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Displayed below are some selected recent viaLibri matches for books published in 1969

        The Raswan Index and Handbook for Arabian Breeders Volumes 1, 2 and 3.

      I-TEX Pulishing, Ames, (Iowa) 1969. 3 Bände, (3 Volumes), 871 S. (Bände 1+2) mit beiliegenden Falttafeln - zahlreiche Bildtafeln und Anhänge (Band 3), (871 pp. (Vols. 1+2) and a lot of plates in Vol. 3), 8°, Original-Kunstleder (Hardcover), Einbände, Titel und Vorsätze leicht stockfleckig, Widmung auf Vortitel, insgesamt gute und innen saubere Exemplare, (covers, title and flying endpapers little foxy, title with a dedication, alltogether good copy), Numeriertes Exemplar, die Bücher tragen die Nummer 432 (von 100 gedruckten Exemplaren). (Printed in a limited Edition of 1000 numbered sets. Set number 432) Als Manuskript gedruckt. (Printed as a script). Versand D: 5,00 EUR Hippologie, Zoologie, Züchtung, Tierzucht, Araber, Vollblüter, numeriertes Exemplar, Stutbücher

      [Bookseller: Antiquariat Silvanus]
 1.   Check availability:     buchfreund.de     Link/Print  


        "Paris a capitulé : les vacanciers occupent la capitale".

      1969Dessin à l'encre sur papier fort, signé et titré en bas à gauche, 1969, 15.5 x 17 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Enfant et adultes, armés de masque, tuba, palmes, rame, pelle, caméra et d'un harpon sont prêts à défendre leurs vacances au péril de leur vie.Tels leurs ancêtres parisiens-héros de la République lors des émeutes de juin 1832 (immortalisés par Delacroix), ces vacanciers parisiens sont statufiés par Jean GOURMELIN. Dessin de presse pour France-Soir. Annotations manuscrites de l'artiste, à la mine de plomb et cachet de France-soir.

      [Bookseller: Librairie Chrétien]
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        Parallèlement.

      Paris-Bièvres, Pierre de Tartas, 1969, 1 volume de 300x405x75 mm environ, 117 pages en feuillets non rognés sous couverture illustrée à rabats, dans le coffret de l'éditeur. Exemplaire nominatif, sur Japon nacré moiré, signé par l'artiste et l'éditeur contenant 14 lithographies sur Japon signées (dont 6 double-page), 5 lithographies sur divers papier signées. Quelques rousseurs, frottements légers sur le coffret, sinon bon état.

      [Bookseller: Librairie Diogène]
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        Les Métamorphoses érotiques. Choix de dessins exécutés de 1940 à 1968. Avec une pointe sèche signée de Dali.

      Lausanne, A l'Erotitiade, 1969. 33 x 26 cm, 60 p., suite de 10 planches. En ff., chemise cartonnée toilée rouge, titre estampé, sous étui toilé pourpre, en ff. 60 p. et une suite de 10 planches volantes sous chemise à rabat, dans le carton d'origine, état impeccable. Edition originale, tirée à 300 exemplaires numérotés, signés par l'artiste : un des 150 exemplaires sur vélin de Rives, non justifié mais bien signé au crayon par Dali au colophon. Le portrait de Chimère gravé à la pointe sèche par Dali, tiré à 150 ex. est signé b.d. par l'artiste. L'éditeur a joint, dans une suite à part, " 10 planches extraites d'un traité des systèmes érotiques et des mille façons masturbatoires des Romains à Dali. ".

      [Bookseller: Solstices Rare Books Librairie]
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        Dali (Dali de Draeger)

      Berlin, Propylaen, 1969. In-4 carré, cartonnage éditeur illustré, texte en allemand (manque la page de garde volante et la page de faux-titre). Magistral ENVOI autographe signé de Dali et DESSIN-SIGNATURE surmonté d'une couronne, sur la page de titre, au feutre orange et rehaussé de peinture dorée. * Voir photographie(s) / See picture(s).* Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *

      [Bookseller: Chez les Libraires Associés]
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        Campo urbano. Interventi estetici nella dimensione collettiva urbana. Como 21 settembre 1969

