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Displayed below are some selected recent viaLibri matches for books published in 1962

        The Spy Who Loved Me. (A James Bond novel)

      London: Jonathan Cape. 1962 , 1962. First Impression, State A. Publisher's cloth-effect paper over boards with scarlet endpapers in the correct Richard Chopping-designed dust jacket. This copy was originally exported to Canada, purchased in Ottawa, and has remained in the same collection since. As was the practice with imported copies, the book has been price-clipped by the Canadian bookseller. Shows some light general wear and handling, splash mark to top edge, a few short tears. A very good copy indeed. Gilbert A10a (1.1).

      [Bookseller: Adrian Harrington Rare Books]
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        The Spy Who Loved Me

      London: Jonathan Cape, 1962. Black paper baords with silver lettering to spine and blind stamped image of a dagger to front board. Book slightly cocked, with lightly bumped bottom corners. A few pages with very light foxing and very light dust soil to edges of text block. Dust jacket price clipped with minimal to no wear. A very nice copy. . 1st. Hard Cover. Very Good +/Very Good +. 8vo.

      [Bookseller: Contact Editions]
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        Bison - Glenbow Ranch [Original Oil Painting]

      1962. () Near fine. Original painting, oil on canvas. Image 19.25 X 23" (48.9 X 58.5 CM) in 24 X 28" (61 X 71 CM) carved decorative gilt painted wooden frame. Some light wear, cracking and chipping to frame, else in excellent condition. Signed by Gilroy on the bottom right corner (along with the date and location 'Glenbow Ranch'). Painting depicts four bison in a vast expanse of grassy field. A few trees and water are visible at the rear. One sits and another grazes. A beautiful collection of horns, fur and traditional shaggy headed bison profiles. Glenbow Ranch was located between Calgary and Cochrane north along the Bow river (in Rocky View County). In 2006 the land was made 'Glenbow Ranch Provincial Park' when it was purchased from the previous owners by the government of Alberta. John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout..

      [Bookseller: Aquila Books]
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        Portraitpostkarte mit eigenh. Widmung und U.

      O. O., 1. VI. 1962. - 1 S. 8vo. Aus der Sammlung des Theologen Hermann Dembowski (1928-2012).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Try Anything Once (Signed First Edition)

      New York: William Morrow, 1962. First Edition. First Edition. INSCRIBED by the author to his niece on the front endpaper: "To my friend 'Nordie' / With all love from / Uncle Erle / Erle Stanley Gardner." Binding slightly cocked, else Fine in a Fine dust jacket. A Bertha Cool and Donald Lam mystery.

      [Bookseller: Royal Books, Inc.]
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        Charles François Landry *

      Cully, 17 août 1962. - Photographie originale 30 x 21, cachet d'auteur tamponné au dos. Beau portrait de face de l'écrivain, à la fois posé et paisible, chez lequel on sent un arrière-fond de subtile inquiétude. Un oiseau blessé, dirait Eluard. Une belle dédicace au verso, signée et datée de janvier 1963 à un ami dont on n'a pu décrypter le nom, en assied définitivement l'intérêt.

      [Bookseller: Librairie Oh 7e Ciel]
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        Sterben und Auferstehen [Signed]

      Zurich: Coron-Verlag, 1962. First edition. Hardcover. Fine. A Fine, Superior, copy of the first edition, first printing, SIGNED BY FRANS EEMIL SILLANPAA on the page facing his Portrait [Text in German]; a commemorative book published to honor Sillanpaa's having won the 1939 Nobel Prize in Literature "for his deep understanding of his country's peasantry and the exquisite art with which he has portrayed their way of life and their relationship with Nature." [The true first edition of this book, offered here, should not be confused with the later revised edition (1970), or with later printings of such revised edition, which are rather easily found.] The book contains a section on Sillanpaa's Life and Works written by Dr. Olof Enckell, then Chairman of the Literature Department at Helsinki University, as well as Sillanpaa's acceptance speech, praise of him by the Nobel committee, excerpts from 2 of his most well beloved novels and more. Illustrated with 10 full page color illustrations. Copies of the book in its true first edition, as offered here, are quite scarce. Although the book was not called to be signed, this copy was nevertheless signed by Sillanpaa, making it a rare copy indeed. As Sillanpaa died in 1964, this book may well have been one of the last books he signed. This copy of the book came from the Estate of renowned dancer and choreographer Martha Graham. A beautiful, Fine, Superior, copy of an exceedingly scarce book with a notable Provenance, SIGNED BY FRANS EEMIL SILLANPAA. Quite Beautiful and RARE INDEED.

