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Displayed below are some selected recent viaLibri matches for books published in 1972

        The Outfit (Original screenplay for the 1973 film, Norman Kaplan's copy)

      Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1972. Draft script for the 1973 film. based on the 1963 "Parker" novel by Donald E. Westlake (writing as Richard Stark). Copy belonging to uncredited actor Norman Kaplan. One of the great crime films of the early 1970s, today a cult classic, with understated performances from Duvall, Black, and Baker, as well as a who's-who of character actors, playing out a violent story that takes place mostly in a beautifully ordinary rural setting. Shot on location in Los Angeles, California. Yellow studio wrappers, rubber-stamped copy No.182, dated December 18, 1972, with credits for producer Carter De haven, and director/screenwriter Flynn. 132 leaves, photographically reproduced, with the last leaf of text numbered 128. Pages and wrapper Near Fine, with a few tiny corner creases throughout, bound with two gold brads. Grant, p. 483. Hardy, The BFI Companion to Crime, p. 332. Silver, p. 438. Spicer, p. 433. Stephens, pp. 234-235.

      [Bookseller: Royal Books, Inc.]
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        Again, Dangerous Visions (First Edition, signed by Harlan Ellison and 10 others)

      New York: Simon and Schuster, 1972. First Edition. First Edition. INSCRIBED by editor and contributor Harlan Ellison on the title page: "For Russ / Harlan Ellison." Additionally SIGNED by 10 other contributors, each at their contribution, including Ellison, Ursula K. Le Guin, Gene Wolfe, Ray Bradbury, Edward Bryant, Kate Wilhelm, Joanna Russ, Gregory Benford, Thomas Disch, Richard Lupoff, and Terry Carr. A collection of 46 stories selected by Ellison, winner of a special Hugo Award in 1973 for Best Anthology. Along with its 1967 companion, "Dangerous Visions," probably the most important single anthology of science fiction produced in the twentieth century, representing nearly every major science fiction author of the 1950s and 1960s. Near Fine in a lightly rubbed, Near Fine dust jacket. Anatomy of Wonder (1987) 4-650.

      [Bookseller: Royal Books, Inc.]
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        IN PRAISE OF FOLLY [ENCOMIUM MORIAE] TEN ORIGINAL PRINTS FROM WOODBLOCKS . WITH EXCERPTS OF THE LATIN TEXTS, SELECTED AND FREELY TRANSLATED INTO ENGLISH BY THE ARTIST.

      New York & Baltimore: Aquarius Press, 1972. - Folio (51 x 36 cm). Loose bifolia printing the text, with prints interleaved, enclosed in printed outer wrapper and laid into cloth clamshell portfolio, gilt leather label. A bit of offset from the portfolio lining papers to outer wrapper, portfolio a bit bumped and smudged, text and prints fine. One of 150 numbered portfolios, with each print signed in the margin by the artist, from an edition of 170. The ten wood- engravings were printed on Japanese mulberry paper by James Lanier, under the supervision of the artist. An additional 100 impressions of each wood-engraving were separately printed in different format. A superbly visual accompaniment to Erasmus' commentary on the vanity of humankind, the foolishness of the aristocratic class, and the corruption of the church hierarchy. Oversize, requiring special shipping charges.

      [Bookseller: William Reese Company - Literature, ABAA]
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        1972 Andre Frenaud Le Miroir de l'Homme par les Betes Foil Print

      1972 - "Le Miroir de l'Homme par les Betes" by Andre Frenaud, Unsigned Foil Print printed in 1972 from an edition size of 200. The overall is size of the Foil Print is 17.5 x 31.5 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Foil Print: Foil print from Le Miroir de l’Homme par les Betes, by Miro and Fenaud. English- "The beasts as a mirror for man" I (D. 566). Original color etchings, aquatint, carborundum, and dry-point, 1972. In Grand Folio sheets under shirt illustrated with a a collage box.

      [Bookseller: Rare Posters]
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        Wall Street and the Stock Markets

      Chilton Book Company, 1972. Hardcover. Near Fine/Very Good. Chilton Book Company, New York 1972. First Edition / First Printing. Stated First Edition, no additional printings. Cloth boards. Signed by Peter Wyckoff at the front endpaper. Rare Signed. Inscribed to Clem with best wishes in 1973. The Signature is Guaranteed Authentic. Book Condition: Near Fine, clean boards, tight spine. Light shelf wear, light age toning. Dust Jacket Condition: Very Good, price clipped. helf wear, light spots. Wrapped in a new mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        MARVIN K. MOONEY WILL YOU PLEASE GO NOW!

      Published by Random House, 1972. 1st edition.. Hardback. Very Good/Good. Illustrated by Seuss, Dr.. Very good condition in an almost very good dustwrapper. Bright & Early Series. White pictorial boards. Colour illustrations throughout. Spine and corners bumped with a couple of small splits to base of spine. Inscription in blue biro to front pastedown. Very pale page browning else contents clean. Dustwrapper ($2.50 printed price on front flap) is edge creased and torn with some slight loss and a few light marks. [R]

      [Bookseller: Stella & Rose's Books]
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        10 Farbholzschnitte zu Pablo Neruda >>Aufenthalt auf Erden<<