      Editrice Cesare Nani, 1969. Brossura (wrappers) Testo di Luciano Caramel. Completamente illustrato con fotografie di Ugo Mulas. Progetto grafico di Bruno Munari . 8vo. . Ottimo (Fine). Prima edizione (First Edition). Il 21 settembre 1969 ebbe luogo, per le vie e per le piazze di Como, la manifestazione "Campo urbano. Interventi estetici nella dimensione collettiva urbana". All'evento, coordinato dal critico e storico dell'arte Luciano Caramel, parteciparono artisti di spicco quali Enrico Baj, Davide Boriani, Gianni Colombo, Dadamaino, Luciano Fabro, Bruno Munari, Giulio Paolini, Ico Parisi, Grazia Varisco e tanti altri. Esso nasceva dalla volontà di portare l'artista a diretto contatto con la collettività di una città, coi suoi spazi, le sue necessità e le sue abitudini, permettendogli di agire in piena libertà. Il catalogo omonimo della performance, dopo la riproduzione della mappa del centro storico, del programma completo dalle 14 alle 21 e del comunicato stampa, riproduce le fotografie delle varie azioni in nero e ciano scattate da Ugo Mulas. Tra gli interventi più originali quello di Munari "Far vedere l'aria", tentativo di visualizzazione dell'aria di Piazza Duomo mediante il lancio di pezzi di carta dall'alto della torre. Oppure la "Dilatazione spazio temporale di un percorso" della Varisco che alterava gli abituali confini di una strada per mezzo di diaframmi che ne raddoppiavano l'itinerario e ne mettevano in luce nuovi aspetti. O ancora Dadamaino che organizzò una "Illuminazione fosforescente automotoria sull'acqua" \

      [Bookseller: Studio Bibliografico Marini]
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        5 [Five] Blind Men (Signed Lettered Edition)

      Sumac Press, Fremont, MI 1969 - First Edition. One of 26 lettered and 100 numbered copies (this being letter E) SIGNED by all five poets. Just the slightest hint of bowing to the front board, with light rubbing to the front joint, else Fine without dust jacket as issued. A lovely copy. [Attributes: First Edition; Signed Copy]

      [Bookseller: Royal Books, Inc., ABAA]
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        The Great White Hope (Original screenplay for the 1970 film, with four original still photographs)

      Twentieth Century-Fox, Los Angeles 1969 - Revised First Draft for the 1970 film. "Art" in holograph pencil on the front wrapper, and a few holograph notations in ink on page 2 noting various scene props, leads us to believe this belonged to a member of the film's art department, Dennis J. Parrish being the property master. Brief holograph notations in pencil and ink throughout. Laid in are several pages of revisions, beginning with page 137, and a notice "to all secretaries" to add said revisions, dated October 3, 1969. Also included are four vintage black-and-white reference photographs from the film.Based on Sackler's 1968 Pulitzer Prize, Tony Award, and New York Drama Critics' Circle Award-winning play, a fictionalized account of the life of boxing champion Jack Johnson. James Earl Jones (his first starring role) and Jane Alexander (her first film credit and starring role) were both nominated for Oscars, reprising their lead roles from the Broadway production.Jack Johnson (1878-1946) boxed during heavy segregation in the American South, and rose to Heavyweight Champion of the World during the Jim Crow era. The white population was angered by Johnson's victories and his open relationships with white women, thus causing the United States Congress to pass a law in 1912 making it illegal to transport prizefight films across state lines, intending to curtail race riots. "The great white hope" is a reference to the boxer whom whites hoped would finally defeat Johnson. Shot on location in England, Arizona, and California. Blue studio wrappers, noted as REVISED FIRST DRAFT on the front wrapper, rubber-stamped copy No. 196, dated May 12, 1969. Title page present, dated May 12, 1969, noted as REVISED FIRST DRAFT, with credits for screenwriter Howard Sackler. Script: 156 leaves, last leaf of text numbered 155, eye-rest green stock, mimeograph. Laid-in revisions dated October 3, 1969: 16 leaves (1 yellow "notice" page, 15 eye-rest green stock), mimeograph. Pages Near Fine, wrapper toned with light yapping, else Near Fine, bound with three gold brads. Revisions bound with paper clip. Film stills Near Fine. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Photographs & Etchings.

      London. Petersburg Press. 1969. First Edition. 23 x 15 cm. 10 Blatt. OKarton-Leporello. Erstes und letztes Blatt mit mittigen Fixierlöchlein, dort etwas Papierabrieb. Insgesamt etwas nachgedunkeltes, aber noch gutes Exemplar. Leporello zu der in 75 Exemplaren durch die Petersburg Press herausgegebenen Mappe mit Fotografien von Lee Friedlander und Radierungen von Jim Dine. Alle Arbeiten sind hier beidseitig abgebildet. Auf dem ersten Blatt unter dem Foto der beiden Künstler von Jim Dine handschriftlich signiert, datiert 1974 und gewidmet \"for Joe\". Auf dem Impressumblatt eine weitere handschriftliche Widmung in dünnem Bleistift an eben diesen Joe \"von Jim und mir\", unterzeichnet Hartmut. Es handelt sich hierbei wohl um den Drucker Hartmut Kaminski, der für Dieter Roth unter anderem auch für die Petersburg Press druckte und vermutlich auch die Grafiken von Jim Dine für diese Edition gedruckt hat. Entgegen der Buchpublikation \"Work From The Same House - Photographs & Etchings\" aus dem gleichen Jahr ist das Leporello, die erste Veröffentlichung Friedlanders, sehr selten. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Amerika / America, Fotografie / Photography, Kunst, Radierung, Signierte Bücher / Signed Books, Künstlerbücher

