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Displayed below are some selected recent viaLibri matches for books published in 1971

        Die Bedeutung des Schönen in der exakten Naturwissenschaft / The meaning of beauty in exact natural science. Mit drei Original-Farblithographien von Max Ernst [avec trois lithographies originales en couleurs de Max Ernst]

      Stuttgart: Belser-Presse, 1971. Livre. Illus. by Max Ernst. Très bon. Cartonnage Éditeur. Signé par l'illustrateur. Ed. originale. In-folio. Stuttgart, Belser-Presse, 1971. 39,5 x 30 cm, in-folio, 79 pp. - 3 lithographies en couleurs hors texte, cartonnage et étui de l'éditeur en pleine toile bise, pièces de titre. Edition originale de cette conférence donnée à l'Académie bavaroise des Beaux-Arts de Munich le 9 juillet 1970. Texte bilingue allemand / anglais. Tirage à 205 exemplaires. Celui-ci l'un des 20 hors commerce, signé au colophon par Max Ernst. Les lithographies ont été tirées par Pierre Chave à Vence. Etui partiellement bruni, quelques infimes rousseurs à la tranche de gouttière..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        La véritable complainte du faux-monnayeur FARINET *

      Au Verseau, Lausanne 12.1971. - Brochés 42 x 22 avec couverture dorée ou argentée rempliée, sous portefeuille illustré à compartiment, dos muet. Le premier cahier, argenté, se compose de 30 quatrains imprimé en gris foncé sur autant de pages et tous accompagnés d'une image stylisée qui n'est pas sans rappeler les gravures populaires anciennes. Le second cahier, dit secondaire comme le troisième (l'or passant ainsi après l'argent pour une fois) présente les partitions musicales de Georges Haenni. Certains exemplaires contiennent encore un mouchoir de tête en soie (ou "carré" mais pas foulard qui selon les dires de l'éditeur ne convient que pour la bande tissée), un classique audacieux dans les impressions du Verseau de ces années-là - Les archives du Verseau contiennent une facture de l'imprimeur sur tissus qui indique 30 douzaines livrées, ce qui n'implique pas nécessairement autant de mises en boîte avec les cahiers par ailleurs. Enfin, on rencontre encore quelquefois une variante à cet ensemble, avec généralement en lieu et place de l'accessoire soyeux un autre cahier doré (secondaire donc) contenant une longue post-face d'André Donnet sur les passionnantes circonstance de la naissance de ce lent projet dont l'étincelle initiale remonte à 1944. Il n'existe aucun portefeuille complet d'origine pour la simple et bonne raison que les quatre éléments qui le constitueraient ne peuvent physiquement y entrer, la place à disposition étant trop restreinte. Prix taillé sur mesure avec 3 éléments à choix, à partir de 500 chf.Notre exemplaire, en possédant exceptionnellement l'intégralité des quatre, est quasi introuvable, pour les raisons précitées.Ce qui est certain c'est que tout portefeuille qui n'en contient que deux est incomplet. Édition originale sur vergé. L'un des 360 présumé exemplaires.

      [Bookseller: Librairie Oh 7e Ciel]
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        The Name Above the Title: An Autobiography (Signed First Edition, with ANS)

      New York: Macmillan, 1971. First Edition. First Edition. INSCRIBED by the author on the half-title: "To -- / A book full of best wishes / on this your graduation day / From your friend Frank Capra," and further signed on an autograph note SIGNED on Capra's personal stationery: "To -- / Always reach high / As Browning said "A Man's reach should exceed his grasp, / Or what's a heaven for?" / Frank Capra." About Fine in a bright, Near Fine dust jacket. Jacket has as short closed tear to the top edge of the front spine fold, mild rubbing at the spine ends and corners, and none of the usual fading to the orange titles on the spine panel. One of Hollywood's most assured and inventive directors, and one of the major contributors to screwball comedy. Often over-associated with his late, dark masterpiece, It's a Wonderful Life (1946), Capra inaugurated the screwball comedy cycle with It Happened One Night in 1934, which was followed on a nearly annual basis by one classic film after another, including Mr. Deeds Goes to Town (1936), Lost Horizon (1937), You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and Arsenic and Old Lace (1944). An uncommon signature from one of the masters of twentieth-century filmmaking, and a book that is notoriously difficult to find in this condition.

      [Bookseller: Royal Books, Inc.]
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        THE SHAY LOCOMOTIVE; TITAN OF THE TIMBER

      Denver, CO: World Press, 1971 Copy number 1626 signed by Koch on special limitation page. The definitive book on the Shay locomotive, the preponderant locomotive of choice of the logging industry, consisting of 486 pages of text, photographs, color art, and builder's construction list of every Shay built. A perceptive biography of the inventor, the exciting story of the colorful logging industry in its heyday, a corporate history of the Lima Locomotive Works and the Shay locomotives it built. Bound in maroon cloth with lettering and illustration stamped in gilt. Certificate for separate duplicate color prints laid in. Fine in fine and bright dust jacket. An as new, unread copy, still in the recently opened publisher's shipping box.. Signed. First edition, first printing. Hardcover.

