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Displayed below are some selected recent viaLibri matches for books published in 1966

        [Moïse et le buisson ardent] Then the Angel of the Lorde appeared unto him in a flame of fire, out of the middes of a bush; and he looked, and beholde, the bush was not consumed. (Et l'Ange de l'Eternel lui apparut dans une flamme de feu, du milieu d'un buisson, et il regarda, et voici le buisson ne se consumait point.) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Le Rocher d'Horeb] And thou shalt smite on the rocke, and water shall come out of it, that the people may drinke. (tu frapperas le rocher, et il en sortira de l'eau, et le peuple boira) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Laisse partir mon peuple] Then Afterward Moses and Aaron went and sayde to Pharaoh, "Thus sayeth the Lorde God of Israël, Let my people go.". (Moïse et Aaron se rendirent ensuite auprès de Pharaon, et lui dirent: Ainsi parle l'Eternel, le Dieu d'Israël: Laisse aller mon peuple) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Moïse et les fils d'Israël] So went Moses and Aaron, and gathered all the Elders of the children of Israël. (Ainsi vinrent Moïse et Aaron, et ils rassemblèrent tous les ainés des fils d'Israël) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Moïse et ses frères] And in those days, when Moses was growen, he went forth unto his brethren, and looked on their burdens. (en ce temps-là, Moïse, étant devenu grand, sortit vers ses frères, et vit leurs travaux) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Les tables de la Loi] Moses then came and called for the elders of the people, and proposed unto them all these things, which the Lorde commanded him. (Puis Moïse vint et appela les Anciens du peuple, et proposa devant eux toutes ces choses-là que l'Eternel lui avait commandées) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Then Moses assembled all the Congregation of the children of Israel, and sayde unto them, "These are the wordes which the Lorde hath commanded that ye shoulde doe them - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        He wrote in the Tables the wordes of the covenaunt, even the Ten Commandements - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Moses wrath waxed hote, and he cast the Tables out of his hands, and brake them in pieces beneath the mountaine - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Sur le Sinaï, les tables de la Loi] He gave him Two Tables of the Testimonie, even tables of stone, written with the finger of God. (il lui donna les deux tables du témoignage, tables de pierre, écrites du doigt de Dieu.) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Le baton changé en serpent] He cast the rodde on the ground, and it was turned into a serpent, and Moses fled from it. (Il jeta la tige à terre, et elle devint un serpent. Moïse fuyait devant lui.) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Moïse et l'Ange] And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them. (Moïse examina tout le travail; et voici, ils l'avaient fait comme l'Eternel l'avait ordonné, ils l'avaient fait ainsi. Et Moïse les bénit) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Moïse, Aaron et les Tables de la Loi] Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses (De plus, on fit les vêtements d'office pour le service dans le sanctuaire; on fit aussi les vêtements sacrés pour Aaron, comme Le Seigneur l'avait ordonné à Moïse) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Moïse et Josué] Then came Amalek and fought with Israel in Rephidim. And Moses sayed to Ioshua, 'Chuse us our men, and goe fight with Amalek. (Amalek vint combattre Israël à Rephidim. 9Alors Moïse dit à Josué: Choisis-nous des hommes, sors, et combats Amalek) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        [Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        ARTE ITALIANO CONTEMPORANEO. DESDE 1910 EXPOSICION ORGANIZADA POR LA QUADRIENNALE DE ROMA

      MUSEO DE ARTE MODERNO, ROMA 1966 - SPAGNOLO Catalogo della mostra, brossura editoriale morbida, illustrata, con lievissimi segni di usura e con traccia di umidità al posteriore, con numerose riproduzioni a colori applicate nei testi e 85 tavole in nero fuori testo, da pag. 100 a fine volume traccia di umidità al bordo superiore la quale è causa dell'attaccamento tra loro di alcune pagine

      [Bookseller: Biblioteca di Babele]
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        La Sicilia prima dei Greci

      IL SAGGIATORE, 1966. ITALIANO 0,58 Legatura editoriale in robusto cartonato, con dissolvenza del dorso tracce d'uso, volume N. 1 della collana, con 78 fotografie, 50 disegni e 7 carte geografiche, buono lo stato di conservazione nonostante assenza sovraccoperta. USATO