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        The Delta Factor (Original corrected manuscript screenplay for the 1970 film)

      N.p., N.p. 1969 - Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page, and with a notations by him at the top right corner of the first leaf: "First Draft (Work Copy)," "Screenplay by Tay Garnett," and "From Mickey Spillane's novel."Raoul Walsh eventually worked with Garnett on the script, but this draft precedes his involvement. The film was released on May 15, 1970, and starred Yvette Mimieux, Christopher George, and Yvonne De Carlo.182 leaves, rectos only. Leaves supple, Very Good plus overall.

      [Bookseller: Royal Books, Inc., ABAA]
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        Slaughterhouse Five

      Delacorte Press, 1969 Fine first edition in a very good dust jacket with slight wear. First Printing stated on the copyright page. Original price of $5.95 still on front flap of the dust jacket. Comes in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
 11.   Check availability:     Biblio     Link/Print  


        Slaughterhouse-Five

      Delacorte, 1969 A near fine first edition in a very good dust jacket, with the original price of $5.95 still present on the front flap. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
 12.   Check availability:     Biblio     Link/Print  


        Easy Rider (Original oversize double weight color photo from the 1969 premiere at the Cannes Film Festival)

      Alfieri, N.p. 1969 - Vintage oversize double weight color photograph of Dennis Hopper and Jack Nicholson, at an outdoor press conference held in front of the Carlton Hotel at the Cannes Film Festival, where Hopper was awarded the Cannes First Film Prize. Shot by Marc Alfieri, and signed by him in black ink at the lower left margin: "Photo Alfieri / Cannes / FIF 69." Also with Alfier's stamp on the verso, and a holograph ink notation: "Festival.69. / 4903."About as close to the very start of the New Hollywood era as can be imagined. "Easy Rider" had its world premiere at Cannes, on May 8, 1969. It would not debut in the US until July 1969, in a significantly edited form.9.25 x 12.25 inches (23.5 x 31 cm). In a museum quality frame. Fine. [Attributes: Signed Copy]

      [Bookseller: Royal Books, Inc., ABAA]
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        A Drunk Man Looks at the Thistle, Illustrated with Eight Woodcuts By Frans Masereel

      Duval & Hamilton, Falkland 1969 - Quarter vellum, patterned boards, top edge gilt. Fine in like slipcase. One of 160 copies (# 150) signed by MacDiarmid, Masereel and Giovanni Mardersteig. Illustrated with eight full-page woodcuts by Frans Masereel. Printed in Dante types on Amalfi handmade paper.

      [Bookseller: J.F. Wickwire Books]
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        The Dance of the Solids

      Scientific American, 1969 NY: Scientific American, 1969. First (only) edition. Softcover. Square 16mo. Fine copy, signed by the author. When signing he thought a lot about where he should sign, and decided to sign on the first page where his writing began, which is page 3. Comes in specially made custom cloth slipcase.. Signed by Author(s). 1st Edition. Soft cover. Fine/No Jacket.

      [Bookseller: Bookbid Rare Books ]
 15.   Check availability:     ABAA     Link/Print  


        La spiaggia

      Verona: Edizioni della Pergola, , 1969. Ottimo (Fine). 6 acqueforti originali in nero, titolate, numerate e firmate su foglio e lastra, di Walter Piacesi (da cm 9,2x9 a 13,2x14,2). Uno scritto di Luciano Troisio. 4to. pp. 6 + incisioni. Ottimo (Fine). Edizione originale di 50 es. numerati.

      [Bookseller: Studio Bibliografico MArini]
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        The Double Suicide at Ten No Amijima [Double Suicide] (Original Japanese poster for the 1969 Japanese film)

