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Displayed below are some selected recent viaLibri matches for books published in 1968

        Museums of the World (36 volumes - complete)

      Kodansha, Tokyo , 1968 Book. Good. Hardcover. Japanese text with table of contents, list of plates and captions of each plate also in english.; Hardcover (white vellum with gilt lettering on spine covered by the dust jacket. In slipcase); 36.3 x 26.3 cm, 2.100 Kg, 184 pages, with colour and black and white plates (each volume); Used books with signs of wear, namely on the slipcases. Some of the dust jacket spines are: slightly faded, chipped, show wrinkles and tears. The interior is in good condition. Each of the slip cases has a sticker with the volume number in the spine, which helps to identify the volume number when the books are in a shelf, as the volume number appears in the front cover.; This 1965-1971 edition set consists of 36 volumes showing illustrations of the main works of art, such as paintings, sculptures, ceramics, etc. from the following museums: Volume 1: Musée du Louvre (I of II); Volume 2: Musée du Louvre (II of II); Volume 3: British Museum (I of II); Volume 4: British Museum (II of II); Volume 5: Egyptian Museum, Cairo; Volume 6: National Archaeological Museum, Athens; Volume 7: Museo Nazionale Romano; Volume 8: Musei Vaticani; Volume 9: National Museum, New Delhi; Volume 10: The Metropolitan Museum of Art; Volume 11: Museum of Fine Arts, Boston, Western Art; Volume 12: Tokyo National Museum (I of II); Volume 13: Tokyo National Museum (II of II); Volume 14: Musée Guimet; Volume 15: Museum of Fine Arts, Boston, Oriental Art; Volume 16: Galleria Degli Uffizi; Volume 17: National Gallery, London; Volume 18: National Gallery of Art, Washington; Volume 19: Museo del Prado; Volume 20: Staatliche Museem Munchen (I of II); Volume 21: Kunsthistorisches Museum (II of II); Volume 22: Rijksmuseum Amsterdam; Volume 23: State Tretyakov Gallery; Volume 24: Musée National D'Art Moderne, Paris; Volume 25: State Hermitage; Volume 26: State Museums of The Moscow Kremlin, State Russian Museum; Volume 27: Staaliche Museen Preussischer Kulturbesitz, Berlin; Volume 28: Art Institute of Chicago; Volume 29: Pinacoteca di Brera; Volume 30: National Museum of Greece; Volume 31: Archaeological Museum of Istanbul; Volume 32: Indian Museum of Calcutta; Volume 33: Kyoto National Museum; Volume 34: Museo Nacional de Antropologia; Volume 35: Freer Gallery of Art (I of II); Volume 36: Freer Gallery of Art (II of II)..

      [Bookseller: Jorge Welsh Books]
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        Epistre ou advertissement au peuple fidele de l'Eglise Catholique, touchant les differens qui sont aujourd'huy en la religion Chrestienne.Paris, Nicolas Chesneau, 1561. With: (2) HERVET, Gentian. Deux epistres, aux ministres, predicans et supposts de la congregation & nouvelle eglise de ceux qui s'appellent fideles, & croyans à la parolle: ...Paris, Nicolas Chesneau, 1562. Including: (3) HERVET, Gentian. Seconde epistre aux ministres, predicans & suppostz de le nouvelle eglise, de ceux qui s'appellent fideles, & croyans à la parole.Paris, Nicolas Chesneau, 1561. (4) [TOUSSAIN, Daniel?]. Response a une certaine epistre envoyee par M. Gentian Hervet, curé de Crevant, aux fideles de l'eglise reformee d'Orleans.[Paris?], [publisher unknown], 1561. (5) HERVET, Gential . Apologie ou defense, contre une response des Ministres de la nouvelle eglise d'Orleans, escripte en leur nom, par Je ne sçay qui, se nommant, L'un pour tous.Paris, Nicolas Chesneau, 1561. 5 works in 1 volume. 8vo. 18th-century(?) sheepskin parchment.

      J.N. Bakhuizen van den Brink, "De seconde epistre van Gervien Hervat", in: Ned. Archief v. Kerkgesch., 48 (1968), pp. 169-212 (discussing all 4 Hervet works); USTC 45253 (cf. 88267, barely distinguishable), 4528, 20245, 41867, 740 (ads 1-5); cf. Brunet III, 137-138; STC French p. 224; none in Adams; for Hervet: Nouv. Biogr. Gén. 24, cols. 536-40; G. Wylie Sypher, "'Faisant ce qu'il leur vient a plaisir': the image of Protestantism in French Catholic polemic on the eve of the religious wars", in: Sixteenth century journal, 11/2 (1980), pp. 59-84. Five rare French polemical works on the Counter-Reformation, all first published in 1561, here with three or four in their first editions: 3 barbed anti-Protestant "Epistres" by the translator, patristic scholar and defender of the Catholic faith Gentien Hervet (1499-1584), with the third known copy of the first and only edition of an anonymous Protestant Response to one or both of the Deux epistres and the first edition of Hervet's Apologie defending his views against the claims of the Response. Hervet states in his Apologie that he does not know the name of the author of the Response and therefore addresses him as "Monsieur l'Un pour Tous", but the Response was addressed to "fideles de l'Eglise Reformee d'Orleans" and the Apologie title-page supposes the Response came from the "Ministres de la nouvelle eglise d'Orleans", so it may have been written by Daniel Toussain (1541-1602), ordained in the Orléans Reformed Church in 1561. The first epistle (ad 1) is addressed to the devout Catholics, warning them of the Protestants, but the next two (ads 2 & 3) are more provocatively addressed to the ministers and supporters of the new Protestant Church. This provoked the Response, which in turn provoked Hervet's Apologia. All five editions are rare, but especially the anonymous Response (ad 4). The USTC records only 2 copies, and records no other edition.With 3 contemporary or near contemporary inscriptions on the title-page, 2 struck through (1 perhaps reading "Robert Rey" or "Reny" or "Reng") and the third by "Francois Thiboult", this last repeated on the Response title-page. With contemporary ms. annotations in ink in all 5 works. First title-page sightly soiled and some light, most marginal waterstains in the last work, but still in good condition. Five rare works by and responding to the French Counter-Reformationist Gentian Hervet.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        STAND ON ZANZIBAR

      Doubleday & Company, Inc., Garden City 1968 - Large octavo, cloth. First edition. "Mammoth attempt to picture the world as it may well be in the early twenty-first century -- overpopulated, over automated, and torn by riots and muggings. The pop sociologist Chad C. Mulligan comments wryly on it all, and he is the nearest thing to a hero in this densely peopled book. Primarily didactic in intent, it borrows surface bravura from John Dos Passos's social realist USA trilogy (1930-1936)." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 343. Winner of the 1969 Hugo award for best novel. 1968 Nebula nominee. Winner of the 1970 British Science Fiction Association Award for best novel and the French Prix Apollo. Anatomy of Wonder (2004) II-175. Survey of Science Fiction Literature V, pp. 2140-45. A fine copy in bright, very good or better dust jacket with light rubbing at spine ends and lower corner tips and some scuffing to black background ink on rear panel. (#131344) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Correspondance littéraire, philosophique et critique par Grimm, Diderot, Raynal, Meister etc. Revue sur les textes orig. (16 vols.cpl./ 16 Bände KOMPLETT)