      [Bookseller: Biblioteca di Babele]
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        THE DISCOURSES OF EPICTETUS

      Limited Editions Club, NY 1966 - AS NEW book, in FINE slipcase. #517/1500. Illustrations by Hans Erni. Without the LEC flyers. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quiet Friends IOBA]
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        EVERY BUILDING ON THE SUNSET STRIP

      Self-Published, Los Angeles. 1966 (1970). - One continuous accordion-fold page composed of glued paper segments extending to 296 ½" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! An internally bright, handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies showing a tiny crimp at the base of the spine along with soiling and a soft crease along the spine of the external wrappers. There is some trivial soiling and minor chipping to the white paper covering along the top and bottom edges of the slipcase accompanied by short separating tears at the corners of the aperture. The silver mylar overlay of the slipcase is still glossy. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. [Attributes: Soft Cover]

      [Bookseller: Arcana: Books on the Arts]
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        Comédies et actes divers

      - Les éditions de minuit, Paris 1966, 12x19cm, broché. - Edition su carta corrente. autografo Firmato Samuel Beckett a Gaetan Picon. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Envoi autographe signé de Samuel Beckett à Gaetan Picon.  

      [Bookseller: Librairie Feu Follet]
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        MESSENGER.|THE

      n.p., N.P. 1966 - framed painting (34 by 28 inches). A framed painting depicting a guard at the fortress and monastic community at Qumran. Shraga Weil (1918-2009) was an Israeli artist. Born in Prague in 1918, he studied at the National School of Arts there. He served in the Hungarian resistance to the Nazis during World War II. After the war, he joined the exodus to Israel. He received training in monumental and graphic techniques at the Academy of Arts in Paris in 1953. He worked as a designer and illustrator of books during the 1950s, during which time he was illustrator of The Dead Sea Scrolls (New York: Limited Editions Club, 1966). This work was included as an illustration in that book. In the 1960s and 1970s, he created several architectural designs, including the copper doors for the main entrance of the Knesset building and the residence of the President of Israel in Jerusalem. (source: Knesset website and Shraga Weil website). Qumran was the location of an ancient Jewish fortress and Essene monastic community where the Dead Sea Scrolls were found, beginning in 1947.

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
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        Tre operai

      ARNOLDO MONDADORI EDITORE, 1966. ITALIANO 0,2 Brossura editoriale in cartoncino semi rigido, Copertina illustrata. Pagine in buono stato, leggermente brunite. Tagli bruniti. Volume n. LVII ( 57 ) della collana. USATO

      [Bookseller: Biblioteca di Babele]
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        COMPLEXITY AND CONTRADICTION IN ARCHITECTURE - A SPECTACULAR SIGNED ASSOCIATION COPY FROM ROBERT VENTURI

      (VENTURI, ROBERT). Venturi, Robert. Foreword by Arthur Drexler. Introduction by Vincent Scully. COMPLEXITY AND CONTRADICTION IN ARCHITECTURE - A SPECTACULAR SIGNED ASSOCIATION COPY FROM ROBERT VENTURI. Signed and Dated by the Architect. New York: The Museum of Modern Art, 1966. First Edition. 8vo. Cloth in Printed Dust Jacket. Architecture Monograph. Near Fine/Fine. 224pp, profusely illustrated in color b&w. "Complexity and Contradiction in Architecture" is the 1966 treatise published as the first of "The Museum of Modern Art Papers on Architecture". Preceding "Learning from Las Vegas" by six years, it firmly solidified the then-forty year old Robert Venturi's place as one of the leading theoretical practitioners of the new wave of American architects. An exceptionally handsome example of the uncommon hardbound first edition bearing the BOLDLY SIGNED PRESENTATION "To Vaughan Cannon / from an admirer, / Bob Venturi / September 1968" in black ink on the front pastedown in a bright,white dust jacket showing a bit of brown spotting along the top edge of the textblock. The recipient, Vaughan Cannon Sr., was the longtime director of the Las Vegas office of the renowned Young Electric Sign Company - the firm responsible for designing and fabricating nearly all of the iconic neon hotel and casino signage from "Vegas Vic" to "Circus Circus" pictured in "Learining From Las Vegas". PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. LC 66-30001 Inventory Number: 025932