      [Bookseller: Robert Gavora, Fine and Rare Books]
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        Filipino Food (SIGNED)

      Los Angeles, California: Molly Barnes Gallery [David Dawdy], 1971. Original lithographed edition preceding the 1972 Olympia Press edition. Signed by Badajos on the last page which details that the book is #362 out of a limited edition of 1000 published in commemoration of the first Badajos exhibition at the Molly Barnes Gallery in Los Angeles on February 15, 1971. A few minor chips from edges of plywood boards. Boards measure 8-7/8 inches (height) by 11-1/2 inches (width) and serve as end pieces to pages which are connected in accordian fashion. Slight rubbing at edges of pages. Underground comic art featuring political, surrealistic and erotic themes. 69 pp.. Signed by Artist. Limited/Numbered. Hard Cover. Very Good+/No Jacket. Illus. by Ed Badajos. 8vo - over 7¾" - 9¾" Tall; Oblong. Private Press.

      [Bookseller: acornbooks northwest]
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        Two Essays on the Decretum of Gratian by Hellmut Lehmann-Haupt and Charles Mccurry Together with an Original Leaf Printed on Vellum by Peter Schoeffer at Mainz in 1472 [Leaf Book]

      Los Angeles & San Francisco: Zeitlin & Ver Brugge - Bernard M. Rosenthall, Inc. 1971, edition limied to 193 copies. () [18]. Fine. Large folio (19.5" X 13.5"). Quarter vellum over marbled boards with small vellum corners. Vellum spine label with gilt titles and designs. All edges uncut. Endpapers lightly age toned. Bookplate of Arthur A. Goldsmith Jr. To front pastedown. Original vellum leaf contained in paper folder bound before title page. Leaf in fine antiquarian condition with only very minor age toning and a few small wormholes. Several initials and decorations in red and blue. Limited to 193 copies printed at the Platin Press, this being # 66. A lavishly produced leaf book and tribute to Peter Schoeffer, pupil of Johannes Gutenberg and Johann Fust, and early printer at Mainz. Schoeffer, who first printed under Gutenberg and Fust, printed under his own name after Fust's death in 1466. Schoeffer produced at least 254 texts, including the Decretum from which the fine leaf here was taken. The leaf is a masterwork of book design, with the main text occupying two columns in the center of the page and the commentary surrounding in a smaller type. Numerous sections are highlighted in red or blue. Vellum incunables are especially scarce, and this leaf book represents one of the few opportunities to obtain an example, especially an example printed at Mainz by someone so closely associated with the invention of printing with moveable type in the West (Disbound and Dispersed 157).

      [Bookseller: Aquila Books]
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        Henry Miller 80

      Paris: Centre Culturel American (1971). 1st ed., 1971. 4to. Consisting of 8 printed 8 1/2" x 11" glossy loose sheets presented in a black and green glossy paper folder with printed paper label front cover. This scarce Miller "A" item was produced in conjunction with an art show to celebrate his 80th birthday by the Centre Culturel American in Paris. The 8 sheets are as follows: 1) Facsimile page by Miller date December 1971 relating his close connection to the artists whose works are in the show. 2) "Les Amis Parisiens de Henry Miller" in French. 3) Printed list of the seven works by Beauford Delaney in the show. 4) Full-page color reproduction of Portrait de Henry Miller by Beauford Delaney which is SIGNED in blue ink of the page's bottom. 5) Printed list of 13 works by Brassai, including a 3 1/2" x 4 3/4" B & W reproduction of his photograph entitled "La mome bijou." SIGNED by Brassai in blue ink. 6) Printed list of 5 works by Michonze, including a 3 1/2" x 4 3/4" B & W reproduction of "The Artist." SIGNED by Michonze in black ink. 7) Printed list of 10 works by Hans Reichel, including a 4 3/4" x 3 1/2" B & W reproduction of his "Nocturne." 8) Information sheet entitled Le Film de Robert Snyder. "The Henry Miller Odyssey." All leaves are fine in a fine folder. Scarce, especially with the three signatures.. Signed by Author(s). 1st Edition. Soft cover. Fine.

      [Bookseller: Thomas Dorn ABAA]
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        Tulsa

      New York: Lustrum Press, 1971 Signed by the author-photographer on the title page. Black full cloth cover boards, with stamped in silver titles to the spine. Cover boards are clean with slight age toning along top margin, with slight wear. Dust jacket has no stains, with some edge wear especially at head and tail of spine panel, and one closed 1/2 inch tear at top margin of back panel, in mylar sleeve. Interior is clean and unmarked. Binding is solid. *** Published in 1971 in paperback by Lustrum Press, owned by Clark's friend and fellow photographer Ralph Gibson. This edition was not released in hardcover until 1979 when the pages of this volume were finally bound in cloth. These harsh photographs caused a sensation in the photographic community for their vivid depiction of aimless drug use, sex, and violence in Oklahoma from 1963 -1971. Clark has said that he "didn't take these photographs as a voyeur, but as a participant in the phenomenon." The book opens with this short statement: ¿i was born in tulsa oklahoma in 1943. when i was sixteen i started shooting amphetamine. i shot with my friends everyday for three years and then left town but i¿ve gone back through the years. once the needle goes in it never comes out. L.C.¿ Clark later became well known as the director of the film Kids. (Parr & Badger v1 260, Roth 208-209) *** Please Note: When packed for shipping, this book is over sized and/or over weight. Additional mailing fees will be required to ship outside the United States. Please inquire to determine exact cost.

