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Displayed below are some selected recent viaLibri matches for books published in 1965

        Animalités *

      B. Klein, Paris 28.1.1965. - En feuilles 42 x 31, couverture imprimée rempliée, étui-boîte pleine toile rouille doublée de feutrine avec titre et fac-similés de signature des auteurs, portefeuille de protection similaire à l'étui destiné aux lithographies rehaussées. Exemplaire composite tout à fait déroutant, avec :- une suite des 14 lithographies (3 à double page) sur Japon, la 15ème en couverture de portefeuille sur Arches.- 4 lithographies originales signées et rehaussées de couleurs par l'artiste.En résumé, notre ouvrage se rapproche le plus du tirage des Auvergne à ceci près que la suite de ces derniers est tirée sur Arches. Par ailleurs, aucune des suites n'est mentionnée sur Japon dans les diverses tranches de tirages et il n'est nulle part fait mention de signature pour les 4 lithos rehaussées supplémentaires, exclusivement réservées aux 50 premiers exemplaires.Ce bestiaire, en partie imaginaire, rappelle "Géographie animale" paru chez Gonin en 1948, Autant les textes que l'imagerie nous parait néanmoins d'un niveau très supérieur.Quant au format, il est lui aussi bien plus ample que le nom de l'éditeur ne le laisse supposer. Édition en partie originale. Exemplaire (peut-être) unique et mixte sur Arches signé par les auteurs, comme les 200 basiques (50 avec suite), outre 1 Japon (réellement ?) unique avec une craquée de trucs, une pétée de bidules et quelques machins en sus, 13 Japon entés des bidules et machins suivis des 36 Auvergne avec les seuls machins.

      [Bookseller: Librairie Oh 7e Ciel]
 1.   Check availability:     AbeBooks     Link/Print  


        A Dialogue with Solitude

      New York: A Community Press Publication, Horizon Press, , 1965. Quarto. Original grey cloth, titles to spine in black, grey endpapers. With the dust jacket. Photographic illustrations throughout. Minor rubbing to corners, a bright copy in lightly edge nicked dust jacket, sellotape repair to recto and verso of small tear to head of front panel. First edition, first impression. Heath's best regarded work and one of the modern photobook classics.

      [Bookseller: Peter Harrington]
 2.   Check availability:     Biblio     Link/Print  


        Il maialino Gruf.

      Malipiero 1965 13 deliziosi bozzetti originali eseguiti a tempera da DANIELA PITTON (quasi l'intero apparato illustrativo: secondo la nota editoriale ne mancano 2) del volume IL MAIALINO GRUF edito da Malipiero per la collana "I racconti di Nonno Topo" (1963-65). UN PICCOLO CAPOLAVORO I bozzetti sono stati esposto nell'ambito della mostra "C'era tante volte...dal bozzetto originale al libro narrativa anni '60 - '90 per bambini e ragazzi" tenutasi a Parma nel novembre 2010. I bozzetti sono accompagnati da note bio-bibliografiche relative all'artista e da una breve intervista da lei rilasciata in occasione della mostra di Parma.

      [Bookseller: Libreria Palatina Editrice]
 3.   Check availability:     maremagnum.com     Link/Print  


        Carnet de Camargue *

      Bibliothèque des Arts, Lausanne - Paris (1965). - Relié oblong 26 x 32, dos parcheminé titré or, plats muets de vergé teinté vert, étui accordé. Elegant recueil de dessins et aquarelles de l'artiste, préfacé par Pierre Cabane, après un poème introductif bilingue du Marquis de Baroncelli-Javon.Un des titres rares et recherchés de la série. Édition originale. Parmi 300 exemplaires sur vélin de cuve, le nôtre sans l'aquarelle réservée aux 10 premiers ni l'esquisse aux quarante suivants.

      [Bookseller: Librairie Oh 7e Ciel]
 4.   Check availability:     IberLibro     Link/Print  


        Pégase *

      Nouveau Cercle Parisien du Livre, Paris 15.10.1965. - En feuilles 48 x 37, couverture illustrée à rabats, dos muet, étui-boîte pleine toile grise, titre en noir (fissuré aux deux coins du couvercle). Préface inédite et poèmes choisis par Cocteau, décédé entre le projet et la réalisation de cet imposant ouvrage, extraits de: Léone, Renaud et Armide, Neiges, Plain-Chant, Cherchez Apollon, Poésie-1920. La sobre et douce typographie de ces textes composés en caractère Europe (tout en rondeurs) compense admirablement la nervosité des compositions plus acérées des burins, une technique exigeante de gravure qui n'a pas généré tant de livres, les plus connus étant ceux d'Albert Flocon qui restera l'un des maîtres en la matière - les amateurs d'ouvrages sur le cheval peuvent rappliquer au galop.Hue dada. ça plane pour nous ! Édition collective en partie originale. Parmi 170 exemplaires numérotés sur vélin d'Arches pur chiffon à la forme, L'un des 150 nominatifs de sociétaire, outre 20 réservés aux collaborateurs .

      [Bookseller: Librairie Oh 7e Ciel]
 5.   Check availability:     AbeBooks     Link/Print  


        Dune

      US: Chilton. Chilton, Philadelphia, 1965. Hardback first edition and first impression. The book is near fine condition with a slight lean, and light bumping to the spine tips. The jacket is similar with rubbing / nibbling to the spine tips and a few short nicks. All first edition points present [$5.95 on the jacket; First Edition stated on the copyright page; Four lines of publisher information to rear flap]. Dune is one of the most important works of speculative fiction and, being voted number 14 on the Modern Library's reader's list of the 100 greatest novels, one of the greatest works of fiction. The book spawned a number of sequels, TV series and a film. It won the Hugo award and the first Nebula award. This is a highlight of modern book collecting. . Near Fine. Hardback. 1st Edition. 1965.

