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Displayed below are some selected recent viaLibri matches for books published in 1962

        A Clockwork Orange.

      London: Heinemann, 1962 - Octavo. Original black boards, titles to spine gilt. With the dust jacket. A bright copy, dust jacket darkened to spine, rubbed to folds and edges, corners nicked, a couple of small closed tears, price on inner flap covered with biro. First edition, first impression, first issue binding and first issue dust jacket. Three issues exist: two in black boards (the first priced 16s on the jacket, the second with the flaps trimmed and repriced 18s); the third issued in 1971 in purple boards with a decimal price sticker. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        A CLOCKWORK ORANGE (W/ SIGNATURE LAID IN)

      Heinemann, London 1962 - First UK Printing. True first issue of both book and dust-jacket in black boards and dust-jacket with requisite deep flaps. Front corners of boards are lightly bumped and book has a slight lean. Previous owner's name appears neatly on top of first page. New front free end paper has been almost invisibly tipped in. As usual with this title, there is some foxing to the page block. However, gilt title on spine is clean and bright. Small paper with author's signature laid into book. First state dust-jacket has the requisite deeper flaps and is in Very Good+ condition. It is price clipped and has slight sunning to spine and tenderness running up the backside of the front panel. Overall an affordable copy of this highly sought after high spot of twentieth century British literature and the basis for the iconic 1971 Stanley Kubrick film starring Malcolm McDowell. Very Good - in Very Good +. dust jacket. [Attributes: First Edition; Signed Copy]

      [Bookseller: Whitmore Rare Books, ABAA, ILAB]
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        A Clockwork Orange

      London, Melbourne and Toronto, Heinemann,, 1962. Octavo, pp. [viii] + 196. Finely bound in black full morocco, with gilt title, gilt decoration and raised bands on spine, gilt rules to boards, marbled endpapers, all edges gilt. Original cloth spine bound in at the back. Some occasional foxing. A very good copy in a fine binding. First Edition, First Issue.

      [Bookseller: Peter Harrington]
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        One Flew Over the Cuckoo's Nest

      New York: The Viking Press. (1962). First. First edition. Tiny smudge on front fly still easily fine in very near fine dustwrapper with a small chip at the crown but virtually none of the usual spine fading. Author's uncommon first book, something of a generational keystone and basis for the 1975 film which was the first to win all five major Oscars since It Happened One Night did in 1934. A bright, beautiful copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Fables. 6 volumes.

      Paris, Editions d'Art Les Heures Claires 1962-1966 - Illustrations de Henry Lemarié. 57 compositions gravées sur bois en couleurs dans le texte dont 3 vignettes de titre. 3 volumes de texte + 3 volumes de planches. Cet exemplaire (n°102) un des 114 sur vélin de Rives, auxquels on a ajouté à chacun des volumes : une suite en couleurs des illustrations + une suite en noir avec remarques du trait gravé sur cuivre + une suite en noir + une décomposition des couleurs, numérotés de 37 à 150. Paris, Editions d'Art Les Heures Claires, 1962-1966. Pages volantes sous couvertures rempliées imprimées et illustrées. Chemises et étui cartonnés illustrés. Très bon état. Format in-4°(25x20) Edition illustrée [Attributes: Soft Cover]

      [Bookseller: EURL Livres et Collections]
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        Aperture Volume 10, Number 4 (10:4): Frederick Sommer: 1939-1962 Photographs

      Aperture, Inc., New York 1962 - First edition, first printing. Soft cover. Printed laminated wrappers. Photographs and text by Frederick Sommer. Edited by Minor White. Designed by Frederick Sommer. Includes a chronology, bibliography and exhibition history. Unpaginated (40 pp.), with 30 beautifully printed black and white plates. 9-1/4 x 7-7/8 inches. Out of print. Extremely scarce. CONDITION: Fine (a very slight small bend at the spine; bright covers; all plates Fine). A rare Near Mint copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        CONTES.