      [Bookseller: Boomerang Booksellers]
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        Prehistoric and Roman Studies., Commemorating the opening of the department of prehistoric and romano-british antiquities.

      London, Trustees of the British Museum, 1971 - 282 Seiten, zahlreiche Abbildungen; Einband mit leichten Gebrauchspuren, insgesamt sehr schön. 0714113603 Sprache: de Gewicht in Gramm: 19 [Attributes: Soft Cover]

      [Bookseller: Nikolai Löwenkamp Versandantiquariat]
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        [Photographie originale] Portrait de Jean-Michel Folon et André François dans la maison de Folon à Burcy (Seine-et-Marne), circa 1971

      1971. Photo. Illus. by Jeanloup Sieff. Très bon. Aucune reliure. Feuille : 30 x 40 cm, sujet : 22,7 x 15 cm. Circa 1971. Tirage gélatino-argentique d'époque portant au verso le tampon du photographe. De la collection de Jean-Michel Folon. Bel état..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        [Photographie originale] Tablée dans la maison de Jean-Michel Folon et Colette Portal à Burcy, circa 1971 (Folon, André François, C. Portal, Jean-Louis et Jacqueline Bloch Lainé, Myrna et Paul Davis)

      1971. Photo. Illus. by Jeanloup Sieff. Très bon. Aucune reliure. Feuille : 30 x 40 cm, sujet : 22,5 x 15,1 cm. Circa 1971. Tirage gélatino-argentique d'époque portant au verso le tampon du photographe. On reconnaît parmi les convives : Jean-Michel Folon, André François, Colette Portal, Jacqueline Bloch Lainé, Jean-Louis Bloch Lainé, Myrna Davis, Paul Davis (de dos). De la collection de Jean-Michel Folon. Bel état..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Juliette éternelle *

      Guilde du Livre, Lausanne 15.4.1971. - Relié pleine toile paille (Juliette y guide-t-elle ses amants ?), titres y évoquant les blés, dorés. Préface de Pierre-Jean Jouve. Absence de reliure soie confirmée pour ce titre dont notre volume est simplement l'exemplaire de rêve, étant dédicacé le 1er juillet par l'auteur à son éditeur ".qu'il a si bien su accueillir".Exemplaire tamponné d'auteur ou de collaborateur ainsi tamponnés sur demande, des curiosités, outre un ordinaire avec ou sans envoi. Édition originale. L'un des 30 seuls exemplaires de tête numérotés (1) en romain, outre 8000 arabe, tous sur papier sans bois Clairefontaine.

      [Bookseller: Librairie Oh 7e Ciel]
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        BANG THE DRUM SLOWLY SCREENPLAY BY ... BASED ON THE NOVEL... [with a baseball signed by cast members]

      New York: Mark Rosenfeld, 1971.. [1],125 leaves. Quarto. Mimeographed typescript, printed on rectos only. Boltbound in hot stamped flexible wrappers. Some normal wear and light soiling to the binder, else very good, internally fine. Ink ownership signature (see below). An unspecified but preproduction draft of Harris's own adaptation for the screen of his 1956 novel, a work which enjoys virtually inevitable presence on any "top-ten" list of baseball books. The August 1973 release was directed by John D. Hancock, and starred Michael Moriarty, Vincent Gardenia, and, in one of his first starring roles, Robert De Niro. This is copy #89 of the script, and bears the ownership signature of Les Lazarowitz, who is credited with the production sound. An uncommon script, and an instance where the author of the source work had the opportunity to faithfully adapt his own work to the screen. Accompanied by a Wilson A1060 Professional League baseball with the title of the film hand calligraphed across it, and bearing the signatures of: Robert De Niro (as "Bob De Niro"), Danny Aiello, Vincent Gardenia, Phil Foster, Tom Signorelli, Tony Major, Danny Burks and Andy Jarrell, accompanied by a handwritten, signed attestation by Lazarowitz as to the circumstances of the signatures, solicited by him in the course of the film's shooting. An attractive, choice assemblage of early signatures, long before the adoption of celebrity scrawls by several of the signers.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Last Picture Show

      First edition 1st printing, Very Good book with page edge dusting, pushing at spine ends, slightly soft at corners, and with a slight ridge along center of spine, in a Good to Very Good jacket that has light edge wear especially at spine ends and corners, mild rubbing/soiling and sun darkening/fade on spine. This copy signed by McMurtry on the first front end page and enclosed in a Fine, custom-made clamshell box.. Basis for the 1971 film, with the screenplay by McMurtry and Director Peter Bogdanovich, starring Cybil Shepherd, Ben Johnson (Academy Award), and Cloris Leachman (Academy Award). The B/W film was shot in Archer City, Texas, McMurtry’s hometown and where his bookstore is now located.

      [Bookseller: Squid Ink Books]
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        The Exorcist.