      [Bookseller: Allington Antiquarian Books, LLC]
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        David Thompson's Narrative 1784-1812

      Champlain Society, Toronto 1962 - Gilt lettered red buckram. top edge gilt. Edition limited 750 copies of which this is 562. cii, 410 pp. Folding map in rear. Thompson was one of the greatest surveyors-mapmakers of North America. Near fine copy with uncut pages. [Attributes: Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        It's A Dog's Life Charlie Brown

      NY: Holt, Rinehart Rinehart & Winston, (1962) - Stated First Edition; 8vo; stiff pictorial wraps, softcover; black and white illustrations; sunned pages else a very good clean tight copy with a $1.00 price. [Attributes: First Edition; Soft Cover]

      [Bookseller: WellRead Books A.B.A.A.]
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        Dead Cert

      London, Michael Joseph,, 1962. Octavo. Original burgundy boards, titles to spine gilt. With the dust jacket. Spine tips lightly faded, brown strip to endpapers, dust jacket lightly chipped to head and foot of spine, corners nicked, white sections toned. Still an attractive copy. First edition, first impression. Dick Francis first novel. Ownership inscription of John Hanmer, racing reporter and broadcaster, to front free endpaper.

      [Bookseller: Peter Harrington]
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        Edge Of the Alphabet, The

      Christchurch, New Zealand: Pegasus, 1962. First Edition. Cloth. Very Good/very good. 8vo - over 7¾" - 9¾" tall. Dustjacket protected in Brodart clear archival cover. Small triangle missing on front free endpaper. Penned name on same page. 223 pages no foxing. Tight and square binding.

      [Bookseller: The Last Word]
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        A Navajo Sketchbook: Trailfinders Edition|~|

      Northland Press @font-face { font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }Limited edition: No. 21 of 55 copies signed by Perceval with uncut sheets, bound at the Silverlake Bindery. Each copy contains an original signed watercolor by Percival measuring 5 x 4 1/2 inches. 12 1/2 x 9 3/4 inches, 98 pages, cloth, with slipcase. The Trailfinder edition was published by Glen and Muir Dawson of Los Angeles in 1962.

      [Bookseller: Dawson's Book Shop]
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        Las Cruces

      Papeles de son Armadans Madrid / Palma de Mallorca: Papeles de son Armadans. 1962. First. First separate edition. Translated by Jorge A Franco Irizarri. 12mo. String-tied decorated wrappers. Very slight age-toning on wrappers, very near fine. Spanish translation of an excerpt "The Crosses," from his novel The Cannibal. Copy number 7 of 500 numbered copies. This copy Inscribed by the author to James Laughlin: "For J. from Jack. Providence. August, 1962." OCLC locates only two copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Typed Letter, Signed, 1962. With Additional Material Relating to the First SDS National Convention and the Drafting of the Port Huron Statement

      Students for a Democratic Society, New York 1962 - Extremely early, foundational document of the SDS, announcing the group's first National Convention at Port Huron, Michigan in June of 1962. Undated, but circa March or April, 1962. The recipient is unknown, but SDS Chairman Robert Alan ("Al") Haber presumably sent such invitations to university students around the country who had been previously active in leftist political causes. The prospectus, titled What is the S.D.S.?,lays out a 5-part platform -- Civil Rights, Peace, Higher Education, Student Organization, and National Politics -- which would be reflected in the group's formal manifesto, The Port Huron Statement, some months later. The text of the prospectus is unsigned, but smacks strongly of the declarative, cadenced prose used by Tom Hayden in his final draft of the Statement. The convention Program provides an outline of daily sessions, concluding with "debate, amemdments, and voting" on the Manifesto, then states: "The manifesto draft will be mailed after June 1 to registrants and those requesting it. Copies of other convention papers will be mailed out or available at Port Huron." This is possibly the earliest printed reference to The Port Huron Statement, the definitive political manifesto of the post-War era; it is also a tantalizing bit of evidence that early, unrecorded pre-publication drafts of the Statement may have been issued in some quantity prior to the convention. Neither letter, nor Program, nor Prospectus located in OCLC. Mimeographed form letter, extending an invitation to the first SDS National Convention, June 11-15, 1962. Signed in blue ink by SDS Chairman Robert A. Haber. Together with a one-page Convention Program, and a 5-pp prospectus titled "What is the S.D.S.?" (both mimeographed). Original folds for mailing, else Fine.

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        The Night of the Iguana. Signed copy

      London: New Directions. VG : in very good condition with dust jacket in clear protective wraps. Minor darkening to dust wrapper. 1962. Third Printing. Black hardback cloth cover. 210mm x 150mm (8" x 6"). 128pp. B/w frontis plate. Signed 'To Virginia from Tennessee' on the fep. Third printing edition in Second Printing dust wrapper. Dustwrapper designed by Nicola Wood. .

      [Bookseller: Barter Books Ltd]
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        Las Cruces

      Papeles de son Armadans, Madrid / Palma de Mallorca 1962 - First separate edition. Translated by Jorge A Franco Irizarri. 12mo. String-tied decorated wrappers. Very slight age-toning on wrappers, very near fine. Spanish translation of an excerpt "The Crosses," from his novel *The Cannibal*. Copy number 7 of 500 numbered copies. This copy Inscribed by the author to James Laughlin: "For J. from Jack. Providence. August, 1962." *OCLC* locates only two copies. [Attributes: First Edition; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Der Kerzenleuchter.