      Kiyoshi Awazu, Tokyo 1969 - Original poster for the 1969 Japanese film. Designed by Kiyoshi Awazu. A hand made silkscreen print gifted from Awazu to noted film historian and iconoclast Amos Vogel, with a margin design significantly different from the trade edition of the poster issued by Awazu (also in small numbers). From Vogel's collection and offered as originally mounted by him for display in his home in Manhattan. Full provenance available.Awazu was a self taught artist and designer who during the postwar period took a leading role in Japanese graphic design. His sphere of activities in the art world since the late 1950s has included painting, sculpture, photography, film, theater, performance, music, literature, and architecture.Shinoda's film is a masterpiece of Japanese New Wave cinema, a brilliant modernist reworking of a famous 1720 bunraku (puppet theater) play written by Chikamatsu Monzaemon. Set in Osaka in the 18th century, the film centers on the doomed romance between Jihei (Kichiemon Nakamura), a down and out married paper merchant passionately in love with doe-eyed courtesan Koharu (Shima Iwashita), whom he cannot afford to buy out of servitude. Koharu has also fallen in love with Jihei, and begins turning away other patrons to be with him. Their love is further imperiled by Tahei (Hosei Komatsu), a rich, obnoxious merchant who flaunts his ability to buy Koharu's indenture. Suicide emerges as the only way for the two to be together.21 x 32.5 inches, non-archivally mounted on foam board. Pulling from board at a couple of corners, and a few tiny edge chips and tears. Very Good plus overall.Shipping billed at cost.Criterion Collection 104.

      [Bookseller: Royal Books, Inc., ABAA]
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        LE SCIENZE. Edizione italiana di SCIENTIFIC AMERICAN.

      Le Scienze, 1969-1993. (Codice CU/6056) Disponiamo di 25 anni interi di pubblicazione: rara collezione della notissima rivista di divulgazione scientifica. In tutto 300 numeri consecutivi, da luglio 1969 (n. 7) a dicembre 1993 (n. 316): migliaia di articoli sui progressi delle scienze, molte migliaia di illustrazioni a colori. I fascicoli sono in ottimo stato, tutti conservati nei pratici ed eleganti volumi-raccoglitori semestrali originali (50) con macchinetta metallica, titoli oro ai dorsi. Ottima conservazione. Euro 600.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        Twentysix Gasoline Stations

      Edward Ruscha / The Cunningham Press, Alhambra, CA 1969 - (Cunningham Press). (Alhambra, CA). (1969). 12mo. 3rd edition of artist's first book. 3,000 copies printed. Light toning and edgewear to glassine dust jacket, with minute chipping to head of spine. Contents clean and tight. VG/VG in wrappers. [Attributes: Soft Cover]

      [Bookseller: Strand Book Store, ABAA]
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        Portraitphotographie mit eigenh. U.

      O. O. u. D. - 255 : 205 mm. Das offizielle Nasa-Portrait en face in Farbe und im Raumanzug. – Neil Armstrong hatte am 21. Juli 1969 als erster Mensch den Mond betreten.

      [Bookseller: Kotte Autographs GmbH]
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        TROUT FISHING IN AMERICA

      New York: Delta / Dell, 1969. Second printing. Paperback. Very good. 8vo. Glossy illustrated wrappers. 112 pages. SIGNED AND DATED by Brautigan on the Front FEP: "Richard Brautigan, November 22, 1969". No other names or marks. Minor wear to corners; small, faint damp stain to top of text block at spine. The second printing (November, 1969) of the Delta paperback edition, signed by Richard Brautigan in the month of publication.

      [Bookseller: Waugh Books]
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        First Edition of "P.T. 109," Robert Donovan's 1961 book about Lieutenant John F. Kennedy in World War II, with lengthy signed inscription by JFK's radioman, John Maguire

      n.p., May 8, 1969. 8vo.. "Book Signed ""John Maguire / R.M. 2c / P.T. 109"" and inscribed on the half title. PT 109: John F. Kennedy in World War II by Robert J. Donovan. 248 pages, 6"" x 8.5"". New York: McGraw-Hill Book Company, 1961. First Edition Eleventh Printing. Illustrated. Original dust jacket, worn and chipped at edges, not price clipped. Protective plastic book cover taped to covers at book flaps. Very good condition.Inscribed ""5-8-69 / Best Regards / to my friend / & Co-Worker / Winky Bartholf / from / John Maguire / R.M. 2c / P.T. 109."" Maguire is mentioned on 37 pages! With Autograph Letter Signed ""John Maguire"" inside ""Thank You"" note card and original 1973 postmarked envelope, 3.25"" x 4.75"", each affixed with plastic tape on verso of half title; tape affects edges of three lines. Addressed by Maguire to Estelle W. Bartholf in Jacksonville, Florida. In full, ""Dear Winky: I cant express enough my appreciation of the plaque you presented me. It will remind me forever of the wonderful years of association with you in the Marshals service. John Maguire.""Accompanied by two 1976 newspaper articles about Maguire.John Maguire (1916-1990) was Lieutenant John F. Kennedy's radioman (Radio Man 2nd Class)and one of the 13 member crew of PT-109 torpedo boat, skippered by Kennedy when it was sunk by the Japanese destroyer Amagiri in August 1943. He later worked in Kennedy's congressional and presidential campaigns and after Kennedy was elected President, John Maguire was appointed U.S. Marshal for the Middle District of Florida. He was reappointed by President Lyndon B. Johnson. "

      [Bookseller: University Archives]
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        Do Androids Dream of Electric Sheep?