      New York: Harper & Row, 1971 - Octavo. Original brown cloth backed brown boards, titles to spine in silver, tan endpapers. With the dust jacket. Ownership inscription to front free endpaper. Spine rolled and a little faded at the head and tail. An excellent copy in the price-clipped and lightly rubbed jacket. First edition, first printing. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        TO YOUR SCATTERED BODIES GO

      New York: G. P. Putnam's Sons,. [1971]. cloth.. A fine copy in fine dust jacket with a touch of rubbing to the spine. ends. A sharp, lovely copy. (#138523). First edition. First book of the "Riverworld" series. Winner of the 1972 Hugo award for best novel. Anatomy of Wonder (1995) 4-165. Survey of Science Fiction Literature IV, pp. 1809-16.

      [Bookseller: L. W. Currey, Inc.]
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        The Revolutionary Letters

      (n.p.)[Santa Fe, NM]: (Noose and Earth Read Out Southwest). (1971). Di Prima had been publishing her controversial and provocative "letters" in various configurations since two editions in 1968, which contained 15 poems. This edition of Revolutionary Letters is an oversized mimeograph production with 43 poems, and was issued for free and without copyright. The printed dedication is to Bob Dylan, and the colophon states "Power to the people's mimeo machines!" Although not called for, this copy is signed by the author and has four holograph corrections, presumably in her hand. 8-1/2" x 14", stapled in the left margin, with red covers. Two different paper stocks used; one darkening. Near fine. An unknown number of copies were done, but this appears to be one of the scarcest editions of this title, and is especially uncommon signed. . First Edition.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Shakespeare's Poem WITH Crow's Song About Prospero and Sycorax Manuscript

      London: Lexham Press, 1971. 22pp, [3], original card covers inside the original card folding case. Slightly rubbed to extremities, top corners bumped, very minor white mark to front cover. Internally bright and clean, unopened to fore edge. Signed and dated by Hughes to the first page. One of seventy-five copies from a total of one hundred and fifty copies. Crow's Song About Prospero and Sycorax appears here as a frontispiece. WITH the original manuscript poem 'Crow's Song About Prospero and Sycorax', in Hughes' holograph, with an illustration at the foot of the page of a whale and a viking long boat, again signed by Hughes. Sagar and Tabor A30. Signed by Author. First Edition. Card Covers. Very Good. Illus. by Hughes, Ted. 8vo (Oblong). Limited Edition.

      [Bookseller: Temple Rare Books]
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        Records

      Hollywood: Heavy Industry Publications, 1971. A fresh, fine copy in red printed wrappers with no glassine (sealed in shrinkwrap).. First Edition. Small octavo. One of 2000 copies. SIGNED by Ruscha on the rear cover. Photographs of thirty records from Ruscha's collection. (Open Book 198-199).

      [Bookseller: Harper's Books, Inc.]
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        RECORDS

      (RUSCHA, EDWARD). Ruscha, Edward. RECORDS. Hollywood, CA: Heavy Industry Publications, 1971. First Edition 1/2000. 12mo. Printed Wrappers. Artists' Book. Near Fine./No Jacket - As Issued.. np (72pp), 60 b&w illustrations. Edward Ruscha's fifteenth artist book "Records" is a charming photographic inventory of thirty vinyl phonograph records (and their album cover graphics) from the artist's personal collection circa 1971. A most handsome copy (entry B15 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book") that was of course issued without a glassine wrapper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 014273&

      [Bookseller: Arcana: Books on the Arts]
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        Original promotional poster for Sticky Fingers.

      [?London: May 1971] - Original poster-sized colour print (990 × 585 mm). Mild creases from having been folded three times, some light soiling, but in very good condition. This promotional image for the album Sticky Fingers (dated by the image's appearance as an advertisement in Billboard, The International Music-Record-Tape Weekly, on 8th May 1971), shows the Rolling Stones, including Mick Taylor, shielding their modesties with copies of the new album. Scarce.

      [Bookseller: Peter Harrington. ABA member]
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        Late Caprichos Of Goya Fragments From A Series

      Philip Hofer Books, Walker and Company NY: Philip Hofer Books, Walker and Company, 1971. First edition. leather_bound. Orig. full brown morocco, spine lettered in gilt. Teg. Fine in fine green cloth portfolio; both housed in fine quarter brown morocco and green cloth clamshell box./No Dust Jacket. Goya y Lucientes, Francisco. 46 pages in text. 29 x 20 cm. Limited edition, copy XV of XXV of specially bound copies containing an extra suite of the original prints [total of 12]. There are thirty-two prints accompanying the text. The original plates were steel faced for this edition and printed by Emiliano Sorini. Ms. Sayre was Curator of Prints & Drawings Boston Museum of Fine Arts,and this work completed in association with the Department of Printing and Graphic Arts, Harvard College Library. An elegant, attractive production; bright and clean.

      [Bookseller: Royoung bookseller, Inc.]
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        ISRAEL: A PERSONAL HISTORY

      New York: Funk & Wagnalls, (1971). First Edition. Hardcover. Fine in a lightly soiled, about Fine slipcase. The United Jewish Appeal Commemorative Edition bound in blue gilt-decorated cloth and SIGNED by Israel's first prime minister on the front endpaper which bears a printed presentation to Mr. and Mrs. Milton C. Borenstein of the 1972 United Jewish Appeal Study Conference. Borenstein, an inventor and the first Jewish trustee of Boston College, was the founder of the United States Holocaust Museum in Washington, D.C. Illustrated with photographs.

