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Displayed below are some selected recent viaLibri matches for books published in 1972

        Post Captain

      Philadelphia:: Lippincott,, 1972. 039700804x. a Fine copy in a Near Fine unclipped dust jacket with a touch of wear to the spine corners. This is the second volume in the Aubrey/Maturin series and an uncommon title..

      [Bookseller: Gregor Rare Books]
 1.   Check availability:     Biblio     Link/Print  


        Bless Me, Ultima

      Berkeley, Cal.: Quinto Sol, 1972. 1st, vg in black cloth. worn at all corners, sunned on edges. In a good dj from a 2nd edition (has $6.75 price on rear panel). This dj is about 1/8" shorter than the book, is rubbed, has a nick at the bottom of the front panel, and probably came from a library copy, as it has the remnants of a sticker on the spine covering the publisher's name. 248 pp.. First Edition. Hard Cover.

      [Bookseller: Page One, Too; Antiquarian Books]
 2.   Check availability:     Biblio     Link/Print  


        Olympia. (Riefenstahl).

      Berkeley, Calif.: Saint Hieronymus Press. Distributed graphics by Dow and Frosini. 1972 - Poster. 24 x 18 inches. Solid-tone, photo-offset lithograph. One of 250 impressions. Printed in 4 colors. Printed for the showing of the movie by Leni Riefenstahl at the Pacific Film Archive at the University of California, Berkeley. Goines, 23. Rare.

      [Bookseller: Wittenborn Art Books]
 3.   Check availability:     AbeBooks     Link/Print  


        L’AVENIR DE LA PROPRIETE’

      Paris, Yves Rivière, 1972. In-4 p., bross. orig. figur., astuccio edit., 32 cc.nn., con 34 composizioni in b.n. nel t. realizzate dal pittore ed incisore belga, che illustrano 34 ?"papiers de famille anéantie, des années 1661 à 1883?", trovati ?"à la Foire à la Ferraille, aux Marchés aux Puces de Bruxelles, Aix-en-Provence et Saint-Ouen, chez quelque libraire et brocanteur de Paris et Nantes, au grenier d?'un notaire.., adoptés comme support d?'une reverie au pinceau et à l?'encre?". Unita 1 acquaforte firmata, ?"tirée sur feuilles manuscrites de la grosse d?'un procès à Rennes en 1735, et numérotée?". Edizione orig. di 999 esempl. numer. Il ns., 210, fa parte della tiratura di 151 (numer. da 100 a 250) con 1 acquaforte e, al risguardo, porta una dedica autografa di Alechinsky (datata le 15 III 73). Esempl. ben conservato.

      [Bookseller: Libreria Malavasi sas]
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        The American Journal of Cardiology (CONVOLUTE of 33 vols./ KONVOLUT aus 33 Bänden) - Vol. 29 (1972) - 58 (1986) in durchgehender Folge/ Vol. 61/ 62 (1988).,

      1972 - 1986. 1972 - je Band ca. 1000 Seiten; each vol. about 1000 pages; Die hier angebotenen Bände befinden sich in einem ordentlich erhaltenen Zustand; Buchschnitt und Seitenränder alters-/papierbedingt angebräunt; Orig.Ganzleinen; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; ENGLISCH!! Das Bild zeigt nur eine Auswahl der hier angebotenen Bände; Sprache: en Gewicht in Gramm: 70000 [Attributes: Hard Cover]

      [Bookseller: Petra Gros]
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        The Water-Method Man - SIGNED

      Random House Inc, New York, 1972, Hardcover, Book Condition: Near Fine, Dust Jacket Condition: Near Fine, A First Edition, First Printing, Signed By AuthorNear fine in a near fine price clipped dust jacket. Signed by the author on the title page. Top corner of front endpaper with erasure marks, else near fine. Jacket with slight toning, a little soiling to the rear panel. Front flap with a crease from a former fold, Book

      [Bookseller: James Graham, Bookseller]
 6.   Check availability:     Bookzangle     Link/Print  


        Going Texan: The Days of The Houston Livestock Show and Rodeo (Signed Limited Edition)

      (Houston): Mavis P. Kelsey Jr., 1972. First edition. Hardcover. Limited edition of 500 numbered copies. Text by Martin and black and white photographs by Winningham. A very near fine copy with some minor rubbing to the photograph mounted to the front panel in a very near fine cloth slipcase. Signed by Winningham on the limitation page. Laid in is an original silver gelatin photo that is also signed by Winningham. Despite the size of the limitation this book was never widely distributed and remains very uncommon.