      - Farblithographie, 1962, 32x25 cm (Mourlot 366) (Künstlergraphik / Colour-Lithograph)

      [Bookseller: Antiquariat Martin Barbian]
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        The Alexandria Quartet

      Faber and Faber, 1962 - One of 500 numbered copies, signed by the author Spine a little faded, otherwise a very nice copy in original plain plastic dust-wrapper and slightly worn slipcase. Loosely inserted are a portrait postcard of Durrell signed by John Bodley and a letterpress poster announcing the author’s appearance at Mowbray’s Bookshop [Attributes: Hard Cover]

      [Bookseller: Bertram Rota Ltd]
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        La vache au pré noir de Jean Dubuffet *

      Imprimerie Union, Paris 25.12.1962 à minuit. - En feuilles 29 x 24, portefeuille noir à rabats, pièce de titre contrecollée. Un poil défraîchi. Véritable édition originale de ce chef d'oeuvre, parfois attribué à tort à Dubuffet qui n'en est que le sujet, de l'auteur et imprimeur ?pataphysicien; il ne paraîtra en effet au Collège que le 1er janvier 1963 dans la Grande Collection Inquisitive, sur papier teinté assez quelconque et couverture itou.En incipit, deux tirades (assez vaches) extraites du "Goûter des généraux" de Vian, suivi d'une lettre de l'auteur au peintre et de la réponse d'icelui, précédant enfin les 24 planches résultantes de l'exercice, pré-oulipien, de permutation des couleurs (tirage du rouge en noir, du jaune en bleu, etc.).Notre exemplaire, destiné aux amis de l'imprimeur, est bien complet de ses voeux pour "Que 1963 soit une année de vaches grasses". Édition originale A. L'un des 333 exemplaires numérotés sur Arches.

      [Bookseller: Librairie Oh 7e Ciel]
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        The Holy Gospel According to Matthew, Mark, Luke and John

      Officina Bodoni 1962 - Number 20 of 155 copies printed for the United kingdom, from the hand press of the Officina Bodoni, bound in full burgundy morocco with gilt stamped titles, housed in original cloth slipcase with morocco accents. Title page woodcut by Reynolds Stone, 114 woodcuts by Bruno Bramanti (save for the last 8, finished by his pupil, Italo Zetti, following Bramanti's death) fashioned after the original Bartolomeo di Giovanni wood illustrations in the 1495 Epistole et Evangelii. The book is in fine condition. Cloth-covered board slipcase with red morocco ends, a very light round stain on cover of slipcase. Inside pages are clean, unmarked, and very tightly bound. A fine collectible copy. [Attributes: Hard Cover]

      [Bookseller: Via Brevia]
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        Education Automation - Freeing the Scholar to Return to His Studies

      Carbondale: Southern Illinois University Press, 1962. Inscribed By Buckminster Fuller. First Edition. Hard Cover. Very Good+/Very Good. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Brooklyn Books]
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        ONE FLEW OVER THE CUCKOO'S NEST.

      Viking Press (1962)., New York: - First edition of the AUTHOR'S FIRST BOOK. First issue, in the first issue dust jacket, SIGNED BY KESEY. A classic book made into a classic movie directed by Milos Foreman, starring Jack Nicholson, Louise Fletcher and Danny DeVito. The story evolved from Kesey's time working as an orderly at a mental health facility in Menlo Park, California. Not only did he speak to the patients and witness the workings of the institution, he took psychoactive drugs as part of a project. Time Magazine named the book one of the 100 Best English-language Novels from 1923 to 2005. The book is bright and fine with just a few tiny spots on cloth; in an equally bright dust jacket with expert restoration to several small chips and tears. A sharp copy of the first-issue book and jacket--which is getting scarcer signed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quill & Brush, member ABAA]
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        The Works of William Shakespeare

      London: Oxford University Press, 1962. hardcover. fine. Prepared by W. J. Craig with and introductions by Edward Dowden. 3 volumes. Thick small 8vo, full red polished calf, green and beige leather spine labels, ornately gilt spines, all edges gilt, d.w. London: Oxford university Press, 1962. Fine.

      [Bookseller: Argosy Book Store]
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        LARGE ARCHIVE OF TELEVISION TYPESCRIPTS, one SIGNED, with extensive corrections and annotations