      [Bookseller: Hyraxia]
 6.   Check availability:     Biblio     Link/Print  


        S & H Green Stamps. [Invitation to Warhol's First Museum Show at the Philadelphia ICA]

      Philadelphia: Institute of Contemporary Art, 1965. Folded as designed; a fine copy.. First Edition. The folded poster invitation to Andy Warhol's first museum show at the Philadelphia Institute of Contemporary Art, October 8 - November 21, 1965. Offset printed in a reported edition of 6000 copies, a ridiculous number given the gallery could hold only 300 people. Yet Sam Green, who organized the show and had recently been appointed director of the ICA, was keenly aware of Warhol's growing celebrity and was himself cashing in on an act of self-promotion. When it was clear the opening crowd would be closer to the number of invitations printed rather than the capacity of the gallery, Green pulled all the pieces of the wall and turned Warhol and his entourage into an impromptu exercise in performance art.

      [Bookseller: Harper's Books, Inc.]
 7.   Check availability:     Biblio     Link/Print  


        Baja California Travel Series

      Los Angeles: Dawson’s Book Shop and Natural History Museum of Los Angeles County, 1965-1992. Limited edition. As new. Octavo.

      [Bookseller: Randall House Rare Books]
 8.   Check availability:     IOBABooks     Link/Print  


        New Dimensions (Complete Set Issues 1-16)

      St. Paul; Toddington: Llewellyn; Helios Book Service, 1965. Good +. Rare Complete Set of New Dimensions, 1960';s Occult Journal, Issues 1-16.& & Wilby, Basil (editor).& & Issues 1-6 -- St. Paul, MN: Llewellyn, 1963-64& & Issues 7-16 -- Toddington, Nr. Cheltenham, Glos., England: Helios Book Service Ltd., 1964-65.& & Background:& & The mid-20th century saw a huge growth in interest in all things esoteric and occult. When Carl Llewellyn Weschcke took over Llewellyn Publications in 1961, new age publishing was in its infancy. Llewellyn published the first 6 issues of New Dimensions bimonthly in 1963-64, and it was one of the diverse approaches they were taking to popularizing new age and occult ideas. Today, Llewellyn (now Llewellyn Worldwide) is a global publishing powerhouse, with over $16 million in annual sales. In researching the history of New Dimensions, I contacted Carl Llewellyn Weschcke to ask him about the story behind it, and he generously provided this response:& & "New Dimensions was my first attempt at magazine publishing, and it was overly ambitious at the time. If we could have started online as possible today, it could have grown. It was a great piece of work. You probably realize that Gareth Knight is the same person as Basil Wilby, editor of New Dimensions. I first encountered Basil as a voluntary, unpaid, librarian for the Society of Inner Light. When we realized we couldn';t make a go of the magazine in its quality incarnation, we transferred all rights to Basil and he continued in the ‘mimeograph'; style as you see. At the same time, he was able to start his own book endeavor, Helios, but eventually gave in, got married, and became an editor for one of the mainstream, non-occult British publishers."& & New Dimensions stated mission was as such: "Our ideal is to promote a wider understanding of what occultism stands for - and to open the way to unity of purpose among all esoteric schools. - Basil Wilby - Editor" (from issue one contents page). It included writings from a who's who of popular 20th Century psychics, occultists, and new age thinkers. Contributions included original essays, editorials, artwork, short fiction, poetry, book reviews, and more. Over the span of its 16 issues, writings from numerous prominent mid-20th century occultists graced its pages.& & New Dimensions editor Basil Wilby was the pseudonym for Gareth Knight, a British esotericist and occult author who began his esoteric training in 1953 as a member of the Fraternity of the Inner Light, founded by Dion Fortune, and in the course of a career spanning over fifty years, Knight has written extensively on esoteric topics, mostly centered around the Qabalah. As Weschcke mentioned above, New Dimensions grew out of his encounter with Knight as a volunteer with Dion Fortune';s Fraternity of Inner Light.& & After Llewellyn';s first year with the digest sized periodical, the decision was made to discontinue publishing it. Llewellyn';s final issue was number 6 in March 1964. Knight then took full control of New Dimensions, regrouped, and started his own publishing company back in England, Helios Book Service. Knight re-released New Dimensions number 7 as "A Helios Production." Helios continued issues 7-12 in virtually the same format (albeit slightly smaller) as Llewellyn had done with 1-6. It was at issue 12 when they made the change to the lower cost mimeograph format, looking much like you would expect a modern photocopied and stapled "zine" to appear. & & Contributors& & Over the 16 issues, the following contributors appeared in New Dimension';s pages (alphabetical by last name): & & Althotas& & Victor Anderson& & Alan Bain& & Douglas Baker& & Lionel Beer& & Dorothy Bowhay& & W.E. Butler& & Margaret Bruce& & Benedicta Chichester& & Hazel & Irene Close& & Robert Cochrane& & Riley Crabbe& & Arnold Crowther& & Patricia Crowther& & Gustav Davidson& & Nancy Dell& & D.A. Devitt& & E.A. Eden& & F. Fortescue& & Dion Fortune& & Felix Fraser& & G.B. Gardner& & William G. Gray& & Dr. Elizabeth Higginson& & Stanley Holt& & Marc Edmund Jones& & Sonia Kaulback& & Gareth Knight& & Maurice Leonard& & Leon Levich& & John A. Lilley& & Margaret Lumley-Brown& & Lucile V. McCurtain& & Harold Morland& & Jacqueline Murray& & Sydney Omarr& & Nancy Mansell O';Neill& & John Pendragon & Moira Wilson Vawser& & Gideon Penman& & Eleanore Person& & Israel Regardie& & Peter Ratazzi& & Roma& & Dane Rudhyar& & Charles S. Tate& & Walter Taylor& & Doreen Valiente& & Peta Wade& & Mark Western& & Basil Wilby& & David Williams& & In its relatively short span of about 2.5 years and 16 issues, New Dimensions shows us a snapshot of the exploding interest in new age ideas and the occult during the 1960';s. Articles on tarot, psychic phenomena, LSD, numerology, astrology, UFO';s, astral projection, cosmic consciousness, angels, and Qabala are just a few of the forms this journal explored alternative and emerging ways of being in the world. Many of the authors went on to become well known in their fields, often continuing to publish and teach right up to the present. Some founded schools and esoteric societies. This beautiful and rare collection of New Dimensions will make a wonderful addition to the library of the serious collector of esoteric literature& & Also included free with this purchase is a reading copy of New Dimensions editor Gareth Knight';s 2011 memoir, I Called It Magic, in which he discusses at great length his time at editor of New Dimensions, and its role as a hub of prominent and up-and-coming occult writers and thinkers of the time. & & Condition& & Overall the set is clean and solid, with some light edgewear and occasional soiling of cover wraps. A few show some "sunning" where light has leeched some color out of the cover. Nothing out of the ordinary for a collection of periodicals that is 50 years old this year.