      [Bookseller: Jeff Hirsch Books, ABAA]
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        Wintering Out

      Faber & Faber, London 1972 - Bound into stiff paper wrappers; wrappers with flaps fixed to spine. There is a little soiling to the upper edges; a touch of foxing to the fore and tail edges. Spine lightly browned. Stain to the upper left corner of the front cover. Author's third book. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Soft Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        Velkommen igen, Guds engle sma.

      . Litograferet plakat trykt i rödt og gult. Kbhvn.: Bröndums Forlag 1972. 75 x 54 cm. * Signeret med blyant af kunstneren. Udgivet i forbindelse med udgivelsen af bogen af samme navn..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        TRAJAN LETTERS DE CARATTERI DI LEOPARDO ANTONOZZI LIBRO PRIMO ROME MDCXXXVIII

      Madison, WI: The Meles Vulgaris Press, 1972. cloth, bottom edge cut, other edges uncut. Calligraphy. oblong 8vo. cloth, bottom edge cut, other edges uncut. unpaginated. Limited to 50 numbered copies, signed by project overseers Donald M. Anderson and Phillip M. Hamilton, and translator Robert J. Rodini, on colophon. A facsimile edition of Leopardo Antonozzi's alphabets of 1638. For description of the original work, see Stanley Morison, Calligraphy 1535-1885 (Milan: La Bibliofila, 1962), pp. 87-9, item 25. Notes on Antonozzi and his alphabets, English translation of Antonozzi's "Address to his Readers." Letters derive from a copy of De Caratteri at the Humanities Research Center, University of Texas.

      [Bookseller: Oak Knoll Books/Oak Knoll Press ]
 10.   Check availability:     ABAA     Link/Print  


        Report on Planet Three and Other Speculations

      London: Victor Gollancz. 1972. First. First edition. Ownership signature of Ian Macauley, fine in a slightly spine-faded, near fine dustwrapper. Receipt from the publisher laid in. Inscribed by Arthur C. Clarke to his protege, one-time secretary, and longtime friend Macauley; "To Ian, who is welcome to steal any of it. Arthur. Lo. Aug 72." Macauley was the dedicatee of Clarke's first published hardcover novel, Islands in the Sky, and was an award-winning New York Times journalist. He also edited Clarke's book of collected essays, Greetings, Carbon-Based Bipeds! (2000). Clarke wrote the last chapter of Childhood's End, while visiting Macauley in Atlanta in 1952, where he was reportedly greatly influenced by their discussions. A nice association copy of this miscellany, mainly speculations on space, and some reprints of earlier essays. Macauley has made a pen emendation in the text, apparently while preparing the essays for the collected volume. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        New York, New York

      Magyar Helikon, Budapest 1972 - With 96 photographic reproductions, many double-page. First edition. In the original dust jacket. (132) p. (two tracing paper leaves and one folding leaf are included). ?In 1968 the photographer György L?rinczy took advantage of the Hungarian government's decision to relax its rigorous laws on citizens travelling abroad. The result was his book New York, New York, which projected a rather less jaundiced view of the Big Apple than that of many home-grown photographers. As a foreigner's vision, and in terms of photographic outlook, L?rinczy's perspective clearly has affinities with that of William Klein, but his manic exuberance seems to run on pure energy, without the psychological tensions that underpin Klein's more realistic and informed vision of the city. It seems unlikely that L?rinczy saw the work of any of the Japanese photographers of the day, but his book has a similar 'anything goes' feeling, akin to the totally spontaneous style of someone like Daido Moriyama, who coincidentally, was photographing in New York around the same time. L?rinczy's style is rough, raw and uninhibited, in the best stream-of-consciousness manner. But he has nevertheless thought about New York, New York as a book, not only laying it out in a dynamic cinematic style, but employing such devices as printing one or two pages on tracing paper, or utilizing extreme grain, blur and even solarization. The later, surprisingly, renders his depiction of the city's energies more rather hallucinatory feeling that L?rinczy seems to have experienced on encountering this most vibrant of cities. L?rinczy clearly had a whale of a time in the headquarters of consumer capitalism, catching up on the 1960s and tasting some of its forbidden fruits, such as rock bands and experimental theatre groups. This excited, carefree, though not naive view of New York makes a refreshing change from the inbred cynicism of the streetwise native". (Parr-Badger: The Photobook. Phaidon, 2004.). Scores to the dust jacket at rear panel. [Attributes: First Edition]