      1962 - 1963. Manuscript. Very Good to Near Fine. Exceptional and important collection of five television typescripts: "The Hollywood Story", "Goodbye Is for the Birds", "North Star", "Don't Blow Bugles (The Mafia Man)", and "Only the Young"; most represented in more than one copy and all written for "The Richard Boone Show" [ Boone was best known for starring in "Have Gun Will Travel"]. Some scripts are clean; other copies have extensive additions and deletions by Odets in ink with one script designated as a Work Copy and SIGNED by him. After completing much of the preliminary work for the series Odets died in August 1963. The latest script is dated 17 June 1963. The show was considered one of the best dramatic programs on the air (Robert Blake was in its repertory) but only survived for two seasons after the loss of its executive story editor. Odets gained fame in the 1930s for two plays: WAITING FOR LEFTY and AWAKE AND SING. Though he wrote other plays, including GOLDEN BOY and THE COUNTRY GIRL, he turned to Hollywood in the 1940s as both a writer and director (NONE BUT THE LONELY HEART, one of Cary Grant's best performances) and was investigated by Congress for Communist ties in the 1950s. He had numerous affairs with such actresses as Frances Farmer and Fay Wray. Odets was the inspiration for the title character in the Coen Brothers film BARTON FINK (1991). Extraordinary collection of early television scripts by one of its best early writers with the many corrections revealing much about the process of creating fine television drama.

      [Bookseller: Charles Agvent]
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        WORMWOOD REVIEW: A Collection of 89 Issues Comprising the Complete Run with Appearances by Charles Bukowski

      Storrs, CT/Stockton, CA: The Wormwood Review Press, 1962 - 1967. First Edition. Softcover. Near Fine and difficult to assemble today. A little magazine, stapled, with a pictorial front cover.These 89 issues contain all of Bukowski's appearances, from his first in 1962 to his last in 1997. Each issue is one of 500, 600, or 700 copies. No other magazine, except for OPEN CITY, rivalled WORMWOOD REVIEW for the number of appearances by Bukowski. Bibliographer Al Fogel called this publication "the cornerstone magazine of the 60's that literally launched Bukowski's career." Issue #29 is INSCRIBED and SIGNED by Hank in 1968.

      [Bookseller: Charles Agvent]
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        A Navajo Sketch Book

      Los Angeles: Glen & Muir Dawson, 1962. Trailfinder’s Edition. Slipcase a little dust soiled, else fine. Quarto.

      [Bookseller: Randall House Rare Books]
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        The Sin Or Evils Of Integration RACIST SEGREGATION CIVIL RIGHTS JIM CROW Interest

      New York: Carlton Press, 1962. 1st Edition. Hardcover Hardcover. Very Good/Very Good. (Religion) (Civil Rights) DAILEY, Reverend Louis E. The Sin Or Evils Of Integration. Undisguised attack upon the current movement to integrate the schools and public facilities of the United States. Echoing the account of Creation in Genesis 1:21-31 and the Covenant with Noah in chapter nine, Rev. Dailey identifies as God's First Commandment the injunction to creation 'To multiply and replenish the earth after his kind,' and blisteringly attacks the integrationists who would violate this commandment by unlimited mixing of the races. Although there is danger, says the author, in classroom, bus, and lunch-counter integration, the greatest fear is that future generations will weaken the racial strains of both white and Negro through intermarriage. Racial pride, says Rev. Dailey, often attacked as bigotry, is really a form of racial 'patriotism' which should be cultivated by all men, regardless of race. 'Those who have race pride think the race of which they are members has, on the whole, gifts and traits superior to those of other races. They have a passionate desire to keep the bloodstream of their race pure and free from contamination by other races.' Book is representative of the views of many Americans as well as the view of religion in certain areas of the country. Hardcover with dust jacket. First Edition/Printing. Duodecimo. Very Good/Very Good. Jacket shows rubbing with some fading and chipping. Toning. PO note inside front board. $2000.00

      [Bookseller: Yeomans in the Fork]
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        Raditzer

      London: Heinemann. (1962). The uncorrected proof copy of the first British edition of his third novel. Signed by the author. Matthiessen is one of the very few authors who has won the National Book Award for both fiction and nonfiction. Of his early novels, Matthiessen has said that he is not happy with them, and would just as soon they not be reprinted or read, although he hasn't gone so far as to prevent his publisher from bringing them back into print. His novel after this one, At Play in the Fields of the Lord, a National Book Award nominee, represented a significant jump from this book in terms of literary accomplishment. The book prior to this, Wildlife in America, started him on the path toward becoming one of our most highly regarded writers of natural history. This short novel, a tale of the sea that is reminiscent of Conrad, dates from an early period in Matthiessen's career and is uncommon even in the U.S. trade edition. This is the only copy of the British proof we have handled. Spine-sunned, else fine in wrappers. . First Edition. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        SILENT SPRING

      Boston: Houghton Mifflin, 1962. First Edition. Hardcover. Near Fine in a Very Good or better dustwrapper with light chipping to the spine head and minor edgewear. This book on the effects of pesticides is a landmark in environmental writing inspiring the movement that led to the banning of DDT and raising awareness of the important connection between humans and their environment which hitherto had been generally taken for granted. This copy is SIGNED by the author on the half-title page. Signed copies of this important book, one of the most important of the century by many standards, are rather scarce as, ironically, Carson died of cancer less than two years after its publication.