      Kraus Reprint; 1968. Réimpr.éd.1877-82; Gebundene Ausgabe Das hier angebotene Werk stammt aus einer teilaufgelösten Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind etwas staubschmutzig; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 16 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; FRANZÖSISCH! Versandkostenfreie Lieferung mfb

      [Bookseller: Petra Gros]
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        Lorenzaccio

      Paris. Andre Vial. Achevé d'imprimer à Fontenay-aux-Roses, 1968. In-folio. 165 pages. Avec 12 illustrations hors-texte en couleurs de 'HOBI' (Horst-Erik Billstein). Un magnifique livre d'artiste, chacune des illustrations aquarellées à la main par l'artiste 'sans aucun procédé de reproduction....' - ce qui fait que chaque illustration est une oeuvre originale de l'artiste. Tirage très limité de 35 exemplaires seulement - celui-ci l'un des 30 exemplaires sur velin à la cuve de Rives - numéroté XXXI . Livre en très bon état dans une belle reliure d'art plein chagrin vert avec dessin doré sur le premier plat, et dans son emboîtage d'origine.

      [Bookseller: Librairie Valier ]
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        L'espace littéraire

      1968. Gallimard, Paris 1968, 11x16,5cm, broché. - Gallimard, Paris 1968, 11x16,5cm, broché. - Nuova edizione tascabile, una copia del servizio stampa. Autografo toccante e prezioso firmata dall'autore a sua sorella Margherita: "A mia sorella carissima, Marguerite, questo libro, locali può essere" la fine del libro "con tenero scuse MB." Marguerite Blanchot, celebre organista Cattedrale di Chalon, è rimasto tutta la sua vita nella casa di famiglia con la madre e la zia. "E diventerà gradualmente, per la famiglia, come la memoria delle origini." Molto vicino a Maurice, che corrispondeva regolarmente con lo scrittore che lo riflette un grande riconoscimento per la sua dedizione alla loro madre impotente. Se intenso affetto Blanchot per sua madre e sua sorella brilla in dediche di essa, non sappiamo quasi nulla della loro relazione. Nel solo saggio biografico su Blanchot, Christophe Bident rivela, però: "Marguerite Maurice Blanchot adorato fratello molto orgoglioso di lui, (...) che annette grande importanza alle sue idee politiche (...) Ha letto un sacco (.... .) hanno telefonato corrispondeva. Una distanza, hanno condiviso la stessa autorità naturale, la stessa preoccupazione di discrezione ". Blanchot lo affronta infatti molti libri dalla sua biblioteca, ora con il suo continuo legame intellettuale. Nizza copia. [FRENCH VERSION FOLLOWS] Nouvelle édition au format de poche, un des exemplaires du service de presse. Emouvant et précieux envoi autographe signé de Maurice Blanchot à sa soeur Marguerite : "Pour ma très chère soeur, Marguerite, ce livre, prémisses peut-être de "la fin du livre" avec les tendres excuses de MB." Marguerite Blanchot, organiste de renom à la cathédrale de Chalon, demeura toute sa vie dans la maison familiale, avec sa mère et sa tante. "Elle deviendra peu à peu, pour la famille, comme la mémoire des origines." Très proche de Maurice, elle correspond régulièrement avec l'écrivain qui lui témoigne une grande reconnaissance pour son dévouement envers leur mère impotente. Si l'intense affection de Blanchot pour sa mère et sa soeur transparait dans les dédicaces de celui-ci, on ne sait presque rien de leurs relations. Dans l'unique essai biographique sur Blanchot, Christophe Bident nous révèle cependant : "Marguerite Blanchot vénérait son frère Maurice. Très fière de lui, (...) elle attachait une grande importance à ses idées politiques (...). Elle lisait beaucoup (...) Ils se téléphonaient, correspondaient. A distance, ils partageaient la même autorité naturelle, le même souci de discrétion." Blanchot lui adresse en effet de nombreux ouvrages provenant de sa bibliothèque, maintenant avec elle un lien intellectuel continu. Agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Parachute to Paradise (Original screenplay for the unreleased 1969 film)

      American Broadcasting Company [ABC], New York 1968 - Revised draft script for the unreleased 1969 film, "Parachute to Paradise," with a single notation on the title page. Written for screen by Allan Gittler, the New York-based minimalist designer of electric guitars, and a virtuoso musician, who later changed his name to Avraham Bar Rashi. Gittler was a film editor in New York during the 1960s and 1970s, patented a photographic printer for motion pictures, wrote a novel called "The Rose-Colored View," and made an 18-minute short film called "New York, New York, New York," comprised of 700 photo stills, and a score that he and jazzman Elvin Jones composed. He died in 2003.Roger Davis, an actor in the film, notes that it was completed, but not shown until a broadcast on ABC in 1972. Davis: "[It was] written by the late guitar designer Allan Gittler (a.k.a. Avraham Bar Rashi,), directed by Floyd L. Petersen [sic], scored by [noted jazz arranger] Gil Evans, and also starred Natividad Abascal, Astrid Aanning, Martin J. Kelley, Bret Morrison, and the Boston garage band, The Bagatelle. was an avant-garde 'film fantasy' where Roger played the hero of a popular cigarette commercial campaign who happens to skydive. It was filmed in the summer of 1968 (beginning June 3) during Roger's short leave of absence from 'Dark Shadows'. ABC televised the movie in 1972, at the height of Roger's popularity on 'Alias Smith and Jones.' Since [the film] has gone ignored by IMDB and other web sources, here are some reflections provided by writer Gittler to 'Vintage Guitar' magazine in 2000: 'I had had enough of my career, and quit to ride my track bike through Central Park and write the script of my movie, 'Parachute to Paradise.' After the heartiness of 15 weeks of preproduction, casting the principal players and 200 extras, seven weeks of principal photography, writing the music, and seven months of editing and (doing) enormous publicity, a fallout with my producer relegated the production to a couple of cans in the laboratory vault.'"Gittler's only film credit: guitarist in "Hold for Gloria Christmas," an episode of "Naked City" (Season 4, Episode 1, 1962).Purple titled wrappers, with a credit for Gittler. Title page present, noted as "a film," with a credit for Gittler. 71 leaves, mimeograph, with white revision pages throughout, dated variously between 3/11/68 and 3/20/68. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.www.dfwretroplex.com/rogerdavis3.OCLC locates no institutional holdings for the script. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        «Le cocu magnifique»

      Édité à Paris, éditions de l'Atelier Crommelynck, 1968. Grand in-4 oblong (39,5x29cm) en feuilles sous couverture en papier, recouverte de parchemin remplié, et sous emboîtage recouvert de peau de chagrin rouge, titre à l'œser noir, sur le dos.Farce en 3 actes, illustrée de 12 gravures à l'eau-forte et à l'aquatinte de Pablo PICASSO (Réf. Bloch 1244 à 1255) (Baer 1432 à 1443). Tirage limité à 150 exemplaires signés par l'artiste et l'auteur. Celui-ci sur vélin. Un très bon PICASSO.