      [Bookseller: Földvári Books]
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        TRAJAN LETTERS DE CARATTERI DI LEOPARDO ANTONOZZI LIBRO PRIMO ROME MDCXXXVIII

      The Meles Vulgaris Press, Madison, WI 1972 - oblong 8vo. cloth, bottom edge cut, other edges uncut. unpaginated. Limited to 50 numbered copies, signed by project overseers Donald M. Anderson and Phillip M. Hamilton, and translator Robert J. Rodini, on colophon. A facsimile edition of Leopardo Antonozzi's alphabets of 1638. For description of the original work, see Stanley Morison, Calligraphy 1535-1885 (Milan: La Bibliofila, 1962), pp. 87-9, item 25. Notes on Antonozzi and his alphabets, English translation of Antonozzi's "Address to his Readers." Letters derive from a copy of De Caratteri at the Humanities Research Center, University of Texas. cloth, bottom edge cut, other edges uncut [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
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        Ausgewählte Gedichte. Übertragen und herausgegeben von Gotthard de Beauclair. Mit einer Einbandvignette und fünf Originalradierungen von Willy Meyer-Osburg.

      . Frankfurt, Trajanus-Presse (1972). 35,3 : 25,2 cm. 1 w.Bl., 39,(3) S., 1 w.Bl. u. 5 Bl. Radierungen. Orig.-HPergament mit RTitel in Schwarzpr., büttenbezogene Deckel mit Blindpressung u. Büttenvorsätze in Schuber mit Büttenbezug (Handeinband: Willy Pingel, Heidelberg).. Eines von 85 römisch numerierten Exemplaren (Nr. VIII) für den Handel mit fünf in Bleistift signierten Radierungen des Künstlers. Ferner wurden 100 arabisch numer. Ex. für die D.Stempel AG mit nur einer Radierung gedruckt. - 16. von Hand gesetzter Druck der Trajanus-Presse in Caslon-Antiqua und -Kursiv. Buchgestaltung von G.de Beauclair und Heinz Richter. - Neuwertiges Exemplar.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        The Halloween Tree / Illustrated by Joe Mugnaini

      New York : Alfred A. Knopf, 1972, Hardback, First Edition0394824091 An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 145 pages; Description: 145 p. : illus. ; 24 cm. Subjects: Time travel --Halloween --Fiction. SIGNED and inscribed by Bradbury to author Jim Wagner. Small illustration by Bradbury also present.

      [Bookseller: MW Books Ltd.]
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        The Halloween Tree

      New York: Alfred A. Knopf, 1972: Signed. First Edition, First Printing. In original dust jacket with price of $3.95 intact. Signed by Ray Bradbury on the front free end paper. In Near Fine condition. Light wear to cloth, faint sunning to top edge. The dust jacket shows light edge wear, and rubbing, as well as light fading to the spine. An attractive copy overall. First Edition, Signed by the author.

      [Bookseller: Burnside Rare Books]
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        Colas Breugnon

      - Plaisir du Livre, 1972. 2 volumes in/4 reliure plein maroquin rouge estampé à froid, sous emboîtage, dos à nerfs, pièces de titres rouges et caissons dorés, illustrations d’Ansaldi, volume 1 : 183 p. - volume 2 : 183 p. Exemplaire numéroté. Dos légèrement insolés. [Attributes: Hard Cover]

      [Bookseller: Philippe Lucas Livres Anciens]
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        Poesies Antillaises

      Poesies Antillaises. Matisse, Henri & Nau, John-Antoine .Paris: Mourlot, 1972 . Copy #76 of 200 (entire edition 250: 1-50 with a suite of the lithographs; 200 as this). Original edition. Duthuit. Matisse books #37 Illustrated with 28 full-page lithographs by Matisse. 11 ? x 15" loose as issued in original glassine, wrappers. In folding box. Matisse conceived this portfolio in honor of his traveler poet friend John-Antoine Nau (1860ñ1918), real name EugËne LÈon ...douard Torquet. Nau was a French poet and writer most famous for his novel Enemy Force, which won the first Prix Goncourt in 1903. He was born on November 19, 1860, in San Francisco, California and was thus an American citizen. Nauís poetry took its themes from voyages in the Antilles and in particular to Martinique where the facial sculpture of women from the Islands, with their exoticism and richness, was a great inspiration. Matisse greatly admired the poetry of Nau. They had first met with Signac in 1903 or 1904 and they were drawn together by a love of Martinique. Many years later, after Nauís death, Matisse decided he wanted to make an album consisting of poems by Nau inspired by Martinique and to link them to a series of lithograph studies of Martiniquaise models. Matisse began his project in 1945, working with exotic models from Martinique and Le Malgache toward the illustrations of the portfolio, and choosing among the most evocative poems of Nau. The book was not printed until 1972.