      London: Rapp & Whiting, 1969 - Original green boards, titles to spine in silver. With the dust jacket. The slightest of fading to the edge of the foot of the spine, minor rubbing to corners of dust jacket, an excellent copy. First UK edition, first impression. Basis for the feature film ''Blade Runner,'' directed by Ridley Scott. Pringle, Science Fiction the Best 100 Novels. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        LE MONITEUR UNIVERSEL DU SOIR - JOURNAL OFFICIEL DE L'EMPIRE FRANCAIS- N°1 AU N°180 (premier semestre)

      1969. AUX BUREAUX DU JOURNAL. 1969. In-Folio.Carré. Relié demi-cuir. Etat d'usage. Coins frottés. Dos abîmé. Quelques rousseurs. 720 pages. 4 pages par numéros. Journal quotidien. Pièce de titre orange. PIèce de tomaison verte. Titre, année, tomaison dorés sur le dos cuir beige. Partie officielle, partie non officielle, faits divers, corps législatif, télégramme de l'agence Havas, feuilleton du moniteur du soir

      [Bookseller: Le-Livre.Com]
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        Donna e i bimbi nell'arte del nostro ottocento pittorico. (La)

      Aldo Martello, 1969. cm 31x36 pag. 40 ill. 296 tav col app 3 bellissimi volumi con centinai di tavole applicate a colori Italiano/Inglese

      [Bookseller: Libreria Merigo Art Books]
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        First Exhibition of the Centre of Studies on Art and Communication of the Foundation of Interdisciplinary Research Presented at the Bonino Gallery, Buenos Aires

      Buenos Aries: CEAC, 1969. Light edgewear, overall near fine in photo-illustrated wrappers, typed press release on CEAC letterhead laid in. Scarce, OCLC locates two copies.. First Edition. Slim, square quarto. Exhibition catalogue from an important show of electronic and cybernetic art shown from August through September, 1969, at Galería Bonino in Buenos Aires. Artists exhibited included Luis Benedit, Antonio Berni, Ernesto Deira, Eduardo Mac Entyre, Osvaldo Romberg and Miguel Angel Vidal as well as a project from the Computer Technique Group of Tokyo. The exhibition also featured electronic music by Dante Grela, Francisco Kröpfl, Carlos Rausch, Jorge Rotter, and Eduardo Tejeda. During the late 1960s, Buenos Aires had developed into an important meeting point for arts and technology. Projects in this show include an algorithmically powered printer capable of "automatic drawings" and an exhibition of digital printmaking from Japanese artists. Noteworthy exhibition catalogue that belongs alongside "Cybernetic Serendipity." Illustrated throughout with black and white photographs of the artists, their projects and computer screen reproductions, many set on a long, accordion folded strip bound near the center of the book. Parallel Spanish and English text.

      [Bookseller: Harper's Books, Inc.]
 26.   Check availability:     Biblio     Link/Print  


        Alan Arkin, Art Garfunkel, and Martin Sheen on the set of "Catch-22" (1969)

      N.p., N.p. 1969 - Vintage oversize double weight candid photograph of Alan Arkin, Art Garfunkel, and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot, struck, and mounted by the film's still photographer, Bob Willoughby. The photographer has written at the top of the verso, in holograph pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel, Alan Arkin, Martin Sheen. Also with Willoughby's ASMP rubber stamp for both New York and Ireland addresses. Full provenance available.After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images.Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009.Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?"Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern.In a custom museum-quality frame, archivally mounted, with UV glass. 13.5 x 10 inches. Near Fine.National Film Registry. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 27.   Check availability:     IberLibro     Link/Print  


        Justine (Original title card maquette for the 1969 film)

      Twentieth Century-Fox, Los Angeles 1969 - Original title card maquette hand lettered by Harold Adler for the 1969 film. Based on the "Alexandria Quartet" by Lawrence Durrell. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "Justine" his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "The Birds" (1963), "In the Heat of the Night" (1967), and "Finian's Rainbow" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. A young British schoolmaster and poet travels to Alexandria, where he meets Justine, the mysterious wife of a banker, whom he discovers is involved in a plot to arm the Jewish underground in Palestine. Shot, in part, on location in Tunisia.17.25 x 11.5 inches. Black ink on white card stock, with tissue paper overlay. Near Fine, with light toning to the card edges. Holograph notations, one noting "original," to the tissue overlay and card.