      [Bookseller: Arcana: Books on the Arts]
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        Tutte le poesie seguite da tre idilli in prosa

      ARNOLDO MONDADORI EDITORE, 1966. ITALIANO 0,83 Legatura editoriale, copertina flessibile, in cartoncino, rivestita in tela, con dorature, fioriture sparse; sovraccoperta in carta, con illustrazione in cornice, dorso brunito, tracce d'uso. Pagine in buonissime condizioni. Tagli alti decorati in blu. V volume della collezione comprendente "Tutte le opere di Marino Moretti". USATO

      [Bookseller: Biblioteca di Babele]
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        Big As Life [Signed]

      New York: Simon & Schuster, 1966. First Edition. Hardcover. Fine-/Fine. First Printing of Doctorow's second novel and scarcest book, never reprinted and later orphaned by the author (his web site makes no mention of this title). 8vo: (6),218pp. Publisher's crimson cloth, spine stamped in gilt, top edge stained crimson, cream-colored typographic jacket printed in red, green, and black and priced $4.95. Signed by Doctorow on title page. About Fine (light soiling to spine and upper cover), square, tight and bright; Fine jacket, quite striking. "[T]wo giant humanoids from another time continuum appear in New York Harbor and, while they pose no immediate threat because of their incredible slowness, the city panics, the social order collapses and a newly formed government agency uses the crisis in ways that hint at totalitarianism. Though of stylistic interest for its vivid evocation of the different language registers of the characters, the novel is weakly structured and its various strands never quite merge into a coherent vision." (Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
 26.   Check availability:     Biblio     Link/Print  


        KOKALOS. STUDI PUBBLICATI DALL'ISTITUTO DI STORIA ANTICA DELL'UNIVERSITA' DI PALERMO N. X-XI ATTI DEL I CONGRESSO INTERNAZIONALE DI STUDI SULLA SICILIA ANTICA 1964-1965

      BANCO DI SICILIA, 1966. INTERLINGUE 1,9 Brossura editoriale morbida, ingiallita, con titoli e piccola illustrazione al piatto e titoli al dorso, con alcuni aloni, due piccole macchie, usura ai bordi e strappo al piede, pagine ingiallite ai bordi ed ancora intonse, con numerose tavole in nero fuori testo di cui alcune ripiegate. Testi di L.Bernabò Brea, A.Brelich, S.Calderone, G.Caputo ed altri USATO

      [Bookseller: Biblioteca di Babele]
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        Reprint Forum: Ära Nenning. Teil 1: Jahrgänge 1966-1970

      638, 639 - 1124 + XVI Anhang, 808, 920, 794 und 760 Seiten Fol. , gebundene Ausgabe, Leinen Ecken/Kanten bestossen, Buchschnitt mit leichten Lagerspuren, Umschläge leicht vergilbt und Lagerspuren an den oberen Rändern, sonst guter Zustand ISBN 3800039524

      [Bookseller: Antiquariat Liber Antiqua]
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        Entretiens avec Salvador Dali

      first edition for which it was not taken from large papers.Handwritten signature of Salvador Dali on the page of false title.Pleasant copy. Pierre Belfond Paris 1966 11x18cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Standard Edition of the Complete Psychological Works of Sigmund Freud

      London: Hogarth Press, 1966 Hogarth Press - Volumes I - XXIII of Freud's writings. Bindings very good/ dust jackets good to fair. Bound in cloth boards. Boards have light shelf-wear on extremities. DJ's have tears as visible in attached photo. Previous owner's (a psychoanalyst) marks in volumes 3,10,12,14,15,19, and 23. Remainder are clean and free of marks. Binding tight and solid. The Standard Edition of the Complete Psychological Works of Sigmund Freud was originally published by the Hogarth Press in London in 1956-1974.