      Leipzig, Philipp Reclam Vlg., 1972. Mit 10 OFarbholzschnitten von HAP Grieshaber. Imp.-Fol., lose in Originalleinwand-Mappe mit 1 aufgez. sign. OFarbholzschnitt auf dem VDeckel. Fürst 72/71-81. - Vor dem Druck des Werkes von Pablo Neruda >>Aufenthalt auf Erden>Mädchen mit Gitarre<< versehene Mappendeckel wurden vom Künstler signiert. 7 num. u. 3 (Nashornsaurier, Triasbaum, Ertrinkender) auf Velin bez. \"Probe\". - \"Vor dem Druck des Werkes von Pablo Neruda ... wurden von zehn der darin enthaltenen 18 Farbholzschnitte, die Grieshaber dafür geschaffen hat, je 100 Exemplare ... mit der Hand abgezogen.\" (Druckvermerk) . - Mit hs. Widmung und Signatur Grieshabers \"Messe in Ffm. Contra la junta fascista Neruda a presente Viva duce und bestätigendem hs. Eintrag von Sigurd Marien, beides datiert 9.10.75. - Vorlieg. Ex. lt. hs. Notiz auf Einpackpapier mit unleserl. Sign. \"Ursprünglich Geschenk an den Oberbürgermeister von Leipzig.\" - Vorderdeckel ets. fleckig, o. re. oberfl. Abriss bis ca. 1 cm in die Darstellung, Mappe fleckig und berieben. Ecken tls. etw. knickfaltig, einige Bll. im w. Rd. etwas fleckig. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Galerie Joy]
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        Liber Lucis.

      London: Master Amado 777,, [c. 1972-73]. A new exposition of The Law of Thelema prepared according to the instructions of Master Therion, 666, and by his son here proclaimed Master Amado 777. 7 issues in 8 parts (all published), quarto. Original variously coloured and decorated printed wrappers, stapled as issued. Illustrations throughout. Ownership inscription (in red biro on preliminary blank in issue I) of a Malcolm Wallhead (who in the 70s designed a fibreglass igloo later used by the Australian Antarctic Division). A little rusting of staples otherwise in excellent condition. First and only edition of this xeroxed typescript periodical, "subsequent issues of these occasional papers will be of strictly limited edition" (publisher's note in Issue I). A very scarce complete set: Copac records only one location in British and Irish institutional libraries (a complete set at the Warburg Institute), OCLC adds two complete sets, at Harvard and, via the St Galler Bibliotheksnetz, at the Kantonsbibliothek Appenzell Ausserrhoden, Trogen, Switzerland. "Amado Crowley" was the pseudonym of Andrew Standish (1930-2010), who claimed to be the secret, illegitimate son of Aleister Crowley, although this has been universally dismissed by Crowley scholars. The Liber Lucis is a very 70s production, including pieces on "The Amethystine Cycle of Exercises" (yoga), astral projection, "sex magick", and rune casting. The Amado Crowley website is still up and running.

      [Bookseller: Peter Harrington]
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        Survival [SIGNED TRUE 1ST/1ST - SCARCE HARDCOVER FIRST STATE]

      Anansi, Toronto, Ontario, Canada 1972 - A near fine hardcover copy in black boards with gold, gilt lettering in a very good plus dust jacket. SIGNED BY MARGARET ATWOOD ON THE TITLE PAGE. This is the scarce true first edition. first printing with all desired points : printed by Web Offset, number line to "1", year line to '72 on right, no blurbs on rear dj panel and inside flaps blank. Dust jacket has edge wear and small closed tears on top front panel and closed tear of 2 cm on back panel, small triangular piece missing at top of back panel (less than 1cm). This is a tight, clean copy save for a gift inscription on ffep. VERY SCARCE TRUE 1ST/1ST. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bag End Books]
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        The Haunted Storm - signed first edition

      New English Library 1972 - Signed first edition, first impression hardback with dustjacket. Hand-signed in blue biro to title page (event ticket included). No inscriptions, pages tanned, sound sewn binding. Dustjacket is price clipped with minor wear to top edge. Very hard to find with these attributes of being signed and not ex-library. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Pan books]
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        The Nobel Lecture on Literature.

      Harper & Row, New York 1972 - First Edition. Fine in a very good dust jacket. Inscribed and dated by Solzhenitsyn on the title page all in his hand. One the greatest Nobel Speeches ever penned. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Souvenirs et Portraits d`Artistes. Jacques Prevert: Le Coeur a l`Ouvrage. (24 Original-Lithografien und 1 Original-Siebdruck)

      Paris, New York, Alain A. C. Mazo, Leon Amiel, 1972. 4°. 32,5 cm. 245 (3) Seiten, 2 Blatt. Büttenpapiermappe mit lose einliegenden Bogen in Original-Leinenkassette. Eins von 800 Exemplaren mit 25 meist farbigen Originalgrafiken (24 Original-Lithografien und 1 Original-Siebdruck) auf Velin d`Arches. Druck der Grafiken bei Mourlot, Typografie von Fequet und Baudier. Nicht nummeriertes, sehr schönes Exemplar mit Grafiken von: Brianchon, Masson, Baudin, les Fenosa, Esteve, Matisse, Guiamand, Terechkovitch, Braque, Derain, Picasso, Jenkins, Miro, Cocteau, Minaux, Villon, Chagall, Giacometti, Buffet, Wunderlich, Delvaux, Vasarely, Manessier, Lapicque und Sutherland. Monod 8513. Goeppert/Cramer (für Picasso) 153; Cramer (für Chagall) 90; Saphire/Cramer (für Masson) 91; Cramer (für Miro) 156. One of 800 exemplares with 24 mostly colored original lithographs and one silkscreen. Printed on Velin by Mourlot, typography by Fequet & Baudier. Not numbered exemplare in fine condition. Versand D: 4,90 EUR Künstlerbuch / artist`s book; Original-Grafik / Original-Graphik / original graphic; Original-Lithografie / Original-Lithographie / original lithograph

      [Bookseller: Antiquariat Lenzen GbR]
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        Atlas van de foto s en schetsen. Hedendaagse Kunst - Utrecht, 1-30 december 1972.