      [Bookseller: Royal Books, Inc., ABAA]
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        The Moonshine War [Signed Bookplate Laid in]

      Doubleday & Company, Garden City 1969 - Octavo (21.25cm.); original two-toned (green and black) cloth in white pictorial dust jacket; [4],236pp. Jacket a bit dust-soiled, a few closed tears along extremities, else Near Fine in Very Good jacket. Bookplate signed by the author laid in. Crime novel set in Prohibition-era Kentucky. [Attributes: First Edition; Signed Copy]

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        Chagall Lithographe III (1962-1968)-1969 Mourlot Book

      1969 - "Chagall Lithographe III (1962-1968)" by Marc Chagall, Unsigned Book printed in 1969. The overall size of the Book is 12.75 x 10 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Book: Chagall Lithographe Volume III. 179 pages. 1969. Published by Andre Suaret, Paris.Translated from the French by George Lawrence. 185 illustrations from Chagall's lithographs, most are in color, two of which are original color lithographs (frontispiece, and dust jacket- Mourlot Number 577). Hardcover, light gray cloth, color pictorial jacket, plastic protector, and original slipcase. First American Edition. The third catalogue raisonne in a series of lithographs by Chagall, this is the last volume with original lithographs. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Rare Posters]
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        Hippolytos

      Gehenna Press, Northampton 1969 - Northampton: Gehenna Press, 1969. Limited Edition. Etchings by Leonard Baskin printed from plates by Emiliano Sorini. Large folio with marbled boards and leather spine in marbled clamshell case. 10 prints with tissue overlays in marbled inner case. Boards show very light edgewear with some curving to edges. Prints and tissue overlays are clean and crisp, with a couple dog-eared corners and some rubbing to edges from outer case closure. Clamshell case shows a bit of curving at edges and some rubbing/bumping to edges and corners, but is sturdy and square with no splits or marks. Signed by Leonard Baskin under colophon at back and numbered 44 of 200 copies, of which 100 were available for sale. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Recycled Books]
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        The Warlock of Love.

      London: Lupus Music, 1969 - Octavo. Original photographic boards, titles to spine and front board white. With the dust jacket. Board edges slightly rubbed; an excellent copy in the slightly creased jacket with extremities lightly rubbed and nicked. First edition, first impression, signed by Marc Bolan and fellow T. Rex band member Mickey Finn on the front free endpaper ("Marc Bolan / Micky Finn"). The signatures were obtained at their gig in the Ekectric Garden, Glasgow on 25 May 1970. With a letter laid-in from the original owner detailing the provenance. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Das moderne Lexikon der Ehe von A bis Z

      Desch., 1969 - Seiten sind sauber und weisen weder Notizen noch Knicke irgendwelcher Art auf,4 Taschenbücher,Eine reich ill. aktuelle Enzyklopädie in 4 Bden. / Alfred Mühr. Ill. zusammengestellt von Anne Mühr. Sprache: Deutsch Gewicht in Gramm: 614 [Attributes: Soft Cover]

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Les valeureux

      Gallimard, 1969. - Gallimard, Paris 1969, 14,5x21,5cm, broché. - Prima edizione, uno dei 55 esemplari numerati sul filo puro solo grandi giornali. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 55 exemplaires numérotés sur pur fil, seuls grands papiers. Infimes piqûres sans gravité sur le dos. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        La copa de sangre (Poemas en prosa)

      Tallone, 1969. Brossura, camicia, custodia (wrappers, chemise, slip - case) In appendice: Adios a Tallone. 4to. pp. 98. Ottimo (Fine). 482+25 507. Prima edizione mondiale di 507 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Autographed Letter Signed, 2 Pages with Drawing

      1969 - A two page manuscript letter signed by Tasha Tudor with stamped envelope. Miss Tudor writes that she is poor in giving information about her work as she never keeps records or clippings of her work and finds gardening as her favorite pastime. Inscribed "Best wishes to you & a/ Happy New Year./ Sincerely/Tasha Tudor. With a charming drawing of a rabbit below.

      [Bookseller: Alcuin Books, ABAA]
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        Gli Esclusi Fotoreportage da un'istituzione totale

      Il Diaframma, 1969. All'interno numerose fotografie in bianco e nero f.t. di Luciano d'Alessandro. Presentazione di Sergio Piro. Progetto grafico di Michele Ketoff.

      [Bookseller: Di Mano in Mano]
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        LA SEMAINE JURIDIQUE, DOCTRINE, JURISPRUDENCE, TEXTES, 35 VOLUMES (1969-1989, INCOMPLET)

      1969. Editions Techniques. 1969-1989. In-4.Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 35 volumes. Années 1970, 1972, 1976 et 1987 (2) manquantes. Texte sur 2 colonnes. Titres dorés sur pièces de titre. Couvertures légèrement frottées. Juris-Classeur périodique. Rédacteur en chef: P. Level. Rédacteur en chef adjoint: R. Dorat des Monts.