      [Bookseller: Librairie Ancienne Quadr'arts]
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        The Last Roman [A Struggle for Rome] (Original screenplay for the 1968 film)

      Allied Artists, Glendale, CA 1968 - Draft script for the 1968 film. Seen here under its literal English translation "A Struggle for Rome" on the front wrapper, with credits for production company C.C.C. Film (CCC Filmkunst). Extensive notations throughout, unattributed, in various colors of holograph ink and in pencil, including substantive deletions and changes to dialogue and direction.One of Siodmak's final films, capitalizing on the popularity and success of the Italian "peplum" (sword-and-sandal) films, "The Last Roman" depicts Romans and their enemies engaged in battle. Cethegus (Harvey), leader of the Roman nobility, travels to Bizantium to convince its leader Justinian (Welles) to form an army and join forces, but with plans of betrayal in tow. The sequel, "Kampf um Rom II - Der Verrat" (Fight for Rome II), was released in 1969 in Germany, and in 1973 in the US, but never saw the success it's predecessor. Orange titled wrappers. No title page present, presumably as issued, but with the title at the top of the first page of the script. 223 leaves, mimeograph on onionskin stock, with undated yellow revision pages throughout. Pages Very Good, wrapper Very Good, internal prong binding. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Ecrits intimes

      - Gallimard, Paris 1968, 14x20,5cm, broché. - Edition originale, un des 36 exemplaires numérotés sur Hollande, tirage de tête. Très bel exemplaire. - [FRENCH VERSION FOLLOWS] Edition originale, un des 36 exemplaires numérotés sur Hollande, tirage de tête. Très bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        The Double Helix

      Atheneum Books, 1968 Fine in a near fine dust jacket. First Edition stated on the copyright page. Gift inscription on the front free endpaper is made out to Maija K. Ahlquist, who is a data warehouse consultant at MIT. Book is fine. Dust jacket has original price of $5.95 printed on front flap. Minor chipping on two corners and bottom spine end; light creasing on top corner of back panel. Near fine. Comes housed in a custom slipcase.. 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        Isadora (Original screenplay for the 1968 film)

      Universal Pictures, Universal City, CA 1968 - Draft British script for the 1968 film. A high spot for Vanessa Redgrave in the 1960s, a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. From Dan Pavlides at Allmovie: Trained in classical dance, Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer (Jason Robards) and the Russian poet Sergei Essenin (Ivan Tchenko), her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules, often shunned by the very people who had so passionately embraced her pioneering efforts in dance, women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance.The film's locales are international and range from California to Europe and the Soviet Union. Shot on location in various places in England, Italy, France, and Eastern Europe. Red titled wrappers, with a die-cut title window in the British style. Title page present. 142 leaves, roneograph. Pages Near Fine, wrapper Near Fine, internally bound with two gold brads. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Street Art / N.Y., A Photo Essay

      New York: Parks, Recreation, and Cultural Affairs Administration, 1968. Near fine in photo-illustrated wrappers. Only three copies found in OCLC.. First Edition. Small square quarto. Photobook from the summer of 1968 documenting workshops involving, dance, music, theater, visual arts, and poetry held in New York's inner city. Participants included David Henderson, Tom Weatherly, Pearl Primus, Enrique Vargas, Ernest Dunkley, Randy Abbot, Maureen Conroy, and Maryat Lee, among others. Striking design utilizing often stark black and white photographs with text over-layed. Compelling document of art and performance during a turbulent American summer.

      [Bookseller: Harper's Books, Inc.]
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        Dans la pluie giboyeuse -

      Gallimard 1968 -, Paris - 1 Volume. In-8 37 pp. Couverture crème rempliée avec titre en rouge. Intérieur parfait. Non coupé. Parfait état. EDITION ORIGINALE. Un des 50 exemplaires de tête sur vélin de Hollande. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
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        Feuillets d'Hypnos.

      1968Collection espoir, NRF, Gallimard, Paris, 1946. Un volume in-8 broché, 97 pp., 7 non paginées. Mention fictive de 5e édition, édition originale (achevé d'imprimer le 20 avril 1946), exemplaire complet de son bandeau, en parfait état. Envoi de René Char.La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.

      [Bookseller: Librairie Ancienne et Moderne P. Frérot]
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        Mash

      William Morrow & Company, 1968 Near fine in a near fine dust jacket. First Edition. 1968 printed on both the title and copyright pages. A very nice, bright, square copy. Very slight rubbing on the edges of the boards; else fine. Original price of $4.95 printed on the front flap of the dust jacket. Dust jacket near fine, very slight discoloration. Comes housed in a custom slipcase.. 1st Edition. Hardcover. Near Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        MASH

      New York, NY: William Morrow and Company, Inc., 1968 Signed by Author First Edition. Tight binding but with wear on hinge by title page in Fair Unclipped DJ protected in Mylar. Unmarked text. See Photos.  H. Richard Hornberger (February 1, 1924 – November 4, 1997) was an American writer and surgeon who wrote under the pseudonym Richard Hooker. After the success of his book and its screen adaptations, Hornberger continued to practice as a surgeon in Waterville until his retirement in 1988. He died at the age of 73 on November 4, 1997, of leukemia.

      [Bookseller: RE-BOOKS]
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        Mash

      William Morrow & Company, 1968 Near fine in a near fine dust jacket. First Edition. 1968 printed on both the title and copyright pages. A very nice, bright, square copy. Very slight rubbing on the edges of the boards; else fine. Original price of $4.95 printed on the front flap of the dust jacket. Dust jacket near fine, very slight discoloration. Comes housed in a custom slipcase.. 1st Edition. Hardcover. Near Fine/Near Fine.

      [Bookseller: Bookbid Rare Books ]
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        Selected Poems

      London: Cape Goliard Press, 1968. Fine in a fine jacket. Beautiful copy of an important and scarce book.. First Edition of the great Israeli poet's first book to be translated into English. Octavo. Number 23 of 50 numbered copies, SIGNED by the author in Hebrew. Translated by Assia Gutmann (with help from her husband, Ted Hughes).

      [Bookseller: Harper's Books, Inc.]
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        WELCOME TO THE MONKEY HOUSE: A COLLECTION OF SHORT WORKS .

      A Seymour Lawrence Book Delacorte Press [1968]., [New York] - Tall octavo, salmon wrappers printed in black, spiral bound with white plastic spine. Advance copy (uncorrected proof) of the first edition. Quantity of copies produced unknown to us, but in our experience, this is among the more elusive of the advance issues of Vonnegut's major works. Not recorded by Pieratt, Huffman-klinkowitz, and Klinkowitz AG1 who were apparently unaware of this issue. Twenty-five stories including eleven (of the twelve) published earlier in CANARY IN A CAT HOUSE (1961). Anatomy of Wonder (1987) 3-394. Survey of Science Fiction Literature V, pp. 2447-50. Mild dust soiling to wrappers, a nearly fine copy. Rare. (#132213) [Attributes: First Edition; Soft Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Konvolut mit Original-Linolschnitt-Vorlage, 20 Linolschnitten, Briefen etc.