      Hedendaagse Kunst., Utrecht. 1972 - Erste Ausgabe. Utrecht. Hedendaagse Kunst. 1972. 8°. 144 unpaginierte S., 1 loses Blatt. OKarton. Bindung am Rücken wie meist etwas faltig, an der Rückenfalz marginal berieben, insgesamt leicht angestaubt. Gutes bis sehr gutes Exemplar. Das Künstlerbuch eschien anläßlich der Ausstellung "Atlas" als erster Fotoatlas Richters, vom Künstler konzipiert. Dokumentiert den Vorlagenfundus Richters als mögliche Auswahl für Bilder. Lose einliegend ein Kollophonblatt mit Hinweisen des Museums Hedendaagse Kunst - Utrecht auf zwei Ausstellungen Gerhard Richters, "expositie I: atlas van de foto's en schetsen, 2t/m 30 december 1972; expositie II: 48 portretten, 6 t/m 28 januari 1973.". [Vgl. Butin / Gronert / Olbricht. Richter - Editionen 1965-2013, Nr. 49, S. 213; Obrist/Schwarz. Richter - Bücher, S.106ff]. Sehr selten. Bindung am Rücken wie meist etwas faltig, an der Rückenfalz marginal berieben, insgesamt leicht angestaubt. Gutes bis sehr gutes Exemplar. [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
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        Small archive of 6 Letters signed (5 Typed, 1 Autograph) to the New York photographers PACH BROS, from members of the National Institute of Arts and Letters, making appointments to be photographed, approving proofs or ordering prints of publicity photos. Includes JAMES DICKEY, RICHMOND LATTIMORE, HOWARD NEMEROV, W.D. SNODGRASS, MARK SCHORER, and KENNETH BURKE (Autograph Letter, signed)

      Various places 1972 - Each one page. 1 vols. 8vo & 4to. Each one page. 1 vols. 8vo & 4to

      [Bookseller: James Cummins Bookseller, ABAA]
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        PAUL STRAND. A Retrospective Monograph. Two Volumes. The Years 1915-1946. The Years 1950-1968.

      Aperture, New York 1972 - SIGNED BY PAUL STRAND ON COLOPHON PAGE without personalization. TWO VOLUMES. Complete set. Two Fine hardback First Edition First Printings. LIMITED TO 100 SIGNED COPIES, THIS IS No. 77. Bound in burgundy cloth with matching slipcase. Gilt lettering spines. 4tos. A monumental and beautiful monograph on this great twentieth century photographer. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: By The Book, LC ABAA-ILAB]
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        PAUL STRAND A Retrospective Monograph Two Volumes The Years 1915-1946 The Years 1950-1968

      New York:: Aperture,, 1972. First Edition. Fine. SIGNED BY PAUL STRAND ON COLOPHON PAGE without personalization. TWO VOLUMES. Complete set. Two Fine hardback First Edition First Printings. LIMITED TO 100 SIGNED COPIES, THIS IS No. 77. Bound in burgundy cloth with matching slipcase. Gilt lettering spines. 4tos.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        Watership Down - Proof Copy

      1st Edition. 8vo - over 7¾" - 9¾" tall. We are delghted to present for sale one of the few proof copies ever produced of 'Watership Down'.Rex Collings (The publishers) sent around ten copies to London reviewers in 1972.The tiny publishers who, legend has it, could not afford to even pay Adams' advance, produced the proof in a hurry. This is evident given the fact that the title of the book is handwritten on to the spine of the blue proof cover.There is no record of another proof selling within the last ten years and no other copy is presently available for sale at the time of writing.Given the fact that the book has sold over 50 million copies worldwide, this copy is perhaps the first time this story appeared in print.The book itself is bound into pale blue plain paper covers, onto which has been handwritten the title, presumably by the publisher or the recipient. The BOOK is in Very Good sound condition, has clearly been read more than once, the page edges are a bit grubby and the page corners are no longer sharp.This is in effect the text block of the true UK first edition.There is no fold-out map at the rear as there is in the proper trade edition, nor it appears has there ever been one.The WRAPPER has clearly been with the book since new.It is the true first edition trade dust jacket (although the jacket is slightly longer than the book),in Very Good+ condition, with some wear to the folds and a couple of closed tears to the top of the spine where it has been handled carelessly, probably when removing it from a bookshelf.There is also a tiny piece missing to the right of the publisher's name, and the spine has faded a little also.A very scarce item and a must for any true Adams/Watership Down collector.

      [Bookseller: Ashtonrarebooks ABA PBFA]
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        Geometriae Dedicata.

      Dordrecht (u.a.), Kluwer, 1972-2002. Bände 1-95 in 59 Bänden. Rote Halbleinen- und Leineneinbände. ISSN: 0046-5755. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Trageser]
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        Leaf Storm and other Stories.