      [Bookseller: Underground Books]
 9.   Check availability:     Biblio     Link/Print  


        SOME LOS ANGELES APARTMENTS - SIGNED BY ED RUSCHA

      (RUSCHA, EDWARD). Ruscha, Edward. SOME LOS ANGELES APARTMENTS - SIGNED BY ED RUSCHA. Los Angeles. 1965 (1970).: Self-Published, Second Edition 1/3000. 12mo. Printed Wrappers with Glassine. Artist's Book. Fine./Fine.. np (48pp), 34 b&w illustrations. "Some Los Angeles Apartments" is Ed Ruscha's 1965 photographic homage to the subtle beauty of the post-war Southern California rental property construction boom (and not to be confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title). A bright white, most handsome example of the 1970 second edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") BOLDLY SIGNED "Ed Ruscha" in blue ink across the top of the front free endpaper in the publisher's beautifully preserved glassine wrapper showing a thin margin of mild age-toning along the bottom edge of the rear panel. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 022397&

      [Bookseller: Arcana: Books on the Arts]
 10.   Check availability:     Biblio     Link/Print  


        The Looking-Glass War

      Heinemann, London, 1965, 1965. Cold War thriller. First Edition SIGNED TWICE BY THE AUTHOR. Post-octavo, pp.[x]; 246. Publisher's hardcover in original dust-wrapper. With autograph to title page 'John Le Carre a.k.a. David Cornwell' (his birth name). Book has a little shlef wear and a neat owner name. The jacket is superb, wit no laminate separation at the joints and no fading to the red spine- two common problems that beset this title. A wonderful copy. Follow-up to the Edgar-winning novel 'The Spy Who Came in From the Cold'. HUBIN: Crime Fiction IV.

      [Bookseller: Adrian Harrington Rare Books]
 11.   Check availability:     Biblio     Link/Print  


        The Looking-Glass War. (INSCRIBED)

      Heinemann, London, 1965. First Edition, first printing, this copy bearing a splendid presentation inscription from the author to his bookseller: "Handasyde Buchanan / with best wishes / from his / tedious client / John Le Carré / 16/11/65". 245pp. Black boards lettered and ruled in silver at spine. A tiny hint of discolouration to extreme top edge of upper board, else in fine state with very good dust wrapper, publisher's red colouring to spine panel quite faded as is invariably the case. Handasyde Buchanan was Heywood Hill's business partner and managed their famous London bookshop after Hill left. Le Carré's fourth novel, again including George Smiley, although here only in a peripheral role.. Inscribed by Author(s). 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Clearwater Books]
 12.   Check availability:     Biblio     Link/Print  


        DINÁMICA SOCIAL. Revista del Centro de Estudios Económico-Sociales.

      Bs.As., 1950 - 1965. - Nros. 1 a 152 // Completa 4to., rústica. Dirección: Carlos Scorza. Colaboraciones: J. Pichón-Riviere, G. Uscatescu, J.C. Goyeneche, E. Palacio, J. Irazusta, L. Castellani, O.Di Lullo, M. Amadeo, B. Jacovella, etc. etc. Ilustrada

      [Bookseller: Lucio Fernando Aquilanti]
 13.   Check availability:     AbeBooks     Link/Print  


        Chefs-d'oeuvre 11 volumes (deux séries de 5 et 6 tomes respectivement - COMPLET)

      1965. Cardin-Bogratchew (tome 1 de la première série, 12 ill.), Gaston Barret (tomes 2 et 3 de la première série, 30 ill.), Lucien Fontanarossa (tomes 4 et 5 de la première série, 30 ill.), Edy-Legrand ( Tomes 1, 2, 3 de la seconde série, 45 ill.), Grau Sala (Tome 4 de la seconde série, 12 Ill.), Michel Ciry (Tome 5 et 6 de la seconde série, 30 illustrations). . Editions de l'Odéon - Editions André Vial, 1965- 1966 - 1967 - 1968 in 4 (25 x 19,5 cm), 241 + 345 + 354 + 283 + 276 + 336 + 274 + 313 + 243 +343 + 337 pages. Illustrations de 159 hors-texte, mis en couleurs par les ateliers de Maurice Beaufumé, de Cardin-Bogratchew (tome 1 de la première série, 12 ill.), Gaston Barret (tomes 2 et 3 de la première série, 30 ill.), Lucien Fontanarossa (tomes 4 et 5 de la première série, 30 ill.), Edy-Legrand ( Tomes 1, 2, 3 de la seconde série, 45 ill.), Grau Sala (Tome 4 de la seconde série, 12 Ill.), Michel Ciry (Tome 5 et 6 de la seconde série, 30 illustrations). Reliure Editeur plein chagrin bordeaux, larges dentelles dorées encadrant les plats, premier plat avec monogramme de l'auteur au centre (F.D.), dos à nerfs, filets et titre dorés, tranche de tête dorée. Tirage à 1500 exemplaires : 72 exemplaires sur Vélin de Hollande Van Gelder numérotés de 1 à 72 enrichis d'une suite en couleurs (chaque collection est enrichie d'un orignal en couleurs), 150 exemplaires sur Vélin de Lana numérotés de 73 à 222 enrichis d'une suite en noir des illustrations, 1278 exemplaires sur Vélin de Lana numérotés de 223 à 1500. Exemplaire 834 pour la première série et 536 pour la seconde série sur papier Vélin de Lana. Les oeuvres présentées dans les deux séries sont les suivantes : PREMIERE SERIE : Tome 1 - Le joueur traduction de Sylvie Luneau, Tomes 2 et 3 - L'idiot traduction de G. et G. Arut, Tomes 4 et 5 - Crime et Châtiment traduction d'Elisabeth Guertiuk. SECONDE SERIE : Tomes 1, 2 et 3 - Les frères Karamazov traduction d'Elisabeth Guertiuk , Tome 4 : L'éternel mari traduction de Yacha Zwizagora, Tome 5 et 6 : Les possédés, traduction d'Elisabeth Guertiuk- Très bon exemplaire, infimes frottements, intérieurs très frais, Tome 1 (le joueur) avec dos légèrement passé