      [Bookseller: Golden Legend, Inc.]
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        On Turning Eighty

      Santa Barbara: Capra Press. 1972. First. First edition, paperbound issue (published simultaneously with a hardbound issue of 200 copies). Light offsetting to one page, one small correction in the text in an unknown hand, else just about fine in wrappers. Inscribed by the author to his second wife, June Mansfield: "For June from Henry 10/31/72 My books are getting smaller and smaller now. Soon I will shut up completely!" A wonderful association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        EN EL TALLER (1972)

      1972 - Julio López Hernández (Madrid 1930) es un escultor español. Firmado y numerado a lapiz en el margen inferior por el artista. Tirada de 100 ejemplares 79/100. Muy buen estado 260 X 360 mm. (plancha) 420 x 550 mm. (soporte)

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
 20.   Check availability:     IberLibro     Link/Print  


        Making Chicken Soup

      Rochester: Humpy Press / Light Impressions, 1972. Square duodecimo, unpaginated. Illustrated with twenty-eight black and white photographs. First edition. A gorgeous copy of this wonderful little Les Krims title in which the artist's mother shows the step-by-step method for preparing great chicken soup. Also includes Mrs. Krims' recipes for kreplach and matzo balls. A fine copy. A scarce photographic artist's book and doubly so in that it is signed and dated by the artist on the title page.

      [Bookseller: Rabelais - Fine Books on Food & Drink]
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        Affisch för Nybyggarna. En film av Jan Troell efter en roman av Vilhelm Moberg. Film Poster: Unto a Good Land.

      Utan ort, 1972. 70x32 cm. Ett fåtal obetydliga skrynklor. Fint ex. Affisch för den andra av Troells båda filmer efter Mobergs Utvandrarserie. Signerad av Jan Troell samt skådespelarna Monica Zetterlund, Liv Ullmann, Eddie Axberg, Hans Alfredson, Halvar Björk och Pierre Lindstedt. A fine copy of the poster for the second of two films based on Vilhelm Moberg's ''The Emigrant Novels'', and directed by Jan Troell. The poster is signed by the director and by the following actors: Monica Zetterlund, Liv Ullmann, Eddie Axberg, Hans Alfredson, Halvar Björk, and Pierre Lindstedt

      [Bookseller: Patrik Andersson Antikvariat]
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        Force d'Europe - oder Die Merckwürdigst und Fürnehmste meuistentheils auch Ihrer Fortification wegen Berühmteste Staette, Vestungen, Seehaefen, Paesse, Camps de Bataille, in Europa . in 200. Grundrissen .

      Walter Uhl, Unterschneidheim 1972 - 200; 38,5x27cm; Gewebe (Grau). Zustand: Sehr Gut (Innen); Schnitt hat eine min. braunfleckige Stelle; Einband Außen hat min. bis geringe Gebrauchsspuren; Gesamtdeckel hat ca. 8 braunfleckige Stellen, meistens nur Punkte; Schutzumschlag fehlt, oder es gibt keinen; Reproduktion des Werkes von 1720/1727; 2350 Gramm. [Attributes: Hard Cover]

      [Bookseller: Gebrauchtbücherlogistik H.J. Lauterbach]
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        Photographie originale] Trois portraits photographiques de Marthe Keller pendant le tournage de "La chute d'un corps", film de Michel Polac, 1973, photographies de Jean-Michel Folon

      1972 - Un tirage 24,5 x 16,9 cm, deux tirages 25,5 x 17 cm, tirages gélatino-argentiques d'époque, dont deux portent le très rare tampon de Folon au verso. Jean-Michel Folon a participé au film en tant qu'acteur (il y jouait "Serge le dragueur"). Tirages rares. Bel état.