      1968 - 1968-1975. Walter Arnold Steffen (13.06.1924 - 03.11.1982), geboren in Saanen, wuchs nach der Scheidung der Elten bei verschiendenen Pflegefamilen und als Verdingbub auf, bis er 1939 in das Erziehungsheim Schloss Erlach gesteckt wurde. 1944 wurde er unter Vormundschaft gestellt. Es kam zur ersten von unzähligen psychiatrischen Internierungen. In den 50er Jahren begann er zu malen, 1962 und 1965 nahm er in Zürich und Bern an zwei Galerieausstellungen teil, verkaufte aber nichts. 1966 stellte man ihn unter Amtsvormundschaft. Im Künstlerhaus Boswil durfte er sich 1969 sein eigenes Atelier einrichten. Hier ging es ihm gut, und er beteiligte sich 1969 an der Ausstellung Phantastische Figuration im Helmhaus Zürich. 1970 sprach ihm die Stadt Zürich einen Studienbeitrag zu. Die 70er Jahre waren ein Hin und Her freiwilliger und erzwungener Aufenthalte in diversen psychiatrischen Anstalten. (SIK-ISEA, Schweizerisches Kunstarchiv, HNA 242). - Mit einer Original-Linolschnitt-Vorlage (Früchtekorb), verso signiert und datiert 68/69. - Mit 20 (19 in Schwarz und 1 in Rot) signierten Originallinolschnitten: 2 sind dreifach, 4 sind doppelt und 6 einmal vorhanden, teils leicht abweichend betitelt. - 5 maschinengeschriebene Blatt mit insgesamt 28 Gedichten, jedes Blatt handschriftlich signiert und datiert 1. bzw. 2. Dezember 1968. - 1 maschinengeschriebenes Blatt (27 Zeilen) «Oelgemälde - Goethes Teufelinsel. Geschichtsabhandlung der Reise von Goethe nach Griechenland», handschriftlich signiert und mit einer handschriftlichen Notiz «Gemäldebeschreibung Herrn Tellenbach, Pfleger Münsingen», datiert Münsingen, 30. November 1968. - Konvolut handgeschriebene Briefe (total 19 Bl.), teils mit Skizzen, an den Zürcher Künstler S.K. aus dem Psychiatriezentrum Münsingen zwischen 23.08.68 - 06.04.69 sowie 2 spätere Briefe aus dem Burghölzli, der Psychiatrischen Universitätsklinik Zürich, datiert 18.025.74 und 06.01.75. - Maschinengeschriebener Brief des Vormunds von Walter Arnold Steffen, dem Juristen Hansjörg Braunschweig, Amtsvormund der Stadt Zürich, an die NZZ-Kulturredaktion, mit der Bitte um eine Publikation der Grabrede von Clemens Mettler inkl. den erwähnten Beilagen: Grabrede, Todesanzeige und Fotokopie aus dem Lexikon zeitgenöss. Schweizer Künstler, datiert 13. Dezember 1982. - Maschinengeschriebener, handschriftlich signierter Brief von Ernst Steffen an den Vormund von Walter Arnold Steffen, den Juristen Hansjörg Braunschweig, mit der Bitte um Material für die Nummer von Doppeltalenten» (Schreibende Künstler), datiert 13.11.82. - Ausstellungskatalog «Walter Arnold Steffen», Aargauer Kunsthaus, 8. April - 6. Mai 1984. Kl.-4°. 87 S. Mit vielen s/w. Abb. OBr. - Dazu diverse Einladungskarten zu Ausstellungen, diverse Zeitungsartikel. Sprache: Deutsch [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Biblion Antiquariat]
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        ENCICLOPEDIA DELLA CANZONE NAPOLETANA. 3 volumi

      L'Enciclopedia della canzone napoletana, scritta da Ettore De Mura tra il 1968 e 1969, rappresenta una tra le maggiori opere letteraria del '900 riguardante il tema della canzone napoletana dal 1200 al 1968. L'Enciclopedia, stampata a Napoli dalla casa editrice Il Torchio, è suddivisa in tre volumi racchiusi in cofanetto, per un totale di 1548 pagine, fornita di 1925 profili di artisti, 1055 ritratti, 60 caricature, 78 autografi, 380 illustrazioni in bianco e nero e 12 tavole a colori fuori testo. 3 volumi di grande formato (cm. 20x29), pagine XL+496,504,548 con ricchissimo apparato iconografico (centinaia di illustrazioni: foto, quadri, stampe, locandine, caricature, editoria, fac - simili, ritratti, autografi, esempi musicali, + 12 tavole a colori fuori testo). Legatura editoriale con titoli e fregi in oro; in cofanetto. Volume I Panorama della Canzone Napoletana I Poeti - I Musicisti Gli illustratori - Gli Editori Il primo volume, formato da 496 pagine, tratta il panorama della storia della canzone napoletana, con la lista dei poeti, musicisti, illustratori ed editori che hanno dato un contributo al genere musicale. Volume II I Cantanti I Gavottisti e i Posteggiatori Il secondo volume, formato da 504 pagine, presenta una lista dei maggiori gavottisti, posteggiatori e cantanti che si sono dedicati alla Canzone napoletana, da Enrico Caruso a Gennaro Pasquariello, da Sergio Bruni a Mario Trevi, da Gilda Mignonette a Mina, da Salvatore Papaccio a Mario Merola, da Ettore Petrolini a Teddy Reno, da Roberto Murolo a Vittorio Parisi. Volume III I Teatri Canzoni di successo Canzoni divise per soggetto I Festival Il terzo volume, di 548 pagine, è dedicato ai teatri napoletani, al Festival di Napoli, al Giugno della Canzone Napoletana, al Gran Festival di Piedigrotta ed alle canzoni. Queste ultime sono divise per soggetto e per successo.

      [Bookseller: Libreria Neapolis]
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        Phoenix Into Ashes

      William Kimber, London 1968 - 192 pages. Some shelf wear to dj including fading to spine and a small closed tear to rear. Integral glassine cover has started to disintegrate at the rear of the book. Top and leading page edges are quite badly foxed but text and bottom page edges are clear. Autobiography of the first British man to travel at the speed of sound. Valuable book please check for postage rate. Size: 8vo - over 7¾" - 9¾" tall [Attributes: Hard Cover]

      [Bookseller: Oxfam St Albans - F4749]
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        Grands soirs et petits matins [Mayday] (Original photograph from the set of the 1977 film)

      William Klein, N.p. 1968 - Vintage photograph, shot by director-photographer William Klein, during the making of his landmark documentary. With Klein's stamp on the back, noting his address in Paris.In making his cinema verité documentary about the occupation of the Sorbonne begun during the May, 1968 protests in Paris, Klein received unprecedented access to student leaders, activists, various committee meetings, and the general assembly. Filmed during late May and early June of 1968, the film is less a picture of the birth of a radical movement than it is a catalog of the everyday struggles, both practical and intellectual, of maintaining focus on, moving forward from, and ultimate dissipation of that foundational revolutionary spirit.7 x 9.75 inches (18 x 25 cm). In an archival mat. Near Fine.