      [Bookseller: LES TEMPS MODERNES]
 14.   Check availability:     Biblio     Link/Print  


        New Dimensions (Complete Set Issues 1-16)

      St. Paul; Toddington: Llewellyn; Helios Book Service, 1965. Good +. Rare Complete Set of New Dimensions, 1960';s Occult Journal, Issues 1-16. Wilby, Basil (editor). Issues 1-6 -- St. Paul, MN: Llewellyn, 1963-64 Issues 7-16 -- Toddington, Nr. Cheltenham, Glos., England: Helios Book Service Ltd., 1964-65. Background: The mid-20th century saw a huge growth in interest in all things esoteric and occult. When Carl Llewellyn Weschcke took over Llewellyn Publications in 1961, new age publishing was in its infancy. Llewellyn published the first 6 issues of New Dimensions bimonthly in 1963-64, and it was one of the diverse approaches they were taking to popularizing new age and occult ideas. Today, Llewellyn (now Llewellyn Worldwide) is a global publishing powerhouse, with over $16 million in annual sales. In researching the history of New Dimensions, I contacted Carl Llewellyn Weschcke to ask him about the story behind it, and he generously provided this response: "New Dimensions was my first attempt at magazine publishing, and it was overly ambitious at the time. If we could have started online as possible today, it could have grown. It was a great piece of work. You probably realize that Gareth Knight is the same person as Basil Wilby, editor of New Dimensions. I first encountered Basil as a voluntary, unpaid, librarian for the Society of Inner Light. When we realized we couldn';t make a go of the magazine in its quality incarnation, we transferred all rights to Basil and he continued in the ‘mimeograph'; style as you see. At the same time, he was able to start his own book endeavor, Helios, but eventually gave in, got married, and became an editor for one of the mainstream, non-occult British publishers." New Dimensions stated mission was as such: "Our ideal is to promote a wider understanding of what occultism stands for - and to open the way to unity of purpose among all esoteric schools. - Basil Wilby - Editor" (from issue one contents page). It included writings from a who's who of popular 20th Century psychics, occultists, and new age thinkers. Contributions included original essays, editorials, artwork, short fiction, poetry, book reviews, and more. Over the span of its 16 issues, writings from numerous prominent mid-20th century occultists graced its pages. New Dimensions editor Basil Wilby was the pseudonym for Gareth Knight, a British esotericist and occult author who began his esoteric training in 1953 as a member of the Fraternity of the Inner Light, founded by Dion Fortune, and in the course of a career spanning over fifty years, Knight has written extensively on esoteric topics, mostly centered around the Qabalah. As Weschcke mentioned above, New Dimensions grew out of his encounter with Knight as a volunteer with Dion Fortune';s Fraternity of Inner Light. After Llewellyn';s first year with the digest sized periodical, the decision was made to discontinue publishing it. Llewellyn';s final issue was number 6 in March 1964. Knight then took full control of New Dimensions, regrouped, and started his own publishing company back in England, Helios Book Service. Knight re-released New Dimensions number 7 as "A Helios Production." Helios continued issues 7-12 in virtually the same format (albeit slightly smaller) as Llewellyn had done with 1-6. It was at issue 12 when they made the change to the lower cost mimeograph format, looking much like you would expect a modern photocopied and stapled "zine" to appear. Contributors Over the 16 issues, the following contributors appeared in New Dimension';s pages (alphabetical by last name): Althotas Victor Anderson Alan Bain Douglas Baker Lionel Beer Dorothy Bowhay W.E. Butler Margaret Bruce Benedicta Chichester Hazel & Irene Close Robert Cochrane Riley Crabbe Arnold Crowther Patricia Crowther Gustav Davidson Nancy Dell D.A. Devitt E.A. Eden F. Fortescue Dion Fortune Felix Fraser G.B. Gardner William G. Gray Dr. Elizabeth Higginson Stanley Holt Marc Edmund Jones Sonia Kaulback Gareth Knight Maurice Leonard Leon Levich John A. Lilley Margaret Lumley-Brown Lucile V. McCurtain Harold Morland Jacqueline Murray Sydney Omarr Nancy Mansell O';Neill John Pendragon & Moira Wilson Vawser Gideon Penman Eleanore Person Israel Regardie Peter Ratazzi Roma Dane Rudhyar Charles S. Tate Walter Taylor Doreen Valiente Peta Wade Mark Western Basil Wilby David Williams In its relatively short span of about 2.5 years and 16 issues, New Dimensions shows us a snapshot of the exploding interest in new age ideas and the occult during the 1960';s. Articles on tarot, psychic phenomena, LSD, numerology, astrology, UFO';s, astral projection, cosmic consciousness, angels, and Qabala are just a few of the forms this journal explored alternative and emerging ways of being in the world. Many of the authors went on to become well known in their fields, often continuing to publish and teach right up to the present. Some founded schools and esoteric societies. This beautiful and rare collection of New Dimensions will make a wonderful addition to the library of the serious collector of esoteric literature Also included free with this purchase is a reading copy of New Dimensions editor Gareth Knight';s 2011 memoir, I Called It Magic, in which he discusses at great length his time at editor of New Dimensions, and its role as a hub of prominent and up-and-coming occult writers and thinkers of the time. Condition Overall the set is clean and solid, with some light edgewear and occasional soiling of cover wraps. A few show some "sunning" where light has leeched some color out of the cover. Nothing out of the ordinary for a collection of periodicals that is 50 years old this year.