      - Paris, Editions d’Art Les Heures Claires, 1962-1970. 3 volumes petits in-4 en feuilles, sous chemises illustrées rempliées et doubles beaux emboîtages décorés. Illustrés par de nombreuses et très fines aquarelles de HENRY LEMARIE gravées sur bois. La conception et la réalisation de ces ouvrages demandaient plusieurs années; 3000 bois gravés par Jean Tarrico ont été nécessaires pour celui-ci et 3 années de travail! Texte encadré d’un filet teinté. L’un des exemplaires numérotés sur vélin de Rives. A l’état de neuf.

      [Bookseller: LA BOUQUINERIE]
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        Naked Lunch (First American Edition, review copy, signed)

      New York: Grove Press, 1962. First American Edition. First issue jacket with a price of $6.00 on the front flap. REVIEW COPY, with laid-in publisher's slip noting the title, publisher's price and release date. Signed and dated (1994) by the author on the title page. & & Very Good plus or better in a Near Fine dust jacket. Bookplate of author Mark Schorer on the front pastedown, short stray blue ink mark (not a remainder) to the bottom page edges, extremities lightly bumped. Jacket spine slightly faded, with light shelfwear at the extremities. An attractive copy of a seminal Beat novel. & & Maynard and Miles A2.b.

      [Bookseller: Royal Books, Inc.]
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        Four Poems of the Occult. Illustrations by Fernand Leger, Pablo Picasso, Yves Tanguy and Jean Arp. Edited & with introductions by Francis Carmody

      [Kentfield, California:] The Allen Press, 1962. - The illustrations, reproduced by permission of Claire Goll, consist of six line drawings by Fernand Leger, four lithographs by Pablo Picasso, three etchings by Yves Tanguy, and eight wood-engravings by Jean Arp. This is a remarkable collaboration, showcasing four of the most important artists of the twentieth century. Folio. [98] leaves, in five unsewn sections, each in beige handmade paper wrappers. Nine hand-colored initials and forty-seven border drawings by Mallette Dean. Printed letterpress on Rives handmade paper. Together in natural linen slipcase and chemise. A fine copy. With the prospectus and the handling instructions to the reader laid in. One of 130 copies, First edition in English of these poems. Allen Press Bibliography, 25. [Attributes: First Edition; Soft Cover]

      [Bookseller: Michael R. Thompson Books, A.B.A.A.]
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        Revue xxe siècle. l'art, la conscience du monde

      Xxe Siècle 1962 - Revue in-4 brochée. XXe siècle. Nouvelle série - XXIV année - N° 20.Noël 1962. Cahiers d'art publiés sous la direction de Gualtieri di San Lazzaro.158 pages.Couverture cartonnée illustrée en couleurs par Georges Braque.Textes de Brion, Verdet, Evrard, Taillandier, Waldberg, Brenner, etc.Illustrations en noir et en couleurs.3 lithographies originales par Max Ernst, Manessier et Baj. art. peinture. sculpture. beaux-arts.lithographies originales. [Attributes: Soft Cover]

      [Bookseller: Tiré à Part]
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        Le jour le plus long.

      Robert Laffont 1962 - - Robert Laffont, Paris 1962, 15,5x24cm, broché. - Nouvelle édition de la traduction française imprimée à l'occasion de l'adaptation cinématographique de ce texte important conqcré au Débarquement du 6 Juin 1944. Rare signature autographe de l'auteur. Iconographie. Quelques éraflures angulaires sur les plats, exemplaire complet de son prière d'insérer. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        ROCKWELL KENT'S GREENLAND JOURNAL.