      New York: Harper & Row, 1972. First edition. Octavo, original cloth. Signed and dated by Gabriel Garcia Marquez and additionally signed by the translator, Gregory Rabassa. Fine in a fine dust jacket without wear. La Hojarasca was first published in Bogota, Columbia in 1955, later translated into English and published in 1972, as The Leaf Storm. Widely celebrated as the first appearance of Macondo, the fictitious village later celebrated in One Hundred Years of Solitude, La Hojarosca was a testing ground for many of the themes and characters later immortalized in One Hundred Years of Solitude. "Garcia Marquez has extraordinary strength and firmness of imagination and writes with the calmness of a man who knows exactly what wonders he can perform" (Alfred Kazin, New York Times Book Review).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Nudity + Cartoon

      [Tokyo: Self-published, c. 1972]. Fine in illustrated wrappers.. First Edition. Square octavo. SIGNED by Yoji Kuri: No. 5 of his series COO.17. Kuri is a well-known Japanese cartoonist, independent filmmaker, and pioneer of Japanese animation. This artists' book features a collection of 21 full-bleed black and white images of a nude model, with cartoon elements added to the images. Sort of Sam Haskins meets Paper Rad. Exceptional book, not known in the West. No copies in OCLC.

      [Bookseller: Harper's Books, Inc.]
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        Aalborg.

      Originalt serigrafi i 2 farver. København 1972. 787 x 586 mm. Trykt hos Palle Toft. Signeret af kunstneren. Trykt i 200 nummerede eksemplarer.. Würtz Frandsen: Catalogue raisonné 91

      [Bookseller: Peter Grosells Antikvariat]
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        The Halloween Tree

      New York: Alfred A. Knopf, 1972. First Edition. Hardcover. Very Good. Signed. First edition stated, first printing. Signed by Ray Bradbury on the title page. Very Good, in a Very Good price-clipped dust jacket. Non-authorial gift inscription to previous owner facing half-title page. Several page corners creased. Light rubbing to orange title stamping on spine. Dust jacket shows light general wear, rubbing, and light crimping along the top and bottom edges. First edition, signed by the author.

      [Bookseller: Burnside Rare Books]
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        Mineral Resources Report of Investigations 1-2 (= all published).

      Jeddah, Directorate General of Mineral Resources, 1966-1972. - 2 vols. 4to. Original printed wrappers. 1): Bhutta, Mohammad A. Physical and Geological Characteristics of the Northern Ad-Dughm Glass Sand Deposit, Ar-Riyad District, Saudi Arabia (1966). V, (1), 27, (1) pp. With portrait frontispiece (HRH King Faisal), 11 text illustrations and 4 black-and-white folding plates in pocket. 2) Meissner, Charles R. Jr. / Ankary, Abdullah. Phosphorite Deposits in the Sirhan-Turayf Basin, Kingdom of Saudi Arabia (1972). 4to. IV, (1), 27, (1) pp. With portrait frontispiece (HRH King Faisal), 9 text illustrations and 3 black-and-white folding plates in pocket. Complete set of the "MRRI" series published by the Saudi Ministry of Petroleum and Mineral Resources, comprising rare studies of the Al-Dughm silica sand deposit, about 45 km southeast of Riyadh and of the Phosphorite beds in the Thaniyat Turayf area in Northern Saudi Arabia. No. 1 contains a summary in Arabic. - Corners insignificantly bumped; altogether fine. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Enzyklopädie 2000 Das moderne Farblexikon in Folgen,

      Stuttgart, Wissen Verlag, 1972 - zahllose Abbildungen, 5376 Seiten Sammeleinband sind im Großformat, Goldprägung, alle Einbände leicht abgerieben, guter Gesamtzustand. Sprache: Deutsch 12 Sammeleinbände im Großformat, zu je 16 Heften.

      [Bookseller: Liber Antiqua]
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        Vecchia Trento.