      [Bookseller: Underground Books]
 15.   Check availability:     IOBABooks     Link/Print  


        A Bibliography of Canadiana. 6 volumes complete

      Toronto, Canada: Toronto Public Library, 1965 This is a fine hardcover 6 volume set (complete), with almost no wear. Uniformly bound in maroon cloth with green title labels on the spines, titles in gilt. Frances M. Staton and Marie Tremaine (eds) Volume 1: A Bibliography of Canadiana Being Items in the Public Library of Toronto, Canada, Relating to the Early History and Development of Canada, with an introduction by George H. Locke, 828 pages, reprinted 1965. Gertrude M. Boyle, assisted by Marjorie Colbeck (eds) Volume 2:, A Bibliography of Canadiana, First Supplement, Being Items in the Public Library of Toronto, Canada, Relating to the Early History and Development of Canada, with an introduction by Henry C. Campbell, 333 pages, reprinted 1969. Sandra Alston, assisted by Karen Evans. (eds.) Second Supplement, (in 4 volumes) volume 1, 1512- 1800, 353 pages, published in 1989. Volume 2, 1801- 1849, 839 pages, published in 1985. Volume 3, 1850- 1867, 910 pages, published in 1986. Volume 4, Index, 777 pages, published in 1989. ( first printings) Completely clean inside and out. A beautiful set.10" high X 7" wide. . Hard Cover. Fine.

      [Bookseller: Design Books]
 16.   Check availability:     Biblio     Link/Print  


        Fox in Socks - A Tongue Twister for Super Children

      New York: Beginner Books / Random House, 1965. [2], 61pp, [1], original boards in DJ. DJ very slightly soiled to edges, other quite bright. Internally, apart from some traces of pencil to text of half-title and title, quite bright and clean. With all first issue points , Younger and Hirsch 24. First Edition. Hardback. Very Good/Good+. Illus. by Seuss, Dr.. 8vo.

      [Bookseller: Temple Rare Books]
 17.   Check availability:     Biblio     Link/Print  


        [Photographie originale] Longue-vue touristique à New York, ca 1965

      1965. Photo. Illus. by Alain Resnais. Très bon. Aucune reliure. 17,5 x 25,5 cm. Circa 1965. Tirage gélatino-argentique d'époque portant au verso le tampon du photographe (et cinéaste) Alain Resnais. De la collection de Jean-Michel Folon. L'intérêt du cinéaste Alain Resnais pour la photographie est connu, mais ses tirages semblent peu connus et peu nombreux. Ici une superbe composition transformant cette longue-vue typique de New York en une sorte de gigantesque sculpture ou monstre sans bouche. Parfait état..

      [Bookseller: Des livres autour (Julien Mannoni)]
 18.   Check availability:     Biblio     Link/Print  


        The Homecoming

      London: Methuen & Co, 1965. First edition. Octavo, original black cloth. Signed by Harold Pinter on the title page. "With compliments" slip from Harold Pinter laid in. Fine in a near fine price-clipped dust jacket with light rubbing to the extremities. Rare signed. The Homecoming is a two-act play written in 1964 by Nobel laureate Harold Pinter and first published in 1965. The original Broadway production won the 1967 Tony Award for Best Play. "The Homecoming' changed my life. Before the play, I thought words were just vessels of meaning; after it, I saw them as weapons of defense. Before, I thought theatre was about the spoken; after, I understood the eloquence of the unspoken. The position of a chair, the length of a pause, the choice of a gesture, I realized, could convey volumes." (John Lahr, The New Yorker)

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 19.   Check availability:     Biblio     Link/Print  


        Notizie degli scrittori bolognesi

      Bologna: Arnaldo Forni Editore, 1965. 9 volumes in 4, facsimile of the 1781-1794 edition originally published by Stamperia di S. Tommaso d'Aquino, Bologna; quarto, hand stamps of a private owner on titles and inside front covers of paper wrappers, very good; a biographical dictionary with bibliographical notes. Photos available upon request.

      [Bookseller: Zubal Books]
 20.   Check availability:     Biblio     Link/Print  


        In Cold Blood

      Random House 1965 - FIRST EDITION of Capote's masterpiece, SIGNED AND INSCRIBED on half-title: "for Tug and John / Love / Truman". Tug and John are New York socialites and partners, Trumbull Barton and John McHugh. NEW YORK: RANDOM HOUSE, 1965. Octavo, original cloth, original dust jacket; custom cloth box. Book fine, dust jacket spine lightly toned; generally a superb copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: CollectorsFolio]
 21.   Check availability:     AbeBooks     Link/Print  


        [The facsimile of] The Book of Thel

      Clairvaux: The Trianon Press for The William Blake Trust,, 1965. Tall quarto. Original brown quarter morocco, marbled sides. Housed in the publisher's marbled slipcase. A fine copy. First facsimile edition, first impression. One of a limited edition of 426 numbered copies printed on Arches rag paper to match that used by Blake.

      [Bookseller: Peter Harrington]
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        The Untold Adventures of Santa Claus: 30 original line illustrations for this Odgen Nash title: pen and india ink on bristol board, one signed "Ionicus"

      n.p, ca. 1965. (NASH, OGDEN) The drawings average about 4 x 6 inches. . Fine condition. Dictionary of British Cartoonists and Caricaturists 1730-1980, p. 6 . Armitage (born 1913) is a noted English painter and illustrator; his work has been described as "meticulously executed drawings incised with pellucid linearity", and these amusing drawings are very nice indeed

      [Bookseller: James Cummins Bookseller]
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        Octopussy and the Living Daylights

      London: Jonathan Cape, 1965. First edition. Octavo. Inscribed "Good Luck Roger Moore" who played James Bond in the film Octopussy. Fine in a fine dust jacket. Published posthumously, Octopussy and The Living Daylights marks Ian Fleming's final contribution to the legacy of his iconic creation, 007 James Bond. These four tales of intrigue are a novel gaze into the deepest character of Bond.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        AUTOGRAPH LETTER SIGNED (ALS) of 5-1/2 pages

      Corona, NY, 17 April 1965. Letter. Light creases from mailing. Near Fine. Fine 5-1/2 page letter on both sides of three 7-1/4" x 10-1/2" sheets of blue Satchmo letterhead with a SIGNATURE almost six inches long! The most famous jazz musician of the 20th century writes to a Mr. Kauffmann as he recuperates from an Eastern European tour. In part, "Here I am sitting in my home in Corona on Easter Sunday night all by myself writing this letter to you while my wife Lucille has a good sleep. The reason we are so tired is because we have just returned from our tour behind the Iron Curtain, which we both enjoyed very, very much. We did a broadcast in Frankfort [sic], Germany not long ago." He offers emotional support to his recently widowed friend. "I always feel very sad when you mention your dear wife. The way you feel about Hilde - she felt the same way about you. True love. So as I've always said, when two people love each other like you & Hilde did you must feel contented. Never worry - never grieve! even if you should marry again. Stay happy. I preach those same words to Lucille lots of times during our life together. I have so much from the life she & I have already live [sic] together until I don't want no misery from [for] which ever one of us should leave this earth last." Armstrong also requests Kauffmann to send him a new batch of lip salve whenever he has it. SIGNED as Louis Armstrong and Satchmo. A remarkable letter from a charismatic, innovative performer whose musical skills and bright personality transformed Jazz from a rough regional dance music into a popular art form.