      [Bookseller: Charles Agvent]
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        [Photographie originale] Portrait photographique de Julio Cortázar fumant la pipe dans sa maison de Saignon (Vaucluse), été 1971

      1971. Photo. Illus. by Colette Portal. Comme neuf. Aucune reliure. Signé par l'auteur. Feuille : 30,5 x 40,5 cm, image : 22,5 x 34 cm. Tirage gélatino-argentique postérieur (tireur : Edouard Paillet, juillet 2012), numéroté 2/9, légendé et signé par Colette Portal au recto, avec son tampon, sa signature et des annotations de sa main au verso. Ce portrait de l'écrivain argentin, ici dans sa maison d'été de Saignon dans le Lubéron, l'un des plus beaux, a été reproduit dans de nombreux ouvrages consacrés à Julio Cortázar, parmi lesquels : 1. Ler imaxes : o arquivo fotográfico de Julio Cortázar (Le Voyage infini, archives photographiques de Julio Cortázar), Junta de Galicia, 2006 [pleine double page finale (pp. 434-435)], 2. Alba C. de Rojo / Felipe Garrido : Cortázar, iconografia [1/2 page (p. 53)], 3. Julio Cortázar / Omar Prego Gadea : La fascinación de la palabras, Alfaguara, 1997 [1/2 page (p. 166)], 4. Nieves Vázquez Recio (dir.) : Volver a Cortázar, Disputación de Cádiz, 2007 [1/4 de page (p. 39)], 5. Julio Cortázar : Animalia, antologia, textos reunidos por Aurora Bernardez, Porrúa et compañia, 2005 [inversée en 4e de couverture]. Tirage rare et superbe. .

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Minorities

      London: Bertram Rota & Jonathan Cape,, 1971. Edited by J. M. Wilson with a Preface by C. Day Lewis. Octavo. Original yellow quarter morocco, grey cloth sides, grey endpapers, top edge gilt. Portrait frontispiece, facsimiles of Lawrence's handwriting throughout. Tiny production flaw to cloth of upper board. A fine copy. First edition, first impression. One of a limited edition of 125 numbered copies signed by Cecil Day Lewis on the limitation leaf.

      [Bookseller: Peter Harrington]
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        Photographic Document: The Tiniest Life

      Kekkon Seikatsu Sha, Tokyo, Japan 1971 - A hardcovered book with an original dustjacket, which is housed in a boards slipcase on which a titled paper is mounted. B&w embryonic photographs with some Japanese text about abortion or else heared from some Japanese women. The boards slipcase is sunburnedor discolored, and its spine has a small pin-hole. But the book itself is still intact except for some small rubbed spots on the jacket's edges. The plates inside also keep very good conditions. [Attributes: First Edition; Hard Cover]

      [Bookseller: booksGYOZANDO]
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        THE DOORS OF HIS FACE, THE LAMPS OF HIS MOUTH AND OTHER STORIES

      Garden City: Doubleday & Company Inc. Garden City: Doubleday & Company, Inc.,. 1971. cloth.. Top edge dusty, a fine copy in fine dust jacket with touch of rubbing. to edges, tiny closed tear at upper right corner, and mild soiling to. rear panel. (#127295). First edition. The title novelette won the 1965 Nebula award. Anatomy of Wonder (1995) 4- 514. Survey of Science Fiction Literature II, pp. 583-86.

      [Bookseller: L. W. Currey, Inc. ]
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        [Manuscript]: Hart Cooper

      [1971]. Manuscript. Loose quarto sheets printed with black and blue mimeograph ink. 513pp, and 172pp., plus a two-page list of characters and two copies of an excised chapter. A bit of wear to the corner of the first dozen sheets, near fine. Hart Cooper is the unpublished "spiritual autobiography" written by Thackara, a Los Angeles-based author, in 1971, more than a decade before the publication of his first book in 1984, America's Children. According to the author, Hart Cooper was particularly important in "creating the trans-national mythology" later incorporated into his controversial 1999 novel, The Book of Kings, which is considered, depending on the reviewer, a masterpiece of Western literature or else one of the worst novels ever published. This copy of the manuscript comes from the library of Pulitzer Prize-winning writer, Peter Taylor, whom Thackara met while attending Harvard. Taylor became a mentor to Thackara and the two remained friends until Taylor's death in 1994. An influential unpublished first novel from this highly controversial writer. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Monty Python's Big Red Book