      Ivan Obolensky Inc., (1962), New York: - Drawings by Kent. Inscribed by Kent "to my honored friend Maxwell Geismar", an influential critic of the milieu, and no doubt politically kindred spirit to Kent. A VG+ book in a similar jacket, which has a slightly sun-tanned spine panel. Green cloth binding, with silver stamped lettering to spine. Map eps. Dust jacket, with artwork by Kent. 8vo. 1st edition. INSCRIBED by Kent on a preliminary blank. x, 302, [6] pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tavistock Books, ABAA]
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        Dick Francis Complete Set. Dead Cert, Nerve, For Kicks, Odds Against, Flying Finish, Blood Sport, Forfeit, Enquiry, Rat Race, Bonecrack, Smokescreen, Slay-Ride, Knock Down, High Stakes, In The Frame, Risk, Trial Run, Whip Hand, Reflex, Twice Shy, Banker, The Danger, Proof, Break In, Bolt, Hot Money, The Edge, Straight, Longshot, Comeback, Driving Force, Decider, Wild Horses, Come To Grief, To The Hilt, 10-lb Penalty, Field Of Thirteen, Second Wind Shattered and Under Orders.

      Michael Joseph 1962-2006., London - First editions of each of the first forty Dick Francis' mystery novels.Octavo, 40 Volumes. All forty volumes are signed by Francis and the first three novels: "Dead Cert", "Nerve", and "For Kicks" are signed with lines transcribed from them by Francis. The Set Consists of: Dead Cert, Nerve, For Kicks, Odds Against, Flying Finish, Blood Sport, Forfeit, Enquiry, Rat Race, Bonecrack, Smokescreen, Slay-Ride, Knock Down, High Stakes, In The Frame, Risk, Trial Run, Whip Hand, Reflex, Twice Shy, Banker, The Danger, Proof, Break In, Bolt, Hot Money, The Edge, Straight, Longshot, Comeback, Driving Force, Decider, Wild Horses, Come To Grief, To The Hilt, 10-lb Penalty, Field Of Thirteen, Second Wind Shattered and Under Orders. An exceptional set each title is fine in near fine to fine dust jackets. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        R. Crumb?s early ?Sad Comic Strip?

      Early Original Complete Comic Strip Signed ?R. Crumb,? in pencil, two pages, 6.75? x 8.5?, front and verso. No place, ?St. Patrick?s Day 1962.? On lined paper. Fine condition.The star of this comic strip is ?Little Billy Bean,? Robert Crumb?s alter-ego in his early works. Born August 30, 1943, Crumb was 18 when he drew this strip. Titled ?A Sad Comic Strip,? pudgy, bow-tied Billy is lying on his back and thinking about his future. Twelve drawings of Billy, flat on his back, one thought under the title; the remaining 11 are each accompanied by his thoughts:?I am completely confused. I utterly don?t know what to do.??Should I lay here or should I get up???There surely isn?t any sense in getting up, since I have no purpose, no goal, no reason for doing anything.??My life is without meaning. All is chaos and confusion. I might as well lay here till I rot.??What?s the use in getting up and trying to

      [Bookseller: University Archives]
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        The Spy Who Loved Me - 1st Edition/1st Printing

      London: Jonathan Cape. Fine in Fine dust jacket. 1962. First Edition; First Printing. Cloth. A handsome First Edition/First Impression in Fine condition in alike, crisp dust-jacket without fading, vibrant and bright colors; Central character and narrator is "Vivienne Michel, " a young Canadian woman who ends up running a cheap motel in the Adirondack Mountains to pay for a trip through America. When issued, it was banned in some countries as the most sexually explicit of Fleming's novels. Basis for the movie with Roger Moore in his third James Bond role, Barbara Bach as Major Anya Amasova (Agent Triple X) and Curd Jürgens as Karl Stromberg .

      [Bookseller: Books Tell You Why]
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        AMERICAN PHOTOGRAPHS. Essay by Lincoln Kirstein.

      Museum of Modern Art (1962), NY - Small 4to., 195 pp., 87 photographic plates. Cloth, titled in gilt on the spine; a very good copy. The photographically illustrated dust wrapper is soiled, torn at the spine and upper front flap, and creased; a respectable example of the photo-illustrated dw. This copy in inscribed on the blank front fly leaf, "for John and Dorothy - my patrons, with love - Walker. June 1962". Walker Evans first met John and Dorothy Eisner (McDonald) in the early 1940's at one of the frequent gatherings of artist and writers at the home of Lionel and Diana Trilling. John McDonald, a writer, had been an assistant to Leon Trotsky during his exile in Mexico; Dorothy Eisner, a painter, was also in Mexico at the time and made several portraits of Trotsky. Walker Evans and John McDonald became collaborators on articles when McDonald joined the staff of Fortune in 1945. Evans and the McDonalds' often spent weekends together; their intimate friendship lasted the rest of their lives. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
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        We Have Always Lived in the Castle [Inscribed Association Copy]