      [Bookseller: Charles Agvent]
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        The James Bond Dossier

      London: Jonathan Cape. 1965., 1965. Pp.159. Publisher olive green soft covers flanked with publisher's logos in white, titles in black. A beautiful, fine copy ahowing the faintest edgewear. Uncorrected Proof copy.

      [Bookseller: Adrian Harrington Rare Books]
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        Comblain -La -Tour, Original Vintage 1965 FestivalPoster

      Comblain -La -Tour, Original Vintage Festival Poster, July 31-Aug.1, 1965, produced by Joe Napoli, designed by Dechy, illustration by M. Ciparisse, printed by Charles Sarley, Heusy. The poster is 19.25" by 13", has been folded, tack holes and impressions to corners, short closed tear to centre fold at right margin, light crease to top right corner, hint of tape residue to verso at the corners, Belgian excise stamp to verso, else, about near fine, clean, unmarked , stored flat and shipped in a mailing tube. In 1959 the small Belgian village of Comblain-La- Tour held its inaugural jazz festival and then over the next eight years became the unlikely site for one of the most exciting jazz festivals in Europe, rivaling Newport and Antibes as a world-class jazz capital. The festival was the brain-child of Joe Napoli, who as a young GI, battle weary and exhausted after the Battle of the Bulge, had found shelter in Comblain late in 1944, where the villagers had looked after him with great kindness. Back in the US Napoli became a successful booking agent and manager, whose clients included trumpeter Chet Baker. In 1959, having never forgotten the kindness shown to him, Napoli found a way to repay the village by offering to hold a jazz festival , in part as a fund-raiser for repairs to Comblain’s church roof. The first festival was a one day event and was plagued by terrible weather (something which was to happen often at subsequent festivals) but which did nothing to dampen the spirits of hundreds of jazz fans who made their way to Comblain. The succeeding festivals were all two day events, and by 1960 were attracting audience of more than 20,000, eager to hear some of the era’s great musicians. From 1959-66 the festival hosted a who’s who of jazz luminaries, including Chet Baker, Bud Powell, Cannonball Adderley, John Coltrane, Ray Charles, Bill Evans, Stan Getz, Art Farmer ,Woody Herman, Benny Goodman, as well as pop stars like Petula Clark and Charles Aznavor. In 2009 the village hosted a festival to mark the 50th Anniversary of the first Comblain- La- Tour. Comblain Jazz Festival Posters are now very scarce and in 1965, the penultimate festival featured John Coltrane’s celebrated Quartet as the festival headliner. J1804 . About Near Fine.

      [Bookseller: JazzFirst Books]
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        Spinning Man V

      Curwen Prints,, 1965. Lithograph on Handmade Barcham Green Crisbrook paper. Fine condition. Presented in a gun metal wooden frame with UV glass. Size: 57.5 x 80.5 cm. (22½ x 31½ inches) No. 55 of 65 and 5 artist's proofs. Signed and dated in pencil lower right by Elisabeth Frink. From a series of 8 lithographs titled Spinning Man. Dame Elisabeth Frink, printmaker and sculptor, her work is distinguished by her commitment to naturalistic forms and themes. Frink's popular subjects included men, birds, animals and religious motifs.

      [Bookseller: Peter Harrington]
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        For Kicks (First UK Edition)

      London: Michael Joseph, 1965. First Edition. First Edition. Near Fine in a bright, Very Good plus dust jacket. Small bump to one corner of the heel, else book is Fine; jacket has a couple of short closed tears and corner rubs, with a small dampstain at the bottom corner of the rear panel. An attractive copy.

      [Bookseller: Royal Books, Inc.]
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        For Kicks

      London: Michael Joseph,, 1965. Octavo. Original green boards, titles to spine gilt. With the dust jacket. Ownership inscription to front free endpaper. Spine slightly rolled with a faint vertical crease, edges spotted. A very good copy in the price-clipped and lightly rubbed and foxed jacket with a few short closed tears that are repaired on the verso. First edition, first impression.

      [Bookseller: Peter Harrington]
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        JETSONS ORIGINAL ART

      - CARTOONS. (HANNA-BARBERA) JETSONS ORIGINAL ART. Offered here is a fabulous watercolor circa 1965 used for a Spanish Language book about the Jetsons. Although there is no indication that this is from a Spanish book, it was purchased with other art from a Spanish edition. In Spanish, the Jetsons are known as "Los Supersonicos." When the Flintstones premiered in 1960, it became the first prime time cartoon series made specifically for TV and it is still popular today. It was also very successful in Spanish speaking countries (especially Mexico and Venzuela). The Jetsons was the space age version of the Flintstones. The colors in this artwork are vibrant and the image makes you smile. The image measures 10 x 13" done on art board 12 x 16. Sl. finger soil on edges, near fine. This is a great image of the whole Jetson Gang - George, his wife Jane and their daughter Judy are in a space ship hovering in mid air. Their son Elroy is sitting on a cloud next to Astro the dog.