      [Bookseller: Royal Books, Inc., ABAA]
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        The Teachings of Don Juan: A Yaqui Way of Knowledge

      Berkeley, California: University of California Press, 1968 - First Edition of the authorÕs first book. About a fine copy in a good, somewhat worn and stained dust jacket. Presentation copy; inscribed by the author, ÒTo Bill Howe, with my best wishes for Ômagical timeÕ in Mexico. Carlos Castaneda.Ó The recipient, a California academic contemporary of Castaneda, stamped his Mexican address on the front jacket flap. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        La Turista [Rare Galleys of His First Full-Length Play]

      Bobbs-Merrill, Indianapolis 1968 - The galley sheets of this early play by Shepard, his first two-act play. Laid in are the galleys of Elizabeth Hardwick's introduction, dated 1967; Hardwick had reviewed the play for the New York Review of Books. At the time Shepard wrote La Turista, he was a member of the counterculture rock band The Holy Modal Rounders, which had a cameo appearance in the film Easy Rider. Shepard may be most widely known these days as an actor: he was nominated for an Academy Award for his role as test pilot Chuck Yeager in The Right Stuff; but he won a Pulitzer Prize for Drama in 1979 for Buried Child, and he has won eleven Obie awards and been nominated for two Tonys, for Buried Child and True West. He received the Gold Medal for Drama from the American Academy of Arts and Letters in 1992. Claspbound, printed on rectos only, front cover tanned and separating; rear cover has date and price and "DUPL NYPL." Front cover has the name of Paul Myers, curator of the Theatre Collection at the New York Public Library. Very good. A fragile and rare early state of this play by one of the most important playwrights of the latter half of the 20th century. The only copy of the proof we have seen. [Attributes: First Edition]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        Dichter u. Übersetzer (1920-1970): Eigenh. WIDMUNG mit Dat. u. U. (voller Namenszug) in seiner berühmtesten Lyriksammlung: "Mohn und Gedächtnis".

      Stuttgart, DVA, (1968). - 79 S. Mit eigenh. vierzeiliger WIDMUNG a. Vortitel: "Für Szász János, / herzlich / Paul Celan / 15. 4. 68." - // - Celans Gedichtband "Mohn und Gedächtnis" (EA 1952) mit dem berühmten Gedicht "Todesfuge" thematisiert den Mord an den europäischen Juden durch die Nationalsozialisten. - János Szász (*1958 in Budapest) war damals der kleine Sohn des ungarischen Regisseurs und Holocaust-Überlebenden Péter Szász (1927-1983). Er wurde später selbst Regisseur und widmete sich ebenfalls dem Thema Holocaust in Ungarn. So drehte er 2000 mit der Unterstützung der von Steven Spielberg gegründeten Shoah Foundation die Dokumentation: "A Holocaust szemei". (Szász directed (2000) a documentary for the Shoa Foundation and Steven Spielberg). - Handschriftl. Zeugnisse von Paul Celan sind selten. - Sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1550 Schwarze OLwd. (Einband Peter Schneidler) mit goldgeprägt. Titel a. Deckel u. Rücken. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Richard Husslein]
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        Poèmes

      1968. Les éditions de minuit, Paris 1968, broché. - Les éditions de minuit, Paris 1968, broché. - Prima edizione, una delle 100 copie numerate, non in vendita su pergamena BFK Rives serbatoio. Firmato autografo dell'autore Ludovic (gennaio) e sua moglie Agnese. Torna leggermente insolated senza gravità. [FRENCH VERSION FOLLOWS] Edition originale imprimée à 762 exemplaires numérotés sur vélin cuve B.F.K. de Rives, le nôtre un des 100 exemplaires hors commerce. Envoi autographe signé de Samuel Beckett à Ludovic (Janvier) et à sa femme Agnès. Dos très légèrement insolé sans gravité.  

      [Bookseller: Librairie Le Feu Follet]
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        BATE HA-KENESET BE-HUNGARYAH: ALBOM = MAGYARORSZA´GI ZSINAGO´GAK ALBUMA = THE SYNAGOGUES OF HUNGARY: AN ALBUM

      New York; World Federation Of Hungarian Jews, 1968. Original calf. 4to. X, 197, XXXI pages. 22 x 30 cm. First edition. In English, Hebrew, and Hungarian. Edited by Randolph L. Braham with the collaboration of Ervin Farkas. Braham?s own copy, specially bound (in black leather and gilt title) and dedicated to Randolph L. Braham from the World Federation of Hungarian Jews (with dedication plate on endpage) . Profusely illustrated album of black and white photographs of Hungarian synagogues. "This album includes 467 photographs and drawings. The compilers succeeded in obtaining illustrations of most of the destroyed or converted synagogues. ? We hope this work will serve as an everlasting memorial to a significant element of Hungarian-Jewish culture and as a tribute to the thousands of martyrs who left from these very synagogues on their last fateful journey to destruction. ? (From the preface) . Subjects: Synagogues - Hungary. Edificios Religiosos (Arquitetura) Synagogues. Hungary. Light shelf wear to leather, overall very fresh and clean. Very good + condition. (BRAHAM-1-43)

      [Bookseller: Dan Wyman Books LLC]
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        Stèles.

      Marseille, Les Bibliophiles de Provence 1968. Grand in-8° oblong, plié à la Chinoise, sous couverture estampée de fibres végétales, dos de parchemin, étui. Premier tirage des 7 aquatintes H.T. de Johnny FRIEDLANDER et des 7 empreintes Chinoises gravées sur bois par Robert BLANCHET. Tirage limité à 347 exemplaires tous sur vergé antique de Lana.

      [Bookseller: Librairie In-Quarto]
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        Dracula.

      Opta / Aventures fantastiques n° 3 de 1968. Fort in-8 cartonnage éditeur toile noire décorée de 408 pages au format 13,5 x 20,5 cm sous rhodoïd. Tête argentée. Superbes pages de gardes & illustrations hors texte de Philippe Druillet. Préface de Tony Faivre. Tirage unique à 3700 exemplaires n° ( 1247 ). Edition originale illustrée avec en inédit le texte : " L'invité de Dracula ". Superbe état, proche du neuf. La plus belle édition du chef-d'oeuvre de Stoker. Rarissime.Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
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        ACE DOUBLE SCIENCE FICTION 'H' SERIES COMPLETE IN 19 VOLUMES" : Star Quest, Last Castle, Derai, Wrecks of Time, Space Chantey, Mercenary from Tomorrow, So Bright the Vision, The Prism, The Road to the Rim, Others

      New York: Ace Books G Series 1st Editions and Later Printings 1967 & 1968 - ----------19 paperbacks, all Ace Science Fiction Doubles, also referred to as tete-beche or dos-a-dos, describing books which when flipped over reveal another cover and book. Ace issued their science fiction doubles from 1953 to 1973 (there were "doubles" beyond 1973, but they bore a single cover which listed both books). The books were issued in 5 letter-prefix series based on original cover price, and 1 numerical series. Offered here is the FIFTH and last letter-prefix series, the "H" series, consisting of 19 volumes issued from 1967 to 1968, and bearing an original cover price of $0.60. It is the COMPLETE set of Ace SF doubles H series, starting with H-20, to H-103. The H series consisted almost entirely of first editions, and several authors made important appearances here. Notable first editions are by Dean R. Koontz (Star Quest, his FIRST book), Space Chantey by R.A. Lafferty (cover by Vaughan Bode, his only Ace Double cover), The Last Castle by Jack Vance, and the first 2 entries in E.C. Tubb's Dumarest series, The Winds of Gath and Derai. Other writers made appearances, such as Kenneth Bulmer, Emil Petaja, Tom Purdom, A. Bertram Chandler, Mack Reynolds, John Rackham, Louis Trimble, Clifford Simak, and others. Condition of the books ranges from VG to unread fine, with most being at least near fine. Very attractive colourful books. Inquiries on condition or requests for cover scans of individual volumes are welcomed. Overseas shipping (anything outside of Canada and the USA) will require additional shipping charges. [Attributes: First Edition; Soft Cover]