      NY: Viking. (1962). A novel of the macabre. This book was one of Time magazine's 10 best books of the year for 1962. Inscribed by Jackson to her [husband's] aunt and uncle: "For Aunt Anna and Uncle Henry. With love. Shirley." Some tanning to the spine cloth; near fine in a near fine dust jacket. An interesting association copy of the last of her books published in her lifetime, and in which, among other events, an aunt and an uncle are poisoned. Along with The Lottery and The Haunting of Hill House, this book is in part responsible for there being a set of annual literary awards named after Shirley Jackson, "for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic." First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        FAUST.

      - Paris, André Vial, 1962. En feuilles : 25,5x33 cm. Traduction de Gérard de Nerval. Illustré A LA MAIN par Pierre Rousseau (14 aquarelles hors-texte). Couverture rempliée. Chemise-étui en plein toile bordeaux. Couleur du dos de la chemise légèrement passée à la lumière, sinon ensemble en très bon état. Un des 85 exemplaires sur vélin de Rives. Chaque illustration est une oeuvre originale ! Elles ne sont pas imprimées !!!

      [Bookseller: Librairie de l'Univers]
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        Symmetries of Baryons and Mesons

      American Inst, Lancaster, PA and New York, NY 1962 - FIRST EDITION of Murray Gell-Mann's Nobel-Prize winning work on the discovery of the "Eightfold Way" "Gell-Mann, as naturalist, collector, and categorizer, was well primed to interpret the exploding particle universe of the 1960s. New technology in the accelerators- liquid hydrogen bubble chambers and computers for automating the analysis of collision tracks- seemed to have spilled open a bulky canvas bag from which nearly a hundred distinct particles had now tumbled forth. Gell-Mann and, independently, an Israeli theorist, Yuval Ne'eman, found a way in 1961 to organize the various symmetries of spins and strangeness into a single scheme. It was a group, in the mathematicians' sense of the word, known as SU(3), though Gell-Mann quickly and puckishly dubbed it the Eightfold Way. It was like an intricate translucent object which, when held to the light, would reveal families of eight or ten or possibly twenty-seven particles- and they would be different, though overlapping, families, depending on which way one chose to view it. The Eightfold Way was a new periodic table- the previous century's triumph in classifying and thus exposing the hidden regularities in a similar number of disparate 'elements.' But it was also a more dynamic object. The operations of group theory were like special shuffles of a deck of cards or the twists of a Rubik's cube. "Much of SU(3)'s power came from the way it embodied a concept increasingly central to the high-energy theorist's way of working: the concept of inexact symmetry, almost symmetry, near symmetry, or- the term that won out- broken symmetry. The particle world was full of near misses in its symmetries, a dangerous problem, since it seemed to permit an ad hoc escape route whenever an expected relationship failed to match. Broken symmetry implied a process, a change in status. Many of the broken symmetries of particle physics came to seem like choices the universe made when it condensed from a hot chaos into cooler matter, spiked as it is with so many hard-edged, asymmetrical contingencies. "Once again Gell-Mann trusted his scheme enough to predict, as a consequence of broken symmetry, a specific hitherto-unseen particle. This, the omega minus, duly turned up in 1964- a thirty-three-experimenter team had to canvass more than one million feet of photographs- and Gell-Mann's Nobel Prize followed five years later" (James Gleick, Genius). Particle Physics, One Hundred Years of Discoveries: "Introduction of the SU(3) singlet-octet structure of the known mesons and octet-decuplet structure for the baryons. Prediction of the ?- hyperon. Nobel prize to M. Gell-Mann awarded in 1969 'for his contributions and discoveries concerning the classification of elementary particles and their reactions'." NOTE: Gell-Mann first introduced the concept of the Eightfold Way in a 1961 Cal. Inst. Tech Report (CTSL-20) before developing his ideas more fully in his famous paper in The Physical Review. In: The Physical Review, Vol 125, pp. 1067-1084. Lancaster, PA and New York, NY: American Institute of Physics, 1962. Quarto, original printed wrappers; custom box. A little spotting to spine, otherwise fine. [Attributes: First Edition; Soft Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        Six Crises **SIGNEDF 1st Edition /1st Printing**