      1972 - E&#146; morto a 92 anni l&#146; artista che immortalò Mussolini e Goebbels. Ma dal &#146;37 fu un antifascista in rivolta contro ogni potere Winkler, lo scultore di regime che divenne re della provocazione In un bronzetto aveva raffigurato il "critico d&#146; arte" col sedere piatto e la testa a forma di sciacquone mentre scrive vuote parole nell&#146; aria. L&#146; opera illustra con eloquenza il reciproco disamore fra la critica e Othmar Winkler, lo scultore altoatesino morto l&#146; altro ieri notte all&#146; ospedale Santa Chiara di Trento all&#146; eta&#146; di novantadue anni. Dalla vita burrascosa e solitaria appare chiaro che Winkler non ha fatto molto per guadagnare consensi. La sua ultima provocazione e&#146; del &#146; 95. Invitato a una collettiva della Provincia di Trento, mando&#146; un "Enigma di Pinocchio" con appeso al naso del burattino un barattolo di feci personali per contestare la "degenerazione dell&#146; arte"; l&#146; opera gli venne respinta perche&#146; la "merda d&#146; artista" aveva gia&#146; avuto, nel 1961, il noto precedente di Piero Manzoni. Eppure ci fu un periodo, sette anni su novantadue, in cui Winkler fu lo scultore piu&#146; "ufficiale" che si possa immaginare: nel 1931, dopo aver visitato una sua mostra al Circolo della Stampa di Roma, Mussolini volle posare per lui (due ore al giorno per due settimane). Come d&#146; abitudine, l&#146; esempio del duce fu immediatamente seguito dai gerarchi: e Winkler scolpi&#146; i busti di Ciano, Teruzzi, De Bono, De Vecchi, Bottai, Marinetti e persino di Goebbels che ando&#146; a ritrarre fino a Berlino. Scultore di regime, dunque, e al piu&#146; alto livello. Ma un bel giorno, nel 1937, addio camicie nere. Il trentenne Othmar butto&#146; in strada i busti in gesso dei gerarchi, fuori dal suo studio romano di via XX Settembre, e prese il treno braccato dalla polizia. Fini&#146; a Oslo, dove frequento&#146; il pittore Edvard Munch e divenne antifascista, convinzione che si rinforzo&#146; l&#146; anno dopo quando, a Berlino, fu testimone degli orrori perpetrati dai nazisti contro gli ebrei nella "notte dei cristalli". Nel dopoguerra, il suo estro ribelle si diresse contro la classe dirigente ("i politici di oggi mi sembrano peggio di quegli altri, che se non altro avevano una corrusca grandezza" disse), in chiave soprattutto anticlericale, come quando raffiguro&#146; un cardinale in sella a un maiale, con la falce e martello sulla stola; oppure come quando le suore di Maria Bambina gli ordinarono una "Via crucis" e lui le ripago&#146; con i grattacieli e la locomotiva del Progresso che schiacciavano il Cristo, mentre la spada dell&#146; Anticristo era coperta da un ramoscello d&#146; ulivo. Allegorie bizzarre, se vogliamo contorte, indubbiamente eccentriche come il suo modo di essere ribelle e solitario, di volta in volta fascista e antifascista, anarchico e comunista, blasfemo e credente; che nel bene e nel male racchiude i tormenti di un secolo lungo quanto la sua vita. Cesare Medail Formato: China acquerellata su carta di cm 28x22. Buono, ordinari segni d&#146;uso e del tempo.

      [Bookseller: Studio Bibliografico Adige]
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        The Clock Winder

      Alfred A. Knopf, New York 1972 - First Edition, First Printing with the words "First Edition" printed on the copyright page. This copy is SIGNED by Anne Tyler on a laid in signature. A beautiful copy. This ORIGINAL dustjacket is rich in color with NO chips or tears. This First Issue dustjacket has the $6.95 printed price present. The book is in excellent condition. The binding is tight with NO cocking or leaning and the boards are crisp. The pages are clean with NO writing, marks or bookplates in the book. A wonderful copy SIGNED by the author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        CONCEPTUAL NOTATION and related articles

      OXFORD Clarendon Press 1972 - Super rare great shape 1st edition (PHOTOS ARE OF ACTUAL BOOK) [Attributes: First Edition; Hard Cover]

      [Bookseller: Lowest Priced Quality Rare Books]
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        Florentiner Skizzenbuch. [Signierte Vorzugsausgabe]. Vierundzwanzig Tafeln in der Größe der Originale. Herausgegeben von Georg Theodor Ganslmayr. Mit einer Einführung von Heinz Spielmann.

      Zürich, Georg Theodor Ganslmayr, I. E. Wolfensberger, 1972. Groß-Folio. 47 cm. Titelblatt, 2 Blatt Text, 24 Tafeln, 2 Blatt Beschreibungen, 1 lose beiliegende Original-Lithographie. Original-Leinenband im Original-Leinenschuber. Eins von 100 (gesamt 475) nummerierten Exemplaren mit einer beiliegenden ebenfalls nummerierten und von Oskar Kokoschka signierten Original-Lithographie (nach Raffael, Papst Leo X.). Hier Nummer CLVIII. Druck auf Zerkall-Bütten. Bildauswahl trafen unter Beteiligung des Künstlers Olda Kokoschka und Heinz Spielmann, gedruckt durch die Graphische Anstalt I. E. Wolfensberger AG, Zürich. Mit zahlreichen Offset-Lithographien nach Zeichnungen. Schuber wenig angestaubt. Sehr gutes Exemplar. One of 100 (total 475) copies of the limited edition with one original lithograph, numbered and signed by Oskar Kokoschka. With many illustrations. Original cloth binding with slipcase. Slipcase lightly spotted. Fine copy. Versand D: 4,90 EUR Original-Lithografie / Original-Lithographie / original lithograph; Signatur, signiert / signature, signed copy; Vorzugsausgabe / limited edition

      [Bookseller: Antiquariat Lenzen GbR]
 28.   Check availability:     buchfreund.de     Link/Print  


        Force d\'Europe - oder Die Merckwürdigst und Fürnehmste meuistentheils auch Ihrer Fortification wegen Berühmteste Staette, Vestungen, Seehaefen, Paesse, Camps de Bataille, in Europa ... in 200. Grundrissen ...