      [Bookseller: Des livres autour (Julien Mannoni)]
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        TRAVEL IN AQUATINT AND LITHOGRAPHY

      ALAN WOFSY FINE ARTS 1972 2

      [Bookseller: Libreria Alp-hà srl]
 25.   Check availability:     maremagnum.com     Link/Print  


        Regain - illustré par Pierre Parsus

      Grenoble, Editions du Grésivaudan , 1972 - 1 volume in-folio , 220 pages. Tirage limité à 299 exemplaires , celui - ci n° 286 , un des 183 exemplaires sur Vélin d'Arches comportant 16 lithographies en couleurs de Pierre ParsusEn feuillets, sous emboitage de toile verte & coffret Exemplaire signé par Pierre Parsus avec certificat de l'Editeur que la présente édition est illustrée de lithographies originales. [Attributes: Signed Copy]

      [Bookseller: BOUQUINERIE SAINT-LAMBERT]
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        Und nun meine Herrschaften fahren wir mit Curt Mühlenhaupt rund um den Chamissoplatz.

      Berlin, Atelier-Handpressen-Druck, 1972.. Groß-Folio. 73 cm. 23 lose Blätter in Kartonmappe.. Nummer 165 von 180 nummerierten und von Curt Mühlenhaupt signierten Exemplaren mit 14 Holzschnitten, 3 farbigen Linolschnitten und 4 Textseiten mit farbigen Linolunterdrucken. 'Alle Blätter numeriert, signiert und handbekritzelt vom Meister selbst'. Auf Innendeckel der Mappe Kugelschreiber-Zeichnung von Curt Mühlenhaupt signiert und betitelt 'Auch die Tante Grete kommt ab und an zum Chamissoplatz'. Maße Blätter: 63,5 x 49,0 cm.Sehr gutes Exemplar. Number 165 of 180 exemplares of the numbered and signed limited edition with 21 original graphics, all numbered, labeled and signed by Curt Mühlenhaupt. Verso cover original drawing with biro, labeled and signed by Curt Mühlenhaupt. Fine copy.

      [Bookseller: Antiquariat Lenzen GbR]
 27.   Check availability:     ZVAB     Link/Print  


        The Satanic Rituals.

      University Books, Seacaucus, N.J. 1972 - First Avon Printing, December 1972. 220 pp.; 8vo; blood orange paper over boards in black dust jacket with a light 1" surface scrape front cover; light wear at corner tips and a few specs of white back cover and spine where black has been rubbed; a few spots of light foxing inside jacket. Near Fine in protective mylar wrap [Attributes: First Edition; Hard Cover]

      [Bookseller: G.F. Wilkinson Books]
 28.   Check availability:     AbeBooks     Link/Print  


        Autograph Letter Signed

      Handwritten letter. Two pages. Written on letterhead addressed: Post Office Box 862/ Edgartown, Massachusetts 02539. An excellent letter written by Wilder on "November - maybe 11 - 1972." Wilder replies to a letter from actor, William Redfield (One Flew Over the Cuckoo's Nest). Redfield requested the rights to produce "The Skin of Our Teeth" on Broadway. Wilder replied that the film was already in the works. Wilder expresses concern that if New York Times critic, Clive Barnes gave a "bad review", it could damage the movie. He also mentions other various productions including one taking place in Stockbridge, MA presenting "some unrecognizable goings-on with Anne Bancroft." A lengthy letter with excellent content.. Signed by Author. Soft Cover. Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
 29.   Check availability:     Biblio     Link/Print  


        Photographie originale] Roman Polanski et Gérard Brach pendant le tournage de "Che ?" ("Quoi ?"), 1972, photographiés par Jean-Michel Folon

      1972 - 16,9 x 25,9 cm, tirage gélatino-argentique d'époque, sans autre mention qu'un "F" au verso de la main du tireur. Nous pouvons assurer avec certitude que cette photographie est de Folon (qui n'a apposé son cachet qu'à de très rares tirages) puisque nous en avons vu le négatif et la planche contact. Folon, qui a conçu le générique du film, a également raconté ses souvenirs sur le tournage dans "Polanski par Polanski", Chêne, 1986. Tirage rare. Bel état.

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Auf hoher See. Holzschnitt. 1972. Unten rechts in Bleistift signiert, links auf 200 nummeriert: 26/200.