      London: Methuen and Co Ltd,, 1971. Quarto. Original blue (not red) pictorial laminated boards. With a red label to the front cover printed "Very Urgent" in white. Illustrated in colour in the text throughout, with a number of extra features, such as: a leaf with a keyhole cut through it (the recto for voyeurs, the verso for exhibitionists); a leaf perforated to allow readers to "rip off the naughty parts" of an image; an "Australian Page" printed upside down; and a four page pamphlet sewn in at the centre electioneering for the Silly Party, with descriptions of "Some of Your Silly Candidates" and printed with slogans such as "You've Never Had It So Silly". The book design is a very early example of the work of the latterly famous graphic designer Derek Birdsall [a.k.a. Omnific] who became an honorary Python in the making of this book. Spine a touch faded, corners rubbed with the front joint just starting at the tail of the spine. A very good copy. First edition, first impression, claiming (somewhat dubiously) to be number 1 of a "special limited edition of 29,999". Presentation copy humorously inscribed by five members of Monty Python, making use of the printed ownership box by adding their names, the result reading: "This Big Red Book Belongs to: Andrew & James, And not to: John Cleese: And incidentally it cost me £ Eric Idle (Eric Idle) (3p), It is a present from: Graham Chapman". Beneath this is inscribed, "PROOF RAED BY: Michael Palin" and also, next to a printed stamp reading "Special Offer, Free Gas Cooker Given Away With Every Other Copy of This Book* ... *see other copy", the inscription, "PLUS!! 1 (ONE) Terry Jones". Andrew & James, the presentees, are the two children of Richard Baker, a BBC news reader who made cameo appearances in episodes of Monty Python, and whose letter of complaint to the Pythons for asking Reginald Bosanquet "whoever he is" to write the Foreword, and not somebody from the BBC, is reproduced in this book.

      [Bookseller: Peter Harrington]
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        " MAN WITH GOLD MASK" [Original Lithograph]

      [San Francisco: Collector's Press, 1971].. Large folio (22.5 x 29.5 inches). Original color lithograph, highlighted with embossing and collage. Framed under glass. Fine. Impression #87 of one hundred copies, signed and numbered by Cuevos in the lower edge of the image. A compelling image in blue, green and black, of the upper torso of a human figure with the face concealed by a hinged gold foil mask that opens to reveal a face underneath. Published as an element in the portfolio, CUEVAS' COMEDIES, a collection of fourteen lithographs and screenprints produced under the supervision of the artist and master printer Ernesto F. de Soto. Born in Mexico City in 1934, Cuevas played a pivotal role in the transition from the traditional Mexican muralist style to a contemporary Mexican art that challenged preceding traditions. His work is represented internationally in museums and collections, and he is well known among collectors of illustrated books for his suite of illustrations for Kafka's METAMORPHOSIS, first published in THE WORLDS OF KAFKA AND CUEVAS in 1959, and then revisited as an illustrative accompaniment to the text in the 1984 LEC edition. Extra shipping charges if shipped in frame.

      [Bookseller: William Reese Company - Literature ABAA-]
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        PHOTO-ILLUSTRATED ENCYCLOPEDIA OF DEVIANT SEXUAL BEHAVIOR. The Definitive Digest of Sexual Abnormalities [Complete set of Volumes 1-6] Volumes One - Six: Adamism to Bondage; Cacoethes to Female Domination; Femoralism to Lingerie Fetishism; Mammaeism to Osmolagnia; Pageism to Satyriasis; Scatology to Zoophilism

      "San Diego, CA": Socio Library. 1971. "64pp. each, including covers. Alphabetically organized, illustrated with color and b/w hardcore photographs. Interspersed with the definitions are essays and case studies. Editorial staff: C.W. Bland, Jr., Tyson Wellman Reilly, Michelle Aaronson, George Dennison, Stratton Lindenmeyer, H. Michael Miller, William Burke, and Wendell Hampton. & Topics coverd include: adamism, adelphogamy, agapemony, algolagnia, amphigenic invertism, analism, androgyny, andromania, androphobia, androzooasty, anthropophagy, autoeroticism, autofellatio, autosadism, axillism, bestiality, bisexuality, body fetishism, and bondage; cacoethes, catamism, clothing fetishism, coitophobia, coprography, corprolagnia, coprophagy, coprophilia, corybantia, cunnilingus, cypriphobia, dermophilia, dippoldism, discipline, exhibitionism, and female domination; femoralism, fetishism, flagellation, frictation, frottage, gerontophilia, graophilia, group sexuality, hermaphroditism, homosexuality, hyperaesthesia, incest, indecent exposure, inunctionism, lesbianism, and lingerie fetishism; mammaeism, masochism, masturbation, metamorphosis sexualis paranoia, mixoscopia, narcissim, natelism, necrophilia, necrosadism, nepiolagnia, neurasthenia sexualis, nymphomania, object fetishism, onanism, oralism, ogiasm, and osmolagnia; pageism, paradoxia sexualis, paraesthesia, paraphilia, partialism, pederasty, pedophilia, phallicism, piliphilia, polymorphism, pornolagnia, psychic masturbation, pygmalionism, pyromania, sadism, sadomasochism, saliromania, and satyriasis; scatology, scatophagy, scopophilia, shunamitism, sodomy, spanking, stripping, symbolism, tragalism, transvestism, tribadism, troilism, urolagnia, voyeurism, zooerasty, zoophilism." Saddle-stapled magazines. Light shelfwear. A very good set.