      Augsburg , Bodenehr, 1972. Gebundene Ausgabe ACHTUNG, DIES IST NICHT DAS ORIGINAL ! Reproduktion Verlag Walter Uhl 1972, Leineneinband, sehr guter gebrauchter Zustand, komplett ! Remittendenexemplar , am Schnitt etwas gedunkelt, als Mängelexemplar gekennzeichnet / vorrätig, schneller und zuverlässiger Versand garantiert !modAnOn Versandkostenfreie Lieferung

      [Bookseller: ModAnOn modernes Antiquariat Online]
 29.   Check availability:     buchfreund.de     Link/Print  


        Daido Moriyama: A Hunter / Kariudo

      Tokyo: Chuo-koron-sha, 1972 Hardcover SIGNED. First edition, first printing. Very Good+ hardcover with a bump to the top edge of one board, two small indents to the back board, light soiling to the covers, and light foxing to the rear paste down in a Very Good+ dust jacket with fading to the spine, light wear along the top edges, and a touch of shelf wear with the original obi (belly band) and the original plastic cover which is soiled and yellowed and removed from the book and replaced with an acetate wrap. Overall, a nice copy. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Moriyama's fourth and scarcest of all his books. The tenth and final volume of the publisher's series on Japanese photographers. Photographs by Daido Moriyama; essay by Tadanori Yokoo; biography and chronology by Shoji Yamagishi. SIGNED BY MORIYAMA on the half title in Japanese and English; no inscription. Unpaginated [120 pages]; 102 b&w plates; 8.5 x 10.25 inches. Text in English and Japanese.

      [Bookseller: A&D Books]
 30.   Check availability:     Biblio     Link/Print  


        Speculum Humanae Salvationis - Signatur: Codex Cremifanensis 243 - Stift Kremsmünster (Kremsmünster, Austria)

      Akademische Druck- u Verlagsanstalt (ADEVA) - Graz 1972 - Facsimile Edition of: Speculum Humanae Salvationis with shelf mark Codex Cremifanensis 243 - Stift Kremsmünster (Kremsmünster, Austria), also known as . Data of the original: 33.5 x 25.5 cm, 124 pages. Austria, 1325-1330. Illustrations: 192 miniatures in the approx. size 80 x 80?mm, alternately on blue or red ground. Names related to the work: *** Facsimile Edition: 1 volume: Exact replica of the original (extent, color and size). Limitation: copies. All folios are cut according to the original. Leather, according to the original. Commentary: 1 volume (46 pages) by W. Neumüller *** Language: German *** The expert commentary of the facsimile edition provides the key to understanding the manuscript. Willibrord Neumüller O.S.B. describes not only the contents but also the pictures of the book and gives an introduction to the typology of Specula. Within Germany and the European Union shipping generally is free. For the US, Canada, Australia and all other countries the shipping costs are limited to 250 EUR. Please ask for the exact shipping costs, thank you. [Attributes: Hard Cover]

      [Bookseller: Ziereis Faksimiles]
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        Klasse Heerich 1972.

      Dssd. Selbstverlag der Klasse Heerich / Kunstakademie Düsseldorf. 1972. 69 x 52,5 cm. 18 Blatt; 178 S. 1 Blatt. Halbleinenmappe. Gutes Exemplar. [Erwin Heerich, geboren am 29. November 1922 in Kassel, gestorben am 6. November 2004 in Meerbusch-Osterrath: 1945-1950 Kunstakademie Düsseldorf bei Ewald Mataré, ab 1950 Meisteratelier dort. 1969 Berufung an die Kunstakademie Düsseldorf, dort Professor bis 1987. Maßgebliche künstlerische und architektonische Mitgestaltung der Museumsinsel Hombroich.] Mappe mit Originalgrafiken der Klasse Heerich 1972, von den Studenten zusammengestellt. Enthält 18 Arbeiten im Format 38 x 35 bis 65 x 49 cm, alle auf ein einheitliches Maß durch Passepartoutes angepaßt. Mappenformat 69 x 52,5. Vorhanden sind Arbeiten von Frank Andermacher, Dorothee Conrady, Klaus Geldmacher, Bernd Grau, [?] Hagenbach, Harl Heinz Heming, Wilfried Heyermann, Gerd Jansen, Horst Keining Elisabeth Knauer, Roland Kratzer, Elke Lagansky, H. Lippes, Wolfgang Nestler,Wolfgang Peter, Jürgen Schiller, Herbert Wentsches und Justus Zedelius sowie 1 zusätzliche Arbeit von D. Conrady. Alle Blätter sind handschriftlich signiert und nummeriert. Die grundsätzliche Nummer ist 69 / 75 Exemplaren, es gibt einige Abweichungen. Bei den Arbeiten handelt es sich um Lithographien, Offsetlithographien, Radierungen, Siebdrucke und Offestdrucke. [Die Mappe wurde nachträglich gefertigt, es fehlt das ursprünglich beiliegende Titelblatt mit den Namen der Künstler.] Beiliegend: Im Studium bei Erwin Heerich 1961 - 1987. 178 S. 1 Bl. OHalbleinen. Buchhandlung Walther König 2001. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunstakademie Düsseldorf, Künstlerbücher, Mappenwerke

