stooges in 1947 after Curly suffered a stroke."

      [Bookseller: University Archives]
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        Six Poems

      [No place]: Aloe Editions. 1973. First. First edition. String-tied self-wrappers. A trifle sunned at the edges of the wrappers, else fine. Copy letter D of 26 lettered copies Signed by the author. An attractive edition that includes two well known poems: "Tossing and Turning" and "On Shaving Off One's Beard." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      David Bruce & Watson [1973], London - Octavo, boards. Introduction by Kingsley Amis. Filmed in 1957 from a screenplay by the author, currently slated for a possible remake. Anatomy of Wonder (1995) 3-121. Barron (ed), Horror Literature 4-219. Pringle, Modern Fantasy: The Hundred Best Novels #18. A fine copy in fine dust jacket with touch of light dust soiling to white background on rear panel. (10865) [Attributes: Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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        Yozo Hamaguchi

      Tokyo: Nantenshi Gallery, 1973. Cloth in slipcase and original carton. Numbered 694. Large 300 x 285 mm. 201 pp. Catalogue raisonné with 45 color plates and 106 monochrome illustrations, many full-page. Text by Teiichi Hijikata in Japanese; text by Zoran Krzisnik in English; text by Vieira da Silva in French; Hamaguchi biography in English; captions in Japanese & English. In original glassene, as issued.

      [Bookseller: Alan Wofsy Fine Arts]
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        Gargantua. Choix de textes. Illustré par H. Staeger.

      La Guilde de l'Estampe, Bienne, 1973. - 510 X 850 mm. en ff. sous coffret toilé, orné d'une vignette. 48 pp. Edition tirée à 110 ex. num. sur grand vélin pur fil Johannot. Illustré de 10 linogravures originales à pleine page de Hans Staeger, d'une truculence toute rabelaisienne, tirées en couleurs par l'artiste sur les presses à bras de Pietro Sarto.

      [Bookseller: Serge Paratte, Livres anciens & modernes]
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      San Francisco: Straight Arrow Books, (1973). Very close to fine in green boards, matching near fine slipcase.. First Edition. Square quarto. The scarce edition in cloth, limited to 250 copies. Owens' piercing look at his own suburban community outside San Francisco, combining a New Topographics vision of banal interior landscape with a nod towards social documentary. (Parr / Badger, v2, 24; Roth 224-225; Open Book 296-297).

      [Bookseller: Harper's Books, Inc.]
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      Flammarion collection « Les Maîtres de la peinture moderne », Paris 1973 - Album in-4, cartonnage frappé de la signature en rouge de Mathieu, jaquette illustrée. > EDITION ORIGINALE de cette étude sur le peintre, illustrée de nombreuses reproductions en noir et en couleurs. Bio-bibliographie in fine. *** Bel exemplaire portant un ENVOI autographe signé de l¿auteur sur le titre, et en frontispice un DESSIN ORIGINAL au feutre magenta de MATHIEU, signé et daté. JOINT : une carte autographe signée et une lettre tapuscrite signée de Mathieu à un couple de critiques. L'ensemble [Attributes: Hard Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
 31.   Check availability:     AbeBooks     Link/Print  

        Starring Fred Astaire

      New York: Dodd, Mead & Company, 1973 UNIQUE COPY INSCRIBEDFirst edition. 11" x 8 1/2". Original gilt stamped black and red cloth. Dust jacket (unclipped; light wear ; paper tape reinforcement on verso). Very good (light wear to volume edges). 501 pages. Bookplate.Signed and inscribed by Astaire on the half title and additionally signed throughout by more than 30 of his co-stars, etc., including Morey Amsterdam, George Burns, Cyd Charisse, Bob Crane, Richard Crenna, Tab Hunter, Peter Lawford, Kim Novak, Cesar Romero, Dolph Sweet, and many others. Several have signed in multiple locations. Complete list available upon request.