      [Bookseller: Charles Agvent]
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        A Clockwork Orange

      London: Heinemann,, 1962. Octavo. Original black boards, titles to spine gilt. With the dust jacket. Ownership inscription; an excellent copy in the jacket somewhat rubbed at the extremities with a few small chips and tiny tears. First edition, first impression, first issue binding and first issue dust jacket. Three issues exist: two in black boards (the first, as here, with the jacket priced 16s, the second priced 18s); the third issued in the late 60s in purple boards with a decimal price sticker.

      [Bookseller: Peter Harrington]
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        SPEECH ACCEPTING THE NOBEL PRIZE FOR LITERATURE. STOCKHOLM, DECEMBER 10, 1962

      New York: The Viking Press, [1962]. First Edition. wraps. Fine in chemise and a handsome slipcase. Printed wraps; 11 pages. One of 3,200 copies printed for presentation by the publisher. This copy is INSCRIBED and SIGNED by the Nobel Prize winner on the title page to critic Harry Hansen "who when there were/very few-- was there." Superb presentation to Hansen who was one of the early critics to praise OF MICE AND MEN. Housed in a cloth chemise and gilt-lettered morocco-backed cloth slipcase.

      [Bookseller: Charles Agvent]
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        Collection of 79 Installments of Presage

      Liechtenstein / Paris / Switzerland: Egaserp Établissements / Société d'Éditions de Mode / Studio Galfetti - Fontana, 1962-1978. Installments range in condition from fine to very good, bound in boards and wrappers.. First Editions. Quartos.& Collection of 79 installments of Presage, published between 1962 and 1978. A leading quarterly in haute couture from 1961 through 1987, Presage seamlessly combined art, fashion, and design in colorful issues on current trends, providing an alternative to the stark commercial fabric catalogues of the day. Created in Paris and marketed to an American audience, each issue sought to predict the upcoming seasons' styles through a selection of fabric swatches, photo illustrations, patterns, and fashion design sketches for men, women, and children. The staggering subscription fee of $750 abetted the journal's lavish production, which incorporated unusual materials such as foil, lace, styrofoam, and cloth, among other media, into its variously sparse, Pop, and postmodern designs. Under the leadership of designer Rosita Fanto, who directed the journal after its third issue, Presage also acted as a working tool for members of the specialized fashion industries; the typical volume was divided into six sections, each devoted to a distinct facet of the business and published under the titles Les Coloris (Color), Les Lainages (Wool), Les Tissés (Woven), Jersey Façonnes Dentelles (Jersey Brocade Lace), Les Imprimés (Print), and Sketch Future (Future Sketch). A noteworthy experiment in graphic design and book arts and important document of the evolution of late twentieth century fashion, the quarterly belongs to several museum and library collections, including the Yale University Library, the Victoria and Albert Museum, the Metropolitan Museum of Art, and the Centre Pompidou. Due to the extensive volumes created during the journal's 26 years of publication, complete sets are exceedingly rare.

      [Bookseller: Harper's Books, Inc.]
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        High Latitude

      Melbourne: Melbourne University Press 1962, 1st Edition. () xvi,292pp. Very good in poor dust jacket. Octavo. Original green cloth. Boards slightly bowed and worn. Dust jacket very worn and torn missing a large piece front the rear panel. Plates (including frontispiece portrait) from photos and 6 illustrations (maps) in text. Contents clean. Rosove 88.A1.b; Spence 355. H.W. Tilman's copy with his signiture on the front endpaper and dated Nov. 1963. John King Davis' biographical account of his part in several major Antarctic expeditions, including Shackleton's first expedition, 1907-09. Mawson's 1911-14 expedition, and he led the expedition to retrieve the Ross Sea members of Shackleton's "Endurance" expedition. Books from Tilman's library are very scarce. H.W. Tilman's Copy.

      [Bookseller: Aquila Books]
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        THE SITUATIONIST TIMES. Vol. 1-6. (All published).

      Edit. by Jacqueline de Jong. Hengelo, Copenhagen, Paris 1962-67. Richly illustr. and with 33 orig. lithographs by Jorn, Alechinsky, L. Castro, K. Geissler, M. Henry de Jon, W. Lam, R. Matta, A. Saura, A. Segui, Topor, J. Voss among others. 56 + 63 + 96 + 184 + 220 + 33 pp.. International political and artistic movement which was founded 1957 in Italy. It concisted of several small art-groups: Internationale Lettrister, London Psychogeographical Association and Bauhaus Imaginiste, and the movement was further more influenced by thoughts from CoBrA, Dada, surrealism and Fluxus. The Frenchman Debord was, together with Asger Jorn, the most prominent members but the movement existed only a few years because the difference of opinions was to big among the members; Jorn and Debord e.g., disagreed about the significance of art in the relation to the revolutionary political ideals of the movement. Printed in 1000-2500 copies. Text mainly in English and French. With textcontributions by Alechinsky, N. Arnaud, Max Bucaille, Debord, G. Fazakerley, A. Gagnaire, Jorn and others

      [Bookseller: Peter Grosells Antikvariat]
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        The New Jazz Book. A History and Guide