      [Bookseller: John McCormick]
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        STUDIUM, 118 TOMES (1968-2007)

      1968. Instituto Pontificio de Filosofia y Teologia, O. P., Madrid. 1968-2007. In-8.Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur frais. 118 tomes (40 années). 3 tomes par an. Tomes 1 et 2 de 1970 manquants. Quelques annotations (codes) et tampons de bibliothèque. Revista cuatrimestrial de Filosofia y Teologia. Vol. VIII, Fasc. 1, 1968: V. Andrés, La 'Populorum Progressio', llamada a la conciencia universal. A. Antolinez, Diversos nombres dados a la iglesia en Liturgia Hispanica. L. Robles, EL estudio de las 'artes liberales' en la primitiva legislacion dominicana, Antecedentes historicos. A.I. Garcias, Fuentes teologicas del caracter sacramental. M. Sanchez, Problemas morales y peligros sociales de los trasplantes de corazon. M.G. Pola, Las artes liberales en la Edad Media. H. Santiago-Otero, Padre Manuel Cuervo, prof. de Teologia, etc. Vol. XLVII, Fasc. 3, 2007: Jara V., Que es una secta ?, EL criterio de demarcacion. Larrabe J.L., Nuevo Sinodo de Obispos a la vista: La Palabra de Dios en la vida y en la Mision de la Iglesia. Botero S., La 'analogia' Eucaristia-Matrimonio, Una aplicacion de la anlogia solo parcial ? Giraldez E.I., Sobre la relacion entre el principio de no contradiccion y los axiomas de las demostraciones en Aristoteles. Blazquez N., Judaismo, Cristianismo e Islam...

      [Bookseller: Le-Livre.Com]
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        Oeuvres complètes de Molière. Avec une vie de l'auteur, un examen de chaque pièce, des études sur les personnages et des notes inédites par Jean Meyer.

      Chez M. Gonon, Piazza, Paris, 1968-1972. Onze volumes grand in-8 sous emboitages, pleine basane maroquinée à long grain rouge, dos à nerfs décorés, pièce de titre en basane verte, plats décorés de frises dorées et médaillons, têtes dorées. Ensemble numéroté en parfait état.La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.

      [Bookseller: Librairie Ancienne et Moderne P. Frérot]
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        Oeuvres Complètes avec la vie de l'auteur, un examen de chaque pièce, des études sur les personnages et des notes inédites par Jean Meyer.

      Paris, Ed. Maurice Gonon, 1968-72, en 11/11 Vol. Petit In-8 (21/23 cm). Pleine Reliure Cuir sous emboitage, plats aux armes, Dos à nerfs orné de filets et titre dorés. Tête dorée, signet et tranchefile. Edition numérotée 1848/4500, sur Papier Vergé teinté Arjomary. Très bel exemplaire dans une riche reliure doublée. (7/7) Parfait Etat. Photos contractuelles. Frais d'expédition au coût réel de la Poste.

      [Bookseller: Chrispi]
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        Sixth New York Film Festival (Original Poster)

      Lincoln Center / List Art Poster and Print Program, New York 1968 - Original serigraph designed by artist Henry Pearson for the Sixth New York Film Festival, held at the Lincoln Center on September 17-28, 1968.The New York Film Festival was founded in 1963 by Amos Vogel and Richard Roud, and to this day serves as a major taste-maker for American cinephiles, bringing the best films from around the world by directors established, new, and forgotten. The 1968 festival began with Jiri Menzel's "Capricious Summer," concluded with Milos Forman's "The Fireman's Ball" and featured "The Boy with the Green Hair" by Joseph Losey and "They Live By Night" by Nicholas Ray among its retrospective features.As influential and forward-thinking as the festival is, it is matched by its iconic poster designs. Developed by Vera List, a New York City art collector and philanthropist, the poster program commissioned some the most famous artist of the day to design posters that would function as much as art as advertisement. In addition to Pearson, artists who have designed posters for the festival include Larry Rivers, Saul Bass, Bruce Conner, Roy Lichtenstein, Andy Warhol, Richard Avedon, Robert Rauschenberg, and Cindy Sherman.Amos Vogel (1921-2012) was one of the most influential cineastes in New York City. He is best known for his bestselling book "Film as a Subversive Art" (1974) and as the founder of the New York City avantgarde ciné-club Cinema 16 (1947-1963), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D'Avino and many others. In 1963, together with Richard Roud, he founded the New York Film Festival, and served as its program director until 1968. In 1973, Vogel started the Annenberg Cinematheque at the University of Pennsylvania and was eventually given a Chair for film studies at the Annenberg School for Communication, where he taught and lectured for two decades.Fine condition, with light wrinkles at the bottom third. 29.25 X 45 inches, linen backed and rolled. From the estate of New York Film Festival founder Amos Vogel.

      [Bookseller: Royal Books, Inc., ABAA]
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        Action. Nos. 1 (7 May 1968) through 41 (2 May 1969)

      39 of 49 issues total published (lacking nos. 29 and 37) of this panoramic documentation of the 1968 uprisings (issues ranging from 2 to 8 pp.), which covered events in the tumultuous year both in France and internationally with emphasis on happenings in Paris, including a wide range of articles, essays, reviews, etc., accompanied by a plethora of illustrations, including drawings, cartoons, caricatures, photographs, posters, etc. Large folio and folio. Self-wrpps., all with illustrated covers. Paris 1968-1969. A wonderful and wide-ranging publication whose most striking feature may be the dramatic, graphically powerful and in some cases iconic images on the covers, many inspired by student posters from May 1968. Illustrations throughout and on the covers are by Wolinsky, Cardon, Michel Quoirez, Elie Kagan, Siné, Topor, et al. The serial was published under the editorial direction of Jean Pierre Vigier until no. 44. Among the organizations represented are the Service des Comités d'Action, the Union Naionale des Etudiants de France, the Syndicat National de l'Enseignement Supèrieur, the Comités d'Action Lycéens, et al. Scarce institutionally.

      [Bookseller: F.A. Bernett Books]
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        MASH (Original screenplay for the 1970 film)

      Twentieth Century-Fox, Los Angeles, CA 1968 - First Draft script for the 1970 film.Based on the 1968 novel by Richard Hooker. It's a little difficult to believe the Robert Altman was not the first choice to direct the film, as it became the film that, as much as any of his best work, has come to epitomize a patented style of "controlled chaos" as a means of narrative storytelling. In this case, the "chaos" is a medical camp situated in the middle of the Korean conflict, and rarely has an American film walked the line between comedy and drama with such grace. A film that kick-started a great decade of cinema, and one that still defines it. Winner of a Palme d'Or (1970), and an Academy Award. Blue titled wrappers, noted as FIRST DRAFT SCREENPLAY on the front wrapper, rubber-stamped production No. 5059.2, dated November 1, 1968. Title page present, undated, noted as First Draft Screenplay, with credits for screenwriter Lardner, Jr. and novelist Hooker. 158 leaves, with last leaf of text numbered 156. Mechanically reproduced, with photographically reproduced leaves throughout, on eye-rest green stock. Pages and wrapper Near Fine, bound with two gold brads.Davenport, pp. 219-221. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Mattheuer, Wolfgang. - "Horizont III".