      [Bookseller: George Houle Rare Books & Autographs]
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        Seven San Francisco Mime Troupe Posters

      San Francisco. 1973-1978. Posters. Measuring 11" x 17" and 21" x 14". Near fine with tack holes at the corners, a few spots of edge wear and two posters with a few light creases. Seven original posters advertising the San Francisco Mime Troupe and several of their performances including Bertolt Brecht&#39;s The Mother, Hotel Universe, Electro-Bucks, and False Promises: A History Play with Music, featured in two different posters with art by Rupert Garcia and Jane Norling. The Troupe was created in 1959 an as experimental with Bill Graham an early business manager and Digger/actor Peter Coyote a performer. The theater group, which is still active today, gave free performances in the park and won acclaim for its 1973 of The Mother. A nice selection of colorful poster for this San Francisco institution. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 33.   Check availability:     ABAA     Link/Print  

        Pair of 1973 Vice President Agnew letters, one sending thanks for good wishes ?a source of strength at a very trying time? and the other dated two days before he resigned

      "A conservative Republican, James S. Copley (1916-1973) was publisher of the ?San Diego Union,? ?The San Diego Union-Tribune,? and the ?San Diego Evening Tribune? from 1947 until his death on October 6, 1973. Helen Copley (1922-2004) succeeded her husband as head of the Union Tribune Publishing Company and at The Copley Press, a newspaper chain of 15 daily and 32 weekly publications.(1) Typed Letter Signed ?Ted? as Vice President, 1p, 7? x 9?. On Vice Presidential stationery, Washington, August 27, 1973. Blind embossed vice presidential seal in upper left. To James S. Copley, La Jolla, California. Fine condition. In full, ?Dear Jim, My thanks to you and Helen for your kind words and good wishes. They are a source of strength at a very trying time, and I appreciate your getting in touch.?(2) Typed Letter Signed ?Ted Agnew? as Vice President, 1p, 7? x 9?. On Vice Presidential stationery, Washington, October 8, 1973. Blind embossed vice presidential seal in upper left. To Mrs. James S. Copley, La Jolla, California. Fine condition. In full, ?Dear Helen, Judy and I mourn with you for Jim, but there are so many happy memories in which we hope that you, too, will find consolation in time.? Staple holes at upper left. Two days later, Vice President Agnew resigned, having been charged with accepting bribes and falsifying federal tax returns; he pleaded ?nolo contendere? to the latter charge in federal court.Presented in an 8.5? x 11? hard covered brown presentation folder with three inner flaps. Gilt lettered on spine: ?Spiro T. Agnew ? Signed Letters.?"

      [Bookseller: University Archives]
 34.   Check availability:     Biblio     Link/Print  

        Ugo Mulas

      Parma: Università di Parma, 1973. Prima edizione (First edition). broch. Molto buono (Very Good). 8vo. Nota critica di Arturo Carlo Quintavalle. Interviste al fotografo registrate da Quintavalle nella sua casa di Pozzolengo dal 7 novembre 1972 al 1 gennaio 1973. Con 249 riproduzioni di fotografie in bianco e nero Leggerissime abrasioni al dorso (Very light abrasions to spine)

      [Bookseller: Studio Bibliografico MArini]
 35.   Check availability:     Biblio     Link/Print  

        Marius, Fanny, César.

      Berkeley, Calif.: Saint Hieronymus Press. Distributed graphics by Dow and Frosini. 1973 - Three posters for the films by Marcel Pagnol, printed for the Pacific Film Archive, University Art Museum, Berkeley Calif. Edition of 300 of which 100 copies are signed. These three posters (28, 29 & 30) were printed simultaneously. August 13, 1973, 5 colors, 13-1/2" x 24". The tan color has uniformly faded and two of the prints have a marginal water or glue stain. Framed in chrome and plexiglas. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
 36.   Check availability:     AbeBooks     Link/Print  


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