      [Bookseller: Le-Livre.Com]
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        DAMNATION ALLEY

      G.P. Putnam's Sons [1969]., New York - Octavo, boards. First edition. Signed by Zelazny on the title page. Post-nuclear holocaust novel. Made into a feature film. Brians, Nuclear Holocausts: Atomic War in Fiction, 1895-1984, pp. 349-50. Hint of foxing to upper page edges, a fine copy in fine dust jacket with tiny rub marks at upper spine end and upper front corner tip. A very sharp copy. (#139607) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Llanto por Ignacio Sanchez Mejias.

      Milano, Cerastico Editore, 1969, cartella in folio, mezza pelle con titoli in oro al dorso e piatto anteriore illustrato in nero e rosso, contenente un volume a fogli sciolti, stampato su carta forte, pp. 35-(5) con sette incisioni all'acquaforte di Luciano Minguzzi. Tiratura di cento esemplari numerati dei quali trenta (da 1 a 30) dipinti a tempera dall'autore. Dieci esemplari da I a X con un disegno originale. La nostra copia e' la numero VIII, completa. Tutte le tavole sono firmate dall'autore e protette da velina. In ottimo stato di conservazione.

      [Bookseller: Libreria Piani già Naturalistica]
 40.   Check availability:     Direct From Bookseller     Link/Print  


        GRANDE ENCYCLOPEDIE ALPHA DES SCIENCES ET DES TECHNIQUES EN 20 TOMES : 3 TOMES BIOLOGIE (1+2+3) + 5 TOMES TECHNOLOGIES (1+2+3+4+5) + 2 TOMES GEOLOGIE (1+2) + 1 TOME ASTRONOMIE - PHYSIQUE DU GLOBE + 1 TOME CHIMIE + 3 TOMES ZOOLOGIE (1+2+3) + 1 TOME MATHS...

      1969. ATLAS / KISTER / ERASME. DE 1969 A 1976. In - 4.Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 20 TOMES : environ 300 pages par volume. Nombreuses illustrations en couleurs et en noir et blanc dans et hors texte. MANQUE LE VOLUME "INDEX". ... + 2 TOMES PHYSIQUE (1+2) + 2 TOMES BOTANIQUE (1+2). COLLECTION COMPLETE. MANQUE UNIQUEMENT LE VOLUME "INDEX". 6 PHOTOS DISPONIBLES.

      [Bookseller: Le-Livre.Com]
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        Gli Esclusi Fotoreportage da un'istituzione totale

      Il Diaframma, Milano 1969 - All'interno numerose fotografie in bianco e nero f.t. di Luciano d'Alessandro. Presentazione di Sergio Piro. Progetto grafico di Michele Ketoff. Numero di tavole: pp.s.n. altezza 0 larghezza 0 Esemplare in buone condizioni. Sovraccoperta con macchie di polvere, lievi segni di usura lungo i bordi, strappo e mancanza al bordo inferiore della prima di sovraccoperta. Leggero ingiallimento delle pagine e della sovraccoperta. [Attributes: Hard Cover]

      [Bookseller: Di Mano in Mano Soc. Coop]
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        Rythmes Colorés.

      Paris: Art-C.C. Christophe Czwiklitzer (-1971) 1969 - Cinq lithographies originales en couleurs. Préface par Jean Cassou. Texte écrit en 1914 par Léopold Survage. Mit 5 farbigen Original-Lithographien von Léopold Survage. 15 Bll. Lose Bogen. In Original-Leinenmappe mit mont. farb. Lithographie. - Tadelloses, neuwertiges Exemplar. Nr. 34 von 75 Exemplaren der französischen Ausgabe auf "Velin d'Arches". Die Lithographien druckte Fernand Mourlot, Paris, in den Jahren 1966-1968. Alle Lithographien vom Künstler numeriert und signiert sowie mit Atelierstempel versehen, im Druckvermerk vom Verleger numeriert und signiert. Der Druckvermerk auch in deutscher Sprache vorhanden, ebenfalls vom Verleger numeriert und signiert. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Gertrud Thelen]
 43.   Check availability:     ZVAB     Link/Print  


        Il Mondo. Settimanale politico, economico, letterario.