      - Holzschnitt, auf hellchamois Papier, 1968. Von Wolfgang Mattheuer. 30,0 x 39,9 cm (Darstellung / Druckstock) / 37 x 50 cm (Blatt). Koch 159 III (von III). Gleisberg 120 II (von II). Grimm 199-3. Rechts unten in Bleistift signiert und datiert. - Tadellos erhalten. Sehr guter Zustand. Wolfgang Mattheuer (1927 Reichenbach/Voigtland - 2004 Leipzig). Deutscher Maler, Grafiker und Bildhauer, Hauptvertreter der Leipziger Schule. 1941-44 Lithografenlehre in der Firma Carl Werner. 1944-45 Einberufung, Verwundung und Kriegsgefangenschaft im Zweiten Weltkrieg. 1946-47 Besuch der Kunstgewerbeschule in Leipzig. 1947-51 Sudium an der Hochschule für Grafik und Buchkunst in Leipzig unter anderem bei Egon Pruggmayer, Walter Arnold und Elisabeth Voigt. 1951/52 als Grafiker in Berlin tätig. Mitglied des Verbandes Bildender Künstler Deutschlands. 1953-74 Lehrtätigkeit an der Hochschule für Grafik und Buchkunst in Leipzig, 1965-74 Professur. Danach freischaffend in Leipzig. 1968 Kunstpreis der Stadt Leipzig. 1973 Kunstpreis der DDR. 1975 Nationalpreis der DDR für Kunst und Literatur. 1985 wird Mattheuer zum Ehrenbürger der Stadt Reichenbach ernannt. 1993 Mitglied der Akademie der Künste Berlin-Brandenburg. Verleihung des Verdienstkreuzes I. Klasse zum Verdienstorden der Bundesrepublik Deutschland. 2003 Mitglied der Freien Akademie der Künste Hamburg. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Oeuvres complètes. Avant-propos de Pascal Pia. 16 Volumes complets.I: Boule de Suif. La Maison Tellier. Premiers contes. Illustrations de Fontanarosa.II: Mademoiselle Fifi. Une Vie. Illustrations de Berthommé Saint-André.III: Contes de la Bécasse. Clair de Lune. Contes divers. Illustrations de André Collot.IV: Miss Harriet. Les Soeurs Rondoli. Contes divers. Illustrations de François Salvat.V: Contes du Jour et de la Nuit. Yvette. Contes divers. Illustrations de Grau-Sala.VI: Bel-Ami. Illustrations de Terechkovitch.VII: Toine. Monsieur Parent. Contes divers. Illustrations de Jean-François Debord.VIII: La petite Roque. Mont-Oriol. Illustrations de Jacques Thevenet.IX: Le Horla. Pierre et Jean. Contes divers. Illustrations de Roland Oudot.X: Le Rosier de Madame Husso. Fort comme la Mort. Illustrations de Paul Perraudin.XI: La Main gauche. L'inutile beauté. Contes divers. Fragments Illustrations de André Planson.XII: Notre Coeur. Des Vers. Autres poèmes. Illustrations de Cyril Arnstam.XIII: Au Soleil. Sur l'eau. La Vie errante. Illustrations de Yves Brayer.XIV: Théâtre. Illustrations de Michel Terrasse.XV: Chroniques inédites. Illustrations de Jean Béraud.XVI: Chroniques littéraires. Illustrées de portrait d'époque.

      Paris, H. Piazza 1968-1973, 275x195mm,reliure d'éditeur. cuir bordeaux, dos à faux-nerfs, auteur, titre et filets dorés, plats avec encadrement filets dorés, tranche supérieure dorée,sous emboîtage.Exemplaire sur papier numéroté 1400/5000.

      [Bookseller: Bouquinerie du Varis]
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        Licini - I cieli segreti di Osvaldo Licini col catalogo generale delle opere

      Alfieri, 1968. cm 25x23 pag. 306 ill. 36 tav col, 680 b/n Italiano

      [Bookseller: Libreria Merigo Art Books]
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        IL GIORNO DEI RAGAZZI 1968 nn. 1-49 (- 2 numeri)

      S.TI.E.M, 1968. IL GIORNO DEI RAGAZZI anno XIII 1968 nn. 1-49 serie quasi completa mancano due numeri spillato 60 x 43 cm; 28 x 34 cm b/n e col. Stato di conservazione: OTTIMO! Inserto gratuito a fumetti allegato all'uscita del giovedì del quotidiano Il Giorno Il 1968 è l'ultimo anno de Il Giorno dei Ragazzi. Si tratta del XII anno (anche se è segnalato XIII) Dal numero 20 la rivista abbandona il formato lenzuolo (adottato nel 1967) per tornare al formato tabolid. Viene eliminata la numerazione e si verificano errori nella datazione. Chiude con il n. 49 del 19 dicembre 1968. In questa sequenza sono presenti tutti i numeri in formato lenzuolo, dal n. 1 al n. 19, e poi i seguenti numeri (senza numero e con le date talvolta sbagliate, come segnalato) 6 giugno 13 giugno (senza data, probabilmente 20 giugno) 27 giugno 4 luglio 11 luglio ?? luglio (segnalato solo il mese, non la data) 1 agosto 8 agosto 15 agosto 22 agosto 29 agosto 5 settembre 12 settembre 19 settembre 25 settembre 3 ottobre ottobre (segnalato solo il mese, non la data) 17 ottobre 24 ottobre 31 ottobre 7 novembre 14 novembre 21 novembre 28 novembre 5 dicembre 12 dicembre 19 dicembre In totale 47 numeri. Mancano quindi 2 numeri.

      [Bookseller: Supergulp di Rem Srl]
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        Contemporains - Poesie und Prosa [Bde.] I - XII. [12 Bde., cplt.; alles, was erschienen].

      München, Kösel, - 70 1968 - Gr.8°, zus. ca. 1000 S., Brosch. (tlw. m. Transparent-OU), Die Transp.-OUs am Rücken tlw. gebräunt bzw. randrissig; allg. schönes Ex. Alle Bde. in dt. EA. Tlw. zweisprachig. Die Typographie von Josua Reichert und Friedrich Pfäfflin. - Enth.: Bd. I: Louis-René des Forêts: Der Schwätzer; II: Philippe Jaccottet: Elemente eines Traumes (Umschlag von Horst Antes); III: Guillevic: Carnac und Die Chansons von Antonin Blond; IV: Roger Caillois: Ars Poetica; V: Yves Bonnefoy: Herrschaft des Gestern: Wüste; VI: Jacques Dupin: Sehender Leib (mit 8 Lithograohien von Rolf Szymanski); VII: Jean Paulhan: Schlüssel der Poesie und Kleines Vorwort zu jeder Kritik (der Umschlag mit einem Siebdruck von Hans Baschang); VIII: Max Jacob: Ratschläge für einen jungen Dichter; IX: André Breton: L?Amour fou (mit dem Beiheft: «Ptohots der Originalausgabe»); X: Léon-Paul Fargue: Unter der Lampe, XI: Charles-Albert Cingria: Kleines harmonisches Labyrinth; XII: Pierre Reverdy: Quellen des Windes. 1200 gr. Schlagworte: Deutsche Übersetzung Literatur EAIllustr. Bücher - allgemeinNeueingänge - Literatur, EA, Lit.-Geschichte [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
 43.   Check availability:     IberLibro     Link/Print  


        STELES.