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        [Photographie originale] Flèche signalétique au sol, ca 1965

      1965. Photo. Illus. by Alain Resnais. Très bon. Aucune reliure. 25,3 x 17,4 cm. Circa 1965. Tirage gélatino-argentique d'époque portant au verso le tampon du photographe (et cinéaste) Alain Resnais. De la collection de Jean-Michel Folon. Le sujet représenté est une flèche signalétique, objet essentiel et récurrent dans l'ouvre de Folon. Folon en photographiait lui-même énormément et ses amis photographes lui envoyaient celles qu'ils trouvaient. L'intérêt du cinéaste Alain Resnais pour la photographie est connu, mais ses tirages semblent peu connus et peu nombreux. Cette photographie, et probablement ce tirage-même, apparaît dans le film d'Alain Resnais "La guerre est finie", dans les mains d'Yves Montand, en train de feuilleter des photos de flèches signalétiques au sol (vers la 52 minute, 42e seconde). Il est à noter que Folon a été présent sur le tournage du film, dont il a pris des photos (voir nos références n° 3475, 3476 et XXXX) et que plusieurs de ses propres tirages photographiques figurent dans la même scène (voir référence n° 3483). Folon est également cité dans le film (ves 41'30'' - 41'55'') : "On prépare un livre sur les villes, sur toutes les villes du monde... enfin, sur la manière dont la ville parle avec ses habitants et comment les gens dans la rue lui répondent... comment ça devient un langage... c'est compliqué à dire, mais en images c'est tout simple... Tu verras : on prend des photos des villes et on mélange avec des dessins de Folon et Topor. C'est moi qui ai fait la maquettte avec Agnès. Bill s'en va au Brésil, alors on fait tout de suite le premier choix des photos avant son départ." Resnais avait montré en 1965 à Jogre Semprun, l'auteur du scénario, des dessins de Folon figurant des flèches, et Semprun avait intégré Folon dans le scénario (cf. sa préface à "Folon, aquarelles, gravures et affiches", 1982). Parfait état..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        [Photographie originale] Flèches signalétiques sur une route de Bruxelles, ca 1965

      1965. Photo. Illus. by Jean-Michel Folon. Bon. Aucune reliure. 23,6 x 16,9 cm. Tirage gélatino-argentique d'époque. Au verso les mentions manuscrites "Folon" et "photo à restituer". Cette photographie - et plus particulièrement ce tirage (qui comporte exactement les mêmes défauts dans le coin supérieur droit) - apparaît dans les mains d'Yves Montand dans le film d'Alain Resnais "La guerre est finie" (vers la 52e minute, 40e seconde). Nous connaissons le négatif de cette photographie et pouvons donc sans le moindre doute l'attribuer à Folon. La flèche est un élément essentiel, récurrent, voire obsessionnel dans l'oeuvre de Folon. Il en photographiait lui-même énormément et demandait à ses amis de lui donner des tirages de clichés de flèches ou autres signes urbains qu'ils pouvaient prendre. Il semble que dans cette scène du film, où Yves Montand feuillette six tirages photographiques, dont cinq figurant des flèches signalétiques au sol, quatre des photos soient de Folon et une d'Alain Resnais (voir notre référence n° 3431). Nous joindrons une mauvaise photocopie d'une capture d'écran du film où l'on voit ce tirage dans les mains de Montand. Il est à noter que Folon a été présent sur le tournage du film, dont il a pris des photos (voir nos références n° 3475, 3476 et 3489). Folon est également cité dans le film (vers 41'30'' - 41'55'') : "On prépare un livre sur les villes, sur toutes les villes du monde... enfin, sur la manière dont la ville parle avec ses habitants et comment les gens dans la rue lui répondent... comment ça devient un langage... c'est compliqué à dire, mais en images c'est tout simple... Tu verras : on prend des photos des villes et on mélange avec des dessins de Folon et Topor. C'est moi qui ai fait la maquette avec Agnès. Bill s'en va au Brésil, alors on fait tout de suite le premier choix des photos avant son départ." Resnais avait montré en 1965 à Jorge Semprun, l'auteur du scénario, des dessins de Folon figurant des flèches, car il souhaitait que Semprun intègre Folon dans le scénario (cf. sa préface à "Folon, aquarelles, gravures et affiches", 1982). Notons enfin que Folon faisait faire la plupart du temps un unique tirage de ses photos, deux au maximum et souvent aucun. A part les défauts dans le coin supérieur du tirage, qui lui donnent une valeur "historique" ou du moins cinéphilique, en bel état..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        THE TWENTY THIRD PSALM

      Worcester: Achilles J. St. Onge, [1965].. Miniature (9.2 x 7 cm). Full blue calf, stamped in gilt, a.e.g. Illustrated throughout in color by T. Tudor. Pencil gift acknowledgement by W. S. Lewis, else fine in very near fine dust jacket. One of an unspecified number of copies printed by Enschedé en Zonen, this being one of the preferred copies with the dedication intact. This copy bears an original drawing by Tudor, in pencil and brown ink, signed and dated 1969, on the preliminary blank. Wilmarth Lewis has written his initials in pencil again, beneath the drawing (of a man reclining and reading in a chair, surrounded by dogs and picture frames, smoking), but an acquaintance of Lewis declines to believe it resembles him.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Midnight Cowboy

      Simon and Schuster 1965 - A near fine first edition (First Printing stated on copyright page) in a fine dust jacket (original price still on front flap), inscribed by Herlihy on the front free endpaper. Light dots of discoloration at top and bottom of covers. Otherwise book is fine and looks unread. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
 35.   Check availability:     AbeBooks     Link/Print  


        The Far Side of the Dollar

      New York: Alfred A. Knopf,, 1965. Octavo. Original green cloth backed brown boards, titles to spine gilt, yellow top-stain. With the dust jacket. An excellent copy in the lightly rubbed jacket with slightly faded spine panel. First edition, first printing. Inscribed by the author, using his real name Kenneth Millar, on the front free endpaper "Feb. 8, 1965 Santa Barbara. For Stretch, with affectionate good wishes". Stretch was a Santa Barbara neighbor.