      New York, New York, U.S.A.: Doubleday 1962 - Personally signed by Richard M. Nixon with "To Ruth Montgomery, With Best Wishes, from Dick Nixon" directly on the first free end page. First Edition, First Printing. Hardcover. This 48-year-old book is in remarkably good condition. Book is tight, square, and appears unread. Light, normal tanning to pages. Light grey boards are in very good to near fine condition, with very few, minor flaws. Dust jacket is in bright and in remarkable condition for its age, with minor shelf wear, some minor chips, one 1" closed tear, and minor rubbing. In a protective mylar cover. Overall, a remarkably very presentable and well preserved copy of this important historical book. Please e-mail any questions or request for photos. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: JLJ Books]
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        DERRIÈRE LE MIROIR, No 132. Chagall.

      - Paris, Maeght, Juin 1962. 38 : 28 cm. Mit 2 Orig.-Farblithographien von Marc Chagall (1 doppelblattgr., 1 auf Umschlag) u. 13 Abb. Orig.-Umschlag. Erste Ausgabe. - Mourlot 355-356. - Cramer 50. - Enthält die schöne doppelseitige Farblithographie "La baie". - Schönes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        The Golden Notebook.

      Michael Joseph, London 1962 - First edition of the Nobel Prize-winning author's magnum opus. Octavo, original cloth. Signed by the author on the title page, Fine in a very good dust jacket that shows some wear to the extremities. "The Golden Notebook is Doris Lessing's most important work and has left its mark upon the ideas and feelings of a whole generation of women" (Elizabeth Hardwick, New York Times Book Review). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Ficciones. Edited and with an Introduction by Anthony Kerrigan.

      New York: Grove Press, Inc., 1962 - Octavo. Original marbled green and yellow boards, spine lettered in green, top edge brown. With the dust jacket. Small dent to the head of the front board, internally very fresh; an excellent copy, in the slightly rubbed jacket that has some nicks and creasing to the extremities. First US edition, first printing. First published in Buenos Aires in 1956, with the English translation in the UK the same year as the US edition.

      [Bookseller: Peter Harrington. ABA member]
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        ON HER MAJESTY’S SECRET SERVICE Inscribed Presentation Copy of the first edition together with the marked up Uncorrected Proof Copy.

      London: Jonathan Cape. & 1963 1962 - First edition, first printing together with the Uncorrected Proof Copy. The first an INSCRIBED PRESENTATION COPY. Original cloth in dustwrapper. A very good copy, in the very good rubbed and nicked original dustwrapper. Not price-clipped. Inscribed by the author on the front free endpaper "To Aubrey / who wrote some of it! / From Ian". The uncorrected proof copy; bound in the publisher’s original card covers, in dustwrapper. A very good copy in the very good rubbed and nicked oversized proof dustwrapper which differs considerably from the published version. Laid in is a typed letter from Jonathan Cape chairman Michael Howard to Aubrey Forshaw. Dated 10th December 1962, it reads, "I finally got Ian to adopt a more intelligible variant of the offending back axle passage in O. H. M. S. S. and I have checked that all the literals you marked have been corrected in the press proof. I have an idea you said you wanted your proof back and therefore return it herewith." Provenance: Aubrey Forshaw, Managing Director of Pan Books, publisher of the James Bond novels in paperback and Ian Fleming’s expert for technical information concerning James Bond’s cars. It was in this respect that he was asked by Fleming to read the proof of On Her Majesty’s Secret Service and correct any errors. "The offending back axle passage" referred to in Michael Howard’s letter appears on page 23, with Aubrey’s corrections in pencil to the margins. Further corrections, suggestions and typographical errors appear in the margins elsewhere, all of which are adopted to the first edition text. An outstanding presentation and association, and genuine working manuscript of the tenth James Bond novel. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        The Spy Who Loved Me. (A James Bond novel).