      New York: Hill and Wang,, 1962. Translated by Dan Morgenstern. Octavo. Original light grey cloth, titles to spine in purple. With the dust jacket. 32 pages of plates from photographs. Spine rolled, a few tiny spots to cloth. An excellent copy in the price-clipped jacket with a few small chips and short closed tears. First English language edition, first printing, originally published in Germany in 1959. Presentation copy inscribed by the translator on the front pastedown, "To a good guy, Dan, 1963" and by jazz pianist Teddy Wilson on the front free endpaper, "To Harvey with best wishes, Teddy Wilson". Wilson (1912–1986) was "the definitive swing pianist" (Songwriters Hall of Fame biography) who played with many of the greats, including Louis Armstrong, Lena Horne, Billie Holiday, Ella Fitzgerald, and Benny Goodman. He was one of the first black musicians to play with whites and later taught at Julliard. Wilson is mentioned numerous times in this volume, for instance, on page 182 Berendt writes that, "In the field of the real Swing style of the thirties the Earl Hines direction is embodied first of all in Teddy Wilson. He connects it with the format of the great coloured Swing soloists and with the elegance and affability which Benny Goodman brought to the jazz of that day. It is this connection which has led to a point – twenty-five years later – at which one seems to be hearing Teddy Wilson in every other cocktail pianist. Teddy Wilson, as a member of the Goodman combos and as leader of his own ensembles, participated in some of the best and most representative combo recordings of the Swing era. During the thirties he influenced almost every pianists…".

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  


        Man Ray, exposition de l'oeuvre photographique *

      Bibliothèque Nationale, Paris 1962. - Broché 27 x 21, couverture rouge titrée en blanc & illustrée. Petite déchirure sans perte en bord et menus défauts compensés par une page de faux-titre intégralement recouverte de notes et croquis d'un visiteur enthousiaste et un peu allumé. Très rare catalogue d' exposition présentant 76 oeuvres et document décrits, tiré sur papier vergé aux seuls recto des 19 feuillets, vraisemblablement ronéotypés. La photo figure Mer Woodman au repos, cool, between Ms Bol & Ms Pyramide.

      [Bookseller: Librairie Oh 7e Ciel]
 36.   Check availability:     AbeBooks     Link/Print  


        R. Th. Bosshard *

      Au Verseau, Lausanne printemps 1962. - Relié 32 x 23, couverture illustrée, rhodoïd imprimé. Nickel. Ouvrage fondamental abordant peintures, dessins, poèmes et textes, certains reproduits en fac-similé. Bien complet du précieux fascicule volant comprenant le catalogue des peintures de l'artiste (1080 numéros). Préface de Romain Goldron.Le plus beau livre sur le peintre, qui en aborde le plus globalement les multiples talents.Avec un petit croquis original à la mine de plomb, tiré de ses carnets, avec tampon d'atelier. Édition originale. L'un des 536 exemplaires numérotés sur vergé, après 64 Arches avec dessin original, lithographie, page manuscrite et flacon !

      [Bookseller: Librairie Oh 7e Ciel]
 37.   Check availability:     AbeBooks     Link/Print  


        Casey at the Bat - The Story of My Life in Baseball

      New York: Random House, 1962. Inscribed By Casey Stengel. Hard Cover. Very Good/Nearly Very Good. Illus. by Illustrated from Photographs. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Brooklyn Books]
 38.   Check availability:     Biblio     Link/Print  


        THE HAND OF THE ENEMY

      Manila, Philippines: Regal Books/Erewhon Bookshop Distributors, 1962. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. Manila, Philippines: Regal Books/Erewhon Bookshop Distributors, 1962. Hardcover. Fine/Fine. First Edition/First Printing. 120 pages. The author&#39;s debut novel. One of the greatest novels of the 20th century. The First Edition. Precedes and should not be confused with all other subsequent editions. Published in a very small and limited first print run as a hardcover original only. There is no ISBN. The First Edition is now very rare. Presents Kerima Polotan&#39;s first and only novel. It is important to keep in mind that at the time of its publication, the Philippines was one of the most prosperous nations in Asia, a vibrant democracy that enjoyed unprecedented economic growth, American financial largesse to its former colony and Workl War II ally, and an elite culture that encouraged Philippine writing in English. The external factors that help make a masterpiece possible cannot be overestimated precisely because the latter comes into being to challenge a modernizing nation&#39;s intrinsic soul. Once compared to Sartre (wrongly) and Heinrich Boll (rightly), Polotan is an original: Going against the Romantic grain, she wrote un-sentimentally, scathingly, and pitilessly about love, the impossible demands it makes on human beings, and its fundamental incompatibility not just with personal ambition but with the harsh realities of life. For Polotan, love is the sole reason for being. It&#39;s what we&#39;re here for. Its enemy, whose hand prevails in the end, is life itself. By all means, one should seize whatever saving grace life has to offer, be it the glory of literature; the pleasures of art; the consolation of religious faith; and most tangible of all, measurable, worldly success. Life is essentially a trade-off, and one must never ever have any illusions about the trade-offs one makes. Polotan saves her most withering words (in passages of great descriptive power) for those who think they can have it all. The bleakness of Polotan&#39;s vision is somewhat relieved by the generosity of her spirit. She cares about her characters, mourning rather than condemning their failings. Whereas almost everyone else writes in the "Creole" style (the flowery Philippine language infused with Spanish Baroque), her lean and elegant prose makes Polotan the greatest stylist in English the Philippines has ever produced. "Her searingly honest voice is without parallel. Like a diamond: Sharp, brilliant, cutting through the dross of hypocrisy. Tough exterior, generous heart" (Rowena Torrevillas). Polotan&#39;s tough-minded yet generous writing exposes the mediocrity of contemporary writing for what it is: Sterile prose, undergraduate philosophizing, Marvel Comics fantasy-narratives. "A man follows something more urgent than himself" (Kerima Polotan). Kerima Polotan died on August 19, 2011. She will not be replaced. An absolute "must-have" title for Kerima Polotan collectors. <b><i> This title is a modern classic. As far as we know, this is the only copy of the First Edition/first Printing available online and despite its imperfection (closed and open tears on DJ; slight fading on DJ spine) is still in fine condition: Clean, crisp, and bright, a beauty. Copies that occasionally turn up online have sold for $1000. A rare copy thus. </b></i> The greatest Philippine writer of the 20th century. A fine collectible copy. (SEE ALSO OTHER KERIMA POLOTAN TITLES IN OUR CATALOG).