      [Bookseller: Alta-Glamour Inc.]
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        Catch-22

      New York: Samuel French, Inc.,, 1971. A Dramatisation, Based on the Novel Catch-22. Large paper copy. Specially bound by the publisher for the author in full green calf, titles gilt to spine, raised bands, gilt rule to upper board, marbled endpapers, top edge gilt, printed rectos only. Very light marks to covers and some faint spotting fore- and bottom edge, some rubbing to gilt top edge. An excellent copy. First dramatised edition, first printing. The author's own copy specially bound for him by the publishers. An early state of the text, printed specially for Heller on the rectos only.

      [Bookseller: Peter Harrington]
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        Wolf

      New York: Simon and Schuster, 1971 First USA Edition. Trace of soiling along bottom boards and very minor bumping to top front board of this Near Fine Book. No Remainder mark. The Dust Jacket is Fine except for slight toning to the bottom edges of the Jacket. Signed by the author on the title page, and the author has added a drawing of a dog, with an arrow and the word "Missy". The book is dedicated IN MEMORIAM MISSY 1966-1971. Signed by Author. First Edition.

      [Bookseller: MDS Books]
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        WOLF

      New York: Simon and Schuster, 1971. First printing stated. Faint sticker ghost front pastedown, else fine, The white cloth is pristine, In a very near fine dj, with faint crease top of spine. His 1st novel, after 3 volumes of poetry.. First Printing. Cloth. Fine/Very Near Fine. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Dale Steffey Books]
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        The Blood of Adonis

      Pittsburgh: University of Pittsburgh Press, 1971. First Edition of the poet's first book to be translated into English. Octavo. Original red cloth. Fine in a near fine dust jacket. Inscribed by both the poet Adonis and by the translator, Samuel Hazo. Modernist novelist Adonis has won the 2007 Bjørnson Prize and the 2011 Goethe Prize. The Blood of Adonis continues Adonis' pioneering of modern Arabic poetry. The poet is often seen as a rebel, an iconoclast who follows his own rules who said "Arabic poetry is not the monolith this dominant critical view suggests, but is pluralistic, sometimes to the point of self-contradiction.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Brazen Prison

      Hutchinson London: Hutchinson. (1971). First. First edition. Foxing to the foredge else fine in fine dustwrapper. Like most of Middleton's novels, very scarce. His 1974 novel Holiday was joint winner of the Booker Prize. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 36.   Check availability:     ABAA     Link/Print  


        Desert Hawking

      Peregrine Press, College Station, TX, 1971. First Edition. Softcover. Very Good Condition. The Suppressed First Edition on American Falconry. This is the 'Brown Cloth Tape Edition.' Contains the "Peregrine Press September 6, 1971 Advance Notice." All contained in our pristine custom made clam shell box. A Leather hawk is mounted on to the front of the box. Includes B&W photos and glossary. Very clean, crisp, and tight copy. Size: 8 1/4" x 10 3/4". 216 pp. No marks. Binding is tight, Bottom of spine is slightly rubbed. Previous owner's inscription in ink, neat. Edges browned slightly. Not Ex-Library. All books offered from DSB are stocked at our store in Fayetteville, AR. Category: Animals & Birds; Crafts & Hobbies. Inventory No: 028101. .

      [Bookseller: Dickson Street Bookshop]
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        The Objectivist, Volumes 1-10 Complete (with accompanying publications)

      New York: The Objectivist, 1971. This is a complete run of Ayn Rand's publication The Objectivist, volumes 1-10, January 1962 through September 1971 (when it ceased publication). This set consists two parts. --THE FIRST PART is a bound volume of The Objectivist Newsletter, Vols. 1-4, 1962-1965, second printing, 1971. This volume is in fine condition with light age toning to exterior text block. Interior pages are clean and unmarked. After Volume 4 the publication's format changed from newsletter style to magazine style and became simply "The Objectivist." --THE SECOND PART is a complete run of The Objectivist, volumes 5-10, in original softcover form in wraps. These are all in fine condition, clean and unmarked, except for an old rubber band mark on the front or back cover of 3 issues. *** Also included in this set are several publications in original wraps, corresponding in size and format to The Objectivist. These include: 1) "The Intellectual Bankruptcy of Our Age," by Ayn Rand. Lecture first delivered by Ayn Rand at the Ford Hall Forum, Boston, on March 26, 1961, and at Hunter College, University of North Carolina, Johns Hopkins University, Brooklyn College, and Brown University, on various dates in 1961-1962. Published by The Objectivist. 2) "Playboy's Interview with Ayn Rand," interview by Alvin Toffler, originally published in Playboy in March 1964 and reprinted by The Objectivist. 3) "Global Balkanization," by Ayn Rand, lecture delivered at The Ford Hall Forum, Boston, on April 10, 1977. Published by Palo Alto Book Service. 4) "Cultural Update," by Ayn Rand, lecture delivered at the Ford Hall Forum, Boston, on April 16, 1978. Published by Palo Alto Book Service. 5) "A Study Guide to the Ethics of Objectivism," by Leonard Peikoff, revised by Leonard Peikoff and David Kelley. Published by Palo Alto Book Service, 1977. Orange wraps. 6) The Objectivist Forum, Volume 1, No. 2, April 1980. Edited by Harry Binswanger and Leonard Peikoff. Published by TOF Publications, New York. This publication was a new series begun after Rand had discontinued her own. ~~ This complete set forms a valuable representation of Rand's philosophical theories--which included rational egoism, individual rights, and laissez-faire capitalism--set in the context of the time it was published. Each issue contains an article written by Rand. Frequent contributors include Leonard Peikoff and Nathaniel Branden, with other contributors as well, including two articles by Alan Greenspan, an early ardent supporter of Rand. Greenspan's article entitled "Gold and Economic Freedom," discusses the role of gold and the gold standard in a free society. In the last issue, Rand delivers her last essay, entitled "Brief Summary," in which she comments on her theory and its progress, and in which she makes her famous remark: "The monster is Immanuel Kant." Since then it has been argued that she misunderstood Kant. Rand ceased publication of The Objectivist in order to return to a more personal newsletter called "The Ayn Rand Letter." ~~ Each of the two parts in this set as I have described them can also be purchased separately. Please see my separate listings for each. All inquiries will be answered promptly.. Soft Cover. Fine. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Grass River Books]
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        Lettre autographe signée à l'écrivain Christian Maurel [6 mars 1971]