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        NUS

      1972 1972 - Litografia originale impressa in seppia su carta Arches, siglata E.A. (épreuve d'Artist) all'angolo inferiore sinistro e firmata a matita dall'artista in basso a destra. L'immagine raffigura una donna svestita sdraiata su un letto, con la mano a sorreggere la nuca. La tavola è tratta da una serie di 8 litografie, apparse tra il 1972 e il 1978, che l'artista dedicò al nudo femminile. 250 esemplari furono stampati in seppia (tra cui quello in oggetto, in Prova d'Artista) e 120 in rosso. La sensualità femminile è un tema chiave dell'opera di Salvador Dalì, che proprio a questo aspetto dedicò un'ampia selezione di lavori. In gioventù l'artista fu tormentato da una grave insicurezza e paura verso le donne e la sessualità, tuttavia Gala, sua moglie e musa, avrebbe successivamente avuto un ruolo essenziale nel processo di evoluzione del suo rapporto con la femminilità e la forma femminile. Pesantemente influenzato da Freud e dalla psicanalisi, Dalì credeva che l'uomo fosse mosso dal proprio inconscio, costituito dal desiderio sessuale represso. Questo concetto fu espresso in varie opere, man mano che Dalì esplorava  il corpo e le nudità della donna quale incarnazione di sensualità. L'esemplare in questione si presenta in buono stato conservativo salvo una piccola lacerazione della carta, risarcita, all'angolo superiore destro. 0

      [Bookseller: Libreria Antiquaria Il Cartiglio]
 33.   Check availability:     AbeBooks     Link/Print  


        Corpus Nummorum Romanorum. 18 Bde. (so komplett).

      Florenz Eigenverlag -1979 1972 - Kl-4; insgesamt ca. 5.400 pp mit ca. 16.000 Abb.; OLn. mit Goldprägung (Rücken teilweise berieben, einige stärker). Clain-Stefanelli 4091. - Reich illustriertes Korpus der imperatorischen und frühkaiserzeitlichen Münzprägungen von Pompeius bis einschließlich Nero, zusammengestellt aus Standardwerken und Auktionskatalogen. Berücksichtigt sind auch Provinzialausgaben mit lateinischen Legenden sowie Tesserae und Kontorniaten. In italienischer Sprache, die Kommentare auch in englischer Übersetzung; enthält auch Bewertungen. [Attributes: Hard Cover]

      [Bookseller: Wiener Antiquariat Ingo Nebehay GmbH]
 34.   Check availability:     ZVAB     Link/Print  


        Autograph Manuscript of his review of Edith Wharton's autobiography (A Backward Glance), entitled "A Fiend for Destiny"

      [Northampton, Mass 1972 - 3-1/2 pp. 1 vols. 4to. Pritchett on Wharton: ".the accountant-historian of the smart set ." A sharp, brilliant, and often funny sketch of Wharton and her set and her art, published in the New Statesman, 22 December 1972. Pritchett does not wonder that Wharton's autobiography was not accepted by English publishers in 1937 ("The dropped names lie like anonymous confetti on the pavement no longer clean."); he acknowledges that the book however has some merit when her best three books are re-examined -- Ethan Frome, The House of Mirth, and The Age of Innocence (".excellent works of knuckle-rapping second rank"), and he wonders how "a woman so well off and who hardly ever met people who were not, a woman so restlessly and exclusively mondaine, manage to become an artist?." With some very funny passing remarks on Henry James as well. With numerous deletions and corrections; small chip from top of first page, else very good; accompanied by a retained copy of the typescript (also with a few corrections), with his name and address typed at the upper right corner

      [Bookseller: James Cummins Bookseller, ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        There is No Natural Religion

      London: printed in Paris at the Trianon Press for the William Blake Trust, 1972. One of only 50 de luxe copies with additional material. No. VI of 50 de luxe copies. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil, and one engraving; together with a set of plates showing progressive stages of the collotype and hand stencil process with guide sheet and stencil. Edition de luxe, limited to 50 copies with additional proof sheets, progressive plates and original stencil, etc. 2 vols., 4to and small 4to., full brown morocco, in original marbled paper covered slipcase. Near fine, prospectus inserted loose. The text is a clear statement of Blake's beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as "Man's desires are limited by his perceptions, none can desire what he has not perciev'd (sic)" and "If any could desire what he is incapable of possessing despair must be his eternal lot".

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
 36.   Check availability:     Biblio     Link/Print  


        Watership Down

      Rex Collings 1972 - First edition, first printing. Very Good, lacking the dust jacket. Light soiling, several faint spots and light wear to cloth; light, uneven toning at rear. Light reading crease to spine. Previous owner name to front free end paper. Map at rear intact. Searching for a new home on account of impending highway development, a group of anthropomorphic rabbits set out to seek Watership Down. The real Watership Down is a hill near Adams' childhood home, which was threatened by development in 2012. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
 37.   Check availability:     IberLibro     Link/Print  


        Industrial Development in Tropical Africa (Geography of Africa) [Mar 01, 1972.

      - Ex-Library, All Books are dispatched the same working from the UK if ordered before 1pm GMT, Securely & carefully packed, Great customer service,

      [Bookseller: Pegasaurus Books Ltd]
 38.   Check availability:     IberLibro     Link/Print  


        A Very Long Tail: A Folding Book

      Thomas Y. Crowell Company 1972 - Accordion folded, printed on heavy stock, in printed plastic sleeve. Signed by Eric Carle on the cover, warmly inscribed to previous owners. In Very Good condition. Faint foxing at folds, light edge wear to front cover. The sleeve is lightly warped and lightly rubbed. A rather rare title, signed by on the front cover by Eric Carle. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Burnside Rare Books]
 39.   Check availability:     AbeBooks     Link/Print  


        Egon Schiele Gemälde, Aquarelle, Zeichnungen. mit zwei Originalgummischnitten Egon Schieles.