      [Bookseller: Modern Rare]
 39.   Check availability:     Biblio     Link/Print  


        Who&#39;s Afraid of Virginia Woolf?

      New York: Atheneum, 1962. First edition. Octavo, original cloth. Inscribed by the author in the year of publication on the front endpage, "For _____, ______ & ______ _______ Edward Albee Dec. 7. 1962 N.Y.C." Octavo, original boards. Fine in an excellent near fine dust jacket with some wear to the crown and foot of the spine. A nice copy, uncommon inscribed in the year of publication. The Village Voice calls Albee&#39;s play "[a]n irreplaceable experience&#133;a crucial event in the birth of contemporary American theater!" Who&#39;s Afraid of Virginia Woolf? went on to win the 1963 Tony Award for Best Play and the New York Drama Critics&#39; Circle Award for Best Play. Basis for the 1966 film adaptation directed by Mike Nichols that starred Richard Burton and Elizabeth Taylor."Albee can&#133;be placed high among the important dramatists of the contemporary world theatre" (New York Post).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 40.   Check availability:     Biblio     Link/Print  


        Who&#39;s Afraid of Virginia Woolf (Signed First Edition)

      New York: Atheneum, 1962. First edition. Hardcover. First printing. One of the best known plays from this three time winner of the Pulitzer Prize in Drama. Basis for the Mike Nichols directed movie with Elizabeth Taylor and Richard Burton. A fine copy in a very near fine dust jacket with some slight rubbing to the spine ends and rear panel and a few very slight scratches to the rear panel. Signed and dated by Albee on the half title page in 2007. A lovely copy.

      [Bookseller: Jeff Hirsch Books, ABAA]
 41.   Check availability:     Biblio     Link/Print  


        THE POINTS OF MY COMPASS

      New York Harper & Row 1962 - First edition. Original black quarter cloth over grey boards with gilt title to the spine in (supplied) dustwrapper. Author's presentation copy, inscribed to friend and fellow author, Elizabeth Taylor, on the front end paper, "Elizabeth love and a Merry Christmas Katherine and Andy / North Blooklin, Maine". A very good copy, with a faded spine which has a couple of internal repaired closed tears to the joints and a little wear to the spine ends. In a very good dustwrapper. Elizabeth Taylor, the critically regarded British novelist, described by Kingsley Amis as "One of the best English novelists born this century", whose writing career was forced into relative obscurity as a consequence of coinciding with the rise of her more famous namesake, the American actress. Her style was in the mould of Ivy Compton-Burnett, Barbara Pym and Elizabeth Bowen, and has only recently been recognised as one of the important authors of the twentieth century. She wrote twelve novels and a clutch of story collections, most of which were originally published in, The New Yorker, where E.B.White's wife was her first editor. Taylor rarely travelled to American so did not often meet White but they became good friends via a long and frequent correspondence. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
 42.   Check availability:     AbeBooks     Link/Print  


        American Folk Blues Festival, Original, Vintage, 1962 German Concert Poster By Gunther Kieser