      . 22,7 : 28,6 cm auf dünnem Transparentpapier ca. 39 : 51 cm mit 1 vertikalen u. 3 horizontal. Faltspuren.. Nicht bei Dobke.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
 31.   Check availability:     ZVAB     Link/Print  


        The Rough Field 1961-1971 (Signed Limited Edition)

      Dolmen Press, Dublin, Ireland 1972 - First edition. Hardcover. 80 pages. Copy 66 from a limited edition of only 150. A collection of poems from this important Irish poet. A fine copy in illustrated paper covered boards with a leather spine in a very good plus mylar jacket that is curled on edges as usual. Signed by Montague on the limitation page. A very attractive production. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
 32.   Check availability:     AbeBooks     Link/Print  


        5 ORIGINALES.

      Ediciones de Arte: B. Serempus. Ginebra, 1972 - . 60 x 48 cm. Unas 20 hojas (edición sin paginar), con 5 guaches de Pessa y 5 poemas manuscritos. Edición de 12 libros numerados en papel "Velin d’Arches" (ej. II), a cargo de Orlando Blanco. En rama, presentado en caja de tela roja pintada con un dibujo de Lluis Pessa. * Son cinco gouaches de Luis Pessa y 5 poemas manuscritos originales de: José Ángel Valente, José Agustín Goytisolo, Carlos Franqui, Orlando Blanco y Juan Arrocha. Lluís Pessarrodona i Cortada, conocido como Lluis Pessa, es uno de los más destacados especialistas del aguafuerte y la serigrafía de la posguerra avanzada pero desde 1969 se orientó decididamente hacia la pintura. Su obra combina realidad y fantasía, está entre las tendencias expresionistas y la abstracción. Realizó una gran exposición en Barcelona en 1976 con buena parte de sus obras. Bibliofília Libros modernos a partir de 1830 español

      [Bookseller: Libreria anticuaria Farré]
 33.   Check availability:     IberLibro     Link/Print  


        Organometallic Chemistry

      Royal Society of Chemistry, 1972. Hardcover. New. SKU: MM-60245164; EAN: 9780851865119

      [Bookseller: Media Mall]
 34.   Check availability:     Biblio     Link/Print  


        The face of love

      ., New York and London 1972 - Hard Cover; 4to Size up to 12" tall (Quarto) z.p. pages pictorial dust jacket with some wear to spine ends and corners ISBN: geen / none , . [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariaat Henk van der Burg]
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        L'IMITATION DE JESUS-CHRIST

      1972 - un volume, reliure plein veau cerise grand in-quarto sous emboitage Editeur (25 x 34 cm), cartonnage éditeur à plaques spéciales polychromes pour le dos et les plats, dos uniformément et trés légèrement insolé, tête lisse dorée (gilt top-edge), gouttière et tranche de queue non-rognées, étui bordé de veau cerise, recouvert de papier peigné rouge, gardes de soie moirée crème, Tirage limité, un des 1630 exemplaires sur vélin chiffon de Lana comportant toutes les illustrations dans leur état définitif (N°584), Illustrations couleurs par Yvonne Vaulpré Debeauvais (miniatures), 13 illustrations pleine page in texte+ 4 lettrines enluminées et culs de lampe en couleur, Jean Taricco graveur, (3) + 264 + (3) pages, 1972 Paris Editions d'Art Les Heures Claires Editeur, Bon état de l'étui, avec de légers frottements épars sans gravité. Parfait état intérieur(very good condition). [Attributes: Hard Cover]

      [Bookseller: Librairie Guimard]
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        Wintering Out

      Faber, 1972. 1st edition. Softcover as originally issued, in excellent condition, beautifully clean pages, the covers likewise bar a very tiny closed nick at the foot of the spine and a very small mark on the front. In essence, an almost perfect copy of the author's third volume of poetry, issued - for some reason - well ahead of the hardcover edition and therefore the true first printing.

      [Bookseller: Shellhouse Books]
 37.   Check availability:     Biblio     Link/Print  


        Jumpers

      London: Faber and Faber. (1972). First. First edition, hardcover issue. Fine in slightly age-toned, near fine dustwrapper with a tiny tear. Signed by the author. The hardcover issue is very uncommon. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 38.   Check availability:     Biblio     Link/Print  


        Between Time and Timbuktu, or Prometheus-5 - SIGNED

      Delacorte Press, New York, 1972, Hardcover, Book Condition: Near Fine, Dust Jacket Condition: Near Fine, A First Edition, First Printing, Signed By AuthorNear fine in a near fine unclipped dust jacket. Signed by the author on the half title page, and accompanied by his self portrait. Bottom front corner just slightly bumped, end papers a bit faded around the edges. Jacket slightly misaligned, else without visible flaw. With a custom linen box, maroon morocco spine label, Book