      Salzburg, Residenz Verlag, 1972. Erstauflage, EA 699 S. 4°, Leder im Original-Schuber, zahllose Abbildungen, Bildband, limitierte in Leder gebunden Luxusausgabe von 200 Exemplaren dieses Buch trägt die Nummer 0/200, mit zwei Originalgummischnitten Egon Schieles auf handgeschöpftem Büttenpapier auf einem Blatt, guter bis sehr guter Zustand Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Buchseite]
 40.   Check availability:     buchfreund.de     Link/Print  


        The Very Long Train

      New York: Thomas Y. Crowell,, 1972. Oblong octavo. Original glossy pictorial printed wraps. With the original printed cellophane sleeve. Colour illustrations by the author. Mild wear to folds, sleeve with some light soiling. A very good copy. First edition, first printing. Fun accordion style picture book on counting, with each train car featuring a number.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  


        Glyptique susienne des origines à l\'époque des Perses achéménides. 2 volumes (Texte/Planches). Cachets, sceaux-cylindres et empreintes antiques découverts à Suse de 1913 à 1967. Avec, pour l\'épigraphie, la collab. de Maurice Lambert, Christiane Desroches-Noblecourt, Jean Starcky. Mémoires de la Délégation archéologique en Iran, Mission de Susiane ; sous la dir. de R. Ghirshman. Tome XLIII.

      Paris : P. Geuthner, 1972. X, 316 S.; 196 S. Tafeln. Originalhalbleinen. Aus der Bibliothek von Prof. Dr. Wolfram Kleiss, langjährigem Leiter der Außenstelle Teheran des Deutschen Archäologischen Instituts. Ecken leicht bestossen, sonst gut. - L\'exploration du site immense de la métropole élamite ne révéla pas immédiatement la richesse de la glyptique susienne ; à partir de 1901 seulement, Jacques de Morgan et ses collaborateurs découvrirent les premières séries de documents sigillographiques de haute époque, associées aux inscriptions proto-élamites, grâce aux fouilles profondes pratiquées dans la butte dite de l\'Acropole. Peu après, en 1904, les trésors funéraires considérés initialement comme les \" offrandes de fondation du temple de Chouchinak \" livraient des documents plus récents, différents de ceux qui provenaient de Mésopotamie auxquels ils étaient mêlés, et qui révélaient l\'originalité de la glyptique élamite au IIe millénaire. Les fouilleurs s\'attachèrent à publier ces découvertes au plus tôt. Dès 1905, V. Scheil et G. Jéquier présentaient les documents archaïques, tandis que R. de Mecquenem inventoriait le contenu des dépôts dont il devait reconnaître le caractère funéraire quelque 35 ans plus tard. Versandkostenfreie Lieferung

      [Bookseller: Fundus-Online GbR Borkert, Schwarz, Zerf]
 42.   Check availability:     buchfreund.de     Link/Print  


        The Facsimile Edition of the Nag Hammadi Codices. Published under the Auspices of the Department of Antiquities of the Arab Republic of Egypt. In conjunction with The United Nations Educational, Scientific and Cultural Organization. 12 Bände/Volumes. - Band/Volume 1: Introduction. - Bände/Volumes 2-11: Codices I - XIII. - Band/Volume 12: Cartonnage.

      Leiden: Brill 1972-1984. Insgesamt 12 Bände (komplett) / Together 12 volumes (complete). Mit zahlreichen schwarz-weißen Reproduktionen. 2° (35 - 45 cm). Grüne Orig.-Leinenbände mit goldgeprägten Titeln auf Deckeln und Rücken (Cloth with gilt design). [Hardcover / fest gebunden]. \"The collection of thirteen codices found in upper Egypt near Nag Hammadi in 1946 is one of the major archaeological discoveries of our time. Apparently the library of a Gnostic community in late antiquity, the codices are a repository of important spiritual materials from throughout the ancient world. Hence a thorough analysis of this new material is indispensable for any proper understanding of the history of religions in this period. The rich documentation which the codices add to early Coptic text material promises to raise to a new precision the historical analysis of that language. This edition presents collotype reproductions in natural size of all folios of the thirteen codices as well as reproductions of the covers and photographs previously taken of fragments that are now lost.\" (Quelle: brill.com) - Neupreis liegt bei ca. 3200 Euro. Bände teilweise nicht mehr beim Verlag lieferbar. - Einbände minimal berieben. Stempel auf den Titelblättern. - Insgesamt sauberes und sehr gutes, annähernd neuwertiges Exemplar. - Bindings slightly rubbed. Stamp on Titlepages. - Nearly as new. Very good copy. Versand D: 5,50 EUR The Facsimile Edition of the Nag Hammadi Codices. Published under the Auspices of the Department of Antiquities of the Arab Republic of Egypt. In conjunction with The United Nations Educational, Scientific and Cultural Organization. 12 Bände/Volumes. - Band/Volume 1: Introduction. - Bände/Volumes 2-11: Codices I - XIII. - Band/Volume 12: Cartonnage. Insgesamt 12 Bände (komplett) / Together 12 Volumes (complete). Leiden: Brill 1972-1984. Neues Testament Christentum Theologie. Nag-Hammadi-Schriften. Nag Hammadi library. Gnosis. ISBN: 9004054359. 9004039066. 9004073086. 9004045376. 9004043527. 9004042059. 9004036024. 9004047913. 9004056378. 9004037225. 9004060383.

      [Bookseller: Antiquariat Kretzer]
 43.   Check availability:     buchfreund.de     Link/Print  

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