      American Folk Blues Festival Concert Poster, Auditorium Max,[Hamburg], Oct. 18,[1962], produced by Lippmann & Rau; designed by Gunther Kieser with the Michel + Kieser imprint to bottom centre right, inside the guitar margin. A1 Format, 23.25" by 33" (59 cm. by 83.8 cm.), in fine condition, bright, unmarked, with crisp factory folds. The American Folk Blues Festival was the brainchild of German concert promoters, Horst Lippmann and Fritz Rau, who had been successfully presenting jazz concerts in Germany since the mid - 1950&#39;s. The first AFBF was held in 1962, for which this poster was designed, and working with the well-connected Chicago bluesman, composer and bassist Willie Dixon, L&R were able to present a who&#39;s who of American urban and country blues artists for the first time to European audiences. Exposure to these great American blues musicians inspired and influenced a generation of British musicians, including future rock stars Mick Jagger, Eric Clapton and Steve Winwood, all of whom played an important role in the blue-based British Invasion of the 1960&#39;s. AFBF continued until 1972 with a series of highly successful concerts in Germany, France and England, after which the festivals were terminated for an eight year hiatus before resuming in 1980 for another five years. The posters created exclusively for the German AFBF festivals were designed by the eminent graphic designer Gunther Kieser and are representative of some of his finest music poster designs. A significant blues poster for the first presentation of the influential American Folk Blues Festival, in collector&#39;s condition. J1750 . First Edition. Fine.

      [Bookseller: JazzFirst Books]
 43.   Check availability:     Biblio     Link/Print  


        [Poster]: The Day of the Triffids

      Allied Artists USA: Allied Artists. 1962. Movie poster insert, measuring 14" x 35.75." Very good or better with three non-color breaking horizontal creases, some light wear at the edges and a couple of tiny oxidation spots. The insert poster for the 1962 cult classic, sci-fi film based on the book by John Wyndham starring Howard Keel and Nicole Murray. A wonderfully creepy image reprinted numerous times over the years. Our research could not locate another original poster (or reprint for that matter) which matches this exact layout with the oversized title box occupying the entire lower portion and with a reference to the original book. Scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 44.   Check availability:     ABAA     Link/Print  


        Noces. Le vent à Djémila *

      École Estienne, Paris 1962. - Relié 28 x 20, premier plat décoré. L'un des 40 exemplaires numérotés sur Rives, signés par l'artiste, seul et unique tirage. Ouvrage tout à fait méconnu, truffé d'un petit billet autographe signé du Maître Jacno à un "cher légionnaire" au sujet de ce travail d'élèves: "celui (là) je suis sûr que vous ne l'avez pas déjà !".Soufflé !

      [Bookseller: Librairie Oh 7e Ciel]
 45.   Check availability:     AbeBooks     Link/Print  


        Oeuvres complètes, 7 tomes (complet)

      1962. Garbell (16), Pelayo (16), André Masson (12 dont 2 en double-page) , Guiramand (16), Cavaillés (16), Borès (18), Carzou (16),. . aux Editions André Seuret, 1962-1965 broché, couverture rempliée, in 4 (28 x 21 cm), 450 + 324 + 465 + 405 + 345 + 490 + 373 pages Illustration de 110 lithographies en couleurs tirées par Mourlot Frères de Garbell (16), Pelayo (16), André Masson (12 dont 2 en double-page) , Guiramand (16), Cavaillés (16), Borès (18), Carzou (16),. sous chemise et emboîtage à dos bleu orné de petits fers dorés, titre doré. Tirage limité à 5000 exemplaires : 200 exemplaires numérotés de 1 à 200 sur Vélin d&#39;Arches enrichis d&#39;une suite en couleurs des illustrations et une lithographie originale signée par l&#39;auteur, 4800 exemplaires sur Vélin d&#39;Arches numérotés de 201 à 5000. Exemplaire 228 sur papier Vélin d&#39;Arches filigrané Albert Camus. Oeuvres complètes en 7 volumes comprenant : L&#39;étranger, La Peste, La Chute, Noces, L&#39;été, L&#39;exil et le royaume, L&#39;envers et l&#39;endroit, Le mythe de Sisyphe, L&#39;homme révolté, Discours de Suède, Actuelles, Lettres à un ami allemand, Caligula, Le malentendu, L&#39;état de siège, Les justes, Esprits, La dévotion à la croix, Le chevalier d&#39;Olmedo, Requiem pour une nonne, Les possédés, Carnets (mai 1935 - mars 1951) - Très bon état intérieur, couvertures, emboîtages avec quelques petits frottements, Bon exemplaire d&#39;une façon générale

      [Bookseller: LES TEMPS MODERNES]
 46.   Check availability:     Biblio     Link/Print  


        Force of Circumstance and Other Poems

      Published by Routledge & Kegan Paul, Limited, Broadway House, 68-74 Carter Lane, London First Edition 1962. London 1962. First edition hard back binding in publisher&#39;s original light yellow paper covered boards, black title and author lettering to the spine and to the upper panel. 8vo. 9&#39;&#39; x 6&#39;&#39;. Contains [x] 54 printed pages of text. Prynne suppressed this book, his first volume of poetry. A little foxing to the end papers. Very Good condition book in Very Good condition dust wrapper with just a little tanning of the paper to the spine and edges, not price clipped 12s 6d. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
 47.   Check availability:     Biblio     Link/Print  

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