      [Bookseller: The Mizner Library]
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        Capitalism: The Unknown Ideal

      The New American Library, New York 1966 - Half-cloth woven green boards with black cloth spine are bright and unworn. Gold and silver tttles on the spine. There is a slight visible pull on the top of the spine, else fine. Hinges, spine, and text block are square and secure. Pages clean and unmarked. There is a limitation page bound in front of the half-title page indicating that this copy is number 670 out of 700 copies issued. Ayn Rand signed this copy on the limitation page. This limited editon was issued with a slipcase which is not present. A very nice gift-worthy copy of this title, Ayn Rand (born Alisa Zinov'yevna Rosenbaum, 1905 - 1982) was a Russian-American novelist, philosopher, playwright, and screenwriter. Rand developed and populatized a philosophical system she called Objectivism, which (arguably) has acquired significant influence among libertarians and American conservatives. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Morley's Books]
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        Le Théâtre et les dieux

      P., Aubry-Rueff, 1966. In-8, broché, couverture rempliée, 40 pp. illustrée par Wifredo Lam de 5 eaux-fortes originales hors texte en couleurs. Couverture très légèrement insolée Edition originale Edition originale de cette conférence prononcée par Artaud à Mexico le 29 février 1936. Tirage limité à 125 exemplaires numérotés sur vélin à la cuve, signés par l'artiste et l'éditeur.

      [Bookseller: Librairie de L' Avenue]
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        3 Bände (in 1). Band 1: Procopii von Caesarea geheime Geschichte. Johann Paul Reinhard hat sie aus dem Griechischen ins Teutsche übersetzt, und mit Anmerkungen erläutert. Band 2: Rapins Vergleichung des Thucydides mit dem Livius. Aus dem Französischen von dem Uebersetzer der Vergleichung des Demosthenes mit dem Cicero [i.e. Karl Zichy von Vasonkö]. Band 3: Rapins Vergleichung des Demosthenes mit dem Cicero. Aus dem Französischen übersetzt von einem adelichen Jünglinge.

      Erlangen, Leipzig, Gotthard Poetsch; Augsburg, Veithische Handlung, 1753, 1767, 1966. - 8°. 19 cm. [15] Blatt, 240, [4] Blatt, 183, 190 Seiten. Halblederband der Zeit mit goldgeprägtem Rückentitel. 1. Auflage. Ausgeschiedenes ehemaliges Bibliothekexemplar mit Stempel und Stempel 'ausgeschieden' auf Innendeckel und Titelblatt. Einband wenig berieben, wenig bestoßen. Gutes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Lenzen]
 33.   Check availability:     ZVAB     Link/Print  


        The Battle of the Little Bighorn.

      New York / Philadelphia: James F. Carr / J. B. Lippincott, 1966. Signed by Mari Sandoz on the colophon and also on the bound in typescript page. First Limited edition / First printing. Number 100 of 249 copies specially bound with a Signed typescript page from the manuscript bound in. Map also bound into the book. Quarter navy leather over blue cloth. Fine. The trade edition of this book was posthumous, this is the only form of this title that may be found signed.

      [Bookseller: Orpheus Books]
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        Citations du president Mao Tse-Toung.

      Beijing, Foreign Languages Press, 1966. - 12mo (93 x 131 mm). (14), 346, (6) pp. With half-tone portrait frontispiece and facsimile plate of calligraphy by Lin Biao. Original red vinyl over paper boards, titled în gilt and stamped with a star in blind on the upper cover. Second issue of the first French edition, with the extra endorsement by Lin Biao, dated 16 December 1966, prefaced. Some underlinings and annotations in blue ballpoint; slight waterstaining near end. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 35.   Check availability:     ZVAB     Link/Print  


        Sämtliche Werke. 6 Bände (= komplett). [Original-Ganzlederbände]. Band 1: Gedichte, erster Teil. Band 2: Gedichte, zweiter Teil. Band 3: Jugendgedichte. Band 4: Frühe Erzählungen und Dramen. Band 5: Worpswede, Rodin, Aufsätze. Band 6: Malte Laurids Brigge, Prosa 1906-1926.