      Bibliophiles De Provence Toulon 1968 Grand in-8 long ( 330 X 170 mm ) de 152-( 16 ) pages pliées à la chinoise sous couverture cartonnée de papier-fibre japonais estampée à froid, dos vélin ivoire, étui.7 aquatintes originales en couleurs, hors texte, de Johnny FRIEDLAENDER. Robert BLANCHET a gravé et tiré sur bois les 7 grandes inscriptions chinoises dessinées par CHOU LING. Edition tirée à 347 exemplaires numérotés. 1 des 150 vergé antique, réservés aux Bibliophiles de Provence ( Exemplaire nominatif N°105 ). Edition mise en oeuvre et assurée par Henri JONQUIERES, assisté de Robert BLANCHET qui a monté la composition typographique et en a exécuté l'impression. Bien complet du fascicule contenant les allocutions prononcées à l'occasion de la parution de l'ouvrage. Textes de SEGALEN, Annie JOLY-SEGALEN, ETIEMBLE, Bernard GHEERBRANT. Petite décoloration ( comme toujours ) sur les fragiles plats de papier-fibre. Sinon exemplaire à l'état de neuf. ( MONOD 10237 ). D'autres photos sur www.cazitel.com

      [Bookseller: Librairie Tiré à Part]
 44.   Check availability:     Livre-rare-book     Link/Print  


        The Lord of the Rings, 1st Single Volume Edition 1968, Custom Fine Binding

      London: Allen & Unwin, 1968. First Thus. Full-Leather. Near Fine/No Jacket. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. The Lord of the Rings, by J.R.R. Tolkien. The 1968, 1st Single Volume Edition 1st Impression, fully rebound in red morocco leather by The Chelsea Bindery. All edges trimmed and gilded. Dark green endpapers with single gilt rule to red leather edge. Illustrated Wraps with tissue guard bound in preceding and following the text block. Text block is clean and bright, with no names or writing to be found. The full red leather binding features Tolkien's "Ring and Eye" design, from the original dustjackets gilt stamped on the front boards with single gilt rule to edge. The spine of the book features raised bands with gilt rules, with the Title, Author, and 1968 gilt stamped. The size makes it very comfortable to handle, and the heavier paper stock makes a beautiful copy, versus the thinner more fragile India paper offered in other single volume editions from this era. A spectacular presentation of this classic of fantasy literature. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / No Jacket.

      [Bookseller: The Tolkien Bookshelf]
 45.   Check availability:     Biblio     Link/Print  


        Stèles. Aquatintes de Friedlaender.

      Nancy, Beaux Livres Grands Amis, 1968, 1968 Grand in-8 (33x16x4 cm) à la chinoise, 153 pp. pliées à la chinoise (en acordéon). Plié à la chinoise sous un cartonnage de papier-fibres japonais à la main, dos parchemin avec tire doré, étui. Tirage limité à 347 exemplaires numérotés, 1/150 sur vergé antique pur chiffon de Lana réservés aux membres de Beaux Livres Grands Amis, exemplaire nominatif n° XLIV imprimé pour Jack Bastick. Ouvrage illustré de 7 aquatintes en couleurs H.T. de Johnny Friedlaender, 7 grandes inscriptions chinoises dessinées par Chou Ling ainsi que le titre ont été gravés par Robert Blanchet. La mise en oeuvre de l'ouvrage a été assurée par Henri Jonquières, assisté de Robert Blanchet, qui a monté la composition typograhique et en a exécuté l'impression. Le caractère employé est le Klang de Will Carter de la Monotype, fondu spécialement pour l'ouvrage par Gerbaud. Jont du meme format une plaquette renfermant les allocutions prononcées à l'occasion de la sortie de l'ouvrage.

      [Bookseller: Librairie Giard]
 46.   Check availability:     Livre-rare-book     Link/Print  


        Human Cardiac Transplantation. An Evaluation of the First Two Operations Performed at the Groote Schuur Hospital, Cape Town. [In: The American Journal of Cardiology, vol. 22, nr. 4, pp. 584-596].

      New York, 1968. Lex 8vo. Entire issue present, in the original printed wrappers. A bit of wear to extremities, but overall a fine copy. Pp. (584)-596. [Entire issue: 44 pp. + pp. 449-608 + pp. (45)-(70)]. First printing of Barnard's second publication (here under the heading "Historical Milestones") on the seminal performance of the world's first human heart transplantations, one of the most important medical performances in the course of history - "the most publicised event in world medical history". This medical breakthrough introduced to the world a way to prolong life that would become of seminal importance to modern man. Barnard famously carried out the world's first human-to-human heart transplant on December 3 1967, which he described in a paper three weeks later. The patent, Louis Washkansky, a 54-year-old grocer suffering from diabetes and incurable heart disease, died of double pneumonia on December 21 that same year. But nonetheless, the operation became a worldrenowned success. Merely a month later, on January 2 1968, Barnard conducted the world's second human heart transplant, inscribing himself into history once again. This time, the patient, Philip Blaiberg, survived for 19 months. The present paper is the first to describe these two seminal performances together."Christiaan (Chris) Barnard was born in 1922 and qualified in medicine at the University of Cape Town in 1946. Following surgical training in South Africa and the USA, Barnard established a successful open-heart surgery programme at Groote Schuur Hospital and the University of Cape Town in 1958. In 1967, he led the team that performed the world's first human-to-human heart transplant. The article describing this remarkable achievement was published in the South African Medical Journal just three weeks after the event and is one of the most cited articles in the cardiovascular field. In the lay media as well, this first transplant remains the most publicised event in world medical history. Although the first heart transplant patient survived only 18 days, four of Groote Schuur Hospital's first 10 patients survived for more than one year, two living for 13 and 23 years, respectively. This relative success amid many failures worldwide did much to generate guarded optimism that heart transplantation would eventually become a viable therapeutic option. This first heart transplant and subsequent ongoing research in cardiac transplantation at the University of Cape Town and in a few other dedicated centres over the subsequent 15 years laid the foundation for heart transplantation to become a well-established form of therapy for end-stage cardiac disease. During this period from 1968 to 1983, Chris Barnard and his team continued to make major contributions to organ transplantation, notably the development of the heterotopic ( 'piggy-back') heart transplants; advancing the concept of brain death, organ donation and other related ethical issues; better preservation and protection of the donor heart (including hypothermic perfusion storage of the heart; studies on the haemodynamic and metabolic effects of brain death; and even early attempts at xenotransplantation." (Cardiovasc J Afr. 2009 Jan-Feb;20(1):31-5.)

      [Bookseller: Lynge & Søn A/S]
 47.   Check availability:     Antikvariat     Link/Print  

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