      London: Jonathan Cape. 1962 - First Impression, State A, INSCRIBED by the author to the correspondent Jonathan Connolly. Trivial wear; a near fine copy, hosed in a custom-made leather-spined clamshell box. The tenth book in the James Bond series; A beautiful girl with a sensual past, Vivienne Michel is different from all the women 007 has known before. When she is confronted with two evil killers there is only one man who can save her -Bond himself. Gilbert A10a (1.1). [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
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        The Spy Who Loved Me - 1st Edition/1st Printing

      Jonathan Cape, London 1962 - A handsome First Edition/First Impression in Fine condition in alike, crisp dust-jacket without fading, vibrant and bright colors. Variant copy with printer's quad mark on the title page; Central character and narrator is "Vivienne Michel, " a young Canadian woman who ends up running a cheap motel in the Adirondack Mountains to pay for a trip through America. When issued, it was banned in some countries as the most sexually explicit of Fleming's novels. Basis for the movie with Roger Moore in his third James Bond role, Barbara Bach as Major Anya Amasova (Agent Triple X) and Curd Jürgens as Karl Stromberg [Attributes: First Edition; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        Un éventail

      Editions Leda, Paris 1962 - Jaime Sabartes. Un éventail. 1962, Portfolio with a foreword of Jaime Sabartes, 10 pochoirs realized by Daniel Jacomet (7 in colors) and a lithograph in colors printed by Mourlot, after works (1905 to 1914) by Picasso. Editions Leda, Paris. Edition : 200 copies + LX (60) copies H.C. The lithograph and pochoirs have various sizes. Size of the portfolio : 35 x 48 cm. Condition : Folder with minimal defects, internally in very good condition. Ref. : Monod Vol. II n° 9080. [Attributes: First Edition; Hard Cover]

      [Bookseller: Marninart, Inc (ABAA - ILAB)]
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        PICASSO DE 1916 A 1961.

      - Monaco, Editions du Rocher, 1962. En feuilles : 27,5x37,5 cm. Ouvrage illustré de 24 lithographies tirées par Fernand Mourlot (dont celle de couverture et 2 sur double pages). Ouvrage signé au crayon par Picasso et Cocteau. Couverture rempliée. Titre apparaissant à travers un découpage sur la première de couverture. Chemise-étui en demi-peau brune, portant le nom de l'auteur et le nom de l'artiste en lettres dorées. Traces de frottement sur la chemise-étui, sinon ouvrage lui-même en excellent état. Un des 199 exemplaires sur Rives pur chiffon à la forme (n° 188). [Attributes: Signed Copy]

      [Bookseller: Librairie de l'Univers]
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        PICASSO de 1916 à 1961.

      Monaco: Editions du Rocher, 1962, first edition; one of 199 copies (total edition 255), signed in pencil by Pablo Picasso and Jean Cocteau on the justification page. The complete book with text by Cocteau and 24 original lithographs by Picasso (11 of them hors-texte, including the front wrapper, while 2 are double page), printed in black by Mourlot. Loose leaves in the publisher's wrapper folder, front cover of which is an original lithograph with a cut-out profile revealing the title printed underneath, in publisher's chemise and slipcase; in practically new condition (the slipcase with a minor crease). "On the occasion of Picasso's 80th birthday, Pierre Bertrand, who was Cocteau's publisher, assembled eleven of the poet's texts which refl - Monaco: Editions du Rocher, 1962, first edition; one of 199 copies (total edition 255), signed in pencil by Pablo Picasso and Jean Cocteau on the justification page. The complete book with text by Cocteau and 24 original lithographs by Picasso (11 of them hors-texte, including the front wrapper, while 2 are double page), printed in black by Mourlot. Loose leaves in the publisher's wrapper folder, front cover of which is an original lithograph with a cut-out profile revealing the title printed underneath, in publisher's chemise and slipcase; in practically new condition (the slipcase with a minor crease). "On the occasion of Picasso's 80th birthday, Pierre Bertrand, who was Cocteau's publisher, assembled eleven of the poet's texts which reflected his friendship with Picasso. The latter illustrated these texts with 24 lithographs, some of which are drawn in Cocteau-esque style " - Cramer 117. Other references: Bloch 1037-1060; Monod 2926. [Attributes: First Edition; Signed Copy]