      [Bookseller: James Graham, Bookseller]
 39.   Check availability:     Bookzangle     Link/Print  


        Photographie originale] Deux portraits de Sydne Rome pendant le tournage de "Che ?" ("Quoi ?"), 1972, photographiée par Jean-Michel Folon

      1972 - 25 x 16,9 cm et 25 x 16,8, tirages gélatino-argentiques d'époque, sans autre mention qu'un "F" au verso de la main du tireur. Nous pouvons assurer avec certitude que ces photographies sont de Folon (qui n'a apposé son cachet qu'à de très rares tirages) puisque nous en avons vu les négatifs et la planche contact. Folon, qui a conçu le générique du film, a également raconté ses souvenirs sur le tournage dans "Polanski par Polanski", Chêne, 1986. Tirages rares. Bel état.

      [Bookseller: Des livres autour (Julien Mannoni)]
 40.   Check availability:     AbeBooks     Link/Print  


        Amanecer en el delta del Parana' e altre poesie

      Milano: M'Arte, 1972. Edizione originale di 129 + XIV es. numerati. ril tela, custodia (cloth, slip-case). Ottimo (Fine). Folio. Con 2 litografie originali a colori, numerate e firmate, di Rufino Tamayo (cm 28x38). Riproduzione del manoscritto firmato da Asturias. Note bio-bibliografiche e foto di Asturias di Henri Cartier-Bresson. Poems by Miguel Angel Asturias, accompanied by two numbered and signed lithographs by Rufino Tamayo (cm 28x38). Reproduction of the manuscript with an original signature by the poet. Photos in black and white by Henri Cartier-Bresson Edizione composta in carattere Garamond da Ruggero Olivieri, Milano e stampata dalla Tipografia Stefanoni, Lecco su carta a mano della Filicarta di Brugherio. Incisioni tirate da Alberto Caprini di Roma. Legatura di Giovanni De Stefanis di Milano

      [Bookseller: Studio Bibliografico MArini]
 41.   Check availability:     Biblio     Link/Print  


        L'assassinat de Baltard

      Paris: Formule 13 éditeurs, 1972. Prima edizione (First edition). broch. Ottimo (Fine). 8vo (cm 24x30,4). 48 fotografie in bianco e nero di Jean-Claude Gautrand. Testi in francese di Marc Pellerin e André Laude Jean-Claude Gautrand, importante fotografo e storico della fotografia francese, ha dedicato molti suoi lavori alla città di Parigi. In questo che è il suo secondo fotolibro registra la demolizione del vecchio mercato parigino Les Halles, quando nel 1971 si decise la sua distruzione e l'avvio di un piano di riqualificazione dell'area. E' al contempo un documento commemorativo e un libro di protesta, come in effetti indicato sin dal titolo. Les Halles infatti, costruito dall'architetto Victor Baltard nella seconda metà dell'Ottocento, era considerato un modello di architettura e ingegneria, parte della stessa tradizione che aveva portato alla costruzione delle tipiche stazioni ferroviarie e dei palazzi durante l'Esposizione Universale. Gautrand fu influenzato dalla Nuova Soggetività di Otto Steinert, come risulta evidente nell'intenso approccio commemorativo dei suoi scatti, molto spesso incentrati sull'ossatura di ferro degli edifici. Spesso Gautrand presenta due scatti vicini nella stessa pagina, che si fondono a formare un insieme posticcio, ma allo stesso tempo di grande effetto. Il fotografo riprende anche gli incendi che distrussero tutte le parti in legno delle enormi strutture, simili a scheletri di grossi animali uccisi dai bracconieri (Parr & Badger, pp. 153, Vol. III) In seconda e terza di copertina riproduzione di due vecchie incisioni dal Museo Carnavalet [Parr, Badger, 2014]

      [Bookseller: Studio Bibliografico MArini]
 42.   Check availability:     Biblio     Link/Print  


        Leaves from a Mislaid Album

      New York: Gotham Book Mart. 1972. First. First edition. One of 500 numbered copies. Seventeen loose illustration in folder and envelope. Small tears on the envelope, else fine. Inscribed by Gorey on the envelope. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 43.   Check availability:     IOBABooks     Link/Print  

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