      Frankfurt am Main, Insel-Verlag, 1955-1966. - Klein-8°. 18,5 cm. 879, 959, 977, 1117, 697, 1635 Seiten. Braune Original-Ganzlederbände mit Original-Schutzumschlägen und goldgeprägten Rückentiteln auf grauen Lederschildchen. Pappschuber. 1. Auflage. Braune Original-Ganzlederbände mit Original-Schutzumschlägen im Original-Pappschuber. Schutzumschläge von Band 1 und 6 am Rücken mit leichten Knickpuren, ansonsten sehr gute Exemplare. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Lenzen]
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        Tragedy and Hope: A History of the World in Our Time

      New York: The Macmillan Company, 1966. First Edition. Hardcover. Like New. First edition. (All first printing points present: stated "First Printing" on copyright page, no mention of later publisher Angriff Press, full page count, does not state "First published in 1966 by" on title page.) 1348pp. Fine in Fine dust jacket, absolutely unfaded with very light shelf wear. Clean, bright pages. A superb copy, easily the best we've ever seen.Professor Carroll Quigley's magnum opus, a world history of power with a focus on the Anglo-American elite. In many ways Quigley was a complex bundle of contradictions: a conservative defender of Western civiliation who opposed the Vietnam War and was Bill Clinton's mentor at Georgetown. During the early cold war he was a true Washington insider who worked as a consultant for the Defense Department, the Navy, and other government entities, but his work is most often referenced by perennial outsiders like the John Birch Society and conspiracy researchers like the late Jim Marrs.

      [Bookseller: Burnside Rare Books]
 37.   Check availability:     Biblio     Link/Print  


        And the Barbarians Captured the Beloved Country (in) Don Bell Reports: A Weekly Commentary

      (Palm Beach, Florida: MARAH, 1966. Good. First edition. Two volumes. Small quartos. Unpaged. Stapled printed wrappers. Bound with the title "The Barbarians" on the front cover of each volume. Newsletter: Year 12, Issues 25 - 62 and Year 13, issues 1-53. Some lacing to the wrappers from some insect depredation, stapled reinforced with tape on Volume One, else sound and good or better. Far right wing and zealous religious newsletter that contains the serial article And the Barbarians Captured the Beloved Country in 80 parts. According to the first issue in the series from 1954 the Newsletter was "A weekly commentary, methods of survival if the red terror should strike."

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        FONTANA (exposition à la Galerie Alexandre Jolas ou Iolas, à Paris, 1966)

      1966 - Catalogue d'expositin et à la fois livre d'artiste. New York, Paris, Genève, réalisé par Sergio Tosi pour la Galerie Alexandre Jolas, sans date mais 1966 selon mes recherches, couverture de carton souple à rabats, environ 17.5 X 22 cm, sans mention d¿édition mais probablement la première et la seule. L¿ouvrage est constitué de quatre pages de texte en français, quatre pages de photos N&B chacune encadrée en jaune, et quatre ¿¿teatrini¿¿ constitués de deux cartons de couleur juxtaposé et dont le premier a été évidé selon les directives de l¿artiste (voir les images). Notre exemplaire est pour ainsi dire comme neuf, très frais et sans aucun défaut apparent. Un petit livre d¿artiste très rare !!! [Attributes: Soft Cover]

      [Bookseller: Librairie Montréal]
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        Grün-Rot, Ibiza

      1966 - Aquarell auf Büttenpapier, Rechts unten signiert und datiert: "R. Hans 1966", Rückseitig nochmals signiert, datiert und betitelt, 84,5 x 51 cm, Handgefertigter Rahmen, Museumsglas

      [Bookseller: Michael Draheim]
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        Josef Albers: White Line Squares

      Los Angeles, CA: Los Angeles County Museum of Art, 1966. White wraps. 66 pp. 3 bw, 7 color plates including 6 color lithographs., one with tissue guard. Contains the poem "Seeing Art" and a one-page essay by Albers and three short essays by Henry T. Hopkins (all in English, German and French). Also includes a chronology and an extensive bibliography of 81 items. Published to accompany an exhibition held in LA, CA: Los Angeles County Museum of Art, 1966, circulated internationally. VG.

      [Bookseller: Mullen Books, Inc.]
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        For My Grandchildren. Some Reminiscences.

      London, Evans Brothers, [1966]. 8vo. Original red cloth, spine lettered in gilt, cypher in gilt on upper cover, illustrated dust-wrapper; pp. xiii, 306, numerous plates, apart from occasional very light spotting, an excellent copy. Very rare first edition, first printing, presentation copy, inscribed and signed by the author on half-title, dated March, 17, 1967. The the longest-lived Princess of the Blood Royal of the British Royal Family and the last surviving grandchild of Queen Victoria presented with this volume her memoirs and rarely seen documents.

      [Bookseller: Henry Sotheran Ltd.]
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