      [Bookseller: Peter Harrington]
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        A Way of Seeing: Photographs of New York by Helen Levitt with an essay by James Agee

      New York: Viking, 1965. First edition. Oblong, quarto. Fine in a fine dust jacket with one small closed tear. Signed by Helen Levitt on the title page. James Agee, dead ten years in 1965, had written his essay for the book in 1946… Although he may not have been the first writer to apply the word lyrical to Levitt's marvelously serendipitous images of urban street theater, his essay was for some time their most persuasive critical frame. In this edition, his text literally brackets the 50 photos, which are arranged in an episodic montage—bleak, antic, poignant; sometimes melodramatic, often comic—at once suggestively narrative and as ephemeral as a passing glance" (Roth, 178). In this timeless work, "Levitt's photographs are beautiful—major, underrated works. Like Henri Cartier-Bresson, she achieves a rare balancing act: her pictures have sentiment without being sentimental" (Parr & Badger II:252).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        A Way of Seeing; Photographs of New York

      New York: The Viking Press,, 1965. With an essay by James Agee. Oblong quarto. Original black cloth, titles to front cover and spine in white. Illustrated with 51 mainly full page photographs. Minor scuffs to book, dust jacket rubbed to corners, small chip to head of spine. First edition, first printing. These photographs were taken over a number of years, starting in the 1940s, Levitt and Agee planned the publication in 1950, five years before Agee's death.

      [Bookseller: Peter Harrington]
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        A WAY OF SEEING. PHOTOGRAPHS OF NEW YORK With an essay by James Agee.

      NY: Viking, 1965. First ed. Levitt, Helen. Oblong 4to., 78 pp., 50 photo-plates. Bound in black cloth with photo-illustrated dw. The dw has two closed tears and a few chips and wrinkles along the lower edge of the front panel. Lower tips rubbed, otherwise a very good copy in dw. Helen Levitt and James Agee produced the work for this book in the late 1940's., but it was not published until Agree had already passed away.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        A Way of Seeing

      Viking, New York, 1965. First Edition. Hardcover. Very Good Condition/Very Good. Oblong 8vo - Jacket chipped at edges with some loss at spine ends and corners, a few surface marks, small tear and stain to rear inner flap; unclipped and still about very good. Wear to edges of black cloth, a bit heavier at corners; slight scattered browning to pages. Still an attractive copy and a vital evocation of New York and childhood. Size: 8vo - over 7¾" - 9¾" tall. Quantity Available: 1. Shipped Weight: Under 1 kilo. Inventory No: 043108. .

      [Bookseller: Pazzo Books]
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        God Bless You, Mr. Rosewater [Review Copy]

      NY: Holt Rinehart Winston. (1965). A review copy of Vonnegut's sixth book, one of the novels that began earning him a small but passionate following in the mid-1960s, before his breakthrough to the status of "major author," which came when Slaughterhouse-Five was published. Signed by the author with a self-caricature. Owner signature of cartoonist Claude Smith under front flap; very slight loss to spine lettering; otherwise a fine copy in a near fine dust jacket with some unnecessary tape strengthening on verso and slight dampstaining, also on verso. With press release laid in. In a custom clamshell case. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        There's No Vinism Like Chauvinism - Original Typed Manuscript

      - 8.5 by 11-inch sheets. 77 pages. First published in the April 1965 issue of Amazing Stories and later collected in The Best of John Jakes in 1977. Offered here is the complete, original manuscript with handwritten notes and changes. Also included are the two original publisher's mock-up pages with artwork for the story's title page and two sets of publisher's sheets representing the version that was finally published. The condition of this group is very good. Known primarily for his historical novels, much of Jakes' early writing was for the science fiction pulps. He was a prolific short story writer, even into the 1970s, and many of his works were first published in Amazing Stories. This lot provides both a glimpse into pulp magazine production as well as an opportunity to obtain Jakes manuscript material which is rarely offered.

      [Bookseller: SF & F Books]
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        The Dark is Rising Series: Over Sea, Under Stone; The Dark is Rising; Greenwitch; The Grey King; Silver on the Tree

      London: Jonathan Cape 1965-1977. First British editions and true firsts of each book in the Dark is Rising Sequence. Octavo, 5 volumes. Each copy is signed or inscribed by the author. Each are in excellent condition in dust jacket. A very rare set, especially signed. One of the most celebrated fantasy sequences of all time, The Dark Is Rising is a searing, epic rendering of the eternal conflict between good and evil. It was inaugurated in 1965 with the U.K. publication of Over Sea, Under Stone by Jonathan Cape. The sequels were published 1973 to 1977, volume four, The Grey King (1975), won both the Newbery Medal, recognizing the year's "most distinguished contribution to American literature for children", and the inaugural Welsh Tir na n-Og Award for English-language books with Welsh background. The concluding Silver on the Tree (1977) also won the annual Tir na n-Og Award.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        DE GOUPIL A MARGOT. HISTOIRES DE BETE

      Bruxelles: Editions Terres Latines, (1965). First Edition. Decorated Wraps. Fine in chemises and slipcases. Andre Collot. Two octavo (6-3/4" x 8-3/4") volumes of unbound sheets in printed wrappers laid into cloth chemises with matching slipcases. Illustrated in color pochoir by Andre Collot. Of a total of 1600 copies, this is Copy #1 SIGNED with all of the ORIGINAL PENCIL DRAWINGS for the illustrations and layout sketches for the book housed in the second volume, nearly 150 pieces of original art.

      [Bookseller: Charles Agvent]
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        Crucifix in a Deathhand

      New York: Lyle Stuart. 1st Edition. Soft cover. Fine. FIRST EDITION, one of only 3100 copies, SIGNED AND DATED BY BUKOWSKI ("Charles Bukowski / 3-15-65") on the blank preceding the colophon. With the rare wrap-around band. A magnificently illustrated and printed book with illustrated paper covers, leaves of varying widths and colors with deckle fore edges, cover etching and four full page black and white etchings. From the colophon: "Thirty-one hundred copies of this first edition hand-set in Bulmen Roman, American Uncial & others, have been printed, hand-fed in single-page impressions, on Linweave Spectra paper in shades of ivory, white, peacock, gobelin, bayberry, bittersweet & saffron, on an 8 by 12 C. & P. letterpress in New Orleans. Edited, designed, printed and handbound by Loujon Press editors Louise and Jon Webb, with delivery begun in April 1965 of books as they were completed to publisher Lyle Stuart, Inc., N.Y.C." New York: Lyle Stuart, 1965. Folio (8.5 x 12.5 in.), original wrappers; original wrap-around band. A FINE COPY.

      [Bookseller: The Manhattan Rare Book Company]
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