      [Bookseller: Gemini Fine Books & Arts, Ltd. (ABAA)]
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        Linogravures

      Cercle d'Art, Paris 1962 - In folio oblong, relié toile d'éditeur sous étui illustré. 45 planches en couleurs imprimées en linogravure. Tranches légèrement jaunies, étui défraichi sinon bon exemplaire. [Attributes: Hard Cover]

      [Bookseller: La Basse Fontaine]
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        Le con d'Irène. Préface par / Foreword by André PIEYRE DE MANDIARGUES.

      Cercle du livre précieux 1962 - Le cercle du livre précieux, 1962. In-4, XXII-118 p., reliure éditeur cuir blanc, étui. / 4to, XXII-118 p., white leather publisher's binding, slipcase. Un des 700 sur Arches avec en frontispice une eau-forte originale de Hans BELLMER. / One of the 700 on Arches with an original etching by Hans BELLMER as a frontispiece. * Voir photographie(s) / See picture(s). Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable.

      [Bookseller: Chez les libraires associés]
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        Automobile Quarterly Volumes 1 - 41

      Automobile Quarterly Inc., New York 1962 - Volumes 1 - 41 complete, 4 issues per volume (164 total). Published consecutively starting from Vol 1, No 1: Spring 1962. Oblong 8vos. Cloth, approx 100 pp per issue. Each volume of four issues in original black slipcase except Vols 40-41, which are missing slipcases. Scuffing/spotting to top edge of Vol 1 slipcase, very minor wear to slipcases in general. Minor bumping to spine ends, light foxing to textblocks and/or eps of some issues, faint foxing to a few scattered pages of oldest issues. Light damp-stain to fep of Vol 2, No 1. Texts otherwise clean and crisp overall, bindings tight. Includes color photos and illustrations throughout. "The Connoisseur's Periodical of Motoring Today, Yesterday and Tomorrow." [Attributes: Hard Cover]

      [Bookseller: Cellar Stories Bookstore]
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        THE FIFTH ANTIQUARIAN BOOK FAIR. A Handlist Of Exhibitors. Signed.

      The National Book League, London 1962 - First Edition. A Handlist Of Exhibitors for the Fifth London Antiquarian Book Fair, with a charming introductory essay on book collecting by Lawrence Durrell, reprinted in, The Antiquarian Bookman, May-June 1962. This copy one of ten printed on Barcham Green Paper, Signed by Lawrence Durrell and auctioned in aid of the Antiquarian Bookseller's Benevolent Fund. Thin 8vo. Fine in wrappers, as issued. [From a comprehensive TBCL Durrell collection of first editions in superb condition] [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        The Alexandria Quartet.

      London, Faber and Faber, 1962 - Octavo. Finely bound by Hatchards in crimson half morocco, titles and decoration to spine, raised bands, crimson cloth boards, cockerell endpapers, top edge gilt. Spine a little sunned but an excellent copy handsomely bound. Limited edition of 500 copies signed by the author. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        THE ALEXANDRIA QUARTET Justine, Balthazar, Mountolive and Clea.

      London: Faber and Faber 1962 - First single volume edition. SIGNED BY THE AUTHOR. Limited to 500 copies. Bound in the publisher’s orange boards, with original acetate and black and gold slipcase. A fine copy, with the slightest of fading to the spine. Housed in a purpose-made folding box. The author had always intended the Alexandria Quartet to be read as one novel. This printing also allowed him to correct and amend the text of the first editions. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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