      1971. Lettre. Très bon. Couverture souple. Signé par l'auteur. Ed. originale. Nice, 6 mars 1971 (cachet postal). 1 carte postale, 21 lignes sur une colonne, d'une écriture serrée. La carte postale est une superbe erreur d'impression : elle est supposée figurer le Spelunca Hôtel en Corse, mais plusieurs images y sont superposées et celui-ci est pratiquement indiscernable. Très belle lettre, pleine d'admiration, à propos des Canaris en queue de poisson suivi de Litanies militaires que Maurel venait de faire paraître chez Robert Laffont. "Votre livre m'a beaucoup plu, je l'ai lu très vite, avec appréhension et curiosité. Surtout les Litanies militaires - qui est peut-être ce qu'on a écrit de plus efficace et de plus sincère sur la guerre (ça ma fait pensé [sic] à Dagerman). Images terribles mais utiles (page 108 par ex.). Ca m'aide beaucoup moi-même, ça doit aider beaucoup de gens. Je suis très heureux que vous écriviez, je ne sais pas comment dire cela, pas égoïstement, mais parce qe vous libérez avec vos mots des choses qui nous bloquent nous autres à l'intérieur. Il n'y a pas tellement de livres qui aident à être conscient, alors, merci.".

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Tulsa

      New York: Larry Clark, 1971 First hardcover edition, following the 1971 softcover edition published by Lustrum Press. Signed by the author in black ink on the title page. One of 3,000 copies printed by Rapoport Press under the author's supervision. A near fine copy with only slight rubbing to the spine head and tail, crisp and fresh pages, with the author's order form loosely inserted into the front of the text, in the original dust jacket with wear and minor tearing to the spine head and tail, very slight rubbing on the corners. Although this book predates his iconic films by at least two decades, "Tulsa" is quintessential Clark. Ever interested by teenage subcultures, Clark chooses young amphetamine users in his hometown of Tulsa, Oklahoma, as his subject matter for this book and includes 50 black and white photographs that examine their daily lives. Like many of his other works, Clark presents a dynamic portrayal of troubled teens, juxtaposing their youthful innocence and dark lifestyles, reminding the reader that "Once the needle goes in it never comes out.". Signed by Author(s). Hard Cover. Very Good/Dust Jacket Included. Illus. by Clark, Larry.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Original lithographed poster: We Are Determined to Liberate Taiwan

      Beijing, [1971]. Lithograph in colors, 77cm x 107cm (ca 30.5" x 42"). Professionally cleaned and mounted on archival linen. A few invisible repairs to margins; Condition A/A-. & & A large and visually impressive propaganda poster, printed in three languages and clearly produced for export and sale in the West. A Mandarin-only version is reproduced on p.167 of Landsberger & Van der Heijden's Chinese Posters: The IISH - Landsberger Collection (NY: 2009).

      [Bookseller: Lorne Bair Rare Books]
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        ECCLESIASTES

      Paris:: Trianon Press,, 1971. First Edition. Fine. FIRST EDITION. LIMITED EDITION 240 COPIES. This is No. 197 of 200 printed on Arches Vergé pure rag paper. AN ORIGINAL FINE LITHOGRAPH "ECCLESIASTES MAN" PENCIL SIGNED BY BEN SHAHN is loose in a rear pocket of the book, as issued. The volume is finely bound in full green Morocco leather. Bright gilt lettering on the spine. Housed in the original green board slipcase with leather tips and color printed reproductions of Shahn's illustration for the title page on the slipcase. In the original plain cardboard slipcase which has protected the illustrated slipcase and volume very well. 4to.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        The World of William Shakespeare

      London: The Arcadia Press,, 1971. Octavo. Original red morocco by Zaehnsdorf, title to spine gilt on brown ground, colour onlay depicting the Globe Theatre to upper board, marbled endpapers, all edges gilt. Double-sided colour frontispiece, illustrations throughout. Spine faded, some small marks and scuffs to morocco. An excellent copy. First edition, first impression. One of a limited edition of 265 numbered and finely bound copies signed by the author on the limitation leaf.

      [Bookseller: Peter Harrington]
 43.   Check availability:     Biblio     Link/Print  

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