      Milano, Domus (poi Rizzoli/Corriere della Sera) dal 1969 (A.XXI) al 1995 (A. XXI/A. XLVII), annate complete, fascicoli sciolti. Le prime sette annata seno in formato "giornale" poi il formato diventa quello da "rivista". Dell'annata 1969 disponiamo dei numeri dal n. 893 (30 ottobre) al n. 901 (25 dicembre). Tutte le annate sono complete dei vari supplementi (dal 1977 al 1981 uno per anno, dal 1982 al 1984 due par anno, tutte le annate successive comprendono gli inserti "Affari personali" (complessivamente 48 fascicoli), "Fondi & gestioni" (complessivamente 24 fascicoli), "Le classifiche (complessivamente 13)numerosi altri. Mancano i seguenti: n. 50, 51 e 52 del 1972, n. 8 e 9 del 1973, n. 4 del 1975. L'annata 1995 termina con il n. 49 (11 dicembre). Il blocco di oltre 1.400 fascicoli, cos?, a :

      [Bookseller: Libreria Piani gia' Naturalistica]
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        ANALECTA CRACOVIENSIA, TOMES I-XXXVII (1969-2005) (COMPLET)

      1969. Polskie Towarzystwo Teologiczne w Krakowie. 1969-2005. In-8.Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur frais. 34 tomes (années). Texte en polonais, français, anglais. Quelques étiquettes, annotations (codes) et tampons de bibliothèque. Studia philosophico - theologica edita a professoribus Cracoviae. Tome I, 1969: Card. Karol Wojtyla, Liminaire. Ks. Jozef Tischner, Le sujet gnoséologique. Ks. Aleksander Usowicz, De aspectu dynamico passionum in psychologia thomistica. Ks; Kazimierz Klosak, la théorie des origines créatrices de l'âme humaine face à l'évolutionnisme contemporain. Ks. Wladyslaw Smereka, das polizeiliche Vorverhör jesu vor Annas als Repräsentanten des Sanhedrins. Ks. Jerzy Chmiel, Le rapport entre l'amour de Dieu et l'amour du prochain dans la tradition biblique (Ebauche d'une synthèse). Adam Vetulani, L'attitude de la société polonaise à l'égard du droit romain au Moyen Age. Ks. Boleslaw Kumor, De provinciae ecclesiasticae cracoviensis initiis, etc. Tome XXXVII, 2005: Piotr Andryszczak, The critique of liberalism in the philosophy of Alasdair MacIntyre. Aleksander Bobko, Die Lüge als Wurzel des Bösen, Die auf den Gedanken von Jozef Tischner und Max Scheler basierten Überlegungen. Ch. Frevel, Einer für alle , Leistung und Schwächen des Biblischen Monotheismus. Jerzy Wieslaw Gogola ocd, Adorazione eucaristica come scuola di preghiera e fonte di santità ('Ecclesia de Eucaristia' 25). Zdzislaw Klis, Some Passion of Christ Cycles in Art from Charls the Great to XII Century. Joanna maria Kornecka, Question du concile représenté sur la miniature du menologue du Basile II. Jan Maciej Dyduch, Il rinovamento del Capitolo Metropolitano dell'Archidiocesi du Cracovia... Introuvable.

      [Bookseller: Le-Livre.Com]
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        Zabriskie Point (Oversize double weight photograph from the 1969 film)

      Los Angeles: Metro-Goldwyn-Mayer [MGM], 1969. Vintage oversize borderless double weight photograph from the 1969 film. Shown are the film's two leads resting comfortably on one of the rocky hills that feature prominently in the film. Also included is a vintage black and white contact sheet comprising 30 photographs from the 1969 film. Included are numerous shots of lead actor Mark Frechette. Antonioni's great American experiment, and the only film the director ever made in the United States, written for the screen by a young Sam Shepard. Though made from an Italian's perspective, the film stands today as a great visual statement on the American West in the late 1960s, rampant consumerism, and the hippie zeitgeist. Photo: 8 x 10 inches (20 x 25 cm). Two short closed tears to one edge, else Fine. Contact sheet: 8 x 13 inches. Fine.

      [Bookseller: Royal Books, Inc.]
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        PATTON" (BLOOD AND GUTS) SCREENPLAY BY ...

      [Los Angeles]: Twentieth Century-Fox Film Corporation, 1969. [1],155 leaves. Quarto. Mimeographed typescript, printed on rectos only. Bradbound in printed studio wrappers. Wrappers a bit sunned and rumpled at extended overlap edges, otherwise very good or better. Denoted a "Final" draft of this collaborative, Oscar-winning screenplay, Coppola's screenwriting credit immediately preceding THE GODFATHER. However, further revisions were to come as production neared and proceeded, including the jettisoning of the oddly out of place subtitle. Franklin Schaffner directed the February 1970 release, starring George C. Scott, Karl Malden, Steven Young, et al, and in addition to six other wins, it was awarded the Oscar for Best Picture of its year.

      [Bookseller: William Reese Company - Literature ABAA-]
 47.   Check availability:     ABAA     Link/Print  

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